"I’ve just been served a pomegranate: / it’s crimson, dripping with seeds— // a veritable Céad Míle Fáilte of drops of blood."
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Frost hollows
small areas of leaf
in gardenless
margins.
Wounded by the thought
of nests expanding,
they inspire
devotion of a sort,
using this world
as if not
using it to the full,
a risky limbo.
Front action
on the loose-fitting stones
and frost-broken rock
over-divides itself
and puts the spent hops
with their pinch
of old seed
off flowering.
Rust will devote itself
entirely to
that ringingly taut
and ample root,
though they will come
into flower
together
a close grey spring
if you study
your windswept window
carefully
bearing their colours in mind
that would find the move
too much
if they did not
answer to this blue
found between the bones:
movement towards
a touch, with two
five-nerved lips
reflexed to form a star,
or one indistinct nerve
erect and desirable
in your violet throat.
Closed Bells by Medbh McGuckian
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Team Soulfire – And at the end, your smile will light up my way out
taglist: @pastelvangelion @smallz-o @salineroses @dynamicworms @cindersnows @deadfishisyeq @snyland @missstrawberry @frubbotoxicyuri @haloberry @mobcharacter255 @thecardboardbutterfly @avianchorus @therearethornsinthisgarden @qtubbo @an-egghead
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credits:
1. “Turning the Moon into a Verb” Medbh McGuckian
2. N/A
3. https://thisisnthappiness.com/post/659498021147557888/bi-weekly-claudia-keep
4. “Still I Rise” Maya Angelou
5. “The Hours” Michael Cunningham
6. https://pin.it/64Sa0KJ
7. “Privilege” Beau Taplin
8. art: https://pin.it/7EhaynO quote: “The Curtain” Hayden Carruth
9. https://pin.it/7MqIEow
10. “44th Birthday Evening, at Harris’s” Ted Berrigan
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Medbh McGuckian
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Hamlet Gonashvili
The voice of Georgia, they say. I have never been to the high hills of the Caucasus Mountains, yet Hamlet Gonashvili's voice transports me there.
What snuffed out the voice of Hamlet Gonashvili? He fell from an apple tree, at the height of his fame.
Tsintskaro (წინწყარო): the name of a Georgian village that also means "at the spring water" -- love that.
*
Often when I am thinking about the mystery of the voice and the way it brings to life the presence of the other, I hear the lines from the Medbh McGuckian poem "Charcoal Angel":
it’s by his voice,
it’s in his voice that he dies
Have you ever listened to a recording of the voice of the dead? Suddenly you are overwhelmed by the presence of their now-absent being. People really do die in their voices. (That's what I was thinking when L played a recording at C's memorial, how uncanny it was, the dead rising in her voice.) No wonder inventors working on radio, telephone, and sound recording became spiritualists.
Thomas Edison came to the idea of inventing the “spirit phone”, a device that would allow the living to speak with the dead.
While inventors Guglielmo Marconi and Nikola Tesla were individually working with radio waves, they both picked up mysterious voices which they believed to be the voices of either the dead, or beings from outer space. Upon hearing this, Edison decided that he would be the first to find a way to communicate with the spirit world.
Edison never managed to build his spirit phone but in a sense, his phonograph started a lineage of devices that allow us to listen to and preserve the voices of the dead.
...
For Marconi, these voices were not lost but still undulated throughout the universe on sound waves.
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The Aphrodisiac
Medbh McGuckian
She gave it out as if it were
A marriage or a birth, some other
Interesting family event, that she
Had finished sleeping with him, that
Her lover was her friend. It was his heart
She wanted, the bright key to his study,
Not the menacings of love. So he is
Banished to his estates, to live
Like a man in a glasshouse; she has taken to
A little cap of fine white lace
In the mornings, feeds her baby
In a garden you could visit blindfold
For its scent alone:
But though a ray of grace
Has fallen, all her books seem as frumpish
As the last year’s gambling game, when she
Would dress in pink taffeta, and drive
A blue phaeton, or in blue, and drive
A pink one, with her black hair supported
By a diamond comb, floating about
Without panniers. How his most
Caressing look, his husky whisper suffocates her,
This almost perfect power of knowing
More than a kept woman. The between-maid
Tells me this is not the only secret staircase.
Rumour has it she’s taken to rouge again.
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A timeless winter / will go on taking shape in me
Medbh McGuckian, “Turning the Moon into a Verb”
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A poem by Medbh McGuckian
The Sofa
Do not be angry if I tell you
your letter stayed unopened on my table
for several days. If you were friend enough
to believe me, I was about to start writing
at any moment; my mind was savagely made up,
like a serious sofa moved
under a north window. My heart, alas,
is not the calmest of places.
Still it is not my heart that needs replacing:
and my books seem real enough to me,
my disasters, my surrenders, all my loss. . . .
Since I was child enough to forget
that you loathe poetry, you ask for some—
about nature, greenery, insects, and, of course,
the sun—surely that would be to open
an already open window? To celebrate
the impudence of flowers? If I could
interest you instead in his large, gentle stares,
how his soft shirt is the inside of pleasure
to me, why I must wear white for him,
imagine he no longer trembles
when I approach, no longer buys me
flowers for my name day. . . . But I spread
on like a house, I begin to scatter
to a tiny to-and-fro at odds
with the wear on my threshold. Somewhere
a curtain rising wonders where I am,
my books sleep, pretending to forget me.
Medbh McGuckian
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My heart, alas, / Is not the calmest of places.
Medbh McGuckian.
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White-lined Sphinx Moth — Photo-Artistry White-lined Sphinx Moth -- Photo-Artistry by kenne "I blush blue and exemplary as it zips down to the river,
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Currently reading: Blaris Moor by Medbh McGuckian (2016) Great way to start National Poetry Month!
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Her Muse means water, the moisture on the banks,
which can be awakened by a drop of oil.
Her hair is bound by disturbing fidelity,
hands lingering around her neck
make her shoulder the shape of the island,
sprinkle a balsam that spasms the clouds.
He had won her in an archery contest,
a tame stag who wore pearl earrings
descended from a work of art, the head,
though not the body, painted from life.
Cries of animals hunted centuries earlier
took possession of the mountain.
Apples tended by nymphs of the evening
and effortlessly harvested had been the earth’s
wedding present, the losers in the singing contest
mutated into magpies. She gave birth as a myrrh tree
narrated across forty-four north wall windows.
Were it not for her exhausted transformations
she would know the hedge behind the Muses
is of unchanging laurel and resists fire.
The Girl Who Turned into a Sunflower by Medbh McGuckian
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A timeless winter / will go on taking shape in me.
Medbh McGuckian, from The Flower Master: Poems; "Turning the Moon into a Verb,"
(happy autumn to everyone out there also we're now 26k+ strong🥺🥺 at this point I don't even know how to convey my gratitude to all of you. Thank you seems like such a small word for all the happiness you guys bring into my life every day. Keep showering your love on this girl, I am so grateful for you alll , also don't forget to follow me on my Instagram too @a.poets darling here
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Medbh McGuckian 💌
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The Girl Who Turned into a Sunflower
Her Muse means water, the moisture on the banks,
which can be awakened by a drop of oil.
Her hair is bound by disturbing fidelity,
hands lingering around her neck
make her shoulder the shape of the island,
sprinkle a balsam that spasms the clouds.
He had won her in an archery contest,
a tame stag who wore pearl earrings
descended from a work of art, the head,
though not the body, painted from life.
Cries of animals hunted centuries earlier
took possession of the mountain.
Apples tended by nymphs of the evening
and effortlessly harvested had been the earth’s
wedding present, the losers in the singing contest
mutated into magpies. She gave birth as a myrrh tree
narrated across forty-four north wall windows.
Were it not for her exhausted transformations
she would know the hedge behind the Muses
is of unchanging laurel and resists fire.
–Medbh McGuckian, from My Love Has Fared Inland (2010)
.
.
This is too much. A poem about a girl who turns into a sunflower that begins “Her Muse means water”? Lord. I bow to the great Medbh McGuckian.
“The poem’s title refers to the Greek mythical figure Clytie, whose tragic love for the sun god, Helios, led to her transformation into a sunflower. The series of allusions to mythical transformations of women, bookended by water and the paradoxically ‘unchanging laurel,’ meta-poetically refers to both the mutability and the permanence of the poetic form.”
Actually, Clytie was turned into a heliotrope, not a sunflower. I allude to this in one of my poems when I write: What is the distance between tournesol and turnsole, a whole mythology erected on a false recognition—tournesol being French for sunflower, while turnsole is the English word for heliotrope. (Yet I’m grateful for this mistake.)
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