#Velvia/Vivid film simulation

[pix4japan]

Fun Time at Beach (Yumigahama Cove, Izu Peninsula, Japan)

She couldn’t wait to jump out of the car and dive after the waves lapping the beach in this quaint little cove!

Fujifilm X100V (23 mm) with 5% diffusion filter ISO 800 for 1/160 sec. at ƒ/6.3 Velvia/Vivid film simulation

[coffeemonster42]

Versailles

I touched on this in the previous post, but just to clarify, re the Fujifilm X-T5, I fucking love this camera.

I've configured it to use the Velvia/Vivid film simulation with extra contrast, this gives me saturated colours and punchy contrast.

So now, in all-manual mode, she delivers the kind of shots I want straight out of camera. Because I can't be bothered taking crap shots and then photoshopping quality into them later.

We went to the Palace of Versailles recently and I had the chance to try the camera out in the salons where the light is fractured into not-much, shot through with darts of brilliance. Not easy to judge the exposure when eveything is dark or dazzling.

Here are a few shots. None of them have been tampered with.

[anantradingpvtltd]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] From the manufacturer Enhance your stories FUJIFILM X-T200 features a large APS-C CMOS image sensor, high resolution EVF, Face/Eye AF, the power to create 24.2MP stills at 8 FPS, and even the ability to record 4K UHD video from almost any angle with its 3.5" vari-angle LCD Touch Screen. Go Vlogging. Highly Accurate Face and Eye Detection Algorithm for Auto Focus An updated Face / Eye Detection AF makes focusing on individuals or groups of people quick and easy. This is even possible when the camera’s LCD monitor is flipped out and it is used to make a selfie. Additionally, automated functions will allow the camera to be set to recognize and track the subject within the frame. Great Low-Light Performance Achieve focus in dimly lit environments up to -2.0EV and get great image quality with low noise because of the advanced image processing provided by the camera’s copper wire processor. A Legacy in Color Science - Film Simulation modes Fujifilm’s legacy in color science has given it legendary status among image-makers across the world. During its 85 year history, it has been responsible for some of the most iconic photographic films in history and this exceptional knowledge has been poured into the 11 digital Film Simulation modes installed into X-T200. Images made with these film simulations carry the look and feel of the actual films that inspired them, which are a great building block to sparking creative imaging making. Modes - Velvia (Vivid), ASTIA (Soft), MONOCHROME, CLASSIC CHROME and more. Creatively Express Yourself with Advanced Filters Emphasize light sources, boost contrast, add retro effects, or try the new Clarity filter to add an individual creative expression to any image. Filters available - Toy Camera, Miniature, HDR Art, Pop Color, Fish-Eye, Partial Color (Red / Orange / Yellow / Green / Blue / Purple) & more.

Vari-Angle LCD touch-screen X-T200 is equipped with a vari-angle 3.5-inch/ 16:9 Aspect Ratio widescreen LCD touch-screen that can be opened and closed between 0 to 180 degrees and rotated between -90 to +180 degrees. It also provides an intuitive and responsive control over the camera’s features and functionality and can be used to adjust a variety of settings, like brightness, background blur, Film Simulation effects, and image aspect ratios. High-quality 4K and Full HD video recording modes 4K Video (3840x2150) X-T200 generates 4K (3840×2150) video by recording 6K video with no crop (6032×3392) and downsampling it, which results in incredble image quality with very low noise. Film Simulations can also be applied during video capture to add stylistic effects NEW HDR movie mode Combine multiple videos with varied exposure settings to increase dynamic range and make movies with more detail in shadows and highlights. This is perfect for situations where there is strong backlight or for outdoor scenes where there are mixture of shadows and highlights. *In dark situations, the function might not be as effective NEW Digital Gimbal A gyroscopic sensor installed in the camera body helps it determine how to account for camera shake and apply its digital image stabilization algorithm, which allows for smoother video capture. *When using this function, the field of view is cropped *Lenses and angles of view that can be used are limited. USB Type-C terminal and Φ3.5mm mini stereo jack Connect external microphones and headphones to monitor and enable high-quality audio recording for a wide range of applications from vlogging to making simple videos. Digital interface : USB Type C (USB 3.1 Gen1) HDMI output : HDMI Micro connector（Type D） Microphone/remote release connector : ⌀3.5 mm 3-pole mini jack Achieve focus in dimly lit environments up to -2.0EV and get great image quality with low noise because of the advanced image processing provided by the camera’s copper wire processor;X-T200 is equipped with a vari-angle 3.5-inch/ 16:9 Aspect Ratio widescreen LCD touch-screen that can be opened and closed between 0 to 180 degrees and rotated between -90 to +180 degrees A Legacy in Color Science, Fujifilm’s legacy in color science has given it legendary status among image-makers across the world;Creatively Express Yourself with Advanced Filters Quality 4K and Full HD video recording modes; NEW HDR movie mode

Hardware Interface: Usb [ad_2]

[fujifilmsimulations]

True Chroma Leica

Film Simulation: Velvia/Vivid Dynamic Range: Auto Highlight: -1 Shadow: 0 Color: +1 Sharpening: 0 Noise Reduction: -4 Grain Effect: Off Grain Size: Off Color Chrome Effect: Strong Color Chrome FX Blue: Strong White Balance: Auto, +1 Red & -1 Blue

https://www.ivanyolo.com/fujifilm-recipes/true-chroma-poor-man-leica-recipe-fuji-xtrans-iv/

[thephoblographer]

Finding the Beauty of Fujifilm Velvia Using One Lens

Mmmmmm, dem tones

Velvia is likely one of the most popular Fujifilm film simulation. Folks love vivid colors and those Fujifilm tones always hit just right. It’s the perfect simulation to use on your vacation. Photographers have used Velvia for years to document the world around them. And using a lens like the Tamron 18-300mm f3.5-6.3 Di III-A VC VXD lets you do it in the spirit of those vintage photos. (more…)

[charger-batteries]

Fujifilm X-S10 Puts IBIS Into Compact, Affordable Body

Fujifilm has already released its best camera to date in 2020 (the X-T4), but it isn't resting on its laurels. The company's latest, the X-S10, promises to be almost as capable a camera, but for a lot less money—it costs around $1,000 to the X-T4's $1,700. That's a pretty significant delta, money you can put toward a quality lens. And there's not a lot in the X-T4 that isn't also included in the X-S10.

The X-S10 uses Fujifilm's current-generation 26.2MP X-Trans image sensor, mounted on a 5-axis stabilizer. It's not quite as powerful as the IBIS system in the X-T4, but it promises to deliver six stops of correction with most lenses.

The autofocus is just as capable, too. The camera supports face and eye detection, and can track subjects at 8fps using its mechanical shutter, or up to 30fps using its silent electronic shutter.

Controls are a little bit different than your typical Fujifilm X camera. Instead of a dedicated shutter speed dial on top, the X-S10 has a traditional PASM Mode dial. Fujifilm says it should help users new to the system settle in—you'll still have the option to use the aperture ring on lenses, if you prefer.

Manual control is there when you need it—there are dials at the front and rear for exposure control, and a small eight-way joystick to set focus and navigate menus. You can set the camera to capture Raw or JPG photos.

Its fully automatic mode does a couple of things other Fujifilm models can't—for one, you can work in Raw format when the camera is set to auto. For JPG capture, the X-S10 will automatically select the best film simulation, and apply color chrome and dynamic range adjustment based on the content of your image.

You can also work in semi-automatic modes, like aperture and shutter priority, and select from a number of built-in film simulations to change the colors and contrast of your image. The camera includes on-screen guidance to let you know what each does, so you don't have to remember that Velvia is Vivid and Eterna is a motion picture look.

The electronic viewfinder is the same quality and magnification as you get with the X-T30. It's typical for a midrange mirrorless model, with a 0.62x magnification rating that's a bit smaller than what you find on premium models. The rear LCD is a 3-inch touch screen; it's mounted on a vari-angle hinge, so it can face forward for selfies and vlogs.

As a video camera, the X-S10 is very capable. It records 4K at up to 30fps at 8-bit 4:2:0 quality internally, and can output clean 10-bit 4:2:2 signal over micro HDMI. Slow motion is an option too, with 120 and 240fps support at 1080p. In addition to film simulations, the flat F-Log profile is included.

The body is magnesium alloy, but the camera isn't sealed against dust or splashes—you can use an X-T4 in a monsoon, but stick to clear skies with this one. Cutting the weather protection helps reduce weight, too—the body comes in at just a hair over a pound.

The body itself is fairly slim, but it has a deep handgrip, a plus if you plan on using larger lenses. It's not just an ergonomic decision—the grip houses the NP-W126S battery and SDXC memory card slot.

We'll have a closer look at the Fujifilm X-S10 soon—it's set to ship to customers in mid-November. You can buy it as a body only for $999.95, or kitted with a zoom lens. An XF 18-55mm F2.8-4 kit is $1,399.95 and an XF 16-80mm F4 OIS WR costs $1,499.95.

In addition to the camera, Fujifilm is adding a new lens to the mix. The XF 10-24mm F4 R OIS WR sports the same optics as the older XF 10-24mm, but adds weather sealing and a locking aperture ring to the mix. It's priced at $999.95 and will ship in November.

There are also two new lenses on the company's XF development roadmap. Expect an XF 18mm F1.4 and a 70-300mm F4-5.6 OIS to go on sale next year.

[tamtom]

Azaleas Fujifilm FinePix X100 + Wide-Angle conversion Lens WCL-X100 Film Simulation: Velvia (Vivid) https://www.instagram.com/p/B_wk3JXAfF1/?igshid=1jeep1raytec6

[banksstore]

Fujifilm GFX 50S Specifications Number of effective pixels51.4 million pixelsImage sensor43.8mm x 32.9mm Bayer array with primary color filterSensor Cleaning SystemUltra Sonic VibrationStorage mediaSD Card (-2G) / SDHC Card (-32G) / SD x C Card (-256G) UHS-I / UHS-IIFile formatStill Image: JPEG (E x if Ver.2.3) , RAW : 14bit RAW(RAF original format) , RAW+JPEG, 8-bit TIFF(In-camera Raw Conversion Only) Movie: MOV (MPEG-4 AVC / H.264, Audio : Linear PCM / Stereo sound 48KHz sampling)Number of recorded pixelsL: (4:3) 8256 x 6192 / (3:2) 8256 x 5504 / (16:9) 8256 x 4640 / (1:1) 6192 x 6192 / (65:24) 8256 x 3048 / (5:4) 7744 x 6192 / (7:6) 7232 x 6192 S: (4:3) 4000 x 3000 / (3:2) 4000 x 2664 / (16:9) 4000 x 2248 / (1:1) 2992 x 2992 / (65:24) 4000 x 1480 / (5:4) 3744 x 3000 / (7:6) 3504 x 3000Lens MountG MountSensitivityStandard Output: AUTO1/AUTO2/AUTO3 (up to ISO12800) / ISO100 - 12800 (1/3 step) Extended Output: ISO50 / 25600 / 51200 / 102400Exposure controlTTL 256-zone metering, Multi / Spot / Average / Center WeightedExposure modeP(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure)Exposure compensation-5.0EV - +5.0EV 1/3EV step (Movie: -2.0EV - +2.0EV)Image StabilizerSupported with OIS type lensesShutter typeFocal Plane ShutterShutter speedMechanical Shutter: 4sec. - 1/4000sec (P mode), 60 min. - 1/4000 sec. (All modes) Bulb mode (up to 60min), TIME:60min. - 1/4000sec. Electronic Shutter: 4sec - 1/16000sec (P mode), 60min - 1/16000sec (All modes) Bulb mode (up to 60 min), TIME:60min. - 1/16000sec. Electronic Front Curtain Shutter: 4sec. - 1/4000sec (P mode), 60 min. - 1/4000 sec. (All modes) Bulb mode (up to 60min), TIME:60min. - 1/4000sec.Shutter speed (Cont)Mechanical + Electronic Shutter: 4sec - 1/16000sec (P mode), 60min - 1/16000sec (All modes) Bulb mode (up to 60 min), TIME:60min. - 1/16000sec. Electronic Front Curtain Shutter + Electronic Shutter: 4sec - 1/16000sec (P mode), 60min - 1/16000sec (All modes) Bulb mode (up to 60 min), TIME:60min. - /16000sec. Synchronized shutter speed for flash: 1/125sec. or slowerContinuous shootingApprox. 3.0fps ( JPEG:Endless Lossless compression RAW : 13 Frames Uncompressed RAW : 8 Frames) When Using the Electronic Front Curtain Shutter Approx. 1.8fps ( JPEG : Endless Lossless Compression RAW : Endless Uncompressed RAW : 8 Frames)Auto bracketingAE Bracketing (2/3/5/7/9 frames) +/-1/3EV - +/-3EV, 1/3EV step Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (+/-1/3EV, +/-2/3EV, +/-1EV) White Balance Bracketing (+/-1, +/-2, +/-3)FocusMode: Single AF / Continuous AF / MF Type: TTL Contrast AF Single Point AF: EVF / LCD: 13x9 / 25x17 (Changeable Size of AF Frame Among 6 Types) Zone AF: 3x3 / 5x5 / 7x7 from 117 Areas on 13x9 Grid Wide/Tracking AF: (Up to 9 Area)White balanceAutomatic scene recognition / Custom / Color temperature selection (K) / Preset : Daylight, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, UnderwaterSelf-timer10sec. / 2sec.Interval timer ShootingYES Setting : Interval, Number of shots, Starting timeFlash modesSYNC. MODE: 1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS) FLASH MODE: TTL(FLASH AUTO / STANDARD / SLOW SYNC.) / MANUAL / OFF (When EF-X500 is set)Hot shoeYes (Dedicated TTL Flash compatible)Viewfinder0.5 inch Approx. 3.69 millions dots OLED Color Viewfinder Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece), Diopter Adjustment: -4 - +2m-1 Magnification: 0.85x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: Approx. 40deg. (Horizontal Angle of View: Approx. 33deg. ) Built-In Eye SensorLCD monitor3.2 inch, Aspect Ratio 4:3, Approx. 2,360K-dot Tilt-Type, Touch Screen Color LCD Monitor (Approx. 100% Coverage)Sub LCD monitor1.28 inch, Aspect Ratio 1:1, 128x128-dot Monochrome LCD MonitorMovie recording[Full HD (1920x1080)] 29.97p / 25p / 24p / 23.98p 36Mbps up to Approx. 30 min. [HD (1280x720)] 29.97p / 25p / 24p / 23.98p 18Mbps up to Approx. 30min.Photography functionsColor, Sharpness, Highlight tone, Shadow tone, Noise reduction, Long exposure NR, Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Edit/Save custom setting, Store AF mode by orientation, Rapid AF, AF point display, Pre-AF, Face/Eye detection AF, AF+MF, Focus peak highlight, Focus checkPhotography functions(Cont)Interlock spot AE & focus area, Instant AF setting (AF-S/AF-C), Depth-of-field scale, Rlease/Focus priority, Touch screen mode, Mount adapter setting, Red eye removal, Movie AF mode, RGB Histogram, Highlight alert, Electronic level, Preview depth of field, AE lock, AF lock, AF-ON, Multiple exposureTouch Screen ModeShooting Mode: Touch AF, Focus Area, OFF Playback Mode: Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, DragFilm Simulation mode15 modes ( PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black&White, Black&White+Ye Filter, Black&White+R Filter, Black&White+Gfilter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter )Grain EffectSTRONG, WEAK, OFFColor Chrome EffectSTRONG, WEAK, OFFDynamic range settingAUTO, 100%, 200%, 400%Playback functionsSwitch slot, RAW conversion, Erase, Erase selected frames, Crop, Resize, Protect, Image rotate, Red eye removal, Voice memo setting, Copy, Photobook assist, Multi-frame playback (with micro thumbnail), Favorites, RGB histogram, Highlight alertWireless transmitterStandard: IEEE 802.11b / g / n (standard wireless protocol) Access mode: Infrastructure Encryption: WEP/WPA/WPA2 mixed modeWireless functionGeotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, instax printer printOther functionsExif Print, Date/Time, Time difference, 35 Languages, My menu setting, Sensor cleaning, Battery age, Sound set-up, EVF brightness, EVF color, LCD brightness, LCD color, Image disp, Auto rotate displays, Preview exp./WB in manual mode, Preview pic. effect, Framing guideline, Autorotate PB, Focus scale units, Disp. custome setting, Sub monitor setting, Focus lever setting, Edit/Save Quick menuOther functions(Cont)Function(Fn) setting, Selector button setting, Command dial setting, Shutter AF, Shutter AE, Shoot without lens, Focus ring, AE/AF-Lock mode, Expo. Comp. button setting, Touch screen setting, Lock, Auto power off, Shooting stand by mode, Auto power save, Frame No., Save org image, Edit file name, Card slot setting, Switch slot, Movie file destination, Copyright InfoDigital interfaceUSB3.0 (High-Speed) / micro USB terminalHDMI outputHDMI Micro connector (Type D)Other TerminalDia. 3.5mm, stereo mini connector (Microphone) / Dia. 3.5mm, stereo mini connector (Headphone) / Dia. 2.5mm, Remote Release Connector DC IN 15V Connecter Compatible with AC-15V (Optional) Only / Hot shoe / Synchronized terminalPower supplyNP-T125 Li-ion battery (included) Battery life for still images: Approx. 400frames When GF63mmF2.8 R WR is set. (Auto power save ON) Continuance battery life of movie capture: Full HD : approx. 145 min. Face detection is set to OFF Actual battery life of movie capture: Full HD : approx. 70 min. Face detection is set to OFFStarting up periodApprox. 0.4 sec.Operating Temperature-10 to 40 deg. C (14 to 104 deg. F)Operating Humidity10 - 80% (no condensation)Dimensions (W x H x D)5.8 x 3.71 x 3.60" (147.32 x 94.23 x 91.44mm) Minimum Depth : 1.64" (41.66mm)WeightApprox. 825g (29.10oz) (including battery and memory card), Approx. 920g (32.45oz) (including EVF) Approx. 740g (26.10oz) (excluding accessories, battery and memory card)

[deep029]

The Fujifilm XT1 is a premium , compact and great mirrorless camera with fantastic ergonomics.It is a very lightweight compared to heavy DSLRs and definitely the smaller size makes it less intimidating for a street photographer. The FUJIFILM X-T1 features evolved SLR-style handling, mechanical dials and weather-resistance (when paired with a weather resistant X mount lens), together with all the benefits of an X-Series camera, such as compact size, excellent mobility and high-speed performance. What’s more, its newly developed electronic viewfinder is almost indistinguishable from an optical viewfinder thanks to its ultra fast display speed.The X-T1 focuses super fast, and it’s super sharp, and unlike a real SLR or rangefinder camera, the XT-1’s closed-loop mirrorless autofocus system ensures that focus is dead-nuts perfect every time, especially at f/1.2.

Features of Fujifilm XT1

16.3 MP APS-C X-Trans II CMOS sensor

ISO 200-6400 (expandable to 51200)

1080/30fps HD video (.MOV/H.264)

Water and dust resistant and freezeproof to -14C/+14F with weather resistant lenses

Up to 8 FPS continuous shooting

3 inch tiltable LCD with 1,040,000 dots

OLED viewfinder with 100% coverage and 2,360,000 dots

Included hot shoe flash

Built-in Wi-Fi connectivity and remote camera control via smartphone

Fujifilm X-Mount compatible

Raw, JPEG, and Raw+JPEG

SD, SDHC, and SDXC memory support

The Fujifilm supports 11 types  film simulation modes when shot on jpeg

Film Simulation mode  PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME*3, PRO Neg Hi, PRO Neg. Std, MONOCHROME, MONOCHROME+Ye FILTER, MONOCHROME+R FILTER, MONOCHROME+G FILTER, SEPIA

Here are some full resolution image samples from the Fujifilm X-T1 , straight out of camera samples

Some straight out of  portrait camera jpeg shoots

Fuji XT1 is best for streets, travel, portrait , travel, wedding since its compact , powerful and gives a unique, analog feeling to your photos.The image quality is excellent and the focusing is very fast.No wonder its a favourite camera for most photographs

    A perfect camera for the street – Fujifilm XT1 The Fujifilm XT1 is a premium , compact and great mirrorless camera with fantastic ergonomics.It is a very lightweight compared to heavy DSLRs and definitely the smaller size makes it less intimidating for a…

[kristofferihlen-blog1]

Hello Fuji X-T1.

Why the sudden change to Fuji-Film from Nikon? Somebody asked me. Well after more than 15 years with Nikon I have had lots of fun photographing, and there is nothing wrong with Nikons cameras, except for their weight and lack of firmware updates, and their service.

Weight is the number one issue in my case My Nikon D2x was about 1,3 kg. and that was only the body. Then all the lenses and stuff. I had to pack a suitcase for the camera and lenses itself. I needed a fast camera, not to heavy and not to big. As a travel / street / documentary photographer you need to travel light. At least when you reach my age. The Fuji X-T1 gives me a light camera that provides me with all these needs.

As a Wedding / Portraiture photographer it gives me an incredible sensor that works well when I work under poor lighted conditions. Its ISO works well, so I’m able to concentrate much more on the people I’m photographing than adding extra Lightsource’s.  

Of cause I had a chance to try it out for nearly two weeks about a year ago, and that made the decision easier to switch to this system, and now I look forward to get to know it and its features.  

Some Test-shots from the past days.

 Here are some Data facts about the camera:

Number of effective pixels

16.3 million pixels

Image sensor

23.6mm x 15.6mm (APS-C) X-Trans CMOS II with primary color filter Total number of pixels: 16.7 million pixels

Sensor Cleaning system

Ultra Sonic Vibration

Storage media

SD memory card / SDHC memory card / SDXC (UHS-II) memory card*1

File format

Still image

JPEG (Exif Ver 2.3)*2, RAW (RAF format), RAW+JPEG (Design rule for Camera File system compliant / DPOF-compatible)

Movie

Movie File Format: MOV Movie Video Compression: H.264 Audio: Linear PCM Stereo

Number of recorded pixels

L: (3:2) 4896 x 3264 / (16:9) 4896 x 2760 / (1:1) 3264 x 3264 M: (3:2) 3456 x 2304 / (16:9) 3456 x 1944 / (1:1) 2304 x 2304 S: (3:2) 2496 x 1664 / (16:9) 2496 x 1408 / (1:1) 1664 x 1664

<Motion Panorama> L: Vertical: 2160 x 9600 / Horizontal: 9600 x 1440 M: Vertical: 2160 x 6400 / Horizontal: 6400 x 1440

Lens mount

FUJIFILM X mount

Sensitivity

AUTO (Control available up to ISO 6400) Equivalent to ISO 200 - 6400 (Standard Output Sensitivity) Extended output sensitivity : Equivalent ISO 100, 12800, 25600 and 51200

Exposure control

TTL 256-zone metering, Multi / Spot / Average

Exposure mode

Programmed AE / Shutter Speed priority AE / Aperture priority AE / Manual exposure

Exposure compensation

-3.0EV - +3.0EV, 1/3EV step (movie recording : -2.0EV - +2.0EV)

Image Stabilizer

Supported with OIS type lenses

Face Detection

Yes

Shutter type

Focal Plane Shutter

Shutter speed

(P mode) 1/4 sec. to 1/4000 sec., (All other modes) 30 sec. to 1/4000 sec. Bulb (max. 60 min.) Time 1/2 to 30 sec. Synchronized shutter speed for flash : 1/180 sec. or slower

Continuous shooting

Approx. 8.0 fps (JPEG : max. approx. 47 frames) Approx. 3.0 fps (JPEG : up to the capacity of the card)

·        * Recordable frame number may vary depending on the type of memory card used.

·        * The frame rate varies with shooting condition and the number of images recorded.

Auto bracketing

AE Bracketing (±1/3EV, ±2/3EV, ±1EV) Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100% · 200% · 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3)

Focus

mode

Single AF / Continuous AF / MF Distance Indicator

type

Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF), AF assist illuminator available

AF frame selection

Area (EVF / LCD : 49 areas with 7 x 7) / Multi

* Changeable size of AF frame among 5 types

White balance

Automatic scene recognition Custom / Color temperature selection (K) Preset : Fine / Shade / Fluorescent light (Daylight) / Fluorescent light (Warm White) / Fluorescent light (Cool White) / Incandescent light / Underwater

Self-timer

10 sec. / 2 sec. Delay

Interval timer shooting

Yes (Setting : Interval, Number of shots, Startinng time)

Flash

External flash EF-X8 (included) (Super Intelligent Flash) Guide number : approx. 8 (ISO100 · m) / approx. 11 (ISO200 · m)

Flash modes

Activated when external flash is connected  

Red-eye removal OFF

Auto / Forced Flash / Slow Synchro / Suppressed Flash / Rear-curtain Synchro / Commander

Red-eye removal ON

Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Red-eye Reduction & Slow Synchro / Suppressed Flash / Red-eye Reduction & Rear-curtain Synchro / Commander

·        * Red-eye removal is active when Face Detection is set to ON.

Hot shoe

Yes (Dedicated TTL Flash compatible)

Viewfinder

0.5-in., approx. 2.360K-dot OLED color viewfinder Coverage of viewing area vs. capturing area : approx. 100% Eye point : approx. 23mm (from the rear end of the camera's eyepiece) Diopter adjustment : -4m-1 to +2m-1 Magnification : 0.77x with 50mm lens (35mm format equivalent) at infinity and diopter set to - 1.0m-1 Diagonal angle of view : approx. 38° (Horizontal angle of view : approx. 31°) Built-in eye sensor

LCD monitor

3.0-inch, aspect ratio 3:2, approx. 1,040K-dot, Tilt type color LCD monitor (approx. 100% coverage)

Movie recording

Full HD 1920 x 1080 60p / 30p, Continuous recording : up to approx. 14 min. HD 1280 x 720 60p / 30p, Continuous recording : up to approx. 27 min.

·        * Use a card with SD Speed Class with or higher

Film Simulation mode

10 type (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, PRO Neg Hi, PRO Neg. Std, MONOCHROME, MONOCHROME+Ye FILTER, MONOCHROME+R FILTER, MONOCHROME+G FILTER, SEPIA)

Dynamic range setting

AUTO (100-400%), 100%, 200%, 400%

Advanced filter

Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple)

Other photography functions

Auto Red-eye Removal, Setting (Color, Sharpness, D-range, Gradation), Select custom setting, Motion panorama, Color space, Framing guideline, Frame No. memory, Histogram display, Preview depth of focus, Lens Modulatioon Optimizer, Pre-AF, Focus check, Focus Peak Highlight, Digital Split Image™*3, Electronic level, Multiple exposure, Release priority / Focus priority selection, Fn button setting (RAW, Movie, etc.), ISO AUTO control, Instant AF setting (AF-S / AF-C)

Playback functions

RAW conversion, Image rotate, Red-eye reduction, Photobook assist, Erase selected frames, Image search, Multi-frame playback (with micro thumbnail), Slide show, Mark for upload, Protect, Crop, Resize, Panorama, Favorites

Wireless transmitter

Standard

IEEE 802.11b / g / n (standard wireless protocol)

Access mode

Infrastructure

Wireless function

Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave

Other functions

PictBridge, Exif Print, Language selection, Time difference, High Performance mode, Silent mode

Terminal

Video output

-

Digital interface

USB 2.0 High-Speed / micro USB terminal

* connectable with Remote Release RR-90 (sold separately)

HDMI output

HDMI mini connector (Type C)

Others

Microphone / shutter release input: ø2.5mm, stereo mini connector

Power supply

NP-W126 Li-ion battery (included)

Dimensions

129.0mm (W) x 89.8mm (H) x 46.7mm (D) / 5.0 in. (W) x 3.5 in. (H) x 1.8 in. (D) (Minimum depth: 33.4mm / 1.3 in.)

Weight

Approx. 440g / 15.4 oz. (including battery and memory card) Approx. 390g / 13.7 oz. (excluding accessories, battery and memory card)

Operating Temperature

-10°C - +40°C

Operating Humidity

10 - 80% (no condensation)

Battery life for still images*4

Approx. 350 frames (When XF35mmF1.4 R is set, LCD monitor / viewfinder on, and supplied flash EF-X8 not attached)

Battery life for movies*4

Consecutive movie recording : approx. 103 min. (Face detection is set to OFF)

·        * Individual movies cannot exceed approx. 14 min. on Full HD mode, and approx. 27 min. on HD mode in length.

Starting up period

Approx. 0.5 sec., when High Performance mode set to ON Approx. 1.0 sec., when High Performance mode set to OFF

·        * Fujifilm research

Accessories included

Li-ion battery NP-W126 Battery charger BC-W126 Shoe-mounted flash unit EF-X8 Shoulder strap Body cap Metal strap clip Protective cover Clip attaching tool Hot shoe cover Tall-orientation battery grip connector cover Sync terminal cover CD-ROM (Viewer software, RAW File Converter etc.*5) Owner's manual

·        *1 Please see the Fujifilm website (http://www.fujifilm.com/support/digital_cameras/compatibility/card/x/) to check memory card compatibility.

·        *2 Exif 2.3 is a digital camera file format that contains a variety of shooting information for optimal printing.

·        *3 Digital Split Image is a trademark or a registered trademark of FUJIFILM Corporation.

·        *4 Approximate number of frames / period that can be taken with a fully-charged battery based on CIPA standard.

·        *5 OS compatibility Viewer software: Windows 8 / 7 / Vista / XP RAW File Converter: Windows 8 / 7 / Vista / XP, Mac OS X 10.6 - OS X 10.9

Memory Card Capacity and Image Quality / Size

All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.

Number of images

Modes

Still image (L)

Number of recorded pixels

4896 x 3264 (3:2)

Quality

JPEG FINE

JPEG NORMAL

SDHC memory card

4 GB

600

960

8 GB

1210

1910

Number of images

Modes

RAW

SDHC memory card

4 GB

120

8 GB

230

 Recording time

Modes

Movie

Quality

FULL HD (1920 x 1080) 60p / 30p

HD (1280 x 720) 60p / 30p

SDHC memory card

4 GB

13 min.

25 min.

8 GB

26 min.

51 min.

·        * For recording movies, use a card with SD Speed Class with or higher.

·        * Individual movies cannot exceed approx. 14 min. on Full HD mode, and approx. 27 min. on HD mode in length.

[pix4japan]

Japanese Pub

A typical Japanese salaryman (white-collar worker) standing outside an izakaya (Japanese pub) that serves a wide variety of seafood dishes including sushi, sashimi, and a vast selection of sake.

Fujifilm X100V (23 mm) with 5% diffusion filter ISO 3200 for 1/250 sec. at ƒ/2.0 Velvia/Vivid film simulation

[pix4japan]

Speeding Departing Train (Yokohama, Japan)

The last shot of this photo shoot. Here, I experimented with the  low-light capabilities of the Fujifilm X100V camera and experimented with intentional camera motion to accentuate the speed of the train as it pulled out of the terminal station.

Fujifilm X100V (23 mm) with 5% diffusion filter ISO 3200 for 1/30 sec. at ƒ/2.2 Velvia/Vivid film simulation

[pix4japan]

Cliffside Wonders: Exploring Imaihama Beach on the Izu Peninsula

Location: Imaihama Beach, Kawazu, Shizuoka, Japan Timestamp: 06:31 on February 14, 2024

Fujifilm X100V with 5% diffusion filter ISO 3200 for 1/105 sec. at ƒ/8.0 Velvia/Vivid film simulation

I set out from home at 3:30 a.m., driving directly to the Kawazuhama Parking Lot—a mere 10-minute stroll from the southern tip of Imaihama Beach in the town of Kawazu, Shizuoka Prefecture, on the eastern coast of the Izu Peninsula. Kawazu Town boasts numerous parking lots, typically charging a one-time fee of about ¥1,000. However, the Kawazuhama Parking Lot offers the advantage of being free of charge.

To access this parking lot, plan for an approximately 3-hour and 30-minute drive from central Tokyo via expressways. Given the limited parking spaces, especially if you aim to secure a spot for sunrise viewing, it's crucial to depart early and endeavor to arrive before dusk, as the lot tends to fill up rapidly.

After arriving, my border collie and I took the trail from the parking lot to a scenic path along the cliff's top edge, offering breathtaking views of waves crashing below. Approximately halfway through, a concrete staircase protrudes from the cliffs, guiding you down to the coastline. Here, you'll witness sea stacks rising from the sandy beach, providing some nice subjects for seascape photography.

For those opting for train travel, catch the bullet train to Atami Station. Transfer to the Ito Line and make another transfer at Ito Station to the Izu Kyuko Line. Disembark at Imaihama-Kaigan Station and head south, where Imaihama Beach awaits just a 4-minute walk from the station.

While train travel is faster and relatively cost-effective, considering the absence of fuel and toll road expenses, driving remains the optimal choice for sunrise enthusiasts who prefer not to book a hotel or have a large dog as your travel companion.

Should you visit during the Kawazu Cherry Blossom Festival, a mere 10-minute walk from the parking lot will lead you to the Kawazu River. There, you can enjoy a 3.4 km (2.11 mi) stretch of Kawazu cherry blossoms adorning both sides of the riverbank.

Check out my ad-free blog post, where I include Google Maps links to key locations, along with additional information about the the Kawazu Cherry Blossom Festival (https://www.pix4japan.com/blog/20240214-imaihama).

[pix4japan]

Vermilion Torii of Shirahama Shrine: Gateway to the Sacred

Location: Shirahama, Shimoda, Shizuoka, Japan Timestamp: 07:43 on January 3, 2024

Fujifilm X100V with 5% diffusion filter ISO 3200 for 1/140 sec. at ƒ/8.0 Film simulation: Velvia/Vivid

A torii gate is a formalized gateway arch signifying entrance to a sacred area. Shrines may have one or more torii, such as here at Shirahama Shrine, where there are at least three. When multiple torii are present, the largest one is normally called the “Ichi-no-Torii” (first torii gate) and stands at the sando or approachway to the shrine grounds and courtyard.

Torii may also be found at various points within the precincts of the shrine to indicate increasing levels of sanctitude as one approaches the (本殿・honden), which is often located farthest from the entrance of the shrine grounds and behind the worship hall (拝殿・haiden).

Based on their present-day function, torii express the division between the profane and sacred realms. They are found not only at shrines but also at Buddhist temples, as seen in the famous stone torii of the temple Shitenno-ji in Osaka. However, when used as a map symbol, they generally signify the presence of a Shinto shrine as opposed to a Buddhist temple.

With the rise of Buddhist-Shinto syncretism in the 12th century, Shinto shrines began to appear within the grounds of Buddhist temples. Even then, torii were used to mark the entrances to such shrines. The origin of torii is unclear. In the writings of “The Inventory of the Properties of Otori Jinja in Izumi,” dated 922, there are references to torii that lead some scholars to propose that torii originated in Japan.

Regardless of the origin, torii in Japan share mostly similar basic designs with two upright posts topped by a horizontal cap beam (笠木・kasagi) that extends beyond the posts on either side. Beneath the kasagi, a horizontal tie beam (貫・nuki) is laced around the uprights and links them together.

Among the infinite variety of torii named for unique characteristics or the name of a specific shrine itself, basically all torii can be classified under two major categories: those with straight members, shinmei torii (神明鳥居), and those with curved members, myojin torii (明神鳥居).

The main torii of Shirahama Shrine, as seen in my photo, most closely resembles a myojin classification based on the following observations. See if you can identify these same specifications in the photo!

The top lintel (笠木・kasagi) has a strong upward curve.

The ends of both the top and secondary lintel (島木・shimaki) are cut with a downward slant.

The tie beam (貫・nuki) is straight, rectangular in section, and secured by wedges (楔・kusabi) inserted into each side of the pillars.

A strut covered with a framed inscribed panel (額束・gakuzuka) is attached at the center between the secondary lintel and the tie beam. (The inscription panel in my photo reads “白濱神社・Shirahama-Jinja or Shirahama Shrine in English.)

Finally, myojin torii can be made of stone, wood, or concrete or PVC (in the modern period) and are painted vermilion, although I have seen a few painted black.

For anyone interested in reading more about the different types of torii gates, I have provided links to reliable sources in my latest pix4japan blog post: https://www.pix4japan.com/blog/20240103-shirahama

[pix4japan]

Yokohamabashi Shotengai: A Resilient Hub in Changing Times

Location: Yokohamabashi, Minami Ward, Yokohama, Japan Timestamp: 18:23 on December 19, 2023

Fujifilm X100V with 5% diffusion filter ISO 3200 for 1/125 sec. at ƒ/6.4 Velvia/Vivid film simulation

Shotengai, the quintessential Japanese shopping street of mom-and-pop retailers found in towns and cities, are deeply rooted in local communities. Often run by multi-generational families, these shops provide daily necessities, services, and actively participate in community events like festivals.

However, since the 1990s, shotengai across Japan have faced a decline due to competition from supermarkets, malls, department stores, and online shopping. Despite these challenges, Yokohamabashi shotengai in Minami Ward, Yokohama, has stood resilient.

Pre-World War II, it was the heart of the community, offering a diverse range of household goods and food. Post-war, it rebuilt itself from ashes, focusing on food and daily necessities during the post-war reconstruction period. Over time, it evolved to include boutiques, produce and fish markets, clinics, cafes, bars, restaurants, specialty shops, and much more.

In the 1960s, Yokohamabashi installed a roof and restricted vehicular traffic for safer foot and bicycle flow. In 2013, the roof was refurbished, enhancing the shopping experience even on rainy and windy days.

Today, spanning 350 meters with 135 shops, Yokohamabashi shotengai faces challenges as elderly owners retire, leading to closures. Despite this, I cherish the hope of continuing to visit for years to come, enjoying shopping, conversing with elderly shopkeepers, capturing street photography, and partaking in seasonal festivals.

Google Maps links to various shops at Yokohamabashi shotengai, references for further reading, and source materials can be found at the latest blog post at pix4japan: https://www.pix4japan.com/blog/20231219-yokohamabashi

[pix4japan]

Sacred Spaces and Cultural Grace: Navigating Japanese Shrine Etiquette

Location: Shirahama, Shimoda, Shizuoka, Japan Timestamp: 07:40 on January 3, 2024

Fujifilm X100V with 5% diffusion filter ISO 3200 for 1/90 sec. at ƒ/8.0 Film simulation: Velvia/Vivid

Ancient documents dating over 2,400 years reference this shrine, suggesting an age surpassing 2,400 years. Like many Japanese temples and shrines, some structures are reconstructed due to earthquakes, fire, or periodic disassembly for inspection and improvement, ensuring both longevity and the preservation of traditional Japanese building techniques.

The worship hall seen in my photo was last rebuilt in 1860, and the sanctuary on the hill behind the worship hall and housing the deity was reconstructed in 1922.

Visitors during New Year's adhere to traditional steps followed at any time of the year. Regional customs may vary, but general worship practices and etiquettes apply to every shrine.

It is appropriate to dress in a way that is slightly conservative. Just avoid wearing revealing or tight-fitting clothes (such as tank tops, sweats, or workout clothes) out of respect for the cultural setting. Remember, these are sacred sites—not a shopping mall or an amusement park.

When you pass under the torii gate, which marks where the realm of Shinto kami (deity) begins and separates it from the secular world, prepare your mind and your heart, calm yourself, and appreciate everything around you, be it visible or not.

At the torii gate, show your respect by taking your hat off if you wear one and bowing once before passing through.

Be mindful to walk on the left side of the way, as the center of the approach is said to be the “place where the kami pass.”

At the water basin (temizuya or chozuya), purify yourself by scooping water to wash your free hand and then switch the ladle to wash your other hand. Pour some water in your empty hand and rinse out your mouth. Follow the actions of the Japanese around you and will be fine.

Proceed to the main hall for worship. The customary routine involves bowing twice, clapping twice, and bowing once. Make a monetary offering, often a 5-yen coin is used as it symbolizes luck.

Shinto shrines cater to common needs, managing centuries-old traditions and festivals. Japanese embrace diverse traditions without strict religious adherence, enjoying aesthetics like Christian weddings and festivities, and follow Buddhism for matters of the afterlife. These cultural adoptions allow appreciation without religious affiliation.

For those with a keen interest in Japanese approach to religious traditions, I have provided links to useful sources at my latest pix4japan blog post: https://www.pix4japan.com/blog/20240103-shirahama