[Has (co-writer) Rob Harvey’s musical experience influenced the sonics of Faith In The Future?]
Massively. These people that I was lucky enough to work with on this record, that I didn’t have the potential on the first, just made such a massive impression on me for multiple different reasons. Even just that Rob wanted to write with me, at first, was dead cool, and I was excited about that. He’s a brilliant, brilliant writer; he does a lot of different stuff. He definitely brought a lot to the table. And he’s someone who understands— obviously he comes from such a credible, cool musical background, but he also understands pop music, and he creates this really interesting hybrid between the two.
- Louis Tomlinson on Rob Harvey, his co-writer, in Faith In The Future: Track By Track (part 1, 6/12)
Man I really didn’t make a mob vers of Harvey for the longest time tf- but anyway both him and Mari are the replacement debt collectors for Rob smhh Rob is rarely seen now days workin inside the ol mob
also before ya say anything, yes mob Harvey is inspired by both that one cake hound butler dude from CRK and Shelly de killer from Ace Attorney lmAO
"They were all exceptional. (…) The kids started – some of them – the others came on and they did an incredible job. It’s cool how a culture educates the next generation."
THE CELLULOID CLOSET (1995)
dir. Rob Epstein & Jeffrey Friedman
This documentary highlights the historical contexts that gays, lesbians, bisexuals and transgenders have occupied in cinema history, and shows the evolution of the entertainment industry's role in shaping perceptions of LGBT figures. The issues addressed include secrecy - which initially defined homosexuality - as well as the demonization of the community with the advent of AIDS, and finally the shift toward acceptance and positivity in the modern era.
(link in title)