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#Uroš Predić
illustratus · 1 year
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St George by Uroš Predić
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suncem-okupana · 6 months
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Uroš Predić - Devojka na studencu / Girl at the well (1918-1940)
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the-lost-lamb · 7 months
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Sveti Đorđe (St. George) by Uroš Predić 1907.
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portraituresque · 2 years
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Uroš Predić (Serbian,  1857-1953) - Self Portrait
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hzaidan · 3 months
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10 Works, Today, June 15th, is Saint Lazar, Prince of Serbia's day, his story in Paintings #166
Uroš Predić, (1857–1953)Prince Lazar renounces the earthly kingdomOil, Canvas70cm x 90cm (27.6” x 35.4”)Private collection Holy Martyr Lazar, Prince of Serbia (1389), was one of the Serbian noblemen who ruled the Serbian empire after the death of Emperor Dušan… Please follow link for full post
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slothu · 1 year
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descent of the holy spirit serbian orthodox church // ruma
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wordstome · 10 months
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kosovo maiden (könig x reader)
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Well, I did it again, gang. I wrote another story based on a painting. This one is by Uroš Predić in 1919, and was posted to Tumblr here (thanks to arcana-imperii for posting!)
I don't know anything about Kosovo, so the reader here isn't explicitly Serbian ;; please forgive me. Also, apologies for possibly inaccurate ambiguously late-1800s setting, medical information or German. Please enjoy!
2.2k words
There are soldiers in the field.
You heard the sounds of battle early in the dawn, the piercing explosions of gunfire and cannons ringing out as the sun rose. You weren’t concerned at first: it was far enough away that you felt safe enough to carry on as usual. But the gunfire drew closer and closer, and by noon you could hear the shouting and the battle cries, driving you trembling into your attic with terror. Mercifully, the fighting peters out as the sun sinks lower in the sky, but when you finally work up the nerve to peek out of your window, you find to your horror that the grassy field adjacent to your humble little home is littered with the bodies of dead and dying men.
Without a single further thought to your own safety, you grab a lantern and a pitcher of water and rush into the night.
It’s awful. Most of the men left behind are already cold, some whose eyes you have to shut yourself. The ones who were able to be saved were likely evacuated by their comrades, so the only ones left to face the cruel nighttime are the ones who won’t see the morning after. A few are still conscious when you find them, but you have little more to offer them than a gentle touch and one last drink of water. Their eyes are what will haunt you most after today: slick with tears as grown men weep, all semblance of courage and proud masculinity stripped from them as they face down their imminent demise. It’s terrible, heart-wrenching, but you can’t bring yourself to stop. You’re the only living thing left that can offer them comfort in their last moments.
The jug of water dangles from your hand as you trudge through the field, looking for anyone at all that you can provide help to. You’ve long abandoned any hope of finding someone you can save when you come across him: the giant in the grass.
It’s well and truly nighttime at that point, your lamp the only source of light upon what seems like a sea of human misery. The light hits his face, and you gasp. Your first thought is of how huge he is, at least 200 centimeters if he were standing. Your second thought is of how handsome he is…
You jolt to attention as he shifts and groans. He’s alive! Shaking some sense into yourself, you don’t hesitate to rush to his side. Your hands roam across his body, assessing the severity of his injuries. To your surprise, he doesn’t seem to be mortally injured. They’re severe, to be sure—he won’t be able-bodied for weeks. But he’s far from at death’s door, only confused and dazed…had his comrades only left him due to his sheer size?
Using your hand to support the back of his head and neck, you tip some water into his mouth in an attempt to revive him. The man cracks an eye open, regarding you with feverish wonder.
“Ein Engel…” he murmurs. You’re too elated that he’s alive, so you don’t actually properly hear what he said. With light, deft fingers, you tear strips of his tattered shirt and use the cloth to wrap up a scrape on his arm and stem the flow of a very nasty-looking wound up along the broad plane of his torso. To your alarm, however, the man seems to slump, his head laying back as if he’s about to lose consciousness.
“No, no,” you cry in panic, shaking him without heed of his injuries. “Sir, you cannot sleep here, I am unable to carry you…you will die out here!”
He mumbles something inaudible, and you breathe a sigh of relief. He hasn’t passed out on you yet, but you have to act quickly to properly care for his wounds. You shift your body so you can maneuver his uninjured arm onto your shoulders. Luckily, he seems to comprehend what you’re trying to do, and manages to stumble to his feet while leaning his weight on you.
It’s an awkward, fumbling dance, considering your earlier assessment of his height was correct—he’s a huge man, and his torso alone nearly dwarfs your entire figure. But with a good measure of patience, you manage to get him moving towards your house. It’s high time you returned home, as well: your stomach roils as you remember what happens to corpses left outside for scavengers to find.
The two of you stumble through the doorway of your home, you murmuring soft affirmations and encouragement to the man. He makes no indication that he understands what you’re saying, but he’s nodding along, responding to your gentle tone. You guide him to lay on your bed, his body visibly relaxing as he sinks into the mattress.
You bustle around, lighting candles, stoking your fireplace, and rummaging around for medical supplies. You return to him with a basin of warm water, a cloth, and some bandages—before stopping dead in your tracks.
In the low lamplight out in the field, you hadn’t noticed the color of the man’s uniform, much too preoccupied with his signs of life. But now the truth is laid bare in front of you as you take in his attire, eyes traveling over his broad body—
You’ve just taken in an enemy soldier.
The man has seemingly fallen asleep, likely exhausted by the battle and the effort it took to get into your home. That does nothing to assuage your fear, though: what are you going to do if he passes away right in your bed? Even worse, what are you going to do if he wakes? Will he be hostile? Will he attempt to take you as a hostage to secure safe passage out of his enemy’s territory?
It's clear to you, though, that if you don’t help this man, he will die. His wounds could easily turn septic, and then he’s a goner. You steel yourself and approach him, kneeling at his bedside.
You work slowly and carefully to reveal his injuries, wincing when they’re completely exposed. He’s no longer bleeding profusely, but he will absolutely need stitches. For now, you settle for cleaning them with a damp cloth, trying to keep infection at bay.
He must be well and truly knocked out, because he doesn’t even stir as you wrap his arm securely with clean bandages. You’re much more hesitant to deal with his chest wound: if he wakes and struggles, he could make it much worse. But his unconscious state affords you the best opportunity to stitch him up…
You furrow your brow and go to find a needle.
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You’re awoken by a gentle touch on the shoulder.
You stir from your sleep, wondering what your mother could possibly want at such an early hour. At least she put the fire on—you can hear the crackling. But why is your bed so hard? Did you fall asleep on the floor? Actually, now that you think about it, you do recall dozing off on your sheepskin rug last night, because—
Your eyes shoot open to see a huge, hulking figure standing over you.
The soldier startles when you scream, scrambling to move away from him. He cuts an intimidating figure in the early morning light: he towers over you in a state of undress, the bandages you put on him last night splotched with rusty dried blood. But you calm down as you realize he means you no harm, his hands outstretched in front of him as a show of peace: no weapons.
“Wo bin ich?” he asks. You squint at him. That sounds like German, but you can’t speak a word of it.
“I don’t speak German,” you try. He tilts his head, looking as puzzled as you feel right now.
“Never mind all of that,” you say, shaking your head and pushing yourself to your feet. “You shouldn’t be out of bed!” The soldier watches with amusement as you press your hands against him, careful to avoid touching his chest where you know his wound lies, in an attempt to get him back into bed. He allows you to do so, lying back down like an obedient dog.
“Muste pissen,” he murmurs as you fuss over him. You shoot him another confused look as you check the stitches you put in his chest wound. All seems well, you note with relief.
“What?”
He huffs a sigh. He gestures towards the door, and then then to his…oh.
“I see,” you say, cheeks feeling hot. You can’t bear to look at his face, but when you do, you find he’s watching you with amusement.
You tap his chest with a finger, then mime a sewing motion. “Don’t get up on your own from now on, you could tear your stitches,” you tell him, pointing to the door and then to patting your own chest. “I’ll help you.”
He snorts, but nods. You start to unfurl the bandages on his arm, heart twinging with sympathy as he grits his teeth in pain. You bite your lip in chagrin as the wound is revealed. It was much less severe than the one on his chest, but it’s doing much worse: pus and fluids are leaking everywhere, and to your horror, you think some parts of the torn flesh might actually be turning green.
“Es sieht schlecht aus?” he asks, concerned. You put on a smile you hope is comforting and rise from his bedside to go downstairs and rummage through your cupboards.
You return to him holding a bottle of liquor, the strongest you could find. He seems to realize what you intend to do, and shifts slightly to allow you better access to his arm.
“I’m sorry,” you whisper to him. “This is going to hurt.” Without further warning, you dump a good amount of alcohol on his wound.
“SCHEIẞE!” The bellow of pain that rips out of his throat seems to shake the very foundations of your home. You wince as he hollers and lays back heavy against your poor little bed, forehead covered in a sheen of sweat. That can’t have been pleasant…
“Das tat schlimmer weh, als die verdammte Wunde überhaupt zu bekommen,” he grits. You give him a sympathetic little pat before withdrawing to get the bandages.
He’s calmed down by the time you return to him. He watches you curiously as you wrap him up nice and snug, then turn your attentions to his chest wound. The stitches are still in place—it seems he was careful when he relieved himself—but you still need to clean and dress the wound. He lets out a sigh of relief when you opt for a clean cloth to dab away the dried blood instead of the liquor bottle.
You work quickly and efficiently, worried about him catching a cold with his chest out like this. You also can’t deny that the whole situation is starting to make you a bit shy—a foreign man, and an attractive one at that, is in your bed, shirtless, and you’re all but sprawled out on top of him to get up close to his injury. By the time you’re done, you’re fully blushing at the closeness of the contact between the two of you.
“You should be alright, it’s a good sign that you lasted through the night and haven’t developed a fever yet,” you tell him as you gather up the soiled bandages to be washed. “You’ll need to stay in bed so I can keep an eye on you—”
You’re drawn up short when you look up to see his face. Far from the angry scowl he wore when you disinfected his wound, his expression now is almost…admiring? You shift slightly, caught off guard by the adoration in this stranger’s stare, and your arm brushes against something solid and warm.
You stand up as if burned, turning to see what you just touched. To your chagrin, you find that the soldier is…well, he’s hard.
You whirl around to fix him with an outraged look, but he only laughs at you with obvious delight. What a pervert! You’re so flustered you don’t know what to do or where to look, but you’re stopped by the sensation of him reaching up and pressing a hand to your face.
You stare at him, wide-eyed, as he strokes your cheek with a sort of reverence that stops you in your tracks. “Mein Retter…” he murmurs. “Entschuldigung. Ich konnte nicht anders.”
You huff, recognizing that he’s trying to apologize. “You don’t act like an injured man at all,” you complain. A spark of mirth comes into his eye at your pouting tone as he just chuckles at you. You turn to walk away, yelping when you feel his hand brush against your bottom. You shoot him with a deadly look as he laughs again.
You scurry away, feeling awkward and hot all over. You had been so concerned last night about whether you should stay in the same house as the potentially dangerous soldier, pacing the floor and biting your nails as you pondered whether you should give him up to the local authorities. In hindsight, you’re glad you didn’t—they would surely have locked him in a cold cell with nobody to look after that festering gash on his shoulder, to say nothing of his chest wound. It was worth it to risk waking up to a man angry and spitting hatred at you, if you could save his life.
But now you’re realizing that you hadn’t considered the opposite possibility: that the soldier might like you a little too much.
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ein Engel = an angel Wo bin ich? = Where am I? Muste pissen = had to piss Es sieht schlecht aus? = Is it bad? Scheiße = shit Das tat schlimmer weh, als die verdammte Wunde überhaupt zu bekommen = That hurt worse than getting the damn wound in the first place Mein Retter = my savior Entschuldigung. Ich konnte nicht anders = I'm sorry. I couldn't help it
Once more, I wrote this in a frenzy akin to being possessed, so it's a little short. But there will definitely be more! Thank you for reading <3
@kneelingshadowsalome @danibee33 @crowbird @poohkie90 @cumikering @iytatsworld @papaver-decervicatus @anxietyrain @riotakire @ax0lotly @cookiepie111 @kacchasu @no1runawaymilkdad @chthonian-spectre @backwards-readings @yxllowtxpe @garbau @hexqueensupreme @queenthorin1 @violetstyless @her-majesty-theking @vegan-peppermint @peonytarian @ghostslittlegf @euuuuuuun @e1x03 @kokonoiwife @deaddainish @dragonfang @teehee-47 @catluvwr @keiva1000 @waves-against-a-cliff @channelsoph @cutiecusp @itsagrimm @dins-riduur-anthe @mantishymns @lexuria @complexivelovely
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eirene · 7 months
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Kosovo Maiden, 1919
Uroš Predić
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SET NINE - ROUND ONE - MATCH SIX
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"Siroče na majčinom grobu (Orphan on Mother's Grave)" (1888 - Uroš Predić (Урош Предић) / "You Make My World a Better Place to Find" (1996-1998 - Dario Robleto)
SIROČE NA MAJČINOM GROBU (ORPHAN ON MOTHER'S GRAVE): This painting by Uroš Predić fucks me up every time. It's called "Siroče" so in English it would be "Orphan" and you can tell. You can tell. The kid is freezing cold and sleeping on their parents grave it makes me want to curl up into a ball and sob. (@flemmboyant)
YOU MAKE MY WORLD A BETTER PLACE TO FIND: To me, this piece is all about showing people you love them. I have never been good at telling people how I feel, and so I have always tried my hardest to show it, and this spool of thread shows love more than anything I've ever seen. What is more essential than warmth? If nothing, then how can we show our love for someone more than by taking pieces of them and using them to fix our blankets and mittens? How can we say "I have used pieces of you to fix my clothes, and now carry you wherever I go" and not mean "I love you"? (@tofuapathy)
("Siroče na majčinom grobu (Orphan on Mother's Grave)" is a painting by Serbian artist Uroš Predić. It is held by the National Museum of Serbia.
"You Make My World a Better Place to Find" is a mixed media piece comprised of lint, thread, various debris and particles, and the artist's grandmother's antique wooden spool. The artist, Dario Robleto, spent two years collecting detritus from friends, acquaintances, and strangers without their knowing, turning the result into thread, and then repairing a number of objects with the thread. The spool is 1 1/4 x 1 x 1 in (3.2 x 2.5 x 2.5 cm), and is held by the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College.)
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moiorchidea · 4 months
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mr uroš predić slayed
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furordinaricvs · 2 years
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Resurrection of Christ by Serbian painter Uroš Predić.
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uraandri · 6 months
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st george (detail), by uroš predić
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emirphotoblog · 5 months
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The flea market in Novi Pazar and the famous painting called Kosovka devojka, by Uroš Predić
Taken by Emir Gegić
Huawei p30 pro
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e-kultura · 6 months
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Galerija SANU ~ Izložba Uroš Predić
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hzaidan · 3 months
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Holy Martyr Lazar, Prince of Serbia (1389), was one of the Serbian noblemen who ruled the Serbian empire after the death of Emperor Dušan…
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John Young,Adam Stefanović,Art,Paintings,RELIGIOUS ART,Religion,biography,History,Peter Radicevic,Prince,Zaidan,Holy Martyr Lazar,Ancient,Petar Lubarda,Mythology,Serbia,footnotes,Uroš Predić,
10 Works, Today, June 15th, is Saint Lazar, Prince of Serbia's day, his story in Paintings #166
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uniquekindoftrash · 2 years
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Uroš Predić (1857 - 1953) - Hercegovački begunci, 1889.
tr. Refugees from Herzegovina
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