#Theme: Give It Up For Women!

[crimescrimson]

The Female Agents of Mayhem: Agent Fortune | Agent Rama | Agent Daisy | Agent Joule | Agent Braddock | Agent Scheherazade | Agent Safeword | Agent Lazarus | Agent Friday | Persephone Brimstone | Agent Gremlin | In-Su

[cametotheshowinsd]

Who’s Afraid of Little Old Me? (2024) written & directed by Taylor Swift

So tell me everything is not about me …but what if it is?

[0m3n-0f-d3ath]

Local knight is enamored by the princess

Fantasy au!Kat and Lily

[phantomeros]

besma (she/her)

[jynjackets]

don’t get it twisted

as if my woc latina card got revoked for months because these men-crazed white women care sooooo much about minorities.

saying we’re equal means you’re part of the problem

[kyouka-supremacy]

What's p/p?

Ah, I meant to say, pp, Psycho-Pass. I usually add slashes to avoid unprompted rambles to show up in main tags, sorry if that resulted confusing.

I love Psycho-Pass. I already made a post about why bsd fans might find it enjoyable, but honestly, there's so much more to it beyond what it has in common with bsd.

The prompts for reflection this series offers are just wonderful: on the relationship between citizens and government, on pervasive systems, on freedom of choice and free will, on safety vs. freedom, on discrimination of minorities and creation of scapegoats, on propaganda and brainwashing, on the increasing and treacherous presence of technology in everyday life, on how government uses technology to control and manipulate people, on fighting the system from the inside vs. fighting the system from the outside. I should watch it again too. It's crazy good.

Akane Tsunemori - the coprotagonist of the first season, the protagonist of the second season and overall the true core and heart of the franchise - is one of the most complex and beautiful characters I ever met. Her growth and character development is truly amazing: the way she starts off as unknowing and naïve, and grows so so much from there; how her writing finds this perfect balance between becoming more mature / hardening and staying true to her beliefs - even when everyone, the system, the people she relies to, the people she looks up to - tell her that there's no other way, that it can't be. It's breathtaking. She is a breathtaking character. The way alone that no matter how conscious and aware she becomes of how cruel the world is, how unredeemable people are, how beyond saving the system is, she still keeps believing in humans… It may sound cliché by itself, but believe me, it's wonderfully executed, and her character is truly amazing. Not to mention, the way she mirrors the coprotagonist Kougami is fabulous, but this is not really about him; she's an amazing character of her own right, and I will die on this hill.

The female cast in general is all amazing honestly. Don't get me wrong, the male characters are just as complex and multilayered (and I LOVE Gino and Kou, how couldn't I), but that's… Something we're more accustomed to, while finding well written female characters is objectively much harder. Female characters in Psycho-Pass aren't written as female characters, they're written as people, just as much as their male counterparts are. They have their fears and hopes and strengths and weaknesses just like any other character. I love Yayoi for being strong and coolheaded. I love (LOVE) Shion for being her fabulous self, kind and flirty and confident and with an heart so big, and for her subverting the trope of guy in the chair by being a glamorous woman who's also incredibly competent at her job of analyst. I love Akane's friends and I don't like season 3 but Mai is genuinely awesome and a joy every time she's on screen. I love Risa so much I could die, I love how strong and independent she is, I love the dilemmas she had to face, I love her choices and how they might have been the wrong ones and how it still haunts her, I love the tragedy of her character in general, I love the doomed friendship that used to be between her Gino and Kou. I love love love Fredrica, I love her being bossy and confident, diligent and determined. There's just a lot of… Strong and independent women in Psycho-Pass, and it's not just a way of saying, they really are.

I LOVE women loving other women, canonly, on screen. The confirmation may be delegated to a small moment in the last episode of the first season, but the fact that it's still there nonetheless, and how it confirms that all the previous moments and exchanges were indeed moments and didn't leave it to ambiguity… It's nice, to say that the first season of Psycho-Pass came out in 2012. And you might have to wait eight years, three seasons, five movies for it, but the phrase “I just want to go outside, dine somewhere nice, and go for walks with someone I love” may make it worth it.

And I LOVE how all the leader positions are filled by women. It's a little funny, honestly, in the best way– despite what I made it look like so far, the Psycho-Pass cast is still men-dominated (or at least a pretty equally split 50/50?); yet all the leader positions are always filled by women: Akane and Mika and Kasei and Frederica and Karina, it's always women.

Also, Mika is a brilliant character. Of course I love her. I'm so so sorry for how much hate and criticism she gets (over being a purposely annoying character! Insane! When Dazai exists!), when she does really and excellent job at conveying “look! A fucked up brainwashed individual in a fucked up brainwashing environment! I wonder how that could have happened!”. Not to mention that her growth, her long and devious way to admitting that the system is flawed, is truly well made, too. Unpopular opinion, characters with big flaws, characters who are unsufferable and make lives impossible to everyone around them, characters who mess up again and again, are actually great to watch.

Again, don't get me wrong, I absolutely adore Gino and Kou too ahah. They're both great!! But that you can probably see by your own. Gino in particular used to be my favourite, how his character does a total 180° turn. I love to see men admit their mistakes and make the choice to be better tomorrow.

About that, the relationships between the characters are AMAZING. Especially the main trio Akane / Kou / Gino, all the combinations within it are beautiful and deep and brilliant, so so enjoyable to explore and with their fair share of canon content, while still never straying to romantic territory (I mean, Akane/Kou may be going in that direction, but if that's true, that's the slowest slow burn I've ever witnessed in my life).

What's more. The world building / general premise - a dystopian world, where your predisposition to do crime can be measured and the government makes use of such technology to monitor and control the population and guarantee everyone's safety - is genuinely interesting and compelling. The aesthetic is genuinely cool (AH, now that I think about it, I've got my unfair bias for people in suits, and pp has a LOT of people in suits… ). The opening and endings feature great artists like Egoist, Ryo, Who-ya Extended and Cö shu Nie, so you're sure to love them!!

(Also, Psycho-Pass is something I used to spend entire nights talking about with a friend, and I'm always thinking about her and hold her tight to my heart in every moment so. That's worth mentioning for me, pfffttt. I love my friend so much.)

Finally, because the other Psycho-Pass post I made here keeps haunting me for the lack of trigger warnings, please be aware: Psycho-Pass DOES have trigger warnings. Pretty much for eveything you can think of. Sexual assault and gore and body horror on the top of my mind, but it's quite dark and gritty at parts in its entirety, so please please keep that in mind if you decide to pick it up.

Well, this is the end of my Psycho-Pass love letter for now. Please give it a chance if you can! I'll go rewatch it now. General watch order, in order of release, is season 1 → season 2 → movie → Sinners of the System movie trilogy → season 3 → First Inspector movie → Providence movie. I don't really like the third season or First Inspector movie (the characters are still great tho, even the newly introduced ones), and I've yet to watch Providence. The first season later came out with an extended edition of added scenes between episodes, and they're quite nice, so if you can't get ahold of it, you might want to look up for a compilation of the missing scenes still.

[sukibenders]

The way some people are reacting to the Oscar nominations, specifically in regards towards Barbie, and many other things surrounding it holds certain undertones, especially when they then start to go and deny America Ferrera's talent among other things, that are very concerning. Like let's not do that. Especially if you're writing an article for a newspaper (LA Times) that makes digs towards the other films and their nominees, mainly who were women, and say that that proves the point of Barbie. Even though the point of the film was that women have to work harder than men just to get their foot in the door, not about shaming other women, but I digress.

[reflectionsofgalaxies]

posting selfies because it’s been a hot minute since i showed my face on here and i have short(er) hair now! 🍄

this was at a folk music festival on the weekend that i’ve been going to with my family since before i was a year old. i got to take a new friend this year and it was so wonderful. a beautiful day with beautiful music, art, and people.

this festival is a much smaller one and has struggled in recent years to stay afloat, it runs at a deficit essentially, and is kept going by the community and dedicated volunteers for whom it is a labour of love. i love to see the effort put in to make it a safe, welcoming, accepting atmosphere to celebrate talented (mostly local) artists. 🎶

[ojirocardigansniper]

He did what in the latest bsd chapter.

[rotisseries]

NARINES 4EVER!!!!!!!!!!!!!!!!!!!!!!!!!!!!! what if there were two guys that not only hated each other viscerally on a personal level but also everything they individually stood for and they tried to kill each other and there's no universe where they both make it and they have a hundred differences and a thousand similarities and they both die for drako and this started as a joke but why does narines lowkey go hard

narines will be an absolutely banger #Problematique rarepair when you're famous

[berylian]

Watched the doctor who special and it's literally "through the power of transgenderism all things are possible, so jot that down"

[floating--goblin]

hnghnh obviously i don't like dana but i don't dislike her as much as it would seem from how i clown on her. like that's all funny haha. but actually i'm thinking about her

[mockguffin]

i hate to break it to myself but some peeps who interact with my stuff and the media i'm into ruins it for me sometimes... if not, a LOT

more specifically, the ones who refuse to behave and are lacking basic decency by asking incredibly weird shit in my tl

[tutuandscoot]

REEALLLLYYY need VM to do a 3hour+ interview with each other coz yes while they will spend the whole time gushing about the amazingness of the other they will also stop and listen and actively engage with each other I’m done with this semi- self- promotional crap from these interviewers.

[astrxealis]

i will watch the trailer in english soon :))

[scatteredshowersposts]

A post-canon, pre-reunion No. 6 playlist for Shion. This playlist follows Shion from the end of Volume 9, through Beyond, until just before he reunites with Rat. It concludes right before the events of my story, Summer Rain.

In the Country - La Luz There isn't one thing that I wouldn't do for you Why leave?

Good Grief - Dessa But I’m willing to work for this Just show me where to dig And I’m ready to hurt for this

I Don't Trust U Anymore - Left at London As a kid, I was idolizing millionaires and all the presidents But I don't trust them anymore No way, no way, no, not again And I may never trust at all No way, no way, I'm over them

Working for the Knife - Mitski I always thought the choice was mine And I was right, but I just chose wrong I start the day lying and end with the truth That I'm dying for the knife

Glass House - Screaming Females Whose house is this? A gift was promised Future structures till we all vanish

The Center Won't Hold - Sleater-Kinney I need a real affliction Gives me a reason to stay I need a new reflection Don't wanna see my face

Fear the Future - St. Vincent When the Earth split in two I was I, you were you I run for you Run for me, too

Kokomo, IN - Japanese Breakfast God, I wish we could go back there Left alone in my room I know they deserve you too And maybe I'm not that worthy