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#Joe Rubinstein
comicarthistory · 6 months
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Page from Silver Surfer #1. 1987. Art by Marshall Rogers and Joe Rubinstein.
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browsethestacks · 8 months
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Defenders
The Official Handbook Of The Marvel Universe #03 (1983)
Art by Don Perlin And Joe Rubinstein
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balu8 · 4 months
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Storm
Uncanny X-Men #230: T'was the Night.
by Chris Claremont; Marc Silvestri; Joe Rubinstein; Glynis Oliver and
Tom Orzechowski
Marvel
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ungoliantschilde · 2 months
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more Frank Miller artwork, with some pieces inked by Joe Rubinstein and Klaus Janson.
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comic-covers · 8 months
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(1978)
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wwprice1 · 7 months
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Vintage Joe Quesada X-Factor art!
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splooosh · 2 months
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“TRAPPED”
Alan Weiss - Joe Rubinstein
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Rawhide Kid No. 148, dated November 1978. Cover by Gene Colan and Joe Rubenstein.
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BHOC: NOVA #23
In the space of just a few issues, I had really connected with NOVA. From the original house ads that I had seen and the name of the series, I had assumed at first that it was some science fiction thing, like JOHN CARTER, WARLORD OF MARS, in which I’d have little interest. But when I finally sampled it, it was a super hero series, and one that was very much to my liking. It had a young…
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daredevil-artwork · 6 months
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Daredevil & Moon Knight by Bob Layton (penciller) & Joe Rubinstein (inker)
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cantsayidont · 5 months
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December 1977. Given how much Marvel has since pushed Adam Warlock, Thanos, and the Infinity Gems, it's somewhat ironic that Jim Starlin's original Warlock series was rather ignominiously canceled before the story was complete, leaving the conclusion to play out in THE AVENGERS Annual #7 and MARVEL TWO-IN-ONE Annual #2 in the fall of 1977, both magnificently illustrated by Starlin and Joe Rubinstein. Continuing the story into the latter Annual required Starlin to frame his finale as, improbably, a Thing/Spider-Man team-up, but it's Mar-Vell (whose series Starlin had also written and drawn for a while) who delivers the full-page eulogy for Adam Warlock, a minor Kirby character whom Roy Thomas and Starlin had transformed into a tortured cosmic figure, driven by truly existential angst.
Given that Thanos' plot in this story had involved using the combined power of the six Infinity Gems (here still called "Soul Gems") to blow "every star out of the heavens," leaving Adam's vampiric Soul Gem just lying on his grave seems a trifle irresponsible, but at this juncture, Warlock is dead, Thanos has been reduced to a literal monument to his own folly, and none of the survivors understands the full power of the gems. Also, they don't know that the souls of Adam Warlock, Gamora, and Pip the Troll, taken by the Gem before their deaths, now reside in the idyllic landscape of Soul World.
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Starlin would subsequently write the end of Mar-Vell in the memorable THE DEATH OF CAPTAIN MARVEL graphic novel in 1982, which returned Thanos as a kind of psychopomp. Alas, Thanos subsequently became too commercially important a villain (in the comics and later in the dreary live-action movies) to ever stay dead or truly learn from his mistakes.
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spaceshiprocket · 1 year
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The Punisher by Frank Miller, Joe Rubinstein and Steve Oliff
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browsethestacks · 6 months
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Defunct Teams
The Official Handbook Of The Marvel Universe #013 (1984)
Art by Alan Kupperberg, Mike Zeck, Alan Kupperberg, Kyle Baker, Paul Becton, Kim DeMulder And Joe Rubinstein
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balu8 · 10 months
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George Perez and Joe Rubinstein: Starfire
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ungoliantschilde · 1 year
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Superman by Curt Swan, with Inks by Joe Rubinstein, and Colors by Laura Martin.
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comic-covers · 9 months
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(1977)
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