#Mathematical Instrument

[historysurvivalguide]

A Silver Microscope made for a King

A beautiful microscope made in the 1700s by the master mathematical instrument maker George Adams. It is made from a combination of brass, ebony, glass, tin, steel and (most prominently) silver!

The microscope is thought to have been made for the Prince of Wales, later George IV; it was presented to the Science Museum in 1949 by George VI. A similar example held by the Museum of the History of Science, Oxford is supposed to have been made for George III

George Adams was appointed mathematical instrument maker to the Prince of Wales (later George III) around 1756 and his family firm was one of the most prominent of those at work in London during the 1700s.

To view in 3D on the Science Museum website!

Science Museum Group. Silver microscope by George Adams, c. 1761.. 1949-116Science Museum Group Collection Online

[flebus]

feeling out a Lord Hyness gijinka at work today

[soft-serve-soymilk]

Inigo loves Archie so much it kills him inside :’)

[hezigler]

Watch "The Mathematical Problem with Music, and How to Solve It" on YouTube

[i-am-in-agonizing-pain]

the calculator when i forget a parenthesis

[wrioluvr]

dr ratio x top male reader

this idea came to me in a dream..... dr ratio it seems i've grown quite fond of you. nsfw, gets wholesome at the end

"see, dear, if you insert your cock in me at exactly 67 degrees to the right, we'll both feel the maximum amount of pleasure." dr ratio says confidently as he precisely adjusts your tip at his entrance to his desired position. "are... are you sure?" you can't help but stare incredulously as he treats your cock like it's a mathematical instrument. "don't be silly. i'm always right." lying beneath you, he finally finishes calibrating the angle he wants you to fuck him in. "okay. put it in me now!" he declares triumphantly, clearly proud of his own work. you can't help but shake your head fondly at his antics, his dedication to using his intelligence to "optimise" every situation was rather.... silly sometimes. nevertheless, you push into him slowly, enjoying the sound of him trying the stifle his moan at the feeling of your cock stretching his tight walls. "s-see. i told you so- mmph." his pride meant he'd completely deny this in front of anyone else, the way you'd fucked him like a whore, thrusting in and out of him at "the optimal speed" (according to him), but in private, you were the only one who he wanted to please. increasing your speed of your thrusts without warning, you can't help but smirk at the way he bucks his hips into you, legs shaking and hole clenching even tighter. "you idiot! i told you to follow the speed-" he starts to protest, but he's quickly quietened by your hand over his mouth as you lean forward and whisper lowly to his ear. "you talk too much, baby." he shudders at your words. "need some....stern teaching?" despite the intimacy of the situation, you have to try not to laugh as you repurpose the conversation you had a few days ago to rile him up. hearing you use his own words to tease him, he glares at you, but can't get any words out as his mind is so focused on being pummelled by your cock. it's so pathetic, he thinks to himself. usually his brain is so busy, endlessly pondering, but now he can't think of anything but the way you're fucking him. "shit...i'm gonna cum..." you breathe out as you hold his hips, almost reaching your limit. "do it in me." he says sharply, his attitude coming back in an instant. you have no choice but to oblige, pumping him full as the both of you climax. the two of you collapse onto the bed, a heap of sweaty bodies and unspoken affections. you lie on his chest as he strokes your hair, trying to catch your breath. "well done. plus 10 points." "what the fuck are you saying??" you laugh as you throw the pillow at him. "nothing... just talking to myself." "weirdo."

︵‿︵‿୨♡୧‿︵‿︵

"you know, you might be an idiot, but you're my idiot." he suddenly says, looking back as you soap his hair in your shared bath, cleaning up from your intense session earlier. his words carry a level of warmth to them despite their bluntness, a warmth he'd never give to anyone else. "stop calling me an idiot." you pout, leaning forward to smack him on the head playfully. "i'm serious! don't worry your pretty head about anything, i can do more than enough thinking for the both of us." you place your arms around him and hug him from the back in a tight embrace, the warm water surrounding you only adding to the romantic atmopshere. "whatever you say, veritas." ♡

omg i based his personality completely off his leaked voicelines and tried to incorporate some of them here hfgdhgd

[nasa]

LaRue Burbank, mathematician and computer, is just one of the many women who were instrumental to NASA missions.

4 Little Known Women Who Made Huge Contributions to NASA

Women have always played a significant role at NASA and its predecessor NACA, although for much of the agency’s history, they received neither the praise nor recognition that their contributions deserved. To celebrate Women’s History Month – and properly highlight some of the little-known women-led accomplishments of NASA’s early history – our archivists gathered the stories of four women whose work was critical to NASA’s success and paved the way for future generations.

LaRue Burbank: One of the Women Who Helped Land a Man on the Moon

LaRue Burbank was a trailblazing mathematician at NASA. Hired in 1954 at Langley Memorial Aeronautical Laboratory (now NASA’s Langley Research Center), she, like many other young women at NACA, the predecessor to NASA, had a bachelor's degree in mathematics. But unlike most, she also had a physics degree. For the next four years, she worked as a "human computer," conducting complex data analyses for engineers using calculators, slide rules, and other instruments. After NASA's founding, she continued this vital work for Project Mercury.

In 1962, she transferred to the newly established Manned Spacecraft Center (now NASA’s Johnson Space Center) in Houston, becoming one of the few female professionals and managers there.  Her expertise in electronics engineering led her to develop critical display systems used by flight controllers in Mission Control to monitor spacecraft during missions. Her work on the Apollo missions was vital to achieving President Kennedy's goal of landing a man on the Moon.

Eilene Galloway: How NASA became… NASA

Eilene Galloway wasn't a NASA employee, but she played a huge role in its very creation. In 1957, after the Soviet Union launched Sputnik, Senator Richard Russell Jr. called on Galloway, an expert on the Atomic Energy Act, to write a report on the U.S. response to the space race. Initially, legislators aimed to essentially re-write the Atomic Energy Act to handle the U.S. space goals. However, Galloway argued that the existing military framework wouldn't suffice – a new agency was needed to oversee both military and civilian aspects of space exploration. This included not just defense, but also meteorology, communications, and international cooperation.

Her work on the National Aeronautics and Space Act ensured NASA had the power to accomplish all these goals, without limitations from the Department of Defense or restrictions on international agreements. Galloway is even to thank for the name "National Aeronautics and Space Administration", as initially NASA was to be called “National Aeronautics and Space Agency” which was deemed to not carry enough weight and status for the wide-ranging role that NASA was to fill.

Barbara Scott: The “Star Trek Nerd” Who Led Our Understanding of the Stars

A self-described "Star Trek nerd," Barbara Scott's passion for space wasn't steered toward engineering by her guidance counselor. But that didn't stop her!  Fueled by her love of math and computer science, she landed at Goddard Spaceflight Center in 1977.  One of the first women working on flight software, Barbara's coding skills became instrumental on missions like the International Ultraviolet Explorer (IUE) and the Thermal Canister Experiment on the Space Shuttle's STS-3.  For the final decade of her impressive career, Scott managed the flight software for the iconic Hubble Space Telescope, a testament to her dedication to space exploration.

Dr. Claire Parkinson: An Early Pioneer in Climate Science Whose Work is Still Saving Lives

Dr. Claire Parkinson's love of math blossomed into a passion for climate science. Inspired by the Moon landing, and the fight for civil rights, she pursued a graduate degree in climatology.  In 1978, her talents landed her at Goddard, where she continued her research on sea ice modeling. But Parkinson's impact goes beyond theory.  She began analyzing satellite data, leading to a groundbreaking discovery: a decline in Arctic sea ice coverage between 1973 and 1987. This critical finding caught the attention of Senator Al Gore, highlighting the urgency of climate change.

Parkinson's leadership extended beyond research.  As Project Scientist for the Aqua satellite, she championed making its data freely available. This real-time information has benefitted countless projects, from wildfire management to weather forecasting, even aiding in monitoring the COVID-19 pandemic. Parkinson's dedication to understanding sea ice patterns and the impact of climate change continues to be a valuable resource for our planet.

Make sure to follow us on Tumblr for your regular dose of space! 

[ningboztleducationalequipment]

Vertical counter (for students, five gears)

Product Number20512Product NameVertical counter (for students, five gears)Subject Categoryprimary MathematicsPackage Size13*6. 5*10.5cmWeight/PC112g1 Box/Piece140Carton Size54*42*42cm1 Box/Weight16. 5kg

[theambitiouswoman]

Hobby Ideas 🎨💻🎵🧁🪴

💰 Hobbies to Make Money:

Freelance Writing

Photography

Graphic Design

Web Development

Online Selling (e.g., Etsy, Amazon, eBay, Shopify)

Blogging

Stock Trading

Real Estate Investing

Affiliate Marketing

Freelance Consulting

💪 Fitness Hobbies:

Running

Yoga

Weightlifting

Cycling

Swimming

Martial Arts

CrossFit

Hiking

Rock Climbing

Dance (e.g., Zumba, Hip-hop)

☀️ Outdoor Hobbies:

Camping

Fishing

Birdwatching

Gardening

Geocaching

Kayaking

Mountain Biking

Backpacking

Stargazing

Horseback Riding

💻 Technology Hobbies:

Programming

Robotics

3D Printing

Virtual Reality (VR) Gaming

Home Automation

Drone Flying

Cybersecurity

App Development

Electronics DIY

PC Building

🎵 Music Hobbies:

Playing an Instrument (e.g., Guitar, Piano)

Singing

DJing

Music Production

Songwriting

Music Recording

Karaoke

Music Theory

Joining a Band or Choir

Vinyl Collecting

📚 Brainy Hobbies:

Chess

Sudoku

Crossword Puzzles

Board Games

Reading

Learning a New Language

Brain Teasers

Logic Puzzles

Math and Mathematical Puzzles

Astronomy

✨ Other Hobbies:

Cooking and Baking

Painting and Drawing

Pottery and Ceramics

Woodworking

Knitting or Crocheting

DIY Home Improvement

Model Building (e.g., model trains, airplanes)

Collecting (e.g., stamps, coins, vintage items)

Volunteer Work

Meditation and Mindfulness

[mydearlybeloathed]

𝐖𝐈𝐋𝐃 𝐓𝐇𝐈𝐍𝐆𝐒 𝐍𝐄𝐕𝐄𝐑 𝐋𝐀𝐒𝐓

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: all his life, zoro had been dragging you away from danger. but sometimes, you just slip through his fingers.

𝐩𝐚𝐢𝐫𝐢𝐧𝐠: roronoa zoro x sister!reader

𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 6.8k

𝐜𝐨𝐧𝐭𝐞𝐧𝐭: swearing, use of Y/N, reader is zoro's sister, fluff before the angst, canon typical violence, death, can be interpreted as both anime and live action zoro, apparently all i do is angst now 🥰

𝐭𝐫𝐚𝐜𝐤𝐥𝐢𝐬𝐭: fine line, instrumental

For as long as Zoro could remember, he’d been the one looking after you. Day and night, he watched your every move, ensuring you didn’t do anything stupid. Doing stupid stuff just happened to your favorite hobby. It was taxing keeping you out of trouble, sure, but Zoro was all you had left, so despite only being a year your elder, he took it upon himself to care for you.

But he was so young, and you were so… unhelpful.

Reckless. Wild. Unthinking. A menace, that’s what you were. Zoro could barely even blink before he was dragging you away from a cliff’s watery edge by your ear. 

“But Zoro!” you whined. 

“But nothing,” he gritted.

You grew more restless by the hour, it seemed, always trying to tug him along on an adventure you swore would be worth his time. Zoro relented most days, if only to keep you alive (Because he’d never admit your adventures were actually fun).

Zoro supposed your habit of wandering off wasn’t so bad. You were the whole reason he’d found the dojo in Shimotsuki Village, after all, having wandered so far you reached another end of the island for him to chase you to. Besides, he was in no place to talk; he got lost just as easily, if not more.

Difficult didn’t do the feeling of trying to keep up with you justice, and it only grew harder the older the pair of you got. 

“Come on, Zoro!” you pleaded, gripping his hand.

“I’m busy,” he muttered, shrugging you off.

He spent his days studying the blade, and you were left to your own devices until an old tutor got her hands on you, teaching you mathematics and literature day in and day out. Every night before bed you complained and complained, whining that you’d much rather be running around the pastures or, better yet, training with Zoro.

But there was an ever-widening gap between you and your brother, even if you didn’t see it just yet. In your eyes, things were just the same as always, but your brother was headed on a very different path. 

He would go down in history, no doubt. Your tutor and most of the village agreed. And you… well, no one knew what to make of you. You were simply there most days. 

And as days came and went, Zoro paid less and less attention to you. It used to be easy to distract him into playing make believe, pretending to be pirates battling over treasure, but then he and Kuina made their vow, and Zoro threw himself further into his training.

And you, more interested in pretending than actually fighting, fell behind.

All you’d wanted to do was play with him and Kuina, but Zoro seemed adamant on being mean that day.

“We’re not playing,” he snarled back at you. “We’re training. Go play with someone else.”

You huffed and tried to stomp on his foot, missing by an inch. “Nobody here likes me! And I can train too!”

“Really?” Zoro scoffed. “You can barely even walk without tripping.”

Kuina stood off to the side, waiting for her friend to join her again, when she’d had enough of his sour tone. “Zoro, don’t be cruel.” Her sharp eyes roamed to you. “If you go find a training sword, we’ll let you come with us.”

Your whole face lit up, nodding quickly as you set off at a sprint to the dojo. Zoro groaned and turned to glare at her. “Why would you say that?”

“Because,” Kuina snapped, gripping his wrist and dragging him back down the path. “Now we have a head start.”

A few minutes later, you rushed back to where you’d left Kuina and Zoro, a training sword in hand, and briefly tripped over a raised stone. When you lifted your head, smiling brightly, they were gone, far off into the forest to train alone.

Some of the other kids from the dojo walked past, heading inside, when they spotted her. One leaned into the other, whispering just loud enough for you to hear: “Pathetic. Does she not have a life?”

Your lips curled into a frown and you threw down the sword, gritting your teeth.

Zoro apologized later, of course, eventually feeling bad when he came home to find you sulking in the corner. He promised he’d teach you how to wield a sword someday, which did wind up dragging a little smile out of you. Yet, that day never came. Weeks and months went by and Zoro drifted further and farther away. 

But you just couldn’t let him go, nagging and nagging and nagging.

“Can I train with you and Kuina today?” you asked, meeker than usual. You figured you knew the answer, but still, you had the nerve to hope. 

But then Zoro shifted awkwardly, hesitating to answer, and you just wanted to go back to your books. You’d gotten a new one recently, about the ocean and its mystery. 

“Listen,” he started. “I’ll play with you when we get back, okay?”

Your jaw set. Usually, you backed down pretty quick. You respected yourself enough to not chase after him all day. Today was different, though. Today was your birthday. “I don’t want to play. I want to train to be strong like you and Kuina.”

“Then I’ll train with you later.” 

He was gone the next moment, kicking up dust as he left you all alone. You wanted to hate him, since hating was usually so easy for you, but you couldn’t. 

Zoro was all you had left.

But he had someone else besides you, someone he much preferred to spend his time with: Kuina.

You found it was much easier to hate Kuina.

You weren’t at all subtle either. From little jabs to plain glaring, Kuina got the message. To your great disdain, she found it funny, cute even.

It was your obvious dislike of her that eventually brought her to give you the time of day, approaching you whilst you were reading.

“Good book?” came the voice of your arch nemesis. 

Glaring up at her, you pushed your reading glasses up your nose and shifted away from her, refusing to respond.

Her breathy laugh only spoiled your evening further. “I take that as a no…?”

“Leave me alone, Kuina.” 

Instead, she sat down beside you, leering over your shoulder to see what you were reading. “History? Sounds… fun.” You shifted away from her, and she followed. “Do those glasses really help?”

You snapped your book shut just as she reached to touch the page, nearly getting her finger. “I don’t know why Zoro likes you so much. You’re annoying.”

She grinned at you like you’d fallen right into her trap. “Is that why you don’t like me? ‘Cause Zoro won’t hang out with you anymore?”

As if she wasn’t infuriating enough, she was also very right. You jumped to your feet and glowered down at her. “You know what your problem is?”

She was standing in an instant, towering over you with that damn smile. “You gonna tell me, Roronoa?”

“Yeah!” You clenched your fists and grit your teeth. “You’re—You’re a brother stealer!”

“A brother stealer?” She had the nerve to laugh. “Please. We’re training to be the greatest swordsman or swordswoman in the world.”

You exasperated, “So?”

“So,” she said, “I’m not trying to steal your brother. But I can help you steal him back.”

Breathing heavily, you slowly lost your fire, confusion washing over your face. “What?”

Kuina shrugged. “I’ll train with you.”

Sputtering, “And why would I wanna train with you?”

“Because I’m the only one here who can beat Zoro.” She leveled her gaze with yours, something evil in that smirk of hers. “You wanna impress him? Train with me.”

“I…” She was serious. You’d seen the hard look in her eyes before; it’s how she looked right before she kicked somebody’s ass. You swallowed thickly. “Okay.”

That was how it started. An hour before Zoro was up, early before the sun, you and Kuina got to work. You were a tough student, with a spitfire attitude akin to your brother’s and all the clumsiness he lacked. 

When you tried to quit, Kuina advanced with her sword two times as fast, forcing you to block and parry like she knew you could. 

Months went by, and Zoro was all too unaware. You and Kuina had done a good job of keeping up pretenses, sharing secretive grins when Zoro’s back was turned. The one time he nearly found you out was when Kuina’s sword nicked your arm, and Zoro found you haphazardly trying to bandage it up. His line of questioning was rapid fire, panicked in every sense of the word as he did it for you.

Then, Kuina caught you by surprise; she said you were ready, and no amount of frantic head shaking would make her think otherwise. 

You didn’t have a real sword, you said, showing her your wooden practice weapon as if to prove it.

She’d simply given you that damn smirk and swapped the wood for her own sword. All breath left you as she closed your hand around her family sword. 

That was all the encouragement you needed, and she left you standing outside your little home to get ready for her training session with Zoro. The sun was barely peeking up over the horizon. You could barely hear the sound of Zoro rustling around inside the house behind you, and your fist tightened around the hilt of Kuina’s prized sword.

Zoro briefly wondered why you’d gotten out of bed so early when he noticed your blanket tossed aside, you nowhere in sight. You must be playing somewhere else, he decided, finally ready as he headed outside.

You were certainly not what he expected to find waiting for him. Your hands were held behind your back, your eyes ever like a does. A sigh dragged out of him as he approached you, meaning to walk right by you like he usually did.

“I’ll play with you later—”

In a blink, the shining edge of a blade was in his path. Stumbling back he followed the blade to that familiar hilt, now held by his little sister. The doe eyes were gone, replaced by a serious gaze he was unaccustomed to.

“What about now?” You retracted the sword and took a battle position, arcing the blade around before placing both hands on the hilt. 

He backed away from you, crossing his arms, not wanting his hands to be anywhere near the hilts of his blades. “I’m not fighting you.”

That only spurred you on. “You don’t have a choice.”

There was a wary look in his eyes before you surged forth to begin the duel. Kuina stood off to the side, eyes alight, and helped you dust off your clothes when Zoro inevitably knocked you to the dirt in a matter of minutes.

Your chest heaved as you leaned on Kuina, eyes dangerously narrow. You refused to look at Zoro.

“You’ve been training her?” Zoro guessed, not sounding angry or frustrated… just confused, and maybe sad.

Kuina nodded. “We’ve been working, yeah. She’s good, right?”

The compliment meant nothing. Humiliation coursed through your veins, the Wado Ichimonji burning through your skin. 

“Whatever,” you murmured, shoving Kuina’s sword back into her hands before stomping off into the woods.

Zoro watched you go, unable to ignore when Kuina bumped his shoulder and said, “She admires you. It’s about time you give her the time of day.”

So he trudged after you, wondering what the hell he was supposed to say.

Zoro wouldn’t say it out loud, but you were good. Far better than he remembered you being. Kuina was probably a better teacher. More patient, most likely.

But… he couldn’t help but wish it’d been him to train you up to be able to wear him out like you did. Zoro swallowed that thought and settled on finding you first, and having regrets later.

He found you sitting on a patch of grass, wiping at your damp face. Zoro made you cry. and he had the sense this wasn’t the first time.

Some brother he was.

So he ditched his hesitation and settled down on the grass beside you, testing the waters. You didn’t sprint off into the brush, so he took that as a good sign.

“What do you want?” you said first.

“I… You did well. Really well.” He pulled at some grass, ripping it apart. “I’m sorry I’ve been…”

“An asshole?” you supplied. “A major dick? A stick in the mud?” 

Zoro huffed a laugh. “All of the above?”

“It doesn’t matter,” you said, turning away, going serious again. “I didn’t beat you.”

“Did you expect to?” Your huffy silence was answer enough. “Y/N, I’ve been training for years.”

Your eyes found him then, all slits and sadness. “And I haven’t, yeah, I know. Why’s that, ya think?”

He ruffled slightly. “You could have joined us in the dojo.”

“Like hell I could have. I’ve said it before—those kids don’t like me. Besides, it’s your thing. You would have found some reason I should quit.” 

Did he really make you feel that way? Zoro felt it was fair, all the times he’d brushed you off coming to mind, and he grimaced. Then, he started to think. “Why do you want to learn to fight? I didn’t think that was your thing.”

You took your time to answer, tugging at your own grass and tossing it into the wind. “I hate being left behind. I thought if I could impress you, you’d… you’d play with me again.”

Hearing that made Zoro feel so much worse. The pair of you might be getting older, but at the end of the day, you just wanted to be around him. Zoro let the silence hang in space between you for a few moments, before he rolled to the side and swiped a long stick on the ground.

Your confused eyes followed him, widening when he pointed the stick at you. Zoro grinned and started to poke at you, causing you to scramble back on the grass. 

“Stand and fight, pirate!” he bellowed. 

Immediately, you jumped to your feet, an exhilarated smile popping onto your face. You dodged left and took up your own stick sword, holding it in front of your face as you circled your brother.

Who were you today? A fellow pirate? A pirate confronting a marine admiral? Perhaps you were brother and sister pirates, crossing paths after years of pursuing the other for vengeance. Whatever make believe you and Zoro were in today, you relished in it, knowing someday you’d have to accept the fate of growing up.

So for now, you fought your brother in the only way you were equals: pretending, your imagination spinning circles around his as his skill spun around yours.

Zoro had missed you, he realized. Being so caught up in being better for you, in being the one to make you proud, he forgot how fun simply existing alongside you could be. 

So he followed you deep into the woods, tripping over his own feet and grunting at your lofty laughter. You led him up hills and through brush, up trees and back down, and all around the island till Zoro couldn’t help but wonder what exactly you saw in the forest that he didn’t.

“That girl is wild,” your tutor said once. “It’s like she’s more at home in the trees.”

She said it in some kind of scornful way that mothers do, when they’re half upset and half in reluctant wonderment. He had to agree with the old woman, for if Zoro couldn’t find you, chances were he’d discover you in the forest, atop a rock or up in a tree.

Oftentimes, if it wasn’t Zoro clinging to the lower branches while you laughed at him, Kuina was with you. Neither of you had ever wanted for a sister, but neither of you were exactly complaining either. 

Zoro stood with his hands planted on his hips, head tilted back and still not exactly able to see where you and Kuina sat giggling amidst the branches of the ancient oak tree. 

“Y/N!” he shouted, hoping his voice would at least reach you. “Come down!”

“No!” you laughed back down. A few leaves trickled down, and a pang jerked Zoro’s heart around. How high up were you?

“It’s not safe!”

Kuina rolled her eyes. “Says you! We’re fine!”

He hardly believed her, his nails starting to dig into his palms. “C’mon! It’s gettin’ dark!”

You looked toward the horizon line, spotting the sun just as she dipped behind the mountains. Instantly, you were entranced, aching to join her. The wind whistled in your ears, as it often did, and you leaned forward just a bit. 

“He’s right,” Kuina huffed. “My dad will be mad if I get home after dark.” When you didn’t reply, she tried to catch your faraway gaze. “Y/N?”

Despite your hummed acknowledgment, your eyes were shut, a pleasant grin pulling at your face. Air tickled your cheeks, ruffling your hair, sending you the scent of miles away cherry blossoms.

You could have sat in that tree all night and into the next, but Kuina was tugging on your arm, dragging you out of the moment. You blinked like you were awakening from a deep slumber. “Sorry, what?”

“It’s time to go home,” said Kuina. 

“Oh. Right.”

You descended the tree without much thought, finding purchase for your feet and hands to grip as if the tree was reaching out to catch you, whereas Kuina very nearly fell to the ground more than once. Zoro awaited at the bottom of the tree, arms crossed and brows taut.

He watched as you grinned, eyes somewhere else entirely, and trotted back to the village all merry-like. Kuina plopped to the grass beside him, teetering on her feet before he caught her arm. 

“Thanks,” she sighed. “I don’t know how she does it so naturally.”

Zoro thought back to what the old tutor once told him. It’s like she’s more at home in the trees. “I dunno. It’s… cool, though.”

You were cool, he meant to say, but wouldn’t ever say it out loud. His little sister, who could catch fish with her bare hands and find four leaf clovers like they were nothing, was very much cool in his eyes.

He thought it again that night, when Kuina joined them for dinner with food her father had prepared, and you lurched forward to tuck a forget-me-not behind Kuina’s ear. 

“These don’t grow on the island,” Kuina pointed out. You simply grinned, like you had some secret nobody else could understand.

Kuina became just as important to you as she was to Zoro. Which is why her accident was such a travesty.

Out of the whole entire village, it hit Zoro the hardest. You would know his look of pure, unadulterated shock till the end of your days. Zoro was beside himself, and you were no better. With your only other friend gone, you had no one to lean on.

Zoro only thought of the blade—of his vow to Kuina—leaving you to mourn and dwell and be all alone. You tried to be bitter, you really did, even going to the lengths of hiding all his clean clothes just so he would talk to you, but you were still terrible at being angry with Zoro. (When all Zoro did was exist in his dirtier-by-the-day clothes, you didn’t know whether to be angry or just plain sorry for him. You settled on both).

You tried to confront him, talk to him, anything, but all he’d done was sigh and say, “Just… go read, or something. It’s good for you.”

Like you’d listen to a word he said… but reading was all you could do. It was how you winded up back on your tutor’s door step with a ducked chin and folded arms. She pursed her lips, setting a hand under your chin, cupping your face as she beckoned you inside. Each day you poured over texts and tomes till Shimotsuki Village was completely dry of new literature.

The old woman taught you till she died. Despite how life had fled your eyes, she called you Wild till her last day. “You can’t stay,” she said in her dying breath. “Wild things never last here.”

Like you’d ever think of leaving Zoro. 

But soon came the day when Zoro, like you, could learn no more from that village. You assumed the pair of you would set out together now that your paths led you away from home. Zoro had other plans.

Three swords rested at Zoro’s hip, one heartachingly familiar with its white hilt and glimmering blade. He was hunched over a bag, collecting supplies from your little home. 

“So that’s it?” you spoke into the tense silence. “You’re leaving?”

“I have to fulfill my promise to…” He didn’t finish, her name hanging in the air. “We always knew I’d leave one day.”

“And what about me?” you demanded, daring him to admit he was abandoning you. 

Instead, he closed his satchel and stood, back still facing you. “Sensei promised he’d look after you.”

“Even if I wasn’t already an adult,” you snarled. “I don’t want your sensei. I want my brother.”

Your eyes glistened with tears behind your readers, still sat on the bridge of your nose from where you’d been annotating the last of your tutor’s dusty books. He glanced up, catching your eye, and immediately returned his gaze to the floor. 

“I need to become the world’s greatest swordsman,” Zoro said as he walked past you, brushing shoulders with you before he stopped just at the door. “For Kuina. And I need to do it alone.”

Catching your breath, you shook your head at him. “No. All my life I’ve been so patient with you. I’ve forgotten every time you forgot me, everytime you were mean to me—I let it all go! You—You don’t get to let me go. That’s not how this works, Zoro!” 

You felt hysterical, tears streaming down your face. And all Zoro could do was stare at the ground.

“You’ll understand someday.”

Hot anger boiled beneath your skin, making you warm all over. Your cheeks burnt and your hands balled into fists. You folded your arms over your chest to keep from lashing out at him with the fury of a sister scorned. 

You would never understand. 

He breathed shakily. “I… love you, Y/N.”

It was like a bullet to your heart. You peered over your shoulder to find his back just over the threshold of the door, one hand on his three swords and the other rested on the doorframe. You hadn’t stood up to Zoro in many years, mostly because he hadn’t given you reason to. Until now.

“You really are stupid.”

“Y/N—”

“Don’t waste your breath,” you snarled, sweeping over to your desk and grabbing your ready-and-packed satchel. Wiping your nose and eyes on your sleeve, you steeled yourself and swallowed up all your cries. “Where are we headed?”

You turned, adjusting the satchel on your shoulder, and lifted your gaze to your brother, who had turned to stare at you. Faltering, you tried to gauge what Zoro was thinking, what had always been an impossible task. Zoro had never looked at you like this before, his eyes void of any hostility or pity or annoyance. For a moment, he wasn’t an apprentice or a swordsman, nor was he Kuina’s legacy.

He was Zoro, the brother who could have hung the stars with how much you believed in him. 

And for a moment, Zoro wasn’t looking at his baby sister, helpless in every sense of the word, desperate to prove herself—Zoro saw what Kuina had, once upon a time; a warrior more mind and spirit than strength, the force of a thousand soldiers behind her puffy red eyes.

It was terrifying, to say the least. You weren’t so little anymore, and he didn’t feel so big anymore. 

“First,” he grumbled. “We’re getting you a sword.”

Your eyes shined, not from tears (he was glad you still had your wonder intact). “And second?”

“We’re going after Dracule Mihawk, the greatest swordsman in the world.”

Standing at the docks a while later, preparing to depart, you nudged his shoulder to catch his fleeting attention. The silence had been tense all evening. Your grin was soft and unsure as you mumbled, “I love you too, by the way.” Zoro ruffled, nodding, and you pressed on with a smirk. “You’ve never said that to me before.”

“Sure I have,” he countered, but you shook your head.

“Nope. Never. But that’s okay.” You turned to stare at the ground, the captain of the ship taking you away starting toward the pair of you. “I’ve never said it either.”

And in the underbelly of that big merchant ship, sitting on the small cots allotted to you for the journey, you lifted your gaze to lock him in place. “Let’s make a promise.”

Zoro stilled, setting his swords beside him as he met your gaze. He wasn’t opposing the idea, so you pressed on, presenting your pinky to him. Zoro had the nerve to scoff. “Don’t laugh. This is a sacred ritual.”

Rolling his eyes, Zoro rested his arms on his knees, reaching to interlock his pinky with yours. A smile tugged at your face. “What’s our promise?”

You hummed, not having thought that far ahead, before getting excited again. “I promise to stay by your side. No matter how much of an idiot you are.”

For a while, he said nothing, staring at your hands in the space between you. He started to speak, thought better of it, before pressing on. “That’s a big promise. Sure you won’t change your mind?”

“Maybe,” you shrugged. “If I do, I’ll just break my pinky.”

He blinked, trying hard not to let his smirk through, and he laughed despite himself. “Fine. I promise I won’t abandon you. Ever. No matter how much a menace you are.”

Satisfied, you retracted your pinky, letting your eyes flutter shut. You yawned and laid on the less than comfy cot, and were out like a light in minutes. Zoro stayed awake at your side all night, hyper aware of every motion all around, threatening each thing that creeped in the dark recesses with a single glare. 

For you, this was a dream. The world was your playground, an adventure just like the ones you’d read about. On the contrary, Zoro was stressing. You had this penchant for getting into trouble, always finding danger wherever you went. 

Tiffs between you and your brother were never far away, but unlike when you were younger, these fights lacked a certain fire, almost as if neither of you cared to pick at the other anymore. That realization was odd, to say the least. It was almost like the pair of you were growing up.

Word quickly spread across the East Blue about the Pirate Hunter Zoro, so deadly they took to calling him a demon… and then there was you. People tended to ignore girls, looking over your head and not caring to lower their voices when you lurked nearby. You were Zoro’s main informant, picking up on locations and secrets before your targets had any clue they were being hunted.

And as weeks flew by, you and Zoro found a new kind of camaraderie; respect. After years, it looked like Zoro was finally respecting you as an equal. As a friend.

You had quite the temper, never backing away from a threat, mostly because you knew your big brother was behind you. You don’t like the price for those apples? The vendor isn’t willing to barter? You're cursing their mother and demanding a fair price, and just as the vendor is reaching for a knife there appears this giant of a man, arms crossed, eyes narrowed. You always get the price you want.

Zoro liked to shine and sharpen and clean his swords himself, but one day he was so tired he fell asleep while doing the first one. He woke up to all three glittering up at him. You said it was no problem, and went out of your way to get to the task before he did each time. 

Your habit of climbing trees returned, and with it a newfound love for scaling buildings as well. Zoro’s not sure how he doesn’t have a head full of gray hairs, but he feels for sure it's coming.

Still, despite your insistence on remaining a menace (he’s certain it’s on purpose), Zoro was happy you’re with him. Things nearly reached a new kind of normal; he hunted the pirates, you helped him, you both got paid. 

But he saw how restless you became, always itching for the next adrenaline hit. Somewhere inside, Zoro feared the day you’d get so restless you turned back to recklessness. Mostly, he feared he wouldn’t be there to save you in time. 

Zoro’s footsteps were ghostly, not a sound coming from him as he slinked up the gangway of the little pirate ship. His bandana was tight around his head, two of his swords brandished and at the ready. On his left, a pirate stood guard and was swiftly knocked out by a blow to his skull.

A routine operation, sure to bring in enough beri to get you and Zoro to the next island over. Maybe you’d even have enough left over for some decent food, he pondered, turning and laying eyes on the door to the lower decks. 

It should have been a routine operation, but the moment he stepped into the winding halls of that ship, the pirates were all over him, coming at him left and right. They drove him back up to the main deck, landing blows against his three swords yet never getting through his defenses. 

But if he stayed on the defense, he doubted he’d actually find an opening to get the hell outta there. Zoro swiped his swords in an arc to drive the horde of them away just long enough to make a break for the docks, but a gunshot rang true, whizzing past his head before he could take a step.

He whipped around and found the man he’d intended to murder in his sleep, and drag his body back without ever alerting the crew. The captain reloaded his pistol, a maniacal grin splitting his face. 

“Roronoa Zoro,” the man drawled, stepping down from the stern of the ship. “Your reputation precedes you.”

He blinked up at him, readjusting his hold on his swords. “Sorry, who the fuck are you?”

The smile dropped instantly. “Only the man who will end your sorry life, pirate hunter.”

Zoro scoffed. “I’d like to see you try.”

He heard it, but it was so soft he tried to convince himself he was delusional; but then it got louder, till he heard the sound of feet bounding up the gangway as his blood ran cold, and there you were, shouting his name, your sword held before you.

“Zoro,” you gasped, ignoring everything else as you gazed upon him with wild eyes. “It’s—It’s a trap.”

The captain’s laugh was like a ringing in his ear. Zoro’s stare was zeroed in on you, begging you to run away, horror flooding his senses. No. No. No.

“A little too late, kid,” the captain bellowed, slinging around his pistol and eyeing you predatorily. “Here to die with the hunter?”

Zoro’s heart dropped when you spat at the ground, shooting the captain a glare. The man growled, nodding at his awaiting crew. “Take care of her. I’ll take Roronoa.”

You had lunged before Zoro could do a thing, clashing your blade against your opponents and dodging each strike with ease. Zoro made to run to you when a sword swiped through the air and caught his arm, forcing him to face the captain of the ship.

A routine. This was meant to be a routine. You were meant to be safe at the little inn, awaiting his return with a gripy comment about having woken you up, despite knowing fully well you’d been up the whole time. 

But you were here, fighting for your life against ten or so men twice your size. You could only hold them off for so long. Zoro set his jaw and set his third sword between his teeth, taking on the slimy excuse for a captain. 

“Y/N!” He shouted, muffled around the hilt of his blade. “Get out of here!”

“No!” you shouted right before wincing as you took a wrong step and twisted your ankle, attempting to walk it off as you evaded being skewered. 

His eyes followed you, spying a pirate jumping down from the stern. Zoro sprinted away from his own fight, vaulting over you and decapitating the pirate, landing on the deck in a roll. You heaved, awestruck, and giggled despite it all.

Zoro stood, eyes dark as a demon’s, and looked right at you. It was as if the sun was held captive in your eyes, even now. A spot of blood seeped into your shirt, and he parried three men’s attacks to reach you. “You’re hurt.”

“I’m fine,” you snapped, your back to Zoro’s as you drove back another blow. “I’m sorry. I should’ve known something was up.”

“Don’t—” he kicked a guy to the side “—Don’t be. Just—”

He whirled on you as you let out a whimper, now clutching your shoulder. In a flash, Zoro severed the arm of the man who’d hurt you, letting you lean against him for a moment. Maybe four men were still standing, yet the captain had gone out of sight. The coward. 

His heart raced, the sound of it blaring in his ears and making it hard to gather his wits up off the ground. Zoro could barely breathe, but he managed to berate you still. “Stay down. I’ll handle this.”

You glared up at him, your eyes going wide a moment later. Your hands landed on his shoulders and pushed him down with all your might, and he keeled over, not expecting it. He rolled to the side and stood, taking out another pirate by his leg in the process, and whipped back around to yell at you.

But… something was wrong. You teetered precariously on your feet, and your face was all scrunched up, and why were you clutching your chest like that? Was there that much blood on your shirt before? 

Even when he saw the captain standing behind you with a bloodied sword, Zoro couldn’t believe what he was seeing. If anyone had seen what happened next, they would understand precisely why Roronoa Zoro was compared to a demon; the three remaining men and their captain were dead before you ever hit the deck.

Zoro fell to his knees, his swords clattering to the ground as he scooped up your head and held you to him. Your name fell from his trembling lips, his wide eyes pleading with yours to stay open. You were fading before his very eyes, the sun behind them setting fast. 

“Hey,” he stammered. “Hey, don’t go—you can’t. Remember? You don’t get to leave. That’s not how this works. That’s what you said.” You smiled up at him, and it all got infinitely worse. “Stop being—stop being stupid. You’re not dying. Get up.”

“It’s okay,” you whispered as black fuzz clouded your vision. “I’m… okay…”

You went limp in his arms. His tears didn’t make a sound, nor did he as he carried your body back to the inn, passing the innkeeper solemnly, and laid you down on the bed. He stood guard at your side till morning, and he went back for the body of the pirate captain, cashed in the bounty, and made preparations to go back home.

Your grave sat beside Kuina’s, on a nice ridge overlooking the village. The sunset in beautiful from up there.

The demon pirate hunter roamed the East Blue without an ounce of mercy, earning himself his title and reputation once and for all. No one ever dared to trap him again, not after they heard what happened to the last guys who tried. The whole crew died in twenty minutes, is what they said.

He barely spoke to anyone besides a bartender, becoming more specter than man. His eyes always had this dark tint to them, a haunting behind them that struck fear into the very soul of anyone who looked into them. 

And he liked it that way. He didn’t need anyone getting a closer look at him, not when everyone he ever cares about winds up—gone. He swore he’d never let anyone get close ever again. It was safer that way.

No one touched his swords. No one so much as brushed past them without getting an earful. Only he ever cleaned, shined, or sharpened his blades. He claimed no one ever did it right.

In truth, the demon pirate was getting sloppy, as much as he hated to admit it. He had a mission to complete, yet each day grew more difficult than the last. He took on bounties without much thought, fought anyone who spared him a glance. 

Reckless. He’d grown reckless.

It’s what led him to Shell Town. What led him to that restaurant. What led him to defending that little girl and her mother (he sees you in every child with just an ounce of wonder). It’s what brought him here, tied to this post under the blazing sun, starving and thirsty, and he felt deserving of it.

But he couldn’t die here. He’d let one promise be broken. The other would be fulfilled. He just had ten more days left, then he’d be on his way. Surely, Hawkeye Mihawk can’t hide forever. Then, after… he could rest. Only then. Only then.

“They say you’re a bad guy.”

Zoro frowned, lifting his eyes from the dirt, squinting through the blinding sun to make out who stood before him. Their outline came first, a boy, with something on his head. He blinked a few times and took in this kid who dared to step into this yard. 

He looked him up and down, took in the straw hat on his head, shielding the kid’s eyes from the sun. Yet, somehow… despite the shade being cast on his face, there was a bright glow in his complexion, but Zoro couldn’t decide where it was coming from (he refused to admit it was coming from his eyes).

This kid had the nerve to smile at Zoro, giving him the sense that maybe they had met before. Why else would that unrestrained, recklessly true smile make Zoro’s heart stop? 

(Zoro would only let himself think it some weeks later, when he’d long since accepted the offer of first mate, and long since the Straw Hat pirates found a ship of their own—Luffy reminded him of you, as terrifying as that was).

(Maybe he would let one, or two, or however many people were on that ship get close. Just maybe, it wouldn’t hurt to try).

“Zoro!” Luffy called, racing toward the afterdeck in search of the mossheaded swordsman. He jumped to a stop, finding Zoro sitting under the tangerine trees, slowly peeling one in his hand. “There you are! What’re you doing?”

He barely cast him a glance. “Trying to be alone.”

Luffy laughed at that, plopping himself down next to Zoro. “Me too.” He reached up a rubber hand and swiped a tangerine, only thinking how odd it was a moment later. “Hmm, Nami would normally skin us for eating her fruit.”

Zoro stilled before popping a slice into his mouth. “She said it’s fine. As long as I’m alone.”

The captain tilted his head, skeptical as he slowly chewed a piece of his tangerine. “Why?”

Luffy received no answer, not right away, not until Zoro finished his tangerine and set the peel in front of him to dispose of later. And Luffy waited, shredding his peel into lots of pieces just for the fun of it. 

“I had a sister,” Zoro finally confessed, causing Luffy to freeze up. “It’s her birthday.”

So many questions bubbled under the surface. Why hadn't he mentioned her? Why hadn’t Luffy met her? What’s her name? Does she have green hair too? But… Zoro’s solemn expression had Luffy falling silent, watching his face carefully.

No explanation came, but Luffy gathered the gist of it. Whoever this sister was, she wasn’t around anymore. “Do you… still want to be alone?”

Zoro hesitated, hands squeezing his knees tightly, his throat gone dry. “No.”

“Okay,” Luffy smiled softly, plucking his hat from his head and setting it on Zoro’s, slightly missing the mark and pushing it down over his eyes.

The swordsman huffed a laugh, peeking out from under the hat. “What’s that for?”

Luffy shrugged. “Dunno. The hat makes me feel better.”

Zoro shook his head, gazing softly upon his captain before adjusting the straw hat on his head and shifting to stare at the sea. “Thank you, Luffy. For everything.”

“No problem, Zoro. Hey, do you when dinner's ready?"

𝐭𝐚𝐠𝐥𝐢𝐬𝐭: @100520s @raspberrymuffings you mentioned big bro zoro A WHILE ago on my sanji's sister fic

[brokoala-soup]

coffee, chocolate, books, roses, papers, ink, doodles, bakery, wood, cushions, rain, tea, steam, aroma, assignments, notes, exams, studying, bread, pencils, pages, words, cards, calligraphy, music, honey, soil, leaves, water, graphite, light, stars, winds, heat, sunshine, compass, scale, test tube, silver, pens, lipstick, rings, calculator, violin, candles, mathematical instruments, chandeliers, graphs, maps, globes, brass, velvet, cakes, headphones, practice, perfume, scars, trinkets, monuments, socks, stamps, boots, doors, blankets, milk, glass, fire, wool, cotton, pets, warmth, spices, stairways, curtains, shadows, paint, brushes, canvas, coins, piano, coats, moisturizer, ladders, chairs, vanilla, libraries, handwriting, letters, touch.

[maykitz]

it goes without saying that evangelical parenting books are telescopes into hell (like how "to train up a child" famously recommends you begin hitting infants asap with thinner sticks that don't leave marks and then grow the instrument alongside the baby) but "growing kids god's way" by anne marie and gary ezzo even gives percentages, saying that 80% of pain-based punishments schould take place before the baby is 3 years old, and the remaining 20% should be spread out across the next 10 years, and then cease it altogether on teenagers. my thoughts about mathematically calculating an allotment of how often you'll be hurting a baby aside- this obviously doesn't cohere with any concept of training at all. even IF you consider corporal punishment appropriate, surely it'd be administered "as needed" and not on a prescheduled timeline that exists before they're even born? why do you need to get in almost all of the pain right before the age where a kid begins to speak properly and then drastically decrease it? and why stop on teenagers, famously a very rebellious phase? well, because they'll tell on you.

and there are plenty of otherwise equally fanatical religious guides that aren't fixated on hideable physical pain like this or even reject it, so this particular market of books really only makes sense if you read them as instruction manuals for adults who experience an unnatural sadistic bent towards children or simply in general (which isn't necessarily, but occasionally related to the pedophilic variety). ie people who get a rush of pleasant feelings when they get to exercise dominance and subordination by inflicting pain on a person or animal, often on a child specifically, who are looking for peer validation and advice on what the tried and true methods are for getting away with it. that's it.

[sugar-grigri]

Let's make the revolution, but let's make it right s’il vous plaît…

Yes I need to take a break but I'm not only tired but I'm fucking autistic so let me say two quick words

I think Haruka is a character worth exploring, and that he's deeper than the comic relief he seems to be, because I think he's a very good representation of adolescence.

Yoshida doesn't live his adolescence as a public hunter, Asa almost rejects the experiences because of her social isolation and emotional problems, which implies that they are teenagers but want to carry the weight of suffering like adults.

And what is Haruka? The perfect example of the mix between childhood and coming-of-age.

Denji is unable to experience adolescence because he has been deprived of his childhood, or even his humanity, and his interactions lead inexorably to rejection and suffering.

Haruka, on the other hand, is a useful standard by which to compare the other characters' failings in exploring their own adolescence.

Haruka is portrayed as arrogant, but not as negatively pretentious, but as an over-confident teenager, following a role model to the point of pretending to be him, of having a false cable across his chest.

He's also hard on the others, representing those teenagers who never minced their words when pressing Asa's failures, just as he remains deeply human, panicking, relying on his role model to save him.

Above all, his typical teenage behavior and funny yet profoundly candid personality are at odds with what adolescence is all about: realizing the world we live in.

If Chainsaw Man is so popular with teenagers, it's first and foremost because he remains anonymous, so everyone can see what they want in his face, but he's also an element of confrontation with the established order.

When I say that Chainsaw Man is a fairly mathematical manga, it's because everything fits together perfectly: if teenagers can make Chainsaw Man an object of protest, or even make it their own design, it's precisely because they don't see Denji behind Chainsaw Man.

If everything finds its balance, it's because the teenagers see in Chainsaw Man something superior, to the point of making him a model, an ideology, while Denji, the boy behind the mask, puts himself in the position of standing outside normality.

Denji can't belong to normality, since Chainsaw Man's interest is in disrupting the established order, whether it's the dominance of demons or what parents think.

So he's in a position of literal support, since his only point of interaction is to be acclaimed without being recognized.

It's interesting that Haruka's here, because he's a Chainsaw Man fan.

Denji has been a figure in the shadows, supporting a teenager in need of guidance in spite of himself.

He was the savior of a humanity prey to demons in spite of himself

But from a more symbolic point of view, Denji is literally dismembered, because carrying this on his shoulders as a teenager, even though his rank is denied, leads not only to exhaustion and withdrawal, but also to a literal breakdown.

It's as if the chair has just cracked... then the adolescence that stood over it also collapses...

People love Denji with difficulty, while he loves them with ease

People adore Chainsaw Man and completely ignore Denji's plight

Teenagers need to see Denji, to see his state of dismemberment, to see every last part of his being instrumentalized.

Because that's what he is, an image from which everyone can pick and choose to see what's missing.

That's why Asa has a missing arm, because she's in the position of a savior who doesn't wallow in her lack and compensate for it with Chainsaw Man, but focuses on the mission of putting him back together.

We repeat: the teenagers have projected themselves into Chainsaw Man as a means of fighting against the established order.

But isn't projecting oneself and being saved by Chainsaw Man precisely what the established order is all about?

Wouldn't it be revolutionary to save a savior who has always asked to be saved? Just as the suffering of the people has been ignored has needed saving

Revolution... represented by what?

Guillotine.

And that's precisely where I find it all interesting, because Haruka effectively compensates with Chainsaw Man in everything he lacks, when he was portrayed completely panicked during the aquarium arc, Denji was serene. Haruka may have a cable on his chest, but he'll never dare pull it.

This absence of fear is what keeps Chainsaw Man a machine. Denji has no self-worth, not a little arrogance like Haruka, so he's not afraid of danger. Whereas what constitutes adolescence is precisely the fact of becoming attached, of having things you value and are not afraid of being deprived of.

Above all, being an adolescent gives you a protective status, protected by society. So Haruka experiences what Denji experienced: being deprived. Deprived of what he holds dear. Deprived of his status as a child protected to be a terrorist. Haruka is a teenager who needs to be protected, but is now seen as a terrorist, a threat to order.

To be a threat to the established order, while at the same time being guaranteed by it, is the exact ambivalence of what Chainsaw Man is, and what Haruka is experiencing, being in the shoes of his savior in an attempt to save him.

The guillotine demon has an interesting design, a huge bird as a kind of almost inanimate ornament, to emphasize its interior, a piece of skeleton hanging headless. How does it feel to be close to decapitation? We suffer in anticipation of what we're going to miss: our head, death, the skeleton, and what we're going to leave the world, a body that's missing something.

Just as others must learn to compensate for their own insecurities, Denji must allow himself to feel his own, and instead of accepting suffering, to compensate for it like a human being with his nearest and dearest, his entourage, his family.

Because the right behavior is not to artificially complete oneself by rejecting one's fear and accepting one's suffering, but to accept one's incompleteness in order to be better influenced and completed by others. That's why Denji's loved ones are there to help him, even though he's been cut into pieces. Just as the teenagers saw in Fami, whom they reject, this guillotine, both reversing the order and focusing on what they lack, poor children in identity crisis.

We're in a bit of a pre-French Revolution mood, which I like, so let's embrace it completely by concluding with a quote from one of France's bloodiest revolutionaries, Robespierre:

"First of all, you should know that I am not the defender of the people; I have never claimed that lavish title; I am one of the people, that's all I've ever been, and that's all I want to be; I despise anyone who pretends to be anything more."

To make a revolution not to overthrow the order, but to be a simple, incomplete, imperfect teenager.

[heimeldat]

I've spent an inordinate amount of time parsing the few examples we have of Old High Gallifreyan text, and here at last is the result of my labors!

The Old Gallifreyan alphabet:

The alternate forms of letters may be used interchangeably with their main forms; the differences are purely cosmetic, much like the difference between cursive and print-style writing.

Now for my analysis of the existing texts. It's rather long, so I've put it below the break!

EXAMPLES OF OLD HIGH GALLIFREYAN TEXT

ITEM ONE

Supposedly from “The Five Doctors,” though I can’t spot this writing anywhere. Translation given in episode.

ORA PSYERPA

O – honorific indicating uniqueness, may be rendered with the definite article “the”

R – combined with the definite honorific, a common abbreviation of Rassilon’s name

A – an alternate version of the possessive “ya,” used only when the possessive noun is already abbreviated

Psyerpa – a general term for harps and other large stringed instruments

Thus, the full text reads:

O-Rassilon-ya psyerpa

The Rassilon’s harp

ITEM TWO

From “The Colony in Space,” across the bottom of the Doctor’s mugshot. No translation given.

QU  ETHOA TRIOUAX BRIA

Qu – This is not a complete word, merely a letter used in this case for alphanumerical file designation: note that it stands alone, separate from the main text.

Ethoa – exile

Triouax – an infinitive verb, “to persist” or “to remain in effect”

Bria – a conditional modifier used exclusively in bureaucratic contexts, implying the need for occasional update of information or policy.

This text is a record of the Doctor’s sentence, and may be rendered something like this: Exile: to remain in effect barring further review.

ITEM THREE

From “The Time of Angels.” Translation given.

JUSYMOU CAIDEU OXA OOYY MAISOM

Jusymou – An archaic greeting, roughly equivalent to “well met” or “hail.”

Caideu – self, soul, or “hearts” in a poetic sense

Oxa – prepositional suffix, “part of”

OOYY – a conceptual abbreviation that combines the two meanings of the solitary letter O (definite article + symbol of individuality) and the mathematical use of the letter Y (usually indicating a dimensional shift). Literally, this means something like the individual, shifted two dimensions. In practice, it refers to a Time Lord’s fifth dimensional aspect.

Maisom – name, designation, identification

Thus, a literal translation would read something like this: Greetings, soul-linked fifth-dimensional name!

Or as the Doctor paraphrases it: Hello, Sweetie.

ITEM FOUR

From “The Five Doctors.” Translation is given, though it’s not specified which face of the obelisk corresponds to which section of the text.

First Face:

RA NASA TO TANA EURIFSTAN OBLR ORE NATA

Ra – where

Nasa – sleep

To – in

Tana – lies, reclines, rests

Eurifstan – eternal, endless, timeless. Here it modifies the verb, so it should be rendered as an adverb.

Oblr – abbreviated form of obelar, tomb or grave

OR – the same abbreviation seen previously, “The One And Only Rassilon.”

E – an alternate version of the possessive “ya,” used only when the possessive noun is already abbreviated

Nata – a basic verb of being, is

This yields the following literal translation: Where sleep-in lies eternally, tomb Rassilon’s is.

Or as the Doctor translates it: This is the Tomb of Rassilon, where Rassilon lies in eternal sleep.

Second Face:

The text on the second face is never seen. The Doctor translates it as: Anyone who's got this far has passed many dangers and shown great courage and determination.

Third Face:

ULIREIF RAENATA TOAAN LAKI FSTA TORARO

Ulireif – to lose everything, to be utterly defeated

Raenata – an emphatic form of the being-verb nata, indicating that something really, truly, permanently is

Toa’an – to win everything, to be crowned victor

Laki – a compound conjunction combining la (so) with ki (and): “and so”

Fsta – an abbreviated form of festoa, a winner or leader

Toraro – future tense of torar, to fail or collapse

Thus: To lose all is truly to win all, and so the winner will fail.

Or as the Doctor puts it: To lose is to win, and he who wins shall lose.

Fourth Face:

KIRA ATOUNA OR TA LIRI EUKI RAATO SUTE ANAAN FEIRLIO REUNT

Kira – takes

Atouna – ring

OR – the same abbreviation seen previously, “The One And Only Rassilon.”

Ta – from

Liri – hand

Euki – a compound conjunction combining eu (then, next, afterward) with ki (and): “and then”

Ra’ato – future tense of ra’at, to wear

Sute – reward, prize, payment

Ana’an – desired, sought-after

Feirlio – future tense of feiril, to get or acquire. Note that this is an irregular verb: the last two letters switch places when adding any tense ending.

Reunt – immortality, eternity

Literally: Takes ring Rassilon-from-hand and then will wear, reward-sought will have: immortality.

Or as the Doctor translates it: Whoever takes the ring from Rassilon's hand and puts it on shall get the reward he seeks: immortality.

[mangodoodles000]

ITS THEM ITS THEM

IM GONNA TRY TO MAKE MORE CONTENT OF THEM IN THE FUTURE GAAAAAAAAAAH

In the meantime, have some stuff I wrote for this au

Green’s main instrument was the keytar, but after running into some conflict with TDL and TCO (they will both play as Dk west, I will elaborate more on this later), he is stuck playing the drums until much later in the story

Another reason why Green plays drums in this au was because after he heard Orange play the guitar for the first time, he noticed that he struggled with keeping on beat and finding rhythm. This resulted in Green practicing more on the drums because for some reason Orange had a specific aura that “lit up the room” (his exact words) when he played the guitar. Plus, Green has been wanting to start a band for a while now, but never really found the “right” people to begin with.

Orange has a masters degree in mathematics and was planning on becoming a teacher, things changed though- (I added this as a joke because during the YINU phase zuke keeps mentioning how he has a masters degree in fine arts)

King oranges child is not dead in this au, mainly cause I have plans for both of them (they will both take the roles as Yinu and the Mother)

Since I decided Red will be Sayu in this universe, I’m still deciding if he should be a vtuber or a vocaloid (please help me decide on this one)

TDL and TCO are sharing the DK west role

Victim will be playing kliff

I made sure all hollow heads had roles that were rebelling against NSR because Alan will be Tatiana in this au (aka head of NSR)

I was considering giving the role of Yinu to Purple, but Eve was a much better fit to him (you’ll see why)

Thanks for reading :)

[fairy-writes]

TAKE A REST, LOVE

Reblogs and Comments are greatly appreciated!!

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Requester: Anonymous

Fandom(s): Moriarty the Patriot

Pairing(s): William James Moriarty x Reader

Prompt: Guiding their lover back to bed when they’re sick (Action Prompt #6)

Genre(s)/Tag(s): Gender Neutral!Reader

Notes: LET WILLIAM BE THE LITTLE SPOON OKAY

This is for my 1K followers event! It’s going on between June 8th and June 22nd!

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It was a well-known fact that William was a bit of a workaholic. 

He worked constantly, sometimes even through the night, just to finish his plans and put them into action. It wasn’t that strange to see his office lit with candles and gas lamps at odd hours of the night. 

If you pressed your ear against the door, you could hear his pen scratching against parchment and papers being shuffled with the occasional sigh as William ran into something of a mental block. 

It was times like this that you stepped in. 

It was times like this when everyone in the household asked you to step in.

So when Fred Porlock came knocking on your door at three in the morning, you weren’t all that surprised. 

You follow the younger boy up the stairs and down the hallway to the third door on the left. 

“He’s in his study. He hasn’t come out all day.” Fred had told you on the way up, and when you arrived at your lover’s study, you set a hand on his shoulder.

“Go back to bed, Fred. I’ll handle this.” You say gently, and he nods hesitantly but takes your word and goes back down the hall toward his chambers. 

A quick knock on William’s study door reveals nothing. No calling you inside, no refusing entry, nothing. 

You frown, open the double doors, and discover why there wasn’t any talking. 

William was asleep.

His arms were crossed and supporting his head, rumpling a few of his papers, but he obviously didn’t care. Even in his sleep, he looked stressed. You could tell in the furrow in his brows and the crease of his lips.

Your heart hurts for him. 

Your footsteps are silent, and you tug William’s robe closer around your frame as you creep up on your lover. 

He starts, eyes flying open with a startled inhale as soon as you touch his shoulder. He sits up, only to meet your eyes and relax. He leans back in his chair and rubs at his eyes, looking for all the world as if he had just been planning for several hours straight. 

He likely was. 

Plus, he had grading to do from school. He had mentioned something about a mathematics exam needing to be graded.

“How long was I sleeping?” William mumbles, exhaustion still thick in his voice. You hum as you go behind him and put your hands on his shoulders, pressing in with your thumbs to massage the knots in the muscles. He leans back and sighs in relief,

“It’s three in the morning. How long have you been working?” You ask softly, and he makes a noncommittal noise, obviously not wanting to tell you. 

When you ask again, this time more gently, he leans his head back to look at you with tired eyes,

“Since after dinner. But this must be done, so I can’t stop yet.” He replies, and you let out a deep sigh,

“You’re working yourself to death, William.” You chastise him but don’t stop rubbing his back and shoulders. He shakes his head,

“I’m fine. You should go to bed, my love. I’ll be in in a moment.” At this, you shake your own head. 

“Not happening. If I leave you now, you’ll just keep working.” You say and comb your fingers through his hair, your brow furrowing in concern when you feel his forehead. 

He’s burning up.

“William, you’re sick.” You say, but William simply sits forward, picking up his pen and preparing to write. 

“I said I’m fine.” He says but stops when you pluck the writing instrument from his hand and hold it out of his reach. 

“Come to bed. You need it.” You say gently, and he watches you with an unimpressed stare. He holds out a hand for his pen, but you don’t give it back just yet. 

Instead, you take a seat on his lap, leaning your forehead against his and feeling just how hot and sweaty his skin is getting. William enjoys the affection readily, wrapping an arm about your waist to keep you close. He closes his eyes, his breath puffing against your mouth.

“I have to get this done.” He tries once more. You lean in and peck his lips,

“And you can do it in the morning. You’re burning up, William. Come take a rest, love.” You say, and he watches you with half-closed eyes. 

He’s struggling even to keep his eyes open. 

So when he relents, you gladly take his hand and lead him back to bed. You take off his robe and hang it up before sliding in beside William as soon as he’s changed into night clothes. He welcomes your arm around his waist and your kiss on the back of his neck with ease. 

And he’s asleep as soon as his head hits the pillow.