#I’m still not over the women

[burningthegallows]

anybody else still thinking about lltg?

[formerprincewille]

Something that really sets Wille and Simon apart from other queer ships is that when we say their love language is physical touch, IT REALLY IS PHYSICAL TOUCH. And I’m not speaking of just sex. Over the course of the show, the amount of touching between them is astronomical. And that’s really something rarely seen in queer media. There may be moments here or there, but often times there’s a lack of physical contact unless it’s for “the plot”. Wille and Simon feel like a real couple in the way they’re always physically reaching out for each other.

[funhouse-mirror-barbie]

JK Row-Row straight up said “I can excuse a child-rapist being allowed to compete in the olympics, but I draw the line at letting a cis woman that doesn’t fit into my hyper-specific idea of what a woman should be compete!!!”

[emichevy]

Look at these two freaks

[shima-draws]

What the FUCK Furina’s backstory is so fucking sad??? The absolute TORTURE she’s been through. Shit dude,

[rotteneldritchhorror]

They gave Topper a girlfriend— devastating actually, I hope he stays fucking insane and obsessive and possessive and a little bitch cause otherwise what’s the poooiiinntttt

I need my kooks PATHETIC and USELESS. She better blow up on him for ignoring her to do whatever Rafe’s asking of him this time, I need him to be the worst boyfriend ever cause there’s no way that man can Be Normal for a second lol

[akkivee]

base meme would have suited fine but i think this was a bit more accurate LOL

[fortheloveofwbb]

my life will never be the same I’ve should’ve known the moment I feel in love with women’s basketball

take me back to the days when I was at peace and not stressing over these women

I become a fan this year in April (I watched that one iconic edit of paige iykyk) and I never went back

[dragon-queensguard]

Taking away so much of dany’s military and strategic planning and giving it to her male advisors was fucking nasty of GOT

[freckledgeto]

too many men in jjk my gawd give me some women

[frnkiebby]

that gorgeous fucking profile~🎃

[mangora]

Why the fuck did he make this noise

[anders-hawke]

bridgerton writers room realizing they fucked up by giving marina twins bc now in s3 they can’t have pen and col have agatha and thomas as twins, hitting two birds with one stone, bc it would be weird: 🫠🫠🫠

[corpsentry]

there’s something so epic about hetero chinese period dramas and i think one part of it is that there is absolutely nowhere in the narrative i could exist.

lately i’ve been on a western media detox— i’ve cleaned english language music out of my playlists and have never been able to stomach western dramas anyway, so that part is easy— which might seem funny, because if i’m in singapore and i hate it and i won’t touch american music then what’s left? the answer is the false binarism of chinese period dramas, at least for me. the badly written ones are misogynistic and stupid and the better ones are less of those things, but regardless the world that emerges is clean-cut and easy to parse. there’s someone to root for and someone to hate. there’s a girl and a boy. there’s the comedy and the drama, the sheer thick drama, the music that signals to you precisely how to feel before the scene even starts going

try to jam a fifth culture transnational transgender they/them with 2 mental illness and 1 autoimmune disease into this world and it simply doesn’t work. and that’s kinda epic lolzers! it’s like watching high fantasy, or super hardcore sci-if. it both represents a simulacrum of the real world and is so far from the reality you know that you understand it as a hypothetical universe, one that disincludes you on principle. i exclude myself from the story and in doing so fangfei from moyuyunjian’s steely gaze becomes all the more important. i give so many shits and laugh and yell and spectate. but i am safe from the eyes of its inhabitants. if i entered the story it would break. so i sit outside of it, clapping by myself

in other news, we gave up on mysterious lotus casebook 16 episodes in. there are many character archetypes in these shows that i can no longer stand; the salacious sexy seductive supervillain lady is not necessarily one of them but the way they did miss ‘this man didn’t even Look at me when all men fall at my knees so i hated him’ ‘no one is allowed to steal buttchin from me’ jiao was way up there. surely a woman can have multiple personality traits and yet you would think from this drama that that is not at all true. and the strange harem that grew around li lianhua despite his absolute loser attitude— like i get it, he’s the gintoki of this show, that’s hot, but the way the women who were into him were written made me want to Eat Horse. it bothered me that di feisheng and lianhua’s homo as fuck dynamic was so intriguing and them + fang duobing was a winning trio but all the women in the show were written like complete fucking ass, and one of the big antagonists being a woman, the stakes throughout were not only lost to me but also Pissed Me Off. also, that case about the corpse flowers dragged on forever and all my pocky wilted

I Just Think, women deserve better in these damn stories. make them slutty as hell, sure, but make them other things too and i mean this in the most generous sense. slutty and proud. slutty and weird. slutty and oblivious. literally anything at all so they don’t come out cardboard flat from all angles. this is why i have a personal vendetta against the ditzy clueless female protagonist as well because if everything stems from the fact that she doesn’t know shit it’s like please someone Please tell her shit i’m on my hands and knees begging. give her more to chew on she’s dying of boredom over there

this is why i liked the so called antagonist of blossoms in adversity best (spoilers ahead). he was cruel as hell to huazhi and gu yanxi’s only parental figure. he was paranoid and selfish and lonely and craved a son’s love from the one person he couldn’t hold onto. in the end he is pushed further and further by huazhi, who won’t give in, to isolate yanxi from the people he loves and to lash out at those people as a way of punishing yanxi. and when he dies it’s because of his own distrust, his own negligent parenting, his absent cruelty from decades of insomnia and lack of faith in his people. but he cries for yanxi, and there’s something so human about that. to think of evil not as a first principle but rather an adjective for a verb that is set in motion by other events. to be honest, i haven’t seen such thoughtful writing in any chinese period drama before or after that and i strongly suspect i will never see such writing again in this genre but man, it was so fucking good (spoilers end).

in the meantime, i’ve dragged my mother to moyuyunjian/the double for the return casting of liu xiening and wang xingyue who are Eating so hard. they’ve got wang xingyue done up with the sluttiest makeup and liu xiening is breaking my heart with her pout and her Sassy Mean constitution and this is a revenge story, yes, but it’s a double revenge story. it’s a grief story. and fangfei is carrying more on her shoulders than lingbuyi imo, and doing so with much more grace too. her step mom’s a dick but she’s a smart, 5d chess playing dick who wears hot shades of green so i’m personally interested enough to keep watching (something lotus casebook DID NOT accomplish with their epic female antagonist…. mein gotte). and the princess too. unhinged as hell but god, so charismatic. and beautiful, with scary big eyes and the sweetest head tilt. fun fun fun! that’s fun character writing right there. the comedy might be too straightforward for my tastes but everything else is kind of hot and sexy And after the coming of age ceremony when jiangli appeared amidst the flowers i felt my throat close up even though we saw her for all of one (1) episode). i was like yes. they got me alright. i Care now

really that’s all that matters isn’t it. we want stories about people we care for. we want to give a shit. why else would we listen to the stories of other people. we are looking for us and the people we love in them

oh also moyuyunjian soundtrack goes hard as hell i love a little three step waltz. here’s a pic from the ‘gym’ for ur time. guten night

[wavesoutbeingtossed]

Good night I’m suddenly thinking again about the Lover era and how Taylor was convinced her career would naturally slow down due to her age and the industry and society and how we’ve all talked about how it seemed like she (and Joe…?) was basing her life and career decisions off that and then instead her career ramped up and that clearly those Plans™️ then… stalled. And that it seems like that… stalling was just killing her inside. 😵‍💫 Because everything she wanted may have hinged on the one set of circumstances (withdrawing from public life and who knows what else) and those circumstances may have been held over her head. 😵‍💫

(And also thinking about how someone’s resentment may have played into that stalling ugh.)

[falinscloaca]

people who characterize marcille as ‘oh that lesbian elf motivated so much by how she wants to bang her s/o’ literally don’t get it. a marcille who KNOWS shes a lesbian would be on a whole ‘nother level of “annoying about it.” insert joke about gay being a characters only trait level annoying. she still writes off her gay shit as gender envy, protectiveness, or solidarity. once she realizes , its all over. shes going to be getting into harmful intra/ter-community discourse on twitter before collapsing into a years-long disillusionment wreckage as all her online buddies either go entirely transmisogynistic or end up overcorrecting and becoming a different kinda queerscourse radical. she even takes the word ‘lesbian’ out of all her urls :-(. not because she isn’t one or its bad but bc its a painful reminder of a sense of pride that now exists only in memory. and eventually she changes it to FALINSC-💥