Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.
Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.
But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.
Like, if we're supposed to take this as a full story, there are so many bizarre choices:
Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?
Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.
Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.
(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)
Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?
But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:
Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:
The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.
Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.
(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)
(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)
Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.
45 notes
·
View notes
*shows up to the finale a day late with take out*
WOW was this. a ride. i went through. SO MANY EMOTIONS and also that boss fight was *oof* it took me a few tries though not as many tries as magical girl transformation jaania
but!!! just!!! the mage trio!!! who we have to leave behind!!! who is depending on us to get them out of there!!! aequillibria and everything it entails!!! i'll be glad to slow down with dragonfable for a bit now that i've caught up (except for everything with roirr and the first weaver stuff i didn't actually. get to that. but i will. i have Theories about what exactly happened there given it's placement in the timeline or rather, what the consequences of it were (aka i think i know what broke the magesterium or at least who broke the magesterium)), but i'm also super excited for what may come next!!!
we've got all these new tiny fissures, we've got the rift still open in the deadlands, we've got aequllibria to figure out, there's of course several open-ended side stories that still need closure like the fear saga and six heroes... and there's so much more of lore to discover! obviously there's more of the continent across the sea, but what about the lands to the south? the other side of the world where uaanta and notha come from! so many possibilities!!
but also the finale itself was so satisfying. it tied up some more threads, left other stuff open for the epilogue and for the future book 4, made me cry over the mage trio and then made me lose my mind over cysero and his big red (reset???) button (dragonfable devs please you can't keep doing stuff like this to us you've put so many mechquest references in book 3 we're gonna lose it (i still actually have to. play through mech quest. hopefully in a more sedate manner than i have torn through dragonfable). duality of video game, tonal whiplash my beloved
...i don't know where i was going with this but in conclusion i love this game and i'm still having emotions about everything
just. AHHHHHHHHHHHHHH
17 notes
·
View notes
Pecco and Pedro are probably the people who more than anyone else want to beat Marc. Pecco because he is forced to do it for a matter of survival, his bet next year is to be able to win against Marc with the same bike. Pedro wants to win the first world championship with Marc in MotoGP, even better if he wins it against him, because of course that’s what he wants. I MotoGP your teammate is your first enemy, as surreal as it is, it would be more likely to see Pecco and Pedro helping each other (which would be unlikely anyway because they aren’t the type of people who do that) than one of them helping their teammate , especially if it's Marc. If anything Marc and Pecco have to be intelligent enough to at least not take each other out Portimao style, because in that case there will be someone behind them ready to bite
so I'm going to jump in right away by saying, I know this ask acknowledges it's unlikely but, yeah, pedro and pecco will not be helping each other in any meaningful sense - because they are both serious challengers to each other and they know it. sometimes, riders can be known to help non-team members in fairly small low-key ways (see in this post valentino accusing marc of deliberately towing ducati riders to get them ahead of his actual rivals in brno 2014). for both pecco and pedro, marc is definitely the bigger focus, but they are both perfectly aware of the danger the other poses, and will not be inclined to treat each other as anything other than an active threat
that being said! of course pecco has already nicely demonstrated this season that he does approach his marc fights differently than he does those with other riders (which is broadly the correct and smart thing to do, even if the specifics can be critiqued). portimao even gave us the direct comparison between pecco/pedro and pecco/marc! part of it, yes, will just be an element of self-preservation - marc is now back to being a major roadblock for winning any future championships, and he'll be in pecco's house so will of course require... extra attention. apart from that, it absolutely would be the most meaningful way pecco could win a championship, by beating the famous marc marquez on equal machinery... nobody has done that before, and it would instantly dispel any remaining doubts about pecco's ability and cement his legacy as one of the greats of the sport. he wants to beat marc so badly because marc is one of the two riders he's always been chasing... and marc's absence has left all the young pretenders in this odd place where they've taken the crown but don't quite believe it's theirs yet. (just to say this again, I personally don't share the view that marc's absence diminishes those titles in any way, but it is of course interesting when the riders themselves have these insecurities.) there was that interview from early-ish last year where pecco talked about some of his personal limitations and how he views his own status in the sport:
fascinating, isn't it? of course, I'm sure a second title will have helped to some extent in making him feel a little more entitled to that status in the sport - but this is not the kind of thing valentino or casey or jorge or marc ever would have said. there's a self-consciousness to pecco, an awareness of his uncertain, shaky journey to the top of the sport, how he's fully cognisant of how different he is to those names... which can be a problem at times - delusion is an athlete's life blood, and while the level headed insight pecco expresses here is arguably admirable, it is not necessarily helpful for him as a champion. on the other hand, sometimes lacking a little in the delusion department can be a good thing if it allows you to deliberately improve yourself, pushed on by the knowledge that you still have a long way to go... pecco's biggest self-inflicted wounds have tended to come when he's at his most comfortable - you can theorise about why this happens, but maybe that striver mindset is exactly what he needs to keep him going. it's still quite the admission to describe his 2022 season as more incomplete than either valentino or marc's title runs. (mind you, it's arguably even less complete a season than some of their misses - of course with valentino you have the obvious ones, but did you know that marc scored an average of 13.44 points in 2015 vs pecco's average of 13.25 in 2022? obvious caveat that in 2015 there were considerably fewer competitive bikes and barely any capable of regularly challenging for race wins.) the need to prove himself is always there with pecco... it keeps peaking through with him, and it absolutely peaks through in his approach to marc. yes, yes, acosta is the future, jorge martin has been his title rival more recently... but of course, beating marc would be special. do you think pecco ever dreamed that of it? do you think he really believed that he could before he was already premier class champion? with most champions, you would say it's likely. with pecco, I'm not quite so sure
as for pedro, yeah, obviously, that's just the cycle continuing lol. deeply curious what those two regularly competing at the sharp end of races looks like. pedro has kinda kept his distance, isn't that much of a marc fan himself... when he talks inspirations he tends to bring up schwantz, stoner, pedrosa, and of course rossi
schwantz is far from an unusual pick amongst riders, though as the years pass perhaps gradually more so - it certainly reveals an appreciation for the history of the sport. as do the other choices, in a way... let's not forget that acosta was eight years old when casey retired. of course back in the day casey and dani themselves got plenty of criticism for how 'boring' they were - that's just how these things go! nobody's ever nostalgic for the present etc etc
pedro did also talk last year about how the public wants celebrations and rivalries, critiquing how friendly riders are nowadays and saying people want battles like jorge/dani, valentino/marc, and so on (full clip here)
heartwarming: global number of people who still care about the valentino/sete rivalry is now confirmed at 2 (two)
obviously, you can't just go out and manufacture feuds because you're feeling like it, and pedro's had a pretty quiet rookie season in that sense. but once he feels like he's settled in and can challenge the infamous marc marquez in an actual title fight? on the basis of this rhetoric, you'd at least hope he's not going to be too shy in taking on the challenge. of course he too wants to beat marc more than anyone else... again, it's a question of legacy, how pedro clearly situates himself within the same lineage as both valentino and marc - even if personally he aspires to be more of a successor to the former than the latter. always better to take the crown for yourself, right? this is a kid who's clearly into the history of the sport and is already determined to make himself a big part of that story... weaving himself into that narrative by taking on a legend of the past, taking on the task of disposing with that legend himself. plus, given pedro is so aware of that history - he knows that what people remember are the rivalries. he wants some of that for himself! it'll be interesting to see how proactive he'll be in making that happen, certainly seems like an enterprising young lad
anyhow, yes, plenty of potential for both of those dynamics. and yes, they do very much want to beat marc - but if we're talking about who wants to beat him the most, jorge martin probably deserves a mention right around now. does have to be said that something dumb like the portimao thing is costing pecco and marc this year. it's kind of gone under given the sheer bucketloads of points all the title contenders are throwing away, but pecco would be eight not eighteen points behind in the standings if he had settled for sixth in portimao, and for marc it would be twenty four rather than thirty five points if he'd backed out of the move and had another go on the next lap. relatively unlikely to make a difference at the end of the season... though for mr title decider pecco bagnaia, it sure might be! I did joke about making the pecco/marc portimao thing tradition, but generally speaking two top riders crashing each other out isn't that common a thing, and it's pretty..? rare? that it's the same two riders on multiple occasions? I'm drawing a bit of a blank here, to be honest... then again, title contenders do seem to crash rather more than they used to (admittedly they also have a lot of opportunities now) - so maybe this is going to become a more regular occurrence. but what is more likely to happen is that when you have two competitive riders on the same bike, they do run the risk of taking turns stealing points from each other at the circuits where their bike is at its best. I think pecco and marc can probably minimise this given what a good all-round bike the ducati is across a range of different circuits, and also given that as individual riders they do at least seem to be reasonably distinct in what their strongest and weakest tracks are. all in all, I kind of doubt they'll cost each other like that next year... though admittedly if portimao is anything to go by I may be tempting fate
17 notes
·
View notes