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#I’m on s2 so not major spoilers please
stsgluver · 1 year
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I'M HERE – gojo satoru
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synopsis. reluctantly, you agree to a new life with two children and your ex. PART TWO OF FOUR.
wc. 3.4k
tags. angst, swearing, happy ending-ish, spoilers for s2
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“get out.”
satoru flinches at the coldness in your tone, and you want to scoff. as if though he gets to be the one who’s hurt right now. your hands ache and your head feels like it’s imploding as you struggle to take in everything he says. it’s too much, too important, too soon.
a year has passed but you’ve barely had the chance to accept how cruel he’d been when he pushed you away, like you had meant nothing. like you hadn’t spent almost three years side-by-side, majority of that as his girl. 
gojo satoru is someone who always got what he wants – and he got you. he had all of you: mind, body, and soul… but that wasn’t enough for him. you weren’t enough for him. 
“yn–” again, he tries reaching for you and, again, you reject the advancement, standing up abruptly to ensure you can keep the space between the two of you. you swallow thickly and point towards your half open door. gojo’s eyes don’t follow the direction of your hand, instead staying intently on your face as he indulges himself in his favourite picture, even if that picture is stained with damp streaks.
“get out,” you repeat slowly. he needs to leave you in peace again – or whatever peace you’d come to accept after his sudden departure from your orbit. as much as you hate him, your body and mind is still intuitive with his. it feels wrong to watch him cry and not try and comfort him, and from his actions and the way his hands remain stiff at his sides, fidgeting with the material of his pants, you know he feels the same.
after all he just confessed his love for you, you’re aware of how he feels. but you don’t know what he’s thinking and that terrifies you.
“please.” he is begging, the strongest sorcerer alive is pleading for you, but you’re not sure what he expects you to say. i love you? let’s get back together? yes, i’ll totally take care of that monster’s children with you? i’m totally fine even though my best friend decided to murder a tonne of people and then you broke up with me and then i spent 12 months trying not to die on insane missions that i was sent on because the higher ups hate me and i don’t have you as a buffer anymore?
you scoff, arms crossing in front of as you roll your eyes at his ignorance to your suffering, “gojo satoru, i swear to go–”
“woah, woah, what’s going on in here?” 
your eyes dart to the door and you have never been so happy to hear the voice of your dear friend, shoko ieiri. in one hand is her usual unlit cigarette (she swears she’s quitting for real this time, she just needs the comfort of one in her hand), and in the other is her phone. you assume she must’ve been distracted by a call and that’s why he was able to come into the room and not her.
since satoru had put up this wall between the two of you, shoko had been your shoulder to lean on and you know she wouldn’t have just let him waltz in without her support. you thought he was your person, and shoko had watched as you fell apart alone and without him.
you don’t want to know what you look like if it’s anywhere close to how horrible you feel right now. your heart aches and every stitch you had made to patch back together your heart are slowly coming loose. there’s probably mascara running down your cheeks by this point and you’re thirty more seconds of being in satoru’s presence from breaking down into full on sobs as you relive the loss of him and geto.
shoko, your saviour and rock for the past twelve months, comes to your rescue. “what are you going here?” she asks in an accusatory tone towards satoru, head tilted with a raised brow. it hadn’t just been you that satoru had pushed away twelve months ago – it had been everyone. but you know that shoko has still managed to maintain some relationship with him, and from the way his shoulder deflates, he’s smart enough to not burn that bridge too.
“leaving,” satoru responds curtly, brushing past shoko as he makes his swift exit. well, his infinity brushes past shoko and she flips his back the middle finger as she’s gently pushed aside by the invisible force.
you drop down onto your back on your empty bed, both hands covering your face as you try to relax your heartbeat again that runs high wire. you’d be lying if you said you don’t miss satoru; miss seeing him in your room after a long mission or long day of lessons; miss waking up to his raspy voice as he pokes you in the side to wake you up for class; miss being loved by him.
“i thought he was still giving you the silent treatment.”
peeking between your fingers, you glance over to shoko who’s flicking through your open boxes full of your life of the last four years. “i wish he still was,” you admit, voice a little more stable now that you’re not in the middle of crying. the tears have stopped but your cheeks are still flushed red. “has he really taken in fushiguro’s kids?” 
“one’s his, the other is his step daughter,” shoko responds, as though that is common knowledge.
you frown, sitting back up, hands in your lap. “you knew then?” shoko pauses her snooping but doesn’t look back at you. if there’s one thing you and satoru still have in common, is lashing out when you’re upset. ironic given how much you hate him for it. 
“he has… changed. y’know, since geto,” shoko clarifies. the name itself makes you bite down on your tongue and the never ending ache you’re enduring reminds you why you need to leave this place.
“no shit,” you bite back and shoko gives you a blank look. “i’m sorry.” she’d been with you every night for the first month following the break up, she is the reason you are still alive following your sudden increase in mission difficulty. she had been the first to talk shit about satoru or throw random objects at him and just hope his infinity just so happened not to be active (it always was).
“don’t apologise, say whatever you want to me,” shoko shrugs, offering you a sad smile, “i’ll never leave.” three simple words that hold more meaning than you could’ve ever comprehended twelve months ago.
“thank you, love you always.” the two of you share a brief hug (shoko’s never been one for overtly physical affection). 
“good,” shoko pulls back first, checking her phone before waving it in your face. there’s a message but you can’t make it out as she shakes the screen, “now more importantly, are you ready to go? nanami said that he wants to take the next train into the city.”
“can you just give me a minute?” you gesture to the last boxes that you needed to close up – the school had been kind enough to sort out the removal of your belongings (shocker) so all you need to do is just get to the airport and make your plane. 
“of course,” shoko nods understandingly. the split in your class had only led to the two of you coming closer. blood aside, she is and would always be your sister. you know she isn’t happy that you’re quitting sorcery but she knows she can’t keep you happy here, so she’s kept her complaints to herself. 
there’s a soft click as your door closes and you breathe out a sigh of relief. satoru’s words still sit at the back of your mind (‘i love you, i’ve got two kids’ – like what?!), and then you flinch as you remember the wounds that have only just healed on your arm – one of which being a large gash that would’ve killed you had you not been so close to the school when you’d been caught off guard by the curse. this world isn’t for you. 
maybe in another life, one where geto never left the school and satoru never left you, but that is not this life.
grabbing your tape, you go to close the box that shoko had been flicking through when the flash of a familiar photo catches your eye. you hesitate but ultimately that feeling of home consumes you and you can’t stop yourself from lifting the frame from the box. 
it’s you and satoru and geto and shoko and nanami and even haibara.
you remember when the photo was taken: the middle of summer in your second year. satoru and geto had forgone their uniform jackets, the former having one arm around the latter and the other around you. shoko is next to geto and the two second years follow after them. she’s wearing satoru’s glasses as she often did steal them. you’re all smiling – even nanami – and you can’t stop yourself from mirroring the same expression.
those were better times, one where the responsibility and stress of being a sorcerer was only a whispered warning. within a short period that would all fall apart. your teenage years cut short and your innocences stolen following fushiguro toji’s attack.
fushiguro…
you think of his children, the life they will never be able to have because of the thing they are associated with, and the power they've inherited. the children that your ex boyfriend has oh so generously taken in. 
it’s still ingrained in your mind; the sound of geto’s voice over the phone as he struggled to breathe, let alone speak. riko is dead, satoru is dead. that’s all he could repeat over, and over, and over, again. it had been shoko he’d called put you’d been there as she put it on speaker. if it weren’t for nanami being beside you you would’ve collapsed to your knees as you refused to accept what he was saying.
the next few hours were a blur, shoko saving geto, geto going to retrieve satoru, satoru being alive… 
he changed after that. it wasn’t overly apparent, not just to anyone, but you were his girlfriend. he’d reached a state of ‘enlightenment’, as he called it, his cursed technique now far superior to any other sorcerer alive (not that it wasn’t already).
the seven of you never deserved what happened to you – haibara especially never deserved to have his life cut short and the more you remember, the more you decide these children don’t deserve that either.
you bite down on your lip as you realise the conclusion that you’re beginning to come to. one that you’re not 100% sure you won’t regret in the coming months. 
to nanami: i’m sorry i’m not going to make it on the train
from nanami: don’t worry, shoko already let me know you’d probably changed your mind
from nanami: stay safe x
you smile down at your phone. nanami is the closest you’ll ever get to a little brother and even if you’re about to make the biggest mistake of your life, you’re glad he’s escaping this hell.
to unknown: meet me at the old park.
from unknown: what about your plane?
to unknown: 2pm
it’s for those kids, you remind yourself, not for him.
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despite being the one to choose the meeting location and time, you’re late and you’re already almost in tears yet again. the park was a regular for you, satoru, geto and shoko as teens. shoko and geto would climb up onto the roof of the public bathrooms to smoke whilst satoru made you push his lanky frame on the big swings. those nights practically always ended at dawn, and no matter how sneaky the four of you thought you were, yaga always caught you sneaking back onto the school campus.
things were so much simpler and you were so happy. a stark contrast to the whirlwind of emotions your experiencing now.
you’d chosen the park to give yourself an advantage, to remind satoru of the memories he could only remember and never relive. it was his fault he’d lost that…
…though even as you think that you know that you’re putting him at too much fault. everything was lost the second geto chose to make the first kill. none of you could’ve stopped that.
shaking your head and brushing your hands down the front of your clothes to brush off the invisible dust and compose yourself, your eyes scan the park for a white haired beanpole and two children. 
it’s not difficult to find the children as the boy – megumi, you think shoko said (she’d given you a quick debrief of what satoru had told her about the children over the phone on your walk there) – is a mini version of his dad. a shudder ran down your spine involuntarily the instant your eye caught sight of the spiky-haired boy. you try to push away the unease; it’s likely megumi barely even knows or remembers his dad, or at least you hope for his sake he doesn’t. either way it’s not far for you to cast judgement yet. the sister is close behind him, running circles around a slide four times their heights.
satoru is sitting on a bench, his gaze focused on the two small children. well, you assume so since that's the way his head is turned. he’s wearing his usual black glasses and tokyo uniform. to any outsider, he looks bored, like an older brother forced to take care of his siblings as his long limbs lounge on the bench. but you know better – his knee is bouncing and he keeps running one hand through his white hair, revealing an undercut beneath it. he’s just as stressed as you are. 
good, as he should be.
he knows you're there. he’s a special grade sorcerer after all, probably the most powerful of them all, he must’ve sensed your cursed energy the second you came within a mile of this place. still, he doesn’t turn his head, even as you walk down the path to him. 
though somewhere deep down you still long for him and what you had, every step closer you feel the same anger and resentment towards him bubbling up and threatening to spill over the surface. meeting him in a public area with impressionable children’s ears around is definitely not your finest idea. you’re within several yards from him now and you’re really starting to think this is a bad idea. 
satoru is a bad idea.
sitting gingerly on the edge of the bench next to him, you pick quietly at the skin around your nails. neither of you speak for several minutes. satoru still seems too afraid to even acknowledge that you’re there. he’s woken up too many times from a dream with you in his arms to an empty bed that he lay in alone, no trace of your perfume on the other side of the bed anymore.
the tension between you two is thick and palpable. 
“they’re cute kids.” you’re the one to break the silence as the two of them begin climbing a spider web apparatus. satoru hums in agreement and his knee slowly halts its bouncing. 
there’s two beats before you let your frustration spill over the edge. “you’re a dick you know that?” so much for your concern about doing this in this locatiom.
satoru’s mouth slacks a little, and he begins to utter something but you shake your head at him to cut him off.
“that was rhetorical. there’s no defending or denying that. it’s fact,” you laugh dryly, crossing your arms in front of yourself as you watch on at the park. in the corner of your eyes, you can see satoru slip off his glasses revealing his own cerulean eyes to you. you avoid them though, if you are going to stay and make this work you need to get all of this off your chest. and preferably without balling your eyes out again. 
“i cried a lot at first,” you continue, “blamed myself for suguru turning away,” he winces and does so again when you cement that point, “blamed myself for taking your best friend from you. i started having those nightmares of haibara calling me a murderer again.” he knows every word you say is true – he caused the former and he would be the one you’d come to when the latter had first started. it breaks his heart to be reminded of the agony he caused you – how he wasn’t there to pick up the pieces from the damage he caused.
following haibara’s death, there were some nights neither of you would get any sleep. you were afraid of what you’d see when you closed your eyes and satoru was afraid of losing you. so he would stay up with you, more often than not sitting against the backboard of the bed, your body curled up tightly against his as you watched funny compilations on his phone (he thought they were hilarious, you just wanted to hear his laugh). for satoru to throw that back in your face after geto’s defection tarnished any comfort you’d ever associated with him. 
it didn’t matter that he’d carved a permanent spot in your heart, the idea of letting him in that close again sends shudders down your spine. he had you in the palm of his hands and he destroyed you.
you take a deep breath and dare to glance over at satoru. his expression is blank but his eyes scream how he feels, the swirls of blue glassy as you relay all that he put you through. 
he had been aware of the hurt he’d caused you – of course he had, he felt it too – seen it on your face when you’d pass him in the hallways. you lacked enthusiasm in class and often went on missions alone without complaint (something you never previously did because how dare the higher-ups send you on a job hours away without anyone to talk to).
“and then i nearly died.” satoru’s brows furrow at this, he’d still kept tabs on you to a certain extent. so how had this slipped through the cracks? “two grade one curses among other nuisances,” you hum, “i shouldn’t have been there alone… but i wasn’t surprised the higher ups had sent me.” there’s something else missing there, how you would’ve never been sent on such a mission of satoru was still with you. the higher ups hated the power you held over their special grade, but they weren’t stupid enough to put you in significant harm’s way when you were together. 
“i’m sor–”
“gojo! can we get some ice cream?” tsumiki runs up to the two of you, cutting off his futile attempt at an apology. her little cheeks are flushed red from the exercise and megumi pokes his head out from behind her, eyes zeroed in on you. 
“who are you?” 
you flicker your gaze between satoru and the children who are awaiting your answer. for once, the white-haired sorcerer is at a loss for words. you want to scoff. 
standing up, you offer a small smile, “just a friend.” you point to the ice cream parlour on the opposite side of the park and nudge satoru’s shoulder gently, “go treat them to ice cream. we can talk about the logistics of this later.”
“this?” he repeats, sitting up straight, and a flash of hope dashes across his features. “so you’re staying?” 
tsumiki’s eyes are bright and full of excitement at the prospect of a treat and it reminds you of haibara. you blink harshly and quickly as you try not to let a tear slip past.
“they deserve better than what we had.” what you had.
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series masterlist
a/n. next part will defo be the longest part!! expect fluff, angst, some spice, the whole SHEBANG. I have mocks coming up soon but I'm hoping the next instalment will be up in the next 3-4 weeks. thank you all for being so patient and I hope this meets expectations <3
also a massive thank you to @bontensh0e because they massively helped with the inspo for the rest of the series. ly loads <333
taglist. @sanokiss. @dummyf. @erenssin. @makiuchiha97. @sosoa. @cole-silas. @fenrysashryver. @istanuwow. @dovahkiinsbitch. @mor-pheus. @creolequeen11210. @thefictionalcharacterssimp. @mariapierce789. @cynopcis.
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moments-on-film · 1 year
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Moments on Film: Carmen Berzatto and Connell Waldron - Character Analysis
For the past few weeks, I’ve been a lot quieter on this site, and my analysis of The Bear, and that’s because I have been deeply engrossed in finally watching Normal People. I realize the show came out in 2020, but for whatever reason, I missed it when it was first released. Knowing that Paul Mescal has multiple films on the current/upcoming film festival circuit, All of Us Strangers, and Foe, the first of which, already garnering stellar reviews, and the latter, based on a sci-fi book of the same name, which I read and enjoyed, I decided to watch this piece of work from his oeuvre so I can better assess his range.
To put it simply, I found Normal People very compelling, moving, and heartbreaking. The acting from the two main characters is stellar. One of the other things I noticed, are the seemingly endless connections to the main characters in The Bear—in particular, Connell Waldron and Carmen Berzatto. Although these characters are different and a world apart, one in Chicago, Illinois and one in Sligo, Ireland, watching this show was like viewing many of the same problems through another character’s eyes.
On the surface, there are so many obvious similarities, (like the fact that they both religiously wear a chain necklace, Connell’s silver, and Carmy’s gold), but underneath there are multiple traits, insecurities, weaknesses, strengths, and patterns of behavior that stood out so clearly to me that I felt compelled to start writing this piece. In my opinion, both The Bear and Normal People are coming of age stories, because both feature multiple protagonists who are on a journey to discover who they really are and what actually brings them purpose, peace, fulfilment and joy. In a prior piece, I analyzed why I believe Carmy Doesn’t Know Who He Is Yet, and while the reasons may be different, the same is true for Connell Waldron. Below are several examples I noticed of the shared similarities between Carmy and Connell.
Please note: If you watch The Bear, but not Normal People, or vice versa, and you want/plan to, heart this post and come back to it after viewing to avoid major spoilers. If this doesn’t bother you, please, read on, and thank you, but I wanted to give fair warning. 🧡
Communication
Both Carmy and Connell struggle with this desperately. In The Bear, Carmy has trouble putting words to feelings, but he has them, he feels very deeply. In Normal People, Connell struggles to identify what he is feeling. These issues cause both of them, and the people in their lives, so much pain and suffering. Carmy’s life of abuse and trauma has forced him to stifle how he feels about situations he’s in, placate and appease others, and silence himself. In 1x6, Carmy tells his sister Natalie, “most of the time, I feel sort of trapped, because I can’t describe how I’m feeling.” Connell, on the other hand, is so worried about what others will think of him and his choices that he denies his true feelings, to the point where he often can’t even identify them himself. In 1x2 Connell tells Marianne that he struggles to know what he feels, “I might look back on something and think how I felt at the time, but, when it’s happening I never have any idea.” There are so many moments in both stories where one or two sentences would save them and their loved ones a world of hurt, but neither one is capable in several key moments that really count.
Crippling Indecision
Both characters suffer from this. In S2 of The Bear, Carmy is trying to straddle building his dream restaurant, and being in a relationship that is pulling him from everything he needs to be doing to open it. In 2x8, Sydney tells Carmy, “I just think you need to decide...” I have read much into this line because, due to his past, there are so many questions in Carmy’s life that he’s never been allowed to/allowed himself to explore enough to answer. In Normal People, Connell starts out not even knowing what he wants to study in college. He only comes to a decision when Marianne tells him very clearly what makes the most sense, based on her observations, and she’s right. Both of them look to the women in their lives go help them make key decisions.
Talent for Their Craft—with Barriers
Carmen is a talented and award winning chef. Before he’s left The Beef in his brother’s will, he conquered the world of fine dining. He’s risen to the top of his profession. He was even awarded the James Beard Rising Star Chef award from his time as a chef at Fairest Creatures, in Malibu and retained 3 Michelin Stars as CDC of Eleven Madison Park in New York. However, in S2, he struggles with crafting the menu for the new iteration of The Beef, The Bear. He’s torn between incorporating nostalgic dishes from his past, and new forward moving dishes created in partnership with Sydney. Connell is a talented student and sports player when we first meet him, and he goes on to be a “star” student at Trinity College, in Dublin, recipient of a prestigious scholarship, and editor of the publication of the literary society. However, in his work, (at times), as in his life, both suffer from his lack of communication. He receives a letter in response to a short story he submits that says his work “lacked a clear voice and confidence.” This problem affects all areas of his life, not just his professional one. Both Carmy and Connell’s work suffers because of their personal issues which they have yet to work out.
Soulmates
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The relationships between Carmen and Sydney and Connell and Marianne have many parallels. Both couples (yes, couples) trust and confide in each other exclusively. They are each other’s confidant, and safe place. This gets tested for each couple when they are not truly honest with themselves about what the other means to them and when they let outside forces mess with their cosmic connection. Carmy ends up going out with Claire, partly due to the outside pressure from his family. Connell has a beautiful budding relationship with Marianne in the beginning of the show, but capitulates to outside pressure from his group of friends to do what is expected of him and be with the popular, but mean, Rachel. When he does this, it illicited the exact same response from me as when Carmy ditched Sydney to help Claire run an errand. Both moments had me yelling at my TV, “what are you DOING?! How could you do this to her?!” The thing is, both sets of characters have such a magnetic pull on each other, that outside forces can only penetrate for so long. Their paths are deeply intertwined. Carmy essentially asks Sydney to join him in opening a restaurant, and Sydney says yes. Marianne effectively asks Connell to join her at Trinity College, and he says yes. Both decisions will advance their relationships, personally and professionally. I must note that I don’t believe either ask is selfish. Carmy sees Sydney has talents and skills that compliment if not exceed his, and he wants her to shine. Marianne sees Connell’s talent and passion for English and knows Trinity is the best school. Another beautiful parallel is the fact that they are so deeply connected they they can literally read each other’s minds. Carmy and Sydney regularly start and finish each other’s sentences. They think alike, they dress alike. Carmy selects a chef coat for Sydney that could have been designed by her. In Normal People, Connell actually tells Marianne, “you know sometimes I felt like I could read your mind…..but I don’t know…maybe that’s normal.” Marianne stares at him deeply and pauses before saying “it’s not.” And it isn’t. These two sets of characters have a connection that is unique, special, and written in the stars.
Wasting Time with the Wrong People
Both Carmy and Connell go through trying to force relationships with other people that are just not right for them. Marianne does this too. We have not seen this yet from Sydney, but we may, as the show (hopefully) goes on. Carmy, for a variety of reasons, tries to be in a relationship with Claire. Early on, Connell succumbs to pressure to be linked with Rachel, who he doesn’t even like. Later in the show, he is in a placid and passionless relationship with Helen Brophy. Both Claire and Helen are or will be Doctors. Claire is in her last few months of residency, and Helen is at Trinity studying medicine. Neither woman is right for Carmy or Connell, which pulls them from their respective soulmates.
People Pleasing and Trouble Saying No
Carmy’s abusive upbringing has made him a people pleaser to some extent. He has had the completely arduous task of literally being in charge of managing his mother’s emotions and mood swings, as well as his brother’s. He doesn’t want to rock the boat or make people upset. This makes him say yes to people and situations he may not actually agree with and is another reason why he has trouble expressing his feelings and what he wants. This is a reason why he drops his work and Sydney to please Claire when she asks for a favor. Connell, from what we know, has a loving mother, but he is an only child and has no father, and seeks outside validation from friends. He’s very aware that his relationships are conditional and he very much goes along to get along, much to his detriment. An early example of this is when Rob asks to copy his French homework and he hands over all of his hard work without question. In the background of this scene, you can hear another character ask someone else for theirs and they give an unshakeable, “no.” Carmen and Connell struggle with boundaries that would protect them because they don’t want to risk making people upset.
Anxiety and Panic Attacks
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Gif source: @birthdaysentiment
Both suffer from this. Actually both shows do an excellent job at uplifting the struggles of mental health, particularly for young men. Among other things, Carmen has undiagnosed PTSD from his trauma that manifests in sleep walking nightmares and severe panic attacks. When panic overtakes him, he literally is gripped in its clutches, and can barely breathe or move. The first time we witness him having a panic attack, it’s because he gets a phone call from someone asking for his brother who doesn’t know he has died by suicide. He gets so shaken, it impacts him physically and he has to physically remove himself from the restaurant. Connell has his first panic attack the moment he experiences just how conditional his friendships truly are. In 1x3, after he finally defends Marianne, his secret girlfriend who he loves, but is unpopular, to his friends, helps take care of her and takes her home, he shows up at school the next day and is relentlessly teased. Experiencing the way his friends will just turn on him on a dime causes him so much anxiety, he has to run to the bathroom and has a panic attack in the stalls. Connell also struggles with depression after his friend, later in the show, dies by suicide. He has a panic attack, so bad, he can’t even leave the house. Unlike Carmy (so far), Connell eventually gets treatment, and we see him start to even out emotionally. It must be said that during the final panic attack we witness Carmy endure, it is the thought of Sydney that pulls him through. Connell has treatment, but he also has the support of Marianne during his most major time of need. Both turn to these women in their lives for their strength in moments of great distress.
Al-Anon / Counseling Share Session
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Gif source: @birthdaysentiment
Season 1 of The Bear culminates for Carmy emotionally when he reaches a breaking point, and in an effort to get help, makes a decision to not only attend an Al-Anon meeting, but get up and share many details about his background and his brother and it becomes crystal clear how deeply his absence has and continues to impact his life. Jeremy Allen White acts this 7 minute uncut scene with his whole heart, making us feel for him in every moment. He is spilling his guts, while restraining his deep, deep trauma, sadness and pain. His eyes brim with tears the whole time, tears he has still yet to shed. In one of the final episodes of Normal People, at the recommendation of his roommate, Connell goes to a free counseling session, sits in a chair, and starts for the first time ever to truly speak his mind, including how the suicide of his friend has impacted him, what Marianne means to him, and how he hates his current station in life but feels like there’s nothing for him to go back to in his hometown. Paul Mescal, like Jeremy Allen White completely carries this scene with the power of his acting in an extreme closeup. Unlike Carmy, Connell breaks down, and his emotions gush out in free flowing sobs. Both actors make the correct decision to barely make eye contact. Sharing this much is new for them and makes them uncomfortable, so for the most part, they keep their eye-line down, but despite this, the vulnerability is palpable we can really and truly see, hear and feel all of their pain.
Coming to Terms With What They Want
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Gif source: @birthdaysentiment
I think the ultimate goal of both characters, Carmen and Connell, is to decide what they want, free themselves from the expectations, opinions, thoughts, or suggestions from others, and go get it. As I said, both Normal People and The Bear are coming of age stories. Both stories highlight the transformative power of love and the confidence to make choices for yourself with that knowledge that there will be someone there to love you no matter what. For Connell, it has been such a journey for him to come to terms with the fact that writing is his true calling. In the end of the show, he has the incredible opportunity to go to New York and take his place in a prestigious MFA program. At first, he is so scared to leave. Marianne is his rock and he loves her. He’s scared to leave and be alone in a strange city without support, without her. He asks her to come with him, but she knows this is a journey he needs to go on alone and she wants to stay in Ireland and live the life she’s living. She encourages him to go, and reassures him they will be ok. In The Bear, Carmy is not at this place yet. As I mentioned earlier, I have written about how at the present, Carmy doesn’t really know who is is or what he wants. However, we as an audience can see that his gentle spirit is attracted to art, drawing, and creativity. This has been beaten out of him, but I believe art is his true calling, he’s just never been allowed to pursue it. If we get more seasons of The Bear, I hope we will see Carmy have a similar breakthrough in reigniting and going after his dreams and letting go of what no longer serves him or brings him joy. I truly believe that he and Sydney will be a part of each other’s lives no matter what. In the kitchen or outside of it, in Ireland, or away, Carmen and Sydney and Connell and Marianne are connected in ways that time and space can’t break.
There are many, many other parallels to be made in both stories (which I may continue to write about). Connell and Marianne’s stories have come to an end, as Normal People was one season, and based on a book. We know where his journey takes him, but we can only speculate where else he may go, and if he and Marianne find their way back to each other. Carmy, on the other hand, is a character on a show that hopefully will have several more seasons, so his future is unclear. I just hope he can get the help he needs to heal and the strength and support to discover who he is and what brings him joy. I hope he, like Connell, mends and maintains his relationship with Sydney no matter where life takes him, especially if it leads him out of the kitchen.
Both The Bear and Normal People are at times, beautiful, tender, heartbreaking, poignant, and hopeful. They shine a brave light on what it means to be open, vulnerable, complex, flawed, trying, failing, succeeding, and most of all, human. Both series also show so beautifully how we need community and each other to raise us up, lift us out of our darker places and reach and keep reaching for light in our lives to be our truest and best selves. As Marianne tells Connell in the final episode as both she and Connell cry, “we have done so much good for one another.” I see this in Carmen, in Sydney, in Connell, in Marianne, and in so many other characters on both shows. And in this life, at the end of the day, isn’t that the most important gift? And we each have it—the ability to change someone’s life for the better.
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A Breakdown of My Thoughts On Good Omens S2
(That may or may not also be a meta about my predictions for the future interwoven in)
Hey All!
All right, I’ve officially watched Good Omens Season 2 twice, and am almost done my third time through, and I want to put out some thoughts before I start reading other people’s meta about S2 so that my initial thoughts aren’t influenced by those. I was GOING to post it to my GO blog @inevitably-ineffable-husbands first, but decided instead to make the initial post here since this is my largest audience (my GO blog is mostly a reblog blog, but it’s been pretty active the past week with people sending me asks there!).
During my second watch-through, I took some notes about stuff I wanted to expand upon. This got a bit messy, long, and disorganized so I tried to just clean up those notes so they’re more legible. I think I inevitably want to write separate meta about each section, especially after my next few rewatches (AND especially since I want to talk more about 3 or four Big Thoughts that I have about S3). 
This meta turned out to be a lengthy essay-style meta with a few bits of point form and free thoughts, broken into sections for easier consumption, so I hope you will give it a read through. It’s longer than I intended (it’s about 5,000 words), so if you need to pause anywhere, I’ve conveniently broken it up into sections below the cut, which you can see the breakdown of here:
Before The Beginning
Crowley is A-Major-Angel Theory (or The Angel That Crowley Might Actually Have Been)
Maggie and Nina (Mirrors. It’s about mirrors)
The Ineffable Bureaucracy (MORE MIRRORS YAY I LOVE DYING!)
Crowley and Aziraphale (& Their Relationship Arc) (which includes my thoughts on THAT moment and why it was wrong)
The Metatron and Aziraphale’s Decision (I actually covered a large chunk of this on THIS POST so you can read just that if you want instead)
Other Things (That I Didn’t Know Where Else to Put) 
Final Thoughts
Also, so it’s not hidden under the cut, here are the things I’m interested in expanding upon in the future, if you guys would like to read more. The first one is the only “for sure” one on my plate right now:
A Thought on AziraCrow from an A-Spec Perspective [REDUX]: An expansion on the above-linked meta I put out a week ago about their relationship arc and how I feel it’s being portrayed and what it means foor the future.
THAT Scene Small Thoughts: And its importance RIGHT NOW and why the confession will be so much more powerful in S3. Actually I think I MIGHT cover this in the AziraCrow meta, but I DO want to expand upon the scene anyway regardless.
And I don’t have many things to say as of finishing this meta, but I would like to put out my thoughts on why Aziraphale made That Choice. (EDIT: It would be an expansion on THIS POST which would include some points I made under the cut in the various sections, compiled together. I know I’ll have more thoughts as the weeks move on and as I understand the scene more and more).
Anyway, I hope you enjoy what I’ve written! The next meta I’d like to tackle is the Relationship Redux meta, provided that the asks I got in my inbox aren’t going to take up too much of my time.
Feel free to add your thoughts in the reblogs and replies as usual! I welcome other opinions and thoughts, and I will try my best to keep all the threads together. This blog is and will always remain a community project! :) 
PLEASE be advised, in that case, that Spoilers WILL BE in the notes, and OBVIOUSLY there are spoilers below the cut for the entire season! Cheers, and thank you! Enjoy!
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BEFORE THE BEGINNING
I have running theory that’s kind of on strings right now, but I feel like Aziraphale feels responsible for Crowley’s Fall, that he feels he didn’t do enough to help prevent it, which may explain his actions in Episode 6. 
Now, I’m not saying that the entire reason he spends so much time with Crowley is because of some underlying guilt, NOT AT ALL (just a small part of it), but more that he feels like he could have done more to dissuade Crowley from asking questions – It’s why he spends their entire lives trying to convince Crowley he is good! Aziraphale loved seeing an angel so happy with what they were doing, and his warnings were making Crowley unhappy. Instead, Aziraphale decided to compliment Crowley on his work to make him smile again. I think it’s absolutely something to note since this scene and the finale of E6 suspiciously bookend each other, meant to be compared and contrasted with each other. 
When Azzie is presented with the opportunity to give Crowley back something he loved doing – being happy making galaxies – Aziraphale took it, because he knows how much Crowley struggles with his own sense of self.
Unfortunately, Azzie thinks Crowley’s inner turmoil is because of who he is and his status as a demon, not because Aziraphale is literally his whole raison d’être and why Crowley keeps coming back to him – he’s only ever truly happy being around Aziraphale.
Crowley, in turn, has become Azzie’s own reason for being, he just sadly hasn’t come to that conclusion yet at this point in the story. Aziraphale thinks that by being the Supreme Archangel, he will have the authority to make things RIGHT, not knowing the info that we as an audience have through Crowley that that is FAR from the truth. I’ll go more into it in my Metatron section below.
Basically I’m saying that this sequence at the beginning exists to show who Aziraphale is as a person, an angel who struggles with his OWN sense of self and his desire to do good and make people happy. Aziraphale is so consumed with believing that he can change things if only he has some control over a situation, then it can all be better; he fails to see that he already has everything he wants right in front of him. He doesn’t think he can TRULY be with Crowley safely unless something changes the status quo, and he naïvely thinks that taking the job is the best way to do so. I think next season we will see Aziraphale finally understand that he CAN’T be “free” until he accepts that he and Crowley ARE better as one. 
Another note I wanted to make about this is just an aside commentary: Aziraphale ABSOLUTELY was smitten by Crowley. I suspect until he met Crowley, Aziraphale had never seen another angel be so joyous in his work. It intrigued Azzie and blossomed into something-unknown in him.
Azzie was smitten since before the beginning, and that he indeed pines for Crowley. He’s just terrified about what happens After if he were to do anything about it.
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CROWLEY-IS-RAPHAEL THEORY (or another Top-Ranking Angel)
This is one of my favourite theories that circulates in the fandom, and I went into a bit of detail about this on this post here, but I want to expand more upon it briefly (hah).
I think this season further proved Crowley was A Big Angel™ before he Fell (not necessarily Raphael, but it IS the prominent theory about his identity). It’s a Big Point that I think they’ve been planting the seeds for in both seasons so that we as the audience can figure it out; maybe not exactly WHO Crowley was (the general audience wouldn’t know about the theory), more that Crowley was indeed a higher ranking angel than all of them. This could be a big reveal in S3 for the general audience, and will be the reward for the “easter eggs” that the fans picked up on. 
Here are the clues that I have so far, both from the fandom theories for S1, and my own observations of S2... I have not read any meta yet as of writing this, so I probably missed some if people are talking about it:
Raphael is notably missing from the main Archangels. It’s very odd, because he was a prominent figure in a story about Abraham
When we first see Crowley in S2, we see him as the primary creator of the universe. That kind of task isn’t given to just any angel. We knew in S1 that Crowley created stars, just not the full story of it.
The only Top Angel who recognizes Crowley is Saraqael and we don’t find that out until Episode 6. They mention that the two worked together during the creation of a nebula. Saraqael is just as old as Crowley and was there Before the Beginning as well. Michael, Uriel, and Gabriel don’t recognize Crowley when they come down during Job’s trials, meaning that Crowley probably Fell before they came to be Top Level Angels. 
“A throne, a dominion or ABOVE” is who Muriel said were the only angel classes that could open the file on Gabriel, and Crowley literally just opens it without issue. Crowley faffs it off as an old password (but even then, why would he HAVE an old password for a confidential file?) but I think it’s more true that he actually had and hasn’t lost the clearance he had as a higher order of angel. Muriel NEVER stated that an Archangel can open the file at ALL. BUT I think Gaiman’s Archangels are technically top of the chain so they possibly are able to open the files as well.   For shits and giggles, I actually looked into the orders of angels: Muriel’s listed angels are part of the top 4 levels of Angel rankings. Now, I know that the authors took creative liberty with Capital A-Archangels for story purposes, but it’s a very interesting thought, isn’t it? I wonder if Crowley was actually one of the first Supreme Archangels? Just something to nibble on until S3.
The INSANE power level of HALF of a bit of a small miracle from TWO people that can raise 25 dead people is very interesting thing to literally flash red in your face as if to say “THIS IS A REALLY IMPORTANT THING TO REMEMBER, DON’T FORGET IT”. Why? Why make this the catalyst of events in the series if it’s not important and won’t be brought up again? Was Crowley’s power the one that set off alarms in Heaven since his part was to hide Gabe from Heaven?
The writers have deliberately avoided giving us Crowley’s name in Before the Beginning. Crowley has a penchant for changing his name when he wants to distance himself from the past, and there’s a good chance he purposely threw away his Heavenly (dead) name to cast aside any memories of that former life. It’s not who he is anymore, nor who he wants to be ever again.
Crowley constantly references the problems with Heaven, stuff that Aziraphale seems to have no knowledge of. 
Crowley has an uncanny sense of where Aziraphale is and what he’s up to at all times. Actually, he’s able to sense trouble from everyone regardless. NOW, this might be down to him just... being so smitten with Aziraphale that perhaps he’s purposely attuned his senses to him, but none of the other angels nor demons seem to be able to do this unless it’s with their own kind. Crowley seems to have it for everyone. This is an odd power for one “measly demon” to have.
I’m certain I’m missing a few other easter eggs here that were mentioned, but in the interim, I think these definitely the ones that are worth noting.
“One Character Split Into Two”
I’ve seen a theory that ties into the Angel Theory where Crowley and Aziraphale are actually two parts of the SAME angel, Raphael, and I only remembered it after I saw this quote from David and Michael’s interview:
“Well, now we’re playing one character that’s sort of split into two”
Interesting choice of words... Did one of them slip up here? I don’t think that this is the case, that it’s just me over-reading into an interview quote, but it is something I did came across in my readings of the Raphael Theory that I thought I should mention.
While trying to find a couple posts to link to for this theory, I came across this super interesting post regarding Aziraphale’s name meaning in Hebrew, and it does list ONE of the “unlikely” possibilities being that it means “Raphael is my strength”. While the author links this to be part of Crowley!Raphael theory, I kind of like it for the Duality Theory, where Crowley IS Azzie’s strength in the sense that he’s the Emotional Support Demon. Crowley IS kind and gentle and protective of Aziraphale. And Azzie, who gets his strength from Raphael Crowley, is the brains (or main single braincell carrier) of the operation.
Kind of like an overly-romantic version of soulmates, literally One Soul split into two people who are meant to find each other again and become whole.
Also, I go back to my point about their power being ASININE at less than half each. WHY IS THIS POSSIBLE? A theory: They are stronger than an Archangel’s miracle together, so it’s not absurd to speculate that it was stronger because it was finally at its full power with the SINGLE soul concocting the miracle.
Anyway, this Duality Theory is probably definitely not the case since we see them both Before the Beginning, BUT we can argue that the scene we saw was their first introduction after being split... Aziraphale just HAPPENS to zoom by, the only single angel in the area? Hmm.
I ALSO just want to say that perhaps when they body-swapped, that may have also activated dormant “together” powers within themselves? Just a little thought I had while writing this section.
Aziraphale is Raphael and Doesn’t Remember
And finally, there’s the theory that they will pull a Shyamalan and reveal that it’s Azzie that’s actually Raphael. I honestly think this is the least likely scenario, given that all the clues they’re putting in the show don’t at all point to this, other than the possible entomology of his name (I read somewhere that Gaiman initially was going to spell it Aziraphael to coincide with the naming conventions of the other Angels) could be a play on the Raphael name and it’s Aziraphale who’s actually the missing Raphael.
I don’t think it’s this at all, for the record. I just wanted to point it out since it is a theory that I’ve seen thrown around linked to the Raphael Theory.
Regardless of which theory it is, I just CANNOT get it out of my head at how often they kept bringing up elements of Crowley’s past, and I just.... mmmm. I know he’s more Important than he lets on. There’s just too many eggs dropped in this season for me to let it go without a bit of grumbling.
Or maybe I’m just looking too much into it. *shrugs* I can’t help it, reading between the lines is a hobby of mine I do so enjoy.
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MAGGIE AND NINA
UGH, I absolutely love character mirrors... I love seeing the parallels of characters and how they’re supposed to represent the protagonists in situations. 
Regarding Maggie and Nina, upon rewatching the series, I see now that Nina is primarily Aziraphale’s mirror and Maggie is Crowley’s. 
For Maggie, as an expansion on a drunken post during my liveblogging:
She’s smitten (”pathetically in love”) with someone just out of reach, hopelessly pining and watching from afar.
She’s STUPIDLY protective of and adores Mr. Fell and Nina.
She, like Crowley with Aziraphale, attempts to make Nina happy: She gives a record as a gift without thinking about the “after” (Crowley tends to do the same)
She’s stands up to the demons and for herself.
She’s “unloved and unloveable”, which Crowley believes himself to be
She’s the one who thought up the plans to get them out of trouble
For Nina:
Fussy and stuck in her ways
Doesn’t want to disappoint but can’t seem to do right by anyone
“we’re just friends, well, we hardly know each other” (which I believe is a line similar to one Aziraphale said in S1)
Afraid to start a new relationship for fear of not being good enough
Makes their love interest wait and hopes they’ll be there when the time is right (She will be)
Her relationship with Lindsay appears to me to be a parallel for Azzie’s relationship with Heaven, with them being "done” with Aziraphale for one too many indiscretions. Lindsay also accuses Nina of “cheating” which Aziraphale technically does with choosing Crowley over Heaven 
Their inevitable NOT match-made is a gentle parallel to the painful NOT match-made by our heroes. There’s a bump in the road, and when they’re both ready, they’ll eventually get together. 
Also, another thing I wanted to note here, is that Nina’s VERY heartfelt conversation with Crowley is super, SUPER important to AziraCrow’s arc, and I believe it is the catalyst to why Crowley made the decision to try to confess in Episode 6. Like, he genuinely looks like he’s re-evaluated a few things after Nina walks away. And because it was the Aziraphale mirror stating this, Crowley perhaps starts to get ideas in his head that maybe Azzie is ready to move forward, since “it certainly looks like [you’re a couple from the outside]”. Why not make it official then? Maybe Aziraphale IS just waiting for Crowley to make the move.
Food for thought.
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THE INEFFABLE BUREAUCRACY
I don’t have much to honestly say about this one, other than I am SHOCKED that it only took them 4 years to figure their shit out but our idiots still are at first base after 6000 years. Get your asses moving, idiots!
Seriously though, they’re the biggest pair of mirrors in the season, but funnily enough, I think Gabriel is Crowley’s, and Beez is Azzie’s.  
Gabriel, like Crowley to Azzie, introduces human things to Beez. 
Gabe questions Heaven and convinces Beez to question their side... essentially he “Falls” when the trial happens, abandoning Heaven. 
Gabe throws everything away to be with Beez. 
Beez is the one who learns from Gabe, just like Azzie learns from Crowley.
Beez compares themself to Aziraphale: “I imagine he took better care of you than I would have”.
Beez calling Gabe “you silly, silly angel”... Aziraphale called Crowley silly in the first half of the season.
And as an aside, just... the casual “I love you” from Gabe is like an unfiltered Crowley. Because I am certain Crowley will be the first to say it.
That’s just a super simplified version of it all, but just wanted to point it out so y’all can see where I’m coming from on why I think that.
And I REALLY BELIEVE that Aziraphale will repeat this or a similar line to Beez’s in S3: 
“I just found something that mattered more to me than choosing sides.”
I think it will be the line before the climax of S3 that Aziraphale says when he finally rejects Heaven. Because that was a POWERFUL line, and it will solidify the mirrors and parallels that are all over this season. I feel like Heaven won’t suffer the same incident happening twice, so we might even finally get to see a ridiculously protective, vengeful angel Aziraphale, to rival all of Protective Crowley moments! WHAT a payoff that would be after two seasons of him just kind of sitting idly by not standing up for himself, eh?? GOD I want it.
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CROWLEY AND AZIRAPHALE (& THEIR RELATIONSHIP ARC)
I have just a few notes to immediately take away from S2, but I do plan on expanding more upon these thoughts in my Revision of my A Thought on AziraCrow from an A-Spec Perspective meta I wrote prior to S2. 
In that meta I state very clearly how important their relationship and its portrayal is to me. I do concede that, because of this fact, I may be biased in my opinions about literally the entirety of S2′s relationship arc. I ADORE Aziraphale and I really see a lot of myself in him, and I can understand why he did what he did at the end, and why the “rejection” happened. But again, I will touch upon that with the revision meta.
Instead, I took some additional notes while I watched and rewatched S2 that I don’t think I can fit well into that meta without ham-fisting it in. I’ll try my best to break it into yummier sections so it’s not so messy.
Protective / Jealous Crowley (and his possible PTSD)
This point deserved its own little section, because it’s one of my favourite things this season. I love just how BLATANTLY PROTECTIVE and JEALOUS Crowley was, to the point of being near-murderous. I LOVE the confrontation scene with Gabriel so much, because it’s SO revealing to just how terrified Crowley is of Aziraphale being hurt and not being in Crowley’s life again. 
I imagine he constantly replays the fire in his head: what if Crowley WASN’T there to save Aziraphale that time??? To step into fire for him??? He’s seen how bad No-Azzie would be with the Bookshop Fire, and I think he STILL believes that it was Hellfire that discorporated Azzie (not the accidental summoning circle). So imagine the psyche of a demon who is hopelessly in love with an angel, having to be face to face with the fire that he believes killed Azzie the first time and THEN have Azzie’s boss basically tell Crowley how little he thinks of Aziraphale? Ooof.
And I also will standby the fanon theory that it was Crowley who left all the fire extinguishers in the bookshop, and not Aziraphale. Bless Azzie, he knows that this is a “New Fear Unlocked” in Crowley and lets him do it to ease the anxiety.
And isn’t it funny that Crowley (aside from the 2 year lockdown) seems to have spent every waking moment keeping a steady eye on Aziraphale? He’s scared, which is why I think he might have some PTSD related to everything he’s seen that Aziraphale is blissfully unaware of.
Their Arc and The Kiss
It’s so clear to me now more than before that Aziraphale IS Crowley’s whole life, to the point of obsession. I think the final arc that Crowley has to go through before he can truly be with Aziraphale proper is learning to let Aziraphale also protect him, to loosen the stranglehold that his fear of loss has on him. That Crowley doesn’t have to shoulder everything by himself and be Aziraphale’s shadow. Because that’s what he is in S2 – a lot of scenes of them together in the modern day is Crowley trailing just slightly behind Azzie, always watching and waiting for trouble and being there for him.
I think Crowley has a genuine fear of loss of control similar to Aziraphale’s. Where Azzie’s is related to “well if I can do this thing then everything will be alright”, Crowley’s is “well if I can just keep Aziraphale safe, then everything will be alright” and that’s... not a good foundation for a relationship. Their Big Breakup had to happen for them to both realize this. 
Aziraphale has NOT gone through his “lost my partner” arc like Crowley has with the bookshop fire. I go more into it in the Metatron section, but I think that Azzie’s arc will look more like Crowley being used as a leverage tool against Azzie by Heaven, and those seeds were planted in the final moments of E6. Perhaps something DOES happen when Crowley inevitably comes to his rescue, and he also “loses Crowley for good” (but we know that the totally-made-up-just-now law of parallels will bring him back, we hope).
They’re currently at the Miscommunication and Separation stage of their relationship. They’re both so scared of hurting each other that they DON’T communicate... they DON’T expose each other to “bad things” that they know and instead just focus on the good. The breakup had to happen the way it did for Aziraphale to finally Get A Clue – because I honestly don’t think he realized Crowley loved him until the kiss – and that Azzie himself wasn’t the only one with a crush on his best friend. It had to happen that way for Crowley to understand that his overprotectiveness and lying by omission only harms Aziraphale in the long run.
Listen, I think it’s possible that Azzie thinks that Crowley only did the kiss because he didn’t want Aziraphale to leave at that moment, just another “Crowley thing” that he would do. It was piss-poor timing that was at the tail end of too many emotions and anger, and it’s easy to see how Azzie could have interpreted the kiss wrong. 
They both expressed wanting to be together, but misunderstandings will ensue because neither of them are good at communicating WHAT exactly "being together” entails. Crowley thinks Azzie means “working together side by side for a shitty company”. Aziraphale thinks Crowley means “just doing what we always do and having fun doing it”, both without shifting the status quo, when in fact they both mean “I can’t see myself with anyone but you and I want you forever in any way we can be, let’s please shift the status quo”. 
Then Crowley made the situation worse (though I do think he was VERY brave in doing it because WE the audience know his intentions are true and honest) by adding a kiss into the mix when they’re both upset and angry at each other. Both are left crying (Aziraphale turns around when the Metatron arrives, and there’s NO reason he should unless it’s to wipe his eyes. And Crowley deliberately put his glasses back on, so I think it was to cover up the tears) and no one gets what they truly want.
I think we’ll get a payoff for this next season, when they’re finally BOTH on the same page and NOT misunderstanding each other. I think there will be a “did you mean it?” from Aziraphale, and then a verbalized “I love you (or a variation of those words)” from Crowley, and then the paralleled line of “our side” I mentioned in the Gabe & Beez section. I think there will be a better, more satisfying kiss next season. I really do have faith about that.
Other AziraCrow Things
I saw a meme that put it best: “Aziraphale fell first, but Crowley fell HARDER”. I think Crowley is more comfortable in his pining because he’s not constrained by the same hangups and “obligations” that Aziraphale has. Aziraphale is worried that it’s “sinful” to love a demon.
I mentioned this before in the Raphael section, but I want to reiterate the point about The Miracle, because it’s SUPER important that this was a big plot point. The fact that it was so strong for something apparently so minuscule according to them proves that they are better together, and now that Heaven is aware that their powers combined to create that miracle, they absolutely want to keep the two of them apart. They suddenly became very aware that Aziraphale and Crowley are RIDICULOUSLY stronger together, because if a tiny miracle can set off alarms in Heaven, what can two full miracles combined create? I feel like this is a BIG Chekov’s gun for S3. 
I think a large part about why Crowley is offended by Aziraphale’s acceptance of the job offer is because Crowley is upset that he’s not enough for Aziraphale, especially when he rejected Beez’s offer for Aziraphale. His voice shakes when he asked what Aziraphale did. He’s hurt.
THE TOUCHING in this season is insane. It’s so casual and it’s EVERYWHERE. Their relationship, when it’s finally actualized, is going to be heart wrenching in a good way, the “good sort of hurt”. I truly do believe AziraCrow is endgame.
It amuses me to no end that the fact that these two idiots and their one braincell think that they can make a human relationship work when they’ve been mutually pining over each other for 6,000+ years with very little progress. And good lord, they both take their advice from fiction. It’s hilarious.
Aziraphale’s unending faith in Crowley’s “goodness” also kills me. I love that Crowley actually never wants to kill anything, he’s literally just trying to get by without getting caught, and he always gently encourages Aziraphale to do the same. He cares so much about being gentle with Aziraphale. The scene on the rock where Crowley is SO SOFT with Aziraphale melted my heart. It’s so sweet.
I LOVE that it was CROWLEY who got Aziraphale into food and drinks. It explains a LOT about why Crowley likes watching Aziraphale eat. HE did that. It was his first “gift” to Aziraphale (to his knowledge at this stage, when really it was Crowley’s smile at making the universe that really did it).
Crowley’s devotion to making Aziraphale happy while Azzie is just oblivious to how Crowley feels hurts a LOT, but I want to expand more upon this in my followup reblog to my relationship meta. I see myself SO MUCH in Azzie it’s goddamned scary.
Actually, I don’t think Aziraphale is oblivious to be mean, since he makes a point that “rescuing me makes him so happy”, BUT I think Aziraphale might misinterpret Crowley’s devotion as ��Crowley wanting to do good” and not “omg he’s in love with me and wants me safe always”. Which I think is why Azzie is naïve enough to believe that Crowley actually WANTS to do good and not get in trouble for it, so thinks that Crowley will jump at the chance to go back to Heaven with him. Aziraphale always saw the rescues and the saving of children and animals on the same level –  as a demon fighting against his nature – when in reality it’s a demon who just does what he wants because he cares about everything and Aziraphale happens to be at the top of that list.
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THE METATRON and AZIRAPHALE’S DECISION
This section will be short since I actually covered a large chunk of it in my Manipulation of the Metatron Meta Reply a couple days ago, so please go read that if you’re interested. The shortened, summarized version of that is this:
The Metatron is playing Aziraphale, and he’s only using Aziraphale to bring about Armageddon 2.0, using Aziraphale’s desire to be needed and useful against him. Azzie DIDN’T see what Crowley saw in Heaven when he accessed the files and I don’t think he knows about the Book of Life Threat that was the punishment for harbouring Gabriel, either. Only Crowley knew about that, but didn’t tell Azzie (again, a huge problem in their communication that needs to be worked out).
Heaven and the Metatron KNOW that Crowley is a liability and I suspect they also know how powerful they are together. They needed to drive a wedge between them, and knew Aziraphale was pure-hearted enough to believe that he could make a difference, AND that Crowley would never take up the offer that was presented given his vocal disdain for both Heaven and Hell. 
And they chose Aziraphale as opposed to the other angels because the angels actually lust for the power, and that can be unpredictable. But because Azzie has ALWAYS only wanted to do Good with no ulterior motives other than to Make Everything Better, he is easier to manipulate. Crowley is the bargaining chip that will be used against Azzie if he attempts to go rogue like Gabe, that I am pretty certain about. I think that Azzie will find out about the Book of Life because they’ll place blame on Crowley for harbouring Gabriel. Aziraphale has no idea that Gabriel really didn’t have any power. The minute Gabe turned against them, a trial and ousting happened. Aziraphale got himself into a no-win situation, and upon discovering this, he’ll believe that, because he rejected Crowley, Crowley won’t come to save him this time, so to save Crowley, Azzie will go along with the plan. Crowley’s life will literally be in Aziraphale’s hands.
I’ve no idea how Crowley will find out about it (from Muriel maybe?), but Crowley’s POV will be the primary focus next season (since this season was Azzie’s) and we’re gonna see a vengeful demon and I’m here for it. Will there be a dramatic rescue or sacrifice? I think so. Not sure who the whump candle will go to, but my bet is on Crowley this time since we got Aziraphale in S1. Who knows. I’m all for “Aziraphale is hurt, so now Crowley goes feral”, but that’s a personal preference that I can get from fanfics, LOL.
Anyway, the long-short is that this job will be the wake-up call Azzie needs to finally see what Crowley saw, without the manipulation of words to confuse him. That Azzie can’t just “make things better” because he will never be allowed to make things better. As a Supreme Archangel, he will have the clearance and ability to find out everything Crowley did. Unfortunately, it will be too late... or will it? ...
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OTHER THINGS ON MY MIND (that I didn’t know where else to put)
Aziraphale NEVER FELL because they didn’t want it to look like an Institutional Problem. I even hazard a guess that NO angel has ever Fell since the Initial and Only Fall that sent Satan, Crowley and the other demons down. But Aziraphale doesn’t know that and I suspect that it’s this constant fear of Falling that keeps him complacent to Heaven. He’ll find out how they’ve really been dealing with problems when he’s in his new position.
And I think Azzie also never fell because Crowley made a point to never ever snitch. He knows they would eat him alive in Hell, so he protects Azzie from that as well.
I love that the Bentley clearly has a favourite and it isn’t Crowley!!! The car literally tries to follow Aziraphale. It’s so cute.
And on the subject of the Bentley... Crowley can feel everything going on with his car?? So like... is that a metaphor for Aziraphale being inside Crowley or.....? hee hee heeeeeee.
I loved that David got to use his natural accent in the Edinburgh scenes. IT’S SO PRECIOUS OMG.
And and and while Crowley was high off his rocker, he clearly says “Where are you??? 😢” and Aziraphale had to reassure him that he was there. So sweet.
Aziraphale and his inability to do literally anything humans do “the normal way” (mobile phone use, be a “newspaper man”, properly drive, learn French properly) while turning around and lowkey mocking Muriel is... something else. What a hypocritical dork.
The realization that they have a WHOLE-ASSED apology dance hit me like a tonne of bricks, and we KNOW it’s coming back in S3. There needs to be an entire cabaret from Azzie this time ‘round, LOL.
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FINAL THOUGHTS
I adored season two, more than season one for sure, and I loved that it built up upon the AziraCrow relationship. It was an interlude that lets us know that they’re sort of in a rut, stuck in a status quo that both are afraid of changing, and that they both need a catalyst event to happen to truly be together.
I remain more hopeful and certain for a satisfying conclusion to their arc than I ever have before. Which is saying a lot because privately, after Sherlock S4, I kind of was ready to not put my faith in another show to canonize a ship I love ever again. 
But there’s a huge difference between this finale and Sherlock S4′s finale: GO S2 DOESN’T feel complete, and Neil wants to finish the story.  I went into more detail about it on this post here, but essentially it boils down to S4 left me feeling hollow and empty because its 4th season felt so detached from what we already saw. It felt like the closing of a book with the wrong pages in it, with no confirmation in sight of concluding the series proper with the S5 they’ve been promising for years. GOS2, on the other hand, left us feeling like everything’s WRONG but in the right way, you know what I mean? Like there is a part two to this saga to be completed. And that Neil himself seems determined to finish the story regardless of what happens.
I like to think that both Michael and David know what Gaiman plans for the endgame of their characters, given that Gaiman HAS said he does “have the final fifteen pages of Episode 6 [...] written. Given what we got in S2 with The Kiss, and Michael and David’s adoration for this story and its characters, I am hopeful that Neil entrusted them with what he wants for AziraCrow. They in turn play those characters better for it. 
So yeah, maybe I’m just putting clown shoes back on with this one, but I will remain... optimistically skeptical. Like, I REALLY want and believe that AziraCrow is endgame, that the Husbands will be actual husbands, but I also will remain skeptical that it can happen and not be upset if it doesn’t. I got a kiss (a terrible one, but a kiss nonetheless). I got a tonne of touching. I got them dancing together. I think that’s more than we ever could have hoped for, and it’s already leagues above what I am used to.
To conclude, here are some more questions, thoughts, and hopes for S3:
There are SO many “Chekov gun” moments in play in S2 currently, little things that really seem so pointless to have introduced (like the apology dance) and I am TRULY hoping that it’s true that Gaiman didn’t put things in this series unless it’s important later. I feel it will all come back around. Where S1 had open and closed plot points, S2 did NOT. 
Why was Crowley able to get into Heaven without any issue? Is THIS part of the Ineffable Plan? Why does Crowley not want anyone to know who he was before the Fall? It’s clear Crowley POSSIBLY knows more than he lets on about Everything. I think he was at one time the Supreme Archangel... Gabriel’s banishment could foreshadow this, given that Gabe is deliberately used as a Crowley mirror in this season.
I hope for a stupidly emotional, makes-me-sob-fat-tears, reunion, confession and acceptance of each other. Oh, and of course, the infamous cottage in Sussex we all hope for. I am a SUCKER for emotional beats and I CRAVE it.
Oh, and a HUGE apology dance from Aziraphale. You introduced that shit, I want to see Azzie go all out in return.
I think Crowley will be the first one to confess verbally. The Gabriel mirror kind of sealed that for me.
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FINALLY, that’s that! Thank you for reading all the way through, if you did. Again, as I alluded to in my introduction, I may expand upon a few sections of this meta on other posts in the upcoming weeks as I catch more and more things, and start integrating other people’s meta into my own theories.
Apologies for any errors in this, it took me nearly 2 days to write and a very tired couple proofreads through it to clean up hanging text.
I hope you enjoyed my foray back into meta-writing, and please, do not hesitate to send me an ask to either of my blogs if you wish for me to expand more on a topic.
Cheers, and good day 💙🖤
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Dead Seagull: Do Not Eat – Albatrosses, Seagulls, and Guilt in Our Flag Means Death
(for future reference: written 10/6/2023, ~36-48 hours after the first 3 episodes of S2 were released)
Hi, all! I, like many of you scrolling the #ofmd meta tag, have a head filled with nothing but the Gay Pirates. This has been the case since 12am PST on 10/5/2023 and will remain the case for several months to come. On my 3rd watch-through of the first 3 episodes of season 2 of OFMD, I started paying closer attention to potential symbolism so that I could maybe predict how the rest of the series is going to play out and get a better idea of what’s going on in these little guys’ brains. This post is the introduction to a short series of long posts wherein I rant about symbolism that may or may not be in the show. Enjoy.
Disclaimer: I haven’t written anything even close to a literary analysis since high school, and I generally don’t know wtf I’m talking about. I’m just having a lot of very normal thoughts about The Pirate Show and I need to put them somewhere; if anyone has more ideas relating to this please add to it!! And to the best of my knowledge, the thoughts I express here are my own – please let me know if there are other analyses that say similar things that I should link to.
TWs: animal death, blood, eating animals, starvation, emotional abuse, physical abuse, gunshot injuries, suicidal ideation, canon-typical mental health problems
MAJOR OFMD SPOILERS THROUGH S2E03!!!
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What originally prompted this whole rabbit-hole exploration was the conversation that Ed has with Frenchie at the end of s2e01.
You know there's a bird that never touches ground?
It's born in the air. Never once lands. Spends its entire existence in the sky. …
As Frenchie astutely notes, this seems…kind of impossible. How could a bird be born in the air? I could see potentially never landing, but surely every bird has to come down at some point to lay eggs (or to hatch from them), right? So I did a quick Google search for birds that spend their whole lives in the air, and the first result that came up was the common swift, which apparently spends up to 10 months out of the year in the air, never once landing (or only landing very occasionally) during that time. They catch food in the air, sleep while drifting on air currents, mate in the sky, and only land to nest and lay their eggs.
So that seemed…promising? I guess? But not exactly what Ed was talking about. After all, these birds aren’t “born in the air,” and they certainly don’t spend their entire life without landing. And this still could be what Ed was talking about; it matches fairly closely, and it’s possible that whatever Ed heard was either mis-told, misheard, or intentionally exaggerated. But I think there’s a more elegant answer to what bird Ed is referencing here, and it has much more potential for analysis than the common swift: the albatross.
This is the second thing that I found while searching, and this piqued my interest much more than the last result, since - as many of you probably know, spending time reading tumblr metas – the albatross is an extremely pervasive metaphor in literature. It usually represents a psychological burden that one has taken on, most often as a result of having made a mistake that resulted in others getting hurt. I’ll go into more detail about the source of this symbol in a little bit, but the basic gist is that a dead albatross gets hung around one’s neck until whatever guilt they have is resolved – albatrosses are huge birds, so this represents an enormous weight.
Before I go on, I’ll add that, at first glance, the albatross actually seems to fit Ed’s description less well than the common swift does – albatrosses are known for being able to glide for a long, long time, but they do land…on the water. One of the first things that comes up when you search for “birds that never land” is that albatrosses spend years and years never landing on shore. There’s a similar problem here to the common swift in that no bird actually hatches from an egg while in the air like Ed is implying here. But I would argue that the albatross is indeed what Ed is talking about. Whether he misheard, someone misspoke, or a tale got distorted from it being verbally passed down, Ed is referencing the image of an albatross that spends its entire life above (or on) the sea, never once going to land.
And this fits. In the context of the conversation that Ed is having with Frenchie, Ed is lamenting the fact that he can only exist in one place, fulfilling one role – on the sea, performing the role of Blackbeard. He imagines the life of this fictional albatross as quite lonely, I think, never once leaving the place it has spent its entire life (again, this isn’t exactly how the birds behave, but I believe Ed views them this way based on how he’s interpreted whatever he heard about albatrosses). He’s resigning himself to never leaving his habitat, and quite literally never going back to shore.
“…We’re gonna sail…rob…raise hell forever…and ever…without end.”
Right. So, if I am to be believed, we’ve established that Ed is actually diegetically referencing albatrosses. So what?
Well, as another disclaimer, I’m not 100% sold on these ideas myself. Especially only having the first 3 episodes of S2 to go off of, there’s plenty of time for these ideas to be proven wrong in as few as – checks watch – 6 days. There are lots of different, potentially overlapping, potentially conflicting ways to interpret this information. I’m probably going to split this up into parts, for ease of access and reading. Because all this so far has just been the introduction :))
In one part, I’m going to talk about what is probably the most intentional reference: The Rime of the Ancient Mariner, the original poem that the albatross metaphor is pulled from. Beyond just the link to the “Impossible Birds” conversation, there are some other elements in OFMD that seem like pretty clear references to this poem. Based on references to this poem in popular culture, I suspect that parallels here would be non-diegetic – meant to be apparent to the audience, not to the in-universe characters. Link Here!
Next, I’m going to talk about another poem, simply titled “The Albatross” (French: L’albatros). This particular poem is maybe less likely to have inspired references in OFMD, but if there is an intentional link, this poem reflects a lot of how Ed sees himself and his life thus far. I’ll admit that I’m a bit biased toward this poem since I had to memorize it in French class in high school and it’s stuck with me – but it was also one of the first things on Wikipedia that was linked on the page of the metaphor of the Albatross. Parallels in this poem are what I would suspect to be diegetic – despite it being an anachronism, I think Ed has at some point read this poem, and he relates to the albatross/poet. [Link Here!]
Lastly, there are some loose ends that I’d like to pick up that may not tie into anything, but I feel like they’re worth mentioning, especially as they relate to the albatross metaphors and parallels. This section is going to talk more generally about birds and bird imagery in OFMD, and how these instances can support or refute my albatross theories. [Link will go here: haven't written yet :)]
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Him or me || JJ Maybank x female reader ||
OUTERBANKS S1-S2 SPOILERS!!
summary: with the family jj has, it’s caused him to have major trust issues, rightfully so. but the problem is it has started to get in the way of you two’s relationship. your ex-boyfriend rafe, committed a crime. murder. he immediately came to you after it happened. he was sobbing, choking on his own words, not able to come to his senses about what he had done. he was in shock. he explain how he had done it to protect his dad, you understood for a split second but nonetheless he was guilty. you knew he needed help, his dad had always had him in a choke hold, ready to do whatever he asked. and that was no good. you spent your days trying to convince rafe to turn himself in, and you almost had until he blamed john b and now had the pogues were after him. jj had notice your behavior, and as your boyfriend, was not only worried for your safety, but his. if rafe had gotten close to you again, he may have been able to manipulate you into leaving the pogues. manipulate you into leaving him.
warnings: arguing, cussing, crying, mention of murder, mental issues, drinking, angst to fluff
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“Rafe!” You yelled, slamming his door open to see a pacing and sweating Rafe Cameron. “What the hell is wrong with you? Wrongfully accusing John B?! My friend?” You asked slamming the door behind you. He turned to you, eyes wide and bottom lip almost gnawed off from how much he was biting them. He quickly walked over to you, standing nervously in front of you. “Y/N please just listen to me-“
“No Rafe. I was going to help you! I was trying to at least. And yet you keep getting worse!”
“My dad asked me to! I had to!”
“See that’s the problem Rafe. You always listen to what daddy says. Is his approval so important to you that you quite literally would murder someone for him?”
“No? What? Y/N listen I-“
“Rafe i’m done listening. What happened to you?” You asked in disbelief as you crossed your arms. His eyes watered up but he wiped away the tears with the back of his hand. He looked at you with red eyes. “Please Y/N, your the only one I have. You can’t leave me.” He stuttered out, voice cracking.
“I don’t want to Rafe.” You breathed out. “But what you did was fucked Rafe.”
“I know Y/N and i’m so, so sorry. I just, I didn’t want to upset my dad. You know how he is, what he’d do to me.” You brought your fingers up to your forehead and pinched the bridge of your nose. “Jesus christ Rafe, you’ve gotten yourself in some deep shit.” He nodded, grabbing your shoulders to make you look at him. “I know Y/N I know, and i’m sorry. I’m sorry okay? I promise i’ll make it up to you. I just need time.”
“You need time? Yeah John B has murder charges and a money reward to whoever finds him but yet you need time?” You scoff with an irritated laugh. “Yes, I need time. I can get me and John B both out of this, I swear, I just need time to clear everything up. I can talk to my dad and we can figure something out. I promise Y/N. You know I wouldn’t have blamed him if I didn’t have an option.”
“Yes you would have, you hate the pogues.”
“Yes but I also know by blaming them it would hurt you because, oddly enough, their your friends. And I didn’t want to hurt you Y/N. I love you. And you know that.” He said, his eyes searching yours for a reaction. You gave him a cold, hard stare before finally letting out a sigh of disproval. Both in him, and what you were about to do. “Fine.”
“Fine?” He asked, eyebrows knitting with confusion. “Fine.” You say pulling him roughly into a hug. He shoved his face into your neck, holding you tightly around the shoulders. “I can’t lose you either Rafe. As much as I hate you right now. I still care about you.” You felt wet tears drip onto your shirt and you pulled back to wipe them off Rafes cheeks.
You gave him an stern stare, I’ll give you a week. A week. Nothing more nothing less.”
“Nothing less?”
“Take it or leave it.” You grimaced.
“I’ll take it.” He said desperately. You nodded. “Good. Now i’ve got to go talk to them and fill them in on everything.” You say turning to open his door again. You turn back and point at him. “Get your ass to work.” He nodded. “Yes ma’am.”
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You pulled up to the chateau and saw everyone sitting on the couch on the porch talking, they all seemed frustrated. You walked up and all their eyes turned towards you. You noticed JJ wasn’t there. “Where’s JJ?” you asked confused on why he wasn’t with the rest of the group. They all looked at each other and Pope swallowed nervously. “He’s a bit upset right now. He said he wanted to be left alone.”
You furrowed your brows before sighing roughly. “I’ll go get him. Where is he? I have news for y’all.” John B nodded to the kitchen and you thanked him. You dropped your bag off in front of the door, slipping off your shoes and taking off your jacket. You walk through the house and into the kitchen and see JJ taking a sip of his beer and leaning against he fridge, eyes stuck on the cabinet in front of him. He didn’t hear you walking towards him, he was too deep into his thoughts.
You reached for his arm. “Hey baby-“ He flinched, causing you to pull back. He turned his head slightly to eye you, finely registering who it was, he faced you. “Sorry” you chuckled nervously. “Didn’t mean to scare you.” He nodded, leaning up off the fridge and walking to sit on the couch in the living room. You found it quite odd that he just ignored you. No kiss, no hug, no nothing. You turned around and began following him into the living room. You looked out the window and caught the other staring at you in anticipation.
When you looked at them Pope and John B immediately turned their heads away, gaining your suspicion. John B started whistling and Pope rested one of his arms on his neck awkwardly. You heard Kie and Sarah talk about taking a walk to the beach so they got up and left, Pope and John B went to sit on the boat and drink. You sighed and turned to face JJ who was now sitting on the couch, beer in one hand and phone in the other.
You moved to stand in front of him and crossed your arms. You waited for him to notice you, but he didn’t. You cleared your throat which earned you a slight glare from him. “Okay that’s it,” You huffed grabbing his phone and tossing it to the side on the couch. “What is your problem?” You asked impatiently. JJ crossed his arms, mimicking your position and scooted back, man spreading slightly.
“What’s my problem?” He asked. “What’s your problem Y/N?”
“My problem?” You scoffed. “You’re the one with a problem. You’ve either ignored me or given me attitude since I got here. What did I do?”
“Always something.” He mumbled under his breath, breaking eye contact. Ouch. “Always something?” You asked in partial shock and partial anger. You threw your hands up in defense. “You know what? I don’t have time for this. I’m leaving, text me when your ready to have a grown up conversation.” Just as you turned he said something that sparked your fume. It was something that made you just about blow.
“Yeah, go run back to Rafe.”
You immediately whipped around. “Excuse me?” You asked bewildered . “Oh don’t play dumb Y/N.” He huffed getting up to walk back into the kitchen, getting another beer. You followed him. “Now who’s walking away.” You mumble just below a whisper. He turned around. “I saw you. At Rafes house.”
“We’re you stalking me?”
“Yeah totally.” He rolled his eyes as he popped open another beer, tilting his head back to let the liquid fall down his throat. “Then what we’re you doing?”
“I was coming to pick you up so we could come back to the chateau and talk about what Rafe did. Or did you forget?”
“Obviously I didn’t.”
He laughed with anger. “Yeah obviously.” He shook his head but continued. “You weren’t home, so then I knee immediately you’d be with Rafe. Per usual. I pull up and through the window see you hugging that sick bastard. Really Y/N? That’s low, even for you.”
That hurt. It really did. JJ was genuinely upset with you this time.
“JJ you don’t understand-“
“No Y/N I understand perfectly.” He said throwing the empty glass bottle into the trash, the loud “clinking” sound making you tense. You look back him and your heart shattered into a million pieces seeing tears welling up in his beautiful blue eyes.
“I get it. You’re still in love with Rafe. So naturally your going to defend him. I just wished you would have told me, instead of making me believe that you loved-“
You grabbed his face roughly, tears in your own eyes. “JJ, shut the fuck up.” You demanded before roughly pulling his lips onto yours. JJ was still upset, but having your lips on his one last time, or so he thought, wouldn’t hurt. Both your eyes closed, and his hands immediately flew to your waist, holding on for dear life as if he were to let go you were going to melt away. You felt his tears drop against your own face, his teeth clashed against yours and he let out the smallest whine when you pulled back.
You looked deep into his eyes, frowning when he breaks eye contact to wipe his tears. “JJ look at me.” And so he did. “I just need you to listen okay? Please.” He nodded. You swallowed and began to speak. “I went to Rafes house to yell at him for accusing John B.” JJ’s face went pale, he must feel like an idiot. “I don’t blame you for getting mad though, I understand. Just talk to me text him, K?”
“I talked to him and he apologized and said he was going to fix it. He said he was going to find a way to get both John B and himself out of this.”
“I don’t believe him.” JJ immediately barked.
“I don’t either. But I gave him a week just to see if I could trust him. The hug was to throw him off. But JJ, this is really important so pay attention.” You say once against taking his hand in yours.
“I do love Rafe. It’s not something that’ll just go away. I care about him; as a friend, as an ex and as en enemy. I’ll always have a special place in my heart for him. But i’m not in love with him.”
You see a spark of hope in JJ’s eyes that makes you want to smile. “I’m in love with you, JJ. I have been ever since I first met you. Literally. I could not stop talking about you.” This made JJ smile, so you smiled as well. “I’ll love you, and I always will love you.”
“I’ll always love you too Y/N.”
You leaned in, about to kiss him when you hear footsteps sprinting inside. You turn to see Pope and John B. “We’ve got to go! The cops are here!”
“Shit.”
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markantonys · 2 months
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Oh well now that you’ve told me we get more Elayne content as the series goes on I’m definitely still excited to read the later books!
Gawyn! I’ve seen so very little of him so far but from what I have he seems like a sweetheart. I love a good sibling relationship and how he and Elayne team up against Galad is great to see, keeping an eye on that one… Very frustrating for Egwene to be fawning over the wrong brother though smh
Haha poor Mat! I’m definitely warming to him more, I’m nearly finished TDR and he’s just put a flower in his hair while sneaking into the palace 😭 Which speaking of new locations and characters, that will be SO exciting to see. I know book fans have been complaining about the changes to the show but it makes sense for them to have saved Caemlyn for s3, there’s just so much going on!
Yeah, I’m looking forward to being on the other side! I think this is preferable bc honestly, based on my taste, I think the show is on the whole making changes for the better (the women getting more spotlight from the off, actually making queer coded relationships canon lol) so having the show to look forward to after reading the books is so much fun.
*the books are obviously the source material and fantastic please don’t shoot me book fans
first of all, congratulations on having the most correct and relatable takes on everything in the series so far djdkjf right down to anxiously adding "please don't shoot me book fans" after daring to express that you think the show is good and perhaps even better. keep us updated as you go along, i love hearing your thoughts! as always, to my reader followers, please do not mention any book spoilers past TDR in replies/reblogs on this post. we must keep this anon pure! anon, i will be tagging this post as book spoilers for the sake of show-onlys since we're discussing some s3 stuff, but rest assured i haven't included any spoilers past where you are (bar vague stuff like "X character has a big storyline in Y portion of the series").
gawyn is MY BOY. he's like a son to me, and you can't imagine the sheer serotonin boost i got when he was unexpectedly namedropped in s2 just when i was starting to worry he might be cut or merged with galad (neither of which would make sense to do, but other readers kept predicting that baselessly and i couldn't help worrying). he's definitely a slow-burner character with his biggest storylines occurring late in the series (another thing to look forward to in the later books!), but both brothers become more prominent in the book 4-6 era, so i will be interested to see what you think of that since they're definitely Just Kinda There giving us nothing in the first 3 books haha
and this is exactly why the show was wise to hold off on caemlyn, gawyn, galad, morgase, and elaida until s3! while i would've loved to see them earlier and while the EOTW caemlyn sequence is dear to my heart, in the medium of TV where the need to build sets and hire actors constrains what you can include when, it makes way more sense to hold off on introducing major locations & characters until such time as they are truly needed in the story, which for the Caemlyn Crew is season 3 since they don't get up to very much in the first few books. going to all that casting & set-building trouble for a single scene in season 1 or casting gawyn & galad just to bop around not doing much at the white tower in season 2 wouldn't have been practical. not to mention that there's been so much else going on, like you say! better to save this crew until we have enough space in a season to spend proper time with them.
and i love the show's approach of introducing elayne first and getting her into our hearts, then introducing the rest of her family in the next season when we're primed to be interested in meeting them, having already spent a whole season with her and having come to love her, and having heard intriguing little tidbits about her family and upbringing. caemlyn is my favorite location in the books and the trakands are my favorite family, so i can't wait to see them next season!!!! i'm so curious to see what kind of aesthetic they'll go for with caemlyn, and noble andoran fashion too. and given what a great damodred family backstory they crafted out of almost nothing in the books, i suspect we'll be in for a treat with some meatier family dynamics among the trakands (who do already have great dynamics in the books, but i bet there's more that can be done!)
mat putting a flower in his hair!! 😭😭 he's a baby! man that reminds me of the green man in EOTW and when he only gave flower crowns to the girls and not the boys, that made me so mad djkjfjg whenever i see anyone be sad that the green man didn't make the show, i'm like "nah FUCK that guy, he didn't give the boys flower crowns!"
and i am COMPLETELY on the same page as you with still preferring the show even after having read the books because the changes it makes are in line with my personal taste and improve aspects of the books i didn't like. the aes sedai are one of the most unique elements of the series, and i love how much focus the show has given to them early on! i love that egwene and nynaeve get to be ta'veren too! i love that moiraine and siuan are in a canonical present-day relationship instead of relegated to "being gay is just a phase in college"! i love alanna's polycule! i love that the male characters are allowed to be sensitive and vulnerable and to openly express emotions and affection! i love that the friendships and romances and enmities are all deeper and more emotional across the board! i love that the show focuses on the emotional impacts of the plot on the characters! and the show also really excels at picking out a smaller number of supporting characters and beefing them up (like liandrin and alanna) instead of including a fuckton of supporting characters, none of whom are very distinct or well-developed. the show always chooses to whole-ass one thing rather than half-ass two things, and that's another thing i love! the ability to distill these very long-winded books down into a more streamlined version of the story while keeping its core intact was crucial for an adaptation to work well, and rafe & co are so good at that.
anyway, i know that some readers like to tout the narrative that reading the books will make you like the show less because you'll see how much better and more detailed the books are, but that could not have been less true for me. it just made me love and appreciate the show even more, and look forward to seeing how my least favorite book stuff might be improved and how my favorite book stuff might be changed or given a fresh spin or made even better! and i'm glad to hear i'm not the only show-to-book person who feels that way <3
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dkakapizzaboy · 2 years
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Casting Svt as Characters in KDramas I’ve Watched
Masterlist || Taglist Form
Words: Around 900
Category: Fluff I guess
A/n: If you disagree w any of these, I’m always open for healthy discussion
Disclaimers:
a) A lot of these shows I watched a while ago so if any character descriptions are inaccurate, please drag me it’s okay.
b) Some characters are, of course, very different in age than the members but just go on the emotions, will ya?
c) Character descriptions are kept vague on purpose because I don’t want to give spoilers. Also, if I’ve given any major spoilers unintentionally, I apologise.
d) Spellings of Character names are from Wikipedia, so if you find any inaccuracies, pls lmk
Taglist: @junhui-recs @drunk-on-dk @wonuhour @enhacolor
Fic specific tags: @wonwussy @bitchlessdino hope you guys like it!
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1. Choi Seungcheol as Lee Young-Joon in What’s Wrong With Secretary Kim
The strong male character with childhood trauma who doesn’t know what to do with his feelings once he realises the love of his life, whom he had never confessed to, is leaving him screams Seungcheol to me. He’s awkward with his feelings, reacts poorly when hearing the news, is a true leader who silently burdens not only his trauma, but also his brother’s.
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2. Yoon Jeonghan as Park Chang-ho in Big Mouth
I think, of all the people in the world who can deceive a prison full of inmates that they’re a criminal mastermind and you shouldn’t mess with them, no one else would compare to Jeonghan. The professional lawyer, who is framed and sent to prison, is a good person at heart, and helps other suppressed inmates and leads a revolution. Jeonghan is particularly quick to think on his feet, which matches the character’s energy.
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3. Hong Joshua as Kang Tae- Moo in Business Proposal
A cold CEO who is super averse to dating and and is busy running his business meets and instantly falls in love with a girl who is posing as her friend on this blind date to get rid of him. He is devoted to his family, his passion for his company’s food products is only matched by our heroine. He’s a great cook and is also kind of nosy in his little brother’s love life.
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4. Wen Junhui as An Min-Hyuk in Strong Girl Bong Soon
The cute, funny gaming company CEO who hires our Bong Soon as a bodyguard just screams Jun to me, both because of his passion for games and gaming development but also for his endearingly cute and shy demeanour and the sense of humour. Plus actor Jun deserves a fun, cool and handsome role like this, considering we might never get to see his c drama :((
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5. Kwon Soonyoung as Jung Joon-hyung in Weightlifting Fairy Kim Bok-Joo
Ok so this is the latest drama I’ve watched and Joonhyung’s passion and commitment for swimming instantly reminded me of Hoshi and his passion for dance. A bonus factor is the fact that after seeing In the Soop S2, I can confirm his….ahem…abdominal area can easily pass for a swimmer’s.
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6. Jeon Wonwoo as Cha Sung-hoon in Business Proposal
Yeah I don’t think I need to explain this.
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7. Lee Jihoon as Wi Seung-Huen in Rookie Cops
I’m sorry but Woozi as a trainee cop along with an initial e2f2l storyline???? Sign me uppppppp… Plus, this character is like the ace trainee along with having daddy issues and a strong sense of morality that builds over time. Just writing this is making me crave a Woozi remake of this show.
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8. Xu Minghao as Myul Mang in Doom at Your Service
Minghao, I think, is the best person in the world who can bring doom to the world while looking fucking stylish and having an angsty emo personality. Fuck the humans, what even do they have. Xu minghao is literally here to end us all. Plus the later developments in the show and the emotions this characters develops….I’ll cry watching if Minghao was Myul Mang. Also, I feel like Minghao is the most supernaturally member in Svt- you know the one who is into Tarot cards and palm readings.
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9. Kim Mingyu as Ji U-Min in The Fabulous
Ngl, the Going Magazine episode was a big factor while giving Mingyu this character. This super talented fashion and street photographer, who sometimes struggles to find his aim and is stuck in the friend zone after breaking up with the female lead is such Gyu vibe honestly. This man is so supportive, encouraging…and might I say relentless?
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10. Lee Seokmin as Baek Hee- Sung in Flower of Evil
The beauty of Dark! Seokmin is something to behold, a fantasy I will never give up on. A bright, perfect husband in every sense of the way on the surface with a dark past and even darker present….. is….so…..hot. And his wife is a police officer? Yup yup add it to the drama. Mars’ serial killer DK fic has arisen a fantasy in me that i don’t think is going away anytime soon. Plus I’m a sucker for complicated, grey characters whose layers are revealed slowly as the series progresses. He’s almost an anti- hero here.
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11. Boo Seungkwan as Lee Seung-cheon in The Golden Spoon
Another grey character, probably the most complicated character on this list. I think, for me, our Boo is also the most emotionally complex and mature guy in seventeen so I think this character really suits him. Our lead guy, is born into poverty but changes his luck, along with his family’s, by switching lives with the richest guy in his school. Complications, along with consequences, haunt him.
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12. Chwe Hansol as Goo Chang-seong in Hotel Del Luna
I’m sorry but Vernon as this character??? In great looking suits and constantly in service of ghosts to help them finish their last wishes and peacefully transition to afterlife along with having… probably the most emotional love story ever…..yeah I need a minute, or a week.
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13. Lee Chan as Kim Do-ki in Taxi Driver
Taxi driver is probably my favourite kdrama till date. And Dino as the sexy vigilante who takes revenge for people who the system can’t help is such a sexy concept. Action hero Dino to the rescue! Plus the main character plays so many roles undercover and is so hilarious at times that Dino will fit perfectly in this character’s shoes.
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nabu630 · 11 months
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MAJOR LOKI SPOILERS FOR S2 EP4⚠️
This is my reaction so I do mention a LOT of the shit
Running on 17% battery, depressing/concerning/mental hospital worthy thoughts and an Oreo and I’m ready to watch some gods
Love how Mobius just went “it’s Loki’s turn to die”
Sylvie looks so homophobic wtf. She even called it a bromance and then glares at them like that tf
Yes loki, defend mobius.
Nope, he just said two words and let Sylvie continue to talk to Mobius like that
HES DOING THE THING WITH HIS ARM
I hate dox so much
Wait, Loki is defending Mobius?
Love how Loki is talking in this scene. I’m not paying attention, it’s just his voice.
He’s talking about Thor! He sounds sad.
Love the scene, not paying attention to what they’re talking about but how the environment is being used.
Pie=therapy. You don’t need to eat it, but anywhere there’s pie there’s a therapy session.
Say it
Say it
SAY IT
YEEEESSSSS
YES YOU ARE LOKI
oh yay, this girl is back, and the AI
Ain’t no way it was THAT good
Are they really going to kill them
This is horrid
Wtf
THEIR SCREAMS
THEY GOT CRUSHED
THE SOUNDS
YOU CAN HEAR THE BLOOD
WTF
YOU CAN HEAR THE BONES CRUSH AND THE BLOOD
AND MISS MINUTES WAS SMILING THE WHOLE TIME LIKE A PSYCHO
Mobius is back!
Has Victor never had hot cocoa?
I keep forgetting he’s in the past
Bro was really interested in that machine
You can still hear the blood!!
I HATE MISS MINUTES
Nice, hot chocolate. I now want hot chocolate
He’s so nice letting the other guy drink hot chocolate
NOOO, THE HOT COCOA
Wtf man
Loki and Sylvie are back! Wait, Sylvie is back…
Can we not bring back the box up? Please
Why is it actually so pretty
Wait, elevator, camera, NO
NO NO NO NO
THE FIRST EPISODE!
Sylvie is in the elevator and Loki… LOKI HAS THE THING
That’s past Loki, isn’t it
Wait, he’s going to get pruned
The phone!
ITS GREEN
THE PHONE
THE PHONE
LOKI PRUNED HIMSELF
HE HAD TO BECAUSE HE KNEW
THATS HOW IT HAPPENED
HES SHAKING! No I hate it when they shake
Answer it! I HAVE BEEN WAITING FOR WEEKS
YOU GOT TO BE FUCKING KIDDING ME
THAT WAS SO UNSATISFYING
they just want to use magic again
Like that wasn’t threatening
That was slightly creepy
YES DO IT!
Boo, I wanted to see Loki fight
Yes she’s pruned!
Mobius isn’t even going to talk him out of it
Bro was immediately spaghettified
NOOOOOOOO
ITS EXPLODING
DID THEY FAIL
LOKI !!!
You can’t end it like that!
I have to wait another week
Come on!
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rosetheocto · 5 months
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My Rants and Reviews on the Failtopia S2 Finale Outfits!
this post was inspired by the one made by @cosmo-production so please check out their post too! my review is under the cut
Major Failtopia Season 2 spoilers ahead!
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Mar
yeah it’s the basic one, but i think that fits him! If I had to pick another outfit it would be the Pro one, but I genuinely can’t see him in anything else other than the boring chef outfit. I feel like if he wanted to change it he def could (I mean look at his imp outfit) but the basic chef outfit is very solid for him! If it ain’t broke don’t fix it! 7/10
Orion
I know the outfit is very clashing and has a bunch of colors, but in Dan’s defense: Orion’s makeup already has a bunch of colors, and when you look into it the colors the outfit has actually matches with the makeup a bit! and also, I kinda wish Dan didn’t have the makeup be as out there for the sake of those drawing fanart, but at the same time this is Daniel Failboat. Insane designs are expected. That being said though, I can’t change the clothes or makeup even if you forced me to. the context for it is just so freakin cute!! we all love great fathers in this household. He makes me wish I had a meaningful relationship with my dad. 6/10
Friend
I like it! I have a few minor gripes though. This may be a bit of a hot take, but I don’t like Zone (the hat) or Ship (the staff). Not in the Finale at least. I think Friend should’ve removed them both to show that they’ve moved on and don’t need something like Lee anymore. Symbolism and character arcs and all that other fancy stuff idk. Also I like that she looks more like a priest than a Cleric, it makes sense! He’s really religious in-universe and their war cry is literally “die, sinner :)”, so I don’t have any problems with that! As much as I like her in purple, he looks oddly good in a black and white outfit too! 8/10
Shrimp
listen guys I’m sorry but her outfit kinda sucks.. the bright pink hearts don’t really give off the same vibes as her first outfit did.. I get where Dan was coming from with it but I just personally don’t like the design :((
I think that he should’ve went with the emo goth outfit for her instead, especially since it fit her more and the fandom latched onto it like a moth to a light, but that’s just me. it gets a free half point for matching up with Bill though, 3.5/10
Erica
look I love it but the actual armor part is so overdesigned. I hate drawing that thing. that’s my only problem though the rest of her outfit is cool as hell!! Let’s go lesbians. 8/10
(and this doesn’t really count for anything, but don’t like her weapon, again I get the idea Dan, but she realistically would NOT use the giant arm 😭)
Chi
This kind of outfit fits her so well omfg. The stupid bowtie? The short sleeves and general lack of lab safety?? The triangle patterns??? It all just screams “Chi” to me! Thank you Miitopia for creating this outfit. Flawless. 10/10
(also another weapon mention, her using the ketchup bottle in the finale?? as someone who is obsessed with S1 of this series, Daniel, ty sm for including that.)
C!Failboat
the catsuit is very boring, but it is also very iconic. I like it. I’d give it a solid 7/10. But I don’t wanna talk about that one. I wanna talk about his outfit when using the Power of the Scythe.
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oh my lord. this outfit. this is not me dunking on Daniel or Wafferscotch at all, I genuinely love their art and content!! but like. you’re telling me this man saved the universe in tracksuit sweatpants and an open button up shirt WITH HIS OWN MERCH ON??? He killed god in the Bee Movie shoes?? The Piss Adidas??? It just. doesn’t really fit the Miitopia vibes to me, and I think this could’ve been better as an outfit for ACNH. It could’ve looked much worse, but still. I think it’s a 3/10
Bo
perfect. love the callback to Rose (and I mean, they’re very similar characters, so it makes sense!) She also looks cool af in a suit. her new look can be strange at first but you 100% get used to it with time. And her multiclass was just chefs kiss. Absolute goddess, let’s go lesbians. 10/10
Chat
very good. very iconic. so glad this series came out before the Kirby Era cuz i think the lips would’ve ruined it. 10/10
Big Bill
It looks really comfortable!! I want this robe irl, I like the patterns! I surprisingly really like the pink for Bill! It stands out compared the rest of his appearance and I think that’s really cool!! the dark blue also fits him really well!! Half point bonus for matching with Shrimp. 9.5/10
Void
GOD TIER!! PEAK DESIGN!!! We all love Void in this household. 20/10
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critdeeznuts · 2 years
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hey lol
DNDADS S2 EP23 SPOILERS and my thoughts live 🥰🥰:
-GRANT
-normal please. get some help 😭😭
-MAJOR PLOT MAJOR PLOT HOLY SHITTT
-also. scam likely. hermie. what. omg.
-MORE RON CONTENT IM SOBBING HES SO FUNNY “weeeee!!”
-SCAM LIKELY AND JODIE ARE WHAT.
-also i have to delete my jodie x glenn shitpost now 💀💀 WHOOPS
-boreanaz….. 🤨 ik ur behind this.
-“the ultimate performance is the one my parents have been doing my whole life” HERMIE. 💀
-holy jesus christ hermie is so fucked up 😭😭😭😭😭😭😭😭😭
-GOD I MISSED THE DADS.
-A DAD JOKE INSPIRATION OH MY GODDD i’m gonna cry
-lark hot
-LARK SAD????
-anthony stop yelling im an empath ill cry 😞
-LARK 😭😭😭😭😭
-STOP YELLING HOLYY SHIT 😭😭😭😭
-FUCKING TWINS. THE FUCKING TWINS. HOLY SHITTT
-the oak family. the oak family. the oak family. the oak family. the oak family.
-i rlly thought lark was gonna kill henry
-WAIT NO HOLY SHIT NORMAL IS GOING TO HAVE TO SIT ON THE FUCKING THRONE NOOOOOO
-NORMAL 😭😭😭
-scary and norm’s friendship is EVERYTHING to me.
-FUCKING OH MY GODDD I LOVE YOU NORMAL DO NOT DIE PLEASE
-hildy russet crumbs thanks guys 🤲🤲
-aww doodler was trying to save ron awwww 🥰🥰
-AW FUCK LARK. LARRKKK 😭😭😭😭
-this episode is so plot heavy. holy shit
-did lark make anchors. what. what. ACROSS THE PLANES??????? WHAT.
-oh my god it really was larks fault
-THE DOODLER IS A MOODY TEEN.
-why tf was lark saying they need to kill the doodler when they just needed to destroy the anchors 💀
-“we have to help it.” NORMAL OAK I AM IN LOVE WITH YOU SO BADDD
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bioshocked-astroghost · 10 months
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Before anyone reads this please remember this is just personal opinion please don’t yell at me for anything but if u disagree obv that’s fine!!!
Finally finally FINALLY watched OFMD s2 and I’ve just got to say what the actual FUCK just happened
Like I wanted some angst but somehow this felt like TOO sharp of a turn
Also maybe it’s because I binged it with my friend in one afternoon but did anyone else feel like even though it mostly made sense it felt disjointed and kinda rushed??? I felt like I couldn’t keep up with where everyone was at emotionally
Loved the new female characters but. They felt very lacking :/ I did really like Zheng but I’m very conflicted on her taking over the crew but You know. Whatever I guess
Also it was still funny but I felt like majority of the humor was missing :/
As for final thoughts. FUCK that ending my baby is NOT DEAD AND YOU CAN PRY IZZY FROM MY WRETCHED AND DAMNED DEAD HANDS (I got a little lucky in this regard, I saw a spoiler for his death a couple weeks ago so I could prepare myself) also fuck Ed and Steve becoming innkeepers sorry but no
Idk man the ending didn’t even feel bittersweet to me I just felt hollow in the end. I feel like I was robbed. I felt the same way about the ending that I did with GoT which I know sounds insane cuz it was so much bigger but it’s like. Everyone got split up. They finally found their way back to each other. The big climax comes and goes. Then for some fucking reason the party splits again and it feels like a final goodbye to each other and I fucking hate it
Anyway. Still grateful we got a season 2 but I’m pretty sure the fanfic These Waves Will Pull Me Under by @underthecouchh will always be the canon s2 in my head (fantastic fic btw. U should read it)
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tbyfandoms · 2 years
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Just finished season 3 of OBX and WOW!
Spoilers under the cut, let’s discuss!
Ok so first off, idk if this was my favorite season ever but it was still a good one!
My thoughts are kinda all over the place so I’m just gonna dive in and ya’ll can do with it what you will LMAO
So first and foremost I’m lowkey pissed about Rafe melting the cross. The Pogues went through all of that just for it to get turned to nothing essentially. In the end they still get credit for everything and what not, but for history to just get put down the drain essentially was…interesting!
Ok a major one, jjiara shippers please don’t come for me!!! Like I said in a previous post, I wanted them together in season one but after s2 I didn’t want it to happen anymore, things felt different and I saw them better off as friends. I feel like the whole “buildup” of them this season was lackluster and that there wasn’t a ton of chemistry between madison and rudy like I saw in s1. This obviously could be because of all the crazy stuff that went down over the last few years with them because of shipping, but even still this decision to have kie and jj together just felt so forced, I did not like the kiss or the fact it happened in front of all those girls like 💀
Can we talk about that too like kie’s parents fr just shipped her off to some camp??? I was ACTUALLY surprised by that. We all obviously knew they wanted to send her to boarding school but that was fr like jail without actually being in jail. I know her parents just wanted what was “best” for her but they could’ve handled that better lmao
Now let’s talk ward! Honestly they just used his character this season to farm sympathy I feel. I really enjoyed everyone’s reflection scenes and how it was affecting actions this season, but I was so unsure how to feel about ward specifically, this season. I didn’t know if any of his intentions were pure or if it was all just some scheme like usual. In the end we all saw he sacrificed himself to save sarah, but I would’ve liked to see some ACTUAL growth for his character and see him seriously try to do better. I guess in the end people can say he got his karma, but it felt kind of outta nowhere if that makes sense? Idk
Speaking of dads, we loved to see the john b and big john reuinion!!! The church bells thing had me SOBBING like that was good. There were some moments where I was like ehhh when it came to big john just because of how seriously treasure hungry he was, but it made sense for his character. What I really wanna touch on though is how he just dies! John b just got his dad back, they all go on this crazy adventure, and then his dad dies as soon as they find the treasure essentially. Now john b and sarah are fr back to having no parents and I felt bad for them
Ok I’m on my last couple thoughts. Let’s discuss rafe and topper because JESUS they both need therapy immediately. I always have a little part of me that feels for topper but after this season that’s DONE. Mans fr tried to commit murder and he’s an ACTUAL arsonist, like what was that??? 😭 And you’re telling me that nothing happens to him after all that? I know no one can prove it was him but c’mon. And rafe is just GONE in my opinion, in all seriousness I feel like he really needs therapy and to get help because you can tell he struggles with a lot and now that ward’s actually dead I’m interested to see how rafe is gonna handle everything and what’s gonna happen to the cameron family as a whole honestly
(Little quick thought including rafe! I’m adding this in after I’ve posted bc of course I forgot LMAO but when rafe and kie are locked in that room and it was just that one bed, I can’t even tell ya’ll how many fanfic ideas were swimming around in my head DKSJSJ I don’t even like kie and rafe together, I don’t even write or read rafe fics, but YA’LL!!! It was giving enemies to lovers, one bed, forced proximity, it was just GIVING! That is all, I’m sorry 👀)
My thoughts on the finale! Love that they found el dorado, that was HUGE! Typical for it to get blown up and they were only able to get a few pieces of gold out, that’s honestly what always happens in treasure media LOL! But overall that was amazing and I’m glad that whole story came to a head and it was essentially “finished”. In that same premise though, I feel like that honestly could’ve been the end of OBX. Every single season was about the tanny treasure and now that’s over, they figured it all out and discovered everything they could. They introduce blackbeard’s treasure in the end but honestly I think it’s just because netflix wants to keep the show going since it’s such a hit. They could’ve done an extra episode or two of this season, explained some things more, slowed down the story, talked more about what happens in those 18 months/all the pogue’s future plans, and then had that be the end. I’m glad it’s not though don’t get me wrong! But the story is wrapped up imo. I’m still excited for s4 though and for more treasure hunts!
Ok I think that’s everything. I know this is all over the place and I probably have so much more to say that I’m not thinking of rn, but this is all getting typed as I JUST finished the show, so I’m sure any other thoughts or clarifications I have will come later!
If ya’ll wanna talk about anything, leave a comment or pop me an ask in my inbox! Make sure to state early on if there’s spoilers included though for those who haven’t watched yet!
Overall, still love this show w/my whole heart and I’m decently happy with how things are turning out. I know there will be a lot more growth and developments next season so I can’t wait <3
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glowyjellyfish · 2 years
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Is there still a Ducktales fandom here? Most of the blogs I followed around the 2017 times have either changed subjects or gone quiet. Well, anyway, if anybody’s still here:
I started rewatching Ducktales 2017 over the holiday, with the intent of finally finishing the last few episodes! I’m in the middle of s2 and very excited. So I went through and started editing my playlist, which hasn’t really been updated since season 1. And I’m wondering if any other fans out there have any song ideas. I’d like to have a fairly equal amount of songs for each major character, and so far my favorites tend to be over represented.
Here’s what I have so far:
General amusement songs:
Ducktales theme song
Quack Quack Quack! Donald Duck
The Three Caballeros Song
Scrooge
The Saddest Story Ever Told by The Magnetic Fields
Hazy Shade of Winter by Gerard Way
Feel It Still by Portugal. The Man
Inside Out by Eve 6
We Are the Champions by Queen
Donald
Trouble Loves Me by Morrisey
The Worst Day Since Yesterday by Flogging Molly
Come With Me Now by Kongos
Battle Cry by Ludo
Return by OK Go (although it’s about Della, from his perspective)
Della
Song of the Sea by Cake Bake Betty
Got to Fly by Marian Call (the best Della song)
Rocket Ship by Kathy McCarty
Huey
The Trail We Blaze by Elton John
Overkill by Colin Hay (I kinda want to replace this one)
In Too Deep by Sum 41
Everything is Awesome by Tegan and Sara
Dewey
Ready for Anything by Skyway Flyer
A Little Less Conversation by Elvis Presley (the Megamind cover)
Ghost by Mystery Skulls
Louie
Plan B by Five Iron Frenzy
Heist by Ben Folds Five
Here It Goes Again by OK Go
Natural by Imagine Dragons
The Future by Mystery Skulls
Webby
Kids in the Dark by All Time Low
I’m Ready by Angela Michael
Try Everything by Shakira
Beakley
Have You Got It In You? by Imogen Heap
Launchpad
Crash Goes My World by Cadence Grace
Flying by Blue Rodeo
Mr Blue Sky by Electric Light Orchestra
All Star by Smash Mouth (the best Launchpad song)
Bud Like You by AJR
Holding Out For a Hero by Bonnie Tyler (favorite recent addition, it’s both perfect and hilarious)
Learn to Fly by Foo Fighters
Gyro
Build the Robots by Doctor Steel
Still Alive from Portal
Fenton (should note that his section is a bit of a mess and may include songs that don’t work very well because I was just tossing songs in there to see what would stick)
Rocket Man by Elton John (although it works better for Classic Fenton than 2017 Fenton)
A Better Son/Daughter by Rilo Kiley
Freaking Out by Mystery Skulls
The Safety Dance by Men Without Hats (haven’t tested it yet, but the idea amused me)
Hero by Chad Kroeger
Little Lion Man by Mumford and Sons
Mighty Little Man by Steve Burns
Consequences by Buffering the Vampire Slayer
We Are by Ana Johnson
Lena
Opheliac by Emilie Autumn
Glomgold
Opportunities by Pet Shop Boys
Reprehensible by They Might Be Giants
Mark Beaks
Whipped Cream by Ludo
Welcome to the Internet by Bo Burnham
Gladstone
Life Has Been Good To Me by Randy Newman
…and that’s it. As you can see, it does not feel like a complete playlist, covering neither every character nor any full arcs. …except maybe Launchpad who’s pretty well represented with some good and great songs for him. My sister has suggested I try Let the Games Begin and The Good Part by AJR, as well as You Won’t Make a Fool Out of Me by Flogging Molly for Donald, but I would like some songs I haven’t heard by different artists, if possible. Also, please note that I haven’t seen the last five or so episodes of the series yet; I have approximate knowledge of The One Thing, but otherwise am avoiding spoilers until I finish.
Any ideas?
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Just read your Aegon/OC fic on ao3 and loved it! Most OC, reader fics I found are usually the ones defending Luke and in some fics, it was even the OC who took Aemond's eye! It is refreshing to see your fics among those.
But please, can you give me some itsy bitsy spoiler? Will this fic end in SE? The summary is scaring me.
You caught me first thing in the morning when I’m still half asleep, so I’m assuming that SE stands for Storm’s End but please correct me if I’m wrong.
I chose the Not A Fix It tag on the main fic (okay I swear I had it there but it’s gone now, which is my own fault and will be corrected) to signal that yes Storm’s End will be happening and yes the Dance of the Dragons will be happening.
Book 1 will end with a portion of the epilogue covering Storm’s End, but I’m not ending the whole series there. I already have a Book 2 in the works, featuring some major canon divergence. I’m a little torn between jumping straight into writing and posting Book 2 or waiting to see how the show handles a few things, but it mostly depends on how close S2 is to airing when I finish my fic and how much of a break I need.
I don’t intend to take S2 as gospel - rather, it might be helpful for some side character insights, but I’m fully prepared to write Book 2 using just F&B and my own plot threads as a guideline, and to ignore any choices the show makes that I don’t like. Book 2 will comprise the entire Dance, so at some point I’ll outpace the show anyways.
For those who’d like to enjoy my fic as a completed story without the Dance of the Dragons, that should still be possible. I’ll recommend in my second-to-last author’s note that they skip the epilogue.
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burinazar · 2 years
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I keep forgetting to do this even though people on this site have been so wonderfully supportive of my fics; thus there is a nonzero chance someone of the folks who said on earlier posts “i want to read it” never saw the posted versions. So: MiA fic roundup! Please mind the spoiler warnings. No major CWs are needed for any of them but AO3 tags also include content descriptors of the canon-typical suffering referenced in each. 
The Compass Pointed to--, 400w, gen, all about Vueko. No spoilers
I’m not like you. That old litany again. She will aim herself, fly like an arrow from the loaded longbow of her desire, ferocious weight of the string worked back millimeter by millimeter with dirty fingers, with bloodied knuckles.
The Altar, The Knife, The Sacrifice. 1000w. angsty. Vueko has a bad dream about an old friend. S2e7-e8 spoilers.
As if raised by a string that runs up to the heavens, her hand lifts the knife. It hangs there, trembling, reflecting a gold shine from the altar that seems to swallow all her vision. That lovely voice is pleading again, frantic now.
Shining Brighter than Torchlight, 1700w, Riko and others having some poignant symbolic Eye Moments. season 1 spoilers only
That eye is a lovely shade of pinky-red that makes her think of happy times, festivals and swiped foreign sweets that she shared with Nat and Ziggy as they pressed sticky fingers to their mouths to hold back giggles that might invite suspicion from authority. Joyous festive candy-apple red – but the girl it belongs to is so, so sad.
A Vocabulary Lesson, 1700w, bittersweet fluff with Belaf and Irumyuui. Pretty mild s2 spoilers.
He found it interesting, however, that she had never before mentioned a father. And it became apparent, once Belaf broached the subject, that although she was perfectly familiar with how it was that men and women gave rise to offspring, Irumyuui still wasn't quite sure what “father” meant.
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yellowlaboratory · 2 years
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Girl I hear you have tips on how to avoid spoilers the day OBX comes out?? I need help cos I can’t watch it all on the day and like it’s going to drive me insane knowing it’s ready but I can’t watch help a girl out please😫😭
HAHA. I saw Reina’s answer and ajshdbfkusbskdsh she gave me far, far too much credit. s2 was hell for me - I was training interns at work and couldn’t take the day off, and then I was going to stay with my cousins for a family party all weekend and I had to leave immediately after work to drive 3 hours to their house. I’m not going to lie to you, I was not in a good place lmao. that three hour drive was absolute hell!!! 
BUT I’m usually in some wacky situation and can’t watch immediately, and I’ve gotten very good at avoiding spoilers! I would start a few days out by blocking all the major obx spoiler stags (#obx spoiler, #outer banks spoiler, #obx season 3 spoilers, all the various combinations and common misspellings lmao) and then also blocking #obx and #outer banks and #jiara out right the night before it comes out.  I straight up deleted most social media from my phone - discord, tumblr, and Twitter were gone immediately, but I ended up deleting instagram, pinterest - even linkedin lmao (i wish i was kidding but hey you never know where spoilers might be lol). if you don’t want to go through the trouble of deleting and then reinstalling all your apps, on iPhones you can add an app time limit and set it for 1 minute per day and usually that will stop you from getting yourself in too much trouble (just don’t do anything silly during that minute though lmao). ALSO!!! make sure you turn off all your notifications if you don’t delete the apps - especially notifications from your email!! you don’t want a stray tumblr email or a random tweet notification to ruin it for you! I take this very seriously aaskljdfhlksajf so much so that last season, Sara (lemon_drizzle_cake on ao3) emailed me that Sunday night being like “hello??? are you alive???” and i didn’t know it was there for days
If this all sounds insane, it’s because I am. I hate spoilers very very very desperately but I have zero self-control, so I have to take every necessary precaution that they don’t end up in front of me. If you’re wondering how to emotionally prepare, I have no answers! I did start shaking a little like i was having withdrawals when I couldn’t message people on discord but aishbdkduabdkdis hey ho!!! I survived!!!!! I’m wishing you all the best of luck in turning your phone into a glorified paperweight!!!!
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