Every time I revisit chapter 86 and the events right after the group talks Marcille down, I'm always struck by this bit here:
In particular, how similar it is to this:
The Winged Lion ate the same desire in both of them, more or less (I'm sure there are some nuances in both flavor and intent, but they are clearly similar things here). The Lion basically used this technique to kill Thistle, and for Marcille it was... not insignificant, but something she and her friends overcame without even fully realizing it was an obstacle.
I feel like this is another small piece of the story that shows how important support and love are - in navigating mental illness, in dealing with abuse or addiction, or in working through any other similar struggle that can be read into the Lion and his eating of desires.
It almost feels like Marcille was able to borrow the desires of her friends. She loves them and she trusts them, so even when she didn't have a desire to free herself from the Lion, the care they had for her well being still mattered to her.
It's the same thing later, with her hair.
She isn't able to notice the way her messy hair is making things harder, let alone do anything about it. But when Chilchuck points it out and then braids it back for her...
It's better. She likes it, things are easier now. Even though it isn't a desire she can feel for herself, it's not something that doesn't effect her. And because her friends care - because they know her well enough to notice the difference - she is given the chance to have a preference and to ask for their help.
We can obviously see some parallel ideas here with Mithrun and Kabru as well, but I'd also like to point out that Thistle gets this grace, too. Thistle, who had no one to help him up once he lost his will to resist, or to encourage him to find new desires once the Lion ate them all.
Thistle says he doesn't need anything, anymore...
But he is given an apology anyways.
It is not a kindness he desires. It is not a kindness he is able to ask for.
But it is a kindness that helps. It is a kindness that matters.
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"why did I run? I never run." bestie this is the characters running down corridors show
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SDV feels like it could so easily become a fairy story.
You move to a little coastal town where you begin recovering a plot of land, some of the locals take a shine to you and you to them. It's nice, homey. Everyone is welcoming except for the established town grumps.
Suddenly you realize you never leave town. Everything you want is obtainable at the little mom'n'pop general store, or from some of the locals themselves. You never go into the city to sell goods because the mayor does it for you- right? You never really see him do it. You just lie down in bed and wake up in the morning. When was the last time you dreamed?
You need new shoes and the adventurers club sells you handmade leather boots that fit perfectly despite never asking for a shoe size. Your clothes sew themselves when you lay a bolt of fabric and a random item onto the sewing machine- you blink and it's done.
The general store sells fertilizers that turn your garden plot into a verdant field. You spend all day harvesting crops with tools that gleam silver, gold, purple. Saplings grow over a month into fully productive fruit trees, your beehives drop jars of honey into your hands.
The blacksmith cracks open geodes full of polished gemstones. There's a man in the woods who says he found you in the mines but you were 80 levels deep. The elevator works but the minecarts don't. You gave a diamond to a local girl and she ate it like a plum.
And suddenly everyone is drinking mayonnaise.
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God the rogue proposal is going to live in my head rent free for a while. Rogue isn’t a good liar!! He doesn’t lie at all during the episode. Any deception or mystery around him is that he just doesn’t say much, and when he does, he doesn’t give details. That shit was genuine (because everything he does is genuine) and it throws the doctor (guy whose primary hobby is Lying) COMPLETELY off guard I’m going to think about it for a million years
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i haven't watched pearl's episode yet. but there's something to be said about the fact that she knew scar well enough to know that, when it was the two of them, he would have too much pride to accept a sacrifice.
she doesn't want to win, and she tells him at first before she quietly tucks that secret back into its shell after scar's indignant reaction to her first attempt at self-sacrifice. she lets scar forget about it as they kill gem, and then as scar kills pearl. at no point does she try to say here, let me give this to you. she knows scar, but she also knows the pain of an ending like that.
but she misses a few swings, doesn't she? her legs don't move as quickly to duck away from his arrows. and isn't that familiar? isn't that something like a cactus ring, with two unrelenting fists and two half-hearted ones: a fight with two unwilling participants, a fight that was over before it ever really began at the insistence of one of its patrons
pearl is all too familiar with the sting of sacrifice, but then on the other side of things... scar knows all too well the tragedy of gifted victory, doesn't he?
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