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vaidicastrologer · 4 months

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Interior Designing by Vastu Shastra: Tips and Guidelines for a Happy Home

Introduction to Vastu Shastra in Interior Design

Vastu Shastra, often referred to as the "science of architecture," is an ancient Indian practice that blends art, science, astronomy, and astrology. The primary aim of Vastu is to create harmonious living spaces that promote health, wealth, and prosperity. When applied to interior design, Vastu Shastra provides guidelines on how to arrange furniture, select colors, and choose décor to optimize the flow of positive energy in the home. This blog post aims to offer practical tips and guidelines on how to incorporate Vastu principles into your home interiors, ensuring a balanced and happy living environment.

Principles of Vastu Shastra and How They Apply to Home Interiors

The Five Elements

Vastu Shastra is based on the concept of five elements—earth, water, fire, air, and space. Each element has specific attributes and influences that can affect your home’s energy. Balancing these elements within your home can create a harmonious and serene living space.

Directions and Their Significance

Each direction in Vastu corresponds to a particular element and has its unique significance:

North: Associated with water, it represents prosperity.

East: Linked to air, it signifies health and vitality.

South: Connected to fire, it is associated with strength and fame.

West: Pertains to earth, symbolizing stability and grounding.

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Room-by-Room Guide: Applying Vastu in Living Spaces, Bedrooms, Kitchens, and Bathrooms

Living Room

Placement: Ideally located in the North or East direction.

Furniture Arrangement: Heavy furniture should be placed in the South or West. Seating should face East or North.

Décor: Use plants and light-colored walls to enhance the flow of positive energy.

Bedroom

Bed Placement: The bed should be placed in the South-West corner, and you should sleep with your head pointing South or East.

Colors: Opt for soothing colors like light blue, green, or lavender.

Avoid: Mirrors facing the bed, as they can disrupt sleep.

Kitchen

Location: Best placed in the South-East corner of the home.

Cooking Direction: Face East while cooking.

Colors: Use shades of red, orange, and yellow to represent the fire element.

Bathroom

Placement: Ideally situated in the North-West or South-East corner.

Fixtures: Ensure that the bathroom does not share a wall with the kitchen.

Ventilation: Proper ventilation is crucial for maintaining positive energy.

Selecting Colors, Furniture, and Décor According to Vastu

Colors

North-East: Light blue or green.

South-East: Shades of red, orange, and pink.

North-West: White, light grey, or cream.

South-West: Earthy tones like beige, tan, and brown.

Furniture

Material: Use natural materials like wood, stone, and bamboo.

Arrangement: Maintain balance by placing heavier furniture towards the South and West.

Décor

Artwork: Choose art that evokes positivity and happiness.

Mirrors: Place them strategically to reflect light and energy but avoid facing beds and main doors.

Vastu Tips "What to Do" for Interior Design

Entrance: The entrance door should be the largest and most prominent door in the house, ideally facing North or East.

Lighting: Ensure natural light flows freely within the house. Use artificial lighting to enhance areas lacking natural sunlight.

Cleanliness: Keep the home clutter-free to allow positive energy to flow seamlessly.

Water Elements: Place water features like fountains or aquariums in the North-East to enhance prosperity.

Common Mistakes to Avoid When Applying Vastu in Interior Design

Ignoring Directions: Not considering the directional rules can disrupt the flow of positive energy.

Overcrowding: Avoid clutter and overcrowding spaces with too much furniture or décor items.

Incorrect Mirror Placement: Placing mirrors opposite beds or main doors can cause negative energy reflections.

Using Dark Colors: Overusing dark colors can make the space feel heavy and oppressive.

Conclusion: Balancing Vastu with Personal Style in Home Interiors with Vaidic Group

Incorporating Vastu Shastra into your home interior design doesn’t mean you have to sacrifice personal style. It’s about creating a space that feels both functional and harmonious. At Vaidic Group, we specialize in integrating traditional Vastu principles with modern design aesthetics to create spaces that are not only beautiful but also energetically balanced. Contact us to learn how we can help you transform your home into a sanctuary of peace, prosperity, and well-being.

FAQs

Q: Can I apply Vastu principles in a modern home?

A: Absolutely! Vastu Shastra principles can be adapted to fit modern interiors without compromising on style.

Q: Is it necessary to consult a Vastu expert for home design?

A: While it's not mandatory, consulting a Vastu expert can provide personalized guidance and ensure optimal results.

Q: Can Vastu adjustments be made to existing homes?

A: Yes, many Vastu adjustments are minor and can be easily incorporated into existing homes.

Q: How soon will I notice changes after applying Vastu?

A: The impact of Vastu can vary from person to person. Some may notice immediate improvements, while for others, it may take some time.

Q: Are there any quick Vastu tips for improving home energy?

A: Keeping your home clutter-free, ensuring good ventilation, and using Vastu-approved colors can quickly enhance the energy in your home.

By following these Vastu tips and guidelines, you can create a living space that not only looks beautiful but also promotes happiness, health, and prosperity. Integrate these principles thoughtfully and watch your home transform into a haven of positive energy.

#vaidic #vastu interior designing services #Vastu for home decor #home interior design #interior designing

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kuldeepdwivediastrologer · 7 months

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Harnessing Cosmic Harmony: Vastu Tips from Astrologer Kuldeep Dwivedi

In the bustling world we inhabit, finding solace and balance in our living spaces is essential for our overall well-being. Enter Vastu Shastra – the ancient Indian science of architecture and design, which offers invaluable insights into harmonizing our homes with the cosmic energies of the universe. Let's explore some transformative Vastu tips from the expert, Astrologer Kuldeep Dwivedi, to infuse our living spaces with positivity and vitality.

1. Clear the Clutter

According to Vastu principles, clutter obstructs the flow of positive energy in our homes. Begin by decluttering your living spaces, removing unnecessary items, and creating a sense of openness and spaciousness. This simple act can have a profound impact on the energy and ambiance of your home.

2. Optimize Room Layouts

The layout of rooms in your home plays a crucial role in determining the flow of energy. Arrange furniture and fixtures in a way that promotes ease of movement and encourages the free flow of energy throughout the space. Pay special attention to the placement of beds, desks, and seating areas to optimize comfort and harmony.

3. Enhance Natural Light

Natural light is a vital element in Vastu Shastra, as it symbolizes positivity and vitality. Maximize the entry of natural light into your home by using sheer curtains, mirrors, and reflective surfaces. Ensure that windows are clean and unobstructed to allow the free flow of light and energy into your living spaces.

4. Incorporate Elemental Balance

Vastu Shastra emphasizes the importance of balancing the five elements – earth, water, fire, air, and space – in our living environments. Integrate elements of nature into your home decor, such as indoor plants, water features, and natural materials like wood and stone, to create a sense of harmony and equilibrium.

5. Create a Sacred Space

Designate a corner of your home as a sacred space for meditation, reflection, or prayer. Adorn this area with spiritual symbols, candles, or incense to cultivate a sense of tranquility and connection with the divine. Spending time in this sacred space can help you center yourself and align with higher energies.

6. Foster Positive Vibes

Finally, cultivate an atmosphere of positivity and warmth in your home by surrounding yourself with uplifting colors, artwork, and decor. Choose hues like soft blues, greens, and neutrals to promote a sense of calm and relaxation. Infuse your living spaces with love and positivity, and watch as the energy of your home transforms for the better.

By incorporating these Vastu tips into your living spaces, you can harness the cosmic harmony and create a home that nourishes your mind, body, and spirit. Trust in the wisdom of Vastu Shastra and let Astrologer Kuldeep Dwivedi guide you on your journey to holistic well-being.

#numerology #vastuexpert #vastu #zodic signs #astrology

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myastroguruji · 8 months

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10 Vastu Tips for Positive Energy in the Bedroom

Are you seeking a more harmonious and peaceful atmosphere in your bedroom? According to Vastu Shastra, the ancient Indian science of architecture and placement, the way you design and arrange your bedroom can significantly impact the flow of energy and contribute to your overall well-being. By following certain Vastu principles, you can create a space that fosters positivity, relaxation, and rejuvenation. Here are 10 Vastu tips for infusing your bedroom with positive energy:

Optimal Bed Placement

The placement of your bed is crucial in Vastu. It's best to position the bed in the southwest corner of the room, with the head facing south or west. This orientation is believed to promote restful sleep and enhance stability in your life.

Avoid Clutter

Clutter not only disrupts the physical space but also affects the energy flow. Keep your bedroom clean, organized, and free from unnecessary clutter. Clearing clutter can help create a sense of calm and serenity in the room. For more updates use free talk with astrologer.

Natural Light and Ventilation

Ensure that your bedroom receives ample natural light and ventilation. Natural light helps uplift the mood and creates a vibrant atmosphere, while proper ventilation ensures the circulation of fresh air, promoting a healthy environment.

Colour Selection

Choose soothing and calming colours for your bedroom walls, such as soft blues, greens, or earthy tones. Avoid bright and stimulating colours like red or vibrant yellow, as they can be too energizing and disrupt your sleep.

Bedroom Decor

Select decor items that evoke a sense of tranquility and relaxation. Incorporate elements like soft bedding, gentle lighting, and natural materials such as wood and cotton to create a cozy and inviting ambience. Also seeking astrology online consultation.

Mirror Placement

According to Vastu, mirrors should be avoided in the bedroom, especially facing the bed. If you must have a mirror, ensure it's positioned where it doesn't reflect the bed directly. Mirrors are believed to attract negative energy and disturb the sleep cycle.

Electronics and Gadgets

Minimize the presence of electronic devices and gadgets in the bedroom, especially near the bed. Electronic devices emit electromagnetic radiation that can interfere with sleep patterns and disrupt the energy flow in the room.

Artwork and Images

Choose artwork and images that evoke positive emotions and depict scenes of nature, love, or serenity. Avoid displaying images that convey negative emotions or depict violence, as they can create discordant energy in the room.

Plants

Incorporating indoor plants in your bedroom can enhance the flow of positive energy and improve air quality. Choose plants with rounded leaves and soft shapes, such as peace lilies or snake plants, to create a harmonious atmosphere. Don't forget to check janam kundli free analyses.

Personalization

Infuse your bedroom with elements that reflect your personality and aspirations. Whether it's adding meaningful artwork, family photographs, or personal mementos, creating a space that resonates with you can enhance your sense of well-being and positivity.

Summary

Incorporating these Vastu tips into your bedroom design can help cultivate a space that promotes relaxation, harmony, and positive energy. By aligning your surroundings with Vastu principles, you can create an environment that nurtures your body, mind, and spirit, allowing you to enjoy restful sleep and wake up feeling refreshed and rejuvenated each day.

#10vastutips #vastutipsforhome #vastutipsforbedroom #onlineastrologers #astrologyapp #positiveenergy #positiveenergyforbedroom #onlinehoroscope

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psychicsaiastrologer · 2 years

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Psychic Sai Astrologer is The Most Famous Best Indian Palm Reader In Wood Green, Offer Best Palm Reading Services In Wood Green,UK

#Wood Green #Best Palm Reading

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astrologyinuk · 4 years

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https://www.instagram.com/astrologerinuk/

#famous Indian astrologer in London #top psychic and tarot card reader #astrologer in wood green

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missnight0wl · 3 years

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What do you think of Rowan, Ben, Penny and Merula's Patronus? Though I don't like Merula very much, I still think she is able to conjure one.

I’m putting it under the cut because it turned out a bit lengthy.

Rowan

I used to think of an Owl for Rowan because, y’know, it's “a symbol of wisdom” and all. But when I got this ask, I remembered that I found the site on Irish Astrology just days earlier – the same Rowling was using for birthdates and wand wood of the Golden Trio. Interestingly, each sign has assigned an animal there, and since the rowan tree is one of them, I decided to check it to find out that it’s a crane or a green dragon. A dragon makes me think of Charlie, but I did a little bit of digging on another option, and I have to say – I think I’m gonna stick with a Crane Patronus for Rowan.

This is what I found on the Crane symbolism:

Throughout Asia, the crane is considered as a bird of happiness and prosperity. The Japanese, Chinese, and Korean traditions relate it to longevity and fidelity.

Aristotle wrote about this bird that it always held a stone in its mouth so that if it fell asleep and the stone would fall down, the bird would wake. Thus crane symbolism came to be linked with vigilance.

I also checked Indian symbolism since Rowan is part Indian, and I found this:

[The Sarus crane] is also known as the eternal symbol of unconditional love and devotion and good fortune.

Interestingly, cranes are monogamous and they mate for life. That’s actually why in Japan, they’re often incorporated in wedding décor!

Overall, we have pretty positive symbolism. The parts about devotion and unconditional love sum Rowan up as a friend pretty well. We also have a part about vigilance which again is pretty fitting for Rowan who was probably the most aware from all of our friends that MC is indeed in constant danger – and that’s why they were suspicious of Ben (not because they simply didn’t like Ben – let’s remember that Rowan and Ben were friends at the end of a day).

Admittedly, “in some cultures, the meanings of crane birds can be negative: they represent deception, a harbinger of death, and even the symbol of the devil.” However, it’s actually a bit meta, considering all the people suspecting Rowan of being a traitor.

Ben

I really like the idea of a Lion Patronus for Ben. A Patronus form is not only about representing one’s personality, but also “the Patronus represents that which is hidden, unknown but necessary within the personality” - and it fits Ben’s bravery so nicely. I talk here mostly about Old Ben, but that’s also a pretty old idea of mine. I mean, Ben was always super brave when his friends needed it, he just couldn’t really accept it himself. I also find it kind of heart-warming to imagine Old Ben being intimidated by his own Patronus at first, only to become more and more comfortable around it with time.

Another thing, I remember reading once someone else’s point that it could be a funny reference to the Cowardly Lion from The Wizard of Oz – which, now that I think about it, Ben would be probably familiar with as a Muggleborn!

Now, as for New Ben… Well, honestly, I don’t think that Ben would be able to cast Patronus Charm at this very moment. He probably still feels too much guilt for Rowan’s death and whatnot. Still, I remembered a discussion I had with my friend after Rakepick’s Patronus was finally revealed, and she pointed out then that male lions tend to kill little cubs if they defeat a previous male lion and take over his pack. Y’know, to eliminate wrong genes. And you know what? It’s kind of what Ben did with his old self. Before the end of Y5, Ben had a pretty good understanding of bravery. There was that very sweet moment in the O.W.L.s TLSQ, for example:

But then, the end of Y5 happened, and Ben was like: “Nope. I know no fear and THAT’S bravery”.

Either way, I do hope that Ben will eventually return on his path of a healthy balance between his old and new self, and I have a feeling that a Lion would still be a pretty good match then.

Penny

Probably an unpopular opinion, but I always thought that Penny’s Patronus should be some kind of a predator. I once even proposed a Black Panther, but I didn’t have a lot of reasoning behind it, to be honest. Now, I think I’m gonna change it anyway, and I’ll say that Penny would have a Fox Patronus. This is information I found on it:

The fox is a natural trickster, and brilliantly charismatic. Those with this Patronus are often more reserved, but do have the social capability to speak to just about anyone. They are strongly ambitious and observant of the behaviour of others, watching key points in what others do and storing them for further reference, when they may need them. They are good talkers, meaning they can convince people to do what they want and make them think it was their idea in the first place.

Foxes are quick, intelligent and strongly ambitious. Although they are known for their cunning nature, they are very charismatic and easy to love. If your Patronus is a fox, you have an ability to think outside of the box and act quickly during emergency situations.

Penny is insanely ambitious about her Potions-making. She said on more than one occasion that she couldn’t pass the opportunity to brew more advanced Potion. She’s also obviously charismatic, and the part I might like the most is about “making others do what they want and even make them think it was their idea”. Because when you really think about it… it’s exactly Penny.

Like, making MC steal the ingredients for the Forgetfulness Potion and very similar situation again with the Draught of Peace (each time not even telling MC what it’s about until the very end). Making MC impersonate a Professor or a Prefect. All those situations could get us in pretty serious trouble. Yet, the best example in all of that is the Animagus TLSQ, in my opinion.

The quest started with the rumours that Talbott is planning to become an Animagus, and so MC got intrigued and decided to help Talbott get ingredients, hoping that Penny could make an extra Potion for them. But then, it turned out that Penny doesn’t make the Potion for Talbott at all, and she wanted MC to take it instead. Moreover, Talbott was already an Animagus, so the whole story didn’t really make much sense from the very beginning. Now, it might be the case of Jam City screwing up badly in writing, but it doesn’t change the fact that this is basically what happened: Penny wanted to brew the Animagus Potion, so she sent Talbott to get MC intrigued in the whole thing, so MC thought it was their idea while Penny could brew her Potion. Now, tell me she’s not a Fox – especially that again it could’ve been pretty dangerous for MC if anything went wrong.

There’s also a part about thinking outside of the box and acting quickly during the emergency, and funnily enough, it’s also kind of true for Penny. The thing is that she doesn’t act well in those situations – but that’s a separate problem.

Also, I don’t know if you can tell it by now, but I totally believe that Penny should’ve been a Slytherin, and I will die on that hill. Just a digression.

Merula

Hm, how about a Mole? Or a Rat? :D Just kidding, of course. Mostly…

Seriously though, I had a bit of a problem with Merula. I thought of a Skunk or a Frilled-neck lizard at first, y’know, because they try to look more threatening as a self-defence mechanism. I considered a Yorkshire Terrier as well because they’re always yapping at bigger dogs. And while they kind of fit Merula, they’re definitely not perfect matches. Merula has no dog qualities whatsoever, and even though her aggression is probably caused by a lot of insecurities, skunks and frilled-neck lizards don’t really harm whatever threatens them. Merula does harm, whether physically or emotionally, and she’s pretty calculated in that.

So, I kept thinking about something else, and there was one option I was coming back to. And even though I didn’t fully like it at first, I think I’ll stick to it, and I’ll say that Merula would have a Black Mamba Patronus.

Here’s some information about Black Mambas:

Cloaked in the color of death and measuring over 14 feet in length, the Black Mamba is regarded as one of the most vicious snakes in the world. It’s also one of the most venomous. (…) Unlike many animals, which simply have an anger problem, Black Mambas are driven by an extreme form of fear-based aggression. Being exceedingly nervous, the slightest sense that the snake’s escape route is compromised may unleash an attack of unparalleled ferocity.

There’s also an interesting quote from the discussion on whether or not they chase humans:

No, they absolutely don’t chase humans. No snakes chase humans. However black mambas are so high-strung they’re practically hysterical the moment something makes them nervous, and they’re really not very intelligent. As a result, these snakes are extremely prone to absolute panic. If you corner a mamba, its fight/flight reflex is triggered, and it will freak out and try to fight you to escape. This involves wildly throwing itself around and biting you like 60 times in a row, if you don’t get the blazes out of the way. (…) And they’re not very good at evaluating the level of danger they’re in. Or… much of anything.

… and that’s basically Merula. She’s in a constant state of panic that people are better than her. Especially in earlier years, she constantly felt threatened by MC’s mere existence, even when MC was clear they just don’t care about her – so she was attacking. All. The. Freaking. Time.

Moreover, snakes in general are often associated with deceit, so there’s that.

Of course, there’s also much more positive symbolism around snakes, like a rebirth, transformation, or heling. And while I have no doubts that Jam City won’t give Merula a proper redemption arc (because they're too lazy about it), she clearly is a character who’s supposed to be all about redemption. So, I guess that’s another reason why a Black Mamba would fit nicely, even though it seems a bit stereotypical for a Slytherin (then again, Merula totally should’ve been a Gryffindor, but that’s a topic for a different discussion).

#long post #hogwarts mystery #hphm #rowan khanna #ben copper #penny haywood #merula snyde #patronus #about characters #ask #anonymous

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lofi-muses · 5 years

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associations meme

repost, not reblog ! fill in the words you most associate with your character.

Long post!

Newt

animal newt (yeah, the irony color blue // green // gold// tan beige month february song May It Be number 21 day or night day plant daffodils // oak trees smell animals // earth // sunshine // wind // season summer food he basically lives on biscuits lol drink tea and hot chocolate astrological sign pisces element earth

Elizabeth

animal songbird color blue // white // silver month may song la vie en rose number 7 and 13 day or night sunrise plant lilies // roses smell rose oil // books // fireplace season spring food tarte // cupcakes // oysters drink red wine astrological sign taurus element air

Percival

animal panther color black // white // crimson red month february song sinnerman number 21 day or night night plant black rose smell expesive cologne // parchment // fireplace // ink // magic season winter food fish and chips // apple pie drink whiskey astrological sign capricorn element earth

Melancholy

animal cat color grey // jade green // dusty blue month august song Summertime Sadness number 11 day or night day plant lavender // forget-me-nots smell fresh water // night flowers season summer food hot dogs // oatmeal drink red wine astrological sign pisces element water

Loki

animal fox // serpent color green // gold// silver month april song Don’t Mess With Me number 69 // 420 (he thinks he’s funny) day or night evening plant Indian snakeroot // apple tree smell magic // old books // fire // frost // spices season spring food fish // mashed potatos // all kinds of indian dishes drink mead // apple cider astrological sign Gemini element fire

animal wolf color white // silver // red month january song Nosferatu Is Dead (take that, dad) number 19 day or night night plant jasmine // lilac smell sandalwood // metal // blood // wood season autumn food cherry pie // steak drink red wine // water astrological sign Sagittarius element air

TAGGED BY : @outlawiism

TAGGING : @asgardianhammer @sigrvif @sepeliio @uverdugr @edhelaran and YOU !

#meme #long post #damn it took some time xD #but it's so fun

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pandithsrisairamji-blog · 7 years

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Title: Love Astrology For Love Psychic Reading In London, UK, Birmingham, Glasgow, Croydon, Woodgreen, Coventry, Leicester, Manchester

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aion-rsa · 3 years

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The Concert for Bangladesh Set the Standard for Benefit Concerts

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The Beatles are credited with a lot of “firsts” in rock history. They were the first band to play stadium concerts, put intentional feedback, backwards instrumentation, and faded introductions into songs. Because of their ever-experimental guitarist, they were also the first rock band to put sitar and tamboura drones in pop rock and perform the first Indian modality prog piece. George Harrison didn’t stop expanding possibilities away from his bandmates. His first solo release after The Beatles’ break up, All Things Must Pass – which will have a celebratory remix release this week, was the first triple album coming from a single act in rock. In 1971, his Concert for Bangladesh was the first rock benefit concert.

The Aug. 1, 1971 show, and subsequent record and film, set the standard for musical contributions to charity. Mistakes were made, and Harrison himself paid out to fix them, teaching a valuable lesson for rock benefits to follow. But it all began very personally. “My friend came to me, sadness in his eyes, and told me that he wanted help before his country dies,” Harrison sings on the song “Bangladesh.” It is an almost verbatim version of the truth.

The Beatles’ Apple Films were producing Raga, a documentary about the renowned sitar virtuoso Ravi Shankar. In the spring of 1971, Harrison and Shankar were in Los Angeles working on its soundtrack. Shankar, a Bengali, told Harrison about things in his country. India and Pakistan were divided into two independent nations in 1947. East Pakistan declared independence, and became the People’s Republic of Bangladesh on April 17, 1971. This prompted a massive wave of migration, with between 300,000 and 3 million relocating to the mostly-Hindu nation. The move was violent, and it was reported 400,000 women were raped by Pakistani military personnel and Islamist militias, according to Smithsonian Magazine. The crisis deepened when the 1970 Bhola cyclone, floods and famine created a humanitarian disaster.

Shankar wanted to draw attention to the situation through a benefit concert. He was hoping Harrison or actor Peter Sellers might introduce the show. Shankar believed he could raise about $25,000 for the refugees. Harrison had a better idea.

My friend came to me

Harrison met Shankar at a dinner party for the North London Asian Music Circle in 1966, a year after the guitarist first picked up a sitar while the Beatles were filming Help!. Harrison brought the instrument into the studio to bring an exotic feel to John Lennon’s “Norwegian Wood (This Bird Has Flown)” from the Rubber Soul album. Upon hearing it at the time, Shankar, one of India’s most venerated musicians, told a reporter “If George Harrison wants to play the sitar, why does he not learn it properly?” Harrison took him up on it, and Shankar schooled him on melodic structure and technique, but also noted the importance of the instrument’s part in spiritual discipline.

Harrison’s spiritually infused All Things Must Pass and its lead single, “My Sweet Lord,” both spent weeks at the number one spot on the charts. He had been writing with Bob Dylan, and playing with Eric Clapton and Delaney & Bonnie. “Straightaway I thought of the John Lennon aspect of it, which was: film it, and make a record of it, and, you know, let’s make a million dollars,” Harrison said, according to George Harrison: Interviews and Encounters by Ashley Kahn.

Lennon wrote a song for breakfast, recorded it for lunch and copies were pressed shortly after dinner with the Plastic Ono single “Instant Karma.” Harrison played guitar on the song, and it was produced by the studio legend Phil Spector, who would ultimately run the sound board and record the album The Concert for Bangladesh. Spector didn’t get to see the show. He was stationed in the Record Plant truck getting the perfect mix of a full horn section, two drummers, almost half a dozen guitarists, and over a dozen background singers.

A Beatles Reunion?

Harrison’s initial idea was to recruit the other Beatles. Paul McCartney, who had just put Wings together, initially agreed, if he and Lennon also performed separate solo sets. Lennon first balked at performing because Harrison didn’t want Yoko Ono to perform, then agreed, but flew to Paris after the decision led to domestic distress. He missed the show, and it caused a rift between the two former bandmates. McCartney ultimately backed out, citing the legal problems of being in the same room as Allen Klein.

Harrison didn’t have to ask Ringo Starr. According to reports, Starr was nervous about playing in front of an audience, but if you look at the footage of the two drummers playing, mostly in tandem, while joking with each other, it is plain he just wanted Jim Keltner’s company. Harrison gets to trade guitar licks with Clapton, Davis, Don Preston, and Ham. Starr and Keltner throw their own percussive party, doubling their beats in beautiful unity. Keltner held back his hi-hat cymbal on the two and four, a technique Levon Helm of the Band used, so he’d never step on Ringo’s backbeat. Starr visibly enjoys the freedom of new sound equipment to throw in all the fills.

Awaiting on Us All

Harrison began recruiting friends to play the one-time only concert in April, and had commitments by June. All the players agreed to perform without a fee. He also arranged for a film and recording to be made of the event, to add to the proceeds which would go toward the refugees. According to Pattie Boyd Harrison, George consulted an astrologer before he finally booked August 1 at Madison Square Garden. Tickets were set at $10 or less, so the show sold out in a few hours, and a second show was added.

The musicians rehearsed in a space above Carnegie Hall for about a week, but because of the various musicians’ schedules, the first time the group played together was at the show. Clapton was invited to be the lead guitarist, but missed rehearsals because the low-grade heroin he was supplied forced him to go two days cold turkey, he admits in his book Clapton: The Autobiography. Deeming the guitar god possibly unreliable, George also recruited Taj Mahal’s guitarist Jesse Ed Davis, who could move easily through playing rhythm, lead, slide, country, and jazz. In the book Do You Feel Like I Do, Peter Frampton reveals he could, or should, have been on that stage as well. He mistook his invitation as one to be in the audience. Harrison reportedly turned down offers from Mick Jagger and David Crosby to appear.

The 24-piece band included Klaus Voormann on bass, Pete Ham, Tom Evans, and Joey Molland on acoustic guitars, and Mike Gibbins on tambourine and maracas. Don Preston played electric guitar and Carl Radle played bass for the song “Jumpin’ Jack Flash/Young Blood.” The stage also accommodated the Hollywood Horns, which was its arranger Jim Horn, as well as Jackie Kelso, Allan Beutler on saxophones, Chuck Findley and Ollie Mitchell on trumpets and Lou McCreary on trombone. The Soul Choir included singers Claudia Lennear, Joe Greene, Jeanie Greene, Marlin Greene, Dolores Hall, and its organizer, songwriter Don Nix.

Pianist Leon Russell was the musical director, just as he had been on Joe Cocker’s Mad Dogs and Englishmen tour, which Harrison and Clapton played on. Oklahoma-born legend Russell had been an essential part of The Wrecking Crew of Los Angeles studio musicians as well as an important brick in Phil Spector’s Wall of Sound. He played on thousands of recordings, including piano on “Strangers in the Night” by Frank Sinatra.

“Have we forgotten anybody,” Harrison asks the audience after introducing the band mid-show. “We’ve forgotten Billy Preston.” The Beatles history with Preston goes all the way back to their early tours, just before megastardom. Preston played organ in the ensemble which backed Little Richard, who had the Beatles as an opening act. He was also the musician Harrison called in during the Beatles’ “Get Back” recording sessions. Preston, who’d also played with Russell on the pop music series Shindig! in May, 1965, brought more than an electrifying organ to the main act’s arsenal of sound. Harrison produced several of Preston’s albums and studied the idiom of Gospel music to capture the master player’s work blending it into secular funk overdrive. The collaboration between the two musicians is evident all over All Things Must Pass, which blurred the lines between the eastern and western religions by mixing modalities. The all-star rock concert to beat all all-star rock concerts was a spiritual revival in more ways than one.

The Performance

The shows open like Hindu pujas with traditional Indian music. Before the performance Harrison introduced the players, Shankar on sitar, Ali Akbar Khan on sarod, Kamala Chakravarty on tambura, and Alla Rakha on tabla. He explained how Indian music was more serious than the rock they’d be enjoying later, and to give it respectful concentration. Shankar requested the audience not smoke during their segment, as the ragas sought to help them “feel the agony and also the pain and a lot of sad happenings in Bangladesh and also the refugees who have come to India.”

After the musicians calibrated their tones, the audience burst into applause. “Thank you, if you appreciate the tuning so much, I hope you will enjoy the playing more,” Shankar smiled from the stage, before launching into “Bangla Dhun.” It begins with an improvisation on the raga’s melodic themes before the tambura drone and tabla push the rhythms until they explode by the end of the piece. The audience wasn’t respectful. They were floored. The rock audience who went to see fingers fly got to see stringed interplay between Ravi and Ali which was every bit as good as the guitar duel between Harrison and Clapton at the end of that night’s performance of “While My Guitar Gently Weeps.”

It is Harrison’s evening and he opens it himself. The spotlight illuminates his white two-piece suit with the Om symbol, and the first sounds the audience hear is his single guitar playing the opening riff of “Wah-Wah,” before Davis doubles it and the band kicks in. The Concert for Bangladesh was the first time Harrison played songs from All Things Must Pass live, but the audience was already familiar. The live version of “My Sweet Lord” is as uplifting as the studio recording. A particularly beautiful moment catches Harrison losing himself in the mantra towards the end of the song.

George blows a line in “Awaiting on You All,” but who cares, he’s ripping it out with a positively religious fervor. Preston takes on the spirit, and lifts it further with the power of gospel in “That’s the Way God Planned It.” Not content with electrifying his congregation through organ and voice, Preston gets up on his feet in an impromptu celebratory dance, not even Harrison saw coming. It is harmonic euphoria with heavenly promise.

Ringo brings things back to the Garden, grounding the proceedings with jubilant blues. The drummer paid his dues, and is enjoying its fruits as he kids around with Keltner after scatting over forgotten lyrics. His chosen tune, “It Don’t Come Easy,” was produced by Harrison, spent time on the top five of the charts and was still riding the high hat of heavy radio rotation.

“Beware of Darkness” bridges east and west, gospel and Hindu, rock and roll and country and western. Harrison begins the song, faithful to the album version, until Leon infuses a verse with melodic possibilities in a mere tease of things to come. Harrison’s plaintive rendition of “While My Guitar Gently Weeps” is wrought with personal demons. He gets those behind him when he and Clapton trade improvisational riffs to close the song. They duck, they weave, punch every modal challenge with the counterpunch of blues purism.

Rhythm and blues is at its most authentic when Leon Russell invokes his trinity for a roof blowing medley of The Rolling Stones’ “Jumpin’ Jack Flash” and the song Leiber and Stoller wrote for the Coasters: “Youngblood.” Russell turns Madison Square Garden into a tent revival orgy, preaching to the choir with exhilarating call and response exaltations which encapsulate the subtle motif of the day’s performances. This is where the show hits its jubilant peak, and marks the time to exhale.

“Here Comes the Sun” is George’s most intimate and assured performance of the evening. Blanketed only subtly by Don Nix’s gospel choir, George and Badfinger’s Pete Ham duet on acoustic guitars, filling their intricate unison fingerpicking with different configurations, and never missing a run on the prog time changes masquerading as seamless simplicity. The sparse arrangement takes nothing away from the majesty of the original recording, it augments it by transforming the space between notes into exultant expectation.

George was as surprised as his next guest was to be announced to the stage. As Harrison strapped on his white Fender Stratocaster, he checked the wings before bringing “on a friend of us all, Mr. Bob Dylan.” Even though the singer’s history of appearing at historic events went back to his performance at the March on Washington, no one knew if Dylan was going to make the show until he walked on the stage. It took Harrison’s cajoling to get Dylan to play the Isle of Wight in 1969, and he was happy playing Napoleon in rags, exiled in Woodstock since his motorcycle crash.

While Dylan had shown up at rehearsal, Spector got concerned when heard the musical icon had been bicycle riding all morning. Harrison had just asked if Bob would play “Blowin’ in The Wind” at the show, and Dylan hurled back “You gonna do ‘I Want to Hold Your Hand?’” But after handpicking Starr on tambourine and Russell, who strapped on Voormann’s bass, to augment his rhythm guitar and Harrison’s slide, not only did Bob blow wind through his shoulder-mounted harmonica, he strummed through his old favorite “Mr. Tambourine Man,” and dipped into folk blues with “It Takes a Lot to Laugh, It Takes a Train to Cry.” Harrison’s guitar lines slide delicately around Dylan’s vocals on “Love Minus Zero/No Limit,” while Russell and Harrison blanket his rendition of “Just Like A Woman” with harmony as well as irony. It may be the finest rendition of the song.

As beautiful and exquisitely rendered as it is, the best part of “Something” is when Harrison gets lost in his guitar playing to the detriment of his vocals and cracks himself up. It’s very visible in the film, and it lifts the performance because it almost shocks him into enjoying it and how comfortable he is performing it.

The evening show had a slightly different set list and sequence. “Hear Me Lord” was dropped. Dylan played “Mr. Tambourine Man” in place of “Love Minus Zero/No Limit.” But both ended with the song written for the event, “Bangladesh.” Anchored by Leon Russel’s propulsive and suspenseful A minor, it is a self-effacing call for bread. Harrison freely admits he couldn’t feel the pain, and suggests that’s what makes it so personal. He leaves the band and the audience alone to jam out the end of the song, as if an invisible plate were being passed by spirited hands.

The concert raised $243,418.50, which was given to UNICEF, who gave Shankar and Harrison their “Child Is the Father of Man” award for fundraising. The George Harrison Fund for UNICEF continues to this day.

But in the rush of putting the Concert for Bangladesh together, Harrison hadn’t specified a charity and lost any charitable tax breaks. A lot of money went missing, and an inordinate amount went to taxes. Harrison paid his own money to maintain the fund. The concert record, which was the second triple album in a row from Harrison, topped charts and won the Grammy for Album of the Year, but that also didn’t stop the delays in money being sent to help the Bangladeshi refugees. Years later when Bob Geldof reached out for tips for the 1985 Live Aid concert event, Harrison advised “Do your homework.” It was an important lesson. Nearly $12 million was tied up in an Internal Revenue Service escrow account for 11 years because organizers didn’t apply for tax-exempt status. Harrison’s initial attempt laid bare exactly what had to be done not only to stage a major music benefit concert for a humanitarian cause, but how to get the money where it belonged.

The Concert for Bangladesh album was released on Dec. 20, 1971. The film was released in the U.S. on March 23, 1972. They can be enjoyed together or separately. Each of the two are high marks reached for live albums or films, there is not a moment of downtime, and all the notes are in harmony.

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All Things Must Pass 50th Anniversary Edition will be available on Aug. 6.

The post The Concert for Bangladesh Set the Standard for Benefit Concerts appeared first on Den of Geek.

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kuldeepdwivediastrologer · 8 months

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Office Vastu: Enhancing Productivity and Success in the Workplace

By Astro Guru Kuldeep Dwivedi, Best Vastu Astrologer of India

In the hustle and bustle of modern corporate life, the energy of the workplace plays a crucial role in determining the success and productivity of a business. Office Vastu, an ancient Indian science of architecture, provides valuable insights into creating a harmonious and positive environment in the workplace. In this blog, we will explore how Office Vastu can be applied to enhance productivity and foster success in your professional life.

Understanding the Basics

Office Vastu is based on the principles of balancing the five elements—earth, water, fire, air, and space—in the workplace. By aligning the energy of these elements, it is believed that you can create a conducive atmosphere for success and prosperity.

1. Direction Matters

The orientation of your office plays a significant role in determining the flow of energy. According to Vastu, the entrance of the office should ideally face the north or northeast direction. This allows for the inflow of positive energy, promoting a dynamic and vibrant work atmosphere.

2. Optimal Seating Arrangements

Proper placement of desks and workstations is crucial for maintaining a harmonious work environment. Ensure that employees sit facing the north or east to enhance concentration and creativity. Avoid placing desks in a way that employees have their backs to the entrance, as it may lead to a lack of support and focus.

3. The Power of Elements

Incorporating the right elements in the office decor can significantly impact the energy flow. Water features, such as an indoor fountain or aquarium, symbolize prosperity and can be strategically placed to attract positive vibrations. Additionally, use colors that align with the elements—for example, shades of green for wood and growth, or red for fire and energy.

Practical Tips for Office Vastu

1. Clutter-Free Zone

A cluttered office can hinder the flow of positive energy. Encourage employees to keep their workspaces organized and clutter-free. Dispose of unnecessary items regularly and ensure that the office layout is clean and well-maintained.

2. Balancing Yin and Yang

Strike a balance between open spaces and closed cabins. While open spaces foster collaboration and communication, closed cabins provide privacy and focus. A well-designed office layout considers the need for both, creating a harmonious yin and yang balance.

3. Natural Light and Ventilation

Natural light and proper ventilation are essential for a positive work environment. Ensure that workspaces have access to natural light, and introduce indoor plants to improve air quality. A well-lit and ventilated office not only enhances energy flow but also contributes to the overall well-being of employees.

Conclusion

In the fast-paced world of business, success is often a result of not only hard work but also the alignment of positive energies. Office Vastu, with its time-tested principles, provides a roadmap for creating a workplace that promotes productivity, success, and overall well-being. By incorporating these Vastu tips into your office design, you can unlock the full potential of your workspace and pave the way for a prosperous professional journey.

For personalized Vastu consultations and guidance, reach out to Astro Guru Kuldeep Dwivedi, Best Vastu Astrologer of India.

Contact +91 99288 51818

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