#Mulan

[artist-issues]

I don't understand the hype around "neurodivergence." I don't get it. I don't get what you guys are talking about. What do you mean when you say "neurodivergent?" Do you just mean "thinks differently than everyone else?" Okay, well, everyone thinks differently than everyone else. We're all unique; nobody's interior world is exactly the same as everyone else's. So what is neurodivergence?

Some people talk about it like it's meant specifically to refer to people who are on the "autism spectrum" but that's not how I'm seeing y'all use it. Online, people say "autistic" and "neurodivergent" in sentences and contexts where the word "creative" or "artistic" or simply "unique-personality" would work better as descriptive words.

And what's a little more perplexing is the...romanticization of it. I just made a post about Mulan, the character, talking about how well-done her character trait of "creativity" is, and someone reblogged it and said she was "neurodivergent." When the whole point of the post is that she was creative: she solves problems with her own unique spin. That doesn't mean other characters in that movie don't also have a unique spin--Mushu ties tomatoes to her arrows to cheat at training. Is he "neurodivergent" too, or just creative? Why do you say "neurodivergent" when you mean "creative?"

What's going on here? Explain it to me, if you're more knowledgeable than I am and I'm just ignorant. Because really, I'd be glad to hear that it's not just one more case of our internet-drunk society creating an exclusive sub-culture with no reasonably defined traits to idealize and identify with.

[scurviesdisneyblog]

Mulan (1998) concept art from the DVD Extras

[kinoselynn]

same flavor.

[movie-gifs]

Mulan dir. Tony Bancroft, Barry Cook | 1998

[soranatus]

Mizu & Mulan By Brian Kesinger, the lead character designer on Blue Eye Samurai, & an artist for Disney animation

“Before Blue Eye Samurai came out, there were a lot of comparisons to Mulan (which I get on a surface level) but now that the show is out, I think people have seen that it’s a little different. That said, it was fun to try to draw Mizu in a 90’s Disney animation style.”

[coralcatsea]

Mulan: -crossdresses to save her father's life-

Mizu: -crossdresses to TAKE her father's life-

[fluidnet]

I was half asleep and thinking about all the stories like She’s The Man and Mulan (1999) where a woman dresses up like a man in order to do something ManlyTM and how they all inevitably fall in love with the masculinity of it all while still being women (or not, I guess, fiction is flexible and gender is more so)

and I went “give me a man who chooses to dress as a woman instead of resorting to violence. Give me a man who, in finding femininity and softness, can find himself. Give me a man who chooses kindness and love over war and aggression, but the only way he can do so is finding solace in the feminine. Not because femininity is inherently softer, but because society has told him as such. Give me a man who, through trial and error, finds himself learning to love the traditional women’s tasks he’s been clumsily attempting. Give me a man who could never truly fit in with other men, and the women around him protect him and love him unconditionally. Give me a man who cannot stand for himself at first, and then rises stronger together with the people who took him in”

And I realized that “give me a man who dresses as a woman in order to avoid going to war” is just. Achilles. And I want that classically animated movie now. I don’t even care if it’s sanitized like the Disney Renaissance Mulan or Hercules, in fact I’d enjoy that. I want Achilles to choose kindness and love and beauty over the war he never wanted to fight. I want a lighthearted, playful version of Achilles where there’s a happy ending. I know it’s a tragedy, but so were a lot of things that got animated at the time (not even Disney, Anastasia and Quest for Camelot come to mind as well) and I think he and Patroclus can have a happily ever after, too

I also want it to be gay, but I think that goes without saying

[sad-endings-suck]

💕the father, the son, the virgin mother, and the holy spirit✨

(bottom right: art credit to polararts)

[stydixa]

MULAN (1998) Dir. Tony Bancroft & Barry Cook

[mafik-sun]

Here are three eras of Disney.

The Beginning (Snow White), the Renaissance (Mulan) and Modern Times (Asha).

[artist-issues]

Look I know Rapunzel paints and Tiana cooks, but if you guys don't think Mulan is the Most Creative Disney Princess, you're wrong.

She's literally introduced in this perfect scene that highlights her whole character, flaws and strengths:

The first time you see her she's:

Cheating, which is totally the opposite of what honor-code General Shang would do.

Undisciplined, which is what going to the army fixes.

Problem-solving—by writing the recitation she can't remember on her wrist—

BUT LISTEN. That last one is the first hint you have that she's the Most Creative Disney Princess. Because guess what? She's not the first young woman to cheat at the matchmaker test. The Matchmaker specifically checks to see if she's cheating when the test begins. But the rest of them wrote their cheat sheet on their fans.

The Matchmaker was prepared for the usual kind of tricks. But Mulan's full of her own ideas, not everyone else's.

You guys know the rest. She dresses up like a soldier—nobody suspects her because the idea that someone would do that never occurs to everyone else. She climbs the pole by tying the medallions around each other when none of the other recruits can figure it out. She lights the cannon by grabbing Mushu instead of searching for flints. She creates an avalanche instead of just taking Shan Yu out. She tricks the Huns by dressing her friends up as concubines. She defeats Shan Yu with his own sword and a bunch of fireworks.

But even beyond problem-solving, Mulan never does things like other people do. She doesn't even do things like other women do.

She doesn't just walk across a bridge, she jumps from pillar to pillar. She doesn't just bring her father tea, she puts a spare teacup in her sleeve because she knows she's clumsy.

Mulan is creative. But you know what that moment proves? That she's not just a representation of all women-versus-men. Mulan is representative of a human, who sees where she has strengths, and sees where she has weaknesses. She uses her strengths to her advantage and works to improve or make up for her weaknesses. She doesn't try to be exactly like a man. She just tries to use what she's got to do the right thing. And finding ways to use what you've got, even if it's not like what everyone else has, is creativity.

[alexstewart]

MULAN (1998) Dir. Barry Cook And Tony Bancroft

[scurviesdisneyblog]

Character designs for Mulan (1998) by Chen-Yi Chang

[destiny-islanders]

happy new year

[princessesfanarts]

Different Love Stories by Yingzong X