#I’m sorry this is so long and I’m rambling

[remxedmoon]

STUMBLES IN COVERED IN BLOOD. hi! sorry i haven’t posted art in a while!!!! i redrew every single isat battle portrait. including 15 custom sprites, totalling up to 78 sprites total. use these for anything you want!! as long as i’m credited and it’s not for commercial purposes, go nuts!!!

full sprite sets below the cut!! for anyone who doesn’t want to open the google drive lol

SIKE. there’s also my ramblings here. don’t worry i did actually put the sprite sets below

i labeled all of the custom sprites as such in the drive, but for anyone that doesn’t want to sift through that, the custom sprites are bigfrin damage (2), act 6 siffrin KO and timefreeze, mira timefreeze, bonnie hurt, KO, buff, and timefreeze, and All Of Loop’s Sprites. the wiki doesn’t include the act 5 buff sprite but like. i assume it exists so i’m not counting it as custom.

anyways!! this took about 2 Weeks of drawing every day. i literally drew for like 8 hours straight on one of those days. siffrin here has 39 PORTRAITS IN TOTAL i’m not kidding. that’s straight up half of all the sprites. he doesn’t need that many.

i promise. i will not be making more redraws. for at least a week. i will resist the temptation to draw the battle cgs i promise i swear i prommy. this was really fun to work on!!!! really made me appreciate just how much adrienne drew for this game jesus christ. god’s strongest soldier. with all that aside, here’s all of the portraits! enjoy!! falls over dead on the ground

[writtenbymoonflower]

hey lovey!! 💐 I just wanted to say I ADORE ur writing & I'm currently binge reading all of them <⁠(⁠///￣⁠︶⁠￣⁠///)⁠>. but I did want to request something silly, since I've been thinking about poly!marauders being with the reader. and her calling them "girl" accidentally instead of their usual endearment 😭. and the reason is because her friends use it a lot and it just kind of rubbed off on her ?! I would just like to imagine their confusion 😭 anyways pls have a lovely day/night <33

I love this! Also sorry this took so long. I left my computer charger at home while I was at uni but I got it back!

wc 710

You were laid on the settee, still slightly sweaty from your hot walk back from class. You would’ve reached for Sirius if you didn’t think you would make his clothes damp as well. He was doing some kind of work on his computer next to you while James was in the kitchen fixing you both something to eat. These little quiet moments were sometimes your favorite, just being comfortable in each others silence. Especially considering how your boyfriends could be such chatterboxes.

That didn’t mean that you didn’t enjoy rambling to them, though. You just didn’t feel the need to fill comfortable space with flippant comments. You were almost asleep when you heard the click of the door being unlocked.

Remus stepped inside in his usual meticulous way, hanging his coat neatly on the coatrack, unlacing his shoes and lining them up by the door rather than kicking them off, and placing his crossbody bag carefully on the bench by the door. All before calling out a gentle “I’m home.”

“How was work, love?” James responded from the kitchen, scrubbing his hands in the sink.

“Long.” He groaned. “I’m going to shiv Michael. His unplanned vacation is really disrupting my schedule.” He grumbled. “Going to have to catch up on my classes too.” He sighed, more resigned than annoyed.

“Want me to go to your work when he’s back and give him a hard time?” Sirius said mischievously, beckoning the sandy-haired boy over.

Remus just chuckled softly in response before kissing him on the top of the head. He turned to you, face etched with exhaustion and affection. “How was class today, dovey? Did I miss anything?”

You reached for his hand, pressing a kiss to his knuckles. “Nothing important. It was just a catch up day.”

He hummed in satisfaction, reaching to stroke your jaw. You leaned into his touch sleepily before your eyes popped open and you jolted upright.

“Holy shit, I can’t believe I almost forgot to tell you. Girl, you will not believe what Molly said to me today. I-“ You were cut off by a surprised, if not amused look on Remus’ face and a barking laugh from the kitchen.

“Excuse me, what?” James choked.

You turned around, looking at him confused. “What?”

Sirius was also smiling, holding back a laugh. “What did you just say to Moons?”

You paused, eyebrows raised in confusion. “I said that he wouldn’t believe what Molly-“

“No no no.” James chuckled, cutting you off. “What you said before that.” At your continued bewilderment he clarified. “Angel, you called Remus ‘girl’. Did you not mean to?”

At the realization on your face Sirius breaks down. Shaking with nearly silent laughter. Remus’ eyes just roll into the back of his head, clearly amused but not willing to put on a spectacle.

“Sorry Rem.” You said, sheepishly. “It was unconscious.”

“Unconscious!” Sirius hoots. “Is that what you call us in your head, gorgeous? Are we your gal pals?”

“I think we are. I didn’t realize this was a girl’s gossip sesh in, lovely.” James teased. “I would’ve bought ice cream and wine.”

“The two of you.” Remus admonished, looking at your still shy expression with terrible kindness. “You don’t need to apologize, dove. It was just funny. You’ve never been one to say that before.”

“Not to you.” You said quietly. “I’ve just been talking to my friends a lot lately-“

“You don’t have to defend it. We want you to talk to your friends.” James jumped in to comfort you.

“I’m glad you consider us your friends, baby.” Sirius said, half kindness and half joke. “It shows that you’re comfortable with us.”

“I am.” You reiterated. “But I won’t call you it if it upsets you.” You said sincerely.

“It hardly bothers me, dovey.” Remus reached over to squeeze your hand.

“I just can’t believe Remus is the girly.” James chuckled, forcing his face into a pout. “I’m offended, sweet thing. I thought I was your gossip buddy.”

“You are!” You said severely. “You all are.” You reached for your other two boys. “Now can I please tell you what Molly said?”

“Of course, girl. Spill the beans.” Remus said, deadpan.

It took you a while to stop laughing before you could continue the story.

[ask-the-colony-tree-siblings]

Gourmand: Any minute now.

Hunter: …I-

Arti: I’m sorry!

Hunter: Huh?

Arti: I-I’m so sorry. For attacking you, and for- for everything. 

Arti: I’ve been such an asshole to you.

Hunter: …Yeah you have been an asshole. But I fucked up too, I didn’t know what I was saying. I thought… 

Hunter: …it doesn’t matter what I thought. I shouldn’t have said that. I, uh… I-I heard about your k-

Arti: Don’t. It’s in the past now.

Gourmand: Is it? 

Gourmand: You attacked him over saying something that triggered you, so no, it doesn’t seem to be all in the past. 

Gourmand: It isn’t fair to hurt someone for not knowing something that you never told them. 

PART ONE IS DONE!!!!!!!!! Part two will probably come in about, uh, seven years, give or take. /j

(It isn’t perfect, but it’s been too long and I needed to get the first part of this comic out. I’m honestly super happy I finished, because it was unnecessarily hard lmao. Anyways I’m gonna ramble in the tags now)

[joeyalohadream]

Hi me again.

I saw your post about how you received a negative anon message and was hoping you didn’t mean me? I sent you an ask about how much I loved your clegan childhood best friends idea (like literally can’t stop thinking about it) and just suggested that you could give the idea to another great writer in the fandom. I think it’s just as cool to be the idea maker sometimes and I wasnt insulting you.

I really do love your writing but you do take a long time to post new stuff and that particular idea is just everything to me so I don’t want it to be in limbo.

like you posted a bit of an angsty story the other day and got people excited and now you haven’t mentioned it again. Just don’t want that to happen to the childhood story cause it’s such a good idea.

sorry for rambling I just had to come back and say sorry if I’m the anon that made you feel bad. Wasn’t my intention..

Sorry everyone that reads this but I'm taking some of Swifty's backbone for a minute and answering a negative anon. Hiding my response below the cut so you can scroll past without seeing my drama if you'd like...

---

Of course it was your message that I was referring to.

In this fandom, full of the most wonderfully kind people I've ever interacted with, your message was the only negative one I've ever received. The fact that you could send that message, and now this one and somehow not understand that you're being incredibly hurtful is beyond me.

I wasn't going to respond to this message at all, just like I didn't respond to the first one you sent (just flat out deleted that one), but someone posted about my 'childhood friends au' today and brought it all back.

I checked out library books for research for that story and wrote the most detailed outline of any story I've ever thought up. And after your message, I returned the books and scrapped the story because you made me feel like garbage.

You flat out told me to give my idea to a specific writer in the Mota fandom that would 'turn it into a masterpiece'. You and I can agree on the fact that the writer you mentioned is one of the most talented fanfic writers around. They are. But to be so blatantly rude to me about my own writing and to call it 'advice'? Come on. You have to know you're being an asshole.

I'm a kind person. I'm also sensitive and hate confrontation and it even makes my stomach hurt to respond to this message because I don't like being unkind to ANYONE. I work two jobs. I work 60 hours a week most weeks. The fact that I find time to write anything is something I'm proud of and you calling me 'inconsistent' is just absolutely unempathetic.

Since you keep choosing to remain anonymous, this is the only way I can know I reach you to tell you this:

If you follow me, unfollow me. Don't interact with my posts. Don't read my stories. And stay the hell out of my inbox.

[cherryredstars]

Hobie is very possessive and protective (especially hiding his relationship with her from other spidies to make sure she stays protected) around Ballerina!Reader (who is his biggest supporter since she was the only person that understands the meaning of his songs) especially since she has a tendency to go age regression when she's super stressed or very insecure about herself and it certainly didn't help about Gwen's (visiting Hobie's dimension) passive aggressiveness towards her every time she sees reader to the point Hobie is being petty towards Gwen and being extra affectionate towards reader and praising and murmuring sweet nothings to her to get his point across Gwen that Reader and him are dating?

Pairing: Hobie Brown x fem!reader

Warnings: Gwen is a bitch, SFW, Fluff

A/N: Been a while since I wrote Hobie, so sorry if this doesn’t match how I usually depict him.

Unedited

You’re confused when you tune back in.

You weren’t surprised- or happy- to find Gwen still lounging in Hobie’s flat when you had returned from practice. You were once sympathetic to her situation, glad your lovely boyfriend was kind enough to let her crash at his place, but that quickly disappeared with her treatment. At the worst times, she made you feel like the guest who overstayed her welcome. Whispered remarks when you crossed paths or scrutinizing looks thrown your way when she thought you weren’t looking.

Hobie, of course, doesn’t stand it at all. Coming to your rescue if he happens to catch her in the act. But he’s busy most times, and you feel bad adding to his long list of worries and injustices he needs to correct. But, tonight is one of the rare nights that Hobie decides he’s been too consistent in his schedule and needs a sporadic day just relaxing at home.

He had instantly pulled you into his lap, roughed pads of his fingers playing with the loose fabric of your skirt that hangs around your leotard. You had thought Gwen was being nice for once as she began talking about her own experiences with dance, only to quickly realize it was a hidden competition. You had zoned out some time through her long ramble of achievements and experiences, focusing on the wall behind her and daydreaming about something sweet to feast on after dinner.

You only realized you zoned out when Hobie’s familiar accent swirls in your ears. You turn to look at him, realizing he’s stopped playing with your skirt. He squeezes your thigh lightly, bringing you back to attention.

“Hm?” You hum quietly, just loud enough for him to hear.

“Bet y’a better dancer.” Hobie repeats into your ears, warm breath actually taking shape into processed words.

Your cheeks flare and you smile bashfully, leaning further into him and turning back to Gwen. She eyes you suspiciously, eyes narrowed.

“What are you smiling and whispering about?”

You quickly drop your grin, acting like a child with their hand half way in the cookie jar. “Oh… no I wasn’t-”

“Told ‘er she’s a better dancer than you.” Hobie says, interrupting you.

You turn to Hobie, mouth slightly agape at his blunt words. He’s usually one to speak his mind, but every now and then it catches you off guard. You turn to Gwen quickly, trying to amend for your boyfriend’s words when she snorts.

She leans back in her chair, tucking the long pieces of her hair behind her ear and out of her face. She rolls her eyes, clearly unamused and quickly discarding Hobie’s statement.

“Whatever.” She drawls, huffing. “Oh, I wanted to tell you I’m gonna probably dip before you get back tomorrow. Gonna crash on Peter’s couch or something.”

You can’t help the small bubbles of excitement brewing in your chest at her statement, instead faking a sudden tiredness as you hide your face in Hobie’s neck to conceal your smile.”

“Cool.” Hobie replies uninterested, rubbing his hand up and down your back, the cool metal of his rings rolling against your elastic uniform. “Tell May-Day I say ‘ello.”

Gwen hums in agreement, and Hobie effortlessly lifts you up as he stands. Your arms tighten around his midsection as his hands support you.

“Gonna crash for the night.” Hobie says dismissively, already walking away to his room.

You smile wider against his skin, sighing happily. He can feel the relief that Gwen will be gone soon relaxing your body, and he chuckles as he kisses the top of your head.

“Me too, love. Me too.”

[kelddaa]

mornings in the desert

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[zipora666]

I know I said welcome home but-..I add some fandoms they be happy to be with it!

my happy energetic girls!!!✨💖🧡❤️

Pinkie pie Mabel and Julie just fitting so well! My fav girls!!!

[turtleblogatlast]

[ cw: death mention / family death mention / ]

Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.

I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.

Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.

[flea-the-circus]

even if ronance isn’t endgame, i need nancy to have an arc where she chooses her friend. in my head, the only thing that makes sense is nancy choosing robin. not even in the romantic sense (although i would die of happiness if it was), just nancy remembering her choices and not making the same mistakes she made at sixteen.

having nancy go through four seasons of chasing/grieving/fighting for her best friend, only to turn her entire character into a plot device for steve or jonathan, would be the worst possible choice the duffers could make.

[sapphicseasapphire]

Ravio my beloved!! I have some lore to share! I’m sorry if I’m repeating myself but I want to make sure I have everything together! I’m very heavily considering throwing Ravio in with the rest of the Cryptid Chain since 1) he’s my little guy and 2) he’s a Link, right??? Technically?? Let me know if you’d be interested in seeing him included in the adventure!

Anyway, yeah. Lore under the cut! (This one gets rough so be warned. Blood and gore and violence against children)

Ravio was born to a small pod of Mer that lived in Lorule’s sea. He was always such a happy child, excitedly babbling about everything he could see, playing with his friends, swimming freely under the watchful eyes of his family.

(Pods of Mer are very close. While they are not all blood related, they’re very close! It’s pretty communal: for example, Ravio had parents but was raised by every adult in the pod. While he didn’t have any siblings, the other children were all basically his brothers and sisters. In such a tight knit community, trust is very important. It’s one of the things that makes the Mer so strong).

Since Mer are 100% aquatic and never leave the ocean, they were oblivious to the horrors that had taken place in the land of Lorule. Years ago, their Triforce had been destroyed, which corrupted everything that resided there. Aquili, being amphibious, were affected by this. While most of them were in the ocean at the moment of the Triforce’s destruction, those that were on land were overcome by evil, transforming into horrible monsters that would come to be known as Ku. These Ku were ruthless, attacking everything in sight, both on land and in the sea.

As the years passed, their numbers grew, along with the surge of other monsters that plagued the land. Lorule fell to ruin, but the ocean remained lively. Of course, it became dangerous with even more monsters. In this world, instead of turning against each other, the Mer and the remaining Aquili issued a truce, agreeing to work together to fend off their common enemy.

Ravio’s pod was part of the alliance, but he was too young to remember it. Back then, all that mattered to him was his parents, his friends, and collecting little trinkets to play with. Children were sheltered from such issues, and while Ravio grew up in the throws of war, he never looked the enemy in the eye. Aquili didn’t often visit his pod- if they did, they met with the adults. Ravio never met any. Even with his life upturned by the Ku and other monsters, he never knew bloodshed or violence.

He was only five years old when that changed.

It was a quiet night, peaceful, no different from any other. He slept soundly in his father’s arms, a soft kelp doll snug in his hands. He was sleeping so deeply that he didn’t wake when the screaming started. He didn’t wake when his father’s arms tightened around him. He didn’t even wake when the scent of bloody water met his little nose.

No, what woke him was when he was suddenly thrown into open water. In an instant, the arms that held him were gone. His little pocket of warmth and comfort, gone. His father had thrown him. The force of it ripped his doll out of his tiny hands and his eyes snapped open instinctively.

At the time, he didn’t comprehend what he was seeing. But when he’d remember that night years later, he’d wish he’d kept his eyes closed.

The water was cloudy and red, and smelled like iron and sick. Screams rung out from all sides, horrible and aching. And in front of him was his father… and a Ku biting into his shoulder. Ravio’s father flailed in the open water, and the plumes of red coming from where the monster’s mouth had closed around his flesh only got darker and darker.

The beast did not let go.

He met his father’s eyes. Eyes that were pleading, begging, screaming for him to get out of here.

Red.

Red.

Red.

Ravio was frozen.

And he watched as more Ku swam to the scene, all of them bloodied. Their eyes were crazed, their minds warped by a corruption that Ravio was too young to understand. They swarmed the area, and two more grabbed his father. The child, frozen as he was by fear, could only watch as they tore him to shreds.

He watched his father die at the hands of the Ku, and then he watched as those crazed eyes fell upon him.

They stalked closer, slowly, as if they knew they could take their time. Ravio choked on the bloody water, his eyes burning with tears as he watched their approach. They were going to kill him. He was going to die, just like his father, just like the rest of his pod, and there was nothing he could do about it.

A clawed hand grabbed him by his tail and he screamed.

Red.

He was pulled forward, claws tearing his flesh, and the five year old was helpless to stop it.

Red.

A monstrous face loomed above him, the clouded water doing little to hide the jagged teeth and crazed eyes of his attacker. Ravio cried out and squeezed his eyes shut tight, squirming in its grasp-

Red. Red, red, red-

Before he could feel the bite of those awful teeth, the Ku above him let out an awful scream and released him. Ravio screamed again as the claws were torn from his tail, but he opened his eyes just in time to see the beast under attack. By now, the Ku was far enough away from him that the murkiness of the water blurred any details, but he’d recognize that silhouette anywhere: it was his mother. His mother, tearing at the Ku with nothing but her fists. His mother, bathed in bloody water. His mother, injured and exhausted and winning.

The Ku went down after one hell of a fight, and when it was over, Ravio’s mother was looking worse for wear. But she weakly made her way over to him, urgency in her eyes. Ravio cried as she pressed a kiss to his little forehead. He clung to her- and she held him. But only for a moment.

She looked between his injured tail and his pale, terrified face. And then she brushed his hair out of his eyes and leaned in close.

“It’s going to be okay, Ravio,” she had said, and even though her voice trembled, he believed her. “You’re going to be okay.”

Ravio could say nothing in response, choking back sobs as she held him.

“I’m so sorry,” she whispered against the top of his head. “I’m so sorry, baby. I need you to listen. Can you do that for me? Are you listening?”

Ravio nodded against her chest, still unable to speak.

“I love you, Ravio. I love you so much.” She squeezed him closer. “And when I tell you to, I need you to swim away as fast as you can. Do you hear me? As fast as you can. Don’t stop for anything.”

And that’s when she let go of him.

“Mama,” he sobbed, and she hesitated before she turned to face the remaining Ku. There were tears in her eyes as she swam upward, her shadow falling protectively over her son.

“I love you,” she said one more time, “Now go. Go, Ravio. Now!”

And then the Ku were upon her.

Red.

Red.

Red.

Little Ravio turned and fled the scene, swimming as fast as his injured tail could take him. He swam through little tunnels in the rock and coral, ensuring that the bulky Ku would not be able to follow him. He swam until the water was clear of blood, until he could see the rippled patterns in the sand at the bottom of the seafloor, until the sun’s light filtered in through the waves above.

He was in shallower water than he’d ever been in before.

His tail had stopped bleeding at some point in the night, but it was painful. He could not keep going forever. And where… where was he supposed to go? Back to his pod?

Ravio did not stop swimming. He was tired. He was hurt. And he was confused. Later, he’d admit that he didn’t comprehend what he had seen. He fully expected his parents to appear out of clear water and take him home. He didn’t understand that they were gone… he’d never known death before that point.

Well. His parents did not appear. Neither did anyone else from his pod.

His mother had told him to keep going. To not stop for anything. And so, he continued. His heart racing in his chest, he swam on. He didn’t know how long he was swimming for. The water got shallower and shallower until he blinked and suddenly he could touch the bottom of the sea floor with his little hands.

Ravio’s wide eyes scanned the Surface. There were no monsters with jagged teeth and sharp claws and bulky bodies. No clouds of red. No screaming. The small child lifted his head above the water, holding his breath, and was greeted with the soothing sounds of waves crashing against the shoreline.

The ocean wasn’t safe. Not anymore.

And so, with trembling arms, Ravio pulled himself onto the beach. The sunlight directly on his skin was uncomfortable, and the sand was rough against his scales. He coughed water from his gills and wheezed as burning air entered his lungs. For several minutes, Ravio’s entire body was seething in pain. He desperately gasped for air that hurt to breathe, and his skin burned as it dried.

But once the initial discomfort passed, he felt… numb. Screaming echoed in his ears. The scent of blood lingered in his nose. When he closed his eyes, he saw his father’s desperation. His mother’s sacrifice. He saw them die, over and over again.

Red.

That’s when the tears started anew. And goddesses, when they started, they didn’t stop. His body heaved with sobs, his throat aching and his face slick with tears. He sat and cried for what felt like hours, but even looking back on it, he has no idea how long it truly was. Only that at some point, a curious sound caught his attention.

It was like the click of two rocks coming together underwater, but higher pitched. Melodic. It reminded him of his pod’s songs. And as he looked down to find the source of such a sound, ge was surprised to see a small Surface creature.

Ravio, being a small child, had never seen Shrface creatures before, so he had no way of knowing that what sat beside him was a “bird.” Only that it was tinier than he was and looked just as lost as he did.

He named the bird Sheerow, and he would become Ravio’s closest friend. A companion, a guide, a light in the dark. An anchor to cling to as his world crumbled around him.

They would be inseparable from that point onward.

. . .

Ravio would go on to become quite the figure in Lorule! He was discovered living in the woods by a local blacksmith, who brought him to the castle. (A strange child in the forest? Forests that are overtaken by monsters? Suspicious).

But the king determined that he was no monster, and sent him to live with the blacksmith and his wife. He never ventured back into the ocean- he never had the luxury of soaking in salt water. No, he stayed firmly on the ground where it was safe, even if the blacksmith and his wife could never be his family. He barely ever left their house until he was eleven, and even then he’d only go to the castle and back.

For years, he and Sheerow would frequent the castle, having deemed it one of the few safe places they knew of. They’d make deliveries for the smith, then stay a little longer just to talk to the princess. Hilda would be queen one day, and Ravio knew that she’d do anything to aid her suffering kingdom.

Anything.

Ravio never quite trusted her.

Her eyes were Red.

He was seventeen years old when his distrust for Her Highness was validated. After her father’s death, she rose to the throne and her desperation to help her people became palpable. She’d made a mistake in trusting a vile man named Yuga, and sought to steal another world’s Triforce in order to bring peace back to their own. Ravio, knowing the damage that this would cause to that other world, was against this idea wholeheartedly. And when Princess Hilda decided to go through with her plan, Ravio knew he couldn’t stick around.

He couldn’t stand idly by and witness another massacre.

But he couldn’t fight. No matter how hard he tried, he could not raise a sword against his princess. He couldn’t stomach the sight of an arrow or the sound of a bomb’s fuse. The thought if such violence brought him right back to the ocean, bloody water, screaming from every direction.

In the end, Ravio was too much of a coward to fight on his own. And so, he set out to find someone that could help him. He took all of his supplies and stole a relic from the castle, a bracelet that allowed him to slip into the second dimension and crawl through the cracks between worlds.

He found himself in a land called Hyrule, having emerged from the walls of a sanctuary. And that’s where he found a boy his age garbed in green and unconscious on the ground. Ravio rushed over, and upon determining that he was alive and well, he took him to his own house.

Well… what would have been his house if he had been in Lorule. He’s not in Lorule anymore.

He’s…. A long way from home.

. . .

Some notes!

• Okay I know that my description of that massacre was really bad but Ravio’s memories of that night are EXTREMELY hazy. He was literally five years old. Details are lost, but he remembers that feeling. He still has nightmares about it.

• Whenever Ravio feels unsafe or uncomfortable in any way for any reason, he says “Red.” A topic of conversation that makes him uncomfortable? Red. Just saw something that kind of messed him up (monsters, aggression, etc)? Red. Woke up from a nightmare? Red. This usually lets people that he needs some space/needs comfort. He’s VERY vocal about when he needs a break. We’re proud of him.

• My guy’s so against violence of any kind. He’s NOT a fighter. He’s clever enough that if he finds himself in a dangerous situation, he’s usually able to talk his way out of it. If he’s not able to talk his way out? He has a boyfriend that’s more than happy to do violence.

• Going off of that last point, Ravio goes to Legend for everything. I know I said he’s against violence, but if it’s an actually dangerous situation, Ravio gets Legend immediately. He’s more than happy to provide Legend with the weapons and tools he’d need to win- he’s not about to watch Legend get hurt on his behalf. But Legend’s not about to let anyone mess with Ravio for any reason

• Unless Ravio scammed them

• But he won’t let Ravio get hurt

• Legend’s so gay for him but it’s a big secret shhhhh don’t tell anybody (everybody knows).

• Also Legend’s very protective over him. Ledge has a pretty icy demeanor but the moment Ravio says “Red,” all bets are off. Hugs. Cuddles. No one is allowed to judge him for how soft he gets around Ravio. Also if anyone ever tries to harm him, they will meet the business end of his sword.

• For as protective as Legnd is of Ravio, Ravio is JUST as protective over Legend. Legend is not nearly as… eh, we’ll say emotionally aware as Ravio is. If something upsets him, he doesn’t simply take a step back and say a safe word. Legend is a fighter, and that often means bottling things up until they explode. While Ravio is against fighting, he’s not against confrontation. Even if Legend is too worried about being perceived as weak for telling someone he’s upset, Ravio just seems to… know. And he’s not afraid to tell whoever upset him to back off. Or if he upset him, he’s not afraid to apologize and give him space. If no one in particular has upset Legend (just… hero stuff. Missing Marin. The pressure of saving the world over and over again. Those kinds of things have a way of getting to people), then Ravio is the first to take Legend into his arms and just hold him.

• Ravio is the only person that Legend will let hold him without any complaint. Not even a half hearted attempt to argue. Ravio opens his arms and Legend just falls in and curls up.

• This is sweet and all but they definitely still banter and argue and stuff (mostly lightheartedly). What I said before in this post about Legend calling Ravio his roommate and “little rat” is still true. He likes Ravio but you’re not supposed to just KNOW THAT. He’s! Big scary Hero of Legend!! Untouchable!!! Strong!!! This rat man cannot crack his tough exterior!!! (Ravio calls him Mr. Hero and gives him a cool bracelet one (1) time and he’s head over heels)

• For more information about that war, I made this post a while back!

• I’ll talk about this more in Legend’s origin, but it is FUNDAMENTALLY WRONG for Mer to have to live on land. Like it’s killing them slowly. Especially Ravio, who doesn’t have the opportunity to soak as often as he should and hasn’t been in the ocean since he was five years old. Ravio’s first time back in the ocean happens much later, with Legend. And he’s terrified. He has some… not so great memories, and Legend understands that. Ravio and Legend are both fearful of Aquili and even other Mer soldiers. But honestly? The biggest thing he’s afraid of about going back into the ocean? Is that Sheerow can’t follow him.

• Emotional support bird. More effective than you’d think. Rav and Sheerow are absolutely inseparable.

This is…. Incredibly long. Let me know if you have any questions! I’m happy to talk about my little guys. (Seriously, I think Ravio is my second favorite after Sky).

[ink-the-artist]

I’ve been thinking back to artist stuff in high school and man people are really weird about furry stuff in a way that seems like they’re super afraid to be associated with it at all. I don’t/didn’t consider myself a furry but I recognize my art is obviously furry-adjacent at times and I don’t mind that.

I’d almost always bring my sketch book to school with me so I can draw during breaks and stuff and the amount of times people (sometimes complete strangers!) would randomly insult me for drawing “furry shit” (once this happened bc I was drawing bojack horseman characters LMAO) like ppl are usually polite when they see me (or others from what I’ve seen) drawing in public, will either ignore it or say something nice or funny if they do comment on it, unless it’s something they think is furry art.

It’s baffling to me like this is so obviously not how these people would normally behave but it feels like they’re so afraid of being seen as cringe they feel they have to point out any cringe they see so that no one thinks they’re cringe. Grown adults can do this stuff too but it was obv much more common for me in high school.

And it was so shitty how it made me actually somewhat ashamed of drawing anything that could be perceived as furry, even though I’ve loved drawing animals my whole life since I was a child, and I never had anything against furries and had both irl and online friends who were furries.

I don’t feel any of that shame anymore and just draw whatever I want (it helps that I’m no longer getting strangers commenting on my art like this irl, and that I’m not as insecure a person as I was in high school) it’s just so fucking weird that people feel comfortable acting like this

[crybaby-bkg]

Bakugou has always taken care of you, even before you started dating him. when you were mere friends and still learning each other, he remembered all the small things about you. he always seemed to pack the medicine you preferred when you weren’t feeling good. always had a plethora of your fav snacks on his person somehow, like he was just waiting for you to mention wanting it.

he acts put off by it every time, with his scoffing and eye rolling and huffing. but you see the way his eyes narrow when someone beats him to the punch, when you reject his offer of medicine or food. early on you notice, that he just likes to care for you, look after you, be there when you don’t even realize you need someone.

he’s there when you get high for the first time—all worrywart and frustrated sighs when you keep slurring after an hour. he’s there for you, to help lay you down somewhere safe and ward off those with bad intentions. he’s there when you get broken up with—ready to email that fuckers job and let them know how they fucked you over. but he still holds you tenderly with every sob your shaking body heaves. he’s there when you get drunk—handing you waters and letting you pull him in to dance and sing off key.

and when you finally get together, it’s like you don’t even have to learn anything about the other. its likes you’ve been together for a hundred lifetimes, like your quirks have been ingrained into his everyday routine, like you’re the freckle on the lower left corner of his right hand. he falls into you, and you into him, easier than breathing. he just has a knack for caring—and learning and loving—about those he loves.

[oobbbear]

Whenever I set a very high expectation for a project I will guarantee intimidate myself out of it

But if I set the bar in hell I can finish it very quickly and turns out great 90% of the time

[phoenixkaptain]

Okay. I’ll write an actual analysis.

A Lonely Place of Dying does a few things, storytelling-wise, that are actually incredibly impressive. Like, I figured it out and I was so excited.

First, we don’t see Tim. Not in part 1. All we see is glimpses. His hands as he puts away his camera. His feet as he runs away from Starfire’s apartment. We only see small parts of him, leaving him shrouded in mystery, which leads into part 2, where he’s represented by a shadowy figure on the cover.

The Titans, but especially Starfire, are all worried about the small child looking for Nightwing. This kid knows Nightwing’s name, knows where he lives, nd has a very conspicuous camera. I’d be worried too! So of course, from the Titans perspective, he’s an intimidating opponent that they don’t understand. (Especially since I’m like ninety percent sure Tim isn’t actually the one they’re looking for. Like, I think it was just a happy coincidence that the most suspicious child on the face of the planet happened to show up at the same time as the actual problem.)

We don’t see Tim’s face until just under halfway through part 2. And the first thing they show us are his eyes. He’s searching for Dick, even among all the pandemonium, and it’s only upon him finding Dick that we see his whole face.

Tim’s eyes are important. They’re an important part of his character in this storyline. Because Tim sees things. He sees through Bruce, he sees through Dick, he sees through Alfred even. He’s always looking.

And this is compounded when he explains how he knows what he knows in part 3.

We see child Tim Drake at the circus. Tim says this to Dick “…I kept staring at you…” and this “I remember waiting for you to go on. And then, when you did, I just sat there and watched.”

On the next page, he says, about Dick’s parents’ deaths, “I turned away… I couldn’t watch. Then I heard you crying and I turned back and I saw you holding onto them, and I began crying, too.”

Page 11 has his monologue about seeing Batman for the first time, and how he thought Batman would hurt Dick, but what’s important isn’t the dialogue, it’s the panels. They focus on the realization of Batman being safe, entirely through Tim’s eyes. He’s panicked and scared, then slowly relaxes. We see it all, because Tim sees it all.

And it’s THIS. Tim started the story by finding Batman, but he starts his story by beginning to look for Dick. Us seeing Tim seeing Dick is a direct parallel to us seeing Tim seeing Batman with Dick. Tim’s story starts by him staring at Dick, unable to look away. And when we see him for the first time, he’s looking at him again, still unable to look away.

Throughout the story, Tim is constantly looking at Dick. Yes, this is mostly because he’s talking to Dick, but even at the end of part 2, when Dick is being congratulated by Haly’s Circus members and isn’t paying attention to Tim at all, Tim is still watching him.

Why is there so much emphasis on his eyes? I’m so glad you asked- IT’S VISUAL STORYTELLING BABEYYYY.

Tim’s most important role in A Lonely Place of Dying is as a third party. He cares about Bruce and Dick, and he knows them a lot better than they might think, but he’s still a third party to them. They don’t know him. He’s someone who’s been looking in on their lives for ten years.

He’s. A. Voyeur.

The emphasis being placed on his eyes cements this. Dick, Alfred, and Bruce are all put off by him at first. He knows too much, he doesn’t offer much information on himself until he’s forced to, it’s almost uncomfortable how much of a stalker this thirteen-year-old manages to be. He’s a voyeur, watching their lives, unnoticed by any of them, and that’s a bit unnerving! I don’t blame Dick for being unsettled by him, he’s weird!

And, his eyes as a child watching Dick to his eyes as a preteen finding Dick. They’re connected. A perfectly linear story, just told backwards. It’s really very satisfying.

Now, point two. The question we all have. Is Tim a stalker?

Short answer: yes.

Long answer: yes, but I’ll explain.

Tim begins the story by taking pictures of Batman fighting Ravager. The narration mentions someone calling in a tip to Gordon about Ravager’s location, which is what led Batman to this point, and I’m on the fence over whether or not Tim was the one who called in. On one hand, it would make a lot of sense. Ravager is part of a bigger ploy by Two-Face, and we find out in part 2 that Tim knows Two-Face is behind the trouble. It would also explain how Tim found a spot to set up his camera for a good portion of the fight. And, it isn’t like Tim wouldn’t know Gordon’s phone number. On the other hand, it’s never explicitly stated who called Gordon, so assume what you will.

Part 1 actually shows us a glimpse of Tim’s collection of photographs. It’s huge. Most of them are obviously newspaper clippings, but a few are just pictures (I assume on photo paper because the edges are cleaner than the newspaper photos). Tim says, in part 3 “You know, since I was able to read, I clipped every article on Batman and Robin.” We admittedly don’t know when Tim learned to read, but he’s thirteen and says he gets mostly A’s, so I’m assuming he probably learned in preschool or kindergarten, around the age of 3-5. That’s a lot of newpaper clippings. We only see his more recent and his most stalkery ones, so who knows how many more he has?

There are only a few points in the story where we see that Tim is genuinely emotional about anything. For the most part, he is calm. He smiles a lot. He doesn’t use a lot of exclamation marks. The only times he does use exclamation marks are when he’s monologuing (internally or externally) about how great Dick is or when he’s trying to make a point. The only time we see him get visibly distressed is when Dick ignores him about Batman needing a Robin.

I don’t know how to stress upon you that Tim only cries that one time. Tim almost dies three times in this comic. He went to his second circus and another person died. His idols both berate him and talk down to him (although Dick stops right after they meet with Bruce. I’m going to be honest, I think Dick wants Bruce to take Tim on as Robin because if Dick had to deal with Tim for a whole day, so does Bruce). He has to recount watching Dick’s parents die and the nightmares he got from it.

He went through so much. But, the only time he’s upset is when Dick won’t listen to him about what’s best for Batman.

Anyway, Tim flat out just says a lot of really stalker-y shit, so I’ll just list some more:

We already know about him clipping newspapers since he could read

When he’s asking Kory where Nightwing is, he lets slip to her that he was watching Titans Tower with this line “I know he wasn’t at your meeting today.”

There’s also a few lines from breaking and entering Dick’s apartment “Grayson kept his old apartment. If he left the Titans, he might be here.” “He’s a detective… he must keep notes. Even something scribbled on a shopping list.” “No! The Haly Circus is closing? It can’t be! It can’t! But at least I now know where he is!” (Why is the shopping list thing stalkery Kacie, I’m so glad you asked. Tim knows Dick well enough that he knows Dick writes things down. Bruce certainly doesn’t, and Bruce is also a detective, so it’s a logical leap unless Tim knows Dick is inclined to write things down.)

There’s one part that isn’t stalkery so much as really funny to me. While Tim is looking for Dick at the circus, he realizes that Dick is “a master of disguise” and that “I’ve been looking for Dick Grayson, but he could be anyone.” only to almost immediately after say “No, not the roustabouts. They’re too tall.” First, that means he can’t “be anyone.” Second, he knows Dick’s height just. So well.

Tim realizes who Dick is and I think I’ll just tell you what he said to explain how he figured it out “Th-that jump- - -that’s him! It’s got to be Dick!” What was so special about Dick’s jump? I don’t think there was anything special, I think Tim is just weird.

Dick asks Tim who he is no less than three separate times. Tim refuses to tell him, all three times. At the beginning of part 3, while Dick is introducing Tim to Alfred, Dick says “Alfred, this may be a bit awkward, but I’d like you to meet- - - -what did you say your name was again?” Implying that Tim did tell Dick, but only briefly.

Back in part 2, Tim says this to Dick “Look, I know you’re Nightwing. You used to be Robin. Then Jason Todd became Robin, and when he died, Bruce Wayne went to pieces.” Tim says this before telling Dick his name by the way.

Tim, upon being introduced to Alfred (a cont. of the earlier Dick line) “Tim. Mr. Pennyworth- - gosh I was really hoping we’d meet. I know you’re Batman’s confidant, and I’ve dreamed about the stories you could tell.”

Alfred’s response to this is “I am- - what did you say?” Which is very funny.

Some more stalker lines that come from Tim looking around the manor: “I’ve seen pictures of this place,” “There’s the renoir Mr. Wayne bought last year. I read about that in Art World Today.”, “He’s got an erte? Oh, I love his stuff.”, “Please, can I see the rest of the house?”

There’s this, which a part of was mentioned earlier “I don’t remember the clowns or the animals, or anything else. I just remember waiting for you to go on. And then, when you did, I just sat there and watched.”

Tim says, before explaining anything, “Okay, you won’t take me seriously until I tell you everything. Dick, I don’t want this to hurt you. And I’m really afraid it might.” He then says, “I’m sorry, Dick. I really am. I told you I didn’t want to hurt you by telling you all this.” Tim is right, Dick is hurt. Tim is a stalker, but he’s a conscientious stalker.

There’s this “That image of you doing your somersault- - - -it stayed with me for years. I couldn’t get it out of my mind.” “I knew that somersault. I knew it like I knew my own name.”

This is just the beginning of a sentence, but it still is very stalkery “When you moved to New York to become Nightwing…”

Or how about “…Batman and Robin have meant everything to me. I’ve followed them both… I know them so well. I knew when Dick left to become Nightwing. I knew when Jason came and became Robin… and I knew when Jason died.”

Tim mentions offhandedly that he managed at some point to slip a tracking device on Two-Face. An impressive feat, considering Two-Face was trying to hit him with a crowbar and Tim only came into contact with him twice, either to punch him in the face or push him away from attacking Alfred. I doubt he slipped it on him while punching him, but his ability to stay calm under pressure even while acting panicky, managing to smoothly slide a tracking device onto Two-Face that Two-Face never realizes is there, is very impressive. Or, it’s practiced-

Bruce says “I don’t want a partner. It’s as simple as that.”

Tim responds “After all you’ve been through, I understand.”

So you may be wondering, with all of this overwhelming evidence and the fact that he knows where both Kory and Dick live and the fact that he already knew Alfred Pennyworth was Batman’s confidant and all of the weird, supervillain-esque shit he says, why does anyone like him?

And I’ll tell you why. It’s because he’s so fucking awkward.

Tim says things like “oh thank goodness” or “gosh” or “it’s still been wonderful.” Tim stutters talking to Batman. Tim fanboys over Dick and Bruce constantly. He isn’t even upset to have gotten a mystery wrong, he’s just happy he got to see Dick solve a case.

But also, Tim is right. Batman is acting recklessly, and it’s directly as a result of Jason dying. Tim says he needs Robin, not Nightwing, but I think what he means is more the role that they fill. Robin is little and Bruce can tuck him under his wing and keep him safe. Nightwing is an adult who argues with him and is a good leader in his own right, leading to more arguments. Robin is someone Batman has to take notice of, has to account for when making plans. Nightwing can keep up, and he isn’t as worried about Nightwing because he trusts Nightwing’s ability to stay alive. They fill very different roles, and that’s what Tim means, even if he has trouble saying it.

And he’s completely right. Batman without Robin runs recklessly into a building without scoping it out, tries to save two boys tied with active grenades by himself, walks into a room full of mobsters with guns without having any protection himself. Tim implies that he’s worried Bruce might die, and he’s right to be worried.

But even with Nightwing there, Batman only worries when things go wrong. He doesn’t see Dick as his scrappy little sidekick anymore, he sees him as an adult. And it’s only when Dick’s in trouble that Bruce reverts to treating him like a child.

Robin makes Batman stop and think before they go in. Robin makes Batman patient. Because Bruce cares about Dick and Jason, and he comes to care about Tim too.

Tim wins him over by being clever, but later comics show that they have to build trust in each other. Tim trusts Bruce completely, right off the bat, and that’s overwhelming for Bruce. But Bruce stops being overwhelmed and starts feeling fond.

Because despite everything I said, Tim is a good person. He’s so worried about Bruce that he’s willing to search everywhere to find Dick to try and help him. He’s so worried about Bruce that he spends his vacation week slumming around on his bicycle trying to save Bruce’s life. He dives down a coal chute without a second thought, and he pushes with all his might to unbury Batman and Nightwing. He cares about them, and it’s painfully obvious that he does.

Tim doesn’t want to be Robin. Like, okay, he would love to be Robin, but that’s not why he’s here. He doesn’t want to tell Dick his first name, and it’s only after seeing that Dick isn’t taking him seriously that he spills the beans. He didn’t want to tell Dick, because that would hurt Dick. He says “B-Batman, it’s hard for me to say this to you” because he’s about to tell Bruce off for being reckless and he doesn’t want to. Tim wants to know that Bruce and Dick are safe, and that’s the only thing he wants.

Yes, Tim is definitely a stalker. He literally said himself that he followed them, and even if it was only through newspapers, it still counts as following. Now, maybe he doesn’t fit this dictionary definition of a stalker: “a person who harasses or persecutes someone with unwanted and obsessive attention,” but I think he does fit this dictionary definition: “a person who hunts prey stealthily.” Tim is stealthy and quick.

I read an article that said his weakness was unexpected situations, but I would argue that that’s bullshit. Tim is great in unexpected situations. Did he expect Two-Face to start trying to beat him with a crowbar? No, but he managed to avoid being hit and plant a tracker on him. Did he expect Two-Face to crush the Batmobile he’s sitting in with a wrecking ball? No, but he managed to jump out and hide and tried to warn Batman and Nightwing to watch out. Did he expect Bruce to agree to let him train to be Robin? No, but he’s going to do the best he can now that he has the chance.

From the very beginning, we can see that Tim is someone with an answer to just about everything. He knows things, he notices things, and he’s good at reacting. Later comics don’t dispute this, that I know of. Tim is the Robin with multiple contingencies for his contingencies, but he’s also the Robin who is most likely to say “oh shit I did not see that coming.” He’s a surprised sometimes, yes, but that doesn’t mean he’s unprepared.

All in all, Tim Drake is a fascinating character study of a rich kid who talks like an elderly woman providing therapy for a man who is at least two, if not three, decades his senior. Tim doesn’t quite understand at any point that monitoring isn’t the same thing as showing affection, which is why he and Bruce get along swimmingly and why Tim is often slated to be the Robin most alike to Batman.

Congratulations, Tim.

Also, I really truly believe that Tim had his first crush on Dick, which is why he couldn’t stop staring at him. And I didn’t mention he said this, because it wasn’t important to the points I was making, but it’s important to this one. Tim says “…I kept staring at you, and your circus costume.” The circus costume being similar to Robin’s is never brought up, only the fact fact that Tim couldn’t stop staring at it. I’m telling you, his first crush was here, it’s so obvious, just look at my corkboar-

[seeminglyseph]

I think it matters a lot that a) everyone who has seeming offered to help Karna has done so *after* she needed it. And b) was in some way using her and therefore needed her.

In the eyes of a child, if you weren’t there when she needed you, and can’t even help yourself, what good are you to her?