Fat men who rest their bellies on the counter to lean close enough to the mirror to apply their eyeliner.
Fat men in mesh shirts that show off their decadent fat rolls and overhangs and folds.
Fat men who DIY their own fan merch if the band doesn't sell t-shirts large enough to fit them. Who need extra-long boot laces to accommodate their wide calves.
Fat men whose all- or part-shaved heads reveal those cute rolls and wrinkles at the backs of their heads.
Fat men who let you paint their toenails black to match their fingernails because it's hard to reach around their belly.
Who let you wear their big cozy jackets when they get too hot at the show, and who'll rest at the back of the venue with you when their feet get tired.
Fat men who are a solid, sturdy presence at the edge of a push pit. And whose bellies shake and wobble deliciously when they two-step 😊
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Hey! Any chance you want to elaborate on that AU where Bruno got resurrected and it helped with his OCD and anxiety? Because that sounds incredible and I am incredibly curious now. How did he die? How did he come back? What are the circumstances surrounding all that? Is it in your existing AU with Leandra and their kids? Inquiring minds and all that. (If you want to talk about it of course!)
I would love to talk about it! You’ll have a harder time shutting me up! This one was after all my future fics with Juan, trans!Buba, and Heraldo. It was mostly the vehicle through which I tried to figure out how the Madrigal family will work long term. Because they all have magic, and these amazing magic rooms, I kinda assume nobody is really going to want to move out of Casita, at least not long term or without some big reason. So what does that look like after a few generations? All of the future fics I’ve posted are actually technically flashbacks from this AU before it went completely off the rails and became its own thing.
The idea was that Bruno comes out of the walls and the last half of his life just starts getting better and better. He gets closer to his family, he falls in love, he even ends up with a handful of kids that see him as a father figure. Eventually he dies of old age, peacefully, goes to heaven, and is dead for at least a decade before he gets resurrected by the villain that wants to use Bruno’s gift for evil. In the meantime, the Encanto has become semi-isolationist since the advent of the internet, and are now debating whether they should let the internet into the Encanto or go full isolationist. Mirabel’s youngest granddaughter and Camilo’s youngest granddaughter get led out of the Encanto and to Bruno by the miracle, rescue him, then they have monster of the week type adventures with my super self indulgent self insert who originally existed in the story to provide money, a boat to live/travel on, and explanations on internet safety. She was also there so the Madrigals have somebody to tell family stories too, thus allowing me to play around with the development of the Madrigal family. Right before it went off the rails I also added a great great great nephew who one, was older than both of the great great nieces to illustrate how large and complex the family structure is, and two, had a gift that allowed him to bring the rest of the canon characters in and out of the main plot.
And that was where I should have stopped brainstorming, but I didn’t, and now this AU is how I explore my own anxieties about current events, so it takes place ten years from now, in what is hopefully the worst version of the future, and the self insert OC is no longer a representation of me with better skin and more money, but instead exists so her tragic backstory can serve as a warning of how much life will suck if things go a certain way. But let’s not talk about that! Under the cut is the longer explanation of the Madrigal OC’s and Bruno’s character arc throughout the original AU before it became my therapy. I’m literally just going to info dump the whole thing, because I know I won’t be turning it into a fanfic, so this is probably going to be my longest post ever.
So the three teenagers are Eduardo (Dolores’ great grandson), Etta (Mirabel’s youngest granddaughter) and Maria (Camilo’s youngest granddaughter). Eduardo was sorta the prototype for Gabriel’s character, he has a crappy father, looks up to Bruno as a better role model, and is struggling with his identity in relation to his father’s legacy. His gift is to travel through shadow because he’s trying to escape his dad’s shadow, and unlike Gabriel, he did spend the first part of his childhood trying to be like his crappy dad, so he is now trying to redeem himself for being a bit of a bully. He also has terrible taste in women, that serve as the inciting incident for a few of the “chapters”, like when he gets kidnapped by his fairy princess girlfriend and the other characters have to deal with a DnD type dreamworld to get him back.
Etta is the first adopted Madrigal, so ends up facing a lot of the same emotional struggles as Mirabel. Her mothers adopted her later in life, think mid-forties, when her birth family died due to their well being contaminated. Her birth mother survived long enough to give birth and nurse Etta thanks to Julieta, so Etta is one of many kids named after her. Her mothers entire thing was that they were the first fully out gay couple in Encanto, Etta’s Madrigal Mom was a surprise baby along the lines of Antonio and she grew up close to Isabela and trans woman!Buba, so she knows with absolute certainty that being gay isn’t a big deal, and her family will be normal about it. She wants to marry her wife in a church, so they come out and Mirabel publicly states that if god disagrees with people being gay then he’s free to take the miracle back. They get married, the miracle doesn’t get taken back, and after that more people start coming out instead of just being poorly kept secrets. They wait so long to adopt because people are a little pissy about them “rubbing it in everyone’s face”, but they love Etta endlessly. Her gift ends up being ice powers because she wants to feel like she fits with her mother who has an elemental gift (fire), and her mother ended up with that gift because she wanted to fit in with her much older brothers, who all got elemental gifts because they’re really proud of the triplets thing and wanted to match when they were younger. I just kinda like the idea of Mirabel’s branch having a bunch of people who are so proud to be a part of their family they end up with themed gifts.
Then Maria is one of my two favorite OC’s I’ve ever come up with. She’s the youngest of a ridiculously large brood of siblings, who in turn come from Camilo’s youngest son. Camilo, of course, doesn’t have a favorite grand child, because that would be bad. But Maria does have his wife’s perpetual poker face (cough autism cough), and Camilo’s sense of mischief. It results in a very calm child that is also somehow endlessly chaotic, especially when paired with Etta’s never ending quest to be as helpful as possible. Maria wanted her gift ceremony to be a quiet affair but her parents invited the whole town, so Etta (taking after Mirabel’s gift for leadership) mobilized the cousins into chasing the guests out by making it snow and throwing snowballs at everyone that didn’t live there. Maria tried to cover for Etta by telling the adults she made it snow, and when her father doubtfully asked how she did that she very calmly looked him in the eye and told him in the solemnest voice a five year old can manage “Papá, through Jesus Christ, all things are possible” and Camilo fell out of his chair laughing. Her parents are always a little too busy to give their youngest and quietest their full attention, so Camilo happily takes the little gremlin everywhere he goes. Maria’s gift allows her to look into the past of anything she touches, so she’s a little exposition machine, unlocks tragic backstories, and “tells” most of the flashbacks to various Madrigal adventures. She is bad at the whole people thing, but doesn’t usually care that much, until she meets a pretty girl she likes and can’t figure out how to tell if the pretty girl is also into her. She is also the first seer in the family since Bruno passed, since in this universe seers are the rarest magic users.
Then finally! Undead Bruno! As mentioned the last half of his life is pretty great, and knowing what waits for him when he dies does a lot to reassure him when he’s worried he might be a horrible person. He hit rock bottom, then things got better and he eventually went to heaven, so he now has faith that no matter how bad things get, happiness is still possible. And that’s where he’s at when he gets resurrected. The story would have had three parts, each a reflection of what’s going on for Bruno internally. The first part would be the most light hearted, literally just him getting used to being alive (and relatively young) again, while the narrative establishes the rules of this universe and introduces groundwork for important plot stuff later. Plus midway through part one he would get a diagnosis and start figuring out his medication needs so that combined with the new sense of peace given to him by going to heaven would completely change his life. Part one ends when Bruno discovers the resurrection spell works by sacrificing somebody and essentially giving the dead person their body, which is why Bruno is young again, because the man killed to bring him back was in his mid-thirties. So the second part would be Bruno struggling with that, and low-key trying to find a way to switch back with the sacrifice because Bruno doesn’t hate life like he used to, but he also thinks everybody should get the chance to fully explore it, and he had his turn. In parallel, we’d explore the darker side of this world Bruno has woken up in, and see all the ways magic can create problems. It ends when Bruno discovers he can’t undo the resurrection spell and decides to live as much and as well as he can so at least the life he “stole” isn’t wasted. Then part three is him learning how to go after what he wants as it slowly dawns on him that he’s about to have the chance to do his forties over again. This of course parallels them figuring out what the villain’s plans are and how to stop him.
And this is the part that I love about the Encanto AU version of this story! The villain’s plans and the solution to stop it. So the larger universe of this story is the Disney Universe, y’know. Like the characters go to modern day Corona and Arandelle and such. Bruno goes to the region of France Cinderella is from and meets the descendants of her talking mice and is absolutely thrilled. Things like that. So in the version that’s still an Encanto AU, the villain went to Bruno to get a vision back in the sixties, Bruno did the vision and was horrified by what he saw. The villain on a throne of bones, some of Bruno’s family killed to get there. He wants to make sure the vision doesn’t come true, but of course! Your fate is sealed when your prophecy is read. He has to think fast, try to come up with some way to prevent it, but knowing that’s not possible. Except, Bruno saw the villain doing all sorts of magic, he rolls the dice. He tells the villain that in order to win he’ll have to get his hands on Excalibur, but oh no, that’s a problem because it was destroyed in an evil cauldron. Shucks, guess there’s nothing the villain can do. The villain is like “Bah, with my power nothing is out of reach”, so he does some research, concludes Excalibur was destroyed in the Black Cauldron from that one flop and goes back in time to prevent it. But! Going back in time alters the timeline, changing the future, and erasing the villain’s victory. And then this next part is a little complicated, but because the villain is spurred into going back in time by a future that no longer exists it kicks off a time paradox that the whole world is now stuck in until somebody can figure out some way to stabilize it. New timelines are being created, get to the point when the villain was supposed to take over the world (around now-ish), then fall apart and another timeline starts up in its place. The villain is powerful enough to see through the paradox and is targeting Bruno because Bruno’s the one that robbed him of his victory, plus he figures if he steals Bruno’s gift he can use it to navigate the different timelines being created and destroyed by the paradox, then stabilize the one that’s best for him. The miracle, on the other hand, is some sorta mysterious force that can see through the time paradox and has been trying to figure out how to stabilize the resolution that’s most favorable for the Madrigals. The story ends when they figure out how to do that, defeat the villain, then all go home to the Encanto where my self-insert with better skin and more money pays for them to install the infrastructure needed to bring the internet in, then she spends her life there in a paradise where she doesn’t have to worry about the latest election or the looming threat of fascism, and she teaches classes on internet safety so the Encanto can enter the modern age without sacrificing their way of life. The end, send post.
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