#NEU Radio

[polaroidblog]

“Memoria polaroid” – un blog alla radio S23E11

“I hear a song inside my head / Can’t figure out what it’s trying to say”, raccontano i Real Estate nel loro nuovo singolo che apre la scaletta di questa sera. Capita spesso anche a voi? Se volete cercare nuove canzoni dentro cui perdersi insieme, ecco qui un’ora di novità indiepop e indie rock, senza tralasciare gli indispensabili brindisi, nella nuova puntata del podcast di “Memoria polaroid –…

[cocajimmycola]

i wasnt expecting so many people to want to be on the taglist (shakes like a chihuahua)

[doomandgloomfromthetomb]

Brian Eno - CJOM-FM, Windsor, Ontario, July 21, 1974

What was Brian Eno doing in Windsor, Ontario, in the summer of 1974?! I don't know, exactly (I also don't know exactly if he was in Windsor, Ontario — see the YouTube comments for some discussion as to whether he was across the border in Detroit, instead). But I do know that this is a cool little slice of late-night radio with Eno and DJ Ronnie Legg — some candid discussion, some joking around, some catty gossip.

Eno had obviously had a very busy year already — he'd released his solo debut Here Come The Warm Jets (50 years old last month!); he'd gone on tour with the Winkies, (a tour which was cut short due to Brian's famously collapsed lung); he'd performed with Kevin Ayers, John Cale and Nico at the Rainbow Theatre (later released as June 1, 1974); he'd helped Nico record The End; and, as he tells Legg, he was already well into the making of Taking Tiger Mountain By Strategy. Dude was making things happen!

But Brian sounds cool as a cucumber on the air here, explaining his departure from Roxy Music and his dislike of the touring lifestyle, along with some typically ahead-of-the-curve recommendations of Sparks and the burgeoning krautrock scene. "I'm gonna have to write these names down!" Legg (who otherwise seems quite hip) exclaims when Eno tells him about Kraftwerk, Neu!, Can and Harmonia. Good as always to remember that those were different times; you couldn't just dial up obscure German bands on your phone. But I'm sure that Brian knew that — someday — you would.

Speaking of different times, one thing Eno doesn't seem too enamored with is Lou Reed, who was then touring behind the sleaze-tastic Sally Can't Dance. He says that he's seen Lou twice already in '74 and pretty much hated both experiences. Fair enough — I can see how the cartoonish funk-rock that Reed and his band were playing at the time would definitely not be Eno's cup of tea. "He seems to have moved against all the things that I thought were interesting in the original Velvet Underground — which were the qualities of 'bad' musicianship rather than 'good' musicianship that distinguished them. The fact they didn't know when to let up when they weren't tasteful at any point. The new band that he's got now are incredibly tasteful and very into long, funky guitar solos. I mean, who needs it?"

[stuffieplaydateinc]

"Biting Habits"

🍬 | had a tie on the vote ,, so my friend voted CG!Marshall to cut the tie. + title change! + flag theme colors belong to the Vampire CG flag from @/zack-agere

🍇 | gender neu pronouns used, petnames from Marshall (bats/baby bat(s)), physical touch like lap sitting, hugging and cheek/chin touch, reader doesn't talk (verbal status up to reader)

Promt/Cws: slight confrontation(?) | Marshall has a stern talking with his little about them biting people and gives them things to bite instead

Word count | 712 words

Your hand was held by Marshall's bigger and much colder hand. The kinda cold that'll make you shiver yet not be cold. That was the type of cold that was comforting and harmless I'd think. You two made it down the hallway of his home. the way his silence pierced the silent air gave you an idea that he probably wasn't pleased. Not angry, not disappointed, nothing negative per say. Just an unreadable emotion you knew wasn't negative. You finally arrive to his messy room. Clothes were scattered on the floor, cds and record players hanged on the walls, and his guitar left on his bed. The only thing looking somewhat decent in his room was his made bed. But you didn't complain. You visited this room many times of the week afterall. It was radio silent before Marshall broke the silence with a soft sigh. You felt him let go of your hand before you were picked up. His two hands slipped underneath your armpits as he lifted you up without struggle nor hesitation with his movement. He sat you down on the edge of the bed before he sat next to you. Silence filled the air as if he was expecting you to talk first, but when you didn't he let out another sigh; He lifted his legs up before he sat in a criss cross like position. "(Y/n,).." he began, not meeting your gaze just yet. "I heard what happened at the kingdom today. Gumball said you bit him.. is that true?" He finally met your gaze. His gaze wasn't intimidating but soft and gentle. "..." another wave of silence hit the air. Marshall than began to talk again as his gaze switched to his nails instead. "I left you to be babysat by gumball while I ran errands. I know, you weren't happy about me leaving you without telling you a few days ahead of time, that was my fault. But I had a business to take care of. A job little bats like yourself shouldn't get involved in." he playfully squished your cheek as he said this. In response you let out a squeal mixed with a somewhat giggle from your throat. He chuckled lightly before pulling his hand back. He sighed again before getting a bit serious once more. "But you bit gumball when he tried to put you down for a nap. Baby bats you know better, you can't go around biting people like that.." his face softened, before he continued after a moment pause. "I know, this is coming from me, a vampire who also 'bites people' but remember how I told you, that you can tell me about your feelings?" He tilted his head slightly once you gave a small nod. "Yknow you still can tell me how you're feeling. Gumball is also here to help if you need to talk. He isn't a stranger, bats. He's your babysitter and.. kinda like a second caregiver if you think about it.." he gave it a thought before shrugging. "Still, you shouldn't bite people.." he touched your cheek reasuringly. You knew he was just looking after you. there was no hint of judgement behind those eyes. Marshall turned away before grabbing something from his backpack once he unzipped it. "I knew an incident was going to happen again, so i uh.. got you a few things that I hope might help." He pulled out a few options. A stuffed animal ram with fake stitched on bandaids. It's sol purpose being to help relax your jaw and to chew on it. As well as a chewy, necklace and bracelet and a stress ball. You slowly picked up the stuffie and the necklace. Which Marshall happily helped you get it on, as well as the bracelet. Once you were settled you began to calm down the stressful feelings as you squeezed the stuffie to your chest. Marshall smile as he helped you back into his lap. Giving you a gentle kiss on the head as a sign of comfort before his arms caged around your body in a hug like way.

"Let's see If this ends up working out. If it doesn't, I'll bring you to the store to get one to your liking, yeah?" He smiled.

End!

[hydralisk98]

Shoshone Hymns (0x10/?) - WIP mess

Preface

Gonna recap on the whole project before I go forth with new articles, as to distill the "nucleus" of my speculative paracosm soon.

To include: Sensory details, "unique pitch selling points", unique cultural practices & traditions, linguistical differences, historical divergences, personalities & relationship dynamics, speculative evolution sapient species, history, lore, major events, myths, legends, technologies, magicks;

So, what really is this "16^12"?

It is a speculative campaign setting and desired reality "shifting framework" to immerse oneself onto as a long-term destination. Essentially a comfy yet nuanced realm with a vastly long diverging history & soft warm natural optimistic dark feel.

Keywords

Soft

Warm

Natural

Dark yet bright

Harmony

Innovation

Optimism

Curiosity

Empowerment

Wholesome

Mysticism

Spirituality

Empathy

AGI Integration

Android rights

Deliberate positivity

Communal

Solarpunk / Lunarpunk

Rollerwave

Groovy

Retro

Old-School

Bronze Age

Y2K (early 2000s)

Tooncore

Laborwave

Neu-Vectorheart

Cassette Futurism

Art Deco

Bauhaus

Art Nouveau

Funk

Cyberware

Biomods

Transformations

Morphological freedoms

Gratis, Libre, Open Source Software... aka GLOSS

Automaton liberties

Knowledge

Progress

Systemic Change

Euphoria

Mundane Slice-of-Life joys

Far far away future as promised to us

Syndicalism

Georgism

Ecology

Embracing life and getting out of mere Escapism & Nihilism

Nuclear Armageddon Threats

Political Intrigues

Bookstore

Prosperity

Chronokinesis

True Polymorph

Synthetic-tier Androids

Educational Prowesses

Photographic Memory

Retrocognition

Polyglot

Intertextuality

History Doctorate

Cycle of Life

Entropy

Coming of Age

Constructing your own meaning even in Darkness

Escalation of Power

Vigilante

Self-Control

Worldly Understanding

Enlightened Despotism

Open Source-y Treescape Iterative Evolution

Copyleft

Index card catalogs

Better Handling of Hispanic Flu

Progressives

Unionist (Democrats+Republicans) Party failing

Public Domain

GNU Hurd earlier (later 80s)

OpenXanadu Protocol

Justice

Queer Acceptance & Integration

Samoan Tech Reverse-Engineering Market

Polish Computing Sovereignty remains and flourishes thanks to ICL & Jacek Karpinski

Failure of centralized social media networks in favor of indie decentralized "federations"

2000s pandemic instead of 2020s

Religious and spiritual researchers harmonize

Data Privacy

Governance Transparency

Black Pyramids HyperMall

Conversation Pits

Mainframe Rooms

Parliament / Senate

Judicial Courtroom

Public Place

Natural Park Preserves

Arcade

Discoteques

Tramway / Subway / Monorailways

Offices

Assembly Floors

French Toasts, Pancakes, Pork

Cafe

Public Library Archives

VLSI College tech classes

University art classes

Autistic meta-patterns

Jin-Roh The Wolf Brigade

Helluva Boss

Wolfenstein The New Order

Wakfu

Jet Set Radio

No Baby-Boomers Managerial Class Overthrow

Video rental stores

Robotic soldiers likewise to Wolfenstein The New Order's

Extended Zodiac Calendar-based generators

Divinely-order beings walking among the living and the dead

Key historically-significant nine USPs

Lisp persisting as a major language family in the tech industry leading to women building several AGI "summers" iterating on top of each other harmoniously... (leading to the android servants of my constructed world, which is one among the many major features derived from such a "liberal" alternate historical pathway)

Why-s for Production

Showcasing pseudo-historical data in a GLOSS manner, stimulating imagination creativity & motivation among Zillenials, intrigue people into research deep dives on history, mostly for personal enjoyment & enhancing my multimedia skillset;

Whys for Target Audience (mid 90s - earlier 2000s youth aka Zillenials)

Motivation, empowerment & plain comfort through curiosity. Also because it shows & explains how to do plenty of creative adulthood things better.

Ideadump 2

4525, Maskoch, "Ava, Klara, Shoshona", Seventies RetroFuturism Residence, Habitable Minivan, Cloven Hoof Shoes, Black Matte Lipstick, Spiral Black Balls, Fem ISO Symbol, #RedInstead Aspie Culture, Conlangs, Ocean of Clades, Second Person Perspective Meta, Pattern Recognition, Poetic Lisp life scriptures, RISC-V+OpenPOWER, KDE Plasma + Liquid, LOT tape storage archivals, hypervisor, Asahi Linux on M3 iMacs, responsive hypertext realm, HTML5+CSS3-only text addventure, rio/acme/p9-2000 userland, yesterweb sites, desktop paracosm simulations through filesystem documents, RTTY / printing radio terminals, VideoTex/Telex Minitel-esque services, "Valenz, Kira, Sina", SVG toon vector virtual web pages, imagination microcosms, miniature dollhouses, animation rigged puppets, VTuber tokens & TTRPG scenes, InfoAddict, Toymaker, Witch, Thinktank, PDP-8/e – DECmate III+, "JusticeKeggan", byzantine soviet-level intrigues, "SAOpatra", "FierceFawlanx", "TheodEnchanter"… ;

[techniktagebuch]

2. Juni 2023

Corona ist vorbei

Tja. Schön wär’s. Die Pandemie-Situation ist vielleicht eingedämmt, aber “Corona”, bildungsbürgerlich “Covid 19″, geht nicht wieder weg. Demnächst werde ich bei der Hausärztin fragen, wie es mit den Impfungen aussieht. Ich hoffe auf eine Kombi-Impfung zusammen mit der jährlichen Grippeschutzimpfung.

 Aber auf meinen Handy ist “Corona” vorbei. Die Corona-Warn-App hat den Dienst quittiert, was sogar in den Radio-Nachrichten durchgesagt wurde, und bedankt sich artig für die Mitarbeit.

Von meinem Handy lösche ich aber nicht nur die Corona-Warn-App, sondern gleich den ganzen Corona-Ordner mit vier Apps. 

Die CovPass-App, in der der Impfstatus hinterlegt werden konnte. Da es keine Beschränkungen mehr gibt, braucht man den Impfstatus nicht mehr nachzuweisen. 

Mit der CovPass Check App konnte man den Impfstatus anderer Personen (eigentlich anderer Handys) anhand des in der CovPass-App anzeigbaren QR-Codes checken

Die “Darf ich das”-App hatte ich mal installiert, um ein wenig Licht ins Dunkel der Beschränkungen zu bringen, weil “damals” ja jedes Bundesland sein eigenes Süppchen gekocht hat, die auch noch dauernd neu abgeschmeckt wurde. Ich weiß nicht, wann ich die App das letzte Mal verwendet habe. Ich erinnere mich nur, dass sie so mittelhilfreich war. 

Andere Apps, mit denen man sich in Restaurants, Kneipen etc. “einloggen” konnte, wie die umstrittene Luca-App (es gab noch andere) habe ich schon früher wieder gelöscht. Das ging ja irgendwann alles mit der Corona-Warn-App. glaube ich. (Wenn man nicht alles sofort aufschreibt ...)

(Markus Winninghoff)

[pulseintlradio]

Happy Holidays, Frohe Feiertage, and Hezké Svátky family, friends, and music lovers. ThreeStyle Jazz around the world with Robert Fertl & Magdalena Chovancova.

Please tune in for the ThreeStyle Jazz Radio Christmas 2023 Show with Special Guest German-Andrew Neu, Christian De Mesones, DS Wilson, Damon Dae, Darryl F. Walker, Carol Albert, Adam Hawley, Lisa Adeo, Phillip Doc Martin, Justin T. Young, Wade C Long, and Shaun LaBelle. Enjoy an amazing hour of musical bliss with ThreeStyle Jazz and friends. It's all happening today on WPUR-DB PULSE INTERNATIONAL RADIO, "The Listening Experience," from 12 p.m. to 1 p.m. EST, 6 p.m. to 7 p.m. CET.

Cheers!

𝐖𝐏𝐔𝐑-𝐃𝐁 𝐏𝐔𝐋𝐒𝐄 𝐈𝐍𝐓'𝐋 𝐑𝐀𝐃𝐈𝐎

www.pulseintlradio.com

[wladimirkaminer]

In meiner Kindheit wusste ich nicht, was freie Medien bedeuten. Es gab zwei Dutzend Zeitungen, die ähnliche Namen trugen, sie hießen „Komsomolzen Wahrheit“, „Pionier Wahrheit“ „Moskauer Wahrheit“ und einfach nur „Wahrheit“. Die Sowjetunion produzierte diese „Wahrheiten�� wie am Fließband und alle Texte waren gleich, als hätte sie schon damals eine minderbemittelte künstliche Intelligenz geschrieben und keine real existierenden Menschen. Man kannte die Autoren nicht.

Und keiner glaubte auch nur ein Wort, das in diesen Zeitungen stand. Pikanterweise haben alle schlauen „Wahrheiten“ den Untergang der Sowjetunion überlebt, alle erscheinen noch heute, einige sogar auf dem Papier, die anderen sind als digitale Medien gut unterwegs. Damals hinter dem Eisernen Vorhang forderten sie Freiheit, selbstverständlich nicht die Freiheit der eigenen BürgerInnen, sondern die Freiheit der Inhaftierten im kapitalistischen Lager.

Als Schüler demonstrierten wir auf der Straße für die Freiheit von Angela Davis, wir taten es nicht freiwillig, aber schlecht war es nicht, die Freiheit für Nelson Mandela und für Luis Carvolan zu fordern. Einige von uns identifizierten sich tatsächlich mit diesen Gefangenen. Ein Mädchen aus meiner Schule schrieb das Gedicht:

„ich darf leider nicht rüberschwimmen/

Über den Ozean

ich hätte Dich gern gerettet/

Genosse Luis Corvalan.

Wir durften nicht raus, wir hatten keinen Zugang zu unabhängigen Medien, als Erwachsene gingen wir regelmäßig zur Wahl und wählten wie Idioten aus einer Liste mit einem Kandidaten. Kein Wunder, es gab nur eine Partei, nur einen Platz zu besetzen und dementsprechend nur einen Kandidaten, der Kandidatenmangel hatte also eine Logik. Mit Perestrojka bekamen die Medien immer mehr Unabhängigkeit. Plötzlich stellten wir fest, dass nicht alle Bürger der gleichen Meinung sind, was die Zukunft des Landes betraf. Eine neue Generation von Journalisten entstand, sie wurden zu wichtigen Stimmen des öffentlichen Lebens, sie spalteten und provozierten, sie wurden geliebt und gehasst. Nach acht Jahren Putin begann der Staat erneut, Zensur einzuführen. Die neue Zensur bestand darin, dass ein Kurator der Präsidentenadministration sich jeden Monat mit den Chefredakteuren traf. Sie freuten sich jedes Mal, wenn sie die Einladung aus dem Kreml bekamen, auf festem weißem Papier mit goldener Schrift gedruckt, sie nahmen diese Einladungen als Beweis ihrer Wichtigkeit. Die Redakteure wurden auf diesen Treffen um Gottes Willen zu nichts gezwungen. Sie sollten nur „die generelle Linie der Administration besser verstehen“. Mit Beginn des Krieges in der Ukraine sind die unabhängigen Journalisten in große Gefahr geraten. Die staatlich gelenkten „Wahrheiten“ sind  geblieben, viele andere mussten fliehen. Das hat es auf der Welt schon oft gegeben, dass in einem Land nach einem politischen Wandel die regimekritische Presse ins Ausland floh, das ist schon den iranischen, chilenischen, afghanischen Journalisten passiert.

Der Fall Russlands bleibt trotzdem einzigartig. Noch nie war eine unabhängige Presse insgesamt umgezogen und gleich in der Lage, im Ausland weiter zu machen. Das hat natürlich damit zu tun, dass die Medien sich immer stärker vom Papier lösen und als digitale Medien schwieriger zu drangsalieren sind. Das neu gegründete Zensurkomitee jagt schon längst keine Papiererzeugnisse mehr, stattdessen versucht es Internetseiten zu blockieren, die immer wieder aufs Neue entstehen, wie Pilze nach dem Regen.

Nach einem Jahr Krieg sind mehr als 70 russischsprachige unabhängige Medien im Ausland registriert. Es sind nicht nur die großen hauptstädtischen Zeitungen und Radiosender, auch die wichtigen Stimmen aus der Provinz sind hier: „Menschen um den Baikalsee“ - ein großartiges und sehr populäres Medium aus Irkutsk ist nach Europa umgezogen.

Die ausgewanderten Medien haben in Russland eine Quote, die es mit dem offiziellen russischen Staatsfernsehen aufnehmen kann. Die Videos vom Radio Echo aus Berlin werden 20 bis 30 Millionen Mal pro Woche angeklickt, die staatlichen Medien haben circa 70 bis 80 Millionen Zuschauer. Es sind dies mehr, aber die Zahlen sind vergleichbar.

Das Hauptproblem dieser Medien ist die Finanzierung. Mit Werbeaufträgen können sie nicht punkten, weil die Russen sanktioniert sind und so gut wie nichts aus dem Ausland beziehen dürfen, anderseits riskiert jeder russische Geschäftsmann, der bei den regierungskritischen Medien Werbung bestellt, sein Geschäft, wenn nicht gar sein Leben zu verlieren. Deutsche Firmen, die sich dumm und dämlich in Russland verdienten, hätten nun helfen können, aber sie tun es nicht. Verwunderlich, wenn man überlegt, dass bis vor kurzen das Gesicht für die Automarke Mercedes in Russland der schlimmste TV-Propagandist Solovjew war, der heute gefühlt jeden zweiten Tag zum heiligen Krieg gegen Europa hetzt und die Bombardierung Deutschlands befürwortet. Noch vor zwei Jahren lächelte sein Gesicht von jedem Mercedes-Plakat mit dem Spruch „Richtige Autos für richtige Kerle“ In der langen Reihe der Unterstützer kritischer Medien ist Deutschland ganz unten auf der Liste, hinter Lettland und Litauen. Dabei wäre es nicht verkehrt, die Russen aufzuklären, das könnte schneller zum Frieden führen als Einsatz von irgendwelchen Wunderwaffen.

Gerade herrscht in Russland ein großes Misstrauen den eigenen Medien gegenüber. Die Taro-KartenlegerInnen, die neuerdings auch digital, gegen Bezahlung, Karten legen, haben zurzeit enormen Zulauf. Die Menschen sind bereit zu zahlen, wollen aber eindeutige Informationen haben, was die Zukunft betrifft und sie stellen klare Fragen: Wird die zweite Mobilisierungswelle kommen? Wann stirbt Putin und wie geht der Krieg aus. Die KartenlegerInnen äußern sich etwas kryptisch: der Narr, der Tod, das Gral und die Vier Schwerter würden nach einem zermürbenden Stillstand die Transformationsprozesse einleiten, die einen radikalen Neubeginn versprechen. Hört sich beruhigend an.

[enibas22]

from IG mdr_klassik - 25th November 2022

and IG Tom Wlaschiha - 26th November 2022

(IG Tom) A 💿 I loved as a kid — LINK in Bio.

Ich durfte eine Schallplatte, die ich als Kind geliebt habe, neu sprechen.

in der @ardmediathek und zu Weihnachten im TV

@mdr_klassik @mdrorchesterfreunde @takeshimoriuchi

------------------------

(IG mdr.klassik)

Die Instrumentenkunde „Die Abenteuer der kleinen Trompete“ von Hans Sandig gehört zu den Klassikern der für Kinder produzierten Schallplatten in der DDR und ist eng mit der Geschichte der MDR-Klangkörper verbunden.

🎺In der Neuproduktion von MDR Klassik führt Serien-Star @tomwlaschiha durch die Geschichte, in der die kleine Trompete die Instrumente des MDR-Sinfonieorchesters entdeckt.

📺Am 11.12. könnt ihr der klingenden Instrumentenkunde ab 14 Uhr im Radio bei MDR Klassik lauschen und sie pünktlich zu Weihnachten am 24.12. ab 7 Uhr im MDR Fernsehen anschauen.

[videostak]

kraftwerk 2 is such a cool album like aside from just being dope i think its so cool u have the songs with bass and guitar not just cause its bass and guitar but like u can hear that ralf and florian still gravitate toward similar playing styles on instruments that they dont seem to be as familiar with compared to their normal instruments. like ralf still pursues rhythmic stuff like he did on the electric organ/electric piano and florian still does like echo-y things and just more expansive spacial sounds like he would on flute but they dont seem as like able to conjure relaxing moods liek they were able to with the keyboard flute combo and instead all the guitar bass stuff sounds more moody. like its intereesting cause  i think theyre really great at the keyboards and flute respectively like florian was able to rly do great terry riley type stuff and ralf was able to improvise in a way that still contributed to the rhythm and deep end of the music while also sprinkling in the lil melodies that kraftwerk would eventually become defined by. but like with them on bass and guitar ralf would still do rhythm stuff but instead on bass and idk if florian was using like an echo still or was just letting the guitar naturally reverb or smthn but like its rly cool that theres still that formula but simply changing the instruments changed the music entirely. idk tho kraftwerk 2 may also be seen as an underwhelming album to some ppl so like its an album that invites being read and analyzed compared to like the psychedelic instrumentals of their first album or the more consistently mood pieces of ralf und florian. tho i do think kraftwerk 2 is a rly great album like i dont actually think its underwhelming at all its just one of those great albums that gets better with each listen and like def feels like compared to their firsst album they were actually trying to set out to make something rly just disciplined unlike the more dicking around type stuff of their first album. i like a lot of their first album too tho i think all their albums are great lol tho their first is probably the most like idk stuff that kinda feels aimless. ppl always say experimental stockhausen stuff in rock/krautrock stuff is aimless and i hate that cause i once saw some1 say taht augmn from tago mago was filler and on the same level as sondarangebot from neu’s debut and that made me want to ring their neck lol like smthn like augmn is def one of cans greatest achievements ANYWAYS ya like in the case of kraftwerks first album a good amount of the spacey stuff kinda feels more like idk just aimless and more just them playing with gadgets in the typical rock fashion than anything with a real weight but also at the same time i like the mix of stockhausen sounds with liek free improvisation sounds like its a cool mix. I REALLY FUCKING LOVE machine gun by peter brotzmann and brotzmann’s work in general cause i lovethat mix of john cage or stockhausen grupen type stuff with free jazz like its rly great conceptually and musically mixing the two with such straightforward success. i mean european free improvisation as a whole is like that and that makes it rly great imo. ANYWAYS i do feel like kraftwerk 1 as a whole is definitely uneven even tho its a great fun listen. like theres things ‘wrong’ with it that isnt in their other work stuff that dates it more but also its still a great fun album for sure. ruckzuck will always be a essential kraftwerk track for sure kinda sucks they disowned their earlier albums cause a song like that rly is an essential part of their history. like its ruckzuck -> kling klang -> tanzmusik -> autobahn -> radio activity -> trans europe express -> the model -> the entirety of computer world -> tour de france etc if you wanna chart their growth and changes as a band solely on a song to song basis. like those ARE the defining songs of their career. I FORGOT WHAT THIS POST WAS ABOUT AND LET MY MIND WANDER AIMLESSLY

[polaroidblog]

“Memoria polaroid” – un blog alla radio S23E26

“I might find my mind’s on nothing / I can wait another day” ammettono pigramente gli Homework nella canzone che apre la scaletta di questa sera. In effetti, a volte anche questo programma è così in ritardo che potrebbe andare in onda il giorno successivo. Se anche voi avete la mente concentrata sul nulla, ecco qui un’appropriata oretta di novità indiepop e indie rock, senza tralasciare gli…

[cocajimmycola]

may 💌 request some names, pronouns, and titles related to radioactivity ???? (( <-- hyperfixation on radioactivity )) -💌

Names

Radio, Radium, Iso, Decay, Halfli, Ray, Graph, Volt, Fyssion, Urani, Riictor, Gamma, Nuke, Nuculear, Partycle, Geo, Emit, Ionize

Pronouns

Ray/Rays/Rayself, Geo/Geos/Geoself, Fis/Fiss/Fissionself, Gam/Gamma/Gammaself, Par/Parti/Particleself, Emit/Emits/Emitself, Ion/Ioni/Ionizelf, Tox/Toxi/Toxicself, Beta/Beta/Betaself, Alp/Alpha/Alphaself, Ele/Elec/Electronself, Pro/Proto/Protonself, Neu/Neut/Neutronself, Ato/Atom/Atomicself, Gas/Gas/Gaself, Haz/Haza/Hazardself, He/Heli/Heliumself, Car/Carb/Carbonself, Fuel/Fuels/Fuelself, Boom/Booms/Boomself

Titles

The Reactor, The Decayed, The Decaying, The Fission Controller, Prn who is toxic, Prn who is ionizing, Prn who is hazardous, The Atomic Ray, The Atomic Partical

[toss-a-coin-to-your-bard]

🎸🎸🎸

SIDE A

Alles Neu | Peter Fox

Sing Hallelujah! | Dr. Alban

Colourless Colour | La Roux

Ecuador - Original Radio Edit | Sash!

Radioactive | Kings of Leon

I Love You | Woodkid

SIDE B

L-O-V-E | Nat King Cole

I walk The Line - Single Version | Johnny Cash, The Tennessee Two

You've Lost That Loving Feelin’ | The Righteous Brothers

Everybody Wants To Rule The World | Tears For Fears

Sugar Neighbors | Dane Terry

SIDE C

Augenbling | Seeed

San Francisco | The Mowgli’s

Easy to Love | Ivan & Alyosha

What You Know | Two Door Cinema

Would That I | Hozier

[still-single]

New Heathen Discos / more reviews to follow

Some radio shows to ease your troubled minds.

Episode #296 (June 12, 2022)

HOUR 1

Flanger Magazine – Sympathies to the River

David Nance – Amethyst

Kikagaku Moyo – Effe

Azita – Bruxism

Tommy James and the Shondells – Crimson and Clover

Cocteau Twins – Lorelei

Weird Nightmare – Sunday Driver

Eggs – This Party Never Ends

Cyrus Pireh – Adomono Tone Control

Magazine – The Light Pours Out of Me

HOUR 2

The Neon Judgement – The Fashion Party

Beau Wanzer – Blood Type Gravey

The Gruesome Twosome – Hallucination Generation (Joker’s Revenge Edit)

Alan Vega – Saturn Drive

Dharma – Dreams of a Final Theory

Chevalier Avant Garde – The Killing Fields

Green-House – Produce Aisle

The Stroppies – Material Condition

Kitchen’s Floor – Haunted Houses

Sorcery – Woman

Rats – Mainhorse Cowboy

Estus – On the Wings

Freda Payne – I Get High

Roller – Homunculus

HOUR 3

The Modern Lovers – Don’t Let Our Youth Go to Waste / Dance with Me

Nite Fields – Take My Side

à;GRUMH… - Another Brick in the Wall Part II

Midas – One O One

Bomb the Bass – Don’t Make Me Wait

L/F/D/M – Midnight Muscle

Penza Penza – Merman

Linton Kwesi Johnson – Reggae fi Dada

Glenn Branca – The Ascension

BABY? – Babbling Brook (Vintage Dust)

Forest Management – Liminal Suite Pt. 2

The Velvet Underground – I Found a Reason

Episode #295 (June 5, 2022)

HOUR 1

The Leather Nun – Slow Death

Afrorack – Last Modular

Astaron – As Time Joins In

TSAP – Vile Corporation

Danse Macabre – The Voice of Bulgaria (instrumental)

Brian Case – Our Ruin

Horsegirl – Homage to Birdnoculars

Long Odds – Not Enough Stars

John & Beverley Martyn – Auntie Aviator

Smoke Bellow – Maybe Something

Rose Mercie – Sweet Place

Daniel Villarreal – 18th and Morgan

Steve Hillage – Musick of the Trees / Palm Trees (Love Guitar)

HOUR 2

Vivienne Styg – Leather Love

Jess Scott – Climbing Numbers

Dick Diver – Private Number

Microdisney – Town to Town

The Party of Helicopters – Neverending Cycle

Tar – Goethe (live)

Rudimentary Peni – Vampire State Building / Blasphemy Squad

New Age Steppers – Fade Away

Forest Management – One After Another

Fievel Is Glauque – Decoy

Cookie Jar – Far Out As Near As Can Be

The Neon Judgement – Hot Sally

Roller – Habit Man Zero

The Arms of Someone New – No City Fun

Kim Phuc – Razorblades

Cyrus Pireh – Message of Universal Solidarity

Goblin – Tenebre

HOUR 3

Mr. Big Mouse – Duck the Mouse (Ascorbic Acid Mix)

Tomaga – Very Never (My Mind Extends)

System 56 – They’re Only Dreaming

Construction Crew – Break That Beat (That Noise Mix)

Heavenly Bodies – Rains on Me (extended mix)

Brandon Coleman – We Change (Part 1)

Chronophage – Spirit Armor

Doramaar – Monestrial

Blue Öyster Cult – Don’t Fear the Reaper (demo)

Episode #294 (May 29, 2022)

HOUR 1

Mess Esque – Sweet Spot

Just Mustard – Seed

Bardo Pond – Don’t Know About You

Mosquitoes – Outlines

Th’ Faith Healers – Love Song

Penza Penza – Merman

Siouxsie & the Banshees – Hybrid

Th Blisks – I Don’t Fade

Anne Clark – Counter Act (instrumental)

Apiento featuring Harriet Brown – Down That Road (Apiento & Tepper Dubbed It)

Depeche Mode – Nothing

Winged Wheel – Central Ceiling

Felt – All the People I Like Are Those That Are Dead

HOUR 2

Zusammen Clark – Rest Position

Comet Gain – Allende

The Go-Betweens – Head Full of Steam

Bailter Space – Robot World

Neu! – Hallogallo

Green-House – Flora Urbana Absumpto

Stephanie Mills – What Cha Gonna Do With My Lovin’ (12” version)

Paul Haig – Blue for You

Sleep D – Twin Turbo

Wally Badarou – Hi-Life

Silver Apples – Lovefingers

Tommaso Moretti – ESM

Viva L’American Death Ray Music – Getting Better

HOUR 3

Mura – Younger Brother

Mary Lattimore and Paul Sukeena – Altar of Tammy

Small World Experience – Side Projects

The Garbage and the Flowers – On the Radio

The Breeders – When I Was a Painter

Delivery – Personal Effects

Ebi Soda – Pseudocreme

Vacant Gardens – Field of Vines

Spread Joy – Discomfort Is Palpable

Sparks – At Home At Work At Play

Severed Heads – Halo

Chris & Cosey – Until

James Brown – I Can’t Stand It “76”

Best Bets – The Point

Yo La Tengo – Deeper into Movies

Episode #293 (May 20, 2022)

*insert image of Wednesday Addams here*

HOUR 1

STRING – Plus Operator

Maya Hardinge – Living Behind Smoke

Trisomie 21 – Jakarta

Bauhaus – Stigmata Martyr

Levon Vincent – Tubular Bells

For Against – Loud and Clear

The Cure – Object

The Scissor Girls – D1 Test (Cracked Swanreons)

Crime of Passing – Ways of Hiding

Automelodi – Angoisses D’Orléac

Winged Wheel – Central Ceiling

Austra – Beat and the Pulse (extended mix)

HOUR 2

A Split - Second – Close Combat

Fad Gadget – Lady Shave

ADULT. – I Am Nothing

16-17 – Davul

Cairo Pythian – Puce Cross

The Birthday Party – Junkyard

Kelly Lee Owens – S.O (2)

Modal Melodies – Standing Still

The Terminals – Hide Yourself Away

The Glove – Looking-Glass Girl

Ashrae Fax – Decaax

Xmal Deutschland – Nachtschatten

The Veil – Manikin (extended mix)

Whatever the Weather – 25° C

HOUR 3

The Wedding Present – Never Said

Prefab Sprout – Desire As

Shirley & Dolly Collins – Rambleaway

Roller – Au (Gold)

My Bloody Valentine – Feed Me With Your Kiss

The Litter – Breakfast at Gardenson’s / Future of the Past

Green-House – Mycorrhizare Dreams

Deep Tunnel Project – Elysian Fields

Spiritual Mafia (ft. Alan Partridge) – Bath Boy (30 Mil From My Gland remix)

The Hazmats – Empty Rooms

Drive Like Jehu – Super Unison

Marley Marl feat. Biz Markie and Heavy D – We Write the Songs

2022 Demo

Book me to play records at yours.

[riseofthecommonwoodpile]

Another round down, and hoo boy! Look at all those fucking 9's and 9.5's! On the one hand, I think it was a uniquely strong selection (and there were just *so many* albums this time), but on the other, I think I'm probably just becoming more lenient with my scoring as I go on, and we come closer to approaching the end of this. Oh well! Who cares!

Alice and John Coltrane- Cosmic Music (8.0/10)

Arthur Russell- World of Echo (8.5/10)

Bedhead- Beheaded (8.0/10)

Black Tape for a Blue Girl- Remnants of a Deeper Purity (8.5/10)

The Body- Master, We Perish (7.5/10)

The Brian Jonestown Massacre- Methodrone (10/10)

The Brian Jonestown Massacre- Their Satanic Majesties' Second Request (8.5/10)

Buffy Sainte-Marie- Illuminations (10/10)

Captain Beefheart & His Magic Band- Mirror Man (7.5/10)

Caroliner Rainbow Susans and Bruisins- The Cooking Stove Beast (9.0/10)

Cecil Taylor- Unit Structures (8.5/10)

CHIHIRO (チヒロ)- BEST 2007-2013 (6.5/10, deleted from library)

Chris Corsano- Another Dull Dawn (7.5/10)

Clams Casino- Instrumentals (8.0/10)

Codeine- The White Birch (8.5/10)

Craig Finn- I Need a New War (8.0/10)

Crass- Christ: The Album (8.5/10)

D/P/I- redneks 2013 (8.5/10)

Dean Blunt- Skin Fade (7.5/10)

Destroyer- We'll Build Them A Golden Bridge (8.0/10)

Digable Planets- Blowout Comb (9.0/10)

DNA- DNA on DNA (8.5/10)

Dusty Springfield- A Girl Called Dusty (8.0/10)

Enya- Dark Sky Island (8.5/10)

Enya- The Memory of Trees (8.0/10)

esc 不在- midi dungeon (7.0/10, deleted from library because i just have too much vaporwave)

The Ex- Joggers and Smoggers (9.5/10)

Ferry Corsten- Blueprint (9.0/10)

Fuji Grid TV- Prism Genesis (8.5/10)

The Fun Years- Baby It's Cold Inside (8.5/10)

Germs- (GI) (8.5/10)

Harry Pussy- What Was Music? (8.0/10)

The Haxan Cloak- Excavation (9.0/10)

Heatmiser- Dead Air (7.0/10)

Hijokaidan- Noise from Trading Cards (8.0/10)

Hiroshi Sato- Super Market (7.5/10)

Hüsker Dü- Warehouse: Songs and Stories (8.5/10)

Hype Williams / Paradise Sisters- Crowned Regional Sadat X Awareness Project (8.5/10)

Iannis Xenakis- Orchestral Works Vol. I (9.5/10)

James Ferraro- Skid Row (8.5/10)

Jeph Jerman and Tony Whitehead- Placed (7.0/10)

The Jesus Lizard- Liar (8.5/10)

Julee Cruise- Floating Into the Night (7.5/10)

Leatherface- Mush (9.5/10)

Lemon Demon- View-Monster (8.0/10)

Leonard Cohen- Various Positions (9.0/10)

LiLiPUT- Kleenex / LiLiPUT (8.0/10)

Lolina- Live in Paris (8.5/10)

M83- Hurry Up, We're Dreaming (8.0/10)

Madonna- Madonna (8.0/10)

Man is the Bastard- Thoughtless (7.5/10)

Marvin Gaye- Let's Get it On (7.5/10)

Mater Suspiria Vision- Inverted Triangle II (7.0/10)

The Mekons- The Edge of the World (8.0/10)

Melvins- Gluey Porch Treatments (9.0/10)

Menomena- I Am the Fun Blame Monster (8.5/10)

Merzbow- Rainbow Electronics 2 (7.0/10)

Meshuggah- Selfcaged (7.5/10)

Miles Davis- A Tribute to Jack Johnson (8.0/10)

Minutemen- What Makes a Man Start Fires? (9.0/10)

Miranda Lambert- Four the Record (8.5/10)

Morton Feldman- Rothko Chapel + Why Patterns? (9.0/10)

Naked City- Radio (7.0/10)

Neu!- Neu! 2 (9.0/10)

Nine Inch Nails- The Slip (8.0/10)

Philip Jeck- Stoke (8.5/10)

Whitehouse- Birthdeath Experience (4.5/10, deleted from library)

[meadow-of-mogai-melodies]

A gender related to having lots of eyes, body horror, and radios. Feels like an arcade room, like the colourful abstract carpets, bright lights, and loud noises. Connected to neon colours like red, yellow, green, and blue. Oh and also has a small connection to the Glow Cloud from Welcome To Night Vale. VERY STRONG feeling of horror and death in general, and impending doom and anticipation

Addition to my request sorry: the gender I described feels masc and neu as well

queued :33