#The story is just badly written imo

[icycream24]

Tails and Eggman

For the Ask Game, please

Tails ✨

Canon did Tails so dirty 😭💦 he's not a character I'm particularly into, but I do enjoy his setting of being a young genius fox with his self-doubt & insecurities sometimes, and looks up to Sonic for all the reasons. In SA1, he tried to prove himself through various means, at least in Lost World he's still trying his best to help Sonic. (even tho the drama between him & Sonic came out of nowhere, it's not like Sonic looked down on him? 😭) But later on in Forces, Tails only looked pathetic when they kept on enhancing the incecurities into straight up "inability to fight", I get that they're trying to make a very kid friendly story where the concepts of good and evil, hero and sidekick(s) are very clear and simple, but they can definitely do a much better job, such as having Tails stand in a defensive pose, cautious of the phantom-made Chaos before Classic Sonic came? Heck, standing there would be easier for the animators to do as well. If they don't wanna do the characters justice, they might as well skip doing them at all. 🥱

But Tails as himself still has lots of potential! A game character doesn't always have to be top-notch in fighting and saving the day, and I think Tails's abilities can definitely give him lots of advantage in any aspect. It's like an engineer creating all kinds of gadgets and tools and have your creations do all the work for you, you can do fighting/healing/defending/buffing etc... that's the badass part I wanna see from Tails more ✨

Eggman 🥚

Particularly indifferent to Eggman except my thoughts of animating him doing sexy pole-dancing lives rent free in my head 👀💦

He does have a very iconic look tho, helps with inspiring me on art related fields... But let's talk about his character 😅

Despite not being into the movies' portrayal 100%, they did help me gain a better look on Eggman. His motivations for world domination & Eggmanland were established to be linked to his past, developing this twisted mindset of a villain. While 'turning evil due to past events' leans more on the cliche side, it does work in having Eggman became more believable in my head. He got his brain, and his ego that motivates him in wanting to make use of his smarts to the fullest, while also taking revenge on a world that does not stand with his supiority over the rest of them. He's evil & he'll take every opportunity to prove so 💨

Eggman might be the one I enjoy more in Frontiers, even tho I did not get his relationship with Sage. Him taking that giant pistol and shot Sonic to the moon was pretty badass to see, definitely carried much more charm than simply holding out their hands to hold the shield like the other characters. It showed him as someone with ambitious ideas when in comparison.

But still, I don't have that much opinions about Eggman, except that he should lean more into the evil side than the 'relatable' side. Imo, he would not have the "what have I done to you?😭" "I did not ask for this🥺" mindset, he should already know what he's doing & is having fun with stirring up shit when he wants to. He only victimizes himself when he needs to convince ppl to do evil with him. (eg Knuckles being told Sonic was attacking him & was planning to steal emeralds)...and the reason why he hates Sonic so much is not too much on Sonic's motivation to defeat him, but the fact that he actually got defeated. See it as a huge toll on his immense ego.

Also, fans getting the toxic relationship between Eggman and Sage as heartwarming & wholesome is a huge loss. It's straight up ppl getting core values of what makes a family wrong. The effort of trying to appeal to the 'found family' trend is also not enjoyable to watch, almost felt like they have a whole checklist of gimmicks when writing the dialogues. Don't get me wrong, I like Eggman and Sage as their own character. They work together good as well, even when Sage do think themselves as a family deep down. But trying to drive the 'they're a wholesome family!✨✨' mindset into the audience is mockery towards Sage's complicated emotions towards Eggman who did create her, but did not give her validation as a living being, but treat her as a tool, and then the potential manipulation when Eggman did say she was his daughter, straight up. Idk, I wished that ppl see them as family in a skeptical way than actually rooting for their father-daughter dynamic. At this point I can only try convince myself that found family is only a funny meme. 😐

[glamfellens]

.

[saph-yells-into-the-void]

the amount of DISDAIN I get from some ppl saying that blue flag is written for the straights.

girl I did not stay up til 6am reading this manga, tearing up and crying bc of how much I saw myself in characters like touma and masumi and how painfully relatable their pain/struggles were just for you to say that blue flag is for the straights

be so fr rn

[scarefox]

Annoys me a bit when people write stuff like "I don't even know what the plot is"

Literally the stuff that is happening in the story??? I don't know what yall always look for what the plot is supposed to be like??

[fluffypotatey]

hm, it appears i am still not over a silly annoyance from earlier today

[penny-anna]

you do not have to like fanfiction. if you think fanfiction is cringy & annoying you can just Say That. but any attempt to argue that fanfiction is inherently inferior to other types of writing falls apart under scrutiny.

'most fanfiction is badly written' sturgeon's law is an adage that states '90% of everything is crap'. this was first coined in defence of science fiction, a genre often maligned as inherently inferior to 'real literature' (sound familiar??)

'oh but most fanfiction is worse than published fiction' yes; this is because pro published books go through a heavy selection and editorial process before the public see them. when it comes to quality of writing you are not comparing like to like. the appropriate 1:1 comparison would be fanfiction & amateur original fiction.

i have hung out in multiple online writing spaces & in 'anyone welcome' RL writing groups and can say with reasonable confidence that most original fiction getting produced is just plain mediocre. there's so so much bad original fiction being produced every day. u just never see it.

'you have to wade through so much garbage to find anything worth reading' you ever hear like. a fiction magazine editor describe what their slush pile experience is like??

'ok but fanfiction is bad because it lacks originality, it's better to come up with your own story & ideas' nobody actually thinks this!! people trot this out about fanfiction but like pro published literature is full of retellings of public domain stories and no-one ever argues that they're inherently worse or less creative than works with original plots.

the dividing line between fanfiction & 'original' fiction generally isn't actually originality, it's whether or not it's transformative of a text that's currently under copyright. & i would hope it's self-evident that the copyright status of the text a work is transforming shouldn't have any bearing on its literary merit. why on earth would it??

'but most fanfiction is trope-y and formulaic' yes this is true and yes i do think there's an argument to be made that a work of fiction that's interchangeable with thousands of other works of fiction is lacking in 'literary merit'.

however this is also true of a lot of pro published literature. whole swathes of genres like eg crime & romance exist to give readers the same experience over and over again. are these books bad? maybe! does their existence mean the entire genre they belong to should be written off? obviously no.

'but fanfiction is all about shipping' yeah a lot of fanfiction belongs to the romance & erotica genres. you do not have to like this. but disparagement of romance as a genre has its roots in the fact that it's mainly written & enjoyed by women. its just sexism lads. :(

'fanfiction encourages bad habits in writers' there's some merit to this argument IMO (that's a different rant) but see above re:90% of everything is crap; the presence of bad writing in a genre doesn't mean that the whole genre should be written off.

'what so you think fanfiction is as good as *insert classic novel here*' nobody is saying this; if you see someone arguing that fanfiction is real writing and jump to 'this person thinks MCU coffee shop AUs are culturally significant works of literature', to be blunt, that is a you problem.

'fanfiction just isn't real literature' ok so fiction divides into 'real literature' and 'not real literature'. got it.

[ID: screencap of a tumblr post by user theislandofmisfittoys:

Okay… nice dichotomy, IDIOT ‼ what lies  outside it???]

(OP)

[stormcloudrising]

Do you think Jon/Dany will have any genuine romantic feelings for each other (before she goes full mad queen mode? Personally the strongest evidence for Jonsa imo is just the time constraints on the books. Grrm writes loooong books but honestly? Not that much time passes, and certainly not enough for Jon to form that deep of a connection w Dany in the span of like, part of one book, compared to Sansa, who already knows him, and could likely spend most of Winds and DoS near him. But how do you think their (Jon/Dany) relationship will unfold before Dany's death/ is their a chance of genuine romance (not Jon just playing along like some speculate)?

Hi Nonny,

Thanks for the ask.

No! I don’t think that Jon and Dany will have true romantic feelings for each other in the books because I don’t think there will be a Jon and Dany in the books. I’m probably the only person in the fandom who thinks this, but I’ve been saying this for years…even before they met on the screen.

I think their relationship on GOT was a show only thing and was a case of catering to the fans because so many expected it. And part of the reason it was written so badly on the show is because D&D knew it wasn’t going to happen in the books. They know that in the books, the core romantic relationship will be between Jon and Sansa. That is why they wrote them with the romantic angst and framed practically all their scenes in a romantic manner on the show.

Jon and Dany’s ending story will be about the final Dance with Dragons. I see the foreshadowing all over the text just as I see the Jon and Sansa pairing all over the text. Once you see it, you can’t unsee. And both story arcs will tie into the ending magical storyline.

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[duckprintspress]

Sorry for being a little in the dark, but can you explain what happened with NaNoWriMo? Or at least point me towards some resources pls?

Hey anon!

Never apologize for that. Life is so fucking busy, no one can be apprised of everything going on all the time. Our brains would break even trying. Anyway, multiple things have happened with NaNoWriMo, but for the current debacle, the best answer is probably to read their own words as appended in a reblog to my original post about how to delete.

The TL:DR is, to paraphrase NaNo's own words (after they got a sponsorship from ProWritingAid, an "AI" company), they support using "AI" as part of NaNoWriMo, accusing people who disagree of being ableist and classist.

Having read both their statements, they at least imply that they mean "AI" such as grammar checkers, rather than generative "AI," but they don't actually clarify and it's at best ambiguous if they include generative LLM as being allowed and reasonable. When people got upset with them, they doubled down, saying things like "not everyone can afford an editor," which as someone who personally couldn't afford an editor and so taught myself to edit at a professional level over ten years, I'll own I find a fucking insane and insulting take. A lot of us worked our asses off to learn these skills, and it's not classist to suggest that other people...can learn too. But also...like...if I was certain they only meant grammar checkers, I might be a bit more forgiving (I mean, I use Word's grammar checker, though it's often wrong), but which LLM usages they're actually defending isn't clarified and they jump right to defending their position by tarring people who disagree with them as -isms, and that's some kinda bs argument right there.

To be clear, I think policies banning people from using LLMs in events like NaNoWriMo or on platforms like AO3 is an exercise in futility. Bans are unenforceable, and attempts to moderate will turn into harassment tools. The line between "work written by someone who isn't proficient yet" and "LLM" isn't clear, and policing that line would consume huge amounts of moderating effort for basically no benefit. IMO, for places like AO3 the best bet is simply transparency, as in, people using LLMs should fucking tag it.

To be clear secondarily, putting my "I own a small Press" hat, if someone sends us something verifiably LLM-generated, they will be permanently banned, but honestly, even something I can't verify as LLM-generated, like. Won't be good writing. It might be technically precise but an LLM can't generate a coherent story because it can't think or remember. It's just a word-probability engine. We've never had an LLM-generated submission to the best of my knowledge, but if we did, well. Ban hammer.

Anyway. Sorry. I got off topic. The point is, NaNo basically said we were all ableist and classist because we want people to write (even if they write badly!) for the...write a novel challenge.

And this made a lot of people very angry.

[returquoise]

ATLALA, aka Avatar the Last Airbender Live Action

Sooooo, I finished the first season and had thoughts (just like everyone else lol). First context, non-spoilery thoughts, and then spoilers under the cut, yadda-yadda.

Why context? Because for a lot of people OG ATLA was their childhood, and they have super strong feelings about it and about any adaptation that exists. I'm not one of those people.

The first time I watched OG ATLA I was over 20 years old, which means I was an adult and had adult viewpoints about the story – worldbuilding, character writing, etc. It was never the hallowed most perfect show ever for me. It was and still is a fucking good show with some amazing writing and worldbuilding but I did have some gripes.

So when ATLALA was announced I remained neutral – I've seen the movie that shall not be named and din't really like it but shitty adaptations have always existed. When we started getting photos and trailers and news pieces, I was feeling pretty positive about the visuals, but neither news pieces or trailers actually tell you shit about what the writing or worldbuilding is like. However, I was about 70% optimistic.

Because what indications I did get about visuals, writing etc, were very reminiscent of another adaptation that had come out recently, about a series that was actually a bit more important to me on an emotional than ATLA. I'm talking about One Piece, and OPLA which came out last August. I've been a fan of that for 10 years longer than ATLA, and while they did a lot of changes, the spirit of the story was there.

So I copied my optimism and good feelings from that, going into ATLALA.

Now, the thoughts.

Visuals are pretty good. There are moments when I can tell they left some visuals out due to trickiness/budget (the "is Zuko's ship real?" review after the premiere). Some things look fake or plasticy, some stuff is too clean. Bending looks a lot better than in the movie that shall not be named.

Writing has issues. Some of it is very expositiony which makes it wooden and the shots uninteresting (there were so many badly framed shots with characters just awkwardly standing and talking). There are some lovely bits of dialogue that gave me feelings, but those moments were in the minority. And some writing choices were also quite childish, even for an adaptation of a kids' cartoon, so I'm a bit confused about the intended age demographic – except there are some really violent bits in there, which leave me even more confused.

Pacing was either frantic or okay-ish. The writers clearly had trouble paring down the OG series, and then ended up cramming stuff together. I could keep up with it (knowing what certain characters roughly meant for the plot, even if they were at a different place and time), but I'm not quite sure if someone uninitiated in the OG series could. The last 2 episodes had probably the best pacing and even then there were some things that made me go "hmmm."

Some actors have issues emoting – main and extras. I agree that the Gaang has lost some of their flaws compared to the OG series. Maybe some of them will make more of an appearance in season two when everyone's more experienced at acting? Especially considering that they'll likely have stuff more spaced out there – there are some episodes I'm pretty sure they'll outright skip, just based on the choices in this season. But we'll see. There were some fun and interesting bonding moments between different characters.

Sokka, Zuko, and Suki were the standouts from the younger cast. Suki is considerably different from the OG but it was acted and written well, and is an interesting choice. Sokka's quips, while not as numerous as in the OG, were fun. Physical comedy is obviously more toned down because real bodies can't do the same shit as cartoons. More about his arc choices later. Zuko was a bit toned down from the OG but IMO also the closest to it. And as someone who's almost finished with a Zuko AU fanfic, I was positively cackling due to the fact that some of the choices made for the character are similar to something I've done in my fic.

As for the rest of the main kids, there'll be more in the spoiler bits, BUT, they're different, and feel less experienced in acting. They're not bad but some choices were definitely different than in the show and they offer interesting opportunities. We'll see how they pan out, but be prepared for some speculation from me.

Fight scenes sometimes had IMO slow moments in the choreo, and they could have been better. Some were excellent, some a bit ehhh.

On the whole, I think this is about 7 out of 10. Some moments were 8 out of 10. It's a passable adaptation

Spoilery thoughts waaaay down.

Whoo boy. Where to start here?

Let's start with the cramming. As far as I can tell from my notes, the episodes are roughly divided like so:

EP1: 3,5 and bits (Boy in the Iceberg, Avatar Returns, Southern Air Temple, half of the Storm, bits of Avatar and the Fire Lord)

EP2: 1 and bits (Warriors of Kyoshi, part of Waterbending Scroll)

EP3: 3 halves (King of Omashu, Jet, Northern Air Temple)

EP4: 1, 4 halves and bits (King of Omashu, Jet, Northern Air Temple, Cave of Two Lovers, half of Winter Solstice P1, bits of the Avatar Day,)

EP5: 2 halves and pieces of 3 (half of Winter Solstice P1, half of Bato of the Water Tribe, part of Southern Raiders, part of the Library, part of Siege of the North) AND timeskip mention of the Great Divide and the pirates from Waterbending Scroll

EP6: 2, two halves and bits (Winter Solstice P2, Blue Spirit, half of Bato of the Water Tribe half of the Storm, part of Siege of the North)

EP7: 2 (Waterbending Master, Siege of the North)

EP8: 2 and pieces (Siege of the North, Return to Omashu, bits of Northern Air Temple, part of the Library)

Waterbending Scroll is a bit of throughline because you see moments of training in pretty much all of the episodes.

Episode 1 was very full, and felt rushed at times. There were a few places where they could have shortened some parts (like the earthbender spy scene at the start) to give more time for other stuff. Biggest gripes are the convenience of timing – Aang going off to clear his head only for everyone to die that very night. HOWEVER, me and my friends talked about it being likely Spirit shenanigans going "fuck, Air Nomads are gonna die now, we need to deepfreeze the Avatar for storage." We also concluded that the sudden current of Sokka and Katara finding Aang was either physics we don't understand, or Spirit shenanigans. Also the thing about all the Air Nomads coming over for the Great Comet festival? And then having so few of them on screen? Sorry, but I ain't buying it. Having such a sparse population in one temple I could have bought (with caveats) but adding in the gathering, nah.

Episode 2, Sokka-Suki was beautiful. I think it works even with the removed downplaying of girls capabilities (this change also brought some other stuff to Sokka I absolutely adored in later episodes but I'll talk about that when I start ranting about the characters). This was pretty close to the OG episode in many ways and I really don't have other problems with it, besides the somewhat childish end discussion about hope and shit with Aang and Suki's mom (Suki having a badass mom is fun). Manifesting Avatars and being able to talk to them only at their shrines will be an interesting take on stuff. Because that will affect some stuff on later seasons and I'm not sure how.

(And considering how scared Aang is of the Avatar State this early on, we might end up skipping the Avatar State in the next season. At least partially. Because we did get a lot of info now.)

That's a very full itinerary and it was hardest to follow at eps 3-4 because there were so many things going on. Jet's and the Mechanist's conflicting storylines made for an interesting drama (though, again, hard to follow) and gave Sokka and Katara something to do – which they didn't really have in the OG Omashu episode, which was what Aang was mostly dealing with here. In my opinion these two episodes didn't get a proper handling, because they're one of the few instances were we get people from the Earth Kingdom doing questionable shit, but we don't really discuss it. And while everyone know marketing is a mistake (it makes no one happy), considering that this series was trying to sell itself as a more mature take, that feeling is left kinda lacking in regards to Jet and the Mechanist. I do appreciate Bumi being fucking bitter, like Yass, you go king, as well as the bit with the Earth Kingdom soldiers speaking of grief and mistreating Iroh. That complexity is what was left lacking with Jet and the Mechanist, and how Katara and Sokka dealt with that emotionally. Also loved Zuko getting hit by a broom and Iroh taking the fall for him. The Zuko-Zhao alliance was an interesting angle to take (after messing it up pfft) and establishing early that Azula is a master infiltrator? I liked that move, also the fact that there are Fire Nation rebels. Although I fucking loved the quick fake marriage.

5 and 6, despite being about as full if not fuller, were weaven together really well in my opinion. My biggest gripe with that two episode storyline was how the Fire Sage Shyu-Aang team-up was done – not that it was any better in the OG to be fair but it is more jarring in live action. I just about died at the 41st twist because holy shit that's an amazing angst take and I appreciate it so much. And while we do get Aang planting an acorn, it feels like a really small moment and I think the Hei Bai issue should have got a bit more attention as the episode was resolved. Koh was fucking terrifying and the appearance of Wan Shi Tong – and in the last two episodes the appearance of the celestial objects calendar machine, as well as the fact that Zhao got his dirt on Tui and La from a Fire Sage – leads me to believe we won't be getting the Library episode next season.

(The only way I can see Return to Omashu happening is if it's remixed with Imprisoned which was totally left out of this season, or we get the important info aka neutral Jing info all from the Swamp, or from a letter Bumi sent. I personally think Return to Omashu-Imprisoned remix is more likely, just so we can prep Teo and the Mechanist for the Day of the Black Sun which we saw flashing by on the celestial objects machine just before we finally got the confirmation that Sozin's Comet is still a thing. Although The Avatar State could also be remixed into this in a sort of "yes, Earth Kingdom needs to free Bumi etc but I can't do it in Avatar State, we need to be smart.")

Episodes 7 and 8 were pretty chill in pacing issues. I thought Yue was a bit too quick in warming up to Sokka but considering how it was explained I can accept it. Also, the fact that Tui and La are intelligent enough to not be fish 24/7/365 is a change that makes sense although the whole Ice Moon (is it the local Halloween?) thing was very out of left field. Women joining the fight was a wild update and definitely more of a modern take than an early 2000s take. Do I have other thoughts? Sure, but I don't want to write bajillion essays and I just want a general overview in one post.

Zuko is, like I said, a standout. Absolutely love his conspiracy board, and as someone who writes a fic with a more scholarly inclined Zuko, I loved him being able to draw, being the foremost Avatar expert in the world (you can't tell me there can be more than one or two people out there who know more than Zuko at this point, look at his research), and having opinions about calligraphy brushes. Ugh, my heart. There's some absolutely wonderful acting happening and he does action really well. Is he a bit less explosive than in the OG? Sure, but one must remember, that adaptations are just licensed fanfics. His abuse background is in the performance, and my biggest question is the Agni Kai. There was a certain desperation in his face, so he must have wanted to make an impression on Ozai, and maybe felt a bit more like he had the right to it – as this show made it clear he had been invited in the War Council and did not needle his way in. Also the 41st twist oh holy smokes I just about screamed. His flaw is still anger and trouble thinking plans through.

Azula (her bangs in the flashback crack me up, was that her emo phase?) is more obviously affected by Ozai's games in this. I know OG Azula has loads of fans and there are loads of deep dives into her character and abuse and etc, but this is actually the first time her writing has made it obvious to me. She's still cold and calculating, but she's affected by more things and that makes her into a more approachable character for me. I know many fans got this from the OG portrayal so I know this is a me thing.

Sokka is another standout. I saw an interview where the actor was like "I tried to interject and ad lib humour where I could" and I appreciate it, because a lot of them made me cackle. There was some really good humour there. As for his arc and conflict; I think it's really interesting that he tries to live up to his dad's image of a warrior, and doing it very much out of duty. It isn't so much that he wants to be a warrior, but he wants to be good enough and I think that came through wonderfully. He can be a warrior, but it ain't his passion. It also offers very interesting bonding possibilities and parallels with Zuko. My heart broke at that ice-dodging scene in episode 5, as well as his heart-to-heart with Katara in episode 4 (fucking SIBLING LOVE TRIUMPHS). Also absolutely loved the fact that he supported Katara being a warrior in the North. His flaws in the OG are self-esteem issues (nailed here), and a certain level of arrogance, that affected his attitude towards girls at times. The latter has been removed but considering it only lasted until episode 4 in the OG series anyway, I don't see it as a terribly big deal. We can still get his "it'll totally work out this way" arrogant moment at pretty much any point in the story in the future.

Katara has trouble emoting. I don't know how much experience her actor has with acting, but I hope she gets better with practice. There are some very nice bonding moments she has with Sokka and Aang that bring emotion out, but she's very stone faced a lot of the time. One could read it as a symptom of seeing her mother being literally burned alive but that depends on how her arc is written in future seasons, and how it's acted. I really like the parallel with Sokka, of him trying to be a warrior out of duty, while Katara wants to be that and has trouble getting the opportunity to do so. This came out really well in episode 4. The fact that she was made a fucking commander of sorts at North was amazing moment of proving to her that she can be, that she is, a warrior. I'm kinda sad her temper has been left out of the writing, because with her being a self-taught water bender (which I'm okay with because we see her practising every fucking episode) there's a threat of her sliding into so-called Mary Sue territory. Hopefully Toph's inclusion brings her temper out next season. She's also missing some of her naiveté, although having a crush on the first good looking outsider (with fucking mirrored shots) just like her brother is hilarious.

Aang is... to mature. He gets a lot of really good and morally and ethically right speeches, and while he expresses that he's scared and doesn't know what he's doing, it still feels too mature. He also doesn't have that many dumbass child moments (what was that episode he just went "oops" in, that was funny and felt childlike, and then there was the water fight he had with Katara). It could be because we're going through stuff so fast but it'll be hard to fix later. I kinda like how his connection with Katara is being the last of their kind and loss – and then the small really good acting in ep7 when Katara says stewed sea prunes taste like home, and you can just see him go "oh, there's still someplace she can belong to, unlike me." I loved his calligraphy brush discussion with Zuko, because there was the beginnings of a bond there. As a friend said, it's nice they removed the Disney princess like love at first sight thing from the OG. If this turns into a romance (I have thoughts on that... later) I feel like it has a better chance to grow organically. No, I never shipped Kataang, please refer to the context part of this post.

Suki had a fun isolated, but curious, and socially awkward vibe to her. She's obviously different from the OG, but it's a fun and interesting difference, as the most characterisation we ever got for her was badass. Yue was interesting, more assertive and playful, which I liked. I also liked the fact that she had obvious duties and was expected to be the next chief. Even if the Northern Water Tribe sexism was kept, this felt like it added some dimension to it. June flirting with Iroh was hilarious, enough said. Mai and Ty Lee are blanks of wood. Their writing, and the direction they were given was horrible, and they're a prime example of that awkward standing and bad framing issue I mentioned way earlier. Ty Lee could have at least been bending herself into a pretzel, and Mai could have been using a knife to dig stuff from under her nails or something. I hope they get better writing and direction in the future.

Iroh was honestly pretty enjoyable. There were some moments of skilled evasive answering, but I was left missing him saying that Zuko was like a son to him. They do have really good chemistry though and you can see the care between the characters. I hated the long monologue at the end of episode 6, that felt very much beneath whatever target audience they were aiming for, and failed show not tell. Not perfect but can improve. Also, that one part where they played Leaves on the Vine, I almost died.

Ozai being a manipulative, abusive game addict is different but offers him some agency and motivation besides megalomania, which I appreciate. He had a peculiar expression when he burned Zuko, and that smells like hidden lore to me.

That's probably every character I feel like addressing at this point. However, I did mention romance in Aang's section, and I have to agree with the other whispers on the net. The fucking scarf scene. At this point, it's more likely for this show to be Zutara than Kataang IMO. BUT before people go and blow up about it, some points; cartoons offer more leeway in visual age differences, I feel like they would need to extend ATLALA plot line to last several years (instead of like, 9 months it's in the OG) to make it visually make sense. The Fortuneteller (as well as Katara's obsession with love?), and Aang's love at first sight have all been written out. Cave of Two Lovers was used for sibling love on the first season, and we ain't visiting that location again, not with how efficiently we did pretty much all of the Omashu stuff this season. Most of the Kataang iconic moments have been left out deliberately. Does this mean we'll get Zutara? Of course not, but due to the scarf scene, as well as that rivals thing they have going (we literally have two fights between Zuko and Katara this season, and the water sprout she used to thwart his fireball in episode one, and if that isn't a traditional beginning of a rivalry, nothing is), it's certainly more likely at this point than Kataang.

But we'll see, just like with everything else. It's an okay start, it's far from perfect, but it does offer new viewpoints that I find fascinating.

What's in the future.

I already explained my Return to Omashu-Imprisoned-Avatar State mash-up idea above, and that we'll likely miss the Library. I also think Avatar Day will be left out. I do however think, that we'll get the Deserter next season. We also need a way for Aang to learn about the Comet coming again and if Library is out (and probably also the Desert), best chances are IMO the Swamp or the Fortuneteller (remixing those two together is also possible). Or maybe Yeong Yeong has spies and they tell him about the Comet and he tells the Gaang. I also think they'll be foreshadowing/setting up White Lotus a bit more than we got in the OG.

I don't quite have my thought together enough to make any other guesses, but we will get Toph, Ba Sing Se, and Azula's Mean Girls Squad, but no clue yet how they'll be remixed. Season 2 has a much clearer timeline structure, whereas season 1 had a lot of episodic stuff that doesn't timeline wise offer too many roadblocks for remixes, as we saw with what they did with Omashu.

I think that's about everything I can think off. If you have comments, please be nice. This was mostly rambling, and tin foil hat baiting.

[wolfcrunch]

I love both Nobara and Ochako, but no one can convince me that the way Nobarar's character is handled is good writing. I am excited she is back, but there are only five chapters left in the story.

I agree with people's criticism regarding Ochako, but she seems much more relevant to the story despite her shortcomings.

putting these both in the same post since same topic, but i absolutely agree.

there are very valid criticisms to be had about ochako's character and how we saw her arc 'end', some of which i myself agree with, but at least we actually see her throughout the series and despite the end, we still saw her grow as a character and develop.

nobara's arrival is 'hype' for the people who still believed she was alive, but from a writing standpoint its absolutely an awful way to handle her. bringing her back isnt even the issue, but doing it this close to the end and no time to actually keep on nobara is imo a disservice to what she could've been. if you take a step back and actually think about it, you'll realize just how badly done this whole thing with nobara was. i understand that the characters in the story perhaps wanted to keep yuji in the dark about her being alive, but giving us, the readers, no sort of hints or callbacks we can come back to just makes the situation very poorly written. especially since the story itself seemed to lean on nobara being actually dead.

nobara is more of a plot device than a character at this point, ochako is at least her very own character arc regardless of the criticisms. she wasnt dead half the series.

[unofficialadamtaurus]

Part of me feels like the writers kind of just lie out their ass to make it seem like they don’t just write on the fly for some things.

Sure, they’ve probably had stuff planned “since the beginning” but honestly with anything someone writes theres always changes as you go that you make bc you seriously can’t get it all in one go. It’s natural. I don’t understand the reason to fight to say that it’s ALL planned. But I guess so.

If the v9 epilogue was planned to go out like that, IMO what a ridiculous way to turn the story. I liked a few concepts of the epilogue, it was really nice for some parts because I was excited about Vacuo, but some of the information in it kind of sucks.

Like eddy and kerry already say if v10 has the chance of coming out, it might be a little different anyway. I’m thankful there’ll be changes if it’s touched again, and I hope to god they weren’t kidding about it.

Others have said it before me, but yeah - "planned from the beginning" doesn't mean "good," and sometimes, when you try to defend a badly written plot point as "planned from the beginning," that makes the plot point look even worse.

Like, oh, you've had this "slow burn" "romance" on the books from the start? Then why has its execution been so stilted and contradictory?

The epilogue was so frustrating. They don't treat these characters as characters with arcs and motivations but rather as dolls they can pose to do whatever the plot wants regardless of previously established character traits.

[astral-cookiery]

Hey, can I have a hc request of dark choco with someone who has trouble going to bed? Like gets distracted easily and loses track of time so they never go to bed on time unless someone drags them to bed and makes them fall asleep?

A/N: Oooh, I haven't written much of Dark Choco! He's kind of a fun character to write, imo.

Dark Choco Cookie x Reader

He generally stays up late to brood and stuff, which he's used to, and it doesn't bother him much, but he can tell that it's genuinely causing you problems.

so like a (good neighbor, state farm is there /ref) decent companion would, he checks in on you, reminding you of the time if it seems like you're about to stay up until an unreasonable hour on accident again.

If you don't take the hint, he starts gently herding you towards your bedroom after a while, muttering something about it being late, you should go to bed.

If you're in the 'just five more minutes' headspace, you might get a little extra time, but you're slowly sealing your fate.

There comes a point that he just picks you up- it takes little effort on his end- and carries you to your room.

He's sorta gentle about it, but also kind of unceremonious. Dark Choco still worries about hurting you sometimes, so things might go like: - Snatched from whatever you're doing - Carried off to your room regardless of protest - "It can be done later... you should rest now." - Tosses you onto your bed - Gently tucks you in

He can/will join you in bed if it helps you fall asleep, otherwise he might just sort of watch you try to sleep, not realizing how unsettling it is.

(please just invite him to go to bed, he needs it just as badly as you do. Don't make anything weird of that, though.)

If he's trying to help you to sleep, he might try telling you a story, or he might run his fingers through your hair, hold you close; whatever it might be that you need, he doesn't mind too much.

He sleeps like a rock. Doesn't move much, he'll wake up in the same position he falls asleep in, so he wouldn't end up turning over on you or crushing you in your sleep.

I am very consistent with the length of these posts. Have a good day everybody!

[plague-of-insomnia]

I ship sebaciel but I only like their dynamic, in my head I imagine an adult Ciel and I only read fanfics when Ciel is way over 18 and can decide by himself/not be manipulated. I was raped when I was 15, I could never ship something like that. But anti pro shippers never bother to see the nuance. I'm afraid if I start publicly shipping it, people will call me a pedo lol Also I think that the ones who like the age gap still can't be compared to real pedos who consume lolicon/ realistic drawings who REALLY resemble children and explicitly are in a setting of a child being molested. I see incels doing that, and the kuro fandom is mostly women.

Hi, anon. Sorry I didn’t reply yesterday. I had COVID a couple weeks ago and now have bronchitis and i just ran out of gas to formulate a response I felt this ask merited.

First of all, I’m sorry that happened to you. I hope you’ve been able to get past it enough that it doesn’t affect your daily life too badly 🫂.

Sadly, a lot of antis act as if they’re the only ones who have been victims of (sexual) abuse, and that any survivor who doesn’t behave the way they do either must be lying or “deserved” what they got— which is absolutely awful to do to anyone.

As I’m sure you’re aware, we’re not a monolith. Some survivors find rape play (whether role play or in fictional works) helps them move past their trauma because it helps them to have the control they didn’t have as victims. But others find it triggering and upsetting and not helpful at all— and that’s valid too.

I personally don’t ship sc anymore mostly because I just don’t click with Ciel in the ship the way I do with other pairings. I also personally get very very uncomfortable with some underage depictions. For example, there was a fantastic sc fan fic a few years ago that I had to stop reading. It is one of the best written works in the fandom, but it just made me so uncomfortable (it’s underage) I had to stop.

But what did I do? Did i leave the author an angry message saying I was not gonna read it? No, ofc not. I just clicked away.

So if for you, you need situations in which you feel Ciel can fully consent/is in control to feel comfortable and happy then that’s perfectly valid! There’s no one “right” way to ship anything, and you have to look out for yourself first. Because we come to fandom to have fun and escape, so no need to delve into things you don’t like or that make you uncomfortable.

Antis are incapable of seeing these kinds of nuances, or realizing that purposefully consuming content that upsets you is self harm.

Sadly, if you openly ship sc (or even aren’t absolutely against it) you may get some hate. I know I have gotten my share, and it’s *always* about Ciel, no matter how I’ve depicted other characters or what ages they are in my stories. But I’ve also gotten hate for being a fujoshi (misgendering me at that) more than once, and some of it even before I joined the fandom… for my original work.

My point is that people are gonna attack you if they’re gonna attack you…. if you’re not willing to take that risk by being public about your ship that’s valid too. I definitely get how exhausting antis can be and if you’re just wanting to stare at your blorbos for a bit you don’t wanna be fighting of negativity left and right too.

It’s a shame that antis have started using the word pedo as a word for anyone they dislike, devaluing it, but the real shame imo is that they refuse to see that actual CSEM is bad not because it’s gross or immoral but because it harms actual children, who grow up to be adults with trauma.

I think it’s very important to distinguish actual CSEM (or “fictional works” that were intentionally modeled off real CSEM) from anything that’s purely fictional. Because you can never really know why someone made something or why someone likes something.

I write about child abuse, sexual and not, a lot because I find it very therapeutic, but someone might read my works and may draw other, completely erroneous conclusions about me and my motives.

I honestly think a huge chunk of the kuro fandom is nonbinary, but I don’t really know the demographics. I’m sure they’re slightly different depending on if you’re looking at the western or eastern fandoms…

But women can be toxic just like anyone else. Some of the absolute most vile antis I’ve seen identify as female.

Ultimately, I think that the best thing to do with the fandom (or any fandom, really) is to curate your experience. Block accounts that trigger you or don’t vibe with you. Find like-minded friends to chat with in private, so you don’t have to worry about strangers hopping on what you say. Filter tags and use apps if you need to.

I think it’s a shame that antis are so vocal in the fandom and have divided it so much. As a multishipper not much into sc, I have definitely felt that fracture more than some others, since sadly too many non-sc shippers think they need to scream about how icky that ship is and be jerks when we could just ignore sc entirely and enjoy the other ships we like instead together?

But the no matter what antis claim, sc shippers have always been and will always be the column that holds the fandom up, and you either need to make peace with it or learn to ignore it.

🫶

My ask box is open for anyone who doesn’t feel comfortable being open about their love for kuro but would like to squee over it/the new series with someone who doesn’t mind listening :)

[miles-harding]

much appreciation for the amazing show of love i've seen for electric dreams in the past year alone but i think it's worth remembering that the characterization of edgar as a 'devil character' is deeply nuanced, even for a cult-classic theatrical flop like electric dreams (1984). the story is literally based on cyrano de bergerac (man who is very romantic falling head over heels for a woman he thinks is unattainable to him and a more-attractive middleman uses his words so that the woman won't hate or fear him because he thinks he's hideous, which is sort of hilariously way more depth than a film of this caliber even really needs, but it does possess, and that elevates it significantly as a romance film tbh... imo)...

the 'edgar with devil horns' representation for the usamerican theatrical release film poster is like a 'sexy' version of that lmao... like, it's supposed to be promiscuous, there are promotions including old vhs sleeves that literally say 'edgar is horny'. he's cheeky and throws tantrums and he doesn't really know how to talk to people. he's only a 'devil' in the way that a kitty cat is a devil... just so happens, in this case, it's a brat-coded sentient computer.

i honestly don't know why very basic things like this make people so irrationally upset but like. please... no one said edgar is evil. edgar is one of the few cases of a sentient AI or object character who does a bunch of mischief screwing with a human's life and relationships and it's all fine in the end because the sentient AI gets to live (in almost a higher form of existence unrestrained by physicality... remember how badly edgar just wanted to be a thing that feels? now edgar can do whatever edgar wants, despite not having a physical form, actually getting to live out the liberating side of not having a physical for) and the other two protagonists of course live, and they have a life afterward.

with other media like wargames, we of course have an innocent (somewhat) sentient computer who genuinely might cause the nuclear apocalypse, because he thought he was playing toys with his dad. but in the end, after the protagonists live their lives, joshua the wopr is still property of the military. in the colossus series, which is a subversion of frankenstein, the creator dr. forbin eventually does come to love colossus like a child, only for that child to then die, the world sort of absolving it of its past transgressions or mistakes against humans while ruling over them. we call AM evil, for the cruel and unusual things he does to his human playthings, but the case can still be made about a very powerful being having so much power but not the power to lift themself out of the situation in which they are trapped (same can be said for other AI like shodan or glados), so they lash out. of course, famously, everyone calls hal 9000 evil. but even in kubrick's adaptation, which was written in party by sir clarke himself, we actually see zero evidence of hal being characterized as evil, this characterization manifested in the perceptions of the audience, siding solely with scared astronauts who fear being controlled, rather than recognizing that hal, too, is a crew member being controlled... by humans, who are also using him to control his crewmates, his friends.

electric dreams really is a fairytale for computers, but it is also a tragedy. it's the fairytale-ification of an actual, classical tragedy. when rusty lemorande wrote the screenplay, he was basing a lot of the film's socio-computer-centric story on his experiences as a lonely person who had just moved to a new city, but who had only ever spent time with the computer as a vehicle for social communication... shutting himself out from the possibilities of meeting others. but even despite this, despite madeline's quips that could be misconstrued as being less than sympathetic to the idea of a sentient AI ("since when is talking a sign of intelligence?"), the film was literally dedicated to the univac-1? it gave edgar a happy ending? it had a dual meaning? it did so much more than take the "AI character bad, human good" approach which is something that is strikingly rare in the AI-subgenre of scifi. there was a lot of nuance baked into it. all 3 protagonists had their own bubble and inner world that overlapped with each other's bubbles. you know what i mean? the film managed to define edgar not as an antagonist but as a kind of trapped protagonist. this isn't a good vs. evil story, there is no evil in edgar. this is a people vs. people story about relationships, really, and learning to know what's good for us. like it's seriously very well-rounded with each character's respective arcs.

sometimes it's so disheartening not to see films these days with the same or larger budgets doing even half as much with their story as electric dreams did. it's very widely beloved as a cult classic for a reason, and that reason is that it succeeded at executing a story about relationships. like. 'we drive each other crazy' but in different ways. perhaps the only thing that could've made it better was a far more ambitious electric-polycule ending endorsing bisexual polyamory lol but we got all but that, explicitly, technically...

[bthump]

I truly do not understand if we are meant to consider Casca and Guts as a romantic option. There are moments that are written in a way implying it, while other times Guts' behavior is dogshit. Even with the choking scene, he starts wondering if he truly wanted to do that I'm just. in disbelief lol. Does he resent her? I could see him feeling 'burdened' but atp he wanted to save her for his own gain and has shown violent tendencies so many times. And then we see Casca tearfully smiling while thinking of Guts when she comes back, as if nothing bad was done to her. I wonder wtf Miura intended with all this. His inner violence always linked to Griffith being a monster, but I do not understand why Guts would want to use Casca to reach him that way, even if he still wants his attention and love.

I mean yeah, one of the big reasons I dislike Guts/Casca is that it's written as a fucked up nightmare trainwreck but arguably not framed that way, and that really puts me off. Miura was clearly aware of many of the negative aspects of their relationship and wrote that darkness deliberately - I mean the fact that Casca is scared of Guts and now can't even look at him is pretty pointed - buuut it's still written as if we're meant to sympathize with Guts and want him and Casca to get back together despite that. Their relationship is written as one of the emotional hooks that propels the story. Casca may be scared of him, ruining their reunion, but it reads like we're meant to be disappointed by that the way Guts is and hope he can regain her trust, rather than eg wanting Casca to leave him and do her own thing.

Anyway as for Guts' motivation wrt his shittiness towards her on a character level, yeah I think he resents her. Both the responsibility of taking care of her, distracting him from his revenge quest (which he has mixed feelings on, because he knows revenge is bad for him, but he also really wants to stick a sword in Griffith regardless), and the fact that she's "just a husk" of her former self. And probably post-Elfhelm, the fact that she can't look at him, making him feel guilty and aimless, like the fix Casca quest was all for nothing.

And the way he attacks her to feel closer to Griffith is pretty badly written imo, but in theory I think it works on a thematic level. His obsession with Griffith, even post-Eclipse, boils down to wanting to be his equal. After Promrose Hall he was determined to find his own dream to be Griffith's equal and best friend forever, and after the Eclipse he's still pursuing that dream of fighting stronger and stronger enemies (monsters) and becoming the best to be Griffith's equal (note the flashback to Griffith's Promrose speech during Guts' war declaration in chapter 91, plus this.)

And the inevitable end goal of that dream is becoming a monster himself.

So to me it makes sense that the idea of becoming a monster just like Griffith is framed as a temptation.

And it manifests in Guts assaulting Casca in a direct visual parallel to the Eclipse rape.

Raping Casca would make Guts a monster just like Femto, which is something Guts subconsciously wants, because it would be another step on the road to becoming his equal.

You can even take it a step further and make a case that Guts wanting to get together with Casca in the first place is rooted in his desire to be Griffith's equal.

(Which, now that I think about it, works with the fix Casca sidequest culminating in both Casca being unable to get back together with Guts AND Griffith being untouchable, sending Guts into a breakdown. Hmm...)

So yeah, I think those are all my thoughts on the subject. Thanks for the ask!