#Ogura gen 4

[kashisun]

Isaiah's first sleepover!!!!

[probllama-mama]

[mamoru-miyano-france]

News du 4 novembre au 28 décembre 2018

DOUBLAGE

– L’épisode spécial de fin d’année de l’anime PERSONA 5 the Animation, “Dark Sun…”, sera diffusé le 31 décembre 2018 à minuit (heure japonaise) sur Tokyo MX. Mamo reprendra son rôle de Ryuuji Sakamoto (site officiel).

Source : @P5_anime / ©ATLUS ©SEGA/PERSONA5 the Animation Project

– L’événement ULTRAMAN FESTIVAL in Hirakata Park 2018-2019, qui se déroule actuellement à Osaka, accueillera les visiteurs jusqu’au 20 janvier 2019, de 10h à 17h30 (dernière admission à 17h). Le parc fermera du 8 au 11 janvier 2019, et du 15 au 18 janvier 2019. Les horaires du 7 janvier 2019 seront légèrement différents : ouverture de 10h à 17h, et dernière entrée possible à 16h30.

Ultraman Zero (doublé par Mamo) est l’un des guides vocaux du festival (site officiel).

– Mamo doublera Spider-Man/Peter Parker dans le film d’animation Spider-Man : New Generation qui sortira au Japon le 8 mars 2019 (site officiel).

ÉVÉNEMENT

Mamo participera au seiyuu event Free! Dive to the Future : Talk & Reading Special Event le 13 janvier 2019 (site officiel).

MUSIQUE

– Le concert KING SUPER LIVE 2018 sortira en Blu-ray le 13 mars 2019 et coûtera 9200 yens + taxes. Il comprendra le live au Tokyo Dome ainsi que divers bonus : concert à Shanghai, vidéos making-of pour Tokyo, Taïwan et Shanghai (site officiel).

Source : @kac_officialhp

– Le Blu-ray et DVD MAMORU MIYANO ARENA LIVE TOUR 2018 ~EXCITING!~ est sorti ! L’avez-vous déjà reçu ?

Pour plus d’informations, n’hésitez pas à consulter la fiche de description du produit ou à regarder les extraits du concert sur notre site !

ÉMISSIONS TV

– Mamo  a présenté 4 fois la rubrique Monthly Entertainment de l’émission matinale “Mezamashi TV” ce mois-ci, sur Fuji TV.

Source : @cx_mezamashi

– L’émission consacrée au concert KING SUPER LIVE 2018 de Shanghai, peut être visionnée en ligne légalement en version sous-titrée anglais jusqu’au 30 décembre 2018 sur le site de NHK WORLD-JAPAN. (Parmi les artistes, vous pourrez retrouver Mamoru Miyano, Yoko Takahashi, Yui Horie, Sumire Uesaka, Yui Ogura, angela, et Nana Mizuki.)

– Vous pourrez voir Mamo dans l’émission NHK BS Premium : Anison ! Premium ! qui sera diffusée sur BS Premium le 29 décembre 2018 de 22h30 à 2h30, et sur BS4K le 31 décembre 2018 de 12h à 16h, heure japonaise (site officiel).

– La 69ème édition du NHK Kōhaku Uta Gassen (une émission musicale annuelle très populaire au Japon) aura une section en collaboration avec l’émission “Ogen-san to Issho”. Mamo doublera de nouveau la souris d’Ogen-san. Le show sera diffusé le 31 décembre 2018 de 19h15 à 23h45 (heure japonaise) sur les chaînes NHK G, NHK Radio 1, NHK BS4K et NHK BS8K (site officiel).

Source : @nhk_ogensan

– Pour célébrer la sortie du LIVE Blu-ray & DVD “MAMORU MIYANO ARENA LIVE TOUR 2018 ～EXCITING!～”, une émission spéciale du nom de M-ON! SPECIAL : Miyano Mamoru ～EXCITING!～ sera diffusée sur MUSIC ON! TV le 3 janvier 2019 de 22h à 23h, heure japonaise (site officiel).

– Mamo sera l’invité de l’émission What’s 2.5D?, diffusée sur GYAO!, le 25 janvier 2019 à minuit, heure japonaise (site officiel).

– Mamo fera sa première apparition dans Minna no uta, une émission musicale de 5 minutes diffusée sur la NHK, à partir du 1er février 2019. Sa chanson s’intitulera Boku wa hero et devrait être retransmise durant les mois de février et mars à la télévision et à la radio (site officiel).

DRAMA

Mamo jouera le rôle d’Ônita, le manager d’un magasin Animate, dans la série Yuube wa otanoshimi deshita ne, adaptée du manga éponyme. Sa diffusion est prévue sur MBS le 6 janvier 2019 à 00h50, et sur TBS le 8 janvier 2019 à 1h28, heure japonaise (site officiel).

Source : @DramaYutano  

MAGAZINES

Vous pourrez retrouver des photos de Mamo et des interviews en lien avec la sortie du LIVE Blu-ray & DVD “MAMORU MIYANO ARENA LIVE TOUR 2018 ～EXCITING! ～” dans plusieurs magazines :

– Seiyuu Grand Prix : numéro de janvier 2019, en vente depuis le 10 décembre 2018. Acheter sur CDJapan / Aperçu.

– JUNON : numéro de février 2019, en vente depuis le 20 décembre 2018. Acheter sur CDJapan.

– Quick Japan : numéro 141, en vente depuis le 21 décembre 2018. Acheter sur CDJapan / Aperçu.

COLLABORATION

L’édition limitée (avec DVD ou Blu-ray) du nouvel album de Hoshino Gen, “POP VIRUS” (sorti le 19 décembre 2018), comporte un bonus vidéo avec Miyabi Mamoru (site officiel) : voir la vidéo promotionnelle.

Source : @hama_okamoto

SITE

Les rubriques voxographie et émissions TV ont été mises à jour.

[universomovie]

The Wow Magazine #4 2021 - Kiko Mizuhara By Toki

The Wow Magazine #4 2021 – Kiko Mizuhara By Toki

The Wow Magazine #4 2021   —   www.wowmag.co.uk Photography: Toki Model: Kiko Mizuhara Styling: Masako Ogura Executive Producer: Anne Danao  Producer: Toru Hosaka Hair & Make-Up: Rie Shiraishi Manicure: Eichi Matsunaga Set Design: Akihiro Yamaya Art Director: Gen Yoshida The Beauty Issue

[the-voice-of-ghosts-blog]

Now I have caught up with the Ajin manga to Chapter 54 and let me just say-WHOA! So intense, and great, and sad at the same time. The feels, man. I finished the Ajin show not long ago because I wanted to listen in Japanese, but the German subtitles came and went (for what reason, I don’t know) but then I discovered they’d been added, so I watched. I am not a movie/show critic, but I REALLY liked the anime, even if it went astray from the manga story. Overall I just like Ajin, so it’s easy to please me. I don’t want to spam any blogs, so I will continue below a cut.

Definitely I like the CGI. It looks cool. The characters look like real people. That is not to say that non-CGI is bad, but I like the style and probably more than standard animation. Their movements are more fluid and their clothes actually look like clothes, not painted on their body. 

It is difficult to say who is my favorite character. (Side note, I like the way “favorite” looks more than “favourite,” so that is not a typo lol) The 4K group is adorable and I like their transformation during the manga and anime both. I feel bad for Eriko. (Feel better soon!) Shimomura is too lovely for this world, and I really just want to give her warm blankets and a day off. Tosaki is very feisty, but he means well, so I grew to like him. Actually, I hope Shimomura will go after him because he needs a lovely lady (or man) friend to complete him. Okay, enough romantics. Onward! Satou is very creepy, but he is a good villain. Too many villains “quit” (if you know what I mean). They are too easy to fight or they are caught or change their heart--but not Satou. He is naughty until the end. Tanaka should find a better man to spend time. Satou is a bad influence. Shame on you, Satou. Ogura makes me laugh because he is not afraid to harass Tosaki, which is not a thing anyone should try to do. I like his character, but he should go to Nicotine Anonymous soon. Okuyama is lovely as are Gen and Takahashi. I only want all of them to be happy. (TLDR: Basically, I ship everyone with everyone because they all are great characters in their own ways. Except Sokabe. But I will ship him instead with Barry Benson or Slender Man. Oh, and I want to say now (on 4 January) that I think he is an Ajin. I will bet all of my followers on this. I have this feeling. I just have it. We will see. 

[origami10]

Ajin Live Action Movie --FULL SPOILERS-- (may also include spoilers for the Ajin manga and anime)

Table of Contents:

1. Overall verdict

2. Plot summary

3. Detailed plot (coming later)

4. Other thoughts

5. Thoughts about each character (long)

6. Final status of each character (summarized)

--under a cut because of spoilers and length--

1. Overall verdict: Good. My friends liked it a lot too!!! (Two of them had seen the entire anime, and the other one had only seen the first two episodes.)

SPOILERS BELOW, LAST WARNING

2. Plot summary:

-(I was late and missed the first few minutes of the movie, but I’m guessing Kei gets hit by the truck and gets taken to the lab.)

-Satou comes to rescue Kei, Kei escapes, Satou makes his announcement.

-The nice lady in the countryside looks out for Kei. 

-Izumi comes to question Eriko but Tanaka attacks. 

-Kei goes to the hospital and gets Eriko to come with him to the old lady’s house.

-Satou flies a plane into a building and gathers his team of ajin.

-Angry mob of villagers comes to the old lady’s house, and Kei and Eriko run away, wandering around the city. (No one appears to notice them.) Kei decides he and Tosaki need to join forces.

-manga version of the Forge arc

-Final battle between Kei and Satou on the helipad. 

-Satou and Kei are both blasted with dry ice, frozen, and smashed into tiny ice bits, but Kei regenerates from a leftover hand, and it’s implied in a trailer scene that Satou has also regenerated. 

3. VERY DETAILED plot summary:

Coming soon, it’s taking me forever. :|  May be in a separate post. 4. Other thoughts –WOOD. CHIPPER. SCENE. – The entire Forge arc is very close to the manga version!! –There were a few Kei lines and Satou lines that were delivered in pretty much the same voice (tone of voice) as in the anime, though, that was pretty cool. –It was neat that Miyano Mamoru voiced Kei's IBM, too, since that's the same as the anime. – Apparently Polygon Studios did the animation for the IBMs!! I thought they looked pretty good.  They were vaguely color-coded so Izumi's and Kei's were slightly bluer, and Tanaka and Satou's were slightly red. (We didn't see BroBM or Okuyama's at all, not much of a surprise there) –YouTube dude: In the attempts to imitate the original story and include the media as a significant factor, a random YouTuber popped up a few times to serve as a public reaction to the news. This is significant to me because I just get this feeling that Shinya is hiding out somewhere and using YouTube to make a living...  but you can ignore me. They did briefly use the last name Nakamura for a separate news anchor. –There were a few spots that were even more pointedly violent than the manga, which surprised me. When Satou took on the SAT, [also omg I heard a really good pun in there, it was 'satto owaru', as in 1. Satou 2. SAT and 3. satto (I'll finish them off -quickly-)], at one point he grabbed a guy for shelter, regenerated, held a knife to the guy's throat, pulled out a grenade, stuck it under the guy's riot helmet, and then shoved him into his teammates where it exploded. They also had Kei cut off his hand for the decoy in the lab like the manga, vs. the anime leaving his shoes or something. And they had Satou fly the plane into the building... that's still hard to watch coming from the U.S. after 9/11.  They didn't show Satou on the plane at all, only after it had crashed. –I was rewatching some episodes of the anime with the friend who hadn’t seen it, and the action scenes when Satou comes to rescue Kei from the facility last for longer screen time in the live action than the anime. The action was definitely a focus.  There was also a cool background song that played at three(?) points in the movie (major action scenes), which started with the spoken words “Three, two, one, start! [enter action scene].” 5. Thoughts about each character: Kei: Kei felt a little lame to me. I think they did subdue Kei’s character a little bit. My friend that didn't like him for being a jerk in the anime did like him a little better in the movie.  As a fan of the K boys in the series, it did make me kinda sad, but overall I think the movie captured got the essence of the series without the details, so I'm pretty happy with it.  I felt a little bad for Takeru Satoh because I don’t think it was his best role. (I really enjoyed Ruroni Kenshin and Bakuman but Kei wasn’t a very expressive character, and not even that interesting when you tone him down a bit.) Eriko: She had freckles!  She was really cute!  And not quite as antagonistic towards Kei as in the manga/anime. Still somewhat antagonistic, but not as much. Her hair braids were thinner than I was expecting. Izumi: Izumi was perfect so that's all that really matters. Nothing more to say here, she was just badass and cute and didn’t get wrapped up in any unnecessary romantic relationships. If anything I really liked her interactions with Eriko. Tosaki: He get his 30 seconds of mints and saying "It's Tosaki, not Tozaki" – in general they kept in some small things like that that are particularly recognizable traits of the characters in Ajin, so that was nice.  They didn’t give Tosaki any sympathy.  Tosaki looked at Izumi laying on the floor with a knife in her stomach and said "I thought you were the one who was supposed to protect me" after he had to step in to help her fight Tanaka, so yeah, he still felt like a complete asshole.  I don’t think Tosaki was the one who sent Kei to the lab, but Kei comes and offers to work with them after neither of them have any more options (and the discussion is carried out in a much less tense situation than in the manga/anime). Kei still threatens to use his IBM to kill his fiancée if anything goes wrong. At some point Izumi comments that it’s unusual to see Tosaki working with anyone, and (I believe) he says that they have no other choice. Hirasawa: He wasn’t bald?  This was the only thing that bothered me ^^;  The other three gulf squad members were there and they looked vaguely like Manabe, Kuroki, and Suzumura, but not enough to tell who was who. Satou: I normally root for Kei, so it made me feel like I was watching it through the eyes of a Satou fan– Satou and his squad were super cool (I mean, I'll concede that they are in all forms of the story, but Satou was definitely the focus of this movie.) Satou being played by a younger actor was not a problem at all. He TOTALLY had the Satou atmosphere down. I had no objections whatsoever to that. About how old he is and whether he's American, they really didn't get into that at all. I think the movie did a good job at covering the basics, but they did have to leave out a lot to fit it within the time frame.  I was glancing through the movie pamphlet and I think in the director's interview it said they got Satou's actor to talk a little faster to help cut down the time XD Oh, but one of the small changes that felt huge to me was, so you know how they said Tanaka was only in the facility for 2 years? They said that Satou was in for 20, all the way from when he was an infant to when he was a young man. (Aka, sympathy points for Satou that he absolutely does not require.) Tanaka: Tanaka is way more competent, he can fly a drone and shoot VERY accurately. He’s made out not to be sympathetic. He doesn’t hesitate to shoot humans. We never get a scene where he and Izumi exchange memories. Takahashi/Gen: Takahashi and Gen were perfect and hilarious. They were being silly in the van before Forge, but I didn't see any drugs. (Maybe I didn't notice them, or them didn't have the time to make it a point...) Gen mostly served as the gunman to reset Takahashi and Tanaka. Okuyama: Okuyama still has his limp, and it even seems more severe because they have him using a wheelchair, although he can still move around with a cane.   6. Final status of each character: (MAY ALSO CONTAIN MANGA AND ANIME SPOILERS) Kei: Revived and likely still on the run Eriko: Safely back in the hospital? (I forget...) Izumi and Tosaki: still alive and still on the Ajin Management Committee Hirasawa and gulf squad: dead Satou: implied revived Tanaka: probably in custody of the Ajin Management Committee; unclear Takahashi, Okuyama: see Tanaka Gen: see Tanaka, and was never definitively killed and revived (could be human) Kai, Kou, Kotobuki, Ogura, Naomi Li, Almeida/Myers, Akiyama(firefighter), Sokabe, Shinya/Yuusuke: never in the movie When you look at the status of the characters, there’s no conclusive ending, but somehow or other the movie felt like it had resolved things by the end. That’s it!  I’m happy to take questions to fill out anything I missed, so just send me an ask~  I hope the movie becomes available internationally soon!

[architectnews]

Daita Apartment Building, Setagaya

Daita Apartment Building, Setagaya Real Estate, western Tokyo Homes, Japanese Housing Architecture Photos

Daita Apartment Building in Setagaya, Tokyo

6 Jun 2021

Daita Apartment Building

Architect: Ryuichi Sasaki / Sasaki Architecture

Location: Setagaya, western Tokyo, Japan

The Daita Apartment Building is a 16-unit rental housing complex in a quiet residential area off the main road in Setagaya, western Tokyo. A hilly area facing a road off the main road. The area around the site is dotted with mansion forests.

There is a height difference of more than 2 meters within the site, and the road facing the site also has a height difference at both ends of the site.　

It is a residential area and there is a restriction on the height diagonal. The size of the site is such that greenery is required by ordinance. In consideration of the quiet surrounding environment with abundant vegetation neighborhood, the exterior of the building was required to have the characteristics of the surrounding environment and to appeal as a façade.

The building is composed of two complex structures: a group of units directly facing the street, and a walkway through the site that leads to the entrance of the apartment building. While ascending the stairs that lead directly from the road, the plantings on the walls, the kicking plants, and the green accent color on the walls give the building a natural feel.

When you reach the top of the road, you will find a place that is cut off from the surrounding environment as an L-shaped forest-like area. For the facade, We arranged green colored stainless steel around the openings of the fair-faced concrete, so that the form of the surrounding environment emerges vividly as if we are aware of its existence on a daily basis.

The slabs of the three units spans along the street have different heights, and the studio units above them have different heights. The unit on the west side of the back of the site is a 1 bedroom unit with three spans of the terraced slab, which is a stepped living room that maintains the connection between the space and the external landscape from different heights. The living room, dining room, and bedroom can be changed according to each resident’s spatial relationship.

These terraced slabs are also developed in the common corridor where the stairwells are located so that the residents can feel the change of the landscape according to the height on a daily basis.

The units that are affected by the elevation oblique line on the north side of the building have sloping surfaces and high-side lights with a high ceiling height, and some units have a counter living room with a long counter.

The units range from studio to maisonette type, and the combination of floors and ceiling surfaces with slightly different heights, as well as the direction of the wall slope due to the slope of the roof, gradually changes, so that you can enjoy a variety of views of the space and the way light and wind enter.

What were the key challenges? The slabs of the three-unit spans along the street have different heights, and the studio units above them have different heights. The unit on the west side of the back of the site is a one-bedroom unit with three spans of the terraced slab, which is a stepped living room that maintains the connection between the space and the external landscape from different heights. The living room, dining room, and bedroom can be changed according to each resident’s spatial relationship.

Key products used: For the facade, I arranged green-colored stainless steel around the openings of the fair-faced concrete, so that the form of the surrounding environment emerges vividly as if we are aware of its existence on a daily basis.

Daita Apartment Building in Setagaya, Japan – Building Information

Lead Architects: Sasaki Architecture

Lead Architect: Ryuichi Sasaki/Sasaki Architecture Architecture Team: Gen Kagurazaka, Anna Kwapien, Yuriko Ogura, Cecile Brissez/Sasaki Architecture Structure: Kazuki Takano/Atelier La Cle Client: Kenji Miumi Color Stainless Polish: Shinko Stainless Polishing Light: Natsuha Kameoka/Lighting Sou Furniture: Takako Ueno/T Style Design Site Area:267.93m2 Building Area 535.93m2 Structure: Reinforced Concrete Construction Schedule: October 2017 to March 2019

Project size: 535 m2 Site size: 267 m2 Completion date: 2019 Building levels: 4

Award/Prize LEAF AWARDS 2019, Shortlist (Europe) German Design Award 2020, Winner (Germany) Iconic Awards 2019, Winner (Germany) Architecture Master Prize 2019, Honorable Mention (USA)

Photography: Takumi Ota

Daita Apartment Building, Setagaya Tokyo images / information received 060621

Location: Saitama Prefecture, Tokyo, Japan

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Comments / photos for the Daita Apartment Building, Setagaya page welcome

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[kashisun]

Eshe's self expression time (she had to clean the rug afterwards)

[probllama-mama]

Masato: “This zombie cake is scrumptious, KP. But what flavour is the frosting, kiwi?”

Karla Pilar: “Oh cut the pleasantries, mailman... I’m watching you and your kind closely, very closely.” 

Masato: “Wha- Oh I see, you’re in character! Gosh I love Spooky Day, it’s like everyone’s LARPing. But it’s Newman, not mailman.”  

[kashisun]

Crushing on his childhood best friend... canon event

[kashisun]

Kitty cat

Ashaya and Nour are going to get a cat once they move into a larger home  after their wedding. However, Nour doesn’t just want one cat she wants 4 of them. Ashaya said no tho :( Those kittens belong to their neighbours because Nour catsits from time to time.

[kashisun]

Baby at the Beach! Baby at the Beach!

all pics taken by Ashaya because Isaiah refuses to be picked up by anyone but Nour at the moment

[kashisun]

I'm redecorating the Ogura house and i gave Ashaya a little shelf for her wigs

[kashisun]

The extended Ogura Family!!!!

Zakhir's family , Yusra's family and Halim's family

I never show cousins and stuff so here's my little effort to show them

[kashisun]

I only had the energy to take a couple pics of their cute little faces

[kashisun]

The Oguras <3