hate is a strong word, but i really, really, really don't like you
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The Plain White Ts reacting to Drake covering Hey There Delilah in a fake Jamaican accent genuinely looks like NASA watching The Challenger disaster I’m crying man
Hate is a strong word, but they really really really don’t like this
Fun fact this song was released back in 2006 only someone who is dubbed a certified pedophile will make a cover of a song that turned 18
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Year-End Poll #58: 2007
[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: Beyoncé, Rihanna, Gwen Stefani, Fergie, T-Pain, Carrie Underwood, Plain White T's, Akon, Nelly Furtado, Fergie. End description]
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This poll highlights some interesting changes in the direction pop music was heading. By this point, it was clear that pop music was shifting towards a more electronic sound and specifically club music. Buy U a Drank by T-Pain is especially notable for this. Most obviously, T-Pain was one of the most successful adopters of Auto-Tune as a stylistic choice. I touched on the plugin briefly when discussing Cher's Believe, but with both that sound and most of T-Pain's discography, the vocal effect was used to give off a futuristic, almost robotic quality to the voice. But that didn't stop Auto-Tune (and T-Pain specifically) from being used as a punching bag for "untalented singing". In case it needs to be said, the exaggerated use of Auto-Tune on these songs were a stylistic choice. If you're using Auto-Tune to fix a bad vocal performance and it sounds like that, someone messed up. (Also T-Pain actually is a very talented vocalist).
I'm also bringing up this song for how it represents a subgenre of southern hip-hop that would become forever associated with the decade: snap music. While it has its stylistic origins in crunk, snap was recognizable for its simpler production and more laid-back sound. Popular snap songs from the time include Laffy Taffy, Crank That (Soulja Boy), and It's Goin' Down. While not on this poll, Crank That (Soulja Boy) is relevant for being one of the first examples of a song taking off online (as in, someone made the song and posted it online themselves). The song was first posted to SoundClick before expanding to a wider audience on MySpace.
This subgenre is more commonly remembered as "ringtone rap", for how this sound really worked with the audio processing technology capable of cellphones at the time. Like "bubblegum pop" in the past and "mumble rap" in the future, the term "ringtone rap" was often used in a derogatory sense.
But the simpler production techniques found on these tracks is also emblematic of how music production was starting to become much more accessible. Crank That (Soulja Boy) was created using a demo version of FL Studio, and the drum loop for Rihanna's Umbrella comes from Apple's GarageBand (specifically Vintage Funk Kit 03). Technology was allowing people to have easier access to both music production and audiences.
Also, this was the year this site was founded. Yay.
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Plain White T's - Hey There Delilah
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playlist of the week! mood: headbanging rock to play air guitar to
What's My Age Again? by Blink-182
SING by My Chemical Romance
Always by Blink-182
Kill The DJ by Green Day
Scotty Doesn't Know by Lustre
Hate ( I really don't like you ) by Plain White T's
I Wanna by All American Rejects
Mr.Brightside by The Killers
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WAH GWAN DELILAH IS HILARIOUS💀 Drake didn't need to disrespect Hey There Delilah, the way he did. I was actually caught off guard by this song.
And I understand the song is a joke, but that doesn't change the fact that the song is horrible lol. 2024 has been wild.
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