Dan is Trigon
So! The Teen Titans had been chasing down a Cult lately, and they had finally managed to track down their main bases location.
Unfortunately, they got there just a bit too late and the Summoning Ritual they had been preforming was finished. The Being they had been calling crawled up and out of the Circle drawn in Blood on the floor.
And Raven felt her heart Stop. Because that Being crawling it's way out of the Summoning Circle looked almost exactly like her Father's True Form. But also different.
Where her Father's hair was a White Flame, this one's hair looked like Freshly Fallen Snow. Instead of her Father's Blood Red Skin, this being had Icy Blue Skin. And most strikingly, In place of her Father's Piercing Red Eyes, this being had Lazarus Green Eyes.
But even with all those changes, she could still the similarities in the Bone Structure, the shape of the Jaw, and most importantly the Untold Power radiating off of them.
Before they could react, the Being turned its attention to the Cultists.
"Who Dares Summon, the Ghost King?"
"We do, Out Lord Pariah Dark! We Beseech Thee, take this unclean world and tear it down! Cleanse the World of its Filth!"
"Oh Goddammit, not again." Said the Being, "Look, Pariah hasn't been in Power for Centuries. I, am Phantom. And I don't do the whole 'Destroy all Worlds' thing, you want your own constellation? I'm your guy. Otherwise? Bite it."
"Bu-But my Lord! We summoned you to-"
"Yeah how about no." Said the unimpressed God, "Here, let me send you guys Home. I'll give you guys some riches or something as compensation, but that's it."
And with that, the God snapped its fingers and the cultists disappeared.
"Now, who are you kids?" He turned to them.
Robin stepped forward, "We are the Teen Titans, and originally we came to stop them from Summoning you. Now, I honestly don't know what to do..."
"Oh, you guys are Heroes! That's interesting, I don't come across worlds with Heroes very often." Said the Ghost King, "The last one was the one with those Revengers or whatever they called themselves. The Spider Totem was fun to talk to, and Thor is always..."
As Phantom mumbled to himself, Raven stepped up. "King Phantom, I have a Question. Why do you resemble the true form or Trigon so closely? As his Daughter, I can recognize your similarities easily, and I was curious."
The King stopped dead.
"...daughter?"
"Oh, yes. Trigon is my father, though obviously I haven't talked to him recently." She explained.
"...that asshole." He said, "How could he not tell me I had a NIECE!?"
Wait what?
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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The new Æthelflaed statue outside Tamworth Railway Station, erected to commemorate 1,100 years since her death in Tamworth. Her spear points visitors towards the town centre and Tamworth Castle.
Æthelflæd, Lady of the Mercians (c. 870 – 12 June 918) ruled Mercia in the English Midlands from 911 until her death. She was the eldest daughter of Alfred the Great, king of the Anglo-Saxon kingdom of Wessex, and his wife Ealhswith.
Æthelflæd was born around 870 at the height of the Viking invasions of England. By 878, most of England was under Danish Viking rule – East Anglia and Northumbria having been conquered, and Mercia partitioned between the English and the Vikings – but in that year Alfred won a crucial victory at the Battle of Edington. Soon afterwards the English-controlled western half of Mercia came under the rule of Æthelred, Lord of the Mercians, who accepted Alfred's overlordship. Alfred adopted the title King of the Anglo-Saxons (previously he was titled King of the West Saxons like his predecessors) claiming to rule all Anglo-Saxon people not living in areas under Viking control. In the mid-880s, Alfred sealed the strategic alliance between the surviving English kingdoms by marrying Æthelflæd to Æthelred.
Æthelred played a major role in fighting off renewed Viking attacks in the 890s, together with Æthelflæd's brother, the future King Edward the Elder. Æthelred and Æthelflæd fortified Worcester, gave generous donations to Mercian churches and built a new minster in Gloucester. Æthelred's health probably declined early in the next decade, after which it is likely that Æthelflæd was mainly responsible for the government of Mercia. Edward had succeeded as King of the Anglo-Saxons in 899, and in 909 he sent a West Saxon and Mercian force to raid the northern Danelaw. They returned with the remains of the royal Northumbrian saint Oswald, which were translated to the new Gloucester minster. Æthelred died in 911 and Æthelflæd then ruled Mercia as Lady of the Mercians. The accession of a female ruler in Mercia is described by the historian Ian Walker as "one of the most unique events in early medieval history".
Alfred had built a network of fortified burhs and in the 910s Edward and Æthelflæd embarked on a programme of extending them. Among the towns where she built defences were Wednesbury, Bridgnorth, Tamworth, Stafford, Warwick, Chirbury and Runcorn. In 917 she sent an army to capture Derby, the first of the Five Boroughs of the Danelaw to fall to the English, a victory described by Tim Clarkson as "her greatest triumph". In 918 Leicester surrendered without a fight. Shortly afterwards the Viking leaders of York offered her their loyalty, but she died on 12 June 918 before she could take advantage of the offer, and a few months later Edward completed the conquest of Mercia. Æthelflæd was succeeded by her daughter Ælfwynn, but in December Edward took personal control of Mercia and carried Ælfwynn off to Wessex.
Historians disagree whether Mercia was an independent kingdom under Æthelred and Æthelflæd but they agree that Æthelflæd was a great ruler who played an important part in the conquest of the Danelaw. She was praised by Anglo-Norman chroniclers such as William of Malmesbury, who described her as "a powerful accession to [Edward's] party, the delight of his subjects, the dread of his enemies, a woman of enlarged soul". According to Pauline Stafford, "like ... Elizabeth I she became a wonder to later ages". In Nick Higham's view, medieval and modern writers have been so captivated by her that Edward's reputation has suffered unfairly in comparison.
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character: valentino
warnings: 18+ minors do not interact, possessiveness, toxic relationship, daddy kink, gun play, slight oral fixation, fem!reader who has unspecified piercings
notes: for @sovya, who is val’s precious lil princesa ♡ and who always listens to my insane ramblings about ideas i had at exactly 6:20am hehe c:
words: 687
Valentino has an interesting little quirk, you’ve come to learn; he always has to have something of his inside of you. It’s a simple fact, really. No matter what it is or where you are, a piece of him must always be within you in some way, shape, or form.
He, of course, prefers for it to be a part of his body—his fingers, his tongue, his cock—but unfortunately that isn’t always feasible.
And, of course, there are other objects that work well, too.
Sometimes it’s his gun, barrel rammed down your throat as far as it possibly can be, teeth scraping against the N of his bedazzled name as you desperately attempt to swallow more, knees sinking into the plush shag of the carpet beneath his work desk, your chin resting on his thigh as you sit at his feet. Your lips pucker tightly around the barrel as they suck, thick dribbles of saliva oozing from the corners of your mouth to drizzle off your jaw in shimmering cords, while a dutiful tongue curls around the heated metal in a protective, almost loving embrace, eager to siphon it further into your body.
Sometimes it’s one of his shiny gold rings, pressed flat under your tongue as you suck it into your flesh during your daily outings, the metal clacking daintily against your teeth while you mindlessly toy with it, the tip of your tongue hooking through the band then circling the halo in a lazy, messy outline, encrusted salt melting against your tastebuds, staining your tongue with the zest of his sweat.
Sometimes it’s his favourite bullet vibrator, soft pink silicon engraved with his full name and a smattering of cute little hearts buried deep in your cunt as you go about your day, never knowing when Val might turn it on, turn it up, but always knowing that he’s watching through the discreet cameras he had Vox plant all over your shared condo, always ready for that telltale video call that you better fucking answer right before you cum—and knowing that if you don’t, you’ll be suffering endless edging until Daddy gets home (and sometimes after that, too).
He gets off on it just as much as you do, chuckling darkly when your knees knock together and your thighs tense, a sharp gasp spilling from your throat and nails chipping as your fingers curl around the edge of the kitchen counter, tauntingly asking if something is wrong, amorcito? as his face swims into view, sadism stretched sharply across his face, eyes glowing with the knowledge that he holds all of your pleasure, all of that power, in the silky palm of his hand, controlling it with the single flick of a notch.
Sometimes it’s his custom-made heart-shaped studs and barbells, embellished with ostentatious V’s and filling all of your piercings, glinting in the late afternoon sun or heating under your clothes as he drags you from store to store, an arm tightly linked through your own—showing you off, his most cherished accessory, his prettiest prized possession, his best accomplishment.
If he has to pick a favourite, though, it’s his fingers, one of his four hands wedged between your soft thighs, two fingers stuffing your cunt full and idly stroking the silky walls as he works—writing scripts or reviewing footage—and you play—mashing buttons on your pretty pink handheld or colouring a picture for him, book folded at the spine and balancing against your bent knees, little tongue playing with the point of your fang as you concentrate.
And yet, despite the sensuality of it all, it isn’t even sexual half of the time, going far beyond the shallow pleasures of carnality. Because that secret, shared knowledge that there is a piece of him constantly inside of you—a private claim of ownership in the most intimate sense—provides a deep-seated comfort; a warm, dense calm that roots itself at the very core of your souls, that soothes anxieties and serves as a steadfast reminder: that you are owned, that he owns you, that you belong to one another, always.
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