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pcnmagazine · 1 year
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JASON ISBELL AND THE 400 UNIT ANNOUNCE NEW ALBUM WEATHERVANES - OUT JUNE 9TH
Lead Track ‘Death Wish’ – LISTEN HERE GRAMMY-Award winners Jason Isbell and the 400 Unit announced today the upcoming release of their eighth album, Weathervanes, out June 9th via Southeastern Records/Thirty Tigers. Written and produced by Isbell, Weathervanes features 13 brand new tracks. ‘Death Wish’, the debut release from the collection, is available now – stream here. Weathervanes is a…
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sinceileftyoublog · 2 years
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Jason Isbell & The 400 Unit Live Preview: 3/14-3/15, Rialto Square Theatre, Joliet
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Photo by Danny Clinch
BY JORDAN MAINZER
Over the past few years, Jason Isbell’s had a lot of time to think. Pandemic and lockdown-induced isolation made us all spend a bit more time between our ears, and for Isbell, it was his experience on set for Martin Scorsese’s upcoming Killers of the Flower Moon that yielded even more alone time. These spaces in between catalyzed the creation of Weathervanes, Isbell’s new album with the 400 Unit out in June via Southeastern/Thirty Tigers. Like Isbell’s best records, Weathervanes tackles many areas of life, from getting older and grappling with regret and depression to existing in an increasingly fraught and vulnerable world. What makes it succeed most is the extent to which he relied on his collaborators to make it, purportedly inspired by watching none other than Scorsese seek out the opinions of others while filming Flower Moon.
If there’s a line on Weathervanes that sets up the rest of the record, it comes on opener and lead single “Death Wish”, the only taste of the album so far released. On the song, about being in love with a depressed person, Isbell reflects, “The night was young once, we were the wild ones / Before we had to pay attention to the violence.” As a parent, a man, a white man, and a Southern man, Isbell feels the weight of the world, his voice uncharacteristically shaking, trying to explain that world and survive in it without shirking the performance of grappling with his complicity in the bad parts and responsibility to make it better. Morgan O’Shaughnessey’s lush strings contrast Chad Gamble’s clattering drums, mirroring Isbell’s frame of mind. The song directly foreshadows a tune like the dark “Save the World”, which sees the narrator learning about a school shooting, trying to balance his own mourning with his desire to keep his children safe. The most pointedly ruminative is “Cast Iron Skillet”, where Isbell uses the titular object as a metaphor for Southern tradition. “Don’t wash a cast iron skillet / Don’t drink and drive--you’ll spill it,” he sings, toying with the listener’s expectations in order to turn upside down a bygone nostalgia of a South that never was, condemning racism and toxic masculinity then and now.
Elsewhere on Weathervanes, there are Isbell staples: Southern rockers (“When We Were Close”, the basically live-to-tape “This Ain’t It”), soaring epics (“King of Oklahoma”, proggy closer “Miles), languid swayers (“Vestavia Hills”), and quotables galore (my favorite: “I’m running out of jokes / If you insist on being lonely, can you leave a couple smokes?”). Tonight and tomorrow night at the Rialto Square Theatre in Joliet, you can expect to hear at least “Death Wish” and hear how it fits in with the rest of the brilliant songwriter’s unparalleled catalog over the past decade.
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howlingday · 8 months
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Panthera Tigris Tigris Nikos
Jaune: Hey, Pyrrha? Can I have a hug?
Pyrrha: Of course, Jaune! (Hugs)
Jaune: (Sinks into her)
Pyrrha: Would anyone else like-
Nora: (Dragging Ren) MEMEMEME~!
Fun Fact! Bengal tigers are big. Females have been documented to reach 400 pounds, males 500 pounds, and occasionally larger specimens reaching 700 pounds. Royal Bengal Tigers are reportedly even bigger, with one specimen shot by David Hasinger in 1967 was reported to be 857 pounds, measured at 11 feet long, and left paw prints "the size of dinner plates," and it's last meal was a live water buffalo weighed down by an eighty-pound weight. It is displayed in the Smithsonian Institutions's National Museum of Natural History, in the Hall of Mammals.
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Pyrrha: Ready for our run, Jaune?
Jaune: You bet! Maybe this time I could-
Pyrrha: (Ear flicks) Oh, uh, why don't you keep warming up, Jaune? I need to grab something from the dorm.
Jaune: Oh, uh, sure thing, Pyrrha. I'll be right here.
Cardin: (Sitting on the roof) What the hell? Where's Nikos go- (Door swings open, Mauled)
Fun Fact! Bengal Tigers are fast. They can make short sprints of forty miles per hour, which is about the speed of a thoroughbred horse. An incident with a startled tigress mother with her cubs in Nepal in 1974 resulted in the death of a researcher who was hiding 15 feet in a tree. In 2007, on Christmas Day at the San Francisco Zoo, an Amur Tiger cleared a thirty-foot moat to maul three visitors who were harassing the tiger, killing one of them before being killed after four shots to the skull by responding police officer's .40-caliber-pistol rounds. It should be noted that the Amur was a captive tiger, raised from birth in the zoo. Imagine a wild tiger raised in the jungle.
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Pyrrha: Are you okay, Jaune?
Jaune: Y-Yeah, I... Wait, what about the goliath?!
Pyrrha: It's okay, Jaune. I took care of it.
Jaune: But how, Pyrrha? (Holding) Your weapons-!
Pyrrha: (Takes, Smiles) I took care of it.
Jaune: (Looks behind her, Sees dead goliath)
Fun Fact! Bengal Tigers are strong. Their bite force can reach up to a thousand pounds, which is much stronger than a pitbull's and about a quarter of a great white shark. Their prey includes deer, buffalo, bison, bears, rhinos, and elephants. A single blow can break a bear's spine, and easily decapitate a human.
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Jaune: Thanks again for letting us come visit, Mrs. Nikos.
Mama Nikos: Oh, Jaune, don't be so formal. We're practically family, so just call me Mama.
Jaune: Uh... No, I'll just stick with Mrs. Nikos, if you don't mind.
Mama Nikos: Oh, you are just so polite! I'm glad Pyrrha could have such a handsome team leader like you.
Pyrrha: (Blushing) M-Mom...
Nora: Can I have more meat buns, Mama?
Ren: Nora...
Nora: Oh, right! Khm! May I have more meat buns, Mama?
Mama Nikos: They're in the oven.
Jaune: So what do you do for a living, Mrs. Nikos?
Mama Nikos: I'm a personal fitness trainer. It's actually how I met Pyrrha's father. He said he could perform a perfect double twister kick, and I told him it was impossible unless he could twist and launch himself at a 167 degree rotation with a north-northwest gale blowing at 3.5 miles per hour behind him-
Mama Nikos: (Ding!) Oh! Meat buns are done!
Jaune: Huh...
Pyrrha: Don't worry. I didn't get it the first time, either.
Fun Fact! Bengal tigers are smart. Cubs are raised by their mothers for two and a half to three years. There are also notes of tigers imitating deer and bear calls. They will chase larger prey into water, tear at buffalo legs to bring them to the ground, and will flip porcupines from to their backs to avoid spines. There are also records of tigers killing 15-foot crocodiles, 20-foot pythons, 300-pound seals, and a 20-year-old elephant.
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Jaune: Hm? Hey, Pyrrha? Who's this standing with your mom?
Pyrrha: Hm? Oh... That's... That's my mother. She... She's not around anymore.
Jaune: Do... Do you want to talk about it?
Pyrrha: I... I don't know where to begin. She was my hero, but she did something really bad, and she died when I was really young. And I...
Jaune: Hey. You don't have to tell me if you don't want to.
Pyrrha: (Leans on Jaune) I was probably six years old when it happened. She and I were on our way to watch a tournament together, but then this guy came from out of nowhere. He shot at us and broke her jaw. She carried me back home, and then... She left that night. I didn't learn about what happened to her until just after getting accepted into Beacon. She... She went on a rampage and then... Then she...
Jaune: (Holds her) Hey, hey. It's okay, Pyrrha. I'm... I'm sorry to hear that. I'm... I'm sure she was a great mom.
Pyrrha: (Sniffles) She was the best. And, on the bright side, because of her, there's a new standard for huntsman and huntresses to follow. And she's part of the reason why I became a huntress. So I could make sure everyone follows the standard. Follows the example she set. (Smiles) I think she would have liked you.
Jaune: (Looks at family photo) I think I would have like her, too.
Fun Fact! In the first ten years of the 20th century, until her death in 1907, the Champawat Tiger, also known as "the man-eater" killed and ate 436 humans in western Nepal. She evaded capture and continued to kill until she was shot by British hunter Jim Corbett, who speculated the tigress lost her teeth years ago from a gunshot, forcing her to change her prey to much easier humans. He then went on to be an advocate for wild tigers and spent the latter years of his life devoted to their conservation, even having a conservation park in Nepal dedicated to him.
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honey-minded-hivemind · 3 months
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The Legend of the Haunted Mansion... Creed Reader AU:
(Warning: Mentions of abuse, death, possible suicide, mentions of someone going insane, and death of past Reader... you have been warned...)
• The old mansion, belonging to an old, secretive family, strays far past the modern road, and trails deep into the woods, towards the older waterways and near the mud... It's been there for ages, possibly two hundred years... The halls are covered in cobwebs, the rooms filled with dust, the air deathly still and cold, cold as death... Some say they can still hear the echoing cries of its residents, their haunting wails, their ghastly screams... Especially of the family who owned the estate...
• They were the Creed-Howlett family, one odd for their time. The mansion already had a secretive past, how it was built and why, and what happened to the parents of the brothers who inherited it. The family was run by two brothers, one by the name of Victor Creed, tall and sharp and blonde, a sabretooth tiger in the flesh, and one by the name of Logan Howlett, short and pointy and dark, as tough as a wolverine. These two were ferocious by nature, natural-born hunters and adventurers, and brothers by unknown family ties... They ran the estate, decorating it with their trophies and strange treasures, throwing lavish parties for their friends and their own amusement...
• The brothers would soon have heirs, though no one is sure how they were born, or to whom. All anyone knew was that the two brothers welcomed two children into their home, each expected to inherit their thirty for blood and vengeance... One was a brown-haired girl, poised and cunning and intelligent, sharp as a whip and just as dangerous with one in hand. Her name was Laura Howlett, taken in by Logan, and raised to be his successor... Then there was Reader Creed, a child that was kind and soft-hearted, one who was loud and caring of other living beings. This would drive a wedge between them and their family, as Reader Creed was quite different from the expectations of their family, or of society in general...
• Where their father and uncle were deadly, smart, and masterminding the downfall of their rivals and any perceived enemies, and where their cousin was perceived to be the more charming, socially acceptable heir, Reader Creed was ahead of their time. While others would frown on being so openly emotionally, that was what they were. They were blunt, honest, sincere, which their family, nor their friends, were, nor the society they were in. Reader Creed happened to be more interested in art than the hunt, sculpting odd creatures and painting scenes in soft colors, even making small toys from stuffing and scrapped cloth, rather than stuffing hunted animals or hunting large creatures. Even in social settings they stood out, not wearing clothes that were deemed appropriate, but rather wearing what they wished, no matter how it looked or how others felt.
• This tended to anger their family and the family's friends, annoying them and causing harsh emotions to well up. For some, it might have been enough to set up an unfortunate accident, which would lead to the wounding of the young heir. Records show that something, almost like a wild animal, had clawed them, harming their vision and scarring their face and neck. The following weeks, it was said they stayed locked away in their room, quiet as a whisper, slowly losing touch with reality.
• After the youngest Creed was well enough to walk around, it was noted how they were harder to find, often staying out of sight of others and avoiding rooms if they knew they were occupied. Some could hear them crying, when they thought they were alone. Others thought they heard whispers, words of pain and sadness, whispered in the dead of night. It wasn't long before Reader Creed would disappear...
• It was during a cold night in the snows of Winter that they went missing. A party had been thrown to celebrate a successful find by the two Creed-Howlett brothers, attended by their friends and allies and well-wishers. Some, such as the business partners Xavier and Lehnsherr, as well as old friends of the like as Ms. Darkholme and Mr. McCoy, even some young wards and students and heirs of the people were there, curious and excited... The last anyone saw of Reader Creed at the party was on their own, face fresh with their scars, and their eyes crestfallen, bright with tears... As the party was in full swing, they disappeared...
• No one was aware they had left until it was time to have everyone gathered... When a few noticed the young heir missing, a few guests offered to search for them, believing they weren't far. The look for them wasn't fruitful, no one being able to find the missing child in the main rooms. The search widened, as their family became involved... Yet when they checked their relative's favorite places to hide away, there was no one there. Now everyone knew they were missing. Some questioned if they'd been kidnapped. Others thought they passed out after leaving the party. And others thought they went outside...
• When they went to the gardens to check, they found footprints in the fresh snow. This lead the searchers deeper into the grounds, where the trail eventually died, covered by the snow that kept falling. There were no boot prints. Nor any missing coats or thicker gowns or jackets. Reader Creed had left barefooted, in the dark of a wintery night, without any protection from the elements. Their family and their guests fell into a panic, hoping they would find the young heir before it was too late-!
• But they did not...
• Reader Creed would eventually be found a few days later, frozen to death in the mausoleum, snow caught in their hair and fingers raw from scratching at the door, which had closed on them that fateful night, sealing them in a premature grave... Once they were found, their family fell apart...
• Laura Howlett would shut herself away, refusing to see anyone unless they were her father or uncle. The few who managed to speak with her reported she had become depressed, bitter, angry, keeping to herself and only seeing her closest friends. In later years, she would die from a fever, haunted even to death by what she thought were the cries of her cousin...
• Logan Howlett would fall into his work, burying himself into hunting and selling furs and bones of the creatures he'd find. It was said he started to indulge in drugged tea, hoping to escape his own guilt, yet instead only seeing his missing relative. Many nights he would spend pacing the halls, grieving and screaming in anger and loss... After his daughter passed, he would soon follow, having been poisoned by a viper, that no one knew where it came from...
• And Victor Creed, eldest brother and patriarch of the family, fell into enraged, fitful insanity. It was gradual, starting with denial, then acceptance of the death of his child... But his thoughts seemed to spiral, the longer it was without Reader Creed, and only fell deeper, harder, with the passing of Laura, then Logan... After he had outlived his entire family, it was said he would stalk the halls, hunting for phantoms that didn't exist, performing rituals thought to bring back the dead, grieving for the loss of his family...
• Tragedy befell the family's friends and allies as well, many meeting tragic ends or having haunting fates. While some would live to be old, most died rather young, insane or wounded... The mansion, still standing, is thought to be haunted, though no one walks its halls anymore... Rumor has it there's a new groundskeeper being hired, to take care of the old graveyard and garden, hopefully to bring some former glory back to the estate's decaying self...
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cleolinda · 1 year
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When I was a child in the '80s, I absorbed some kind of cultural truism that disco was ridiculous, embarrassing, cheesy, a cultural relic to be mocked at every turn. Remember, I'm under ten years old at this time, and I still manage to get this impression. There was another, milder sea change when grunge overtook the hair metal of the late '80s, so I never questioned the idea that disco should be dead and buried. We like silly things, I thought in my 13-year-old wisdom, and then we get over it.
Then I saw The Last Days of Disco (1998) while I was in college, and suddenly I realized that disco was fun, and it was like—it was in the roots of—music I already loved. And the end of that movie also—hints? tells you? I can't remember how explicitly—that disco didn't just fade like most trends; it was killed off.
I watched a lot of VH1 in those days, the late '90s, with a little TV sitting on my tall university-issue dresser, its corner overlooking my computer desk while I struggled with piles of assignments. This was the heyday of Behind the Music, so it was great background TV. And then one day (1999) they ran a Donna Summer—the "Queen of Disco"—concert special. The video up there is the song that immediately became my favorite of hers. It’s just instant serotonin to me, any version of it. I bought the whole VH1 album on CD, and "This Time I Know It's For Real" may genuinely be one of my all-time favorite songs, now, still, more than 20 years later. You can hear the original version (1989) here (the backing instrumental that I just found today is lovely), but the live version ten years later, the video up there, has a really special comeback—joyous, gracious survival—energy to it.
Watching the whole concert, I got it. Why the fuck did I ever think disco wasn't amazing? It was always the kind of thing I loved; we had all just been pretending that it was embarrassing glitter trash.
And then I found out why we were pretending. From densely-footnoted Wikipedia:
Disco Demolition Night was a Major League Baseball (MLB) promotion on Thursday, July 12, 1979, at Comiskey Park in Chicago, Illinois, that ended in a riot. At the climax of the event, a crate filled with disco records was blown up on the field between games of the twi-night doubleheader between the Chicago White Sox and the Detroit Tigers. Many had come to see the explosion rather than the games and rushed onto the field after the detonation. The playing field was so damaged by the explosion and by the rioters that the White Sox were required to forfeit the second game to the Tigers. [...] The popularity of disco declined significantly in late 1979 and 1980. Many disco artists carried on, but record companies began labeling their recordings as dance music. [...] Rolling Stone critic Dave Marsh described Disco Demolition Night as "your most paranoid fantasy about where the ethnic cleansing of the rock radio could ultimately lead". Marsh was one who, at the time, deemed the event an expression of bigotry, writing in a year-end 1979 feature that "white males, eighteen to thirty-four are the most likely to see disco as the product of homosexuals, blacks, and Latins, and therefore they're the most likely to respond to appeals to wipe out such threats to their security. It goes almost without saying that such appeals are racist and sexist, but broadcasting has never been an especially civil-libertarian medium." Nile Rodgers, producer and guitarist for the disco-era band Chic,
(who survived the disco era to make half the music I loved in the '80s)
likened the event to Nazi book burning. Gloria Gaynor, who had a huge disco hit with "I Will Survive," stated, "I've always believed it was an economic decision—an idea created by someone whose economic bottom line was being adversely affected by the popularity of disco music. So they got a mob mentality going."
The DJ who ran the whole thing, Steve Dahl, complains that it was VH1 itself—you know, those Behind the Music specials I was watching—circa 1996 that labeled the whole debacle as bigotry when it so totally was not, you guys, and he is so tired of defending himself. But I'm gonna tell you, Steve, I don't really care. Maybe Disco Demolition Night was your fault; maybe you were just a part of something so much bigger and uglier that you couldn't see the whole size of it. Can you draw a direct line from the weird bigoted vitriol directed at those dance records to Ronald Reagan, elected the very next year, not giving a single fuck about the AIDS crisis? You probably don't want to, but I will.
And I don't care because I can look around the U.S. right now and tell you, nearly 45 years later, people are trying to demolish a lot more than disco. The Club Q shooter was sentenced to life in prison just a few hours ago. It's Pride Month, and we're all sitting here holding our breaths. That's a terrible way to end a post about a beautiful happy song I love, I guess, unless you turn it around and say, that should have been the whole point of this post in the first place. Listen to this song and think, people wanted to destroy this music, this sound, this joy for some reason. They want to stop people from just living their lives, from dancing. And yet, disco is still here. It was there in 1979, and it was there when Donna Summer released this song in 1989, and it was there when she returned in 1999. The Queen of Disco passed away in 2012, and it's still here. I feel a lot of joy when I listen to this song, but I don't think I'd ever thought about it being the joy of grooving with something just because it’s beautiful, the joy of just being here, still.
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fwoopersongs · 1 month
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On 33 elders and the Lan's Discipline Whip
This tumblr post by @qiu-yan the other day on moral luck in MDZS came past my dash, and there was a mention of the thirty three elders in the Lan Clan who were injured by Lan Wangji - some of you may remember it better as the reason for his thirty three whip scars xD. And I remembered reading (mostly on twitter) people saying things like he got whipped 33 times 'for going against his sect elders', or that the elders deserved it for acting unjustly. Maybe this was a CQL thing??? But I wanted to share my understanding of the situation from reading the novel.
For the record, elders here aren't like ‘Elders’ in the sense of people in positions of power within a clan i.e. 长老 as you might see in sects from more conventional Xianxia novels. Instead, its noun for ‘older generation’ i.e. 前辈 within the clan. 
So, here's a translation of Lan Xichen’s recount to Wei Wuxian of how Lan Wangji came to bear scars of thirty three strokes of the Lan Discipline Whip from Chapter 99/100, Discipline Whip Scars aka Hensheng: To Hate Life 3.
On Versions I’m comparing between two versions of the novel where the first chapter title is: {1} 魏无羡死了,大快人心! (lit: Wei Wuxian is dead, gratifying news for everyone!) & {2} 重生 (lit: Alive Again). The version I’m translating is {1} from the website Zhenhun using footnotes to compare it against {2}. Line breaks and other cosmetic or grammatical changes are ignored. References to chapter numbers and such will be based on {2} since this is the version used on the MDZS fandom Wiki. All chapter titles also are referenced from the wiki.
Wei Wuxian repeated, "Discipline Whip scarring?!" 
He grasped at Lan Xichen again and said, "Clan Leader Lan, I truly have no idea. Please, tell me. How did he get those injuries? Does it have something to do with me?!?”
Embittered anger surfaced on Lan Xichen’s face, "If it doesn’t ‘have anything to do with you’, did he perhaps scar himself for no particular reason at all?” [1]
Zewu-jun had always been restrained and composed to the utmost, but this was a matter which had impacted Lan Wangji and thus uncharacteristically, his anger was roused. Yet after observing Wei Wuxian's expression carefully, this anger receded slightly and he asked tentatively, "You�� you've had some memory loss?"
"My memories?" Wei Wuxian said. He immediately tried hard to see if there was anything he could not recall, and then replied, "I don't think there’s any period of time which I don’t remem — yes!"
There was indeed one period during which his memories were blurred and indistinct.
The bloodbath at Nightless City!
On that night many years ago, he had believed Wen Qing and Wen Ning gone, their bones ground to dust and scattered by their enemies. On top of that, seeing the Great Clans on their impassioned, self-righteous warpath and witnessing Jiang Yanli die before his eyes, he finally utterly lost control. Combining the two halves of the Yin Tiger Tally, he unleashed it, allowing it to kill indiscriminately. The dead under the Tally’s power killed others, who then became new fierce corpses, creating an endless supply of massacring puppets which turned the place into a blood-soaked hell.
After that, [2] although Wei Wuxian could just barely manage to stay on his feet, he distantly felt himself leave this slaughterhouse of a ruined city. There was a long period in which he was not fully aware of anything. When he finally came back to himself, he had already been sitting in a daze at the foot of Yiling’s Knoll of Unmarked Graves [3] for a long time.
Lan Xichen asked, "Do you remember now?"
Wei Wuxian murmured, "That period at Nightless City? I… I’d always thought that I had wandered back in a daze, but..."
Lan Xichen was so angry he could have laughed, "Young Master Wei, How many enemies were you up against that night? It was three thousand! No matter how much of an unparalleled talent of this age you may be - withdrawing entirely unharmed under those circumstances? How could that be possible?"
Wei Wuxian asked, "Lan Zhan... what did Lan Zhan do?"
"What did Wangji do. If you don’t remember it yourself, I fear he will never tell you of his own accord, and you certainly won’t be asking [4]. Fine. Let me tell you." Lan Xichen said.
"Young Master Wei, on that night after you took out the two halves of the Yin Tiger Tally, merged them into one, and slaughtered to your heart's content, you were at the end of your strength. Wangji, having been injured by you in your madness, was in about the same state. He was only able to get to his feet by leaning on Bichen. Even so, the moment he saw you stumbling away, he immediately followed.
"There weren't many people left conscious at the scene. I was barely able to move and could only watch as Wangji, with his Spiritual Energy clearly almost depleted, limped laboriously in your wake, then grabbed and pulled you onto Bichen. The both of you flew off on the sword together.
“I only regained my Spiritual Energy two shicheng* later and hurried back to the Lan Clan in Gusu seeking support. I was worried that if people from the other families caught up to the both of you first, Wangji would be perceived as your accomplice. The best outcome of this would leave him with a stain on his name for life and a damaged reputation, the worst scenario would be him being dispatched without a chance to defend himself. And so along with my shufu, I gathered thirty-three elders who had always praised and thought highly of Wangji. Together, we spent two days as the sword flies secretly [5] searching. That was how we found traces of your trail within the borders of Yiling. Wangji had hidden you in a cave. When we arrived, you were sitting on a stone within the cave, dazed, while Wangji held your hand, transferring Spiritual Energy to you and speaking softly [6].
“And the whole time, you were only repeating one word at him.
“‘Scram!’”
Wei Wuxian’s throat was dry, his eyes red. He was unable to say a word. 
Lan Xichen continued, "My shufu appeared suddenly before him, giving him a scolding and asking him for an explanation. He seemed to have expected us to find him, yet he said there was nothing to explain, that this was just how it was. Since childhood and even after growing up, he had never been defiant toward our shufu and me [7]. But for you, Wangji not only talked back to shufu, he even turned his sword on the cultivation practitioners of the same origin, the same bloodline of the Gusu Lan Clan as himself, severely injuring [8] the thirty-three elders we had requested help from...
Wei Wuxian buried his hands in his hair, saying, "I... I didn’t know... I really..."
Besides repeating that he really didn't know, there was nothing else was able to say. 
Lan Xichen tried holding back for a moment, but went on to add, "Thirty-three Discipline Whip scars! All the strokes within one session, one for each person. You ought to know how painful that is, how long it takes to recover from it! [9], [Note] After willfully sending you back to the Knoll, Wangji returned, despondent, to receive his punishment. How long he knelt before the Wall of Discipline! When I went to see him, I said ‘Young Master Wei has already made a grave mistake. Why would you compound it?’ But he replied that he wasn’t able to judge if what you did was right or wrong, and regardless of that, he was willing to bear all the consequences with you. [10] Those few years he was said to have spent ‘reflecting on his mistakes before the Wall’ were, at their core, because his motion was limited by his injuries. And even so, after learning of your death, he forced himself in this condition to get up because no matter what, he had to go to the Knoll and see for himself…” [11]
*One shicheng is approximately equal to two hours.
[1] This part in italics isn’t in {2}. [2] Added in {2}: But after going through all of these, Wei Wuxian’s body and spirit had been seriously damaged. [3] He was at the foot of a small hill near the Knoll in the revised version.  [4] This part in italics isn’t in {2}. [5] In {2} Lan Xicheng and his uncle explicitly requested the elders to keep this a secret.  [6] In {2} Lan Wangji was asking him something. [7] In {2}, Lan Xichen only specifies that Lan Wangji has never talked back to his uncle, leaving himself out of the sentence. [8] In {2} Lan Xichen says they were severely injured, nearly fatally. [9] There’s a break in {2} with Wei Wuxian’s inner thought of ‘This, he knew.’ Reason being what I have in [Note]. [10] This part in italics isn’t in {2}. [11] This part in italics isn’t in {2}.
[Note] Per Chapter 11, The Elegant Flirt 1: Wei Wuxian has never been beaten with the Discipline Whip before, but he has seen its mark on Jiang Cheng. They’d tried all sorts of ways to make the scarring go away, but it was in vain. All clans use it for disciplining members who had committed grave wrongdoing. Later in Chapter 59, Sandu: The Three Poisons 4, we learn that Jiang Cheng was hit with it by Wen Chao who got his hands on the Jiang Clan Discipline Whip.
// a thought //
We just learnt that Lan Wangji had been injured by a berserk Wei Wuxian himself, was struggling to stand and nearly out of Spiritual Energy. Then he had to control Bichen to fly them both to Yiling, and at least at the moment they were found, was attempting to heal Wei Wuxian with the Spiritual Energy transfer. From Lan Xichen’s account, it took Lan Xichen four hours to recover somewhat and regain enough Spiritual Energy to go home for help. So let’s say Lan Wangji did take some time off from minding the catatonic Wei Wuxian to replenish his Spiritual Energy, he’s still not fighting them at a hundred percent. His elders from Gusu Lan had not participated in the fighting at Nightless City (uninjured), but they’d all been on their swords for two days, searching for Lan Wangji. Probably still in a much better form than him though. How was he able to injure them ‘severely’? 
(I think there are two options. One, Lan Wangji is just that good of a fighter. Two, his elders were holding back.)
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matttgirlies · 4 months
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Matt & Me🎀
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a story heavily based on Priscilla Presley’s Book “Elvis & Me” based in the 1950’s - 1970’s.
fem! reader x singer! matt
disclaimer!! - in no way am i saying matt would ever support or do these kind of things, for the sake of the book certain unethical things do happen at times.
warnings - mentions of guns,, drug use,, threats,, mentions of affairs
y/nn = your nickname for any confusion🩷
Chapter 21
Putting together the best musicians, sound and lighting technicians, costumers, and choreographers, he was taking no chances this time. He scoured the music scene for the top sidemen in the business. Auditions were held and he handpicked each player—names such as James Burton, John Wilkinson, Ronny Tutt, Glen D. Hardin, Jerry Scheff. He loved the sound of the Sweet Inspirations, backup group for Aretha Franklin, and he hired them on the spot as a warmup act and to sing backup vocals. He also hired his favorite gospel group, the Imperial Quartet.
Before leaving Los Angeles, Matt rehearsed at RCA Sound Studios for ten days and then polished the act for a full week prior to the opening. It was the event of the summer in Vegas. Colonel Parker brought the preopening publicity to fever pitch. Billboards were up all over town. On the third floor of the International, administrative offices bustled with activity. No other entertainer coming into Vegas had ever stimulated this kind of excitement. The hotel lobby was dominated by Matt paraphernalia—pictures, posters, T-shirts, stuffed animals, balloons, records, souvenir programs. You’d think Barnum and Bailey were coming to town.
Back home there was also excitement as we girls discussed what we’d wear to the opening. “I want you to look extra special, Baby,” Matt said. “This is a big night for all of us.” I hit every boutique in West L.A. before finding just the right outfit.
Though it had been nine years since Matt had given a live performance, you never would have known it from his opening. The audience cheered the moment he stepped onstage and never stopped the entire two hours as Matt sang, “All Shook Up,” “Blue Suede Shoes,” “In the Ghetto,” “Tiger Man,” and “Can’t Help Falling in Love.” He mixed the old with the new, the fast and hot with the lyrical and romantic. It was the first time I’d ever seen Matt perform live. Wanting to surprise me, he had kept me from rehearsals. I was astounded. At the end he left them still cheering and begging for more.
Cary Grant was among the stars who came backstage to congratulate him after the show. But the most touching moment was when Colonel William arrived with tears in his eyes, wanting to know where his boy was. Matt came out of the dressing room and the two men embraced. I believe everyone felt their emotion in that moment of triumph.
I don’t think we slept that night. Nate Doe brought in all the newspapers and we read the rave reviews declaring, “Matt was great” and “He never looked or sang better.” He shared credit for his new success with all of us.
“Well, we did it. It’s going to be a long thirty days, but it’s going to be worth it if we get the reception we got last night. I may have been a real tyrant, but it was well worth it.”
“Yeah, you’re right,” we all agreed, laughing. “You were a tyrant.”
The International Hotel was delirious over Matt’s performance and the box-office receipts. The following day they signed a fiveyear contract with the Colonel for Matt to appear twice a year, usually around the same time, January and August, at the then unheardof salary of one million dollars a year.
Matt literally took over Las Vegas for the entire month he was there, playing to a packed house every show as thousands more were turned away. No matter where we looked, all we could see was the name Matt—on television, newspapers, banners, and billboards. The King had returned.
Initially, Matt’s triumph in Las Vegas brought a new vitality to our marriage. He seemed a different person. Once again, he felt confident about himself as a performer and he continued to watch his weight and work out every day at karate.
It was also the first time that I felt we were functioning as a team. I made several trips to New York, trying to find unique accessories for him to wear onstage. I bought scarves, jewelry, and a black leather belt with chain links all around it that Bill Belew would later copy for the famous Matt jumpsuit belts.
I loved seeing him healthy and happy again, and I especially enjoyed our early days in Vegas. The International provided an elegant three-bedroom suite that we turned into our home away from home. During his show I always sat at the same table down front, never tiring of watching him perform. He was spontaneous and one never knew what to expect from him.
On occasion, after his midnight show, we’d catch lounge acts of other performers playing Vegas or we’d gamble until dawn. Other times we’d relax backstage, visiting with entertainers captivated by his performance. This was the first time I’d been with Matt at a high point in his career.
With the renewed fame came renewed dangers. Offstage he could be guarded by Sonny and Red. Onstage he was a walking target. One night that summer Nate and Sonny were tipped off that a woman in the audience was carrying a gun and had threatened to shoot Matt. A true professional, Matt insisted on going on. Additional precautions were taken and everyone was on the alert. Matt was instructed to stay downstage, making himself a smaller target, and Sonny and Jerry were poised to jump in front of him at the slightest sign of suspicious movement in the audience. Red was positioned in the audience with the FBI agents.
The show seemed to take an eternity. I glanced at Patsy apprehensively and she in turn grasped my hand as we comforted each other, longing for the night to end without incident. James remained backstage, never letting Matt out of his sight and praying, “Dear God, don’t let anything happen to my son.”
Because of this and other threats, extra security was arranged wherever Matt appeared. Entrances through backstages, kitchens, back elevators, and side exits became routine.
Matt had his own theory about assassinations, based on the murders of the Reverend Martin Luther King, Jr., and Robert F. Kennedy. He felt that the assassins gloated over their “accomplishments,” and told his bodyguards that if any attempt were made on his life, they should get the killer—even before the police. He didn’t want anyone bragging to the media that they’d killed Matt Sturniolo.
Sonny and Red lived in so much tension these days that they were constantly frenzied. Suspicious in crowds of overzealous fans, they were quick to respond to any sign of danger. Compared to Sonny’s diplomacy, Red’s reputation was to act first and ask questions later. Eventually, numerous assault-and-battery charges started piling up against Matt. When James warned him about Sonny and Red’s aggressiveness, Matt said, “Goddamn, Red. I hired you to keep the sons of bitches away from me, not get me in any legal binds. Somehow you’re going to have to control that redheaded temper of yours.”
Although Matt would joke about the death threats—and there would be several more throughout the Vegas commitments—the fear and constant need for security heightened the pressure of nightly performing.
In the beginning when Matt began doing regular Vegas engagements, we girls visited frequently. We’d fly in over the weekend, sometimes bringing our children, spend three or four days, and then return home.
On the days we were apart I’d take hundreds of Polaroids and home movies of Charlotte. She was growing so rapidly I didn’t want him to miss out on her development. Daily he’d receive his “care packages,” as I’d refer to them, including tape recordings of me teaching Charlotte new words and Charlotte mimicking me. Each week, upon my arrival, I’d paste photos on the mirrors in his bedroom to remind him that he had a wife and child.
During his first couple of engagements he still seemed humbled by lingering doubts of whether the public was fully accepting him. At this point he had no interest in outside affairs or flirtations, his concentration on daily rehearsals and performances every evening excluding everything else.
Later he would become more cocky. The crowds’ admiration took him back to his triumphs in the early fifties and he found it hard to come down to earth after a month of nightly cheers. His name on the International’s huge marquee would be replaced by the next superstar. The offices on the third floor would be cleared out and incoming calls for reservations would stop.
Thriving on all the excitement, glamour, and hysteria, he found it difficult to go home and resume his role as father and husband. And for me the impossibility of replacing the crowd’s adoration became a real-life nightmare.
At home in Los Angeles, there was just the usual group around—strictly a family atmosphere. This abrupt change was too much for him and soon he developed the habit of lingering in Vegas for days, sometimes weeks, after a show. The boys were finding it increasingly difficult to resolve the conflict between working for Matt and maintaining a home life.
Crazed with inactivity and boredom, Matt became edgy and temperamental, a condition exacerbated by the Dexedrine he was again taking to control his weight.
Sometimes, to ease the transition home, Matt would insist we all pile into cars and head for Palm Springs. Since our marriage we had spent-many weekends there sunning and watching football games and late-night television, but after Charlotte was born, my needs changed. The Palm Springs heat was too much for her, the long drive boring, the idleness of resort life wearying. One weekend I suggested, “Matt, why don’t just you and the guys go down?”
From that time on, the guys developed their own lifestyle in our secluded desert home. Occasionally we wives would be invited to spend the weekend, but by and large, Matt now considered Palm Springs his private refuge.
He made it clear that this time away was good for him, giving him a chance to think, to hang out with the guys. In reality Matt was lost. He did not know what to do with himself after Vegas. He escaped in more powerful, unnecessary prescribed drugs to raise his spirits and ward off boredom.
After he had conquered Vegas, it was agreed that Matt should go back on the road. Colonel immediately began booking concert tours around the nation, starting with an impressive run of six sold-out shows in the Houston Astrodome, which earned over one million dollars in three nights.
The night I arrived in Texas to watch the performance, Amber, Judy, and I flew in on a private jet. I looked down on the Astrodome and found it hard to believe my eyes. The length of a football field—and already sold out. It made me nervous. I could imagine how Matt felt.
Matt too found the Astrodome overwhelming. “Goddamn,” he said when he first walked in. “They expect me to sell this son of a bitch out? It’s a goddamn ocean.”
However dwarfed he was by the giant facility, he electrified his audience. Houston was our first run-in with mass hysteria. The limousine was strategically parked by the stage door for Matt’s immediate getaway. Even so, screaming fans surrounded the car, frantically yelling out his name, presenting flowers, and trying to touch him.
If anything, Houston was an even greater victory than Vegas. The King of Rock and Roll was back on top. The strain of sustaining such a hype was just beginning and, for the moment, I could believe that everything would still be all right. I did not realize the extent to which Matt’s touring was going to separate us, that this in fact was the beginning of the end. After Houston Matt began crossing the country, making one-night stands, flying by day, trying to catch some sleep to maintain the high energy level demanded by his performances. From 1971 on, he toured more than any other artist—three weeks at a time with no days off and two shows on Saturdays and Sundays.
I missed him. We talked constantly of being together more, but he knew that if he let me join him, he couldn’t refuse the requests from regulars whose marriages were also feeling the strain of long separations. For a while a group of us would fly in from time to time, but this didn’t last long. Matt noticed that his employees were lax in discharging their duties to him when spouses were present, and he established a new policy: No wives on the road.
I didn’t really miss the one-night stands, a tedious routine at best: Jump off the plane, rush to the hotel, unpack as little as possible, since you had to check out the next day, go to the performance, then back to the hotel for a little rest before heading back to the airport. Everything was the same except for the name of the town.
It was the day Matt suggested I come to Vegas less often that I became really upset and suspicious. He’d decided that we wives would attend opening and closing nights only.
I knew then I’d have to fight for our relationship or accept the fact that we were now gradually going to grow apart as so many couples in show business do. As a couple, we’d never sat down to plan out a future. Matt, individually, was stretching as an artist, but as man and wife we needed a common reality.
The chances of our marriage surviving were slim indeed as long as he continued to live apart from Charlotte and me, and in bachelor quarters at that. It came down to how much longer I could stand the separation. Matt wanted to have his cake and eat it too. And now, as the tours and long engagements took him even further from his family, I realized that we might never reach my dreams of togetherness.
I had trouble believing that Matt was always faithful, and the more he kept us apart, the more my suspicions grew.
Now when we went to Vegas, I felt more comfortable at the openings. He was always preoccupied with the show and I felt he needed me then. On closing nights I always felt uneasy. Too many days had gone by, enough time for suspicions to poison my thoughts. The Vegas maître d’s invariably planted a bevy of beauties in the front rows for the entertainer to play to. Curious, I would scan their faces while watching Matt closely to see if he seemed to direct his songs to any girl in particular. Suspicious of everyone, my heart ached—but we were never able to talk about it. It was to be accepted as part of the job.
Backstage one night James was jokingly negotiating for a key that had been tossed to Matt. She was an attractive middle-aged blonde—James’s type. Matt said, “Dad, you’ve got enough problems at home with one blonde. You certainly don’t need two.”
“Well, okay,” James said. “You’re going to have problems of your own if your wife goes out in the street looking like that.” I had begun wearing skimpy knit dresses and see-through fabrics that were daringly revealing. Steven and Charlie whistled and gave wolfcalls, while Matt proudly showed me off.
The jokes I played on him were also efforts to get his attention. One night, after he’d left early for a show, I put on a black dress with a black hood and an exceptionally low-cut back. When it came time for Matt to give away kisses to the girls in the audience—a regular part of his show—I went up to the stage. Instead of kissing me, he kept on singing his song, leaving me to stand there. With my hair hiding the dress strap around my neck, I appeared from the back to be nude from the waist up. I could hear the “oooh”s and “ahhhh”s of the audience. They were under the impression that a topless girl had cornered Matt and that he couldn’t figure out what to do.
I kept whispering to him, “Kiss me, kiss me, so I can sit down,” but he decided to turn the joke on me, and made me wait in the spotlight for the duration of the song. Planting a big kiss on my lips, he surprisingly introduced me to the audience. I felt a bit embarrassed and made my way back to my seat.
Later in the show he’d strut back and forth onstage, tease his audience, talk to them, tell them stories, even confide in them. “You know,” he’d say, “some people in this town get a little greedy. I know you folks save a long time to come and hear me sing. I just want you to know, as far as I’m concerned, there won’t be any exorbitant raise in price when you come back. I’m here to entertain you and that’s all I care about.”
Matt was having an ongoing love affair with his audience and the next time I was home alone I knew I had no choice but to start more of a life of my own.
It was with that thought in mind that Amber, my sister Michelle, and I planned a short trip to Palm Springs. In the course of the weekend I opened the mailbox to check the mail and found a number of letters from girls who had obviously been to the house, one in particular signed “Lizard Tongue.” My immediate response was disbelief, followed by outrage. I dialed Vegas and demanded that Nate find Matt and bring him to the telephone. When Nate said Matt was sleeping, I told him about the letters and insisted I speak to Matt. Nate promised that he would have Matt call as soon as he woke up. He did, but it was clear that Nate had filled him in on the situation and Matt had his explanation ready. He was totally innocent, the girls were just fans, they were out of their minds if they said they’d ever come to the house, and besides, it was their word against his. As usual, in the end I apologized for putting him on the spot, but things at this point were becoming too obvious.
He said, “Get out and do things while I’m gone, because if you don’t, you’re going to start getting depressed.”
Although my choices were limited—he still objected to my taking a job or enrolling in classes at college—I continued my dancing and started taking private art instruction.
Matt was a born entertainer and although he tried to avoid crowds, disliked restaurants, and complained he “couldn’t get out like a normal person,” this life-style suited him. He handpicked the people he wanted to be around him—to work with and travel withand they adjusted to his routine and his hours and his temperament. It was a pretty close clan throughout the years. A few arguments erupted and a few couples left over some misunderstandings, but they usually returned in a week or two.
My view of life had been fashioned by Matt. I had entered his world as a young girl and he had provided absolute security. He distrusted any outside influences, which he saw as a threat to the relationship, fearing they would destroy his creation, his ideal. He could never have foreseen what was happening as the consequence of his prolonged absences from home. A major period in my growth was beginning. I still feared our separations but felt that our love had no boundaries, that I was his and if he wanted me to change, I would. For years nothing had existed in my world but him, and now that he was gone for long stretches of time, the inevitable happened. I was creating a life of my own, starting to achieve a sense of security in myself, and discovering there was a whole world outside our marriage.
Over the years of playing Vegas, other pressures began to mount. There were more death threats and lawsuits, including alleged paternity suits and assault-and-battery charges. Jealous husbands claimed they’d seen Matt flirting with their wives, and others continued to charge that Sonny and Red were manhandling them. Matt began to get bored with these nuisances as well as with the sameness of the show. Inevitably, he tried to change the format, but then he felt it just didn’t have the same pacing as the original. He’d add a few songs here and there but then revert to the original. Pointed suggestions that he make changes before the next Vegas date added to the pressure.
Bored and restless, he increased his dependence on chemicals. He thought speed helped him escape from destructive thinking, when in reality it gave him false confidence and unnatural aggressiveness. He started losing perspective on himself and others. To me he became increasingly unreachable.
Excerpt from: "Elvis and Me" by Priscilla Beaulieu Presley. Scribd. This material may be protected by copyright.
a/n - welll..🎀
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showamagicalgirls · 1 year
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The other episode of 1986 Wizard of Oz (オズの魔法使い) anime I watched on the way over on this trip was the thirty-seventh, which is taken from L. Frank Baum's third Oz novel, Ozma of Oz. Apparently the full title of the original book was Ozma of Oz: A Record of Her Adventures with Dorothy Gale of Kansas, Billina the Yellow Hen, the Scarecrow, the Tin Woodman, the Cowardly Lion and the Hungry Tiger; Besides Other Good People Too Numerous to Mention Faithfully Recorded Herein. What a name! Anyway, these events may also be familiar to some people because they were included in the 1985 film, Return to Oz.
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So, Miraculous Animal Side Effects - Tigers have the loudest recorded roar of all big cats. Fun fact, a lot of lion roars in media are actually tiger roars, because lion roars aren’t as impressive. Juleka learns all of this after she screamed at Luka (he forgot the laundry AGAIN) and he ends up deafened for thirty minutes.
They just slowly incorporate some death metal into Kitty Section
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dustedmagazine · 6 months
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Sarah Shook and the Disarmers — Revelations (Abeyance/Thirty Tigers)
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Photo by Brett Villena
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“I built my life on the edge of a knife when nobody believed that I could,” rasps River Shook, the tough but tender leader of this kicking cowpunk band. The song is “You Don’t Get to Tell Me How to Feel,” a boot-stomping statement of purpose, as the guitars flare,  the drums bolt upright like a scared horse, and Shook makes the case for constructing their own narrative in no uncertain terms. 
Shook came of age in Bible belt America, forbidden as a child from any contact with secular music.  Still these things have a way of back-ending.  The artist learned the piano, then the guitar, then formed a series of bands under their birthname Sarah Shook; they switched to River a few years ago as a personal identifier but continue to record under the old name.  Their music, however, remains sharp and unsentimental, punk in energy, country in its twang and sway.  Move over Beyoncé, you’re not the only one pushing out the boundaries of what Americana can represent. 
And so, Shook delivers gender inclusive busted romances in old-school juke joint style. Pedal steel flies through the jangling twang of “Backsliders” while an in-the-pocket country band keeps two-stepping time.  There’s a cheating partner and a wounded one, just like in all the old songs, but the trick is neither one is a dude.  “I’m a real piece of shit and you’re a vixen in a dress/I thought we was moving on/I was wrong I guess,” Shook cracks, out of the corner of their mouth, like Johnny Cash but different. 
The very real pleasure of this collection of songs comes in how the love of tradition collides with raucous rule-breaking energy.  You’ve got your outlaw country, sure, but did any of those guys write a song called “Motherfucker” and carry it off?  Shook does.   
Not every song stomps.  Some are plaintive and yearning, like the lovely “Jane Doe,” others full of anthemic slow-rocking swirl like “Nightingale.”  But all insist on direct emotional engagement and brutal honesty and acceptance of a very specific point of view.  River Shook is definitely not your grandma’s idea of a country powerhouse, but they are one all the same.   
Jennifer Kelly
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osmiumpenguin · 9 months
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It's the solstice tonight, and a good time to reflect on my favourite books from the past year.
I'm making very little attempt to rank these titles. They're simply the books that I enjoyed most, and they're presented in the order I read them. • "The Long Way to a Small, Angry Planet," by Becky Chambers (2014) • "The Galaxy, and the Ground Within," by Becky Chambers (2021) • "Locklands," by Robert Jackson Bennett (2022) • "Beloved," by Toni Morrison (1987) • "Exhalation," by Ted Chiang (2019) • "Fugitive Telemetry," by Martha Wells (2021) • "Becoming Kin: An Indigenous Call to Unforgetting the Past and Reimagining Our Future," by Patty Krawec (2022) • "The Vanished Birds," by Simon Jimenez (2020) • "The Netanyahus: An Account of a Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family," by Joshua Cohen (2021) • "Utopia Avenue," by by David Mitchell (2020) • "The Calcutta Chromosome: A Novel of Fevers, Delirium & Discovery," by Amitav Ghosh (1995) • "Moon of the Crusted Snow," by Waubgeshig Rice (2018) • "Bea Wolf," by Zach Weinersmith; illustrated by Boulet (2023) • "Fighting the Moon," by Julie McGalliard (2021) • "The Empress of Salt and Fortune," by Nghi Vo (2020) • "The Glass Hotel," by Emily St. John Mandel (2020) • "New York 2140," by Kim Stanley Robinson (2017) • "When the Tiger Came Down the Mountain," by Nghi Vo (2020) • "The Unbeatable Squirrel Girl Omnibus," by Ryan North et al; illustrated by Erica Henderson & Derek Charm & Jacob Chabot & Naomi Franquiz & Tom Fowler & Rico Renzi et al (2022) • "Buffalo Is the New Buffalo: Stories," by Chelsea Vowel (2022) • "Greenwood: A Novel," by Michael Christie (2019) • "The House of Rust," by Khadija Abdalla Bajaber (2021) • "Children of Memory," by Adrian Tchaikovsky (2022) • "Jade Legacy," by Fonda Lee (2021) • "A Deadly Education: A Novel: Lesson One of the Scholomance," by Naomi Novik (2020) • "The Last Graduate: A Novel: Lesson Two of the Scholomance," by Naomi Novik (2021) • "The Golden Enclaves: Lesson Three of the Scholomance," by Naomi Novik (2022) • "To Be Taught if Fortunate," by Becky Chambers (2019) • "Helgoland: Making Sense of the Quantum Revolution," by Carlo Rovelli (2020), translated by Erica Segre & Simon Carnell (2021) • "A Psalm for the Wild-Built," by Becky Chambers (2021) Ah, but I said I'd make "very little attempt" to rank them, not "no attempt." So here is that attempt: my favourite five books from the last solar orbit — the five I enjoyed even more than those other thirty — also presented in the order I read them.
• "Nona the Ninth," by Tamsyn Muir (2022) • "Ducks: Two Years in the Oil Sands," by Kate Beaton (2022) • "Record of a Spaceborn Few," by Becky Chambers (2018) • "Briar Rose," by Jane Yolen (1992) • "Babel, or, The Necessity of Violence: An Arcane History of the Oxford Translators' Revolution," by R.F. Kuang (2022)
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dweemeister · 7 months
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The complete list of films featured on this blog’s 2024 “31 Days of Oscar” marathon
Hello everyone,
Thank you once more for allowing me to present this annual marathon of Oscar-nominated films to your dashboards. This year, the films were grouped by category (for the most part, one day featured only films nominated in a particular category). This is the most exclusive period on this blog, as the selection of films that I can post and queue about is at its most limited. But at the same time, the blog is at its most accessible as this yearly marathon’s selection skews to more popular fare than what I usually queue. I hope you enjoyed this year’s presentation of 31 Days of Oscar once more!
What follows is the exhaustive list of all 381 short- and feature-length films featured on this blog over the last thirty-one days for the 31 Days of Oscar marathon. This is down from 2022’s record of 420. But that count remains only a fraction of the 5,145 films that have been nominated for Academy Awards since 1927 (excluding Honorary Oscar winners that weren't nominated in a competitive category).
Of those 382, 28 were short films (53 short films is the record, which was set in 2022). 354 were feature films.
BREAKDOWN BY DECADE 1927-1929: 10 1930s: 51 1940s: 54 1950s: 44 1960s: 42 1970s: 26 1980s: 26 1990s: 23 2000s: 26 2010s: 26 2020s: 54
TOTAL: 382 (380 last year)
Year with most representation (2023 excluded): 1938 and 1942 (9 films each) Median year: 1966
Time for the list. 59 Best Picture winners and the one (and only) winner for Unique and Artistic Production that I featured this year are in bold. Asterisked (*) films are films I haven’t seen in their entirety as of the publishing of this post. Films primarily not in the English language are accompanied with their nation(s) of origin.
The ten Best Picture nominees for the 96th Academy Awards, including the winner, Oppenheimer (2023)
The fifteen nominees in the short film categories for the 96th Academy Awards
À nous la liberté (1931, France)
The Adventures of Don Juan (1938)*
The Adventures of Robin Hood (1938)
Albert Schweitzer (1957)*
Alexander’s Ragtime Band (1938)
Alice Adams (1935)*
Alice Doesn't Live Here Anymore (1974)*
Aliens (1986)
All About Eve (1950)
All Quiet on the Western Front (1930)
All That Jazz (1979)*
Amadeus (1984)
Amarcord (1973, Italy)
An American in Paris (1951)
An American Werewolf in London (1981)*
Anatomy of a Murder (1959)
Anne of the Thousand Days (1969)*
The Apartment (1960)
Aquamania (1961 short)
Autumn Sonata (1978, Sweden)
Avatar (2009)
Avatar: The Way of Water (2022)
The Awful Truth (1937)
The Bad and the Beautiful (1952)
Bad Day at Black Rock (1955)
The Band Wagon (1953)
The Barefoot Contessa (1954)
Batman (1989)
Beauty and the Beast (1991)
Becket (1964)*
Before the Rain (1993, Macedonia)*
Ben-Hur (1959)
The Best Years of Our Lives (1946)
Bicycle Thieves (1948, Italy)
The Big Country (1958)
The Big House (1930)
Black Narcissus (1947)
The Black Swan (1942)
BlacKkKlansman (2018)
Blazing Saddles (1974)
Blue Valentine (2010)*
Bonnie and Clyde (1967)
Born Yesterday (1950)*
The Boy and the Heron (2023, Japan)
Bram Stoker's Dracula (1992)*
Braveheart (1995)
Brief Encounter (1945)
Brigadoon (1954)
Bullitt (1968)
Butterflies Are Free (1972)*
Cabaret (1972)
Caged (1950)
The Caine Mutiny (1954)
Can You Ever Forgive Me? (2018)
Captain Blood (1935)
Casablanca (1942)
Cavalcade (1933)
Chico and Rita (2010, Spain)
Children of a Lesser God (1986)
The Children of Theatre Street (1977)*
Cimarron (1931)
The Circus (1928)
Citizen Kane (1941)
Cleopatra (1963)
A Clockwork Orange (1971)
CODA (2021)
The Color Purple (1985)
Come and Get It (1936)*
Common Threads: Stories from the Quilt (1989)*
El Conde (2023, Chile)*
Cool Hand Luke (1967)
The Country Girl (1954)*
Cries and Whispers (1972, Sweden)*
Crossfire (1947)
Crouching Tiger, Hidden Dragon (2000, Taiwan)
The Crowd (1928)
Dances with Wolves (1990)
Dangerous (1935)*
Days of Waiting (1991 short)*
The Deer Hunter (1978)
The Departed (2006)
Desert Victory (1942)*
Disraeli (1929)*
The Divine Lady (1929)*
Doctor Zhivago (1965)
Dodsworth (1936)
Double Indemnity (1944)
Dr. Jekyll and Mr. Hyde (1932)
Dr. Jekyll and Mr. Hyde (1941)
Dr. Jekyll and Mr. Mouse (1947 short)
Drive My Car (2021, Japan)
Driving Miss Daisy (1989)
Dune (2021)
8½ (1963, Italy)
Elemental (2023)
The Elephant Whisperers (2022 short, India)
Elmer Gantry (1960)
Emma (1932)*
The Empire Strikes Back (1980)
Encanto (2021)
The English Patient (1996)
Ernest & Celestine (2012, Belgium/France/Luxembourg)
The Eternal Memory (2023, Chile)
Eternal Sunshine of the Spotless Mind (2004)*
Everything Everywhere All At Once (2022)
Fantastic Voyage (1966)
Far From Heaven (2002)*
A Farewell to Arms (1932)
Fiddler on the Roof (1971)
The Firemen’s Ball (1967, Czechoslovakia)*
Five Star Final (1931)*
Flee (2021, Denmark)
Flower Drum Song (1961)
For All Mankind (1989)
Forbidden Planet (1956)
Foreign Correspondent (1940)
Forrest Gump (1994)
42nd Street (1933)
Four Daughters (1938)*
Four Daughters (2023, France/Germany/Tunisia/Saudi Arabia)*
Freedom on My Mind (1994)
Frida (2002)*
The Front Page (1931)*
Funny Girl (1968)
Gandhi (1982)
Gaslight (1944)
Gentleman’s Agreement (1947)
Giant (1956)
Gladiator (2000)
The Godfather (1972)
The Godfather Part II (1974)
Godzilla Minus One (2023)
Gold Diggers of 1933 (1933)
Goldfinger (1964)
Gone with the Wind (1939)
The Goodbye Girl (1977)
Goodbye, Mr. Chips (1939)
Gosford Park (2001)
Grand Prix (1966)
The Grandmaster (2013, Hong Kong/China)*
The Grapes of Wrath (1940)
The Great Dictator (1940)
Great Expectations (1946)*
The Great Race (1965)
Green Dolphin Street (1947)*
Guess Who’s Coming to Dinner (1967)
Gunfight at the O.K. Corral (1957)
Gypsy (1962)*
Hamlet (1948)
The Heiress (1949)
Henry V (1944)
Henry V (1989)
Hercules (1997)
Here Come the Waves (1945)*
High Noon (1952)
How Green Was My Valley (1941)
How the West Was Won (1962)
How to Train Your Dragon: The Hidden World (2019)
The Hunchback of Notre Dame (1939)
The Hundred-Year-Old Man Who Climbed Out of the WIndow and Disappeared (2013, Sweden/France Germany)
The Hurt Locker (2008)
If Anything Happens I Love You (2020 short)
In America (2003)*
In the Heat of the Night (1967)
Indiana Jones and the Dial of Destiny (2023)
The Informer (1935)
Investigation of a Citizen Above Suspicion (1970, Italy)*
Io Capitano (2023, Italy)*
It Happened One Night (1934)
JFK (1991)*
Juno (2007)
Kung Fu Panda (2008)
Lady for a Day (1933)
The Last Command (1927)
The Last Emperor (1987)
The Last Picture Show (1971)
Laura (1944)
Lawrence of Arabia (1962)
A Letter to Three Wives (1949)
Life Is Beautiful (1997, Italy)
Lilies of the Field (1963)
Lincoln (2012)
The Little Foxes (1941)*
Lolita (1962)
The Longest Day (1962)
The Lord of the Rings: The Return of the King (2003)
The Lost Weekend (1945)
Love Affair (1939)*
The Love Parade (1929)
Love Is a Many-Splendored Thing (1955)
Loving Vincent (2017)
Lust for Life (1956)
The Magnificent Ambersons (1942)
Malcolm X (1992)
A Man for All Seasons (1966)
The Man Who Knew Too Much (1956)
The Man Who Skied Down Everest (1975)
March of the Penguins (2005, France)
Marie Antoinette (1938)*
Marty (1955)
Mary Poppins (1964)
Meet Me in St. Louis (1944)
Merrily We Live (1938)*
The Merry Widow (1934)
Mickey’s Orphans (1931 short)
Midnight in Paris (2011)
Milk (2008)*
Million Dollar Baby (2004)
Minari (2020)
Miracle on 34th Street (1947)
The Miracle Worker (1962)*
Mogambo (1953)*
Moneyball (2011)*
Monsieur Hulot's Holiday (1953, France)
Monsieur Lazhar (2011, Canada)
Moonstruck (1987)*
The More the Merrier (1943)
Mr. Deeds Goes to Town (1936)
Mrs. Miniver (1942)
Munich (2005)*
The Music Man (1962)
My Fair Lady (1964)
My Man Godfrey (1936)*
Napoleon (2023)*
National Velvet (1944)
Naughty Marietta (1935)*
Network (1976)
Never on Sunday (1960, Greece)*
Nimona (2023)
No Country for Old Men (2007)
None But the Lonely Heart (1944)*
North by Northwest (1959)
Now, Voyager (1942)
The Nun’s Story (1959)
Odd Man Out (1947)*
On Golden Pond (1981)
On the Waterfront (1954)
Out of Africa (1985)
Papillon (1973)
Parasite (2019, South Korea)
A Passage to India (1984)*
Patton (1970)
Penny Serenade (1941)
Perfect Days (2023, Japan)*
Persepolis (2007, France)
Phantom Thread (2017)
The Philadelphia Story (1940)
Pillow Talk (1959)
Planet of the Apes (1968)
Platoon (1986)
Pollock (2000)*
Popeye the Sailor Meets Sindbad the Sailor (1936 short)
The Pride of the Yankees (1942)
The Prince of Egypt (1998)
The Prisoner of Zenda (1937)
The Private Lives of Elizabeth and Essex (1939)*
The Public Enemy (1931)
Pulp Fiction (1994)
Pygmalion (1938)
Quo Vadis (1951)
The Quiet Man (1952)
Raging Bull (1980)
Raiders of the Lost Ark (1981)
Rain Man (1988)
Raintree County (1957)*
Random Harvest (1942)
Rashômon (1950, Japan)
The Razor's Edge (1946)
Rebecca (1940)
Rejected (2000 short)
Return of the Jedi (1983)
Rhapsody in Rivets (1941 short)*
The Robe (1953)*
Robin Hood: Prince of Thieves (1991)*
Robot Dreams (2023, Spain)
Rocky (1976)
Roma (2018, Mexico)
Roman Holiday (1953)
Room (2015)
Rustin (2023)*
Sadie Thompson (1928)*
Schindler's List (1993)
Searching for Sugar Man (2012)
Seconds (1966)*
Sergeant York (1941)
7 Faces of Dr. Lao (1964)
7th Heaven (1927)*
Shall We Dance (1937)
The Shawshank Redemption (1994)
She Wore a Yellow Ribbon (1949)
The Shop on Main Street (1965, Czechoslovakia)
Silence (2016)*
The Silence of the Lambs (1991)
The Silent Child (2017 short)
The Sin of Madelon Claudet (1931)
Singin' in the Rain (1952)
The Sixth Sense (1999)*
Society of the Snow (2023, Spain)*
The Sound of Music (1965)
Spellbound (1945)
Spider-Man: Across the Spider-Verse (2023)
Spotlight (2015)
Stagecoach (1939)
A Star Is Born (1937)
A Star Is Born (1954)
Star Trek: First Contact (1996)
Star Trek IV: The Voyage Home (1986)
Star Trek VI: The Undiscovered Country (1994)
Star Wars (1977)
Star Wars: The Force Awakens (2015)
Star Wars: Episode I – The Phantom Menace (1999)
Star Wars: Episode III – Revenge of the Sith (2005)
The Sting (1973)
La Strada (1954, Italy)
A Streetcar Named Desire (1951)
Strike Up the Band (1940)
Sun Valley Serenade (1941)
Sunrise: A Song of Two Humans (1927)
Sunset Boulevard (1950)
Superman (1978)
Superman Returns (2006)
Suspicion (1941)
The Tale of the Princess Kaguya (2013, Japan)
A Tale of Two Cities (1935)*
The Teachers’ Lounge (2023, Germany)
Terms of Endearment (1983)
Test Pilot (1938)*
The Thief of Bagdad (1940)
The Thin Man (1934)
To Kill a Mockingbird (1962)
Tom Jones (1963)*
The Tragedy of Macbeth (2021)
The Triplets of Belleville (2003, France)
12 Angry Men (1957)
20 Days in Mariupol (2023, Ukraine)
2001: A Space Odyssey (1968)
The Two Mouseketeers (1952 short)
Up (2009)
The Valley of Decision (1945)*
Vicky Cristina Barcelona (2008)*
War Horse (2011)
West Side Story (1961)
Whiplash (2014)
The White Helmets (2016 short)
Who Framed Roger Rabbit (1988)
The Window (1949)*
Wings (1927)
Winnie the Pooh and Tigger Too (1974 short)
Witness for the Prosecution (1957)
The Wizard of Oz (1939)
The Woman in Red (1984)*
Woman in the Dunes (1964, Japan)*
Written on the Wind (1956)*
Wuthering Heights (1939)
Yankee Doodle Dandy (1942)
You Can’t Take It with You (1938)
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Avatar Drop “Violence No Matter What” Duet With Lzzy Hale
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The heavy metal ‘n’ roll, dark, madcap visionaries collectively known as AVATAR — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — have unleashed yet another track from their upcoming magnum opus and ninth album Dance Devil Dance, out Febriuary 17 via Black Waltz Records, distributed by Thirty Tigers. Pre-order the album HERE.
Today, the band has shared the new song “Violence No Matter What,” a powerhouse duet with the inimitable Lzzy Hale.
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Eckerström says, “‘Violence No Matter What’ is about one thing and one thing only. It’s ok to debate and fight and to think differently. But there is a limit, and the line must be drawn at authority held with violence, a world view that cannot survive without enemies, a promised return to a fabricated former glory.”
Hale says, “‘Violence No Matter What’ was such an inspiring piece to be a part of! Thank you so much to the boys for giving me the opportunity to express my angst against the horrors of this world through such a brilliant song!”
The almighty Avatar will also return to the road this spring on a headline tour that kicks off April 28 in Omaha and runs through May 28 in Pittsburgh. Veil of Maya and Orbit Culture will support. All dates are below, including key spring festival appearances.
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banannabethchase · 2 years
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Take a Chance on Me Chapter 7: SOS - on AO3
~
Everything is a whirlwind right before the rehearsal dinner, which is an event in and of itself.
~
It’s three-thirty when Lee tackles Wheeler into the sand, distracting him from panicking about whatever Eddie and Danny were doing without him and from punching Danny in the face.
“Wheely!” he yells.
“Hey, man,” Wheeler laughs, hugging him tight. He doesn’t even mind the sand getting in his swimsuit. “When’d you get in?”
“Like, thirty seconds ago,” he says.
“Why the hell didn’t you put a bathing suit on?” Danny asks.
Lee stares. “Did you not hear me say I legit just got in?” He nods to Wheeler. “Asked your dad where I could find you, dropped off my stuff in the room, and came down here.”
“Well, in that case.” Danny runs at him and spears him into the sand. Wheeler runs after him, helping Danny get Lee up so they can toss him into the ocean.
They dive over each other, laughing, and Wheeler feels his anxiety lessen. They catch Lee up on what’s happened so far, Danny going into excruciating detail about his hookup with Eddie. It reminds Wheeler of his freshman year of college, when the three of them spent a week during winter break running around town. Like when they were still kids.
Until, of course, Danny gets a phone call. They’re all stretched out under the sun, and Wheeler doesn’t even roll over when he hears the ring.
“I don’t like that look,” Wheeler says.
Danny looks smug. It doesn’t quite tell Wheeler enough, though. Danny always looks smug. “I told you, you’ll be calling me Uncle Danny by the end of the weekend.” He winks. “I’ll be back, boys.”
Lee and Wheeler watch him walk back up to the hotel. “He really does manage to bag the weirdest dudes,” Lee says, sounding almost impressed.
“I know.” Wheeler begins walking along the beach, avoiding the sharper shells. “His track record is terrible.”
Lee looks like he’s off in another world, seeing something mildly horrifying. “He fucked your uncle.”
“At least it wasn’t you,” Wheeler says, because he has to find some sort of positive here.
Lee laughs. “I mean. Straight, but thanks?” He picks up a rock and skips it across the ocean. “I mean, I could totally pull guys. If I wanted to.”
“If you wanted to, yeah,” Wheeler says. “But you have literally never wanted to.”
“I like boobs too much, I think,” Lee muses. “I think that’s why me and Stat get along so well.” He turns to Wheeler. “When’s her flight get in, anyway?”
“Soon, I think, around four or five, but she’s getting a Lyft here.” Wheeler tries to skip his own stone, but it sinks almost immediately. “She’s bringing her girlfriend.”
“The gamer?” Lee asks. “Cool. Good to finally meet her.”
Wheeler tries again, with a shell. It skips this time, twice. He feels a little proud of it. “How many drinks in do you think Kris’ll be before she tells the story about how she and Nyla got together?”
Lee does a messy handstand in the sand, a mediocre attempt to emulate Kris, but clear nonetheless. “And then she thought I was a cosplayer, and I thought she was an engineer!”
They take turns throwing shells as far as they can into the ocean, Wheeler just barely beating Lee out with a big motherfucker that he has to spin to throw right, until Mox and Claudio show up.
“Hey, kid, long time no see,” says Mox. Lee turns and rushes at him, hugging him tight.
“Yeah. Music’s kept me busy.”
“No kidding!” Mox says. “Wheels plays your song all the time.”
“Tiger style, baby!” Claudio says. They all look at him. He’s the love of Wheeler’s life and whatever, but the man trying to sound cool like that just feels…wrong.
“You tried,” Wheeler says, patting Claudio on the cheek.
“We listen to it!” Claudio says. “I promise!”
“Nah, it’s fine, dude,” Lee says. He claps Claudio on the shoulder. “You ready, man? Tomorrow night!”
Claudio beams so bright it makes Wheeler light up on the inside. “So ready,” he sighs. He grabs Wheeler’s hand and pulls him in to his side, wrapping him in his favorite kind of hug.
“Claudio and I were talking about the table settings.”
Wheeler tries not to roll his eyes. He fails.
“So I want my kid’s wedding to be perfect!” Mox says, throwing his hands in the air. “So sue me!"
"I know you guys care about the tables and the decorations or whatever, but I don’t give a shit.”
“Okay, the decorations are all him,” Mox says, thumbing at Claudio. “I just want to make sure nobody starts a fist fight over dinner.”
Wheeler avoids Claudio’s eyes.
It’s not missed, though. Claudio stares at him. “What?”
“Well,” Wheeler says, “you and Uncle Eddie aren’t gonna start shit, right?”
Claudio’s jaw drops. “You’ve got to be kidding me.”
“Oh, says the guy who took a swing at my uncle at dinner two years ago.” The words are out before Wheeler can stop them. He gets a glimpse of Lee escaping silently and, honestly, he doesn’t blame him at all.
His dad exhales. “Whoa.”
“He made fun of my accent!”
Wheeler rolls his eyes. “You made fun of his first!”
“I didn’t understand him!”
“It’s not that hard!”
Claudio laughs, a little mean. “He was talking fast, and I got confused. He could have shown me a little respect.”
“Okay, I’m gonna go,” Mox says.
Wheeler knows he has to stop this before it ramps up, knows, logically, that this argument is never going to go anywhere, but he can never stop himself. “He’s my Uncle!”
“I’m your fiancé!”
Wheeler groans, running a hand through his hair. “Why does this always become a thing again?!”
“Oh, I don’t know,” Claudio says, “because your uncle’s an asshole.”
“Only me and Dad are allowed to call him an asshole,” Wheeler says. He can’t tamp down the anger. He wants to. He can’t.
Claudio sighs. He takes a step back, and Wheeler wants to follow him. But he knows he can’t. “Baby,” he says, voice gentle, “we’re both stressed. We’re both tired.” He smiles, something gentle and exhausted. “Let’s just – let’s take some time for ourselves, okay? Sheamus and Drew will be here soon, and I need to catch up with them. Maybe take some space to cool down.”
Wheeler nods, feeling a little rejected anyway. “Uh, yeah. Right. Kris’ll be here anyway, too, so…” He trails off, unsure of how to tell Claudio that, if he doesn’t get a kiss goodbye, it’ll feel like his heart’s walking away.
Claudio steps up to him and presses a kiss to Wheeler’s forehead, nose, then lips. Gentle. Sacred. Safe. “I love you,” he says. “Always.
“Love you always,” Wheeler says. And his heart feels a little lighter. A little.
~
He walks up the beach stairs near the hotel to find Lee sitting at the table with Kris and Nyla, mid laugh. Danny, however, is glowering, pouting like his life depends on it.
“What did you do to the resident dumbass?” Wheeler asks, leaning down to hug Kris. “Also, hi, missed you, how’s my favorite NASA engineer?”
“Great, and mocking him about nailing Eddie,” Kris says. “Nyla, you remember Wheeler?”
“Course I do!” she says. She bumps his fist, grinning. “Congrats, dude.”
“Thanks,” Wheeler says. “Wedding planning sucks. Elope, if you get a chance.”
Kris blushes, just a little, but Nyla’s solid when she nods seriously and says, “Noted.”
“Anyway, tell me all about how you’re roasting Danny,” Wheeler says, kicking his legs up on Kris’ lap. “He got a phone call and made a weird face, so I thought it was Eddie.”
Danny shakes his head. “Nah, it was my mom. I was just messing with you.”
“Aw, he looks disappointed,” Kris says, leaning in and booping his nose. “Do you miss him?”
“No, it’s just a hookup, Jesus,” Danny grumbles. “Look, I’m not ashamed. He’s hot.”
“Ew. He’s old,” says Kris.
“You don’t even like men,” Danny says back, sticking his tongue out at her. “You don’t get an opinion.”
She rolls her eyes. “I think you’re being sexist.”
Danny blinks, and Wheeler grins at the confusion. He always likes it when Danny gets taken off guard. And he’s almost always off guard when Kris is around.
“So,” Nyla says, “tell me about everything. How’d you and your fiancé meet?”
Wheeler grins, relaxing into the chair.
“Oh, god, I know that look,” Lee says. “Here we go.”
“I won’t do the long story this time, I promise,” Wheeler says, and he doesn’t plan on making it a lie. “So, my dad owns a gym, right? One day it was pouring really bad. I was closing up early, because it was clear no sane person was going to brave the storm to come get their ass handed to them by a trainer. And then this fucking Adonis starts banging on the door.”
“I like where this is going,” Nyla says, grinning.
“Don’t encourage him to make the story longer,” Lee chides. “He’ll talk about this for, like, a decade if you let him.”
“I think it’s sweet,” says Danny. “Plus, next I’ll tell you all the story about how Eddie and I –”
Kris shoves her hand over Danny’s mouth. “Keep going, Wheeler.”
“Well, I let him in, because duh, and he looked super confused. He started speaking German, at first, which made me wonder if I had a stroke, and then said,” Wheeler pauses, letting the memory wash over him. “‘Hello, sir, mind if I take solace in your gym?’ And I was sold.”
“More like he took solace in your –”
“Danny…”
“What!” Danny says, pouting at Lee. “I was gonna say heart!”
“Well, that’s just frickin’ adorable.” Nyla says. “Me and Kris just met because we both thought the other was a twitter mutual.”
“Your story’s cute, too,” Wheeler insists. “I like how…” He trails off. “Oh.”
His friends follow his gaze, and three things happen at once. Danny gasps, Bryan meets Wheeler’s eyes, and the alarm on his phone goes off.
“Who the fuck is that?” Danny asks. His tone is something Wheeler’s heard way too many times before.
“Possibly my dad, now shut the fuck up before I brain you,” Wheeler says, low and fast. He stands up and takes a few steps toward Bryan. “Uh, hi, Bryan. Good to see you.”
He nods, slowly. “Good to see you, too.”
“I’d talk longer, but the rehearsal dinner’s coming up, and I have to get ready.” He shoots Bryan what he hopes is a winning, son-like smile. “But, uh. After the dinner, maybe we could talk?”
Bryan nods again, like he’s considering every moment that passes as a test. Wheeler feels strangely studied. “Of course.” He walks away.
“Jesus, that guy is intense,” Kris mutters once Bryan’s walked away.
“No kidding,” Lee says. “Is it really time for the rehearsal dinner?”
Wheeler nods, wiggling his phone. “We have to be there at six thirty, so, yeah.”
They all go their separate ways to their room, and Wheeler is mildly hesitant to run into Claudio after their tiff earlier.
He knocks, and slowly pushes the door open. “Claudio? You in here?” And nearly loses all sense.
Claudio in a suit always gets him, but the soft sage green makes him glow. Wheeler has to remind himself that, not only can he look, he can touch. “Wheeler, what’s –”
“Holy fuck, you’re hot.” Wheeler strides up to Claudio, to his fiancé, to the man he gets to keep for eternity, and hauls him down for the kind of kiss that would get censored on Twitter. Claudio makes a little noise into his mouth, then turns him, the two of them falling into bed.
“You’re covered in sand,” Claudio murmurs, lips against Wheeler’s neck, “how about we get you in the shower?”
“Only if you come with,” Wheeler says. He’s a bit sad at the idea that the suit will have to go, but that means Claudio will be naked, and, honestly, net win. Claudio wraps his arms under Wheeler’s thighs and hauls him up with a grunt that goes straight to Wheeler’s dick.
“Fuck me in the shower?” he asks, a little eagerly.
Claudio takes him to the bathroom, where he strips off the suit and carefully hangs it on the back of the door. “We don’t have the time, now,” he laughs.
“Stop being right,” Wheeler grumbles. “Fine.”
They exchange frantic, desperate blowjobs in the big ass shower. It’s twice the size of the one they have at home in their apartment, roomy and accommodating in convenient ways. Wheeler’s sure he’s got most of the sand off of him by the end of it.
“We’re going to be late,” Claudio says. “You still have to get your hair in order.”
“I would make a bald joke, but you sucked out my brain through my dick, so it’ll have to wait,” Wheeler replies. He grins up at him. “And, plus. It’s our wedding. Party don’t start til we walk in.”
“Is that a music reference?”
Wheeler rolls his eyes. “I need to make you listen to that naughties playlist again.”
They make it downstairs by 6:30, and to the restaurant at 6:45. Everyone else is already there, but Wheeler thinks a grand entrance might be appropriate for the grooms.
“Look who finally showed up,” Mox says, grinning. “You forgot to mention you invited these three.”
Bryan, Chuck, and Regal are sitting at the other end of the table. And Wheeler blinks. “Uh. I didn’t?”
“Sorry, that was me,” Claudio says. “Is that alright?”
Wheeler scans the motley crew of his people. “Yeah,” he decides. “Yeah, this’ll be good.”
~
The rehearsal dinner is bizarrely stiff, with Mox fidgeting every time one of the other guys looks at him, Kris half asleep on Nyla’s shoulder, and Danny and Eddie exchange glances so heated it makes Wheeler want to cry a little bit into his risotto.
“So, who is in this wedding?” Claudio’s mother asks. She’s a kind lady, eyes bright and reminiscent of Claudio’s. Wheeler’s always liked her. “Tell me about all of your friends, Wheeler.”
Wheeler introduces Kris, Danny, and Lee, who are all on their best behaviors for once in their lives. Danny and Sheamus, who’d met at the engagement party, are talking animatedly about whatever game was on the night before. Wheeler’s not close enough to hear.
But Regal is strangely somber, seated in the dining room across from Wheeler’s grandmother and having what looks like a very stiff conversation. He doesn’t blame him – Wheeler would feel uncomfortable speaking to Claudio’s mom if she didn’t know who he might be, either.
By the end of dinner, everyone is in good spirits. Chuck and Bryan, seated across from each other, have been talking the whole night, so at least they’ve got each other. At dessert, Wheeler notes two very suspicious absences.
“Oh, for the love.” He sighs, and stands up. “Claudio, I have to go to the bathroom. If I don’t come back, it’s because I walked in on Eddie and Danny boning in the bathroom and I died about it.”
Claudio’s expression, while sleepy, is sympathetic. “You want me to go scout it out for you?”
“The fact that you’d make such a sacrifice for me is why I love you.” He leans down and presses a kiss to Claudio’s cheek. “But, no. This I have to do on my own.”
Wheeler knocks as loud as he can on the men’s restroom door before walking in. Unfortunately, it was a futile attempt. Danny is pressed up against the wall with Eddie’s hand around his waist. Wheeler gets an unwelcome eyeful of Eddie going at Danny’s neck, and he can’t hold it back.
“Fucking hell!” he half yells, half squeaks. “This is a public restroom.”
Eddie turns around, looking completely undisturbed. “Kid, you gotta learn to knock.”
“I did knock! Like, seven times!”
Danny looks pink and a little dazed, a stupid little smile on his lips. “He knocked. I just didn’t say anything since you were,” he trails off, eyes dragging down Eddie’s face and settling on his lips, “busy.”
Wheeler forces himself not to gag. Eddie rolls his eyes. “Okay, I’ll leave first because you,” he looks Danny up and down, a little too smug for Wheeler to be comfortable with, “are kind of wrecked. Wheeler, please don’t tell your dad about this.”
Danny pushes himself off the wall and practically floats over to Eddie. “We could tell him,” he says. “Like, when we dance at the wedding?”
Eddie groans. “I – fuck, okay, but not yet.”
Danny immediately settles the second Eddie’s out the door, going back to his normal expression. “God, he’s fun to mess with.”
“Please don’t tell me that,” Wheeler groans. “Go – go eat dinner and be nice to my grandma. For some reason she loves you.”
Danny nods and leaves, and Wheeler is left alone for a few glorious minutes. Sure, a bathroom isn’t to die for, but alone for a brief respite from being in front of everybody is better than nothing.
He takes his time adjusting his hair, fixing his tie, before going back out. Dessert is at the table and, mercifully, it looks like almost everybody is fixated on that.
Chatter is quiet and unfocused as everyone finishes up. Mox hugs Wheeler and Claudio and takes his mother back to the hotel, and the older relatives get their leftovers and make their way out of the restaurant.
“Alright,” Claudio says, after Kris has finished her story about the star she discovered by accident, “I think the restaurant is going to go after us if we stay much longer.”
Wheeler follows his gaze and, sure enough, a few of the waitstaff keep glaring at their tables. Wheeler already made sure to leave a massive tip.
He finishes his last goodbye to the relatives, and Bryan steps up to him. “Before you go,” he says, tone quiet and serious, “I was hoping we could talk.”
Wheeler looks behind him at Claudio, who begins to walk over. “Yeah, just, uh. Give me a second, okay?” He gives what he hopes is a reassuring smile to Bryan. “Don’t – don’t leave or anything?”
Bryan nods, but he still has that expression like he’s trying to read Wheeler’s mind and not finding what he wants to hear.
Wheeler steps around him. “Hey. Uh. Are you okay if I – if I wait a little bit so I can talk to Bryan?”
Slowly, Claudio nods. “Just, promise me something.”
“Anything,” Wheeler says automatically.
Claudio looks almost sad as he reaches out and cups Wheeler’s cheek. “Just remember what this weekend is about, okay?”
Wheeler’s heart drops a little. “Oh, god. No, Claudio, I know this is about us. Our wedding. I know that.”
He nods. “I know you know it. I just,” he sighs, “you’re getting really caught up in this thing with your other dads. I don’t want you to get so focused on that and get disappointed if things don’t go the way you want.”
He refuses to let himself be hurt by what he’s worried Claudio might be saying. “What does that mean?” Wheeler asks.
“Just that, maybe, you won’t know which one of them is your other dad before tomorrow night.” Claudio looks a little less sad now, at least. “And I want to make sure you’re okay with that.” He takes his hand away, flexing. His eyes miss Wheeler’s, some sort of anxiety behind them that he’s never seen before. “That – that you’ll still want to get married, even if your other dad isn’t the one who is going to walk you down the aisle.”
In that moment, Wheeler realizes how shortsighted he’d been. “Claudio, I swear,” he says, grabbing his hands, “this isn’t just – I’m marrying you even if a meteor falls on my head. Okay?” He tries to make it clear: he’s here for Claudio, and everything else is just icing on the cake.
Claudio nods. “Yeah, I know.” He leans in and kisses Wheeler on the head. “You take care of yourself, okay? Sheamus, Drew, and I are going to get some drinks.”
Wheeler nods. “Have fun.” He watches Claudio walk out, turning for one last wave, and he manages a smile. He makes his way back to Bryan. “Sorry I took so long.”
“Don’t be sorry,” Bryan says firmly, “he’s the one you’re marrying tomorrow. I’m just here to help.”
Wheeler nods. “So, uh. What’s up?”
“I wanted to let you know, even if I’m not your – your other dad,” he pauses, sighing, “I want you to know that I’m here for you. If you want to do a DNA test, if you don’t, whatever works for you.” He fiddles with his hands. Even with the anxiety, he has an air about him of confidence, of proficiency. He looks up, and Wheeler hopes he has the same determination in his eyes. “You just let me know what you need from me, alright?”
Wheeler wishes he had an answer to that. “I, uh. Actually, I was thinking the guy who is my dad could walk me down the aisle.”
Bryan, for the first time since learning Wheeler’s last name, looks shocked. “Right. You said that.” He nods again, like he’s trying to convince himself. “I just. I didn’t think that was still on the table.”
“I understand if that’s – if it’s not something you’re comfortable with,” Wheeler says. And he won’t betray how much he wants Bryan to agree to it. He won’t.
“I’d be happy to,” Bryan says, and he looks so earnest and genuine that Wheeler lets himself believe, just for a moment, that this is his other father. And he’s proud to claim that title. “But I have to ask, do you know who your other father is yet?”
Wheeler shakes his head. “No clue.”
Bryan offers a sympathetic smile. “Well, let me know if anything else comes up. Not sure how much information we can get in the next twenty-four hours.”
“I kind of thought I’d know him when I’d see him,” Wheeler confesses. “And then I saw all three of you at once, and I still had no clue.”
Bryan claps him on the shoulder, reassuring, and paternal, if Wheeler lets himself pretend. “Don’t stress about it, is my advice. Go enjoy your last night stag, kid. I’ll be here in the morning.”
Wheeler smiles at him, and waves as he walks away.
Before he’s able to get back to his seat, somebody yanks his arm. “Is it him?”
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sagehaleyofficial · 2 years
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HERE’S WHAT YOU MISSED THIS WEEK (1.4.23-1.10.23):
NEW MUSIC:
The Hold Steady announced they will be releasing a new album titled The Price of Progress on March 31 on the band’s Positive Jams label via Thirty Tigers. The album will mark their first new record since 2021.
Skrillex released two new songs. The first is titled “Rumble” and features Fred Again and Flowdan, while the second is titled “Way Back” and features Pinkpantheress and Trippie Redd.
Daughtry and Halestorm’s Lzzy Hale teamed up for a cover of Journey’s hit song “Separate Ways (Worlds Apart).” The song is featured on the soundtrack of Strangers Things season 4.
Zebrahead released a new song titled “Middle Seat Blues.” The song will be featured on their upcoming EP II, which also contains the songs “Evil Anonymous” and “Licking on a Knife for Fun.”
As December Falls released a new song from their upcoming album titled “Carousel.” The new album, Join the Club, will be released this summer and features their songs “Mayday” and “Home.”
TOUR ANNOUNCEMENTS:
Don Broco shared footage of one of the biggest highlights of their special show at the Royal Albert Hall. The band performed their song “Nerve” off their 2015 album Automatic.
Twenty One Pilots celebrated 10 years of their album Vessel with a special livestream. The duo released some behind-the-scenes footage and never-before-seen photos, as well as performed.
You Me at Six announced they will be celebrating the release of their new album Truth Decay with some intimate release shows. The band will play Leeds’ Key Club on January 29 and Glasgow’s SWG3 on February 2.
OTHER NEWS:
My Chemical Romance’s live album Life on the Murder Scene is now certified Gold in the United Kingdom. The record topped the Rock and Metal Chart in the UK and peaked at No. 53 in the Official Albums Chart.
___
Check in next Tuesday for more “Posi Talk with Sage Haley”!
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reddus-sideblog · 2 years
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M.E.R.C.s - Deadline
10-15-890 AR
The courier tapped her foot in an irritated rhythm as she waited for the elevator to arrive. The work day was almost over, and if she was going to be late because of some vert sector elevator she was going to lose it. While the relief of 5PM approaching was strong, the stress of missing another delivery deadline was a whole lot stronger.
    Vert sector deliveries were the worst. Trinity had been stuck with deliveries for this cluster of New Idaho sectors for the past two weeks by the postmaster at her CC-O branch, but the weekend was coming, and the end of her vertsect deliveries with it, for the foreseeable future. It would be nice to let her aching legs get some rest. Loafing around the house and listening to the radio was all she wanted to do tomorrow.
    While the sectors she was delivering to were plenty safe, and actually quite nice to look at, the name “vertical” really undersold just how much of movement around these areas relied on stairs and elevators. Trinity had started her first week of deliveries to the Central Castle Cluster thinking that she could simply run around everywhere to make her deliveries, but she soon discovered that her legs weren’t as used to ascending stairs as she’d thought they were, and her muscle aches all last weekend had convinced her to use elevators whenever she could.
    Unfortunately, in vertsects most of the elevators were public access, and they tended to be large, slow affairs, or else have lines formed outside of them when foot traffic was getting dense. She’d been late for her deliveries on Monday and Tuesday, and Trinity had been chewed out by her postmaster on Wednesday morning for her repeated transgressions. She was close to a suspension after the late orders and that time that she mauled a package robber.
    The chimera’s strawberry blonde ears were pinned back against her hair of the same color as she shuffled into the elevator that she was waiting for along with five other people. The robber had lived just fine, her claws had only minorly disfigured him after all. The parcel that Trinity was moving today wasn’t particularly large, but it was definitely dense. She turned it over in her paws, feeling the weight, while trying to not puncture it with her hooked claws.
    Some chimera had both human and animalistic ears, some had slit-eyed pupils, some had extra fingers and toes, and then there were also ones like her, who were born with big claws and hands that were closer to being the paws of a tiger than they were human hands. It didn’t bother Trinity much, truth be told, she had accepted that handwriting and fine motor control weren’t her strengths in life a long time ago.
    Clipping the package onto the back-mounted frame she wore, Trinity turned around to look out the glass-walled elevator. One of the best parts of being in a vertical sector was the view, and today was no different. From this high up she could see Iodine Lake and the First Citadel, nestled in the arms of the rest of the vertsect. It was quite a sight, seeing the massive Divine church building dwarfed by the towers on either side of it. In Newland City it wasn’t just the people that were packed in tight, the buildings were tight on space too.
    Trinity looked at the wrist watch on the well-dressed businessman next to her in the elevator. 4:48 Post-Morning. She was cutting it a bit too close for comfort, considering how she needed to get up 3 stories and find the right address on that floor of the arcology, which was rarely an easy process. She looked back out of the elevator just in time to see the thirty third floor of the Summit Entertainment tower explode outwards in a fireball of flame, debris, and bodies. Trinity couldn’t stop watching until the shockwave rocked the building that she was standing in, making the elevator’s emergency brakes lock up and its glass wall crack.
    The dim red of an auxiliary light colored the elevator’s interior, as a calm, pre-recorded voice came over the speaker system. The voice was barely audible above the elevator’s other occupants raising a mixture of annoyance and alarm.
    “Due to life-endangering activity in neighboring sectors, all forms of public transportation will be shut down until further notice. We apologize for any inconveniences this may cause.”
    Trinity almost hissed in rage but she managed to keep her frustration inside. She was just two and a half floors away from her weekend. Looking up in desperation, Trinity hoped that anything could help her out. As she looked up she spied something even better than heavenly salvation, a maintenance hatch.
    Shoving her way to the corner of the elevator that it opened up into, Trinity stood on her tiptoes, pushing the door open with her shock maul. In truth she liked fighting with her claws, so it was nice for the implement to see some use. The android man in the elevator tried to dissuade the chimera from leaping out, but she managed to crouch down and jump out of the confined space before any of his words met her ears. Trinity gave a little wave and excused herself as she closed the elevator’s hatch.
    The elevator shaft had one half embedded in the vert sector’s superstructure, with the other facing outwards into the open air. The fresh air, twenty stories up, was tinged by the smoke from the recent explosion but it was otherwise a lot more fresh than what was in the elevator. Trinity tiptoed towards the side of the metal box and looked over the edge. It certainly was a long way down, but she didn’t feel any particular fear of falling fifty or so meters downwards.
    With a graceful twist of her heels and hips she spun around to observe what lay in her path. Climbing up the cables that carried the elevator would be simple enough. Trinity grabbed the rope and began shimmying up, paw over paw, her strong thighs clamping the cable tightly as she scooted upwards. As she climbed a distant, repetitive thudding sounded out across the sky. At first Trinity assumed it was gunfire, but as it approached she soon realized that it was the rotors of a helicopter. 
    Not my problem, she thought.
    A powerful spotlight snapped on behind Trinity as the rotorwash swept her short hair out of order, and a voice crackled over the aircraft’s loudspeaker, “Holiday, this is the Newland City Federal Police. Surrender yourself immediately!”
    Trinity stopped for a second as she squinted into the spotlight’s glare. They had to be kidding. The last time she’d checked her name was Trinity Maxwell, and she wasn’t a calico.
    “If you don’t surrender peacefully we will be forced to open fire.”
    The chimera wished that she could headbutt a wall to let out her frustration. Instead she hung head for a moment as she weighed her options. Her analysis was cut short as a brilliant red dot appeared on her hand, stopping any further thought. It took every ounce of her willpower to not bat at the shining dot, and as she looked at the source of the light she could just make out the silhouette of a sniper hanging out the side door of the helicopter. Trinity let go of the rope and let herself drop.
    She slowed her descent a moment afterwards, before leaping onto the ledge of the out-facing frame of the elevator shaft. She barely grabbed the ledge, but her large claws managed to hook the edge of the ledge before she fell any further. If she could wrench the door open she could run inside and-
    A crack rang out from the rifle of the sniper, and a round flew through her hair before impacting the door to the interior of the vertical sector. The shot pierced right through the elevator door, but as luck had it this also activated it, allowing Trinity to run inside as it slid open. Another shot cracked before the doors closed, and the round threw up chunks of tile that slashed at her exposed legs and arms. Trinity thought that she had enough stripes as it was from her tabby coloring, but the slashes probably wouldn’t be too visible once they scarred over.
    The chimera ran like a madman, bolting for the nearest staircase. The spiral stairs she found were broad enough for a small crowd to walk abreast, and she sprinted up it as quickly as her legs would carry her. She couldn’t believe the feddies were this fucking dumb. She looked nothing like Newland’s public enemy number one, she was just a chimera with sort of orange hair who was near a bombing, so of course some gloryseeker’s eyes were too filled with visions of promotions and public adoration to see what was right in front of him.
    Not that she had a love for the infamous chimera M.E.R.C., far from it. Trinity had heard more than enough about the chimera for one lifetime, and the stupid smug mugshot they used on the news was starting to piss her off just by looking at it. While chimeras were far from hated by the majority of Newlanders, Trinity didn’t want to see public opinion of her species end up in the gutter because of some pyromaniac bitch.
    “Holiday spotted heading upwards!  Do not shoot to kill, it will just make her desperate! The last thing we need is her setting off more explosives to stay alive!”
    The yelling was coming from the floor she had just left. It sounded like police or security. Either one was equally bad news for her right now. Trinity kept running furiously, pulling the package off her back to look at its address while she was moving. Apartment 21-94. She only paused for a few seconds to find a sign pointing towards the habitation area of this floor, before taking off in that direction.
    “Cut her off, pincer pincer! Take her alive or she’ll set off more bombs!”
    Stopping to get her bearings had let the masses of armed men gain ground on her, and Trinity wasn’t too far ahead of them now. Her sneaker-covered feet soared over the tile of the twenty first floor as she raced towards the ninth housing row, and her eyes looked around frantically to find the fourth apartment. The heavy movement of armored squads was just a moment behind her as she dove around the corner to the ninth row, and as she banged on the door to the fourth apartment the officers of both the Calhoun Security Service and a squad of PRO-Tact operators flooded in from either side of the hallway.
    Trinity had but a moment to hand off the package to the middle-aged woman who answered the door before she was tackled and slammed to the ground by Newland’s finest. As the cuffs were put on her, all that the chimera lady could think of was the single glimpse that she’d gotten into the recipient’s house, and how the clock in her entryway said 4:59PM.
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