getting back up to speed on commissions from the past month or so! thank you guys so much!! ❤️
@frutista | @valshi | @cradletotomb | @prettydykeboy
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[🕸] Project: SWING!
SWINGtember 6 - The Bite™️
When Cario found out that evidence of experiments from NiteMax—the same place that took Cario’s life from him as a child—were resurfacing, lurking in the shadows, he fled to find one of NiteMax’s abandoned laboratories to scream his heart out. He did not know then, how returning to that cursed place would change him again, as well as his fate.
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The Renaissance painter's heroic efforts became very much his own struggle, an ultimate quest to create an artistic language that expressed unified truths in a world that was becoming ever more fragmented with each passing day. Arguably, Rothko's classic work represents an attainment of that goal, but at the time he was writing The Artist's Reality, the language of those works was still ten years away. I will add that even with the development of his abstract vocabulary, this continual effort did not cease. In fact, it was played out in every painting, as my father sought, again and again, a new path toward capturing essential truths. Anyone who things Rothko found a formula in 1949, which he simply applied and reapplied for the next twenty years, has not looked very closely at the work, or listened to the distinct accent with which each painting speaks. Those differences, the product of his constant search for 'unity', could hardly be more patent in three works from the same year, 1963 [see below]. The forms, the color balances, the means he uses to bring light to otherwise dark works, the degrees of layering, depth, openness and expansiveness, could hardly be more different in these three musing, deep-toned works. Clearly, rectangles can speak in varied voices, carrying disparate messages.
Christopher Rothko ֍ "Rothko and the Resonance of History." Toward Clarity (2019)
Mark Rothko ֍ Untitled (White, Blacks, Grays on Maroon) (1963)
Mark Rothko ֍ No. 7 (Dark Brown, Gray, Orange) (1963)
Mark Rothko ֍ No. 10 (Brown, Black, Sienna on Dark Wine) (1963)
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i think ppl with brown eyes should be just as pretentious about their eye color as ppl with light eyes
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Don’t mind me, just picturing Cameron on my little Steph, Ray, Freddy, Derek, and Sienna team. They deserve a little psychometry as a treat.
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Carl Beukes as Jim Brown in The Girl (2012) ☔️
(Please click on the gif for better quality, since tumblr ruined it yet again 😪)
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"rody's hair is auburn" i'll kill you "auburn" do you kknow what auburn hair looks like. it's fucking brown. auburn. auburn
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