honestly, im not too upset about the inquisition worldstate set up in veilguard. it makes sense that who rules orlais and who is the divine is probably irrelevant to the events of the game (even if the inquistion hasn't been disbanded because i doubt any divine victoria wouldn't just let the inquisitor handle the solas situation). it also makes sense that hawke's fate doesn't matter: they're either in kirkwall or dead (and it's been 10 years, varric wouldn't be deep in the throes of grief anymore). also worth noting that a lot of the update quality of setting up choices got addressed during trespasser (like the fate of the chargers) or its epilogue. i even get why kieran isn't relevant in datv: he's an adult now and is his own person doing his own thing. and morrigan is hardly one to be open about her personal life, so why would she mention him? if he hadn't been a child at the time, he wouldn't have been in skyhold either i bet.
all that said, i wonder how the fate of the southern wardens will be addressed in non specifics considering we go to weisshaupt, but, then again, the wardens seem a bit too busy to get into internal politics or the tension with the southern wardens.
what im really bummed about though is that the well of sorrows wont figure at all...especially after all the fretting i did over it lol. but i suppose that solas wouldn't use the power of the well against the inquisitor without irreversibly betraying himself. still, though, that it's not gonna be relevant at all is disappointing.
i also thought whether the inquisitor had high or low approval with solas would be relevant to set the tone of the inquisitor's involvement (in a way that vowing to stop or save him doesnt fully cover). only way i can figure squaring that out without making everyone mad is for the inquisitor to have a dialogue wheel themselves, which seems more complicated than a worldstate choice, so idk. i could see the inquisitor being diplomatic and polite in public and then having a dialogue wheel in a private confrontation with solas, however, which could work.
guess we shall see :/
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In sally and poppy's character page it says "Sally and Poppy are often depicted together and, according to recovered material, could potentially be best friends."
and to that i say, best friends my ASS!!
those are lesbians right there
oooo i actually talked about this in the update stream when i was reading the updated bios! to restate!
a common Cover for lesbians used to be "best friends". why are those two women living together? why they're best friends, so why not! why do these women spend all their time together? they're best friends! why are those women so physically affectionate - well! they're best friends! an excuse that would never fly with gay men is perfect for lesbians.
and you still see this in recent years! remember all of the posts making fun of facebook moms / grandparents seeing photos of lesbians and going "well they seem like a lovely pair of Best Friends!" this still happens! i'm sure there are people today seeing lesbians and thinking that they're best friends. the amount of times i've pointed out to my own parents "they're gay" and gotten surprise and sometimes even denial is response because they genuinely thought these blatantly gay people were only friends
to me and my current knowledge, this addition to Poppy & Sally's bios is evidence worth considering with this context. a tally in the "canon Popstar?" box!
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I love Solas, and I love Solavellan, because I find the character and story so compelling, but sometimes I feel like a fake Solavellan
to me Ixchel and Solas has kind of always been about two friends who both suffer from the same affliction and they are the only two people who can ever understand it, the affliction being outside (duty, responsibility, guilt) and inside (inherent fatalism in philosophy, viewing the self as unworthy, haunted by despair) and though
they can't at first forgive themselves or find the strength within them to stay out of their dark spirals, they can do it for the other. and how important that is. that's love. the smooching and everything is on top. the knowing what dark predators haunt the other person's psyche and saying I'll be there with you when the wolves come, we'll survive together. the I know exactly who you are and how ugly it is and I love you for it and I see the beauty still. the I will never get tired of you even if youre never "fixed." that's love right. that's Ixchel and Solas to me.
so like yeah they have been Together for about like 170+ chapters. they're not being tested about being pulled apart by duty or fear anymore, they're testing the strength of that bond in those dark ugly moments that come for us all. and mostly theyre good. mostly they're just on an adventure together.
somehow it feels like I'm a fake Solavellan 🥲 like early dpdf captured something and... getting together, having truths revealed, this *aftermath* is like I left that behind somehow. like it's beyond what Solavellans want. idk. I think about other fics that are post- truth coming out and staying together and they're very different vibes, I think, you know?
I like my action/adventure fic, I like them together, I like having moments where they find that there is still a dark corner they haven't swept out into the light yet and the way it's still scary for someone to want to know those ugly parts of you that they maybe haven't seen yet. I like having them be mostly utterly confident in each others competency. I like them united against the unknown together. but like did everything about them peak in Here Lies the Abyss, you know? or maybe Wycome? I'm so nervous about everything in TBG :'( it's just hard for me RN in my heart idk to feel confident of like. where it Fits into fandom besides "blue loves lore and wants to explore metaphysics with Ixchel (new perspective) and Solas (wise, experienced guide)"
ahhhhhhhhhhhhhh
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fellas that last ted lasso episode. hmm.
listen i'll be real no matter what im gonna be out here gushing abt trent crimm cause he's my special little guy and im obsessed with him, but considering the Literal Paragraphs ive been writing abt all the shit i LIKED about the show, i didn't know how else to process these Less Good emotions than by blurting it all out over like two hours (instead of doing the dishes, lmao).
tldr; s3e2 was such an emotional high point for me, since i really felt like it had something concrete + specific to say about physical violence + social/emotional violence, and how they're BOTH highly valued as masculine ideals. but the episodes since then...
it kind of feels like im watching the result of a long and bloody fight between different writers? writers who, apparently, wanted Very different things from this last season, so now we're getting this. bizarro world mish-mash of two hypothetical shows, where tone + content + themes vary WILDLY and inconsistently from episode to episode - and even scene to scene!
[cw: discussions of sexism + racism, in a doylist context, also s3e5 spoilers]
specifically, i feel really disappointed and hurt that they went that direction with shandy's arc. i understand that we're only half way through the season, and obviously anything could happen between now and then but... really? like, is there some kind of budgeting issue here? we can't afford for there to be more than three (complex, not sexy lamps) women in any given episode? is that why the second jack appears, barbara loses any depth (what happened to that lovely moment of connection with the snow globes????????), and THEN the second SHANDY goes off her head it's. jack time? apparently???? like. this would feel a lot better as a viewer if at this point the show hadn't PRIMED me for jack doing something insanely stupid + cruel for no reason except 'haha Keeley Bad At Her Job'.
like. the first thing we see of shandy fine is her pride in keeley, and genuine appreciation of her hard work and skill. she's CLEARLY not stupid, otherwise why would the rest of her introductory scene be her helping keeley out with filmmaking advice (the extras thing) AND random, life experience shit (knowing how to deal with goat shit)?? she knows her way around a set, and she doesn't make any of the footballers feel judged, even when she's clearly thrown by the clips they're providing her.
so why in the space of like, barely a few weeks, does ALL of that get thrown out the window? 'condoms for balls'??? why are we supposed to just take for granted that she's stupid + overly ambitious (other than the Fucking Obvious!) when the show put NO effort into actually setting that up???? like, if her first scene was her monstrously fucking UP the shoot for keeley, and keeley hired her on pure sympathy then like. sure. whatever. no room for bleeding hearts in business. but that ALSO sucks as a story line for ted lasso, a show that (according to its OWN press releases!) is supposed to be about kindness and human connection and breaking cycles!
it just. it hurts? in a way where its like, i don't believe even a little bit that this was what the writers were aiming for with those scenes, and it frightens me that there could be such a wide gulf between intent and result. especially when bonding about The Shandy Incident is what got keeley and jack together (which i am trying... So hard to feel positive about, because explicitly confirming keeley's bisexuality is amazing, least of all bc it makes her jokes with rebecca feel a lot less mean-spirited on the writers' parts, retroactively)... like how am i supposed to be enjoying their moments together when i feel like the show's whole premise has been betrayed???
and really? the one moment nate gets to feel good in this WHOLE season, it's bc the server at the restaurant who previously could not care if he dropped dead right in front of him showed him some affection + validation?????
like, sure, i GUESS im happy that this random excuse for an arc has lead to a slightly more sympathetic female character existing at least in the PERIPHERY of the show's main storyline, except no im fucking not? i don't care about this fucking restaurant, and even though ive been DESPERATELY trying not to hate jade (even though the writers themselves can't seem to decide if she's Literally Racist or just a depressed service worker) NATE shouldn't care about jade! the ONLY way i can see this being an actually interesting arc for nathan is if its another exploration of his inability to leave behind the things + people that have hurt him, combined with years of conditioning where he's never allowed to express being annoyed/upset at anyone (which richmond!!! contributed to!!!!!! 'if you're mad, count to ten. if that doesn't work, count again'??? cool speedrun tips for resentment ted!). like, an arc where we see that distance away from richmond hasn't helped nate as much as it's removed some of the worst triggers, so a taste of athens ends up in the same awful pit of resentment + loathing as ted did. which nate clearly hates! he doesn't LIKE being that person! he apologised to a PAINTED DOLL of ted!!!! but when he doesn't have the framework or tools or SUPPORT to do anything else...
like. where is his team? obviously im not expecting the show to start being about a bunch of football players that AREN'T from richmond but? even just a small moment of appreciation? or hell! maybe they hate him! if we could see LITERALLY ANYTHING abt the sport which nathan has dedicated his life to, and how his Actual Coaching style is positively or negatively impacted by the lessons he learned at richmond? this is a show ABOUT football!!!!!
i just. a taste of athens? again? a-fucking-gain?????
and honestly, the worst part is that i REALLY liked the little monologue that nate got to give about how important the restaurant was to him! as much as it showed that nate is still just as passionate + earnestly defensive of the things he loves, it ALSO shows that he 1. spends that energy explaining his passion to people who don't deserve it/won't care, and 2. gets attached to things that really fucking hurt him! and like. i am on my hands and KNEES for that to be the 'point' of this arc but at this point i feel like that's me being naive! but if fucking JADE from fucking ATHENS is the civilising white gf who FINALLY talks nate down from him ~ ignorant, vengeful crusade ~ against the absolute ~ matyrs ~ of goodness at afc richmond, i just. like. what are we even DOING here gang?
i don't know. it hurts that sam's gone from being an almost principal character in s2 to only getting passing lines in s3. it hurts that rebecca's off in her own world, talking to strangers, having life-changing revelations on her own, surrounded by sets we're never going to see again, where every scene she DOES get to spend w one of the richmond members feels hasty and rushed, like the episode wants to get a few characters obligatory appearances out of the way asap. it hurts that all the chekov's guns around zava's arc (jamie's resentment, ted's lack of guidance, dani being 'demoted' + colin being benched) were apparently all just blanks, to be hastily plastered over with one big long speech about... ted wanting everyone to have higher self esteem, or something?
and listen, more the fool me if another episode comes out next week that i completely adore, and i spend like five days singing its praises. im mostly writing this so i can go INTO the next ep without feeling resentful + upset! i'll be STOKED if i was wrong and all of those little details ARE actually important, and these arcs have more to them than this! but for now im just sad and annoyed :(
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actually so glad law gets to kill vergo btw. I've been thinking about this for a couple days now since rereading it, but like. op isn't really into having murder as a proper mean of revenge, usually, so it wasn't a given that this would happen, and it wasn't a given that he'd be allowed to not only fight him, but kill him in that sort of way too (both bc he was given freedom to be as creative and brutal about it as he wished, and because avenging himself and cora by killing vergo without landing the finishing blow using the power cora had given his life to find him so that he could cure people AND long-term damaging dof at the same time is just. Chef kiss.). And he kills him before you even know just how much he deserves to do so, which is even cooler imho. vergo gets there and two panels in you can already tell there's some serious past abuse going on even by just the way he and dof speak to and about law, what with harping about how much they always loved him and did for him while at the same time demanding language that puts them above him and treating him like a child trying to get in between adults at age 26, but you don't know exactly how deep that goes until much much later. vergo still gets brutally cut into pieces and stuck to a railing and then blown up, tho, which he deserves but might look like slight overkill at that time - oda has enjoyed keeping up the pretense of law being a ruthless guy for as long as it took him to actually tell the whole of his backstory, so the way he went about vergo was probably part of that, but still. I'm glad he got to have that. There aren't that many characters in op that can say they took revenge with their own two hands in such a direct and final way, and there was no way law was ever going to be the one to defeat doflamingo, so I'm happy he gets to at least have that. also, I'm just glad vergo died like that. that fucking dude. eugh.
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