#John L. Marsh

[movie-titlecards]

Svengali (1931)

My rating: 4/10

Them dang dirty foreigners with their weird Romanian/Russian/German accents and their looking like a mix of Rasputin and an offensive Jewish stereotype and their evil rapey mind control, amirite? I mean, boy has this one aged poorly.

[cainache]

there’s literally no pope fics anywhere can you please write something about him! maybe with a kook reader? angst or fluff or a mix of both <33

lost my whole appetite ♱ pope heyward

You definitely weren't telling your mother that you were here of all places. You didn’t see the shame in it, but she'd lose her marbles. But today had been an off day. Classes felt too long. Twirling practice had been agonizing. Even Sarah's hug goodbye at the end of practice didn't feel like enough.

And now, in hopes to make your day better, you were standing on the South. Bike at your hip as you pushed it towards the parking lot of Heyward's Seafood. You were hoping you might be able to catch Pope and just Pope, none of his friends. That would be awkward. Kiara obviously didn't like you. JJ and John B, you weren't even sure if they knew about you.

You and Pope weren’t anything too serious, right now at least. You hadn't told anyone about him but Sarah, obviously, she's your best friend. Plus, people on the North were meaner than mean when they didn’t like something. And you didn't think Pope had told anyone either. It wasn't a conversation you guys had ever had. You didn't mind all that much. You were having fun with this. The thrill of it all. His sweet face and kind hands. He was an angel.

Mister Heyward was outside cleaning fish when you reached. You placed your bike against the wall and smiled at him as he looked up to the noise. He seemed panicked for a second. “Miss Y/L, is everything alright? Did those damn boys forget something in your groceries?” You smiled even more, a soft laugh. “No, no! Don’t worry. Everything was perfect. I was just wondering..” You took a breath, shoulders deflating a little. “Is Pope home?” You asked softly, carefully. With a smile of course.

You watched the older man before you melt with a knowing smile. “He’s up in his room. You’re more than welcomed up there.”

You were beaming up the stairs of their home with red cheeks and sparkling veins. You reached the boys closed door carefully. You knocked gently, hands folding over your front almost nervously. You had never just shown up. There was always a text. Or a call.

The door was quick to fling open. There was Pope trying to jump into a shoe. You couldn’t help your smile.

He looked up at the silence and automatically dropped his shoe. “You’re here?” He whispered in a shock. You smiled, small. “I know, I should’ve called. I’m sorry. I just.. wanted to see you. You know?”

He looked amazed for a moment. Almost not believing his luck.

You waved a gentle hand at his fallen shoe. “I can come back another time, though. If you’re busy. I don’t want to bother—” Pope was shaking his head quickly, smiling brightening his features. He kicked away his shoe and gently took your closest hand as he yanked you into his room. “I was actually on my way to go see you. I was going to text. Like a heads up. But I know your mom isn’t home yet, so I was going to take my chances. But this, this is perfect.”

You were so damn warm. You smile, head tilted to the side as you squeezed his hand in yours. “Yeah?”

Pope smiled, rolling his eyes at your fond teasing. “Yeah, perfect.” You couldn’t stop your smile as you pushed up on the tips of your shoes and pressed a gentle kiss onto his lips. He leaned into them. Hands still attached, but his free one caught your hip and balanced you. Your other free hand was gently on his bicep. He tasted like honey, summer, and smiles.

“You want to go get dinner? Your favorite place then eat it at the marsh behind your house?”

Today had you feel awful about everything and anything, appetite included. But now, staring at this boy, which his hand in yours. You could definitely eat some food.

You beamed. “For sure, angel.” He scoffed a laugh, cheeks red and sweet. Your hip pushed into his a little as you two went.

[sleepii247]

Characters I need to an ugodly extent

Stanford Pines

William Afton

Springtrap

Spring Bonnie/Pit Bonnie

Glamrock Freddy

Hannibal Lecter (Show, movies, and books)

Offspring from Alien Romulus

Bowser

Korosensei

The Other Father (Coraline)

Coraline's dad in general tbh

Nicole's Mom (Class of 09)

Principal Lynn (Class of 09)

Charlie Dompler (Smiling Friends)

Mr Boss (Smiling Friends)

Randy Marsh

Satan (South Park)

Venom (never watched the movies)

Gakupo (ever since The Madness Of Duke Venomania)

Emily (Class of 09)

John Doe

Slenderman

Eyeless Jack

Laughing Jack

Bill Cipher

Toy Bonnie

The Servant (Ultra Despair Girls)

Trent Lane (Daria)

Phone Guy

Funtime Freddy

Sebastian Michaelis

L

Tom Nook

The Ink Demon

Chucky/Charles Lee Ray

Tiffany Valentine

Ghostface (Billy Lumis, Stu, and Mickey specifically)

Gomez Addams (from The Addams Family & The Addams Family Values)

Luigi

The Joker

Sammy Lawrence

Papyrus

Asgore Dreemurr

Sans The Skeleton

Mettaton

Misa Amane

Ryuk

Duncan Vizla (Polar)

Grell Sutcliffe

Brahms Heelshire

Shota Aizawa

Stella (Helluva Boss)

Glam (Metal Family)

Fell!Sans

Clay Puppington

Jax (The Amazing Digital Circus)

Reverend Putty

Rick Sanchez

Simon Petrikov

Jerry Smith

Caine (The Amazing Digital Circus)

Professor Membrane (Invader Zim)

[justforbooks]

Lynne Reid Banks, who has died aged 94, hit a jackpot with her first book, The L-Shaped Room (1960), the story of an unmarried middle-class girl, Jane Graham, who takes a dingy room in London to hide her unwanted pregnancy. The novel was a cracking read that caught the cusp of a momentous change in social attitudes. Its profile rose even higher when it became a film in 1962, with Leslie Caron playing its heroine. It sold in its millions and never went out of print.

This success was both a blessing and curse for Reid Banks. In the decades that followed, she published nine further novels (two of them sequels to The L-Shaped Room), two award-winning volumes of biographical fiction on the lives of the Brontës, two books about Israel and numerous books for younger readers. But nothing she wrote ever matched the acclaim for The L-Shaped Room.

Reid Banks was a dramatic and dynamic woman who lived her life with gusto. If the slights of the literary world sometimes hurt her, they never quenched the energy and passion she brought to her work. Stories flowed effortlessly from her pen, characterised by lively dialogue, well-crafted plots and compulsive readability.

The Indian in the Cupboard (1980), a children’s book she wrote for and dedicated to her youngest son, Omri, came closest to her first success, in sales, translation into 20 languages and transformation into a Hollywood film in 1995. That pleased her. But in the same year, she expressed outrage that her longstanding publishers had turned down her latest adult novel. She nevertheless found another publisher and received considerable praise for Fair Exchange (1998), a book she dedicated to her friend Norma Kitson, whose remarkable struggle against apartheid in South Africa infuses its story.

Lynne was born in Barnes, London, the only child of a Scottish doctor, James Reid Banks, and an Irish actor, Muriel (nee Marsh, who went by the stage name Muriel Alexander), and began her education at a Catholic boarding school. At the start of the second world war, aged 10, she travelled with her mother and a cousin to Canada, which she thoroughly enjoyed. On her return to London, she went to Rada, and thence began acting in provincial rep, like the heroine of The L-Shaped Room.

It was during this period that she met and enraged the young John Osborne, whose first wife, the actor Pamela Lane, was her close friend. Osborne’s letters revealed not only his dislike of her, but the probability that she inspired one of the main characters in his own first success, Look Back in Anger.

A combative streak in Reid Banks got her into spats all her life. But she was no less forthright in her judgments of herself than of others. She did not hesitate to call herself a failed actress, failed playwright (of several plays) and failed television reporter, before her true career took off.

In the doldrums, she began writing freelance journalism, and when she went to interview the head of the embryonic ITN for the Radio Times, she also talked him into employing her. She thereby became one of the first two female reporters on television in 1955. This did not satisfy her for long, however, as (she claimed) they only gave her “the rubbish” to do. When she complained, they put her into a cubbyhole and set her to work writing scripts.

Bored stiff, she began using ITN’s stationery supplies and time to start work on her first novel. She later recalled how the newsreader Reginald Bosanquet would read a page off her typewriter in mocking amusement. But the laugh was on Reggie when the Evening Standard later ran the headline: “ITN girl sells film script for £25,000.” The real sum for The L-Shaped Room was £20,000, but that was still princely in those days.

She was not happy with the film, which changed the book’s story. It was a hit, but it took her 30 years to forgive the director, Bryan Forbes. It also infuriated her that people assumed she had written of single motherhood from personal experience, rather than imagination. Although on the crest of a wave of fame, money and success, Reid Banks left the country and did not return for a decade.

She had met the man whom in 1965 she was to marry, the Israeli sculptor Chaim Stephenson, while he was visiting Britain. She was not Jewish, but she went out to Israel and loved it, becoming an Israeli citizen. The couple lived on a kibbutz near the Sea of Galilee, and their three sons were born there.

It surprised but delighted her, soon after her arrival in Israel, to be asked to leave her hot, tiring work in the vineyards to teach English to a class of children. She threw herself into this new occupation with zeal, relishing the chance to use her acting skills, and achieved outstanding results.

But as the years went by, she missed Britain, and in the early 1970s she came back, the family settling uncomfortably at first in the London suburbs, but later living happily in a farmhouse in Beaminster, Dorset, and later still settling in Shepperton in Surrey. Her output of books for children continued (she produced many sequels and series), and she travelled, gardened and wrote for newspapers.

Chaim died in 2016. Reid Banks is survived by her sons, Adiel, Gillon and Omri, and her grandchildren, Daniel, David and Paloma.

🔔 Lynne Reid Banks, writer, born 31 July 1929; died 4 April 2024

Daily inspiration. Discover more photos at Just for Books…?

[emailsfromanactor]

I got the DVD of the Gielgud-Burton Hamlet! It is a little better than the video I already had! It looks like that one zoomed in a bit by cutting off the very top and bottom of the image. The DVD video still isn't terribly clear - it was shown in movie theatres! it must have been better than this originally! - but for something that was supposed to be destroyed, I guess it's not bad.

The "unseen interview footage" the box advertises is just this, split into the interview and the trailer:

If only Electronovision had caught on. So many iconic performances could've been preserved. :( Anyway, the DVD also has filmographies and lists of awards for Gielgud, Burton, and Hume Cronyn.

I wish there was a commentary track. There could have been - Gielgud was still alive when the DVD was made, as were Cronyn, Eileen Herlie, and Robert Milli. John Cullum, Linda Marsh, and (of course) Richard L. Sterne are still around today! And now I'm wistfully thinking about a world where William Redfield lived long enough to do DVD commentaries. Imagine.

[czolgosz]

i went to a used book sale today... procured:

railroad color history: new york central railroad (brian solomon & mike schafer) — i'm not actually that into trains but it appealed to me.

the complete guide to the soviet union (jennifer louis & victor louis) — travel guide from 1980

an anthology including the big sleep (raymond chandler), "the undignified melodrama of the bone of contention" (dorothy l. sayers), "the arrow of god" (leslie charteris), "i can find my way out" (ngaio marsh), instead of evidence (rex stout), "rift in the loot" (stuart palmer & craig rice), "the man who explained miracles" (john dickson carr), & rebecca (daphne du maurier) (i already have this one..) — it's volume 2 of something (a treasury of great mysteries) which annoys me but whatever

an anthology including "godmother tea" (selena anderson), "the apartment" (t. c. boyle), "a faithful but melancholy account of several barbarities lately committed" (jason brown), "sibling rivalry" (michael byers), "the nanny" (emma cline), "halloween" (mariah crotty), "something street" (carolyn ferrell), "this is pleasure" (mary gaitskill), "in the event" (meng jin), "the children" (andrea lee), "rubberdust" (sarah thankam mathews), "it's not you" (elizabeth mccracken), "liberté" (scott nandelson), "howl palace" (leigh newman), "the nine-tailed fox explains" (jane pek), "the hands of dirty children" (alejandro puyana), "octopus vii" (anna reeser), "enlightenment" (william pei shih), "kennedy" (kevin wilson), & "the special world" (tiphanie yanique) — i guess they're all short stories published in 2020 by usamerican/canadian authors

an anthology including the death of ivan ilyich (leo tolstoy) (i have already read this one..), the beast in the jungle (henry james), heart of darkness (joseph conrad), seven who were hanged (leonid andreyev), abel sánchez (miguel de unamuno), the pastoral symphony (andré gide), mario and the magician (thomas mann), the old man (william faulkner), the stranger (albert camus), & agostino (alberto moravia)

the ambassadors (henry james)

the world book desk reference set: book of nations — it's from 1983 so this is kind of a history book...

yet another fiction anthology......... including the general's ring (selma lagerlöf), "mowgli's brothers" (rudyard kipling), "the gift of the magi" (o. henry) (i have already read this one..), "lord mountdrago" (w. somerset maugham), "music on the muscatatuck" (jessamyn west), "the pacing goose" (jessamyn west), "the birds" (daphne du maurier), "the man who lived four thousand years" (alexandre dumas), "the pope's mule" (alphonse daudet), "the story of the late mr. elvesham" (h. g. wells), "the blue cross" (g. k. chesterton), portrait of jennie (robert nathan), "la grande bretèche" (honoré de balzac), "love's conundrum" (anthony hope), "the great stone face" (nathaniel hawthorne), "germelshausen" (friedrich gerstäcker), "i am born" (charles dickens), "the legend of sleepy hollow" (washington irving), "the age of miracles" (melville davisson post), "the long rifle" (stewart edward white), "the fall of the house of usher" (edgar allan poe) (i have already read this one..), the voice of bugle ann (mackinlay kantor), the bridge of san luis rey (thornton wilder), "basquerie" (eleanor mercein kelly), "judith" (a. e. coppard), "a mother in mannville" (marjorie kinnan rawlings), "kerfol" (edith wharton), "the last leaf" (o. henry), "the bloodhound" (arthur train), "what the old man does is always right" (hans christian anderson), the sea of grass (conrad richter), "the sire de malétroit's door" (robert louis stevenson), "the necklace" (guy de maupassant) (i have already read this one..), "by the waters of babylon" (stephen vincent benét), a. v. laider (max beerbohm), "the pillar of fire" (percival wilde), "the strange will" (edmond about), "the hand at the window" (emily brontë) (i have already read this one..), & "national velvet" (enid bagnold) — why are seven of these chapters of novels....? anyway fun fact one of the compilers here also worked on the aforementioned mystery anthology. also anyway Why did i bother to write all that ☹️

fundamental problems of marxism (georgi plekhanov) — book about dialectical/historical materialism which is published here as the first volume of something (marxist library) which is kind of odd to me tbh

one last (thankfully tiny) anthology including le père goriot (honoré de balzac) & eugénie grandet (honoré de balzac)

[e-b-reads]

20 books challenge

Tagged by @theinquisitxor to post which books I would keep if I could only keep 20. Normally it would be tricky to choose only 20, but with the additional rules of no repeated authors or multiple books per series, I kept stalling at around 13! Here's my final answer (for today).

Let's see, I'm going to tag @agardenandlibrary, @wearethekat and @dracereads with the caveat that I'm not sure how many books you all actually have on hand! ebooks/audiobooks count as well, no picture required. Anyone else who wants to do this, consider this a tag, and show me your choices!

(list of books below the cut)

I decided to include Harper Collins titles but with a strikethrough, just to show the variety of books that fall under their imprints. Top to bottom, books are:

The Lost Prince, Frances Hodgson Burnett

The Picts and the Martyrs, Arthur Ransome

Gaudy Night, Dorothy Sayers

Good Omens, Neil Gaiman and Terry Pratchett

Feet of Clay, Terry Pratchett (OK, I cheated a little on the repeated author rule)

Peterson Field Guide to Eastern Birds

The Midnight Folk, John Masefield

Poetry 180, Billy Collins

I Capture the Castle, Dodie Smith

Prodigal Summer, Barbara Kingsolver (would probably actually choose a diff Kingsolver book as the one-and-only, but a friend has it right now)

The Complete Sherlock Holmes, Volume II, Arthur Conan Doyle

Death and Hard Cider, Barbara Hambly

About the B'nai Bagels, E. L. Konigsburg

Tinkerbelle, Robert Manry

Grave Mistake, Ngaio Marsh (this particular volume has 3 of her books, but if forced to choose I'd go with the listed title)

Sailor Jack and the Target Ship, Selma and Jack Wasserman (a sentimental keep: a preschool favorite)

Dragonhaven, Robin McKinley

The Merlin Conspiracy, Diana Wynne Jones

The Lion, the Witch, and the Wardrobe, C. S. Lewis

The Authoritative Calvin and Hobbes, Bill Watterson

[kylermalloy]

im so curious of ur attack of titan presentation. 👁️

In reference to this post

Omg Yuki—the way I genuinely considered sitting down and making a PowerPoint presentation 😂

I won’t. I could—but I won’t.

There’s a ton of cute presentations on this website about “why you should watch this show uwu it’s so good and the characters are adorable and it’s got a great message you’re gonna love it!” and, well…that’s not Attack on Titan for me.

Aot is…a curiosity to me. I do really like a lot of the characters, the animation and music are gorgeous, and the story is sufficiently intriguing. And yes, ultimately, it does have a message I can get behind (War Is Bad. Stick to the classics.) but it wasn’t a show that grabbed me instantly. I had to simmer in it for a while—and I do mean a while.

I suppose mostly what I want to talk about is the Disk Horse, which I kind of hate to do because tumblr is allergic to nuance—but. I also like to talk. So here I go.

(This is going under a cut because I CANNOT shut up. Also, I’m going to get into some dumb fandom drama nonsense and I would like to hide that in order to maintain my dignity.)

I actually first became aware of aot BECAUSE of the discourse. I had more posts on my dash claiming that it was a Bad Show and Don’t Watch It than posts that…actually told me anything about it.

Eventually as I started easing into exploring anime, I decided to check it out. Out of morbid curiosity, mostly. I wanted to know what was so bad about it.

For the first three seasons, I was a little clueless. An annoying protagonist with questionable morals? Main characters attached to some sort of military organization? The protagonist being the Exceptional One, the savior because of his unique abilities? …guys, these are all standard shonen tropes, and I’d only watched like…five animes at that point (I’ve now watched, like, ten. My immersion rate is s l o w.)

Then I reached the end of season 3, and I wen “ohhh.” Not because everyone who’d been insisting it was Bad were right, but because I could actually, finally see what they were talking about.

I hear the word “allegory” get thrown around a lot when it comes to aot, and…honestly, I don’t think that’s the right word. An allegory is a direct, deliberate parallel with either a real life event, or another story. Aot is not an allegory of anything. Now, does it use some real life elements as worldbuilding and narrative devices in its own story? Yes, and sometimes to a “yikes” effect.

But this is a fantasy story that takes place in a fantasy world about races of people that don’t exist. The parallels can be drawn, but it’s not an intentional allegory.

Think of the difference between Lord of the Rings and the Chronicles of Narnia. C.S. Lewis was very clear both in his writing and when talking about his work that it was a Christianity allegory. Aslan represents Jesus—created the world, died for its sins, all knowing, all powerful, does not always intervene, eventually edged out by a false god at the end of the world, etc. etc.

Tolkien’s Lord of the Rings took a lot of inspiration from his experiences in World War I. Read anything about LOTR, or watch any of the movies’ supplemental material, and that’s one of the first things you’ll hear. BUT—did old John Roald Roald intend it to be a one-to-one allegory? No.

The orcs are not the Germans. Humans and elves aren’t the English and French. This is not a fantasy retelling of real-world events—it uses elements of real-world warfare to enhance its own narrative. The faces in the Dead Marshes. Frodo’s life-altering trauma. The hobbits’ return to an unchanged safe haven, only to find they have changed irrevocably. Sam’s/Faramir’s introspection on the “evil” of the men they fight.

Aot does the latter, not the former. And while using imagery we associate with Jewish persecution and the holocaust…isn’t a choice I would have made when writing a story, it wasn’t a deliberately anti-Semitic choice.

We can talk all day long about how it’s not a wise choice, and how the implications can have ramifications—but this wasn’t something the mangaka did out of long-held prejudice, whether conscious or unconscious. I mean, do you really walk away thinking we’re supposed to HATE the Eldians? (If so, get better reading comprehension.)

I guess that’s what my Attack on Titan presentation should really be—teaching people how to read and therefore understand the themes and story correctly. Either that, or I could just make a ship chart and explain why Armin deserves to bang every single character, and in what order he should do so.

[askstevella]

How did Steve react to John Walker…. 🫣

Well…let’s flashback to that moment in the living room/kitchen shall we?

~~~~~~~

*walked into the hallway, just finished washing the dishes instead of using the machine with a grin* “Alright dishes are clean! Hopefully, no more dirty dishes until dinner time haha. If anyone needs me, I’mma be on the couch…might even take a nap.”

*He hears Stella response with a simple ‘Okay!’ from the bathroom pausing the shower for a moment, as he heard for the kids voices hearing the sound of video games and toys rattling around upstairs. Then Steve enters the living room and sits comfortably on the couch, turning on the TV and flipping through channels.*

“Alright.” He says laying comfortably on the couch, flipping across the TV guide finding any entertaining movies or shows to watch until Channel 7 titled episode caught his eye, “…hm?”

The moment he clicked on the specific selected channel, the news anchor spoke about The New Captain America, which intrigued but confused Steve because he remembers giving Sam the opportunity to be Captain America, yes, but he think he would remember a text message from his old friends about being presented to the damn world as the new heroes.

He was on retirement and tried to stay relaxed about world news, he deserves the most rest of all after serving for so long with great pride.

But nothing prepared Steven Grant Rogers for the face among his TV screen, as he heard his wife’s footsteps entering the living room freshly bathed in sweatpants watching him. She asked him what happened but he only pointed to the TV screen as the words John Walker appeared next to the title of Captain America..

“Who the f- is that?!” He cursed muttering loudly.

His jaw dropped onto the literal floor, as a million thoughts ran across his head.

1) Who was that? That’s not Sam!

2) Why was he carrying my freaking shield (or should I say a copy of it)? Matter a fact, where is my Shield?! I might show this man a Brooklyn beat down.

3) How did the US say yes to this?!

4) I’mma need a drink!

Let’s just say, it took all of Steve’s strength to not leave his nice home and call Natasha. They were trying to retire, yet this stuff happens. Thankfully Sam and Bucky handle, giving them insight on their current status.

However that didn’t stop Steve to sneak out of the house at one point (Stella was not happy about that!!) to help them after a call from Bucky. This man got tears in his eyes hearing that Sam will be Captain America officially.

———

Tags: @missstrawbs2001 @purpleprincessonfyre @meiramel l @gcthvile @rickb-chaos @gaminggirlsstuff @wizzzardofoz @cherrysft @thechoooooosenone @luna-d-marsh @rooster-84 @sherloquestea and etc

[byneddiedingo]

Marian Marsh, Bramwell Fletcher, and John Barrymore in Svengali (Archie Mayo, 1931) Cast: John Barrymore, Marian Marsh, Donald Crisp, Bramwell Fletcher, Carmel Myers, Luis Alberni, Lumsden Hare, Paul Porcasi. Screenplay: J. Grubb Alexander, based on a novel by George L. Du Maurier. Cinematography: Barney McGill. Art direction: Anton Grot. Film editing: William Holmes. Music: David Mendoza. George Du Maurier's 1894 novel was called Trilby, as were many of the stage adaptations and early silent film versions. But if you cast John Barrymore as the sinister hypnotist, you almost have to call your film Svengali. It's one of Barrymore's juiciest movie performances, but it surprisingly didn't earn him an Oscar nomination -- an honor he never received. To add to the irony, the best actor Oscar that year went to his brother Lionel for A Free Soul (Clarence Brown, 1931), and one of the actors who did receive a nomination was Fredric March for playing Tony Cavendish, an obvious caricature of John Barrymore, in The Royal Family of Broadway (George Cukor and Cyril Gardner, 1930). Though Barrymore's Svengali doesn't particularly deserve an award, it's the best thing about the film aside from the sets by Anton Grot that were influenced by German expressionism and did earn Grot a nomination, as did cinematographer Barney McGill's filming of them. Like many early talkies, Svengali is slackly paced, as if director Archie Mayo, who learned his craft in the silent era, was still slowing things down so title cards could be placed at the appropriate intervals. It also has some problems of tone: Svengali is not quite the sinister monster you expect him to be from his reputation as an archetype of masterful control. In the beginning he's the butt of horseplay from some of his fellow Paris bohemians, the painters known as The Laird (Donald Crisp) and Taffy (Lumsden Hare), who decide he doesn't bathe often enough and dump him into a bathtub. We know his potential for evil after he causes Madame Honori (Carmel Myers) to commit suicide, but even her character is played for comedy before her untimely end. In this adaptation, by J. Grubb Alexander, the plot revolves around Svengali's manipulation of Trilby (Marian Marsh), an artist's model whose potential as a singer -- even though she can't quite carry a tune -- he deduces from the shape of her mouth. He uses his hypnotic powers to turn her into a diva, though the one performance we see from her, a bit of the Mad Scene from Lucia di Lammermoor, doesn't merit the ovation it receives -- perhaps he hypnotized the audience, too. But control of Trilby comes at a cost: Svengali's health begins to decline, and Trilby's career along with it, until at the end they both die as she performs in a nightclub in Cairo, second-billed to a troupe of belly-dancers. Only the lovestruck young artist known as "Little Billee" (Bramwell Fletcher), who has devoted his life to tracking Trilby in hopes of winning her back, is there to witness her end. Thanks to Barrymore, and some good support from character actors like Luis Alberni, who plays Svengali's assistant with the improbable name Gecko, Svengali is never unwatchable, and it mostly avoids the antisemitic notes that many have observed in the character, who is said to have mysterious origins, perhaps in Poland, in the novel and its adaptations.

[thelovelybitten]

vera's first watch of south park - season one

okay since stendy has taken over my life, I wanted to watch all 26 seasons of south park just for fun (and get more depth on the characters), so here's a little blurb on how season 1 went.

EPISODE 1:

oh my god the first episode is the fucking anal probe... the one clip I saw on tiktok disturbed me a little but that's the vulgarity of it all

KICK THE BABY

YOU'RE TELLING ME SINCE THE FIRST EPISODE STENDY WAS MENTIONED ?!?!?@?#??#! THE LITTLE LOVEY DOVEY STAN IS IN THE FIRST EPISODE ?????? DECEASED

STAN THROWS UP WHEN HE SEES HER WHAT this is new knowledge to ME it's so gross yet so cute LMAO

wendy giving him the note and the meeting at the pond... KYLE WAS IN HIS ANGRY ARC

my trio doing the damn thing stendyle FOREVER !!

"when do I get to make sweet love?" STAN RELAXXXX

kyle popping the FUCK OFF at the aliens as he should

I'm crying at stendy he vomits on her and her immediate reaction is "LOOK, A FRENCH FRY?" please they are so CUTE

EPISODE 2:

OH WAIT I KNOW THIS ONE IT'S THE EPISODE WHERE WENDY AND CARTMAN FIGHT FOR THE WINNER OF THE PAPER WRITING CONTEST

it's the way I know exactly what kenny is talking abt PLEASE

"hey, stop defending your little girlfriend for writing about some stupid fish" SO THEY'RE DATING NOW??????? stendy has been canon since the beginning?!@?!?#?$ HOW ARE THEY NOT POPULAR IN THE FANDOM

STAN DEFENDING WENDY <3

CLYDE AND BEBE OMG THEY ARE SO CUTE GSJSKBKG

uhm... i don't know how to feel abt this racist stuff, wouldn't fly in this modern-day timeline it's uncomfortable to watch tbh. Will have to get used to it

miss wendy GIRL DON'T GET CAUGHT

omg the TikTok MEME THAT MADE ME FALL IN LOVE W THEM GDNGKJNSNGJKGNKNK

the quote for my otp tag: I can't do it alone

stan in his simp era as HE SHOULD

stan and wendy in their duo arc they slayed

DOES KENNY GET KILLED IN EVERY EPISODE ???? that makes me sad

EPISODE 3:

it's stan being soft with animals for me <3 he's so SWEET my fave boy

kenny chugging gasoline???? my unhinged son

kenny popping AWF killing things

stan wanting to be a man like kenny BABY BOY YOU ARE PERFECT THE WAY YOU ARE SBGKJBS

so they do kill kenny in every episode.... weird dunk

chef making me CRINGE PLEASE

stan killing Scuzzlebutt iconic

EPISODE 4:

SPARKY is STAN'S DOG SJNKGSKNSK SO CUTE

wait is this is where the hc of stan being the high school quarterback comes from ??? so iconic

omg INFLATE STAN'S EGO PLEASE very king shit of him

as a bisexual... this is a little much :l

sensitive but i'll get over it

kyle filling for stan so style of them

why are Y'ALL KILLIN KENNY I hate it here

stan slowly becoming an ALLY

stan carrying the show as he fucking should that's my mf son right there

EPISODE 5:

not STAN GETTING BEAT BY SHELLY??? Is that her name??? Idk his big sister i don’t want a HAIR on his head touched

Kyle baby boy i love you but WHERE THE FUCK DID U GET AN ELEPHANT

Oh so Kyle’s the smartest kid at school ugh i love my brainiac son u EAT THESE BITCHES upppppp

Mr. Garrison common L

Shelly is AWFUL OMG

I love how stan gets launched and Kyle is just. Hey bestie we going to do this shit u better come

Cartman & fluffy is very wholesome (very rare that i like cartman, don’t count on it)

DON’T POKE STAN

Oh y’all be cloning stan ihy

Oh my god u can’t be serious is this actually gonna happen SKBSBGJS

Elton John ate

Mutant!Stan is a freak of nature :/

WHEN KENNY WENT IN THE MICROWAVE I WHEEZED HE’S SO CUTE LMAOO

Shelly redeemed herself for half a second and now she’s back on my hit list of “characters i cannot trust with Stanley Marsh”

EPISODE 6:

Oh lord we in for a wild one aren’t we

Not Stan’s grandpa wanting to unalive :(

KYLE AND IKE MY FAVOURITE SILBLINGSSSSS they’re so cute watching tv

I'm w kyle's mom on this, TF is terrance & Philip it's LAME

kyle's mom snitching kinda iconic tho

KENNY NOT THE EXPLOSIVE DIARRHEA pls

EYE. STAN pls not this question

KYLE DON'T FEED THIS IDEA NGJKSNGSLGD

EPISODE 7:

kenny in his zombie era

OMG STAN AS RAGGEDY ANNE OMG

omg wendy as chewbacca

not wendy roasting stan pls they're chaotic

common cartman L with his costume

kenny falling to pieces fdsjngnsdkgjks

kyle being the solar system HOW WHOLESOME

wenSLAY AS THE WINNER AS SHE SHOULD

NOT THEM ALL SHAMING STAN

stendy's first fight :((((((((

CLYDE DON'T EAT BEBE

stan eating cartman up that's my fucking son

wendy being a good samaritan

shit stendy fight part two

NO WENDY GETS ZOMBIEFIED FJNDKJNFSDKNSK

is this a reference to the triple K ??? wtf this is fucked

chef W this ep pls kick cartman's ass

candy >>>>> everything else

period Michael Jackson ref

NO DON'T KILL WENDY STANLEY FUCKING DON'T YOU LOVE HER

"don't worry babe, everything is gonna be okay" KILL ME SJKBGJBKGSBK THEY ARE SO CUTE

stan this does not excuse u for wanting wendy to die tho... not proud of u

EPISODE 8:

omg I saw a bit of this on tiktok too

tHE AMOUNT OF CHESSY POOFS RELAX

kyle smelling kenny jbwejgbjkgbjkg please

wendy <3 my angel baby cake eat cartman up

the fuck did I just watch... whack ass turkeys

starvin' marvin ??? tf

'bad starvin' marvin THAT'S A BAD STARVIN' MARVIN'

OMG NOT THEM GRABBING CARTMAN DSBSDGBKJGDSBDSBK so slay marvin so slay

cartman finding the motherload of snacks alr I'll give the W

kenny doesn't deserve this shit save my mf son

EPISODE 9:

omg is this a CHRISTMAS SPECIAL?!?!??!?! OMG SO CUTE

stan IN HIS NARRATOR ARC

WENDY AS VIRGIN MARY BNJFJKFDNJDNJ I'M DEAD

KYLE DOING THE DAMN THING

KENNY THE ANGEL <33333333

omg stan and wendy catching snowflakes on their tongues :')))))) that's wholesome as FUCK

kyle's musical number !!!!!! where's the album sir ??? the vocals are FIRE

NO NOT IKE ON FIRE

MR.HANKEY IS A PIECE OF LITERAL SHIT....

CARTMAN FINDING A VIBRATOR... PLS

this is where ‘Kyle’s mom’s a bitch’ originates ?? not gonna lie cartman ate that tbh

MR MACKEY <3 m’kay man reigns supreme

not y’all setting up Kenny :/

oh he’s okay thank god

KENNY SPINNING AT THE BEGINNING OF THE PLAY DFNJNJDVFKVDJFKNKNJ HE IS BABIE

stendy in three frames it must be so

something…feels…unfinished…. Y’all rly gonna kill my son before the end of the episode FUCK YALL FR

I manifested Kenny not dying period

EPISODE 10:

it’s cartman’s bday ok this is gonna be FUCKING WHACK

Damien a spawn of Satan fr

Kenny the platypus ! <3

not satan being real :/

Mr mackey slayage AGAIN <3

common cartman L DON'T TOUCH MY SON KYLE JSJKGKJBKJSG

EPISODE 11:

god my throat hurts so bad KMS

STENDY INTERACTION I'M WINNING

wendy being wholesome and cartman being an ass... weird dunk

stan at least being supportive

OMG WAIT THIS IS THE EP WHERE WENDY IS IN HER PSYCHO ERA BC STAN IS A SIMP :'(

omg the main four are in their simp era

NOT STAN PUKING THE BETRAYAL

wendy :((((( stan is DELUSIONAL DW DW

stanley u SHUT UR DAMN MOUTH

wendy being sad is NOT MY FAVE

I love wendy in her jealous era flame this bitch

NO NOT THE STENDY FLASHBACKS GDJBBJKHDGBJKGDBJKDHBJK KMS

wait they are all of him vomiting LMAOOOOO

Wendy crying is my weakness

GOD DAMN IT i knew SHE WOULD ASK STAN TO DO SOMETHING FOR HER FUCKING BITCHHHH

“DON’T FUCK WITH ME.” WENSLAY AS USUAL. When is she not an icon

Gives miss Ellen a dead animal i love her so much

Jesus Stan being an idiot >:( i love my son but he’s stupid

OMG WENDY IS SO TRUE FOR HER

WAIT MISS ELLEN IS A LESBIAN OKAY A SLAY

Stan…. Ur not a lesbian pls

The BIRKENSTOCKS NDFSNKSFK

Mr.garrison got RIZZ

Bebe & Wendy my fave duo they besties for the resties

WENDY IN HER SANDRA DEE ARC I REPEAT WENDY IS IN HER SANDRA DEE ARC

I am obsessed w this omg

NO NOT MISS ELLEN COMING IN THE SAME OUTFIT this is CRUEL

Bro miss Ellen on my hit list she rizzing up my son and ruining my ship FUCK AWF

Um ???? WE JUST NOT GONNA TALK ABT WENDY’S GMA UNALIVING???? SO TRAUMATIZING FOR LIL WENDY

NO WENDY DON’T GIVE UPPPP

Wendy STOP IT I’M SOBBING i love how selfless she is but it’s also a con

???? NOT THE IRAQI AFTER MISS ELLEN

Stendy reigns again period

WENDY AND BEBE SLAYED

Aw my psycho children i love them <3

EPISODE 12:

KYLE GETTING THE CLOUT as he should <3

Barbra get ur hands off Kyle and don’t yell at stan >:(

Not cartman breaking into kyle’s house ur weird

Lol them just hanging there… weird

The Japanese i love it

Barbra destroying the town ew

Literally wtf is this ep

I’m very lost

Ike AT THE END FDDJJCNDJDJ

EPISODE 13?:

CARTMAN’S TEA PARTY ok this is wholesome

Cartman just wants to know who his dad is aw :’( big relate

My fave kids putting their video of cartman on AFV sjdsncdj

GO KART KENNY :’(

WAIT ONLY THIRTEEN EPS? WERK IG

I made it boys woo thanks for reading this far have a cookie

[whatdoesshedotothem]

1836 Oct[obe]r Sat[urday] 29

8 1/4

12 3/4

V

V

N

V

V

No kiss H[a]d Mr. Husb[an]d at 9 for 1/2 h[ou]r then Mosey ab[ou]t a new cart and tak[in]g 2 of my old carts - told

Mr. H- [Husband] to settle ab[ou]t it - (Mr. Husb[an]d ca[me] ab[ou]t Ja[me]s Nelsons’ hav[in]g h[a]d a 2[n]d summons

for leav[in]g st[one] for water Lane mill chim[ne]y in the r[oa]d – p[ai]d 20/. fine last Sat[urday] - Mr. H- [Husband] want[e]d A- [Ann] to

pay for h[i]m this ti[me]) – F[ahrenheit] 40° at 9 1/2 and the sun shin[in]g - the gr[ou]nd cov[ere]d w[i]th snow

last night on our gett[in]g int[o] bed and cov[ere]d thick[l]y this morn[in]g - 1st snow s[in]ce last wint[e]r –

out a few min[ute]s - no workmen here b[u]t Ingh[a]m who took the slate off the old brewh[ou]se – br[eak]f[a]st at 10 5/.. to 10 40/.. A- [Ann] r[ea]d Fr[en]ch whi[le] I br[eak]f[a]st[e]d – af[te]r br[eak]f[a]st a long whi[le] in the hall

mus[in]g and consid[erin]g ab[ou]t the roof, and how to do it etc and mak[in]g out in my own mind the orig[ina]l plan

of the h[ou]se - then a few min[ute]s in the barn - Booth (David) h[a]d call[e]d en passant - no mason

here exc[ept] Amos at the Lodge prepar[in]g the rabbit[in]g for hang[in]g the out-door - In the barn when

Mr. Wilkins[o]n ca[me] ab[ou]t 11 50/.. as surrogate to prove my a[un]t’s will – expl[aine]d - swore her

personalty und[e]r £20 – p[ai]d Mr. W- [Wilkinson] (who st[ai]d ab[ou]t 20 min[ute]s) £1.15.0 his charge + 4/2

ov[e]r = 2 sov[erei]gns – ver[y] bil[iou]s for the last day or 2, and partic[ularl]y so this morn[in]g – ga[ve] Mr. W- [Wilkinson] a

wrong date of my a[un]t’s death the 3[r]d inst[ea]d of the 3[r]d inst[ant] - and wr[ote] therefo[re] as foll[ow]s to go by Geo[rge] the

gr[oo]m this aft[ernoo]n -‘Shibd[e]n hall. Sat[urday] 29 Oct[obe]r 1836 ‘Sir - I casually ment[ione]d to you this morn[in]g

‘my hav[in]g a bil[iou]s headache, and I trust this will be my excuse for hav[in]g told you that my a[un]t di[e]d

‘on Mon[day] the 3[r]d ins[tea]d of on Mon[day] the 10th inst[ant] - Miss Walker begs her comp[limen]ts w[i]th my own to the Miss

Wilkinsons - I am sir, very truly yours, A. Lister’ ‘The rev[eren]d Rob[er]t Wilkins[o]n Heath’ - then h[a]d

Mr. Jubb 1/2 h[ou]r till 2 - A- [Ann] pret[ty] well, d[i]d n[o]t, as I expect[e]d, get a bad cold cold by her

thorough starv[in]g yest[erday] at Shugden head – w[e]nt to see ab[ou]t the st[one] there – fr[om] 2 to 6 h[a]d one

or oth[e]r - my pay day – p[ai]d Ingh[a]m for Hilltop fence wall[in]g and for work here at the

dry wall arch[in]g up to last night inclus[ive] – Settl[e]d w[i]th John Booth - then h[a]d Jos[e]ph Mann

and bef[ore] I h[a]d done w[i]th h[i]m (ab[ou]t 3 1/2) Mr. Lister the appraiser ca[me] – shew[e]d him my a[un]ts’

clothes – expl[aine]d – s[ai]d I h[a]d sworn her personalty und[e]r £20 s[ai]d that I h[a]d f[ou]nd in h[e]r purse

on[l]y 3 1/2 sov[erei]gns and 6/6. - then ord[ere]d Mr. Lister warm spic[e]d beer, and to be shewn int[o] the h[ou]sekeeper’s

r[oo]m, and w[e]nt b[a]ck to Jos[e]ph Mann - Long talk ab[ou]t the coll[ier]y – ab[ou]t 300 l[oa]ds of coal up at Walker

pit – ord[ere]d 100 l[oa]ds to be sold and the rest kept for the h[ou]se - Mr. Rawson h[a]s rais[e]d his coal to 1/. p[e]r

l[oa]d and gi[ve]s 5/6 p[e]r l[oa]ds score for gett[in]g and h[a]s giv[e]n his men 25/. a piece and hir[e]d for 6 or 12 m[on]ths at

5/6 p[e]r score - the Long goit thro’ the Ing terrib[l]y rotten stuff to dri[ve] thro’ - may be up at

Mytholm bridge in 6 w[ee]ks fr[om] this ti[me] - 180 y[ar]ds fr[om] Listerwick Engine pit to List[er]w[i]ck coal

pit - to bot[tom] the Engine pit, and dri[ve] the 180 y[ar]ds and bot[tom] List[er]w[i]ck pit will ta[ke] till next June –

the engine p[i]t will n[o]t be bottom[e]d till the end of Ap[ril] or int[o] May –

Jos[e]ph Mann h[a]s bor[e]d 6ft. 6in. in Lit[tle] marsh quarry hole that he h[a]s just sunk (an oblong

hole) - and bef[ore] boring h[a]d sunk 12ft. 6in. deep - 12.6. + 6.6 =19ft. deep of throw[in]g out and

boring and in this depth are the foll[owin]g strata –

 pr[ove]d my a[un]ts’ will

 val[ue] of my a[un]ts’ person[alt]y

 Lit[tle] marsh st[one]

  253

1836

Oct[obe]r

+

L

Lit[tle] marsh quarry hole.

                                                                 thickness

                                                                  ft. in.

no. 1 soil                                                     0.6

. 2 worse d[itt]o                                            0.6

. 3 skegs                                                       3.0 + 1 ft. of this ver[y] decent slate.

. 4 good riving st[one] flags etc.                  5.0 +

. 5 mare and ackerspire                                3.0 varies; thick[r]r and thinner; will av[era]ge 4ft.

+ 6 good riv[in]g st[one] strong[e]r than no.

4 b[u]t in water.                                            3.0  strong[e]r i.e. thick[e]r lifts; mo[re] ashler-like, b[u]t like[l]y to rive pret[ty] well

                                                                      call[e]d the wat[e]r lift. a thin shelly part[in]g bet[ween] the 1st f[oo]t and the 2 oth[e]r f[oo]t of this lift.

7 stone qual[it]y unknown                           0.11

8 some kind of soft stuff                              2.6

9 some k[i]nd of stone                                  0.6? bored int[o] it 6in.? JM- [Joseph Mann] s[ai]d a few in[ch]

+ Beg[a]n boring aft[e]r the 1st f[oo]t of no. 6 .:.

bored 2.0

0.11

2.6

0.6?

5. 11

but J. Mann tells me he h[a]s bored 6ft. 6in.

told him to level, and see wh[a]t fall we h[a]d and if the wat[e]r c[oul]d be tak[e]n

off no. 6 in a drift to pay for the exp[ense] – to see to wh[a]t gr[ea]t[e]st depth the wat[e]r c[oul]d be g[o]t off.

                       ft. in.

Stone no. 3        1.0

. 4.                     5.0

. 6                      3.0

good stone =      9.0

Told Jos[e]ph to get a hole or one hole at each extrem[it]y of the st[one] put d[o]wn for A- [Ann] at

Shugden head as soon as he c[oul]d - told h[i]m to th[in]k ab[ou]t an arrangem[en]t ab[ou]t Whiskum r[oa]d

he s[ai]d he w[ou]ld ta[ke] it and keep it in repair (aft[e]r being put in repair) - and keep a regul[a]r acc[oun]t

of the toll tak[e]n for 6 m[on]ths or 12 m[on]ths w[hi]chev[e]r I lik[e]d - I s[ai]d eith[e]r w[oul]d do - we shall see at

the end of one of these terms wh[a]t the r[oa]d costs and wh[a]t it pays and then settle so[me]th[in]g –

aft[e]r Jos[e]ph Mann, h[a]d Rob[er]t Mann and Mark Hepw[or]th and settl[e]d w[i]th b[o]th and then h[a]d Mr. Husb[an]d

till aft[e]r 6 - the magist[ra]tes fined Ja[me]s Nelson 31/. + costs =40/. this morn[in]g (vid[e] line 2 of this

morn[in]g) – ga[ve] Mr. H- [Husband] 2 sov[erei]gns for JN- [James Nelson] b[u]t to tell him that he m[u]st pay for hims[elf] in fut[ure] –

Mosey agreed w[i]th Mr. Husb[an]d this morn[in]g to ma[ke] a capit[a]l new br[oa]d wheel[e]d cart for £25

and to ta[ke] my 2 old carts for £5 .:. I shall as it were get my new cart for £20 – din[ner] at 7 –

coff[ee] upst[ai]rs – h[a]d Geo[rge] up to find fault ab[ou]t his n[o]t com[in]g b[a]ck this ev[enin]g till aft[e]r 7 the note being

giv[e]n to h[i]m at 3 1/2 p.m. – s[ai]d he d[i]d n[o]t get off till 5 - A- [Ann] g[o]t Robertson’s Life of Ch[arle]s V

[cuarto] fr[om] the lib[rar]y tonight - we sat look[in]g int[o] it - or rath[e]r she r[ea]d me 10 or 12 p[ages] of the

Introd[uctio]n – fr[om] 10 1/2 to 11 5/.. wr[ote] all the ab[ov]e of today - Ingham +...... d[i]d n[o]t work

in the aft[ernoo]n - too wintery - fine (overhead) in the morn[in]g till bet[ween] 12 and 1 – aft[er]w[ar]ds snowy

and wintery - deep snow on the gr[ou]nd - no do[in]g anyth[in]g out of doors – F[ahrenheit] 33° now at 11 5/.. p.m.

and fair and starlight – Lett[er] tonight 1 p[age] fr[om] Mr. Lister 11 Stockwell common - in ans[we]r to

my let[ter] on the d[ea]th of my a[un]t – condol[en]ce and thanks for my hav[in]g remitt[e]d the rent to his moth[e]r

at midsumm[e]r

 Whiskum r[oa]d

agreem[en]t w[i]th JM. [Joseph Mann]

 new cart Nelson’s fine

[lonexstars]

R E M U S   J.  L U P I N about;; 

BASICS.

Name: remus john smith Nickname: moony, moons, wolfy, wolf boy, wolf Gender & Pronouns: male he/him Age & DOB: 21 march. 10. Zodiac sign: Pisces  Orientation: pansexual Nationality: welsh Ethnicity: white Religion: n/a Neuroses: n/a

HISTORY.

Hometown: cardigan, wales Father: lyall lupin Mother: Hope Howell Siblings, if any: n/a Extended family: n/a Educational background: hogwarts, oxford

PERSONALITY.

MBTI: INTJ Enneagram: peacemaker Temperament: melancholic Hogwarts House: gryffindor Inspirations/Parallels: rory gilmore, peter parker, jo marsh, 

[twins2994]

Royals Shutout Twins.

Twins 0 Royals 5 W-Ragans (11-9) L-Matthews (1-3)

The Minnesota Twins have not been playing good baseball lately. They have still held a Wildcard spot going down the stretch and a big series with the Royals started tonight in Kansas City. The Royals got the scoring started in the third inning when Kyle Isbel drew a one-out walk. Tommy Pham doubled him home and the Royals took a one-run lead after three innings of play. Kansas City got back to work in the fourth as Michael Massey smacked a Zebby Matthews fastball out to right for a solo homer. This doubled the KC lead to two. The Royals kept adding on in the fifth when Tommy Pham reached on an infield single. MJ Melendez singled to right and Hunter Renfroe knocked in a pair with a single to right. This extended the Kansas City lead to four after five innings of play. Meanwhile, Cole Ragans tossed six shutout innings and the Royals bullpen did the rest. Jams McArthur fanned two in the seventh and Sam Long put up a zero in the eighth. Hunter Renfroe led-off the eighth with a single and a wild pitch moved up pinch-runner Dairon Blanco. With one out, Yuli Gurriel hit a sac fly to left. The Royals lead grew to five and John Schreiber had a 1-2-3- ninth. Kansas City took the first game of a big series.

-Final Thoughts- Zebby Matthews tried to do his best, but got hit hard at times. He went five innings and allowed four runs on nine hits with a walk and four strikeouts. Ronny Henriquez threw two perfect innings and Caleb Thielbar gave up a run in the ninth. The Twins scattered four hits and went 0-for-1 with runners in scoring position. They left four men on base. The Royals have now taken over the second wildcard spot by a half game. The Twins are 4.5 games ahead of the Mariners for the final playoff spot. Tomorrow, Bailey Ober faces Alec Marsh in Game 2.

-Chris Kreibich-

[mghiggins]

Night Club Musical Act 105: Beat Serum

djbigdirty.com   

1.  [00:00] Intro

2. [00:36] Yotto- Heartbeat {Odd One Out}

3. [04:33] Marsh- Floodlights {Anjunadeep}

4. [07:34] Kream- So Hï {Musical Freedom}

5. [11:02] Camelphat- In Your Eyes (Øostli Remix) {The Nations}

6. [14:47] Argy, Baset- Sierra {Cercle}

7. [18:20] Loco & Jam x Fred Again- Breathe Again (KREAM MASHUP) {White}

8. [21:50] Freak E Beatz, LK, Anouk Leijenaar- High on Love {A Tribute To Life}

9. [25:28] The xx, John Summit & HAYLA, Simon Doty, Tailor, My Friend, Fatboy Slim- Right Here Right Now is Where You Find Me (Mashup) {White}

10. [28:44] Gotye- Somebody I Used To Know (Sidepiece Treat) {White}

11. [32:14] Ginchy, Desyfer, Emma Konnanov- Falling Around Me {ERRORR}

12. [36:03] Bound (AUS), Can Durmas- Over Now {widerworks}

13. [38:20] David Guetta, Kim Petras- The Logical Song (Seth Hills Remix) {Warner}

14. [42:10] Ferry Corsten, 22Bullets feat Couche- Belong To You {Flashover}

15. [45:38] KASIA, Q.U.A.K.E, Vincenzo Sarti- Introspection {Astral}

16. [49:35] Scalla- Want You {Sounds of Meow}

17. [52:52] Digital Drift- Nebula {Sony}

18. [56:38] Ønawa- Pulse of Life {Purified}

19. [01:00:11] Torren Foot feat Tinie Tempah & L Devine- More Life (John Summit Remix) {Parlophone}

20. [01:04:14] SZA- Shirt (KREAM Remix) {White}

21. [01:07:48] Hawie- No Control {Copyright Control}

22. [01:12:37] Gorgon City- Are You Feeling It Too? {Universal}

23. [01:17:45] UUFO feat 88Birds- Carry Me Away (Progressive Mix) {Flashover}

Check out this episode of dj bigdirty's night club musical

[ulkaralakbarova]

Rose Morgan, who still lives with her mother, is a professor of Romantic Literature who desperately longs for passion in her life. Gregory Larkin, a mathematics professor, has been burned by passionate relationships and longs for a sexless union based on friendship and respect. Credits: TheMovieDb. Film Cast: Rose Morgan: Barbra Streisand Gregory Larkin: Jeff Bridges Hannah Morgan: Lauren Bacall Henry Fine: George Segal Claire: Mimi Rogers Alex: Pierce Brosnan Doris: Brenda Vaccaro Barry: Austin Pendleton Candy: Elle Macpherson First Girl Student: Ali Marsh Sara Myers: Leslie Stefanson Female Professor: Taina Elg Felicia: Lucy Avery Brooks Felicia (Video): Amber Smith Claire’s Masseur: David Kinzie Rabbi: Howard S. Herman Reverend: Thomas Hartman Trevor: Trevor Ristow Mike (Student): Brian Schwary Randy (Student): Randy Pearlstein Stacie (Student): Stacie Sumter Taxi Stealer: Cindy Guyer Taxi Driver: Thomas Saccio Waiter: Andrew Parks Jimmy the Waiter: Jimmy Baio Henry’s First Date: Emma Fann Henry’s Second Date: Laura Bailey Justice of the Peace: Mike Hodge Gloria: Anne O’Sullivan Female Student: Sandi Schroeder Female Student: Kiyoko M. Hairston Male Student: Ben Weber Male Student: Christopher Keyes Female Aerobic Instructor: Lisa Wheeler Male Aerobic Instructor: Kirk Moore Make-Up Artist: Regina Viotto Hair Colorist: Paul LaBreque Waiter: Rudy Ruggiero Mr. Jenkins: William Cain Doorman: Adam LeFevre Irate Woman: JoAn Mollison Opera Man: Carlo Scibelli Male Student: Eli Roth Girl in Commercial (uncredited): Milla Jovovich Film Crew: Theme Song Performance: Barbra Streisand Screenplay: Richard LaGravenese Casting: Todd M. Thaler Production Design: Tom H. John Executive Producer: Cis Corman Casting: Bonnie Finnegan Editor: Jeff Werner Original Music Composer: Marvin Hamlisch Director of Photography: Dante Spinotti Costume Design: Theoni V. Aldredge Original Story: Gérard Oury Co-Executive Producer: Ronald L. Schwary Location Manager: Declan Baldwin First Assistant Director: Amy Sayres Director of Photography: Andrzej Bartkowiak Producer: Arnon Milchan Production Accountant: Tamara Bally Original Story: André Cayatte Hairstylist: Susan Germaine Makeup Artist: Randy Houston Mercer Chief Lighting Technician: William Ward Rigging Gaffer: James Malone Production Coordinator: Lori Johnson Camera Operator: Dick Mingalone Casting Assistant: Gayle Keller Sound Editor: Mark Larry Sound Editor: Steven Ticknor Sound Editor: John M. Colwell Assistant Costume Designer: Kevin Brainerd Actor’s Assistant: Renata Buser Sound Editor: Chuck Neely Unit Production Manager: Tony Mark Steadicam Operator: Gregory Lundsgaard Makeup Artist: Edouard F. Henriques Production Supervisor: Ray Quinlan Camera Operator: Patrick Capone Theme Song Performance: Bryan Adams Set Decoration: Alan Hicks Supervising Sound Editor: Charles L. Campbell Assistant Sound Editor: Jerry Edemann Assistant Editor: Marilyn Madderom Stunt Coordinator: Vince Deadrick Jr. Art Direction: Teresa Carriker-Thayer Script Supervisor: Karen Kelsall Production Sound Mixer: Tom Nelson Craft Service: Roger Poirier Supervising ADR Editor: Gail Clark Burch Assistant Property Master: Travis Wright Second Unit Director of Photography: Richard Quinlan Orchestrator: Jack Hayes Unit Publicist: Stanley Brossette Property Master: Thomas Saccio Transportation Co-Captain: Dennis Radesky Assistant Sound Editor: Keith Edemann Additional Editing: Alan Heim Foley: Alicia Stevenson Supervising Music Editor: Charles Martin Inouye Orchestrator: Torrie Zito Boom Operator: Daniel Rosenblum ADR Editor: Laura Graham Chief Lighting Technician: Jay Fortune Rigging Grip: Matthew Miller Sound Re-Recording Mixer: Kevin O’Connell Sound Editor: Ronald Eng Sound Editor: Harry Cheney Sound Editor: Richard C. Franklin Hairstylist: John Quaglia Sound Editor: Leonard T. Geschke Scenic Artist: Leslie Salter Camera Operator: Gary Jay First Assistant Camera: Steve Adcock Sound Editor: John H. Arrufat Foley: Marko Costanzo Still Photographer: David James Music Supervisor: Jay Landers Assistant Sound E...