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#The Worst Person Alive
feelingsofaithless · 10 months
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{G Flip and Linkin Park's Mike Shinoda perform In The End x The Worst Person Alive Mashup}
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ruporas · 1 year
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can’t talk about it
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.
Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."
The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"
The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."
The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."
The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."
The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]
#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#Theyre both thoroughly exhausted tired individuals -- vash having to fight this lonely battle for over a hundred years and getting dragged#back into inevitable situation with knives after a 2 years hiatus of being a gunslinger. they both need so much Rest and comfort in this#department... .SIGHS. BUT I JUST THINK ABOUT WOLFWOOD . AND HOW... LITTLE He has existed on no man's land. how majority of his years being#alive is being used as a weapon and to kill when him at his very core is the most giving and selfless individual ever#badlands rumble inspired me a bit but i do think wolfwood gets dragged into occasional tasks from the eye of michael while on his duty of#guiding vash -- or i think that one chapter where we got to see other members of eom -- there's like a clear division within the eom too#i think.... so i figured similarly to vash but not to the same amount -- there are people that look for wolfwood too. but most of the time#it's probably wolfwood that has to look for someone else and take them out. i feel like it happens ever so occasionally.#evidentially these two don't talk enough canonically but they always know how to express things properly to affirm that they're okay#they have the worst time ever sharing burdens - can't willingly burden the other and has neeever asked for help or reprieve in their#desperate situations... vw is a huge case of right person wrong time syndrome so they just. in the time they get to spend together -- even#if romantically - they don't have enough time to heal to get over that kind of hurdle. They've just never asked for help in all the years#they've been alive -- they don't even know how to and its just aughhhsgskg#and well! they don't even need to ask! because they'll be there for each other anyway at the end of the day -- company and presence alone.#ruporas art
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cruelplatonic · 3 months
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my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.
#because villains who didn't start off supremely powerful are more interesting to me#vees#it's not that they CAN'T be better. or that they're simply ignorant of the ways they fuck up others lives#they actually all do have that knowledge of being the underdog. and it's made them all the more shitty#because they never want to be those people again#narratives about people who make each other worse <3#to be clear they were still shitty people in life. manipulative. consumed by greed and envy. all their individual flaws etc etc#but hell made them into the absolute worst versions of themselves#of course what their Worst Self is and the journey/length of time/initial reaction to being in hell varies#like val sees hell as a continuation of the things happening in life. just w/ the power dynamics always privileging him#it's the same drugs and violence. except the violence isn't just survival anymore but the chance to indulge his deeply sadistic desires#vox has completely dissociated from his time alive. that person is dead and he's reinvented himself 1000 times over since then#90% of the time he has those memory files shoveled into a hidden directory#he refuses to acknowledge that he's still haunted by some of the same insecurities from almost a century ago#val doesn't necessarily see his living self in a fond light but he does see that person as fundamentally him#velvette thinks life was full of people who weren't her demographic but fortunately that's been fixed by sinners!#they just couldn't Get Her and that was all their faults#the primary way they view their past selves can be summed up as: scorn (vox) apathy (valentino) and in denial (velvette)#sorry the bulk of the post was in the tags. i will be doing this again#the scorn is the coping mechanism for shame. of course
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nextstopparis · 4 months
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used to be you could sleep with your best friends wife and impregnate her and then send your best friend off to die in a war you started and then take that kid in as your ward but under no circumstances admit to her being your kid but still try and indoctrinate her with your beliefs and manipulate her into thinking she should be very grateful to you for taking her in like this is some sort of favour youre doing for the family Even Though Shes Literally Your Kid in order to stop her from speaking out against you and then threatening her a bunch and throwing her in jail all while making small side comments like “youre brave like your father” that you can laugh at to yourself because youre actually complimenting yourself arent you so smart and then going into the worst depressive episode of your life after she betrays you and tries to take over your kingdom and kill the other kid you actually did claim who’s her brother to the point where you literally are rotting in your chair and then she fucking kills you and youre dead. youre fucking dead. cant do that anymore. because of woke.
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batarangsoundsdumb · 5 months
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when i say 'god forbid women do anything' im talking about amerie wadia from heartbreak high
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the-krakens-bitch · 7 months
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“We need more complex characters”
Bro you couldn’t even handle them
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lighthouseshepard · 1 month
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re: that post a ways back i made. i want a drabble about john in a human body and arthur just being. really unabashedly weird with each other. like theyve been through every Horror imaginable you cannot tell me these two arent strange enough on their own and have picked up weird bizarre vaguely freakish tendencies down the road. but i also want some of the more mundane little weird things of being human. like arthur wakes in the middle of the night goes downstairs and john is there in the dark eyes glowing gold eating handfulls of shredded cheese out of the bag in front of the refrigerator with the door open, hunched over like some shadow creature. and Arthur doesn't even react in the slightest, just watches the two yellow circles blink at him and takes the offered cheese. or someone spills a glass of water and arthur just takes his sock off, cleans it up, and puts the sock back on. and john is left staring at him like. hello? we have? cloths with which to clean?
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blorboazula · 6 months
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what makes me believe Azula is redeemable isn't even that she's a 14 year-old who has been manipulated by her Father her whole life, it's that some of her main traits are shit like loyalty and competency.
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3-aem · 2 months
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stop telling me facts about gojo—i dont want them Anymore
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sadisthetic · 11 months
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i get into hi fi rush and then proceed to make the most TOXIC ASS hfr oc. this is seltzer (he/they). he is Hashtag Problematic.
hes a precanon character who i created for the main purpose of exploring chais backstory which is FREE REAL ESTATE and subject chai to wretched things. making up a reason why chai is such a lonely ass independent guy at the start of the game AND SELF INDULGING AT THE SAME TIME (i love emotional whump). seltzer is red flag ass emotionally manipulative motherfucker. lmao
he is uhh. chais ex-"friend" that chai met at a venue during a local band performance in college. in quotes bc its a kinda complicated one sided deal. hes in a band called acid scale thats just a group of friends fucking around with instruments. their skills are mediocre and their music is DOGSHIT
somehow chai ends up hanging out with them. it doesnt end well
more sketches of the bastard below
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mcybree · 9 months
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Actually no I’m never getting over the fact that wcsmp scott’s story worked out in canon the way that it did. Like. He got away with all that. He showed up, he power gamed, he mercilessly bullied this one girl because she liked water in his vicinity, he practiced curses on her for fun and destroyed her magic wish fountain FOR FUN, he had a basement dedicated to keeping notes on every other server member as well as samples of their blood in case they ever pissed him off and he needed to curse them, he kept a hidden supply of live sacrifices in his house that were terrified of his very presence, he kept various demons trapped in staffs that he knew by name to use in battle like pokemon, he was afraid of his bed being used to curse him so he just Stopped Sleeping and he didn’t eat either he was the worlds unhealthiest guy and if he hadn’t made himself immortal I think he would’ve just keeled over and died one day. But he didn’t. In fact he won the supreme witch tournament and then all of his horrific crimes paid off and were never spoke of again. After coping horribly for four years he successfully revived his husband who then asked Zero Questions and they presumably lived happily ever after. scott real life said if his character hadn’t won the tournament he would’ve tried to kill himself btw just thought that was interesting
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quillkiller · 9 months
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outtakes from my rita skeeter character study i did feverishly at 4am last night/this morning
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markantonys · 7 months
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it continues to baffle me how many readers advocate for the show entirely cutting the andoran succession arc, aka elayne's ONE big Main Character storyline that she leads herself (vs. being a sidekick in nynaeve's storylines). what would you do if i started advocating for cutting mat forming the band of the red hand? you wouldn't be so happy about that, would you? well, that's the equivalent of what you're suggesting for elayne, just gutting her entire arc and reducing her to a secondary character.
some readers really need to learn that "i don't like this storyline" doesn't automatically equal "this storyline is just unimportant filler that can and should be cut from the show" (and that "i like this storyline" doesn't automatically equal "this storyline is crucial to the series as a whole and the show will be unwatchable if it's cut")
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bellamygate · 7 months
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literally I feel more sympathy and interest in tee than phee and jin
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deansmom · 4 months
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The fact that the spn fandom is entirely incapable of a nuanced discussion involving Dean and the relationship with his mother shouldn’t surprise me as much as it did when I came back to fandom, and as much as it still does when I’m forced to see it with my own two eyeballs
Mary Winchester was a person before she was a mother, and I’m going to be so honest with you, I think by the time she died, John didn’t like who that person was. So I think when she died, he did what a lot of people do, which is put the person they lost on a pedestal. And that’s who Dean grew up hearing about, that’s what all of his memories of his mom were contextualized with, this person who didn’t exist. And so then his mom comes back and I think it’s very, very clear to Dean almost immediately that this isn’t the same person John told him about.
In the real world, we have no context to draw from and nothing to compare it to, the experience of getting a dead parent back and to be part of your life again. We can’t know how he felt beyond what we were shown in canon - So of course Dean is thrilled, but he’s also a Winchester and deeply traumatized, and tries so hard to make it seem normal and not internalize his complicated feelings about her and her being alive. He’s dealing with:
Grappling with losing the mother he was told she was and resenting mary for it because she’s standing in front of him
Realizing that John robbed so much from him by denying him the version of his mother who feels like looking in a mirror
The guilt of how and why mary is there
Trying to reconcile his feelings of resentment and anger that he knows should be directed at John, but John’s not there, so they end up getting directed at mary, and feeling bad about that
A deeply traumatized inner child who has his safe person back, and just wants his mom to hold him and tell him it’s going to be okay, but he knows that isn’t fair to ask of her
And meanwhile mary was dealing with
✨trauma✨ from being brought back to life
Having to confront her own failures as a parent (which is silly it’s not her fault she died but y’know, feelings tend to be silly)
Having to reconcile her toddler with the man in front of her who’s older than her being her son
Seeing so much of John’s worst qualities in both of them and recognizing the trauma of a shitty dad
The fact that they had this idea of who she was, and it’s nothing like her at all, and trying to understand why John would lie to them while also probably coming to terms with what looks like confirmation of her own worst fears about who she was as a parent
I cannot stress this enough: the last time her feet touched the ground, she had been married, with a new baby, and a 4 year old, she wasn’t a hunter, John barely knew about hunting, and it was the 80’s. She woke up in what, 2017 and her husband’s dead, her babies are grown men (again: older than her!!!) and the most prolific hunters in the world. Oh, also, angels? God? The afterlife?? Funny story! Like I’m sorry, you wanted her to have well-adjusted coping skills for that????
The Mary hate just gets me because she’s Dean in a different font, and so many of y’all hate her for such superficial bullshit that you could let go of if you took 5 seconds to think about the situation critically for both of them. The only bad guy here is, was and will always be John Winchester. John was there, but Mary tried her best. Mary tried to do what was best for them when she left, because she didn’t want to damage their idea of who she was anymore than she had. Mary literally died trying to save Sam from the destiny that heaven had written for him - John couldn’t be bothered to think about his kids.
And if you think that Dean ever genuinely hated Mary, your critical thinking skills need some work. The thing that prompts his speech in 12.22 is Mary saying to his younger self, “I only want good things for you, Dean. I'll never let anything bad happen to you.” So he says
I hate you. And I love you. 'Cause I can't – I can't help it. You're my Mom. And I understand...'cause I have made deals to save the ones I love more than once.
I forgive you. I forgive you. For all of it. Everything. On the other side of this, we can start over, okay? You, me, Sam. We can get it right this time. But I need you to fight. Right now, I need you to fight. I need you – I need you to look at me, Mom. I need you to really look at me and see me. Mom, I need you to see me. Please.
Translation: “you’re right. I resent you for not being the person I was sold, I resent you for your death being the thing that ruined dad, I resent you for being the touchstone for so many of heaven’s plans for us. I resent you because you’re here, and John isn’t, and it’s easier to hate someone tangible than someone dead. And if I hate you, it’s only because I can see so much of myself in you, and I’m so incredibly angry that John treated us the way he did. My whole world, my whole identity revolves around you being someone that you never were, and wrapping my head around that is scary, but when I pull my head out of my ass and look around, you were just a kid. And you did your best, you’ve always tried to do what’s best for me and Sam, and I don’t hate you. I don’t know if I like you right now because you’re a stranger, which is scary - but I love you. So please, mom, I’m sorry that I’ve been taking my bullshit out on you. Just… try. For me. Please.”
Anyways!!! You guys don’t deserve Mary.
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13eyond13 · 3 months
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I love the way that, in addition to his origin story with his over-sized sword and the scar on his nose, the flashbacks to Guts's childhood show how much of his insane work ethic and reckless self-endangering abandonment in battle were all kinda ingrained into him by his craving for attention and approval from shitty father figure, Gambino.
Random nice mercenary guy: "Don't overexert yourself, kid. Just do what's needed. 'Cause if you die, you lose everything."
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Gambino: "It's your first battle. Work hard!"
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Guts: [throws himself into battle so hard he nearly dies multiple times, fixating on pleasing Gambino the entire time]
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Gambino: "C'mon, hurry up! Work! Work!"
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Guts: [gives Gambino his entire earnings, Gambino tosses him back a single coin]
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Guts: [more motivated by this one mild bit of encouragement than anything he's ever experienced before in his life]
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#it's difficult to post berserk meta because i feel like the manga is often so well-written and well put together#that every panel is important and it's hard to leave anything out - and i'll end up just reposting the entire chapter instead#like this is leaving out all the stuff before that leading up to this moment#where gambino is either neglectful or cruel to guts almost all the time - giving him the scar on his nose in a rage#yet also now and then tossing him a bone like giving him medicine for his wounds - and as minimal as that 'kindness' is#it's the only caring attention guts actually ever receives and he's so starved for it that it keeps him striving to earn more :(#and how the other members of the band don't like how gambino treats guts yet also do not step up to raise him themselves either#and whisper together about their resentment of him at night when he's left alone to fend for himself#AND then i am also leaving out the bits after that where gambino immediately goes and does the worst thing possible to guts too...#renting him to donavan... yet another awful formative experience for the kid#just constantly reinforcing to guts that he's got nobody but himself and his sword for his sense of protection and value and purpose#but showing that those tiny scraps of kindness and praise were basically keeping him alive and what he really wanted underneath too#it's just extremely well-done and so good at showing exactly why guts is the way that he is later on#and why when griffith started paying attention to him and valuing him as a person#in addition to putting him to work in the ways he was most familiar and comfortable with - it was basically like crack for him as well#berserk#berserk spoilers#p
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