Elevate Your Bathroom with the Elegance of Vitra Bathroom Furniture
When it comes to transforming your bathroom into a space of unmatched luxury and style, Vitra is a name that should be on your radar. With an array of collections and designs, Vitra Bathroom Furniture offers a wide range of options to suit every taste and preference. Let's delve into the world of Vitra bathrooms, from the Designer M-Line to the S50 series, and discover how you can create a bathroom that exudes sophistication and functionality.
Vitra Designer M-Line: Minimalist Elegance
The VitrA Designer M-Line collection is the epitome of minimalist elegance. Its clean lines and sleek design make it a perfect choice for those who appreciate simplicity and sophistication in their bathroom. From toilets and basins to vanity units, this collection offers a seamless blend of form and function.
Vitra Designer Nest: Contemporary Chic
If you prefer a more contemporary look, the VitrA Designer Nest collection has you covered. With its modern and chic design, this collection combines functionality with aesthetics seamlessly. From vanity units to bathroom sinks, the Nest collection is all about contemporary sophistication.
Vitra Milton and Layton: Versatile Options
Vitra's Milton and Layton series offer versatile options for your bathroom. Whether you need a space-saving solution or a complete bathroom suite, these collections provide a wide range of choices to cater to your needs.
The VitrA Designer Collection: Ultimate Luxury
For the ultimate in luxury, explore The VitrA Designer Collection. This exclusive range features premium bathroom furniture, including vanity units and basins, that are designed to make a statement in your bathroom.
Shop Vitra Bathrooms UK Collection Online
Shopping for Vitra Bathroom Furniture in the UK has never been easier. As a leading online bathroom retailer in the UK, we offer a comprehensive selection of Vitra products for you to explore. From Vitra toilets and basins to bathtubs, suites, and basins, you can find everything you need to create the bathroom of your dreams.
Vitra Acquacare Bidets: Hygiene and Innovation
Experience innovation and hygiene with Vitra Acquacare bidets. These smart additions to your bathroom provide the highest level of cleanliness and comfort.
Vitra Wall Hung Toilets and Sento Vanity Units: Space-Saving Solutions
If you're working with limited space, consider Vitra's wall-hung toilets and Sento vanity units. These space-saving solutions help you maximize the functionality of your bathroom without compromising on style.
Conclusion: Elevate Your Bathroom with Vitra
In conclusion, Vitra Bathroom Furniture offers a wide range of options to cater to your unique style and requirements. Whether you prefer minimalist elegance, timeless beauty, contemporary chic, or affordable luxury, Vitra has a collection that will suit your taste. Shop the Vitra Bathroom Range online today and create a bathroom that not only meets your needs but also reflects your sense of style and sophistication. Your dream bathroom is just a few clicks away! Call us at 01924 267717 Or email us on
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Alejandro Sala Architecture Photographer
Alejandro Sala Building Photos, AS architecture+photography, Architectural Design Images
Alejandro Sala Architectural Photographer
1 May 2022
AS architecture+photography
Alejandro Sala is an architect, educator, specialising in architecture photography.
Here is a selection of major European building works prepared in discussion with e-architect Founding Editor Adrian Welch:
– High Museum of Art, Ulm I Richard Meier Architect
– Museum of the Decorative Arts- Frankfurt at Main, Germany | Richard Meier Architect
– Law Courts, Bordeaux / Rogers Stirk Harbour + Partners Architects
– Fair Headquarters Buildings, Bologna | Kenzo Tange Architect
– Lodi Bank, Lodi | Renzo Piano Architect
– Vitra Design Museum, Weil am Rhein | Frank Gehry Architect
Information about each project:
Alejandro Sala Photographer – Major European Buildings
High Museum of Art, Ulm I Richard Meier Architect
The Exhibition -Assembly Building (Stadthaus) is located in the Cathedral Square in Ulm. The building has a public exhibition space and location for meetings of the city Assembly and others:
The programme also calls for the redesign of the historic urban space at the centre of Ulm, and its envisioned as two interrelated spaces. One is the main space which acts as a secular foyer to the sacred space of the Cathedral, the second public space has been created around the perimeter of the Square. The cylindrical volume capped by three prominent skylights, the building derives its shape from a harmonious blending of the geometry of the Ulm Cathedral with that of the town square. The architecture expresses the building’s public use and function through its open design. The building was inaugurated in 1993.
High Museum of Art, Ulm I Richard Meier Architect
Interior view of the The Exhibition -Assembly Building (Stadthaus) at at Münsterplatz in Ulm, Germany. The ground floor, the void space above the lobby:
High Museum of Art, Ulm, Germany
Architect: Richard Meier & Partners
Client: Stadt Ulm
Area: 930 m² /10.000 SFT
Location : Ulm, Germany
Status: Built
Project date: 1986
Museum of the Decorative Arts, Frankfurt at Main, Germany | Richard Meier Architect
View of the Villa Metzler and main entrance at Schaumainkai St, along Main River, in Frankfurt, Germany:
The design of the Museum für Kunsthandwerk is part of a scheme incorporating a new museum, existing museum buildings, a great park and the adjacent embankment along the Main River. A landmark in Frankfurt, its dynamic forms and the integration with the existing park are parts of the “cultural” of the city.
The organization of the plan was based on two in two intersecting geometries: on an orthogonal grid deriving from the nineteenth-century Villa Metzler ( right volume) and on a discrepant second grid taken from the alignment of the Main river. The historic Villa Metzler is further incorporated into the new composition and geometry by being inscribed into one quadrant of a sixteen-square grid that includes the whole complex.
The new project is an extension of the Villa, replicating its dimensions and scale in a basic quadratic for whose axes and grid generate the design of the park as they align with major pedestrian paths, property lines and existing frontage and the parts of the program
Museum of the Decorative Arts Frankfurt at Main, Germany | Richard Meier Architect
Museum of the Decorative Arts- Frankfurt at Main, Germany. Interior view from second level plan to the void space:
Museum of the Decorative Arts- Frankfurt am Main, Germany
Architect: Richard Meier & Partners
Client: Stadt Frankfurt am Main
Area: 9290 m² / 100.000 SFT
Location : Frankfurt, Germany
Status: Built
Project date: 1979
Law Courts, Bordeaux / Rogers Stirk Harbour + Partners Architects
View of the Law Courts at 30 Rue des Frères Boni, in Bordeaux, France. In 1992 Richard Rogers won an International competition to design new law courts for the Historic city of Bordeaux:
The project respects the historical setting and recognized the civic significance of the new building. The project form part of a simple box, that reveals its function and organisation. Key elements of project design are the creation of public and private space and integration with the existing urban landscape. View of the great “Courtrooms” 1* the concept of first studios sketches using the metaphor of wine bottles to represent the courtrooms…
1* Source: Architecture Richard Rogers of the Future. page 291, edited by Robert Torday, Birkhauser 2006, Basel Switzerland.
Law Courts, Bordeaux, France
Architect: Rogers Stirk Harbour + Partners Architects
Client: Ministère del la Justice
Area: 25,000 m²
Location : Bordeaux France
Status: Built
Project date: 1992-1998
Fair Headquarters Buildings, Bologna | Kenzo Tange Architect
View of the Fiera District towers on the northern outskirts of Bologna:
The first inauguration was 1983 – where today located offices of Region Emilia Romagna. The planning of new parts of the Bologna Fair design started in 1967. from the big master plan for Bologna, only the seven towers building for the Fiera District were built.
Kenzo Tange’s project is an innovative structural design creates a unique – Modulor System – that uses all parts of project. The project has the same concept design, composition, coherence and constructive method. The fair buildings was in prefabricated system construction in reinforced concrete. With a formal typology based on Le Corbusier’s Plan Libre, the towers adapt to the intended use, responding to the need for flexibility of the interior space. Stairs, elevator and services are placed in the large cylinders, leaving the plant free.
Fair Headquarters Buildings, Bologna | Kenzo Tange Architect
Detail of facade of one of seven towers of the Fiera District on the northern outskirts of Bologna:
Fair Headquarters Buildings, Bologna, Italy
Architect: Kenzo Tange architects
Client: Bologna Fair
Total Area: 375.000 m²
Kenzo Tange Towers : 20.000m²
Location : Bologna, Italy
Status: Built
Project date: 1967-1972
Banca Popolare di Lodi, Lodi, Italy | Renzo Piano Architect
View of the pedestrian passage towards the central covered square, where the offices on the bank headquarters and the new auditorium overlook:
The project is characterized by the cylindrical-shaped bodies of different height and diameter, which recall in shape, material and color the typical silos of the area. The facades design divided into smaller sections, with an serie of different window arrangements, all shielded by “terracotta” grids used as double skin.
Banca Popolare di Lodi, Lodi, Italy | Renzo Piano Architect
View of the central square of the Banca Popolare di Lodi. Right, the volume of the bank offices building:
A large square covered by a light glass and steel structure constitutes the meeting point between the various pedestrian paths. Behind the passage connects the city with the central plaza and the auditorium.
Lodi Bank, Lodi, Italy
Architect: Renzo Piano Architect
Client: Banca Popolare di Lodi
Total Area: 375.000 m²
Kenzo Tange Towers : 20.000m²
Location: Lodi, Italy
Status: Built
Project date: 1991 – 2001
Vitra Design Museum, Weil am Rhein, Germany | Frank Gehry Architect
Vitra Design Museum interior:
The Vitra Design Museum is among the leading design museums in the world. It is dedicated to the research and presentation of design, past and present, and examines the relationship of design with architecture, art and everyday culture.
In his body of work, Frank Gehry rejected the cold monumentality of Modernism, seeking instead integrity with the surrounding environment and creating spaces that more clearly refer to the human scale. In the Vitra Design Museum, I adopt wavy and sculptural forms, with a fluid and dynamic composition of volumes being the first building by Gehry built in Europe.
The sloping curves, finished in white plaster, are probably a reference to Le Corbusier’s Notre Dame du Haut, located near the French border. The zinc alloy plating that covers the roof and some wall floors recall Gehry’s later works, which would have been sheathed entirely in polished metals, such as the Goldstein House in Frankfurt..
Vitra Design Museum
Architect: Frank Gehry Architect
Client: Vitra Design Museum
Total Area: 743i m²
Location: Weil am Rhein, Germany
Status: Built
Projects. date: 1989
Alejandro Sala Profile
Alejandro Sala is an architect (RIBA), educator, specialising in architecture photography, with over 38 years in the architecture field. In 2000 he founded Atelier As architecture+photography – a practice dedicated to commercial, editorial photography. Focused his documentary work on photography and architecture research in interdisciplinary collaboration to teach architecture.
Alex was a Professor of architecture at the Bauhaus-Universität Weimar (DDR) when he worked on the theory of colour and architectural representation. He studied photography at Istituto d’Arte d’ Urbino, attended the Allgemeine Gewerbeschule School of Art, in Basilea, Switzerland. Today he uses its background to represent the architecture through photography. Inspired by Hedrich-Blessing, his work focuses on all aspects of still photography for various sectors in the architecture field to document all stages of an architecture project or construction stages and l architectural features.
His work for many years employed a diversity of themes in his polyhedric work: editorial, photojournalism, architecture, and art. I photographically explored South America, Unites States and the Australian cultural landscape in its myriad facets. He concentrated on documental photography, from contemporary architects, industrialized city zones, cities, historic buildings and townscapes.
He has several recognitions along with his career: Magnum Photos, Argentine Government, and Press agencies such as Associated Press, France Press, Gamma, and Getty Images. Alamy News UK, others. His has work become books, exhibited in Italy, France and US. He used a large-format camera and middle format to photograph modernist architectural 20th-century buildings, including the architects such as Mies Van der Rohe, Le Corbusier, Richard Meier, James Stirling, Richard Rogers Stirk Harbour, Mario Botta, Renzo Piano and others.
Alejandro Sala Images Illustrating His Work
Contact:
Alejandro Sala Architect
Via Fratelli Canestrari 10
email:
[email protected]
Phone: +39 3343177421
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Interested in an Architectural Photographer Profile? Please contact isabelle(at)e-architect.com
Pygmalion Karatzas
Actelion, Basel, Switzerland:
photos © Pygmalion Karatzas
Pygmalion Karatzas Architectural Photographer
Marcela Grassi
Teatro Popular de Niteroi building, Brazil:
photos © Marcela Grassi
Marcela Grassi Architectural Photographer
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Belgium
Architecture photo of the Serpentine Pavilion by Zaha Hadid Architects:
photos © Danica O. Kus Photography
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photograph © Augusto De Luca
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Text description provided by the architects. The house is located in Espinho, a small parish just a few kilometers from the center of the city of Braga. It is a isolated house, located on a sloping terrain and develops on 2 floors.
According to the conditions of the land, we decided to install the house on the middle level of the land, in order to integrate it better into the landscape. The concept is based on the desire to make the house integrate into the landscape through its horizontal lines and its garden cover, as if the mountain entered the house.
The materiality of the house is dominated by the use of materials that are smoothly interconnected between them. We use exposed concrete with natural wood formwork on the walls and ceilings and gray ataíja natural stone for the floors, giving the building a chromatic coherence.
In order to accentuate the light-dark contrast between the positive of the solid elements and the negative corresponding to the opening of the openings, the black aluminum frame was chosen. On the facades where the solar incidence is strongest, was designed a protection cover using the concrete material.
The distribution of the program takes into account ??the best solar orientation and panoramic views over the fields and over the Sameiro Sanctuary. The functional distribution provides for maximum use of solar energy, in order to obtain greater energy savings.
Architects: AZO. Sequeira Arquitectos Associados
Location: Braga, Portugal
Area: 4789 m²
Year: 2018
Photographs: Nelson Garrido
Manufacturers: AutoDesk,Anicolor,BRUMA,Efapel,VitrA,A-Touch,Deltalight,JNF
Project Team: Mario Sequeira, Pedro Soares, Jorge Vilela, João Alves, Luis Sequeira
Engineering: Solução Estável
Landscape: AZO. Sequeira Arquitectos Associados
via
House in Espinho by AZO. Sequeira Arquitectos Associados Text description provided by the architects. The house is located in Espinho, a small parish just a few kilometers from the center of the city of Braga.
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Last week I enjoied a few days at Paris Maison et Objet + Paris Design Week 2017. While here you can find some new/interesting design products, today I take some minutes to share with you some new interior trends I noticed, some days after my travel as I need always few time to think back and digest what I saw.
Most brands proposed again similar trends and style we already saw at Milan Design Week 2017 (greenery, colour blocks, earthy + dark shades, black lines) , or for example in the past edition of MO17 in January.
BUT there is something I noticed which is new from past fairs and I’ll bet will be a trend next year. Lets see if I’m wrong in a few months!
Ylva Skarp
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TREND #1 | RED
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Well maybe I’m just influenced by the amazing exhibit “Christian Dior Couturier du Rêve” I saw during my days in Paris, where red was one of the main protagonists, as for Christian Dior history.
But don’t think it’s a coincidence that Vitra chose this bright and bold red as the colour for its booth. Several brand are launching their products in a red version and in all the latest colour releases by paint brands there is a bright red shade.
See for example Pantone Spring 2018, Behr, Dulux.
It is also a colour we haven’t recently seen in interiors so I ‘m quite sure it will come strongly back. Maybe next Pantone of the year will be a red..?
PS: Fun to notice, I just repainted my bold red wall in greige (and yes I’m so happy with it now!)
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Vitra
Nomess
Nomess
Rina Menardi
Rina Menardi
Rina Menardi
Desjeux Delaye
Amed Design
Fermob
Diamantini Domeniconi
Valerie objects
Pantone Spring 2018
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TREND #2 | STORAGE DECOR
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You are nobody without a minimalist clothes rack at home.
At least, judging by how many clothes racks I saw at the fair. Every brand designed its own version, but really is there so much call for clothes racks in people homes (talking about real homes, not blogs or magazines ones)?
BTW, for sure the trend is to match functionality with aesthetics and to transform objects that once were just useful in beautiful ones.
Less is more, so let’s work on the less to make it beautiful.
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Kommod
Klybeck
BEdesign
Puik
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TREND #3 | EASTERN TWIST
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I must admit that this point is very influenced by my own taste but I’m noticing more and more shapes and lines with a Far East twist.
Very interesting also the in-fair exhibit about Asian rising talents.
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TREND #4 | COMFORT TIME
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Design is more and more oriented towards people comfort. The “Comfort Time” exhibit showcased this cross-trend in a total white space furnished with items designed to make our lives more comfortable.
An interesting selection of furniture and objects ranging from workspace, to living room, to beds, to building materials: by observing present products, comfort is really one of the key trends at present.
Design is not made for surprising people anymore with special effects, but for making our lives better and more comfortable.
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HAVE YOU DOWNLOADED MY INTERIOR TRENDS 2018 GUIDE?
4 EXCLUSIVE NEW INTERIOR TRENDS I NOTICED AT MAISON ET OBJET 2017 Last week I enjoied a few days at Paris Maison et Objet + Paris Design Week 2017…
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