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#We have so many interesting characters in this era
aangopologist · 2 years
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I know it's very unlikely, bur I would love a TV show about the Conquest of Dorne over a Blackfyre Rebellion one.
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bogkeep · 2 years
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someone on a podcast i listen to said most comedy tiktoks have funny concepts but go on for so long they become unfunny. i can't unsee it now, the timing really does matter so much. and i don't want to romanticize the vine days because all we're left with now are compilations of the Most Iconic Vines which isn't the full picture, but on the other hand. they really are so iconic. watching a really good vine compilation truly makes me appreciate the power of editing, distillation, of the punch, of the snappiness,
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lavenderjewels · 11 months
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my only general predictions for jjk is that Yuuji will be able to target the different souls in Sukuna’s body to be able to reach Megumi’s suppressed soul and attack sukuna’s. Im actually interested in how this will all go down, especially with Higuruma in the mix, since these fights can’t be as simple as two overpowered characters with the loss of multiple special grade sorcerers. With the potential of a court trial domain or Yuuji’s knowledge of the soul, I imagine it’ll become more psychological or metaphysical in the fighting, with a lot of good insight into sukuna and/or yuuji, megumi, etc. As for Kenjaku, I have NO idea where their story is going (apart from Yuuta wanting to kill them), but i enjoy that part of the story being unpredictable—it fits their character
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dkettchen · 8 months
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I have officially finished my adventure time (partially-re-)watch, so now I shall finally commence catching up on the like 80+ eps of one piece I'm behind as my new (old) idle show 👌
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musical-chick-13 · 7 months
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I bring a real "Doctor x River OTP" vibe that a bunch of the DW fandom doesn't really like.
#the ONE good thing about college is that most of the fans I met there really did love her and this ship#but I think that might be because we were all mentally ill and Going Through It™#not that like. shipping this is a symptom of mental illness I just mean that this relationship was...honestly kind of unlike anything#else that was onscreen at the time?#she got to be MESSY. she was incredibly extra and emotional and vulnerable and she got to MESS UP SOMETIMES. IN REALLY BIG WAYS EVEN.#she was a genuinely MORALLY GREY character and all of these were seen not as things that made her inherently harmful or#someone the protagonist should At All Costs Stay Away From#but as someone uniquely equipped to understand him and STILL WORTH CARING FOR#there were so many like. BIG emotions and she was allowed to have PROBLEMS and be a lot of things that were considered#'unpalatable' for women to be and their whole thing was that he forgave her for EVERYTHING. even with all of her flaws she was the one#who 'always knew' and the one he listened to#...you can see how that might speak to a bunch of angry lonely mentally ill people#like this relationship isn't perfectly written. and I'm not trying to say that this era of the show was a grand feminist masterpiece lol#but...again. it really was a lot different than anything else that was on tv at the time#and she wasn't rail-thin and 23!!!! do you know how RARE it was for us to see a love interest outside of that!!!!!!!!!#(ESPECIALLY given. you know. the HORRIBLE toxic beauty standard culture that comes with. studying to be/actually being a performer.)#the only other like...significant female character I can think of from this tv era who was generally 'unpalatable' was...rachel from glee#and eventually they...idk what they did but she definitely became more in line with 'typical' protagonist fare#(and of course there was also the fact that THAT show--at least for a while--was ostensibly grounded in reality. and she was still#a certain age and body type)#(so I think my original point still stands)
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fushitoru · 2 months
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chapter 1: the debutante a bridgerton!au
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pairing ⸺ duke!satoru gojo x fem!reader
summary ⸺ dearest gentle reader, a new season is upon us as the ton gets ready for a season filled with drama, heartbreak, and passion. after being crowned diamond of the season, heir to a dukedom mr. satoru gojo⸺only looking to marry just to secure his inheritance⸺has his sights set on you, the easiest (and most obvious) option. later, when you catch his saying unsavory things about you on a terrace when he least suspected it, you swear to never marry gojo. as london's fashionable set goes through yet another wedding season, will there be hope for scandalous gossip, hate, and thinly veiled insults, or will we witness blooming love and passion?
warnings ⸺ nsfw, enemies to lovers, bridgerton au, angst, fluff, eventual smut, jealousy, misogyny, regency era au, gojo being infuriating, reader also being infuriating, both of them are clueless honestly
chapter summary ⸺ you begin to get ready for your presentation for your debut this season, and satoru steels himself to find a wife. you don't get the reception you'd wanted from some, and satoru will soon curse himself for letting his tongue loose (6.3k)
a/n tired of keeping this in the vault lol so I’ll just post it even if my perfectionist tendencies are screaming at me. thank you so much to @/sinn-clair for beta reading and lexi (@/ayyy-pee) for helping me brainstorm 💗
next. the aftermath
general masterlist | series masterlist
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Dearest reader,
Another season comes as the ton descends to London yet again from the countryside. Young ladies and their mamas flock to the modiste in an effort to fluff their feathers to find a match.
The Itadoris are by far one of the most prolific families in the upper echelons of society. The sight of all the children at once⸺Miss Itadori, Lord Choso Itadori, and Mister Yuji Itadori⸺is enough to catch the attention of mamas and young suitors alike. Miss Itadori, making her debut this season, has much to be desired. The debutante is a meek and demure girl, but with many talents indeed. The oldest, Lord Itadori, has a quiet countenance that has ladies and mamas on their toes, counting the days until he finally joins the marriage market. Mister Yuji Itadori is quite the opposite; his physical prowess on horseback riding has had quite a few ladies swooning after.
Furthermore, the heir to the Duke of Gojo is a most interesting character.  Although he has not deigned to find a wife during any season yet, This Author has heard whispers that he will be looking for a bride during this one.  
Lady Mei Mei can certainly be expected to be on the prowl, waiting to sink her teeth into the wealthiest….
⸻ LADY WHISTLEDOWN’S SOCIETY PAPERS
“Seriously?” Choso scrunched his nose in displeasure. “Why would ladies want someone who’s quiet? I use it to convey my displeasure, not to be charming.”
On the other hand, the other brother relaxed on the opposite couch, proud. “I knew I looked good on horseback,” Yuji remarked smugly. “You and my dear sister are clearly jealous of how appealing my muscles look while I’m grabbing the reins.”
“Those ladies clearly hadn’t seen you drop yourself in dung when you were younger. Or the face you make when you are so oddly concentrated. As if you just stepped into a chamber pot.”
Before Yuji could come up with a snide remark to his older brother, the two heard an incessant pacing leading up to the doors of the drawing room they sat in. The door slammed opened to reveal their mother⸺Lady Itadori⸺with a hand to her face in clear distress.
Choso and Yuji exchanged glances before Choso calmly set down the single-page newspaper he was reading. “What is the matter, mother?”
Lady Itadori moaned and sat down on a chair raggedly. “Your sister is the matter. I fear the queen will have reviewed every person in London before your sister leaves her room.”
Before Choso could get a word in, Yuji suddenly stood up. “This is a serious matter, mother. After all, she should be punctual to her debut. I will go fetch her.”
“Wait, Yuji!” Choso and Lady Itadori followed Yuji to the grand staircase of the Itadori manor. Hurriedly, they reached the foot of the stairs to see Yuji tilting his head back to take a deep breath.
“SISTER!” Yuji had his palms up to his face, as if to amplify his already booming scream. “YOU! MUST! MAKE! HASTE!” After the quite of bit noise he'd made, he cleared his throat, looking to the side to see his dumbfounded mother and brother, and shrugged. “Well, someone’s got to the job.”
Then, the brothers and their mother look up to see a peek of white and a “Miss, be careful with the hem!” You, at the top of the staircase, grab the front of your ivory dress, with your maids helping you with the train, as you start stepping down the staircase with an irritated frown. “Must you always be such a nuisance, brother?” Traversing down the stairs until your family members were visible, all you saw were dumbfounded and tense expressions. After enduring hours of painting your face and dealing with your maid Nobara’s fussing over your coiffure, you wished for a more fond reaction. Annoyed, you stomped your way past them to the exit, where the carriage was waiting for you four.
“Dear!” your mother exclaimed, rushing to your side and taking your hand as you reached the door. Her eyes, filled with concern, met yours as she nervously asked, “How are you feeling? I know this is a momentous day for you, but remember, you’ve always excelled in your lessons. It’s only natural that you’ll win the queen’s approval, dear.”
“Yes, Mother, of course,” you sighed. “It is just such a hectic day.”
“But you shall dazzle them.” Choso comes behind you, patting your back gently in his reassuring, elderly brother ways. With a proud smile, he says, “The gentlemen are not prepared for your entrance this season.” 
“Indeed! They will be none the wiser to your snark, sister.” You see Yuji coming up on your other side, offering his elbow. You tentatively take it, eyeing him sourly as he continues, “I am simply elated that Mama’s attention will be on you, rather me.”
You reach to smack him on the head, eliciting an "Ow!" from Yuji just as your mother approaches next to him, frowning. "Of course, Yuji. But it won’t be long before I have to chase after you for your tutor’s complaints about your lack of proficiency⸺"
Yuji interjects hastily. "Well! Would you look at the time? The Queen is waiting!" 
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"I'm surprised the gossip pamphlet didn't mention how much of a rake you are," Lord Geto mused, taking a sip of brandy. At his right, Duke Nanami was stoic as always, focusing on the tastes the gin was bringing to his mouth rather than  the two older men beside him.
"I'm severely offended you would even imply such a thing," Mister Satoru Gojo put a hand on his chest, feigning offense. Rather than a gin in his hand, Satoru preferred drinking water lest his mouth spilled something even more notorious than his signature calculative icy blue eyes.
He continued. "Honestly, I don't understand this whole Whistledown business. Some might even say the ton holds her words more in regards than the Holy Bible!"
"You're diverting the matter at hand, Gojo," Nanami took his tired eyes off of his drink to look at Satoru. "As the heir and first son, have your parents not urged you to cease your foolishness? There is a limit to the rakish behavior one can exhibit in your position.”
"Yes," Satoru sighed, "They have. That's precisely why I'm looking for a bride."
There was a silence in which Satoru looked up from his glass to see Kento and Suguru’s mouths agape. "What?"
Suguru leaned closer to Satoru, as if to inspect his countenance unsure if he was jesting or not. "So, is it actually true? You're going to get tied down?"
Nanami wrinkled his nose in disapproval. "Must you say it like that? Marriage isn't imprisonment, you know."
Gojo sighed. "Nanami, Nanami. It's clear that one year that separates us in age has also left a gap in experience." Nanami felt a vein pop as Satoru irritatedly continued in his know-it-all voice. "Marriage is an end. The dead end, in fact. It is when you are abroad in Paris, basking in all the fine entertainment and wooing ladies until you realize you are out of funds. Out of money. Marriage is coming home not to go out and drink, but to a wife that has endless needs of you and children that will have frustrating phases of life. An end to pleasure and an end of all jest."
Kento and Suguru exchanged a glance before Suguru asked, "So why are you looking for a wife?"
Satoru looked dejectedly at them, crossing his arms. "My parents insisted. Said they would freeze my funds and kick me out if I didn't get serious about my future." He continued on his desperate rambling, leaning back in his chair. "I don't understand. Must I have a wife to "get serious" in life? I’m serious about all the fucking mergers and dubious finances my father invests in! Look how well I managed his bets!"
"You know, Satoru, your outlook on marriage is awfully pessimistic," Suguru put down his glass to lean back as well, crossing his arms in seriousness. "Don't you wish for a love match?"
"That sounds ridiculous. Love matches are just a passing fancy young ladies have when reading their ridiculous romance novels."
"Well, of course you think that." Kento deadpanned. "No respectable lady in their right mind would fall for you and your attitude."
"Nanami, you wound me."
Suguru glanced at Satoru with concern. "My dear friend, you are making this harder for yourself than it ought to be."
Satoru groaned. "I came here for jest, not to receive words of so-called wisdom. I assure you both, all is well." He looked at both of his friends. "I do not need to be assured. I simply am looking for a woman fine enough to be my wife to appease my parents and their concerns of continuing on the line and handling the dukedom but for a woman so reserved that she'd respect my wishes and isn't so miserable. Or needy." Satoru shrugged. "I would believe these to be respectable requirements for a wife."
Suguru looked at him with mild displeasure. "It sounds like you are looking for a horse to ride, not a woman you would spend the rest of your life with."
Standing up, Satoru moved behind Kento and Suguru to give them a hearty slap on the back. "Trust me, my dear, dear friends. I will find what I am looking for and drink myself silly for the rest of my life!"
"You don't drink." Kento sighed.
"Never mind, you! Sir, more drinks!" Satoru grinned. "Here's to the bachelor life!"
The three men raised their glasses for the toast. Yet, only one of them contained thin water.
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You restlessly arranged the feathers in your coiffure and adjusted the fabric essentially squeezing the breath out of your lungs to accentuate your bust. The palace waiting room was stuffy as ever as debutantes and their mamas fluttered across the room in an effort to catch the smallest of flaws on their person.
Before the Queen did, that is.
"Your feathers are fine, dear. Take deep breaths for me." Your mother raised her hands, prompting you to take a breath in and out as her hands lowered.
You gave her your practiced smile and curtsy to which your mother laid a hand on the small of your back in both approval and reassurance. With the other, she grabbed your own and rubbed comforting circles in the junction of your index finger and your thumb. "You have always excelled in your lessons, my dear. I could not be prouder of the woman you are becoming." She sniffed, and you smiled in appreciation. "The Queen will love you, I am sure of it."
You laughed. "Mama, that is what all these ladies think."
“But none of these ladies have poured in the determination you have, my dear.” Your mother holds your head gently by the cheeks. “Your character and proficiency⸺I am sure the Queen will see the promising young lady that I am proud to call my daughter.”
You felt a lump in your throat. While you appreciated your mother’s words, you could not help but think of the significance of this day. You almost felt dizzy thinking about messing up in front of the Queen; if you didn't find a suitable match as a result, what would become of you? 
Suddenly, there was some fanfare from the main room. "Now, presenting Miss Itadori and the Right Honourable Lady Itadori." Your heart jumped out of your throat as you heard the call for you and your mother to walk up. 
"Let's go, my dear." With a fond kiss to your temple, your mother led you by the hand to the center of the tall and ornate doors that opened to reveal the Queen and her audience. You couldn't help but notice that your mother's hand held a reassuring, yet tight vice. 
When the doors opened, your vision blurred. Your heartbeat got faster, and all you could register was the stares. What felt like a million pairs of eyes blinking upon you, scanning your coiffure, garments, and carefully painted face. While the gossiping widows and mamas whispered amongst themselves, some gentlemen scanned you up and down in clear assessment of your constitution. A distinct smell of tobacco and vanilla wafted through the air, and you took an imperceptible breath in as you steeled yourself before putting your practiced, signature smile. 
A memory from your childhood flashed before you.
"She is excelling in her studies," your tutor had said, discussing your performance with your mother in the drawing room. You, sitting beside them, had fidgeted nervously with your small hands clasped in your lap, sitting as straight as you could manage.
"What must she do to improve?" your mother inquired, her eyes sharp with concern.
"Madame," your tutor had said, turning his gaze towards you with a knowing look. "Your daughter is quite nearly flawless. She is of my most exceptional students; her obedience and composure are unparalleled, even at such a tender age." He then fixed his eyes back on your mother with an authoritative intensity. "But there is one element that will truly distinguish her as a diamond."
Your mother had leaned forward, abandoning her tea in anticipation. "What is it?"
"Her smile."
As you flash your smile to the room, you could feel the people in the room going silent. Your smile was what helped you focus and keep your eyes on the prize: impressing the queen. Smiling in the most innocent and demure way you could possibly muster, you straighten your posture as you advance towards the queen, your eyes serene and your expression a masterful display of delicate charm.
The stares of the ton were on your back, but all you focused on was the harmony of your countenance. Chin up, you reminded yourself. Everyone in this room is my prey, and I am the predator. 
When you and your mother reached the foot of the Queen's throne, you dipped into the deepest curtsy you had to offer, keeping your eyes on the ground as you minimized your smile to a more polite and respectful one. You stayed there for as long as the Queen was silent.
Then, a rustling of fabric as the room silently gasped. The Queen was stepping towards you, and you felt a gloved hand take your chin. Not daring to breathe or rise from your genuflection by even an inch, you forced your body to stay in position as your face was raised to look at the Queen’s.
Her booming, yet regal, voice echoed throughout the room. “You, my dear. Perfect.” She then addressed the room. “I have found my diamond!”
The declaration sent a wave of murmurs through the gathered crowd. You could feel hundreds of eyes on you as you slowly rose from your curtsy, your heart pounding in your chest. Your eyes instinctively sought your mother’s, who looked at you with pride and a hint of warning.
“Keep smiling, my dear,” she whispers into your ear. “They are staring now, more than ever.”
Your mother was right, upon reflection. There were eyes observing you far more diligently than they had before. In particular, a pair of icy and brilliant blue ones. 
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“Choso, not today.” Your mother sighed. “I am not ignorant of your overprotective tendencies, especially towards your younger sister and brother.”
Choso was fully frowning in displeasure, arms crossed as he observed your mother, Yuji, and yourself board the carriage. “Mother. Sister is the diamond of the season. The men will be after her like hungry vultures!”
“Well, vultures have a tendency to eat freshly decayed carrion. When you get rid of those dark circles and don’t look like dead meat, you can join us.”
Choso protested further, stopping the doorman from closing the carriage door. “But, Mother⸺”
“Yuji, close the door. Your brother will join us when learns to get sleep and not work on those ledgers overnight.” As per your mother’s instructions, Yuji closes the door on him. As the carriage rolls out of your manor and into the London streets, you blow a mocking kiss to your brother, who is now brewing at the doorstep.
“Phew! Good riddance,” Your mother fanned herself. “I need this night with you, alone. God knows how many suitors will be warded off with that horrid glare of his.”
You laughed softly, leaning back against the plush cushions of the carriage. “I suppose it’s a small price to pay for a bit of peace.”
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You and your mother were wrong; your brother should have been there. 
Upon your arrival, you were followed by stares, whispers, and men. Bachelors appeared in droves, eager to engage in conversation, each drawn by your newly anointed title as the diamond of the season. After paying your respects to the Queen, you found yourself swept into a whirlwind of attention, each dance and conversation a testament to the allure your status had brought.
As you navigated the crowd with practiced grace, Yuji, ever the observant and cheeky sibling, leaned in close to you and murmured, “I must say, you’ve outdone yourself. They’re practically circling like hawks. Do you think we’ll need to hire a guard just to keep them at bay?”
You gave him a wry smile, barely concealing your exasperation. “Oh, Yuji, you’re so dramatic. They’re just eager to make their introductions.”
Yuji snickered and nodded towards a particularly earnest-looking gentleman who seemed to be making a concerted effort to catch your attention. “Well, if this is what the season looks like, I might have to prepare myself for a front-row seat to a parade of besotted suitors. Just don’t let them all think you’re here to catch them; we wouldn’t want them getting the wrong idea.”
Your mother, overhearing Yuji’s jest, gave a light laugh and shook her head. “Oh, Yuji, you and your theatrics. Just make sure you’re ready to fend off any advances that come your way.”
“What?” You’ve never seen Yuji’s smile drop so fast. As if on cue, there were mamas and maidens closer to Yuji’s age that were approaching, as if a pack, and he looked at you in panic. “Are they coming towards us? Sister, you’ve got to⸺”
“Mister Itadori,” It appeared it was too late. A pack of young ladies were right next to you, fluttering their fans and lashes and giggling. “Whistledown has praised you quite well in this last issue.”
Help, Yuji mouthed, but you merely winked in response. The young ladies had effectively formed a barrier around you, offering a temporary reprieve from the throng of eager suitors. Sensing an opportunity, you decided to seize the moment and discreetly made your way towards the punch table.  
The cool, refreshing scent of the punch greeted you as you approached, offering a welcome contrast to the bustling, heated atmosphere of the ballroom. You filled a glass with the fruity, aromatic beverage and took a moment to savor the brief solitude.As soon as you took a deep breath in, savoring your newfound freedom, you felt a presence next to you at the punch table. “Miss Itadori.”
Upon turning, you were met with the infallible smirk of Naoya Zen’in. You had indeed heard⸺and read, in Whistledown⸺that his family adopted nontraditional ways of determining the winner of the family inheritance and leadership. While Lord Zen’in wasn’t guaranteed to be the heir, he definitely was one of the top contenders. You assessed him further, taking in his arrogant demeanor as he reached down to give you a kiss on your hand. Rather wet, you thought in disgust.  
But you hid it well, fluttering your lashes up at him. “Mister Zen’in! I am flattered to be acquainted with you today. How do you find today’s ball?”
“Rather well, of course.” He reached to scoop some punch for himself. “I enjoy meeting all the young ladies and dancing with them, of course. Ever in search of my perfect bride.”
You forced an artificial giggle. “Of course. I’m sure all the ladies that have talked to you have been charmed, as am I.”
He swelled, exactly you expected, as you stroked his ego. “But none of these ladies are as valuable as you, my diamond.” To your displeasure, he took a step closer to you, discreetly tracing his finger from your upper arm to where your dance card resided. “May I have your next dance? I have been perfecting my dance skill to the point all my brothers are envious of my prowess!” He barked out a laugh. “In fact, I beat them in horse riding years ago, and…”  
While Naoya kept talking, you merely fluttered your fan over your face in mock interest. You were really starting to mourn your short-founded freedom, wanting a respite from the self obsessed young man. For some reason, you could smell the same distinctive perfume of expensive tobacco and painfully sweet vanilla you had smelled in your presentation, like a warning. Realizing you were drifting off into space with the heady fragrance, you made sure to tune into his ramblings once more.
For some reason⸺that you were growing to find uncomfortable⸺he still had his hand on your dance card. You felt the previously faint aroma growing stronger by the second. “Of course, I am soon to be the heir of the Zen’in name⸺”
A flamboyant and mischievous laugh cut through the air. “Naoya, you amuse me.” To your alarm, a young man steps to the right of you. From what you can see on the side of his face, his head sports brilliant white hair and his eyes are focused on the bachelor in front of you, who is now displeased and openly glaring at the man beside you.
“Gojo, I⸺”
“Funny that you talk about the Zen’in inheritance, Naoya.” The man⸺Gojo⸺scratched his chin in faux puzzlement while cockily smiling. “Last time I checked, Naobito was discussing handing it over to Megumi over pall-mall!”
Naoya was clearly growing more and more distressed. “Father wouldn’t dare to hand that child with a whore of a mother⸺”
Gojo clicked his tongue, outwardly showing a nonchalant smile, but you could noticeably see his eyes darken. “That’s no way to talk in front of a lady, Naoya, and certainly not of a mother. Besides, Mister Zen’in, didn’t Megumi save your family from the edge of poverty?”
Naoya’s nostrils flared. Clearly at the end of his wit, he did a small bow towards you as he swiftly exited your proximity. You blinked, partially processing the conversation that happened as well as the fact that you were now alone with this Gojo. Turning, you prepared your signature smile, the act you had been presenting for countless of young bachelors today. However, what made you stop in your tracks was his eyes.
Even the pure Englishmen you had met in London didn’t possess eyes like his. They were intense and vividly blue, flashing with judgment and calculation. His face, though strikingly pretty and slightly more feminine than others, seemed carefully constructed to mask his true thoughts. His white lashes contrasted sharply with his hair as he blinked.
And then it hit you. This was the heir of the Gojo dukedom, Satoru Gojo. Known as a capital R Rake for reasons unknown to you (Nobara just insisted he was), you could see elegance and arrogance exuding off of him, yet another noble with an ego as big as his wallet. You recall, then, what Whistledown had wrote about him⸺that he has never shown interest in marriage before today.
It was only after he blinked once more that you realized he was waiting for some response to an introuction you didn't catch. In a panicked flurry, you curtsied and said, “My apologies, Mister Gojo. I fear I haven’t had the pleasure of making your acquaintance. Miss Itadori, pleased to meet you.”
Gojo’s smile widened, his blue eyes twinkling with an almost imperceptible amusement. “A pleasure indeed, Miss Itadori.” He returned your curtsy with an elegant nod, his voice smooth and teasing. “I must say, you handle yourself with admirable grace amidst such a tumultuous crowd, my diamond.”
“Thank you, Mr. Gojo,” you replied, attempting to regain your composure as you took a sip of your punch. “I do try my best to navigate these social minefields.”
He chuckled softly, the sound light and charming. “Indeed. Though it seems you’ve had quite the evening already, judging by your rapid responses to Lord Zen’in’s advances.”
You raised an eyebrow, trying to draw a hint of a smile on your lips. “It appears you’ve been observing closely. Are you always so keenly aware of your surroundings, Mister Gojo?”
“Only when I find the scene particularly entertaining,” he said, his gaze shifting to watch the guests around the ballroom. “And tonight, the spectacle is quite extraordinary. I must admit, you are a refreshing change from the usual parade of predictable manners.”
“Predictable?” you asked, your curiosity somewhat piqued. “Do you find most of the guests here lacking in originality?”
“Perhaps not lacking, but certainly not as intriguing,” he replied with a playful grin. “Take, for instance, Mister Zen’in. A man of considerable ambition, no doubt, but with a flair for the dramatic that grows tiresome rather quickly.”
You nodded in agreement. “Yes, he certainly has a penchant for self-promotion. But then, one could argue that every gentleman here has his own brand of theatrics.”
“True,” Gojo said, tilting his head slightly. “But what I find most fascinating is how you’ve managed to stand out amidst this display of pomp and circumstance. It’s not every day one encounters someone who seems so effortlessly poised, even in the face of such overt competition.”
“Flattery will get you everywhere, Mister Gojo,” you said with a light laugh. “But I assure you, my composure is a carefully cultivated skill, not merely a natural state.”
“Ah, then I must commend your efforts,” Gojo said, his eyes gleaming. “It is a rare talent to maintain such grace under pressure. If I may be so bold, might I request the honor of a dance with you this evening? I promise to provide a diversion from the usual pretenses.”
You hesitated for a moment, weighing the potential benefits of engaging further with this intriguing man against the immediate demands of the evening. Finally, you offered him a meek smile. "Of course. I shall be delighted to dance this waltz with you."
Pleased, he guided you to the center of the ballroom, your hand elegantly placed in his. You couldn’t help but feel a sense of triumph as you noticed Lady Mei Mei’s envious glances and the heated stares from other young ladies.
Gojo positioned his hand on your waist as you both assumed the proper stance for the dance. “So, how are you enjoying your night? I trust you’re finding pleasure amidst the horde of suitors the Queen has so graciously provided.”
You smiled demurely, carefully maneuvering around him. “Well, my lord, I am very grateful to the Queen for her blessing this season.” You took a delicate step, noting Gojo’s amused smile. “However, it is quite tiring to meet so many people. Repeating my preferences for the countryside or the city can become rather exhausting.”
Gojo’s smile widened as he guided you through a graceful turn. “And which do you prefer?”
“I would argue that the city is preferable when I feel lonely,” you said, gliding with him. “Yet the countryside is ideal for moments of solitude and reflection. Naturally, it also serves as a lovely setting for fond memories with a future husband.”
“What do you enjoy doing in nature?”.
“Embroidering or practicing the pianoforte,” you replied, making sure to display a wistful smile. “There is something particularly enchanting about playing the piano with the door open, letting nature's melody blend with the music.”
“Do you have any other talents or skills?” Gojo inquired as you both continued your dance.
“Yes,” you said, “I am fond of reading and immersing myself in literature. I also have a passion for the arts and languages.”
“Which languages do you speak?” he asked, guiding you through a series of intricate steps.
“I am well-versed in the classics⸺Latin and Greek. I’ve also picked up some French and Spanish, when I was yearning to follow my older brother through Europe for years.”
“What about literature? What do you enjoy reading?” Gojo pressed, his eyes never leaving yours.
Your smile grew slightly strained as you felt the conversation veer towards an uncomfortable territory. You felt as if the duke was interviewing you for review of your admission into an academic institution rather than holding conversation. “I enjoy Byron, sir,” you said carefully.
Gojo hummed in approval. “And here I was, thinking all ladies were engrossed in Whistledown.”
“Ah, well,” you feigned a sigh, your smile tight. “Gossip has its charm for a lady, sometimes.”
“For men, too, I must admit,” Gojo said, tilting his head towards his group of friends. “But I must confess, it is rather unpleasant when the gossip circulates that I am a rake.”
That's because they're true, you whore. "I guess it's up to the smarter individuals in society to discern the truth from the slander."
Gojo’s eyes twinkled with amusement as he guided you through the final steps of the dance. “Indeed, it seems wisdom and discernment are valuable traits in navigating the labyrinth of society’s gossip.”
You nodded. “Quite so. It is the discerning few who see beyond the surface and recognize the true character of a person.”
As the music swelled to its concluding notes, Gojo drew you closer, his gaze fixed on you with a calculative expression. “And what is it that you seek to convey through your own character, Miss Itadori? In a world full of pretense, what do you wish to be known for?”
You maintained your practiced smile. "Mister Gojo, in a world where appearances often speak louder than words, I find it best to embody grace and humility. I hope to be seen as a gentle and devoted companion, one who supports and uplifts those around her.”
Gojo’s smile only sharpened, and you couldn’t help but shake the feeling of somehow being calculated, observed, even hunted as he offered,  “A noble aspiration. It is refreshing to encounter someone who values authenticity amidst the artifice.”
As the final strains of the waltz came to an end, Gojo escorted you back to your starting position. He bowed deeply, his eyes never leaving yours. “Thank you for the dance, Miss Itadori. It has been an evening of unexpected delights.”
You curtsied in return, your eyes meeting his with a demure and sincere expression. “The pleasure was mine, my lord. I am honored to have had this opportunity.”
With a final, charming smile, Gojo stepped back, giving you a nod. “Until we meet again, Miss Itadori. Enjoy the rest of your evening.”
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After Gojo had taken his leave, you found yourself once again surrounded by a steady stream of suitors eager to engage you in conversation. You indulged a few with polite discourse, your smile unwavering as you navigated the well-trodden paths of societal pleasantries. Despite your best efforts, fatigue began to set in, and you soon reached your limit.
Deciding to take a brief respite, you excused yourself with practiced grace. You made your way discreetly to the veranda, seeking solace and a breath of fresh air away from the relentless din of the ballroom. As you stepped out into the cool night air, the sound of the revelry faded to a distant murmur, replaced by the gentle rustle of leaves and the faint scent of blooming flowers.
With your mind fresh and clear from the suffocating revelry, you couldn't help but reflect back on the night. With the Queen deeming you as the diamond of the season, you knew your mother and Choso had been appeased. Of course, tomorrow was going to be a long morning; judging by the sheer number of young men approaching you today, you knew many of them would be visiting your drawing room to converse with you and gain the approval of your brother.
There were some suitors that stood out. Lord Ino seemed to take genuine interest in what you had to say, but Mister Fushiguro had both interest and quiet respect that you couldn't help but think was ideal for a marriage. After all, you just wanted a peaceful life after securing yourself and your family. While brief, you had conversed a bit with both Duke Nanami and Lord Geto, but it had been interrupted by some of their friends inviting them onto the terrace. You were sure Naoya wouldn't bother showing his face tomorrow.
That left him. Blue eyes. You couldn't help but think you had heard about him somewhere. 
Gojo.
Even though you couldn't recall much other than his rakish tendencies, the future title of Duke was certainly attractive and respectable. He wasn't so bad; with dashing looks, you couldn't help but simply think that a pretty face wouldn't be bad to look at for all those years. You snickered to yourself at your sheer display of vanity in your thoughts.
If you had to think of the most vain reasons to justify your suitors, Mister Gojo would definitely top your list of the most handsome of men. With a sturdy and healthy build, you could notice the years of dedication he must put in to maintain his athleticism. Perhaps archery, you thought. Those shoulders were definitely wide for days. Or maybe horse riding. He definitely seemed to fill in his pants with his thighs.
However, it was impossible to ignore his mischievous nature. You couldn't imagine a man such as the future Duke showing any outward display of affection, and all your interactions⸺from him outwitting Naoya, to interviewing you under the pretense of dancing⸺have always had him either besting or calculating the other converser. He definitely had a superiority complex, you rolled your eyes. Clearly, your display of the simple and stupid maiden pleased him. You wondered if he treated all the other ladies with the same level of disrespect and evaluation.
Deciding you were too far into the gardens, you turned the opposite direction to join the revelry once more in fear of attracting strange rumors about your presence in the gardens late at night. As soon as you got closer and closer to the ballroom, you heard voices.
"Ah, but there is the diamond, of course." 
You perked up, interested in knowing who was talking about you. The voices seemed to be coming from the entrance between the terrace and the ballroom. "Of course, I understand why the Queen has deemed her so." Crouching, you aimed to discreetly hide behind a large trimmed bush in such a manner that if someone were to be passing by, you wouldn’t appear suspicious. 
Another voice chimed in. “She is beautiful. Not in the salacious way Lady Mei Mei is, but in a more authentic and innocent way.” 
“I fear the ladies nowadays are salacious⸺hungry for suitors with money and power⸺so it only makes sense that the ladies appear that way. But the diamond; she is different.”
A slap, as if someone was affectionately patted on the back for attention. “Yes, yes. But let the man of the night give us his assessment. After all, he is the one who is here tonight with us, finding a wife, when no one who had ever talked to him would ever think he would be doing such a thing.”
“Well, of course. It wouldn’t take a fool to know that marriage is basically imprisonment.” You could discern the speaker’s wry tone. “The goal here is to appease my parents, and my ticket to that is the diamond.”
“Well, get on with it,” a voice pressed, rather impatiently. “What’s your assessment?”
“A bit simpleminded.” Some feeling struck your lungs, as you recognized that it was Gojo’s voice that was speaking. You swallowed, your heart pounding as you waited for more harsh words to torrent upon you. “Has no opinions of substance that should cause conflict. She’s perfectly fine for a wife. I shall begin courting her and will soon propose⸺"
You didn’t hear the rest because you soon found yourself dashing in the opposite direction, towards an alternate entrance to the ballroom. You couldn’t bear to hear any of the more degrading and embarrassing things Gojo had to say about you as you slowed your pace to a fast walk. 
With the main entrance to the ballroom in sight, you thought about the other gentlemen⸺if you could even call them that⸺that must be present, conversing with Gojo. How widespread are these assessments of you? Do all gentlemen think you stupid? However, your thoughts are interrupted when you bump into someone, rather hard.
“Are you alright?”
You look up, putting a hand to your bosom as you try to catch your breath. You see Duke Nanami’s face in close proximity, as he furrows his brow in light worry. You’re clutching your forearms as you are heaving, trying to get oriented. “Yes,” you heave. “Yes, Your Grace.” 
Nanami clearly didn’t accept your assurance as he helped you stand to your full height. “Is there anything wrong?”
“No, no, I assure you; I am quite alri⸺”
“Sister! There you are!” Yuji comes up from behind Nanami, and both of you turn to look at him. “I’ve been looking for you! The punch here is terrible, some of the mamas here are horribly intoxicated. Do you know Mei Mei’s mother just admit⸺” he cuts himself off as he observes Nanami, who’s still touching your arms,  with wide eyes. “Di⸺Did I interrupt something?”
“NO, you didn’t.” You burst out, not wanting yet another man leaving with an unfavorable expression of you tonight. You and Nanami both take a step back to distance yourselves, and he clears his throat.
“Good night, Miss Itadori. Mister Itadori.” He gives you both curt bows as he makes his way past to his carriage.
Yuji blinks. “Oookay. Anyways. Mei Mei’s mother just barfed on top of Naoya as she was buttering him up. I must admit, Mei Mei and Naoya make a formidable match in being intolera⸺”
You could feel yourself filtering Yuji out as you thought about the gentlemen’s gossip from earlier. While you weren’t exactly surprised that Gojo appraised you as a pawn, you couldn’t help but be a little offended that he could talk behind your back. Who’s to predict the other naive ladies that would be subject to his callous and calculative behavior?
 There was only one conclusion to be drawn that you swear to remember for the rest of the season: Gojo was not a man of honor, and you were not going to be one of his victims. 
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next. the aftermath
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togglesbloggle · 4 months
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For the Reverse Unpopular Opinion meme, Lamarckism!
(This is an excellent ask.)
Lamarck got done a bit dirty by the textbooks, as one so often is. He's billed as the guy who articulated an evolutionary theory of inherited characteristics, inevitably set up as an opponent made of straw for Darwin to knock down. The example I recall my own teachers using in grade school was the idea that a giraffe would strain to reach the highest branches of a tree, and as a result, its offspring would be born with slightly longer necks. Ha-ha-ha, isn't-that-silly, isn't natural selection so much more sensible?
But the thing is, this wasn't his idea, not even close. People have been running with ideas like that since antiquity at least. What Lamarck did was to systematize that claim, in the context of a wider and much more interesting theory.
Lamarck was born in to an era where natural philosophy was slowly giving way to Baconian science in the modern sense- that strange, eighteenth century, the one caught in an uneasy tension between Newton the alchemist and Darwin the naturalist. This is the century of Ben Franklin and his key and his kite, and the awed discovery that this "electricity" business was somehow involved in living organisms- the discovery that paved the way for Shelley's Frankenstein. This was the era when alchemy was fighting its last desperate battles with chemistry, when the division between 'organic' and 'inorganic' chemistry was fundamental- the first synthesis of organic molecules in the laboratory wouldn't occur until 1828, the year before Lamarck's death. We do not have atoms, not yet. Mendel and genetics are still more than a century away; we won't even have cells for another half-century or more.
Lamarck stepped in to that strange moment. I don't think he was a bold revolutionary, really, or had much interest in being one. He was profoundly interested in the structure and relationships between species, and when we're not using him as a punching bag in grade schools, some people manage to remember that he was a banging good taxonomist, and made real progress in the classification of invertebrates. He started life believing in the total immutability of species, but later was convinced that evolution really was occurring- not because somebody taught him in the classroom, or because it was the accepted wisdom of the time, but through deep, continued exposure to nature itself. He was convinced by the evidence of his senses.
(Mostly snails.)
His problem was complexity. When he'd been working as a botanist, he had this neat little idea to order organisms by complexity, starting with the grubbiest, saddest little seaweed or fern, up through lovely flowering plants. This was not an evolutionary theory, just an organizing structure; essentially, just a sort of museum display. But when he was asked to do the same thing with invertebrates, he realized rather quickly that this task had problems. A linear sorting from simple to complex seemed embarrassingly artificial, because it elided too many different kinds of complexity, and ignored obvious similarities and shared characteristics.
When he went back to the drawing board, he found better organizing schema; you'd recognize them today. There were hierarchies, nested identities. Simple forms with only basic, shared anatomical patterns, each functioning as a sort of superset implying more complex groups within it, defined additively by the addition of new organs or structures in the body. He'd made a taxonomic tree.
Even more shockingly, he realized something deep and true in what he was looking at: this wasn't just an abstract mapping of invertebrates to a conceptual diagram of their structures. This was a map in time. Complexities in invertebrates- in all organisms!- must have been accumulating in simpler forms, such that the most complicated organisms were also the youngest.
This is the essential revolution of Lamarckian evolution, not the inherited characteristics thing. His theory, in its full accounting, is actually quite elaborate. Summarized slightly less badly than it is in your grade school classroom (though still pretty badly, I'm by no means an expert on this stuff), it looks something like this:
As we all know, animals and plants are sometimes generated ex nihilo in different places, like maggots spontaneously appearing in middens. However, the spontaneous generation of life is much weaker than we have supposed; it can only result in the most basic, simple organisms (e.g. polyps). All the dizzying complexity we see in the world around us must have happened iteratively, in a sequence over time that operated on inheritance between one organism and its descendants.
As we all know, living things are dynamic in relation to inorganic matter, and this vital power includes an occasional tendency to gain in complexity. However, this tendency is not a spiritual or supernatural effect; it's a function of natural, material processes working over time. Probably this has something to do with fluids such as 'heat' and 'electricity' which are known to concentrate in living tissues. When features appear spontaneously in an organism, that should be understood as an intrinsic propensity of the organism itself, rather than being caused by the environment or by a divine entity. There is a specific, definite, and historically contingent pattern in which new features can appear in existing organisms.
As we all know, using different tissue groups more causes them to be expressed more in your descendants, and disuse weakens them in the same way. However, this is not a major feature in the development of new organic complexity, since it could only move 'laterally' on the complexity ladder and will never create new organs or tissue groups. At most, you might see lineages move from ape-like to human-like or vice versa, or between different types of birds or something; it's an adaptive tendency that helps organisms thrive in different environments. In species will less sophisticated neural systems, this will be even less flexible, because they can't supplement it with willpower the way that complex vertebrates can.
Lamarck isn't messing around here; this is a real, genuinely interesting model of the world. And what I think I'm prepared to argue here is that Lamarck's biggest errors aren't his. He has his own blind spots and mistakes, certainly. The focus on complexity is... fraught, at a minimum. But again and again, what really bites him in the ass is just his failure to break with his inherited assumptions enough. The parts of this that are actually Lamarckian, that is, are the ideas of Lamarck, are very clearly groping towards a recognizable kind of proto-evolutionary theory in a way that we recognize.
What makes Lamarck a punching bag in grade-school classes today is the same thing that made it interesting; it's that it was the best and most scientific explanation of biological complexity available at the time. It was the theory to beat, the one that had edged out all the other competitors and emerged as the most useful framework of the era. And precisely none of that complexity makes it in to our textbooks; they use "Lamarckianism" to refer to arguments made by freaking Aristotle, and which Lamarck himself accepted but de-emphasized as subordinate processes. What's even worse, Darwin didn't reject this mechanism either. Darwin was totally on board with the idea as a possible adaptive tendency; he just didn't particularly need it for his theory.
Lamarck had nothing. Not genetics, not chromosomes, not cells, not atomic theory. Geology was a hot new thing! Heat was a liquid! What Lamarck had was snails. And on the basis of snails, Lamarck deduced a profound theory of complexity emerging over time, of the biosphere as a(n al)chemical process rather than a divine pageant, of gradual adaptation punctuated by rapid innovation. That's incredible.
There's a lot of falsehood in the Lamarckian theory of evolution, and it never managed to entirely throw off the sloppy magical thinking of what came before. But his achievement was to approach biology and taxonomy with a profound scientific curiosity, and to improve and clarify our thinking about those subjects so dramatically that a theory of biology could finally, triumphantly, be proven wrong. Lamarck is falsifiable. That is a victory of the highest order.
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pinchofhoney · 1 year
Text
broken promises, part one
part one | part two | part three »
coriolanus snow x fem!reader
word count: 1.8k
warning: none
summary: In Snow's world, only one thing mattered more than his family's reputation—you. But that was before he met Lucy Gray.
a/n: coryo is the type of person i sincerely hate and i'm glad that there are no such arrogant people in my life, who think they are better than others and who in crisis situations only care about themselves and to save their own arse. but at the same time i'm aware that young snow could be someone i'd catch a crush on at school. so why shouldn't i hate him even more?
pages that may interest you: masterlist ♡ taglist ♡ who i write for
taglist: you told me to tag you everywhere, so i'm back to doing it again; @wolfmoonmusic
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gif is not mine, credit to the owner
The problem with snow is its tendency to melt, mirroring the way we once thought our feelings would endure forever. Yet, shouldn't emotions, particularly those nestled in our hearts, last longer?
You had known Coriolanus since childhood, and your families had always been close. You had grown up together, surviving the hardships of the war-torn Capitol side by side, and now, in the post-war era, you were still inseparable. There was an unspoken understanding between the two of you going above a simple friendship. Your connection ran deep, like the roots of the oldest trees in the Panem's forests.
Coriolanus was an intriguing character, a puzzle you had been solving together since you were children. He was the embodiment of Capitol charm, with his perfectly tailored suits, polished manners, and charismatic smile that could sway even the most skeptical of Capitol elites. But you knew that beneath that carefully constructed facade was a mind as sharp as a blade and a heart that carried the weight of his family's fallen reputation.
Yet, when he was with you, it was as if a different side of him emerged. The hard lines on his face softened, and his icy demeanor melted away. With you, he could be himself, unburdened by the expectations of Capitol society. It was a rare glimpse into the man behind the mask, and you cherished those moments even more than your favorite jasmine tea and the cat you found shortly after the war had ended.
You couldn't help but admire his intelligence, his quick wit, and his relentless determination to succeed in a world that often seemed stacked against him. His family's name might have been tarnished, but Coriolanus was determined to reclaim their lost glory. He was driven by a burning ambition that flickered like an eternal flame, and you were his unwavering support, the one who fanned that flame to keep it burning bright.
In your eyes, he was more than the sum of his flaws and ambitions. He was the boy you had shared secrets with under moonlit skies, the man who had held you when the world crumbled around you, and the person who knew you better than anyone else. With him, you felt safe, cherished, and loved in a way that no one else could replicate.
Your love for him was boundless, and you were content in the knowledge that you were his confidante, the one person he could be truly vulnerable with. Your relationship with Coriolanus was the envy of many in academy, a seemingly perfect match of two souls intertwined by fate and affection. You were the golden couple, a shining example of love and devotion in a world that often lacked both.
But you wished you had known sooner that it's often the things we love most that destroy us, as Coriolanus Snow's world was about to collide with that of a girl named Lucy Gray and you were not ready for it to happen.
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As the day of the tribute's arrival approached, you had been by Coriolanus's side more than ever. The weeks leading up to this moment had been filled with your unwavering support. You had reassured him countless times, sitting together in your cozy bedroom, his head resting gently on your thighs while you combed your fingers through his soft blonde curls. It was a calming gesture, one that had become a comforting routine. You listened to his concerns, his fears, and his ambitions, and you were sure that everything would be fine, that he would be just perfect as a mentor, and that his scholarship and dreams of continuing his studies at the university were within reach.
Your words were like a soothing melody to him, a reminder that he wasn't alone in this daunting new role. He would look into your eyes with his cold ones, filled with gratitude, and you could see the weight lifting from his shoulders, if only temporarily. And in those moments, you felt like his anchor, the one who kept him grounded amid the chaos of his own thoughts.
Now, you both stood at the nearly deserted train station, the oppressive heat of the day hanging heavily in the air. The scorching sun beat down relentlessly, casting shimmering waves of heat across the empty platform. It seemed that most of the Capitol's citizens had chosen to stay indoors, seeking refuge from the sweltering weather.
The only other souls present were a handful of stoic peacekeepers, their pristine white uniforms stark against the dull backdrop of the station. The silence was broken only by the distant hum of the city beyond, a reminder of the bustling Capitol life that lay just outside the station's borders.
Coriolanus tightly held a single white rose plucked from his grandmother's garden, a symbol of his intent to make a lasting impression on his tribute. It was a stark contrast to the vibrant colors of your academy uniforms. The simplicity of the white rose spoke of his sincerity and dedication to this new role as mentor.
With no clear timetable for the tribute train's arrival, the two of you stood patiently, pretending that the day's weather didn't bother you, the weight of uncertainty hanging over you like a heavy cloud. Coriolanus shifted his gaze between the tracks and the single white bloom in his hand.
You observed him closely, and when his gaze finally met yours, you offered a reassuring smile. “Remember, Coryo,” you murmured, “no matter what, you'll be the mentor she needs; your sincerity and kindness will shine through.”
“I hope you're right, Y/N,” he replied softly, his voice filled with a hint of doubt. “I need her to survive on the arena as long as she can,” he added, as if the idea of a group of vulnerable youths engaging in brutal competition in just a few days were the most ordinary occurrence in the world.
But that was precisely what it represented for the Capitol residents – the Hunger Games, an annual spectacle of entertainment.
Time seemed to stretch endlessly under the unrelenting sun, and the station remained eerily devoid of any signs of life. It felt as though hours had passed, but in truth, you couldn't be sure. Beads of perspiration formed on your brows, and you could feel the heat radiating from the platform's surface.
You and Coriolanus were on the verge of giving up and returning to the cool embrace of your penthouses when, at long last, the distant rumble of an oncoming train reached your ears. The sound grew steadily louder, and you looked at each other, exchanging tired glances.
Coriolanus's grip on the white rose tightened as he turned his gaze towards the approaching train. As he rose from the bench where you had sat, his anticipation peaked. You stood beside him, wanting to be his support, but you had no idea that your role was about to change very soon.
The train pulled into the station with a hiss of steam and the screech of brakes, billowing clouds of moisture and smoke into the scorching air. The two of you watched the machine in silent, your heart pounding in your chest. This was the moment when you would come face to face with people from the Districts, individuals whose lives were so far removed from the opulence and extravagance of your own. It was a rare and humbling experience, one that left you with a slight quiver in your step as you clung to Coriolanus, seeking solace in his reassuring presence.
For what felt like an eternity, nothing happened. The train's doors remained sealed shut, as if holding its cargo of tributes in a reluctant embrace. The only thing that reached you was an unpleasant stench wafting from the carriages, a stark reminder of the grim reality that these young souls were about to face.
Finally the impatient peacekeepers took matters into their own hands. They descended upon the train, their authoritative presence enough to scare the tributes out of their temporary sanctuary. One by one, they were herded onto the platform, their expressions ranging from fear to defiance.
And then, your eyes locked onto a figure unlike the others. A girl stood there, her presence a stark contrast to the muted palettes of others tributes. She wore a rainbow-colored dress that shimmered with vibrancy, a flare of color and individuality amidst the sea of old attire. You recognized her immediately from the television screens, a girl whose name had already become a part of your daily life even before this encounter.
Lucy Gray Baird.
The very name whispered in the hushed tones of Capitol citizens as they watched her on the screens, intrigued and fascinated by her enigmatic presence from the Reaping. Her gaze swept across the platform, and for a brief moment, your eyes locked onto each other's.
You couldn't help but break into a warm, welcoming smile. With a cheerful wave of your hand, you signaled to her that both you and Coriolanus were eagerly awaiting her arrival, hoping to ease the initial tension of this life-altering moment.
Lucy Gray's response was a hesitant yet appreciative smile in return. Her steps were slow and cautious as she walked slowly toward you, a palpable sense of curiosity radiated from her, her eyes flitting between the unfamiliar faces that lined the platform.
Your gaze briefly shifted to Coriolanus, a subtle expectation in your heart that his eyes would mirror the warmth you felt. But when you looked at him, you noticed something different. It was as if his eyes were magnetically drawn to Lucy Gray, locked onto her with a nearly unwavering intensity that bordered on fixation. Those eyes, usually so sharp and calculating, now held an expression you had never quite seen before. It was as though he had stumbled upon a priceless museum exhibit, left captivated, awestruck, and undeniably intrigued.
A soft, knowing smile played at the corners of your lips, silently acknowledging his reaction to the girl before you. You gently squeezed his hand, a gesture of affection and solidarity. You understood that this moment bore immense significance for him, that he was on the corner of a journey filled with unforeseen challenges. Lucy Gray was the keynote of this new chapter in his life, and you couldn't help but admire her from a distance, captivated by her unique presence and the aura that surrounded her.
Before you could utter a word, Coriolanus took a determined step forward, his eyes still locked on the girl. He extended his hand, offering her the pristine white rose he had clutched throughout the wait and with a subtle nod, he greeted her in a tone that resonated with formality and welcome.
“Welcome to the Capitol.”
part two »
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liulith · 2 months
Text
We as a fandom need to open our hearts to the insane comedic potential of Sir Pentious being included as a background character in stories taking place in the "old days" before Vox and Alastor's falling out. AND the comedic potential of one-sided Sir Pentious -> Vox.
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Why?
Canon!Sir Pentious is attached to his era's aesthetics but he also wants to be "hip and cool" (see pilot episode; Sir Pentious as the how do you do fellow kids meme) and join the "Almighty Vees". When did he start wanting that? He's not a media demon trying to keep up with his audience and be a likeable public figure. He's a mechanic trying to conquer Hell by force thanks to his machines and obviously relishes in acting like a villain (fear me! I'm so evil! I'm the architect of destruction! etc. etc).
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This is very different from the Vees' approach - maintaining a perfect public image, insidious manipulation tactics... Vox threatens Alastor in the show, but the Vees clearly haven't built their power through turf wars, which is and has always been Pentious' one and only strategy. All the machines we've seen him make are war weapons (+ the Egg Boyz who do his bidding, and help him operate those very weapons). Voxtek probably sells weaponry too but that is more Camilla's domain, so it would be more logical for Pentious to try and join her.
Pentious' and the Vees agenda and interests aren't aligned, so why is Pentious so desperate to join the Vees?
there are many reasons why Pentious could want to be part of the Vees besides the one I'm gonna talk about but you know what MY agenda is:
Vox is Pentious' idol. Pentious is an inventor, an innovator. He would have loved waking up in Hell with a mechanical body he can upgrade however he wants and finds the whole concept fascinating.
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He's not against new technology, as his creations clearly go beyond what people could have had invented in his time despite their "steampunk" aesthetic (see: the effing death ray). So I think his current "limitations" are more a matter of him having to stick with what he knows best because it's hard to keep up with the constant stream of new tech. This is why he's more than impressed with Vox's extraordinary ability to adapt to change and master new technologies again and again. He's a fellow innovator! That's one reason for Pentious to be obsessed with the guy.
And if you think obsessed isn't the right word, think about this: Sir Pentious repeatedly challenges Alastor to fights even though he's clearly outmatched and it's an incredible risk to take considering what Alastor does. Pentious is OLDER than Alastor, he was there when he broadcast the most powerful Overlords' scream all over Hell. Plus, losing always leaves him in a very vulnerable position (without his best weapons). Is it madness? Hubris? An obsession for Alastor? No!
Sir Pentious to Alastor: Silence! Now Cower! For when I've slain you, the Almighty Vees will finally acknowledge me!
Sir Pentious thinks defeating Alastor is the only way the Vees will finally acknowledge him. No matter how dangerous it is, he has to try, for the Vees (Vox). Just like he took the risk of angering the Princess of Hell to get in Vox's good graces. This says a lot, for someone as paranoid as him, who doesn't trust anyone who is "too nice" to him.
If Hazbin had more episodes there should have been one about Pentious struggling with the fact he disappointed his idol and told to KHS 👀
(btw this is old news but we know that one of the Hazbin episodes that Viv originally pitched was about a science contest organized by Voxtek in which Pentious and Baxter competed against each other! Pentious could have done that after ep2!)
Anyway, back to the comedic potential of it all & Vox's arrival in Hell. Can you imagine his reaction as a newly fallen Sinner, when he's hanging out with Alastor (aka following him like a lost puppy?) and he meets Sir Pentious for the first time? Like sure, Hell is full of insane people but Alastor obviously has a Reputation and no one ever challenges him. And suddenly... Hm... Alastor?? There's an airship with a giant cannon pointed right as us?? Firing a DEATH RAY?!
It's also so funny to imagine Sir Pentious being obsessed with Alastor and considering him his archnemesis back in the day, only to slowly become obsessed with Vox instead and only caring about defeating Alastor because he thinks Vox will like it. It starts with Sir Pentious trying to "gather intel" on Alastor's new "ally", spying on them or sending his Egg Boyz to do so (and we already know great he is at spying so you can guess how that goes lol), and the rest is history.
Alastor loves attention so he probably let Pentious spy on him behind bushes from time to time if only because it's very entertaining to watch him try to be discrete and make his shadow tap on his shoulder. How hilarious would it be if Alastor noticed Sir Pentious' growing crush on Vox but not Vox's crush on him? Also, Vox misunderstanding Pentious and Alastor's relationship and thinking Pentious is a weird obsessive ex... The world is a stage and the stage is a world of entertainment!
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ellecdc · 8 months
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A Man With a Plan (prologue)
prologue // p1 // p2 // p3 // p4 // p5 // p6 // p7 // p8
Remus Lupin x whimsical!reader - Hogwarts Era (no Voldemort) - Soulmate AU
A/N: Hello! I've been stuck in my head about the idea of a whimsical reader (think Luna Lovegood) after reading the many sweet writings of other writers on Tumblr (specifically @ moonstruckme)! I totally ship a character like this with Remus because I feel like Remus has a tendency to overthink and get stuck in his own head and a character like this would be a breath of fresh air for him and balance him really well. Please note: whimsical does not = stupid! Rather, quite smart but people find her odd and reduce this to lack of intelligence. This is my little prologue, a sort of soulmate-esque AU - what do we think? Do we like this idea? Would we read it???
CW: swearing (cuz it's Remus 'Werewolf McSwearWolf' Lupin's POV, duh)
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If there was one thing people ought to know about Remus John Lupin, it was that Remus was a planner. At any given point, it would be safe to assume that Remus had a plan.
As would be typical of Remus Lupin’s luck, however, most of his plans got fucked to shit.
Example A:
As a child, Remus planned to grow up to be a wizard like his da, or a nurse like his mum. That plan was fucked to bits just before his 5th birthday when Fenrir Greyback damned him to a life of lycanthropy and a side serving of prejudice. 
Example B:
Remus Lupin planned to never be accepted to Hogwarts on account of his previously stated damnation. That plan also went sideways when an owl dropped a letter into his porridge on the morning of his 11th birthday, containing an acceptance letter to Hogwarts. Remus’ da told Remus it was likely a mistake and they would rescind the offer once they learnt of his lycanthropy. Once again, plans were nullified when headmaster Dumbledore himself showed up on the doorstep of the Lupin Cottage after not receiving a response from them.
Example C:
Once he confirmed his acceptance to Hogwarts, Remus Lupin planned to be completely invisible throughout his time at school. This meant: no embarrassing himself, no bringing attention to himself, and absolutely, under no circumstances, would he make friends.
Of course, as should have been expected, this plan was fucked upside down and backwards seven ways to Sunday when the likes of James Fleamont Potter and Sirius Orion Black set their sights upon him.
Though Remus Lupin did have a plan, he was still just a boy. He’d been homeschooled his entire life due to being unable to explain his absences to muggle teachers as well as his scars/injuries from every full moon, and the village kids were quite fearful of the scarred boy. All this to say; he’d never had friends before.
So, sue him for relishing in the interest these boys seemed to have in him.
No matter: Remus could handle this. “How?” You may be wondering. By a plan, of course! 
Remus Lupin would allow these two (and Peter who went about befriending the boy in a much gentler way, so let’s make it three) friends, and planned to ensure that they never learned of his lycanthropy. He’d only just made friends; he wasn’t about to lose them. 
Of course, Sirius being the nosey fucker he is, James being the doting mother hen he is, and Peter being far too perceptive for anyone’s good – that plan was fucked to shit as well.
Remus, then, planned then to never let anyone else ever learn his secret again.
That plan was once again fucked by none other than Sirius Black and his unfortunate ‘prank’ on Severus Snape that could have cost Remus and Severus both of their lives, or at the very least, their lives as they knew it.
Remus Lupin then planned to never forgive Sirius Black for that horrible, thoughtless prank. 
Remus was admittedly not all that sad to say that this particular plan was shot too, though he ensured Sirius suffered at least a little during the process of his forgiveness. 
So, as he sat at the Gryffindor table in the Great Hall in September of his 7th year listening to his friend’s wax poetic about their different love interests or conquests that they had made over the summer (i.e., James’ love for Lily, Sirius’ many hook-ups, and Peter’s enthusiastic support of them both), Remus made yet another plan.
Remus John Lupin planned to never, ever, fall in love. 
Moony, it would seem, had other plans. 
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Continue to the first chapter here.
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jaehaeryshater · 4 months
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“Near the end, [King Jaehaerys] grew certain [Alicent] was his daughter Saera, returned to him from beyond the narrow sea.”
artist: @riotarttherite
I had the great pleasure of commissioning, in my opinion, one of ASOIAF fandom’s greatest artists on this gorgeous piece. I had never commissioned any artwork before and didn’t know what to expect, and this far exceeded my expectations. The attention to detail is beautiful and the overall piece conveys exactly what I was envisioning in my head, so I wanted to start off with a big thank you.
The idea for this art piece was originally a “what if” or AU where Saera either didn’t get caught at the brothel or was brought back from the Silent Sisters as was allegedly Jaehaerys’s plan (or if she had bonded with Balerion and gotten to stay! Would have loved that for her) so she stays in King’s Landing and becomes his caretaker in his old age instead of Alicent Hightower. As his daughter, she would have significantly more influence in being able to “speak for him” instead of a caretaker for another House, so although I do not take Saera as someone particularly obsessed with power, I do find it very interesting to imagine her deciding to cause chaos as the Old King’s mouthpiece. The streets of King’s Landing are burning as we speak! Even before Jaehaerys seemed to succumb to dementia, Saera did appear to have a strange influence over him, so once Alysanne passed away, it only makes sense that Saera would become the person in his ear. Not all that great for the smallfolk or even Lords of the realm, but great for drama and storylines. And Saera, of course! I’m sure she would have paraded everywhere, weighed down by jewelry and the finest wines. Perhaps she would have had a full menagerie, as she appeared to love animals. Definitely an elephant there somewhere.
As this piece was being worked on, however, I did think of a second meaning to the art that I also think is really neat. You could also view this as what Jaehaerys is seeing as Alicent is caring for him. He did believe her to be Saera in the end, as his mind was being lost. His Saera had come back to him, and although I do not like Jaehaerys and think he probably deserved worse, he most likely died happy at that thought, believing Saera was reading to him. So if you prefer to interpret this as viewing things through Jaehaerys’s mind, I welcome you because I love it at least equally to the first idea.
Lastly, the detailings are beautiful so I wanted to touch on them and give them the attention they deserve for the moment. I asked Riot to have a caring but sinister vibe, that she is caring for him for a plethora of reasons but certainly that includes self-serving reasons. I believe this was captured really well! I wanted it to be illustrated that Jaehaerys had lost his wits a while beforehand, so he has a vacant look, and Saera has the keys, showing that she is the real power behind the Crown. She has several expensive jewelry pieces (she has many from her lovers, but she doesn’t bother with them, leaving them to collect dust, only thinking gifts from the King are worthy to wear), but my favorite was one I specifically requested. Her jeweled bodice, which contains replicas of the King’s jewels that are present on his crown. Dare I say, she had her mother’s crown repurposed for herself? The intention is clear, Saera is effectively the Queen now, not in name, but Queen nonetheless. As for the general fashion, I told Riot that my favorite era of fashion was the Tudor era, more broadly 1300s- 1550s. As you can see, this was more than delivered and extremely beautifully inspired by historical fashion. GRRM doesn’t always describe his character’s outfits, and the GOT and HOTD outfits were often lackluster. This was exactly the type of beauty I was looking for. The dragon embroidery on Saera’s sleeves? Mwah!
Anyway, thank you so much for geeking out with me! The Saera/Jaehaerys dynamic is one of the most interesting dynamics to me. There’s simultaneously so little and so much there. It’s complex and layered, I can’t stop thinking about it. If you have been on my tiktok, you may have heard about my extensive theory regarding that dynamic, iykyk. If you ever want to talk about them, absolutely feel free to inbox me. More commission ideas coming this year definitely, at least a couple more of this dynamic, but I don’t know how a piece could be any more perfect <3
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writingwithcolor · 9 months
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My alternate universe fantasy colonial Hong Kong is more authoritarian and just as racist but less homophobic than in real life, should I change that?
@floatyhands asked:
I’m a Hongkonger working on a magical alternate universe dystopia set in what is basically British colonial Hong Kong in the late 1920s. My main character is a young upper middle-class Eurasian bisexual man.  I plan to keep the colony’s historical racial hierarchy in this universe, but I also want the fantasy quirks to mean that unlike in real life history, homosexuality was either recently decriminalized, or that the laws are barely enforced, because my boy deserves a break. Still, the institutions are quite homophobic, and this relative tolerance might not last. Meanwhile, due to other divergences (e.g. eldritch horrors, also the government’s even worse mishandling of the 1922 Seamen's Strike and the 1925 Canton-Hong Kong Strike), the colonial administration is a lot more authoritarian than it was in real history. This growing authoritarianism is not exclusive to the colony, and is part of a larger global trend in this universe.  I realize these worldbuilding decisions above may whitewash colonialism, or come off as choosing to ignore one colonial oppression in favor of exaggerating another. Is there any advice as to how I can address this issue? (Maybe I could have my character get away by bribing the cops, though institutional corruption is more associated with the 1960s?) Thank you!
Historical Precedent for Imperialistic Gay Rights
There is a recently-published book about this topic that might actually interest you: Racism And The Making of Gay Rights by Laurie Marhoefer (note: I have yet to read it, it’s on my list). It essentially describes how the modern gay rights movement was built from colonialism and imperialism. 
The book covers Magnus Hirschfeld, a German sexologist in the early 1900s, and (one of) his lover(s), Li Shiu Tong, who he met in British Shanghai. Magnus is generally considered to have laid the groundwork for a lot of gay rights, and his research via the Institut für Sexualwissenschaft was a target of Nazi book-burnings, but he was working with imperial governments in an era where the British Empire was still everywhere. 
Considering they both ended up speaking to multiple world leaders about natural human sexual variation both in terms of intersex issues and sexual attraction, your time period really isn’t that far off for people beginning to be slightly more open-minded—while also being deeply imperialist in other ways.
The thing about this particular time period is homosexuality as we know it was recently coming into play, starting with the trial of Oscar Wilde and the rise of Nazism. But between those two is a pretty wildly fluctuating gap of attitudes.
Oscar Wilde’s trial is generally considered the period where gay people, specifically men who loved men, started becoming a group to be disliked for disrupting social order. It was very public, very scandalous, and his fall from grace is one of the things that drove so many gay and/or queer men underground. It also helped produce some of the extremely queercoded classical literature of the Victorian and Edwardian eras (ex: Dracula), because so many writers were exploring what it meant to be seen as such negative forces. A lot of people hated Oscar Wilde for bringing the concept to such a public discussion point, when being discreet had been so important.
But come the 1920s, people were beginning to wonder if being gay was that bad, and Mangus Hirschfeld managed to do a world tour of speaking come the 1930s, before all of that was derailed by wwii. He (and/or Li Shiu Tong) were writing papers that were getting published and sent to various health departments about how being gay wasn’t an illness, and more just an “alternative” way of loving others. 
This was also the era of Boston Marriages where wealthy single women lived together as partners (I’m sure there’s an mlm-equivalent but I cannot remember or find it). People were a lot less likely to care if you kept things discreet, so there might be less day to day homophobia than one would expect. Romantic friendships were everywhere, and were considered the ideal—the amount of affection you could express to your same-sex best friend was far above what is socially tolerable now.
Kaz Rowe has a lot of videos with cited bibliographies about various queer disasters [affectionate] of the late 1800s/early 1900s, not to mention a lot of other cultural oddities of the Victorian era (and how many of those attitudes have carried into modern day) so you can start to get the proper terms to look it up for yourself.
I know there’s a certain… mistrust of specifically queer media analysts on YouTube in the current. Well. Plagiarism/fact-creation scandal (if you don’t know about the fact-creation, check out Todd in the Shadows). I recommend Kaz because they have citations on screen and in the description that aren’t whole-cloth ripped off from wikipedia’s citation list (they’ve also been published via Getty Publications, a museum press). 
For audio-preferring people (hi), a video is more accessible than text, and sometimes the exposure to stuff that’s able to pull exact terms can finally get you the resources you need. If text is more accessible, just jump to the description box/transcript and have fun. Consider them and their work a starting place, not a professor. 
There is always a vulnerability in learning things, because we can never outrun our own confirmation bias and we always have limited time to chase down facts and sources—we can only do our best and be open to finding facts that disprove what we researched prior.
Colonialism’s Popularity Problem
Something about colonialism that I’ve rarely discussed is how some colonial empires actually “allow” certain types of “deviance” if that deviance will temporarily serve its ends. Namely, when colonialism needs to expand its territory, either from landing in a new area or having recently messed up and needing to re-charm the population.
By that I mean: if a fascist group is struggling to maintain popularity, it will often conditionally open its doors to all walks of life in order to capture a greater market. It will also pay its spokespeople for the privilege of serving their ends, often very well. Authoritarians know the power of having the token supporter from a marginalized group on payroll: it both opens you up directly to that person’s identity, and sways the moderates towards going “well they allow [person/group] so they can’t be that bad, and I prefer them.”
Like it or not, any marginalized group can have its fascist members, sometimes even masquerading as the progressives. Being marginalized does not automatically equate to not wanting fascism, because people tend to want fascist leaders they agree with instead of democracy and coalition building. People can also think that certain people are exaggerating the horrors of colonialism, because it doesn’t happen to good people, and look, they accept their friends who are good people, so they’re fine. 
A dominant fascist group can absolutely use this to their advantage in order to gain more foot soldiers, which then increases their raw numbers, which puts them in enough power they can stop caring about opening their ranks, and only then do they turn on their “deviant” members. By the time they turn, it’s usually too late, and there’s often a lot of feelings of betrayal because the spokesperson (and those who liked them) thought they were accepted, instead of just used.
You said it yourself that this colonial government is even stricter than the historical equivalent—which could mean it needs some sort of leverage to maintain its popularity. “Allowing” gay people to be some variation of themselves would be an ideal solution to this, but it would come with a bunch of conditions. What those conditions are I couldn’t tell you—that’s for your own imagination, based off what this group’s ideal is, but some suggestions are “follow the traditional dating/friendship norms”, “have their own gender identity slightly to the left of the cis ideal”, and/or “pretend to never actually be dating but everyone knows and pretends to not care so long as they don’t out themselves”—that would signal to the reader that this is deeply conditional and about to all come apart. 
It would, however, mean your poor boy is less likely to get a break, because he would be policed to be the “acceptable kind of gay” that the colonial government is currently tolerating (not unlike the way the States claims to support white cis same-sex couples in the suburbs but not bipoc queer-trans people in polycules). It also provides a more salient angle for this colonial government to come crashing down, if that’s the way this narrative goes.
Colonial governments are often looking for scapegoats; if gay people aren’t the current one, then they’d be offered a lot more freedom just to improve the public image of those in power. You have the opportunity to have the strikers be the current scapegoats, which would take the heat off many other groups—including those hit by homophobia.
In Conclusion
Personally, I’d take a more “gays for Trump” attitude about the colonialism and their apparent “lack” of homophobia—they’re just trying to regain popularity after mishandling a major scandal, and the gay people will be on the outs soon enough.
You could also take the more nuanced approach and see how imperialism shaped modern gay rights and just fast-track that in your time period, to give it the right flavour of imperialism. A lot of BIPOC lgbtqa+ people will tell you the modern gay rights movement is assimilationalist, colonialist, and other flavours of ick, so that angle is viable.
You can also make something that looks more accepting to the modern eye by leaning heavily on romantic friendships that encouraged people waxing poetic for their “best friends”, keeping the “lovers” part deeply on the down low, but is still restrictive and people just don’t talk about it in public unless it’s in euphemisms or among other same-sex-attracted people because there’s nothing wrong with loving your best friend, you just can’t go off and claim you’re a couple like a heterosexual couple is.
Either way, you’re not sanitizing colonialism inherently by having there be less modern-recognized homophobia in this deeply authoritarian setting. You just need to add some guard rails on it so that, sure, your character might be fine if he behaves, but there are still “deviants” that the government will not accept. 
Because that’s, in the end, one of the core tenants that makes a government colonial: its acceptance of groups is frequently based on how closely you follow the rules and police others for not following them, and anyone who isn’t their ideal person will be on the outs eventually. But that doesn’t mean they can’t have a facade of pretending those rules are totally going to include people who are to the left of those ideals, if those people fit in every other ideal, or you’re safe only if you keep it quiet.
~ Leigh
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amberarmedheart · 3 months
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In Defense of John Watson and the Importance of the Besotted Narrator
Every couple of years, the world as a collective likes to ruminate and come up with a new adaptation of the stories of Sherlock Holmes, every single new one promising to be either "The Ultimate Adaptation" or "Holmes for the New Era", there is no in-between. And it is understandable, this amazement and awe we hold for the beloved mysteries, they are classics for a reason.
And despite that, time and again I see creators of tv shows, pastiches, and movies, neglect the most important aspect in every single Sherlock Holmes' story: the immovable presence of John Watson. Some even going as far as turning Watson into a villain, a caricature of himself, or even erasing him completely from the narrative. "After all, the important one is Holmes, isn't he? He is the genius, and Watson is there just his biographer."
That is the capital omission to me when it comes to any of the adaptations, because it ignores the vital part that Watson plays in Holmes' life. Watson is the companion, he is the bridge between the "normal" world and the genius that is Holmes' deductive brain. He is, for a lack of a better descriptor, the translator between what jumps in judgement and reasoning Holmes' brilliant mind comes up with, and the layman's language.
There is a reason why we as readers come up with the idea that Holmes is smart beyond his quirks and his drug addiction, beyond his ignorance of anything and everything that in his opinion doesn't help him solve the cases that distract him from the boredom of normal life... and that reason is that John Watson is the person narrating the whole thing. We are not introduced to Holmes through an omnipresent, anonymous narrator which is the case with other books. We are thrown in the middle of a mystery from the start the same way that Watson is unexpectedly thrown in 221b.
What we think of Holmes, what we feel for him, it is all because Watson wishes us to experience. The stories themselves carry with them one of the best storytelling devices graciously blended into the narrative, which is the fact that Watson is an incredibly good writer, so much that the public gazes into the spotlight where Holmes is and in most cases ignores that the one shining it down is Watson himself.
Creators who like to ignore Watson and his function in the narrative tend to see Holmes as their own self-insert: a super smart man whose genius cannot compare with the mediocre world population and who can barely tolerate their stupidity, basically a gift to men from god and who has to be worshipped for it... When the reality is that every single thing we perceive from Holmes is because of how Watson sees him.
Watson is our unreliable narrator, his descriptions and impressions of Holmes are the ones that are weaved into the story; even goes as far as giving us a glimpse of Holmes' opinion about it through the way the consultant detective sometimes accuses Watson of adding too many embellishments to his narrations. If we see Holmes as an incredible genius, as someone whose intelligence is above the rest of the world, it is because Watson says so. With every passing story, we come across different characters that every once in a while whose first impression of Holmes has been influenced by what they themselves read in Watson's stories... All in all, the in-universe characters falling under the same influence we, as readers, are.
John Watson's love for Holmes is one of the main plot points in the story, we see its evolution the same way as one normally goes through different stages of falling in love. We see Watson's first infatuation, his interest in what makes Holmes what he is, first in a superficial way and later on with every new story. We see them have misunderstandings, which most of the time end up in a deeper appreciation of Holmes as a person.
All culminating in the incredible rendition of The Final Problem, which could easily be seen, without little effort, as Holmes' planning his own death. By what means we are never completely sure, to be honest, since we can only see it through Watson's deep grief. It is true that Arthur Conan Doyle's plans were to end Holmes' adventures with the short story, but even with the author's motivations being the main recourse behind its inception, there is no doubt when reading the story that the focus of the narrative is Holmes' spending his last moments with Watson.
The subsequent creation of The Empty House and further adventures after that, diluted partially the importance of the whole ordeal, but gave us a different insight of Holmes and Watson's relationship. Through that lens, we as readers witness the evolution of it, the toll that Holmes' fake death had in both his biographer and his own author, adding depth through the strain put by the facade.
E. W. Hornung made one of my favorite homages to Holmes and Watson through his stories of The Gentleman Thief, and put a greater emphasis on the strained relationship between the two characters after the fake death. He gave his besotted narrator another source of turmoil: the fact that while Raffles (our stand-in Holmes) was away living life and even having a romantic interest, Bunny (his Watson) ends up falling in disgrace after being sent to jail.
A.J. Raffles' stories lean on the importance of the unreliable, uselessly enamored narrator, to the point that Hornung didn't shy away from having Bunny refer to Raffles as handsome and attractive in many different instances. He understood how there is no Holmes without a Watson to appreciate him, how their dynamic is the fuel behind the success of the whole series.
And ultimately, that it is impossible to have a good story without a good storyteller.
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physalian · 7 months
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10 Character Dynamics the World Needs More of
Me handing out character dynamics like free samples at the Mall Food Court: “Take one! Or two! You’ll love it!”
I don’t care how many times these tropes have been done – write more of them. Write all of them. Fill out your author bingo card one by one.
1. “No one gets to kill you but me, Old Friend”
This. Right here. Primo rival content that I *live* for. All the juicy history between two old frenemies, the character drama, the backstory, the titillating unknown of what drove these two to rival status, bitter enemies that respect the heck out of each other, to the point that hell hath no fury should one get knocked down without the other’s consent.
And, of course, the moment where it seems all bets are off, when the rival comes to save their ass only to hand it back to them at a later date. The angst! The shipping fodder! Need I say more?
2. A bigger, badder villain, and their minion
You, reader, spend countless hours hating the guts of the big bad villain. They’re evil, they’re vile, they’re sadistic, heartless, irredeemable bastards. They killed your favorite character for shock value. The big bad moustache-twirling antagonist… is actually not the biggest fish in the story.
Either they’re coerced into doing evil as a puppet of the Bigger Bad, a tragic villain in their own right, or they have some reservation, some line even they won’t cross, someone else’s boots they have to kiss, someone who features in their nightmares, as they feature in the heroes. They end their stories dispatched without a thought by the Bigger Bad, or redeem themselves in death by taking out their masters. It never gets old.
3. A leader and their lancer: besties
You know what’s better than leaders and lancers who have zero faith in each other and are constantly bickering about who should be in charge? Leaders and their right-hands who adore each other (platonically). They have each other’s backs, they know each other’s greatest strengths and weaknesses and are each other’s perfect covers.
They can communicate with looks and vague gestures alone, they compliment each other’s flaws and misgivings, build up the rest of the team when they’re down on their luck, and should misfortune strike either, they pull out all the stops and show off exactly why they’re not to be trifled with, so that even the villain is afraid.
4. “I don’t even know who you are”
Oh, but you will. This one twists the knife, robbing the avenging hero of the importance in this world they’re desperate to maintain. They are their own hero, the sun revolves around them… but not to this one asshat that ruined their life and doesn’t even remember doing it.
An entire identity built upon the finding, fighting, and overcoming of this wrongdoer, every other goal in life cast aside for this one impossibility. Either the villain toys with the hero to make them irate, or gets suckerpunched by some pissant fueled by vengeance and spite and divine purpose to dole justice where justice is due.
6. The jaded badass and their naive ward
If the last 8 years of media is anything to go by, we still love this trope, whether it’s in a galaxy far, far away or a fungi-zombie post-apocalypse, or in the twilight hours of an era of legendary mutants. The best part of this trope? You get two often contradictory character types in one body. The pessimist, PTSD-ridden master of old with no living friends left and at least one dead love interest *and* beneath all that, still lies an atrophied heart of gold just waiting to be nurtured and revived.
The naive ward gets a hard lesson in how crappy the world can be, but also in how there’s still some goodness left, if their guardian cares about them. The jaded badass in turn, learns how good the world can be, that there’s something still worth fighting for beyond the next bottom of a bottle.
6. The enemy of my enemy (is my friend)
Similar to the “old friends”, this trope is often a result of the minioned Big Bad realizing they don’t want to be evil anymore. Or, bitter old rivals, sides of a war that have been fighting for generations, ideological polar opposites, fundamental polar opposites all come together when: Some evil schmuck managed to scare them both.
Doesn’t matter on what shaky ground this temporary alliance is built, or how long it lasts, equally-competent badasses on both sides finally work together and compliment each other’s strengths, and compensate for their weaknesses, in a way their teammates never could.
7. The irredeemable villain’s only wholesome connection
Not so irredeemable anymore, now are they? This trope messes with your head, taking a character you know has done heinous acts of terror, but who cares unflinchingly, unabashedly, about one thing – either their lover, their pet, their relative, or their kid.
This exists independently of the heroes and is not the same as an “oops I guess I’m your father” reveal. I’m talking this character who everyone is convinced cares about nothing and no one but themselves and their ambition still has a place in their soul for something they want to protect, they want to be loved by, or that they must spare from their atrocities.
8. Platonic Heterosexual Friendships
These two have seen each other at their most vulnerable. They’ve shared fears, dreams, desires, know each other’s deepest, darkest secrets. They’ve seen each other exhausted, frazzled, dressed up, dressed down, bloodied and broken and like a raw, open nerve. These two would die for each other, they would live for each other, and yet.
They’re not in love with each other. They’re wholly comfortable in each other’s spaces without lust and desire mucking up the atmosphere. Neither is the one, neither wants to be the one. They remain together not for the bonds of romance, but for the bonds of friendship, and nothing could be stronger.
10. The Ace and their best friend, the Self-Proclaimed Slut
These two respect the f*ck out of each other. One never mocks the other for lacking desire and in return, they’re never mocked for their promiscuity. They’ll never walk in each other’s shoes, but they don’t need to, to understand that’s just how some people are. They’re each other’s safest spaces when the world doesn’t take either of them seriously.
They’re each other’s biggest defenders against the bullies, presumers, the holier-than-thous who think they have it all figured out. They’re the perfect compliment to give advice on everything from relationships to the best outfits for an outing because there’s *zero sexual tension* between them. Or, maybe, if the stars align, they’re something more.
10. The redeeming villain, and their staunchest skeptic
This villain has lost everything – their home, the respect of their people, their worth, their evil ambition, their identity, and has begun working their way up from rock bottom doing everything in their power to show the heroes that they’re serious. They make amends, they break their bones proving themselves, they’ve swayed everyone they’ve wronged in the hero camp.
Except one. The one character that was probably their first defender, and got burned for it. The character that was naive enough to think this villain could be saved, and was wrong. The character that won’t be duped again without some serious drama and soul-bearing between them.
Now tell me which ones I missed!
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I think a certain amount of etiquette is lost on people in fandom nowadays.
Just in general, but specifically I'm focusing on Tomarry/Harrymort right now because it's relevant my present issue.
I follow Tomarry/Harrymort content on here and Twitter. I am not always active, and I'm not always reacting to every single thing I see. But I see a lot of things and I keep my mouth shut most of the time.
In these past couple of months on Twitter, it's become really annoying to witness this particular subset of the fandom because people make posts that are not-so-subtly shading Tomarry/Harrymort writers every day.
People are so obsessed with how much they love the character and how much they love fanfiction that is true to the character, where they sound just like their canon self and don't seem any different, that they spend their days tearing down depictions of Harry Potter in fanfiction, that dare to stray away from abused, snow-white-angel, Quidditch-obsessed jock.
Many people seem to have forgotten that in the actual story, Harry Potter and Lord Voldemort would not get together. We ship two crack ships. They are things that have no hope in hell of ever happening in the canon story. To even write for Tomarry/Harrymort, we either have to change a few details, leave out a few details, or try to rework the existence of some details so they hit differently and make the pairing make sense for each individual fic.
This fandom purity nonsense has ended up with a lot of recent posts dogging on different kinds of HP tropes over the years and affecting authors.
A few weeks bacl it was 'the era of creature fics was cringe'. And then it was followed by a long list describing certain scenarios in certain stories that used these tropes, and I could immediately pick out which fics inspired these descriptions. There were people in the replies and the quotes land people who took screenshots to post to their own accounts to say shady things(including naming fics specifically!) without others being able to easily access them from the OG post itself.
I, personally, have outgrown creature fics in HP, and I'm not interested in reading them anymore. But I'm not sitting here making lists attacking the tropes involved in them. I'm not sitting here saying that they were stupid and corny, and they were the most unHarry Potter-like writings ever. And I'm not the one out here making the people who wrote those stories and get to see these kinds of comments coming from people in their fandom, feel bad.
IDK, but when So-So sees people bringing their 6-year-old fic up in a post dragging tropes in Tomarry/Harrymort fics, and they suddenly get the urge to just delete their fics entirely and not bother with the fandom anymore... maybe y'all need to learn how to word things better. It's really not that hard to say you're not into a specific thing anymore without having to drag other people down.
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avale-reves · 20 days
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if this "no news/trailers/whatever at all until the year leading up to release" is the new normal for KH i think fandom is going to like, have to massively restructure the way it works, the things it celebrates and engages with, the stuff it values and considers 'high worth', because otherwise it's just going to be years and years and years of the same discussions repeated over and over with nothing new for us to even chew on in the meantime.
i find that the kh fandom massively undervalues fanworks. maybe as a side effect of how important 'word of god' and 'canon' are to understanding the series, idk, but like i think there needs to be a real shift in fandom perspective to champion them more, and making them far more central to what "being active in kh fandom" means. And I think this both because of just the practicality of keeping fandom alive in an era where the devs are more tight-lipped than ever, but also I think it's something that KH specifically needs to do.
Kingdom Hearts is always going to be a series of "missed/unfulfilled potential". There is no way it cannot be. The concept is just too expansive, the cast so wide, and there are endless ways to spin off of what they've given us, or endless ways to imagine where it could go. Even something as simple as a Disney world has all of this "potential" in how it could be explored, how it could be utilized, how it could play or look or feel, what themes it could have, what character development it could give certain characters etc. And the games will always have to take that infinite possibility and whittle it down to a single thing. KH itself will always have to contend with right/legal issues, Disney oversight and rules, the realities of game development and budgets, etc and so in that sense, it will never be able to reach the potential. But like... we can? We as fans can take all of the potential and use it as an endless playground for us to enjoy and engage with.
Idk, I just think back to, for example, Kairi and Lea training. A concept that has a ton of potential! Very interesting fertile ground for character dynamics, fighting scenes, mentor scenes, etc etc. Obviously, in KH3 this amounted to only a couple of core scenes where the devs put the focus on just their character relationships. Many were disappointed by this, by how little we see, but like, it was always set up as a "thing that is going to be happening off-screen", that's the whole point of 'merlin made a special place where time doesnt matter and they can just focus on training'. And when we think of KH3 with its endless things it has to juggle, its huge cast, etc. it makes sense that Kairi and Lea training can only be a tiny part of it. They have a budget. They have resource constraints. They even have disc space constraints to worry about (it's why their scenes are CG even! They literally did not have any room on the disc to actual make in-game environments for them!).
Like we can look at that and be very disappointed. We didn't get to see any of that stuff. But like, idk, at the same time, the fact that we didn't see a lot of it means that almost any fanwork about that time can "fit with canon" and be "something that might've happened". Like, we can look at it as a disappointment it wasn't more defined by KH3, but we could also look at it as a fandom gift. To borrow a phrase from iconic kh fan translator goldpanner: It is a crack in the concrete sidewalk of KH canon where fanworks can grow and thrive.
Idk. I know for some, fanworks will just never count the same as canon. But, I do feel like if people in general grew to appreciate them more, and have fun with them and engage with them, and share them and make them themselves, then it could do so much to smooth out the feelings of 'missed potential' that is inherent with this series and always will be through no fault of the devs themselves. And perhaps we would find, if, for example, we had spent the 4-6 years between MelMem and KHIV having a blast as a fandom exploring 'Kairi and Aqua training' through fics, art, comics, vids, fangames, music, graphic design, etc etc. We'd probably feel that by the time it was 'defined' by canon into a single thing it has to be for the story they're telling, even if that thing is nothing that we thought or wished for, we might end up feeling the 'potential' of the idea wasn't wasted, because we explored it.
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