#Ip changer

[glossysoap]

thanks for the tip ; 141 camgirl au

tags: poly 141 x reader, camgirl reader, afab reader, use of fem anatomy, smut.

note: this isn’t as official bc it’s a drabble/rambling of a future fic idea.

🏷️: @warenai @viylikescats @cassiecasluciluce @divine--serenity @sunnynomoar @lilpothoscuttings @jumbojazzcats93 @krakenbabe @lordlydragon

you’re their hacker. so you’re not actively in combat, but more behind the scenes gathering intel while they’re in combat. that leaves you with plenty of privacy and more free time than the boys. and you enjoy your sexuality. you own it!

so you become a camgirl. you make sure to maintain anonymity of course, by wearing a mask and using a voice changer. and because you’re a hacker, you made sure that no one could track your IP address and find out you worked on base.

imagine the boys are looking to blow off steam. with one hand on their cock and the other on the computer mouse, they started skimming the camgirl site. until they saw a picture of a live. they clicked on it, and their breath hitches. it’s a girl sitting on her bed, legs spread open and dildo fucking her soaking wet pussy. her moans were loud and desperate, in tandem with the wet sounds.

your head is thrown back in pleasure and your hips buck against your toy, as your hand pumps it in and out. you were wearing a mask so they couldn’t see that it was you. and they’ve never heard you moan so they didn’t know that was you.

but they kept finding themselves coming back to your lives, watching you squirt around your toys or your fingers with a cry of pleasure. white ropes of cum would spurt from their cocks as they watch the anonymous girl on the screen squirting. squirting on the toy that they so desperately wished was their own cock.

your subscribers had the opportunity to send in requests, with tips of course. and the boys took full advantage of that. all with throwaway accounts, of course.

ghost would ask you to wear a skeleton mask. or he might even send you old skeleton gloves of his to wear while you fucked yourself on your fingers. he could feel himself getting hard at the thought of his favorite camgirl squirting on the exact gloves he wore.

soap would ask for you to moan for him, moan his name. he was lucky that johnny was a common name. “johnny, please! i need to cum, please please please!” hearing you moan his name while you squeezed around your thick dildo? just about made him cum himself.

gaz would ask for you to call him sir while you came. maybe even throwing in his name every once in a while. again, he was lucky that kyle was such a common name. hearing you cry, “please let me cum, sir! pleasepleaseplease kyle!” is what pushes him to his own orgasm.

now PRICE? he would make you beg to cum. make you call him captain. “please please please captain! please let me cum on your cock!” then after he finally let you cum, he would tip you over and over. requesting an orgasm for each tip. so you would be forced to squirt on your dildo for the captain, over and over.

they would watch you for a month or so before they noticed a small detail. well, small for anyone but big for them. because that small detail was a birthmark on your wrist. that they saw whenever you pushed the dildo into your cunt over and over, or whenever you pumped three fingers in.

it was also the same birthmark they saw whenever they watched you type on your computer, searching for intel.

©️ glossysoap 2024. please do not steal, copy, plagiarize, translate, or repost any of my works without my permission. do not steal any elements of my theme without permission.

[freejohn]

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[mysticmellowlove]

can we get another yandere chat / yandere streamer please I really wanna know where the three people went

note; omg i'm fucking alive holy shit. i'm in exam period right now and i swear the universe is trying to take me out. shit's rough out here lol. I've been rattling the bars of my enclosure waiting to get out and write some more. missed you guys, cute lil friends xxx

warnings; yan chat is back, yan streamer, reader 'sugar', yandere tendencies, gang violence, they mean frfr,

word count; 1123

After logging off for the day and raiding one of his friends Streamer found himself checking on his discord, in particular the chat he had going on with three of his long-time fans, affectionately titled his three musketeers to respect their anonymity. The ones that had been with him since the beginning when he had no viewers and a silly dream of becoming a popular creator.

To think that he had that in his foreseeable future, it was intoxicating. Fans, money and most of all influence. Of course, he couldn't forget about his lovely mod as well.

His eyes scanned over the private chat with a satisfied grin on his face, they had found him. For a while now there was one particular chatter that was getting on his nerves. No matter how much Sugar banned them they always seemed to find a way back. He had been trying to appeal to Sugar for weeks now, always mentioning them and gifting various rewards that were specifically aimed towards the beloved mod.

Streamer knew things sometimes got a little parasocial when it came to internet personalities. Still, something about this creep trying desperately to get close to Sugar had his blood boiling as if he was using the chat as an e-dating server. He wasn't the only one either, it seemed.

A call button appeared on his screen for a moment before he adjusted his settings and answered it, the people chatting on the other side becoming more and more apparent.

"The man of the hour." One of them jovially said, a playful lilt to her voice. Porthos always seemed to be the one ready to talk, with perhaps a little too much energy to seem natural. It seemed her words had set in motion the other two greeting him, one with their ever-present modulated voice covering their identity and the other sounding like he'd just finished smoking a pack of cigarettes.

"Hey you, I see some interesting things in the chat." He hummed as he took a sip of the coke he had next to him, waiting for the three to fill him in.

"Yeah, we tracked down the guy in the chat that was bothering Sugar, it was laughably easy." Porthos mused, the low hum of who knows what buzzing in the background.

"He had his details all out in the open, turns out using multiple emails all leading to the same IP is a dead giveaway." She said before a sniffle interrupted her.

"Don't take all the credit, it was only because I have access to the city records that we even found him," Athos noted.

"Technically I did most of the work." The final of the three, the one who hid behind the voice changer, Aramis chimed in. The other two seemed to stop talking as soon as they spoke up, for good reason as well. There was something different about Aramis, but their knowledge was gladly welcomed.

"I assume you're all waiting for the finale?" They monotonously droned as the sounds of clicking came from their mic. Not long after a window popped up, fileshare. Without needing to do anything the file opened to a video and began to play.

The camera work was jittery but it was obvious what was in the middle of the screen. On the ground, legs and arms bound, was a middle-aged man wriggling. There was a group of men surrounding him, masked and dressed entirely in black with a badly stitched logo on their jackets.

No sounds came from the men as they drew ominously closer, that's when things really picked up. Their feet began to slam into the sides of the bound man, muffled screams coming from his gagged mouth as he tried desperately to wriggle away. Hands ripped at his clothing, showcasing the darkened bruises on his skin as the men continued their assault. The video tracked for about twenty minutes, all of it consisted of the men beating the shit out of the man on the ground. Screams turned to groans turned to whimpers as a mixture of piss, tears and blood mixed on the ground he was on.

His body seemed to turn entirely blotched with bruises as the video went on and on before no more sounds appeared to leave the man. Then the footage cut.

The silence seemed to wane on for a moment before Athos spoke up.

"That's some dark web shit or something." The only response he seemed to get was a clipped laugh from Aramis.

"I like supporting local businesses." It was no secret that Aramis was the only one of them who dared to play around on the darker side of the internet but damn were they good at it. Who knew what they got up to after hours, but it wasn't hard to tell that he had hired someone to beat the shit out of the creep.

"He's gone, probably being sold right now, well that parts of him that made it out unscathed. Don't worry, these guys are newbies but the group they're part of don't play around." A low whistle left his mouth as he listened to Aramis ramble about the exploit.

"You're a freak for real." Porthos laughed, seemingly having gathered herself, "Now that's dealt with I think we should get something in exchange, don't you?"

He rolled his eyes as he scanned the now blank screen.

"I'll organise something." He began before he was cut off rudely.

"Not something, we know you know where they are so why don't you get us all a little gift." Athos drawled. A harried sigh left his mouth as he tugged at the strands of his hair. The three of them were his fans, their support over the years had helped grow his platform greatly and they did fund most of his activities but... that also meant he had to keep them pleased.

Athos eluded that he was a well-known figure in the city, Aramis had ties to the black market and Porthos seemed to have no boundaries... they could very well take him down if they wanted to.

"Sure, I'll pick something up." He finally managed to get out, his voice obviously strained. All that greeted him was a chorus of laughter as the call ended. He stared at the screen for a moment more, thinking about the logistics of breaking into Sugar's apartment before a notification came through.

'Good boy' With a scoff he closed the application and got off his chair, annoyance swelling inside him. He was still closer to Sugar than them, he didn't have to panic yet.

[peridotsrobots]

Okay so it's not just me who's disappointed in the Game Changer finale.

The mystery of Sam looking at his hands every episode aside, the episodes leading up to the finale were so good (I mean top tier, grade A quality) I was expecting something amazing for the finale. But no. It was literally just a knockoff of a trashy reality show from Netflix. That's it. It's almost 2 hours of them all sitting in individual rooms and texting each other with a "surprise star" that it doesn't seem like anyone knows or even thought was funny.

It also didn't help that leading up to the finale there were a few messages that the finale was taking so much time to cut together and they even had to push back it's launch date. And I was like "Damn they must be doing something budget breaking" but the reason it took so long to cut together is because it was just a lot of footage because each person was isolated in their own room.

Speaking of, I've watched almost all of the behind-the-scenes for Game Changers and in a few Sam and the crew talk about how when planning episodes they will take into consideration how the set design itself could possibly affect how cast members interact. So I'm confused as to why they decided to do an entire two-part finale with each cast member separated and only able to communicate through text, no audio. I'm also confused why it's just a blatant ripoff of another show. They've done remakes of existing IP before but they put their own spin on it enough to still make it unique to them. Jeopardy is one of my favorite Game Changer episodes and Second Place included a ton of popular game shows as part of it's concept. But there was nothing unique about this. I've never seen The Circle (the original show this is based off of) but I'm pretty sure this is just that show down to the narrator jokes.

In all, I got through the first episode but I couldn't finish the second. I got 20 minutes in and fast forwarded to the end, and then fast forwarded through that. This was disappointing, yeah, but not devastating. I just have higher standards for Dropout when it comes to their content.

[transingthoseformers]

Oh, twist on the OP RP Blog assumption they finally switch to audio, and the voice is clearly and undisguised Megatron despite the insistence of their online handles.

Optimus is going through several ips and downs and self doubts about agreeing to meet with his rival after several very sexy phone calls only to find a Seacon named Nautilator waiting for him who is reeling about the fact that THAT'S OPTIMUS PRIME.

He's been operating under the idea it was a voice changer.

He now has to deal with the fact he knows Optimus's kinks.

He knows what Optimus sounds like at overload.

Double secret identity fumble.

fhhhgHGHH NAUTILATOR STGGGG

[felassan]

Illuminating tweet series by a former Anthem developer [source].

They mention elsewhere in the thread that Anthem was developed in 15 months. Per the tweets, before this period, it spent 5-6 years in pre-production, lacking a clear vision and with an ever-changing vision; in game development this causes a lot of working and reworking. The devs were talented and all passionate about the game, but they were building "a new IP from nothing on an engine that was meant for an FPS with half a team that had never created live service games".

They further elaborate in more tweets that:

EA had their reasons to release it early but were stupid and the devs' team "had to pay the price". EA learned a lot from the development of Anthem but whether they applied those learnings is unknown

Jason Schreier's article (How BioWare's Anthem Went Wrong) was all 100% true at one point in development or other, and only scratches the surface

How did they manage to ship it in 15 months? The dev mentions working about 90 hours a week for 15 months. Many other devs on the team were also doing so and they think that others were doing 90 hours a week prior to the 15 month mark. "It wasn't sustainable and not even a position we should have been in." "I'm fine now, but not without damage. Contributed to the cost of my marriage and I needed therapy for a while after that endeavor." "It was a lot of morale hits on a personal level and a team level. Everyone had their own way of dealing with it." "There was a lot of pissed, stressed, rinse, repeat. It was a vicious cycle." "I guarantee we could have put something out in Unreal. Working in Frostbite was rough." After launch the team got death threats because of drop rates

Anthem was delayed as it had missing features, lack of polish and bugs that needed fixing. Another big problem that it faced was that it had lots of scope creep. "There were really high expectations for this game and the team felt it. We always were trying to push for cool features, etc.. So I think we could have done it if we kept our scope creep in check."

The main team was focused on getting the game out in a functional state. "We really needed another 1-2 studios to make endgame content while we were finishing up the game."

After launch it was all hands on deck to stabilize the game. Content and features that they wanted to do consequently kept getting deprioritized. A major focus they were trying to address at launch was all the server issues. "I think the shittiest part about this, besides no endgame and replay ability, was that during development, management was putting in gating mechanics to 'lengthen' the time it took to complete the story. IIRC it was removed from the final version after backlash from devs."

"It was a great team effort to get the controls how we shipped. We went through many iterations and it was super rough in the beginning. I know the team was really happy where the controls landed too. We actually took in a lot of feedback from the EA game changers."

A Twitter user asked "When you say it wasn’t ready, was that always communicated with other members of the team i.e. publishers?". The dev replied "I think it was ignored/denied from leadership. There is a story there, but I will refrain."

A transparent retrospective on Anthem/its development will likely never come to light because of both current and former devs still being under NDA

The dev has an assumption that if they didn't release Anthem, BioWare would have been dissolved. They also observe that BioWare just wasn't good at multi-project development, which is hard. Most people at BioWare didn't believe in "BioWare Magic". There was and maybe still is a lot of stress and politics surrounding Anthem from the development and publishing side (a problem not specific to Anthem). The dev mentioned that it was both an EA failure and a BioWare upper management failure. "I actually don't think it was all EA's fault. A developer and publisher is supposed to be a healthy relationship of trust and transparency. It's a 2 way street which i don't think was satisfied on either side."

Re: who made the decision to release the game in the state it was, some of them left and some remain at BioWare

On Anthem 2.0/Anthem Next, the game was really fun and was going in the right direction. The team had hit a really great milestone, when EA canned it. It was a different development team driving Anthem 2.0. The team were gutted when it was cancelled

(please note it's always best to read tweets and the like in full and in context, from the original source)

[source]

[sweepstakedaily]

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[castlebyersafterdark]

Curious about your take on some of the big fandoms with canon gay couples that are popular right now as a guy whose super into Byler and how they stack up and if you're also into them. Mostly because I like all of these but they just don't hit as much as Byler for some reason and the possibility that they won't be canon haunts me. As much as I feel like we're being spoiled lately with good queer rep it would be so much bigger through ST. These: ofmd, rwrb, 911, wwdits, iwtv

I agree that nothing really hits as much as Byler for me and never has, but most of my previous fandoms have been very big ones with minimal possibilities of canon gay couples or even gay characters at the forefront. So that's what's exciting for Byler - that it is very very likely to be true and Stranger Things is as big as the other stuff I've fixated on, this time with a queer storyline that can't be edited out for the overseas box office or touted as the 34th first gay character who appeared for 3 seconds in the background and is a bug lady with a bug wife or some shit haha. Byler is gonna be a game changer - because of the size of it and how mainstream the show is. Hell yeah. Keep the faith! And best friend to lovers is my favorite trope and to have one so well done is rare and I think that's why the brain rot is invasive to the core here.

Hmm. Look at all those acronyms haha.

OFMD - Watched the first season and good for them! Much love to older gays. Cool that this show kind of had a major moment. Didn't watch the second season. Just wasn't that into it, the humor wasn't really hitting for me? Maybe one day.

RWRB - Maybe I would have liked it more if I read the book. It was cute? Kind of simple? Almost too cute? But always nice to see more gay love stories hit the mainstream. I'm sure readers were stoked it got made into a movie. This one was part of a 'smoke up and have a laugh' night for me and you know who hahaha Also, the American guy was hottttt but he was not a good actor!! This was based on fanfic right? I think that's kinda cool. But you could tell.

911 - I'm happy for yall and for yall's firefighters but I know literally nothing about this one.

WWDITS - Never watched it.

IWTV - Also never watched it. But it looks kinda interesting. Maybe.

I think the overall thing to take away here is it's so fucking cool there's a list to have opinions on at all?? I feel this barely skims the surface. We've a ways to go and fandom is certainly helping make queer love stories mainstream and widely accessible. Spent my younger days deluding myself that they were gonna make Stucky canon or Andrew Garfield's spiderman bi even though I knew that was super lame to hold out hope for and now here we are with the reality of Byler which is part of one of the most major IPs around.

[disneytva]

The Walt Disney Company Doubles Down “Disney Anime” Division With Expanding KODANSHA Partnership And Unveils Early 2023 Anime Season Lineup.

The Walt Disney Company has announced an expansion of its 70-year collaboration with the Japanese publishing house, Kodansha, to license exclusive anime titles starting with “Tokyo Revengers: Christmas Showdown Arc”, which will launch exclusively on Disney+,Hulu & Star+ in January 2023.

Yoshinobu Noma, Kodansha representative director and president, said in a statement: “

The special relationship between Kodansha and Disney stretches back over 70 years, and has seen us bring to life many Disney licensed publications. With today’s announcement, we are thrilled to be able to further diversify and elevate the relationship between our two companies and share even more of our beloved anime titles with the world on Disney+ and its streaming platforms.”

Carol Choi, executive VP of original content strategy, The Walt Disney Company APAC, added:

“We are thrilled to deepen our strategic collaboration with our long standing partner Kodansha on such an exciting genre. Japanese anime fills the white space in our content development plans and we believe this expanded collaboration will be a game changer in Disney’s future animation strategy in Japan. We look forward to bringing the anime titles and prized IP by Kodansha to the world stage.”

The announcement was part of a larger APAC Content Showcase, being held at Singapore’s Marina Bay Sands convention center, where a number of new exclusive Disney+ Originals were revealed.

Luke Kang, president, The Walt Disney Company Asia Pacific said:

“Last October, at our first APAC Content Showcase, we made our first step into local content production with an ambitious, long-term plan to uncover the world’s best stories from this region, and to showcase creative excellence that can shine on the world stage.  This year, it was important for us to showcase the breadth of our global branded content from our award-winning studios and iconic franchises, as well as our APAC content slate for 2023.”

“We are focusing our content development on what we refer to as our content white space. Investing in areas that require more local specificity – either due to high popularity in select markets, like Japanese Anime, K-Dramas or Indonesia rom-coms and horror, or the need for local storytelling with talent that are familiar to our local audiences. We want to serve our viewers in every market with globally branded content like Disney, Marvel, Star Wars and Pixar, as well as locally produced stories that resonate with them – while also taking the best of those stories global.”

Additionally Disney Anime Unveiled It’s Early 2023- Anime Season Lineup.

SYNDUALITY

村井の恋 

東京リベンジャーズ　聖夜決戦編

PHOENIX: EDEN17 

[timdrakesbowlcut]

Tim trying to dox the kid trash talking him on fortnite only to realize that the ip address is inside the batcave and its just Damien with a voice changer. “In my defence Drake, you ARE dogwater.”

[cassiuspr]

What the fuck did you just fucking say about me, you little bitch? I'll have you know I graduated top of my class in the Navy Seals, and I've been involved in numerous secret raids on Al-Quaeda, and I have over 300 confirmed kills. I am trained in gorilla warfare and I'm the top sniper in the entire US armed forces. You are nothing to me but just another target. I will wipe you the fuck out with precision the likes of which has never been seen before on this Earth, mark my fucking words. You think you can get away with saying that shit to me over the Internet? Think again, fucker. As we speak I am contacting my secret network of spies across the USA and your IP is being traced right now so you better prepare for the storm, maggot. The storm that wipes out the pathetic little thing you call your life. You're fucking dead, kid. I can be anywhere, anytime, and I can kill you in over seven hundred ways, and that's just with my bare hands. Not only am I extensively trained in unarmed combat, but I have access to the entire arsenal of the United States Marine Corps and I will use it to its full extent to wipe your miserable ass off the face of the continent, you little shit. If only you could have known what unholy retribution your little "clever" comment was about to bring down upon you, maybe you would have held your fucking tongue. But you couldn't, you didn't, and now you're paying the price, you goddamn idiot. I will shit fury all over you and you will drown in it. You're fucking dead, kiddo.

Oh, I've seen these on Mai's old blog. Y'know, we all got to go through her stuff after she got squished like a bug, I got to keep her voice changer! Among a few other things, of course.

Glad I got my first one so soon! This one was very entertaining to read. :)

[kofsmart]

HOW TO EARN AIRTIME IN ANY OF THESE COUNTRIES (GHANA, NIGERIA AND MANY MORE)

🔑 Install MusiX app on play store. Here is the link

✨Launch the app after installation.

Choose your country eg. Ghana

Locate playlist at your right bottom and tap on it.

Wait for it to load

Tap on "luck money"

Tap on "money Get"

Complete the short task given

i.e rate them on play store and the homepage of Xender (both requires screenshots)

Tap on done✅

Airtime worth 1 will be added to your wallet.

IF YOU DON'T UNDERSTAND THE WHOLE PROCESS, WATCH A VIDEO ON HOW TO COMPLETE THE FIRST TASK

Note: First time users can do two tasks at the same time to get more.

Second task

The second task is about sharing to people to install the app but don't worry you can do it yourself.🔑

Send the referral link to anyone who won't mind on WhatsApp.

How to do the second task

Install IP history changer (less than 5mb)

Here is the link

Launch the app

Tap on change ip

Turn on airplane mode then turn it off

Go to the referral link you sent to the person and click on it

Tap on download and you will be sent to the musiX app you already have on your phone.

Launch it and airtime worth 1 will be added to your account.

IF YOU DON'T UNDERSTAND THE WHOLE PROCESS, WATCH A VIDEO ON HOW TO COMPLETE THE SECOND TASK

How to withdraw

Go to the wallet (withdraw)

Choose the amount you want to withdraw

Type your phone number (make sure you type the correct one because it can never be undone)

You will receive a message confirming the receipt of the airtime.

Tips

New users can do it twice on the day of installing the app

Old users can do it once daily.

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[sushis4kalyo]

Netflix est en train de nous faire une dinguerie ! 🤬

Edit du 02/02/23 : Netflix aurait rétropédalé ! ... Reste à savoir jusqu'à quand ... ou voir s'ils ne vont pas trouver encore plus fun !

Pour savoir de quoi je parle, voici un article qui résume la situation :

L'origine du drame.

Je comprends que Netflix veuille rattraper la perte d'abonnés mais pas sûre que sanctionner le partage de compte soit une bonne idée ...

Netflix a renouvelé des séries comme Élite qui perdent un peu plus en intérêt à chaque nouvelle saison (On va pas se mentir ...). D'autres séries ont quant à elles été purement et simplement annulées. Tout cela et des productions maisons qui ne nous emballent pas toujours, à un moment, oui, on peut envisager de résilier son abonnement.

Ajoutons à l'équation la présence de plus en plus importante de la concurrence avec leurs propres programmes phares, ça fait effectivement beaucoup de mal ! Si en plus on évoque le contexte économique actuel et la hausse des tarifs de Netflix , on peut comprendre que certains préfèrent squatter/partager les fameux comptes plutôt que de payer un abonnement à 9€/mois le temps de suivre un programme.

Netflix estime que sa récente perte d'abonnés vient du partage de compte et souhaite par conséquent "punir financièrement" ceux qui le prêtent et inciter les autres à se tourner vers son offre comprenant des publicités. D'ailleurs j'ai lu que Netflix avait remboursé des annonceurs car pas encore assez d'abonnés à cette offre. La situation a un peu évolué depuis mais pas sûre que ça fonctionne bien à long terme si certains contenus ne sont pas disponibles avec cette offre.

Je trouve ça vraiment limite de blâmer les abonnés quand on connait les points que j'ai abordé juste avant : La stratégie de Netflix n'était pas bonne. Et quand je lis les dernières news concernant les séries annulées, j'ai l'impression qu'on a mis Joffrey Lannister à la tête de Netflix. Ils se sont fait rattraper par leurs concurrents. C'est tout. C'est la dure loi du marché : Si notre offre ne correspond pas à la demande, elle va voir ailleurs !

Le partage de compte du coup ?

Concernant le partage de compte, il reste autorisé ... mais celui-ci va devenir payant et n'aura rien à voir avec la possibilité d'avoir 1, 2 ou 4 écrans. Je me demande donc : à quoi servira l'offre 4 écrans ,si ce n'est à diviser les foyers, si l'on ne peut pas s'en servir en dehors de chez soi ? Chacun dans une pièce avec son écran ? Les relations familiales chez Netflix, ça doit être quelque chose ! Les gens risquent donc de changer d'offre et passer de 4 à 2 écrans. C'est personnellement ce que j'ai fait et j'envisage de revenir à un seul écran, c'est dire ...

Du coup, faudra justifier de notre situation à Netflix ...et j'aime pas du tout !

Je me demandais aussi comment allaient faire les personnes régulièrement en déplacements longs. (professionnels, étudiants en alternance jonglant entre 2 villes ...). Cela reviendrait à payer car une entreprise juge que nous ne sommes pas assez chez nous. De plus, pour en juger, il est nécessaire de géolocaliser : Il faudra se connecter à notre réseau wifi domestique au moins tous les 31 jours sous peine de blocage du compte ! Ils vont donc nous fliquer avec notre IP et les identifiants de nos appareils. Il faudra se justifier si on change de FAI ... et ce, j'imagine, documents à l'appui.

Au passage, pour les déplacements, il faudra demander un code provisoire (valable 7 jours) pour avoir l'autorisation de regarder Netflix sur son lieu de déplacement ... Cela veut quand même dire qu'on paie le service mais Netflix se réserve le droit de dire "Non, t'étais trop absent ces derniers temps donc t'es privé de Netflix" (par contre tu seras quand même débité j'imagine !). Sérieusement, c'est une boite de streaming ou nos darons ? Et encore les miens ne sont pas si intrusifs !

Si on autorise ça à Netflix, on autorise les autres à jouer avec les mêmes règles !

Si je comprends l'intérêt de la géolocalisation pour raison de sécurité (pour empêcher une connexion depuis l'autre bout du monde), il s'agit ici de géolocaliser les gens pour surveiller une action (le possible partage). Alors oui, on géolocalise la télé connectée à Internet mais normalement vous n'en serez pas loin si Netflix fonctionne ! Donc ça leur permet de vous géolocaliser. Curieuse de savoir ce qu'en pense la CNIL ...

De plus, si on autorise Netflix à faire ça, ça veut dire qu'on l'autorise également à Disney+, à Paramount, à Prime Vidéo ... Bah oui franchement si ça marche, ils auraient tort de se priver ! Toutefois, comme nous sommes nombreux à avoir plusieurs abonnements à diverses plateformes, commencez déjà à vous organiser pour savoir qui demandera les codes temporaire à chacun avant les départs en vacances car ça risque d'être long hehe !

Dans un sens, c'est aussi une invitation au piratage ...

Enfin, avec tout ça, Netflix oublie un dernier concurrent : le piratage. En sanctionnant financièrement le partage de compte, ils prennent le risque de dissuader les amis/la famille des sanctionnés de prendre eux même un abonnement... Même si les sites de téléchargement sont un peu "plus difficiles" à trouver qu'avant, ils existent toujours.

J'espère toutefois que lorsque Netflix se rendra compte de son erreur, cela ne mènera pas à une nouvelle hausse des tarifs punitives ...

[mordormr]

Navigating the Growth and Innovation in the Broadcast Equipment Industry

The Broadcast Equipment Market is projected to be valued at USD 5.23 billion in 2024 and is anticipated to grow to USD 7.23 billion by 2029, with a compound annual growth rate (CAGR) of 6.70% over the forecast period (2024-2029).

In an age where content is king, the broadcast equipment industry is experiencing rapid transformation, driven by technological advancements and the increasing demand for high-quality media. Whether it’s television, radio, or online streaming, broadcast equipment plays a pivotal role in delivering content to global audiences. Let’s dive into the key trends shaping this dynamic market and explore its future potential.

1. The Shift Toward IP-Based Broadcasting

One of the most significant shifts in the broadcast equipment market is the move from traditional, hardware-centric systems to IP (Internet Protocol)-based broadcasting. This technology allows for more flexible, scalable, and cost-effective broadcasting solutions. IP broadcasting enables real-time content delivery with higher quality, reduced latency, and greater versatility across platforms. As a result, broadcasters are increasingly adopting IP-based solutions for both live and on-demand streaming.

2. Rise of 4K and 8K Ultra High-Definition (UHD)

With the proliferation of high-definition TVs and screens, the demand for 4K and 8K broadcast equipment has surged. Broadcasters are investing heavily in UHD cameras, switchers, and production tools to meet the growing expectations for crystal-clear content. This shift is particularly evident in live sports broadcasts and major events, where viewers expect an immersive, high-definition experience.

3. Cloud Broadcasting Solutions

Cloud-based broadcast solutions are gaining traction as they offer flexibility and scalability, enabling broadcasters to manage workflows remotely. By leveraging the cloud, broadcasters can distribute content across multiple platforms with ease, reducing infrastructure costs. Additionally, cloud technology enables faster content production, live editing, and better collaboration across teams, making it a game-changer for both small and large broadcasters.

4. Growth of OTT (Over-The-Top) Streaming

The rise of OTT platforms such as Netflix, Amazon Prime, and Hulu has reshaped the broadcast landscape. Traditional broadcasters are now integrating OTT services into their offerings, and this has driven demand for broadcast equipment that supports streaming. Companies are focusing on OTT-compatible solutions that allow broadcasters to deliver content seamlessly across devices, catering to the growing demand for on-demand viewing.

5. AI and Automation in Broadcasting

Artificial intelligence (AI) is increasingly being incorporated into the broadcast equipment industry. From automating camera control and video editing to optimizing content distribution, AI is enhancing efficiency across the broadcasting chain. Machine learning algorithms are also being used to analyze viewer preferences and deliver personalized content, which improves engagement and retention.

6. Challenges in the Industry

While the broadcast equipment market is on an upward trajectory, it faces certain challenges. The rapid pace of technological advancements requires constant innovation and upgrades, which can be costly for broadcasters. Additionally, the shift to IP and cloud-based broadcasting presents cybersecurity concerns that companies must address.

7. Future Outlook

Looking ahead, the broadcast equipment industry is poised for continued growth, driven by evolving consumer preferences, the expansion of 5G networks, and the increasing demand for high-quality, accessible content. The integration of virtual reality (VR) and augmented reality (AR) into broadcasting will further enhance viewer experiences, opening up new opportunities for innovation.In conclusion, the broadcast equipment market is undergoing a significant evolution, fueled by cutting-edge technology and the rise of digital media consumption. As broadcasters adapt to these changes, the demand for advanced equipment will continue to grow, offering exciting opportunities for both manufacturers and service providers.