The Pocket Trick Touch #4 - Triple Part 3 - Between Car Windows
Action #4 (Episode 5; Triple Part 3; Car Windows)
Newer version: The Pocket Trick Touch #3 - Triple Part 3 - Between Car Windows
This scene was one I had to look for to figure out a Triple existed for this overall Trick.
I recently looked for it again to see if I could find a device to confirm something. As such, I was not searching frame-by-frame in a video. The scene is so quick, it's no wonder I missed it until deliberately looking for some missing pocket touch.
The action takes place in an area between the coffee shop and the restaurant in front of the music shop. Aziraphale is inviting Justine. Crowley will eventually sit on the bench to handle his touches for the ball invitations.
It has two parts.
Crowley is first shown from the back with his left thumb, ring finger, and pinky finger visible. He looks positioned to have his pocket touch in place, which will be confirmed soon. For the ring finger and pinky finger, their tips can be shown. The thumb tip itself seems to be there.
Crowley's shadow is encompassed by shadows around him.
Additionally, the camera zooms until it looks like the shadow or edges of the thumb and pinky meet each other. The ring finger is doing an illusionary touch on the edge of a bicycle wheel, near the edge of Crowley's pants.
If we go with the idea of the pocket chain carrying us into this scene, that actually helps explain its structure of two parts, one for each pocket from the last touch, and in turn, one for each pocket frame. In front of Crowley is the hole in the wall that leads to the music shop. That hole in the wall might not have a door, but it does have a frame of where a door would be.
The Rainbow Connection is on Blue, confirmed with a blue car passing by. A human is carrying a blue plastic bag. Well, that's nice since we connected to a blue shopping bag through shadows back in Triple Part 2. That's a clue to look for anything of value with this blue bag.
The human carrying the blue plastic bag is wearing brown. They are going to cross paths with another human wearing brown. Together, they're going to form a pocket close to the bag-carrying human's right thumb joint.
The thumb joint might be borrowed because "brown" and "borrow" are so similar in letters and can alliterate. But even if not, the other value is that it helps find the exact frame of the illusionary touch Crowley's digits are doing. This illusionary touch for the bike wheel just so happens to be in front of the door frame and overall surrounded by it, which might be what is allowing that illusionary touch to happen.
The joint of the left thumb is touching the bottom outer right edge of the jacket, probably at a vertex, especially since it is not a vertex from the front.
The camera gives Crowley a little break with a blur to show the front and confirm he is indeed standing with that pocket touch that will become clear soon enough. My current understanding is that the blur is assisting with the switch in the Rainbow Connection from Blue to Green. If there is anything else to it, I don't know and am not going to waste my time on it.
Once ready for the front view, Crowley can be seen with his jacket folded onto his right hand. That includes covering the right thumb joint. His shirt sleeve is also extended out enough such that the jacket and shirt are touching each other. I think the jacket is forming an incredibly dark pocket onto itself, but it's hard to see with the dark the jacket is.
With no visible right thumb joint, the tassel of the tie strand on Crowley's right is conveniently not even there. If it is there, the lighting has done an excellent job to the point I simply cannot see it, and that too is probably intentional. I'm going to say it's missing, moving forward.
This time, despite its position and the missing other tassel, the strand closer to the left hand looks like it is actually the strand meant to link with the right hand. Since they start off mirrored, presumably when tied, that actually does fit. The strand goes down the middle of his vest such that the tip just barely reaches the shirt under his vest. The shirt is what is touching the jacket that is touching his right hand.
Meanwhile, the other strand that is presumably linked with the jacket looks to just be trying to stay out of the way on the right and not be as extended while being over the vest, thanks to its missing tassel. This change might be related to how the left thumb joint is actually over the jacket instead of at the edge of it, when viewed from the front. It did its own separate thing from the earlier back view.
Each visible digit is making an illusionary threshold touch. The thumb is visually on the side edge of the sidewalk. The index fingertip is visually on the edge of where that sidewalk meets the ground and has a wet area near it. The middle fingertip is on the edge of one of the lights from the restaurant.
We should look for the pocket chain. We already had a door frame. So, we must find some paper.
Is there any paper in the scene?
Yes, yes there is. The left side of Crowley's head is, in fact, visually, in front of some papers across the street. In addition to that, there is a nearby human who is going to pass over Crowley. As that human draws closer, it is then easier to tell that yes, that paper is lined up to be outside of where those digits are doing those illusionary touches if you drew a straight line down from their sides to that area over the screenshot.
I was curious enough to check more directly myself:
Unlike the touches from before, Crowley is mostly standing still but not completely still. He makes a subtle head movement in feigned annoyance.
Now let's find the actual pocket frame that's intended for Crowley overall for this touch.
First, I must admit there are humans blocking the pocket frame of one of the car windows, but due the last touch in this overall Trick, I still think it's supposed to be car windows, not wheels and not humans.
Maybe the wheels from the back view are allowed to help Crowley out. They were bike wheels but still...wheels. They weren't framing Crowley, but they were framed by something from the last pocket chain.
The car wheels do frame Crowley without human disruption for a few frames.
If that's allowed since they are connected to each car, that helps. From there, we frame based on the wheels and extend based on the fact they are connected to the cars that have the car windows.
I could be making a glaring error here and will correct if I ever understand it better.
There is a lot of complex stuff happening with the Rainbow Connection switching because it actually goes through so many colors here. You can find out more in this post: The Pocket Chain Rainbow Connection Part 3 - The Pocket Trick - Triple Part 3 and Single
I'll also say that the human at the door in the coffee shop wearing black and white has my attention. They are wearing black and white with black suspenders on their back in particular. So, my current frustrated guess is that they are part of "suspending" yellow before an eventual switch to orange. They're also part of why I suspect black-and-white together trap colors.
If the tied hands get their mirror flipped, I would guess it happens only close to the end with a nearby human wearing an orange vest. I mentioned him in Triple Part 2 with the Nina intermission. The human passes such that his reflection can be found in the window pane. He crosses at a place where you can't exactly see Crowley but can figure out, thanks to the human, that's where Crowley's reflection would be if it weren't for a frame in the way.
All the same, Crowley is indeed visually between two car windows on screen, whatever is happening with the wheels.
The pocket frame itself is smaller than usual. Below each car window are a number of things, such as a post that can box Crowley in further. Along the lower right, the restaurant railing, lights and plants box him in all the more.
Here is my best guess on the actual Pocket Frame touch point:
The guess is largely based on two particular humans. One is behind Crowley and has her shoe in an imaginary pocket between Crowley's left jacket sleeve and left jacket torso side. The pocket itself is notably slender, but it exists. Another human makes some convenient pockets with his own shoe and a metal structure nearby. Also, no one is in the way of the wheels by Crowley for any help in the Car Windows framing.
This time, there is a double of Overhead Lights here in this touch. One of them is more directly over Crowley's head though not fully centered. It's still slightly to his left. Then there's a whole extra one further to Crowley's left.
For any further silly imaginary pocketing from just Crowley, he's got a wet spot between his legs. Within that wet spot is a black post. So, whatever silly pocket powers we can muster, we can pocket the post by extension if we like. He's actually going to be touching a different black post soon for Nina's ball invitations instead of the Trick itself. He is also going to be using a pocket, just not one of the touches in this particular Trick.
Speaking of that incoming touch and invitation, let's take a look at those silly tie strands...
The missing tassel has returned.
The tassels are thumbs, if you're new here, and they don't usually spread themselves out, especially like the one on Crowley's left did. I can't tell you what these things are up to here, sorry. I can tell you that they won't really be all that visible for the actual pocket touch itself, and the hand going into the pocket is actually going to be the left hand. Only the Double in The Pocket Trick involves the left hand having a digit in the pocket, and even then, it was only the thumb. The Nina invitation will make sure we see the thumb and index finger of the left hand before the pocket itself is used.
...
The Pocket Trick: Basics
48 notes
·
View notes
Obscure Cemeteries of Amalo theory
About who Tura Olura's lover is.
Spoilers for The Witness to the Dead
What if it's Ema Dravenezh?
Iäna says the Marquis Parzhadel "seems the last person who would support an opera company, especially when he can’t attend himself." Meanwhile, Ema Dravenezh is an attendee every single night
Except for the period following Tura's death, when after the theatre was repaired, he "missed so many performances [Iäna] thought he'd been fired"
Iäna also comments on how he's always the only one in the box. That can look like a weary solitude... but if you are, perhaps, secretly connected to one of the people most frequently onstage, you can feel a lot less alone
Arveneän met and blackmailed Tura when she'd scheduled an appointment to visit the Marquis
If it became a public scandal, it could be argued that Mer Dravenezh persuaded the Marquis to fund the Vermillion Opera, so the fallout would hit not just him and Tura alone, but potentially the entire company and enterprise, which is the kind of secret that's honestly kinda worth murdering over. Arts funding before hoes, etc.
Imagine him sitting there after Tura's death, where it's such an enormous reminder of him, but probably also, what else will he do with his nights? Despite the pain, there are benefits to familiarity, and this collection of people he's supporting.
59 notes
·
View notes