Between saving more worlds, fighting gods, and running around helping anyone who needed it, Krile's summons for coffee felt like a reprieve.
Post-EW, some actual spoilers.
Thank you as always to @sea-wolf-coast-to-coast for hosting this!! It's fun every year :)
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
Single dad Danny (to deaged Ellie and Dan) meets his neighbor Selina Kyle after one of her cats get into their apartment and he finds his kids playing with it.
Cue meet cute where Selina at first is just flirting like always but Danny charms her (aka being a bit dense but somehow adorkable, its charming)
I love the idea that everything (positive) that Lila lies about somehow comes true for Marinette.
Lila lies about having connections to the queen of England? Suddenly, Marinette is getting regular commissions from the queen herself and forms quite the acquaintance-ship w the royal family.
Lila "is practically family" to an Italian mafia? Marinettes grandmother has quite an eccentric background, and through her, Marinette somehow manages to get a local Italian Mafia to pseudo-adopt her. (Only because she refused to actually be adopted, much to their disappointment)
Lila "went on tour" with Jagged Stone? Guess who wants his favorite designer to accompany him for his U.S. tour during the summer?
Oh, Lila says she acted in a movie for Graham de Vanily Films? Guess who ends up accidentally staring in a Graham de Vanily film?
I just want all the positive things that Lila lies about to happen to Marinette, who is sufficiently surprised every time (you'd think she'd be used to it by now), meanwhile, in the background, Lila gets progressively more pissed.
And the worst part? Every time she tries to upstage Marinette with something even bigger and grander than Marrinettes' own accomplishments? No matter how ridiculous, Marinette somehow ends up stumbling upon That. Exact. Opportunity.
It's incredibly frustrating.
You could say Marinette has some miraculous luck, despite how adamantly Tikki denies any involvement in these increasingly ridiculous turns of events.
All in all; Lila is frustrated, Marinette is frustrated, and Tikki is very amused (as are Adrien and Plagg, who watch this shit-show from the background).
cw: babies!!!! you’re also referred to as “ma” once
okay but like,,,,,first time dad Bakugou giving his baby their first bath after coming home!!! you’re fluttering around the kitchen, trying to make sure you have your daughters towel ready, her baby safe soap, a tiny washcloth, that her teeny tiny pajamas are in the dryer.
it’s only when you take a second to ask Bakugou something do you finally just—pause. your gaze instantly softens, a lovesick smile inching on your face as you watch your big buff pro hero husband hunch over the kitchen sink.
your daughter is resting in the baby bath seat, lilac colored and reclined back. she squirms when Bakugou lets the warm water run over her naked, fat little belly. her face scrunches at the new sensation, fists balling up against her chest. he coos at her, gentle,
“I know, ya little princess. Feels weird on ya, doesn’t it?” he asks her, voice so small under the running water. he cups his hand, holds a handful of water, tilts her fat cheek up to let it slide in her neck rolls that always smell like milk. she whines at that, sniffles and hiccups before she cries. you go to take a step forward, to console her, but Bakugou is so patient.
“It’s alright,” he kisses her tears away. “Daddy’s just tryna help you.” he runs the water all over her body, and paired with his softly spoken words, does she finally quiet after a few seconds. her little body trembles with the aftermath, pouty lips puffy and he can’t help but smooth his hand over the softness of her face.
“Yer a crybaby, just like your ma.” he whispers to her, grinning when that breaks you out of your stupor to smack him on the shoulder. you both laugh at that, and you finally feel the peace that is your little family. you lean against Bakugou’s shoulder, pressing a kiss to his jaw before looking at your daughter again.
“You’re gonna be a great dad,” you mumble into his skin. he doesn’t say anything, but you can feel his shuddering breath, and the calmness that blankets the rest of your house.
I see Arcane's marketing is thrusting a lot of blue on Jinx's persona, which is fine, but also a misdirection! I argue that the use of blue on Jinx represents THE IDEA that others have of Jinx rather than representing who Jinx really is. Jinx's true color, the one she paints over those closest to her, the one that represents her is PINK. Jinx is pink!
When we see Jinx in pieces either in or out of show where blue is the predominant color in the palette it's signaling to us the audience that this the Jinx that is perceived by the world around her, which includes Piltover AND Zaun. In this essay I will---
The idea that GolBetty is all seeing and inter dimensional and keeping Simon from becoming Ice King again is so *chefs kiss*
It hurts them both: Betty having to watch Simon trying to ruin himself again so he doesn’t have to deal with all the complex feeling of being without her. Simon having the guilt of preferring madness to his mundanity even though she sacrificed her complete humanity for him.
It’s a story of star crossed lovers trapped within Ouroboros and it’s beautifully eternal.
I’m sorry, but if you think that Raoul wouldn’t switch places with Christine to be bait for the Phantom if he could, you’re just objectively wrong (it’s okay, I still love you).
Scenes I wish I had the skill to write: expanding Mia’s first meeting with Dinah and Roy - girl imprinted hard, and was vastly more impressed with them than Ollie, who she’d seen in action.
yes i am the biggest advocate of surrogate father haymitch & adopted daughter katniss but like. they're so Awful. they've not got a mother/daughter relationship, they've got that father/daughter relationship where the dad is both reaching for a connection and rejecting the thing that he made because she's too much like him, too close to what he is and far away from it because of her potential and the daughter rejects because she doesn't understand him. understanding him is understanding herself. caring for him is caring for herself. and then she's awful to him because she doesn't understand and doesn't want to understand. and he's rejectful of her because she's got so many traits that are for the worse and not for the better. their similarities don't hurt nearly as much as what their differencee impale them with. it will always be what katniss could be (haymitch), and what haymitch prevented/could've been (katniss.)