Why is drawing people so hard brooo
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THERE'S SUPER BOOPS?!?!
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
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I present to you; Tony wearing a suit just so that he can allow Peter ride piggyback.
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went to bed and woke up in a cold sweat realizing that claudia's play, the birdie one, is both a direct analogy for her story and also foreshadowing of her death WHILE ALSO nodding to pauls death
claudia'a single minded, desperate drive for freedom eventually lead her directly to her death. she was "nailed down" by lestat (by LOUIS, actually- lestat only kept her for him.), and tore herself free at the loss of her 'foot,' being a stand in for the personal pain she suffered for freedom
no matter what she or anyone did, she was going to die painfully, because she was so desperate to be free that everything was suffocating. lestat, louis, romania, the coven. the only thing that didnt rot in her mind was madeline, because... there simply wasnt time. madeline was fresh and new and, given time, would have probably suffered the same heel-turn claudia gave to everything.
of course thats because she shared louis' hopeful outlook. being free of her parents? would fix everything. when it didn't? maybe if she had louis, it would be worth it. but its not, lestats still here, louis is still in love with him... killing lestat, thatll fix it, and she and louis will be happy in romania, right, the homeland for vampirekind? not quite, so better try paris, the city of love. that doesnt work. the coven, though, will give her what she wants, right? she'll be happy with other vampires?
the only person who makes her happy is? a modern version of lestat? a weird white woman she met on happenstance, who has little to no care for societal norms or faux pas. a blunt, kind of funny, kind of sad woman who lost her family but has a capacity for enduring because what else is she going to do? die? no, she cant do that. she had no friends because she was weird and offputting and had dangerous rumors, no hangups on loving claudia, no hangups on dying or being a killer.
that's... just lestat. without the immortality and the specific traumas, of course, but like. claudia's most beloved person was a funhouse mirror of her most hated. which really speaks volumes for what they could have had, because it wasnt just a clash of personalities. it was lestats bpd clashing with hers and both of their attachment to louis clashing. if lestat had been better at sharing, if louis had been better at loving both of them, if claudia had been less angry at the world for nothing but existing? maybe they could have been a good family. a happy one forever, just like they all wanted, but were unable to give each other
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rewatching night at the museum for the first time in a while and wow. i missed this film.
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I will never be over how at its core OFMD is about queer hope and joy in finding the strength to change and grow, specially during a stage in life/age at which the majority will say that you should be settled with who you are and what you're doing
From Stede falling in love with a man and finally realising he's queer, and embracing that with all the overwhelming joy that he can possibly embody, after years stuck in an unhappy marriage trying to force himself into a role that didn't fit him
To Ed finally falling in love with someone and using that as a catalyst for change to find out for himself what he wants to do and who he wants to be, after years of feeling like he was stuck in one place and treading water
To Izzy finally finding a safe community where he can try out new things and find new ways to express himself, after years of being so tightly wound up and repressed
To Anne & Mary stuck in a rut and unhappy but scared they're too old to change, burning down their old life so they can move on forward together and try something new
To Buttons doing the impossible and changing into a fucking bird
Doesn't it give you hope?
Doesn't it make you overwhelmed?
That no matter what age you're at and no matter how scared you are and no matter how impossible it seems, you can still grow, you can still change, you can still find your people and you can still discover new things about yourself.
That you don't need to figure out everything about yourself in your 20s. That you don't need to fall in love and start the perfect life by your 30s. That you don't need to know exactly who you are and how you're expected to spend your life by your 40s.
That you don't need to remain stuck in the box you put yourself into because that's what people dictated or because that's what was safest.
That you can always grow and change and try something new and it's never too late
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"Hey Kioko, how's the new job?"
I now understand why people advocate so strongly for universal healthcare. Insurance is such bullshit. But aside from that. This is a terrible job.
"It's only been two weeks. What's going on?"
Okay.
So I didn't think this through.
More under because the rant's long
This job I'm at is at a clinic. They're open three and a half days each week, it's typically 30 hours per week. I've got no experience or knowledge of medical terminology and medical computer programs. I admitted this in the interview we had. I was way too over the moon when they IMMEDIATELY HIRED ME AFTER ONE INTERVIEW. Why do I know they immediately hired me? They sent me forms that jobs normally send after someone gets hired. That should have been, you know, two red flags. But again, they wanted me to come in for a work interview, so I thought maybe they wanted my paperwork beforehand so I can do the work interview.
No, I literally missed the signs. I mean, I thought it was weird but I sort of thought they were super eager. And then after that work interview, they asked how soon I could start.
"I want to at least do my two weeks at my other jobs." Since, to be honest, while I hated one of the jobs, the managers at both places have been super kind.
"Can you ask if it's possible to leave earlier?" The doctor asks without hesitation.
Also another thing to say, I don't have a lot of work experience. I've been hired on the spot for one of my other jobs and didn't have a job at the time so I didn't really need to do a two week notice. But a two week notice is a courtesy. And again, while I didn't like the job, I really liked the managers. They have been patient and flexible with me and didn't pressure me to do things I couldn't do. So I felt rushed and slightly offended. But I brushed it off. Maybe they just thought I would be a good fit for the position and really wanted me to start soon.
So I started Tuesday. Realized I had to leave to celebrate my brother's graduation this week. Here was what the doctor did when I told him that I would be gone Friday and the first half of next week:
I have essentially did a speed run of the basics of the tasks I'm supposed to do the four days I've been in so far.
It's not even the end of week 2, mind you, and I haven't done a complete week at this place yet. Sure, the doctor's not expecting me to be an expert, but when I am the only one working at the front desk and I have no experience in the medical field or know how to do insurance claims maybe there should be a lot of training.
There is none. I have been taught way too many things in the span of four work days that takes thirty minutes to explain to me. And then it eats away my time because a new thing arises that the doctor didn't teach me.
He's expecting questions from me. I have so many and he's not available at all times. And I don't know how to tackle a lot of things without asking for help. There is no one available all the time. I am floundering. I'm spending way too much time after closing to figure out what to do by myself.
No one is teaching me how to read insurances. No one is teaching me how to explain to patients why their bill is like this. No one is teaching me how to be good on my own. This is the worst job with training. I'm essentially the face of a clinic who's trying to maintain people's health. And I have to learn "along the way"?
I don't know. I feel that when I'm in charge of looking at someone's expenses for their health, I feel there should be someone that should be training me from the moment I get into the office and the moment I leave.
I told myself I'll give this a chance. I wanted to give myself a year, 6 months at the bare minimum. Now I think I'll give it 3 months.
Oh and they told me my position is "office manager" when I had to tell someone what my position at the clonic is other than being just being an office clerk. Which. Was the job title on Indeed.
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"use commas" this "learn how to spell" that. you fools. the very core of linguistics is the change that you so despise on account of lacking any sort of knowledge or foresight. you imbeciles. we the linguists laugh at your little commas and dots that you throw around in your playpen. you think it matters? you think any of this matters? the only thing you should even slightly care about is if you can understand or interpret the core of the message. you hold up the punctuation system as you do the values of the past, thinking it sacred, much like a false idol. you will never be free if you dont stop policing the victimless crimes we've made up. you will never ascend.
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i am so extremely confused on how you can acknowledge belly dancing not needing to be sexual yet. still insist that nintendo is sexualizing young gerudo with the attire. the makeup, heels and how impractical it is to wear the shit they wear in the desert i understand. im not defending those design mistakes. but??? jfc.
oh. so, assuming you are the same anon as before, you WERE asking in bad faith then, or are intentionally missunderstanding what im saying, got it, and now you are trying to twist my words around to fit your little narrative about me being the problem and not mega corporation uwu nintendo with a history of racism (to which this issue is extremely attached to)
so, since you apparently didnt understand what i said, and didnt watch the video i attached either, bc that goes into detail of everything as well, im gonna spell it out once more, and i will even EMPHASIZE words like THIS, so its easier to understand, just for you <3
i did NOT say that the 'belly dance' outfit doesnt NEED to be sexual, i SAID it is/was not sexual IN ITS ORIGIN, BUT was TURNED INTO what boils down to nothing else but a sexy strippers outfit by western people and has been used as NOTHING BUT sexual for decades in the vast majority of media of all kind-
which MEANS, that although in ORIGIN it might not have been sexual, the unfortunate PROBLEM is that through its extreme popularization as such you now have to assume IT IS sexual, bc that is pretty much ALWAYS the intent, people dont even know it as anything but a sexual thing
and before you can even say the "well maybe they didnt intent it a such" blah blah, this is NOT SOLELY about the outfit itself being the only problem here, its the whole package, even if they DID have good intentions or did it subconsciously (which, mind you, should also tell you just how much this kind of picture of middle eastern people has been spread, how common it is to see them like this that its what most people actually think they are like) it nevertheless sends a certain message, and again, ITS THE WHOLE FUCKING PACKAGE, everything, from outfit, to design elements, to dialog, to lore, to even camera angles, you cannot view it as a seperate thing bc it is, inherently, not able to be seperated from everything, its as if you took an incredibly racist caricature, zoomed in and said "LOOK they used a realistic kind of skin tone, its totally not racist!!"
you also called these design decisions "mistakes", but they are not, in fact mistakes, a mistake is when you notice after posting a drawing that you forgot to color in a strand of hair, however, ALL of these design and writing decisions are deliberate, they had to sit down, in a giant team of people, to come up with it, then proceed to design and write it, approve it, make it, and ship it, and saw no problem with it, which is a problem
now, im not saying nintendo personally is telling you "its ok to fuck kids", but things have meanings, and if you are making something, ESPECIALLY using something that isnt of your own culture, you should think about things, and what meanings a thing can have attached to, they are a giant corporation, not a single, very uninformed at best- or very racist at worst, human being, they have the means to do research, but they did not do it or think its fine, maybe even good, which deserves to be called out
i am a big, and longtime, zelda fan, but beign a fan of something doesnt mean you cannot criticise it, or aknowledge that its in many ways flawed, part of being a fan is being able to recognize things that are bad and demand better
if you send me another ask spouting bullshit or purposefully missunderstanding what im saying im gonna punt you into the filthy barrel of blocked porn bots, bc i dont have anon messages enabled to receive shit like this but to allow people who might be too shy to send normal asks to talk to me.
jfc.
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Moral Orel doesn't seem 100% like a show I'd feel seen in if you don't know me but then I remember the episode with the special ed kids and underneath the usual satire on extremist bible belt religion it reminds me WAY too much of how actual special ed departments treated me and other kids growing up.
Like the writers must HAVE BEEN THERE IN LIFE, man. I'd kill to sit down with Dino Stamatopoulos and find out what the fuck inspired him and the other writing staff that day.
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sometimes people who struggle like to make jokes or find positives about their condition that causes them to struggle so they can escape the constant negative and struggle. sometimes autistic people will say things like "the 'tism" or use the "autism creature" or say their autism helped them have a *positive trait* to feel better about their struggles. because living your life only focusing on the struggles and negatives is depressing and makes it hard to want to live, even if those struggle take up 100% of your life and you can't actually escape them. sometimes any little seemingly positive thing can help a lot.
but there's so many other autistic people that hate when we do that and call it "reducing autism to a cute trendy thing" and say it takes away from *their* struggles and is bad and shouldn't be used. maybe *you* want to only focus on your struggles, but some people can't live in constant negative and need some positive or to find ways to make their condition more positive so they can feel better about living with their struggles. life is hard. I take anything I can get.
I cant get jobs. I can't make and keep friends. I can't get help and support for doing "normal" things so sometimes I go weeks without being able to shower and without eating more than a bowl of cereal a day. most times can't even do things I like. struggle to communicate. have meltdowns. i'll never be able to live independently. I struggle a lot. but instead of sitting here always depressed and having no motivation to live, i'd rather try to joke about "my 'tism is acting up again" when i'm struggling (just an example. don't think I ever actually used the 'tism thing but i saw others use it) or say "i'm just being a creature" when I need to stay in my dark room because everything is too much and I personally find it cute to be a little creature meant in a positive way. i'm not actually downplaying mine or anyone else's struggles. I still acknowledge them and that silly jokes dont make them go away. i'm not trying to be trendy. i'm not doing any of the things people say we do by making silly little jokes. i'm using the silly little jokes to convince myself life can be a little more than pointless, painful garbage all the time.
(continue in tags)
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I’ve been thinking a lot about the photography for the album (as I am wont to do) and once again am amazed at how Taylor and Beth Garrabant came to work together by happenstance and it has unlocked yet another visual medium through which Taylor can tell the story of her work.
The fact that Taylor initially reached out to Beth for the folklore photoshoot in 2020 not just because she admired her work, but most importantly because she worked solo which was important during the initial Covid lockdown and adhering to safety protocols, and she liked the 35mm aesthetic. This could have easily been a one-off venture like I think most of her other shoots were, but something about Beth and her approach made Taylor feel safe enough to not only keep working with her, but expose herself with each one to more vulnerability and storytelling through the photos. They’ve captured lightning in a bottle together and I think it must speak to Beth’s talent as an artist and compassion as a person that Taylor has trusted her with this incredibly vulnerable side of herself she hasn’t really explored much until their partnership began.
Not to be all cupcake-y, but in some ways it feels like the universe took 2020 Taylor and said “I’m going to put you in the orbit of these creative collaborators who are going to throw a blanket on you and keep you warm” and that just catapulted her into the creative supernova we’ve seen since then. The collective she is part of now is just something to behold.
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why is twisted wonderland like "i am going to ruin your life maybe destroy your worldview a little bit <3 i am going to make you get attatched to these ridiculously named anime boy versions of disney characters and then watch them go through every trauma imaginable that keeps getting progressively worse and more complex as we keep going. i am going to fundamentally change you for better or worse and you will never be able to watch a disney movie again without thinking of me. i am going to make you watch as these awkward teens navigate through Evil Highschool and you have to find Your place in it, knowing fully well that, at the end, after all of that, you will leave all your friends and return to your own world alone again" but also "omg hey girl do you want to see your babygirl as a bunny or a plushie perhaps? say yes"
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