It’s almost 12pm but I had the random urge to finally do this so here it is:
I actually started the rewrite! 🎉🎉
I remember watching a yt vid once that said you feel less likely to do/commit to something after you’ve announced that you’re trying to do something and uh… yeah that def applies to me. So I haven’t said anything.
I only finally started writing the rewrite a week ago tho, so it’ll be a long while until anything is actually posted since I want to at least 1) rewrite everything beyond what I’ve already written and 2) churn out a bunch more chapters so I’m ahead in case I burn out like I know I will at some point.
Anyway here’s the current word count:
I think I used to be able to write some 7k a week when I was writing SAS before, so it checks out at least.
Now, of course, since it’s a rewrite of a fic I wrote when I was 15, there’s quite a bit different so far. Right now I’ve only written the first chapter (? Tbh I’m not labeling it as chapters right now I’m just writing and I’ll see how I want to split it) but I’ve already covered content from both chs 1 and 2 of the old version. A LOT has been cut bc I didn’t like how much fluff I was putting into each chapter and pretty much stalling my own work. Zoro joining Luffy back at Fuusha was not even A THIRD of what I’ve had planned for this series. So now, a lot of that fluff has been removed to get to the barebones of the situation and continue to move the plot along to new things hopefully before 50k+ words this time.
I still can’t promise when anything will get published but please have peace in mind that it will eventually. I’m actually finally working on it now that I’m back into the fandom 💜💜
I don’t think I’ll formally announce the fic’s status until I’m well into the rewrite, so for now I’ll keep giving progress updates here. Lucky you guys!
Also, I’ll be putting both the rewrite and the old version (which I think I’m gonna give it’s old name back since the rewrite will be called SAS) in a series. I might add some side stories in there too when I get to them?
How does Dusk Before Dawn sound?
1 note
·
View note
Now that the post is over 10k and my notes are straight-up unusable...
One thing I wish I'd spelled out more explicitly in the original post because I see this point getting lost on a lot of rebloggers who don't understand why the healthcare thing was such a big deal is like
The subtext I thought would be understood bc I lived back then but apparently has been lost today is that making sure queer employees and their partners had healthcare in the early 90s meant Disney was paying for a lot of AIDS treatment.
This is one reason fundie Christians were so upset and queer employees were so grateful. It's one reason why it was such a controversial decision. It was a major talking point amongst my family, who believed back then that AIDS was a punishment from God.
(Some still do, I think. We don't talk.)
I keep seeing people saying that Disney only chose that option "because of their bottom line" and it's like??? Were you listening??? Disney has been paying for that decision for literally decades, but they've stood by it.
Like... the 90s weren't like now! It wasn't profitable to cater to the queer population of the country back then. They weren't raking in money with this.
It's in no way a perfect company but I fully believe in criticizing people for the specific things they do wrong and praising them for the specific things they do right. Disney has fucked copyright, monopoly, and labor laws and I'm not about to defend that. But they are well known in FL for being friendly to both queer people and disabled people, and that is unambiguously a good thing.
(Like side note, I could talk about Disney and accessibility for days. I have traveled extensively while disabled and no one does it like Disney.)
I've had people reblogging the post like "I straight-up don't believe Disney is an industry leader in equal protections for queer employees" and it's like ??? do you think I just pulled this out of my ass? If you want more information, go look it up! You'll see that this is well-established history. It's not my fault y'all don't read! :|
9K notes
·
View notes
i don’t usually like to post fanart on here but i’ve been so excited at the glimpses of hades 2 I’ve seen, so i had to doodle my all-time favorite fruits
1K notes
·
View notes
soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart
sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers
and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure
the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish
soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down
he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill
we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan
he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost
he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them
he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted
he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much
571 notes
·
View notes
Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.
Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.
Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.
Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.
986 notes
·
View notes
[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
289 notes
·
View notes