⋆⋅✦⋅⋆ [1:32 PM].
pairing: jeno lee x reader | word count: 270 | genre: (m.)
synopsis: y/n has a thing for jeno’s arms….
back to masterlist.
it was a lazy sunday afternoon. you and jeno were in your bedroom watching a netflix show that was playing on the tv. jeno had one arm around your waist while you were lying your back against his chest. however, your eyes couldn’t focus on the show but trailed downwards to the veins bulging along his arm instead.
jeno didn’t take notice of this or he would have teased you about it already.
the next thing you did caught jeno completely off guard. you suddenly grabbed his arm and wrapped it around your neck like a scarf in an attempt to form a headlock.
“babe what are you doing”
“headlock” you replied while slightly struggling to keep his arm around you as he made no intention of keeping it up. giving up, you dropped his arm with a huff.
“why” he said in amusement
you looked up at him with a smile. “i think your arms look better around my neck”
his eyes widened in surprise and he laughed.
“you’re so cute”
“no jen you don’t understand”
“what, if i do this?” he gave you a headlock, releasing a small gasp from you as your eyes go wide in shock
he chuckled, “i bet you’d like it even more if i did this hm?” he tightened his grip around your neck, giving you this oddly new form of pleasure around your body.
you tried your best to not moan and embarrass yourself even more but the squirming against his bulge didn’t help.
“oh baby you’re so dirty”
oh boy, now he’s going to make fun of you for liking this.
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I'm so sorry for putting this here but I dont have an f1 blog and I srsly need ppl to stop with this "dAnIeL iS nOt UsEd tO tHe cAr" bs. HE IS STUCK WITH AN INCOMPETENT TEAM. like let's do a recap of his season so far:
Bahrain: after entirely missing pre season testing due to covid daniel barely had any time in the car and he missed one of the practice sessions bc his team couldnt get his car going. qualified p18. finished p14 ahead of his teammate. The car was shit. He was still being positive about it.
Jeddah: tom stallard fails to inform daniel that the car behind him is on a hot lap during a practice session in what happens to be one the most dangerous tracks on the calendar. daniel qualified p12 right behind his teammate but had to take a three place grid penalty for impeding ocon in fp3 thank to tom stallard. during the race daniel was running in points when he had to swap positions with his teammate and later retired from the race due to mechanical issues.
Melbourne: daniel once again gets shitty qualifying strategy. qualified p7. finished p6. he was asked not to overtake his teammate when he started losing power. wonder what would have happened if the roles were reversed oh wait I actually do know what would have happened (jeddah 2022)
Imola: shitty qualifying strategy once again. tom stallard is showing incompetency once again. lol what's new? qualified p6 after only getting one lap. he made a mistake and had a first lap incident with carlos which was declared a racing incident by the race directors and yet it didn't stop him from apologising to everyone and their mother for it. (btw norris getting a podium bc sainz crashed and leclerc spun and merc were having a particularly rough weekend doesn't make mcalren a podium winning car)
Miami: tom stallard once again. on a new and dangerous track. couldn't get his car going in q2. barely got a lap. shitty race strategy as always. finished p13.
Barcelona: made it to q3 but couldn't improve on his lap time bc he didn't have any tyres left and his team's strategy for his qalifying was that they totally didn't expect him to make it to q3. the race strategy speaks for itself. had to swap position positions with his teammate yet again. and was got a set of used softs after very clearly stating that he didn't want them.
and this is just from the top of my head I'm sure there is so much more. mclaren made a shit car and the least they could do was get the strategy right but they have a history of being shit at that too. so maybe just maybe instead of putting blame on daniel their ceo needs to get his shit together and hire better ppl?
and that’s on that.
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This was a request from a while ago and I’m so sorry @m3li0das I seriously forgot abt it man😭
Anyway I know this is probably kinda short but I’ll remake it some other day I just didn’t want to keep you waiting any longer since I felt baddd
Lee!Kaeya x Ler!Albedo
“Hmm, the indigenous flora of Wolvedom…surely, this has to do with the elemental energy from Andrius, but why does it create these wolfhooks?”
The Cavalry Captain tosses his lucky coin in the air as he speaks, “possibly it’s the same answer as to why cuihua trees in Inazuma grows lavender melon and sunsettias in the mainland of Teyvat.”
“Perhaps, Kaeya, perhaps.”
“Then the real question is, why does it take the form it does, right? Electro is manifested in a purple color, hence the hue of lavender melon…so, if this is caused by Andrius, why is it not a cyan or a blue color? Since the wolf lord controls cryo and is immune to anemo.”
“Well, I don’t think it has to do with the color of the berry itself, but the way it is perceived by the native inhabitants. Wolves lack the cones for viewing colors, for they only have two. They can only see yellow and blue, not any other color.”
“So, what are you implying, Albedo?”
“When it rains, familiar scents in the air are washed out, making it difficult for wolves to find their way back to their den. With the purple contrast of the berry, wolves see them as blue against the landscape of yellow. Using the fallen wolfhooks as markers, they can find their way back to their home.”
“That was quick, as expected.”
“Yes, so I will collect some wolfhooks as samples.”
“Very well.”
Albedo gathers some berries and seals them in a bag, “there, we may return to the crafting bench in Mondstadt City. I still have to visit Klee before I head all the way back to Dragonspine, either way.”
“Is that all you needed me for? A shame,” said Kaeya, “I thought the party wasn’t going to end so soon, after all, you invited me to come.”
“Hmm, now that you mention it, I could use a test subject, but I thought after what happened last time…you’d decline.”
“Nonsense, I’d always be happy to help.”
“Oh? Are you sure?”
Kaeya nods, walking towards the alchemist, “what do you need?”
“Well, these hooks are quite peculiar. I’d like to test them.”
“How so?”
“I’d like to see how they react to human skin, since it’s already evident they are prone to getting caught in fur.”
“True. Well, go ahead.”
Albedo picks a berry out of the bag of collected samples.
“Ready? It’ll be very quick.”
“Ready when you are.”
“Good.”
Albedo softly drags the hook of the berry along the rim of Kaeya’s ear. The Cavalry Captain smiles softly, the sensation creating goosebumps along Kaeya’s skin.
“Hm, it’s very sharp, yet not at this strength. Interesting,” says Albedo.
“It’s…not painful, no…hehe.”
“What does it feel like?”
“It…it feels like…the writing end of a quill.”
“Oh, does it?”
Albedo moves the wolfhook to behind Kaeya’s ear, “how is this then?”
Kaeya jerks his head to the side, “hehehe- the same just more…ah, more…”
“More ticklish?”
“Yes- hehehehe.”
“Fascinating.”
Albedo moves the rigid berry down to Kaeya’s neck, and the Cavalry Captain flinches.
“Oh? Are you alright?”
“Yes, it’s just a bit rough.”
“Hm…why is that the case?”
“Well it’s not tingly like a fingernail. It’s sharp like an Abyss Mage’s icicle.”
“Surface texture, of course.”
Albedo puts the berry back in the bag of samples, “in that case, may I try something else?”
“Okay.”
“Thank you for your cooperation.”
“Mhm.”
Albedo drags his fingernails up and down Kaeya’s neck, “how is this?”
“Aha…hahaha…much less harsh than the wolfhook, yes.”
“Hm, I suppose I’ll have to add microscope work to my experiment.”
“Hehehe- why?”
Albedo looks up at the giggling man, “it’s like the difference between getting a papercut and being cut with a knife. The knife cut will hurt less, because the surface is microscopically smooth. The papercut will hurt more, because the surface is rough and rigid.”
“Hehehe, smart.”
“Thank you,” Albedo ceases his experiment, “I know what I must do now. I appreciate your help, Kaeya.”
“Anytime, shall we head to the city?”
“Yes, let’s.”
Kaeya bows playfully, “allow me to personally escort you back.”
“You’re too kind.”
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for the writer ask
💭🚦💛 💌
💭 What inspires you and your writing?
this is a real marketing major-ass answer (from your local marketing major), but i love sharing knowledge and telling stories. writing’s one of those things that’s a bit of a compulsion for me—i’m always writing something. i took a five-year break from fiction writing before i stumbled ass-first into fanfic last year, but even in those years when i was focusing on my career, i was writing guides and trainings and a ton of other stuff—just not anything fun, lol.
writing is also so cathartic. sometimes i set out to tell a specific story, but at other times, a particular emotion gets me in a vice grip and i have to put it to words before it’ll go away. my stories tend to wind up as emotional dumping grounds as a result.
i don’t write things pulled directly from my own life, but there are bits and pieces of myself and things that have happened to me scattered throughout stuff i’ve written, and usually when i’m about 75% of the way through a piece, i’ll realize it’s absolutely related to something i’m currently going through. funny how art works that way, even when you don’t intend for it to.
and occasionally i just have a fire lit under my ass about an issue and i get so hot about it that i gotta compile my thoughts. looking at you, silver snow
🚦 What sort of endings do you prefer to write: ambiguous, bad, happily ever after, etc.?
look, i would love nothing more for them girls (pick whichever girls you please) to have a happy ending where they kiss and are stupid in love for the rest of forever. i love reading those kinds of stories. but in my heart of hearts, i love an ambiguous ending. i like when there are still questions after the story ends. i like thinking about where things could go or how the characters will go on after the events of the story. like, shared space could be read as having a happy ending, but i don’t really think it is. and with the victors; the vestiges, well. you’ll see :0)
come to think of it, i’m not sure i’ve ever written a happily-ever-after, but i don’t think i’ve ever written a 100% bad ending, either. i read too many bury-your-gays stories and watched too many sad european queer coming-of-age films in my youth to ever be happy putting that kinda thing out into the world. i want to write about love with all its ugliness, but not despair or hopelessness. i think what most appeals to me about an ambiguous ending is that lingering feeling of hope. it’s not the same as the kind you get from a happily-ever-after, and something about it speaks to me.
💛 What is the most impactful lesson you’ve learned about writing?
honestly? how to take criticism. i took a creative writing class in high school where we had to read our work out loud and then receive feedback on it from the other writers in the class, and that did a lot for me. going into that class, i’d already been writing for forever and had won some little local writing contests and such, so i was a wee bit of a pretentious douche. but i’d never gotten real critique before beyond, essentially, spelling and grammar checks. it humbled me lol. it made me grow so much as a writer, and i could see where i needed to improve or where my head was wedged way too far up my own ass for others to follow. it also helped me recognize strengths i didn’t know i had, and that was huge. it’s easy to get into a self-doubt spiral when making creative work, and good, constructive criticism can do so much to help avoid that.
to this day i love critique. i like knowing what worked or didn’t work so that i can continue to improve as a writer and do better next time. did my themes land? did something really work, but another part fall flat? i’d love to know!! i try to treat everything i write as practice for the next thing, and frankly that’s helped take some of the pressure off so i don’t go into total Perfectionist Mode.
i know critique is kind of a sensitive topic in fan spaces, but i think that’s because a lot of people have gotten unsolicited criticism that is purely critical and isn’t constructive. but getting good, constructive criticism will do so much to help a person grow as a writer. it’s scary, and sometimes it hurts! writing is very personal for most people, and it stings when things aren’t received the way you think they will be. but i know i’ve grown more from having my failures pointed out (and, very importantly, having the good things about those efforts acknowledged) than anything else.
💌 Is there a favorite trope you like to write?
actually Just answered this in another ask!
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Because I love to suffer, I have one final dose of pain to offer before Ep13.
Imagine Kan finds Pete at the safe house right around the same time that Kinn starts asking questions/realizing something’s up. We then get the scene in the preview with Kan’s “The main family’s about to cut my head off!” Vegas is clearly distraught; he doesn’t want his time with Pete to end, though he knows he has no choice. Kan will force him to send Pete back.
Vegas goes to Pete’s room, emotionally charged, conflicted between defying his father and saying his final goodbyes. But when he gets to the room, Pete’s gone. Kan already handed him over.
The scene ends with Vegas trashing the room, intercut with flashbacks of the chain, the ropes, the windows, the kisses, the bed, etc. Without Pete, all he can do is resort to his old self. Without Pete, he’s back to having nothing.
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