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chalkscene · 5 months

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fruits basket ⇢ WOULD YOU KISS ME FOR $10 OR THE PRETTIEST GIRL IN THE WORLD FOR $700?

ft. kyo sohma, yuki sohma, hatsuharu sohma & hatori sohma x f!reader (separate)

“hi,” you greet KYO with a perky tone that has him eyeing you suspiciously as you sidle up next to him. “what are you up to?” he asks and you can’t help but roll your eyes. “nothing. i just wanted to ask you something.” kyo doesn’t respond but he’s looking at you in anticipation so you continue, “would you kiss me for $10 or the prettiest girl in the world for $700?” it’s his turn to give you a quick eye roll which earns him a playful slap on the arm. “answer my question.” he sighs in resignation before replying definitively, “i’d kiss you for ten dollars.” “wow,” you drawl but a teasing smile tugs at your lips, “so you don’t think i’m the prettiest girl in the world?” kyo lightly bonks your head. “i already answered your question.”

over video call, you’re halfway through a game of 20 questions with YUKI when you ask him, “would you kiss the prettiest girl in the world for $700 or me for only ten bucks?” and you don’t expect him to already come up with an answer in an instant. “normally,” he says with emphasis, pausing for a second before he continues, “i’d kiss you.” you immediately feel your eyes turn into saucers. “what do you mean ‘normally’?!” yuki cracks up but he doesn’t relent, “i’m in college. i would need the money.” “i’m actually gonna break up with you.” he laughs harder at the empty threat before schooling his features as if to appease you, “you know you’re the most beautiful girl to me. i’d kiss you for 700 dollars.” “nice save.”

minutes have passed since you asked HATSUHARU your question yet all you’ve gotten from him so far is the blank expression on his face—he seems to be pondering over it as he stares into the distance. “so…” you speak, easing him out of his thoughts, “what’s your answer?” he then looks you in the eye and says, “i’d kiss you.” at the tip of your tongue sits a teasing comment in an attempt to dare hatsuharu to name someone prettier than you but he cuts you off with a kiss, his lips on yours, immediately wiping the smirk off your face. when he eventually pulls away, his expression is still as neutral as ever. “that’s ten dollars.” bastard.

“hi, tori.” you walk over to HATORI where he’s sat at his desk, reading some files at the moment but he doesn’t mind your intrusion into his workspace. “hi, sweetheart.” “you busy?” “i have time,” he says as he takes off his glasses. “okay. i have a question.” hatori swivels in his chair away from his table, making room for you to sit on his lap which you happily do. “okay,” you repeat, “would you kiss me for ten dollars or the prettiest girl in the world for 700?” that is the last thing hatori expected to come out of your mouth but he decides to play along, taking his time to mull it over. “just say i’m ugly,” you joke which elicits a chuckle from him. “you know i don’t think that.” “then what’s your answer?” “i would kiss you,” he says sincerely. as soon as he catches the telltale sign of you holding back a smirk, he quickly adds, “don’t ask-” “who’s prettier than me then?” you interrupt, satisfied with yourself when hatori only sighs. he knew it.

#fruits basket #fruits basket imagine #fruits basket headcanons #fruits basket x reader #kyo sohma x reader #kyo x reader #kyo sohma #yuki sohma x reader #yuki x reader #yuki sohma #hatori sohma x reader #hatori x reader #hatori sohma #hatsuharu sohma x reader #hatsuharu x reader #hatsuharu sohma

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ofoceansandtombsanew · 1 year

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Tohru Honda: a Subversion of Shoujo’s Nice Girl Trope

Fruits Basket absolutely nails subverting your expectations of character tropes in anime.

Momiji is introduced as the cute childish boy but boom we are slapped with the fact that he a mother who hated him so much she had her memories wiped of him. Shigure right off the bat looks like the typical perverted uncle of anime when in reality he is one the most manipulative characters in the series. Ayame is the flamboyant, boisterous one whose bravado hides his regret and desire to repent for his past neglect of his younger brother. Which ultimately brings me to the protagonist of Furuba itself, Tohru Honda.

I'll make it no secret that I have a huge soft spot for Fruits Basket as a series. It was the first manga I read, I watched the 2001 series and I was right on the hype train when I saw it was getting a remake that would follow the manga storyline. But I did my best to be as objective as possible in this essay of sorts saying why I believe Tohru is a great example of subverting the "Nice Girl Protagonist" of Shoujo. Tohru is the protagonist of Fruits Basket and when it comes to those who don't like her, it seems she can be hit or miss due to the assumption that she is perfect.

The general consensus of those who do not like her or find her bland compared to the rest of the cast is that Tohru is a perfect and bland protagonist with no issues of her own. That all she does is wave her healing wand of warm smiles and makes everything better for those around her.

However, that opinion couldn't be more misguided. In reality, Tohru is just as emotionally broken as the Sohmas and they mend her heart just as much as she mends theirs. As such, I hope to show those who find her bland or otherwise boring that there is more substance to Tohru's character than they believe.

At first glance, Tohru does seems like your typical Shoujo protagonist. She's nice, almost to a fault. She would rather talk her way out of a situation instead of throwing hands, she doesn't get mad in situations other typically would, and she has a hard time asking for help. Oh and with a dash of anime originality, she's an orphan. However even as early as episode 1, you can see hints that Tohru is not going to be the usual nice girl protagonist with her desire to work and be as independent as possible. The mangaka does a great job throughout the series showing with hints and broad examples that Tohru is just as complex as the colorful cast around her.

Ironically enough though, when hints of Tohru's trauma are sprinkled throughout the series it is seen as annoying even when the Furuba takes time to give insight into why she does the things she does.

She mentions her mother constantly in anecdotes of whimsical stories or snippets of wisdom her mother imparted her with.

Compared to the death of parents to other anime protagonists, Tohru's situation is a bit more unique. Tohru's father may have died when she was young but the same cannot be said for her mother, Kyoko, who died fairly recently. When the series begins, Kyoko has only been dead for a few months and it is more than apparent as early as episode 1 that Tohru is desperate to keep any semblance of her mother's existence alive. Kyoko died before Tohru's first year of high school even ended and worse, was told in the middle of class. Tohru has had barely any time to heal from this loss and it is evident in how she talks to her mother's photo.

Yes, in Japanese culture, it may be typical to have photos of departed family members, making a shrine for them and leaving offerings from time to time. But Tohru takes this to a completely different level, showcasing how deep her trauma runs.

When she is digging frantically to take out her mother's photo after the landslide destroyed her tent, she cries "She can't breathe in there. She's in pain." And that's just episode one.

Nobody completely over the death of their parent would speak like this, referring to a photo as a living person. She lost her mother and she didn't even get a chance to say goodbye, even feeling guilt to an extent about the situation. Tohru didn't wake up to tell her mother that she would see her later. There is no way that simply getting up to tell her mother goodbye would have changed the outcome of her fate, but Tohru still feels that way. That it didn't matter if she had tests or work or the next day, the one she should have put first was her mother.

Anyone who has or is currently experiencing the grief of losing a loved one has likely done the same. Wondering if, if the situation was anything other than illness or old age, there was something they could have done. Things they should have said or could have said differently. What more could they have done to help and the feeling is all consuming. Even if it is unprompted, they somehow will manage to insert their lost family or friend into a conversation that didn't include them or may randomly begin talking about them. A lot of the time, these people don't even realize that they're doing it which is shown in season 2 with Tohru when Hiro asks her why she talks about her mother so much.

She is too positive.

Tohru's positivity is one of the most easily seen aspects of her character. Where others might see the glass half-empty, Tohru sees it as half-full. Her positivity is even noted upon by characters within the show, Saki (Hanajima) mentioning that she doesn't believe she could personally smile like that so soon after the death of a loved one.

Tohru doesn't like thinking about her problems. She doesn't like expressing her sadness. She doesn't want to worry those around her when they likely have their own problems to worry about. Saki predicts that this ability Tohru has to act this way is because she would scold herself if she ever showed a hint of sadness. And Saki was right because we see Tohru later on doing exactly that, crying but forcing herself to try and smile and scolding herself for not keeping it together.

Rather than let Yuki comfort her when she is in tears, she smiles and completely changes the topic even though tears are coming down her face.Tohru tells Kyo that she needs a minute to get herself together because breaking down in tears in front of him wasn't what she planned. She was supposed to smile when she saw him again.

Tohru would rather pretend everything is fine even when she is seconds away from falling apart because toxic positivity is something she struggles with.

No one can be that positive all the time, not even Tohru.

Tohru has a hard time asking others for help.

Yes, Tohru is kind-hearted by nature but she genuinely does believe that she could burden those she troubles for help. Considering how her maternal side of the family wanted nothing to do with her and her paternal side of the family talks poorly about her, it isn't difficult to see where that frame of thinking came to be. When her mother died, her paternal side of the family didn't argue over who wanted to take Tohru in, they argued over who should take Tohru in and that is an important distinction. Even more so the fact, they had these arguments in front of her. When it was finally settled that she should live with her grandfather and that was uprooted due to upcoming renovations, it makes sense that she would rather be homeless in a tent than bother her friends who don't have the space to provide for an additional person even if that.

In Tohru's mind, it was shown very clearly by her family that she is a burden. She's an extra mouth to feed and an unwanted mouth at that, as her family never holds back in disparaging Kyoko even if Tohru is present.

As such, when Tohru is in a situation where she has no other choice than to accept their help, she believes she should be extremely grateful. They're taking their time to help her when they easily could have done otherwise, so why should she want more? Why should she complain? If she has any desires, she pushes it down because of that belief because she feels awful and that she shouldn't want for more when people are already going out of their way to help an extra mouth to feed. Because of this mentality cultivated by the bulk of her paternal relatives mistreatment, she will seldom voice her wants.

She never gets angry or upset.

To say Tohru never gets angry or close to physical in her reactions is far from the truth. Tohru gets angry when the issue impacts those that she cares about.

Tohru can tolerate being mistreated but she will always draw the line at the abuse being directed to someone else. When she first meets Akito and she sees Yuki's clear discomfort and fear, she pushes Akito away from him immediately. When she witnesses Momiji being punched by Akito, she immediately steps in and places herself in front of Momiji to physically shield him. When Rin tells her not to meddle with the curse and involve herself, Tohru, without cruelty, shoots back that she will absolutely meddle and involve herself because she refuses to lose the people she cares about to someone who has clearly been abusing them emotionally and physically for years. Tohru's tolerance for mistreatment has a limit, she is just unfortunately not included in that limit. So when we finally see her get angry in a scenario that includes herselfー when Kyo tries to run away because he feels he doesn't deserve her love, it's incredible.

There is so much more to Tohru than meets the eye. Tohu's reaction to Yuki getting a cold isn't just Tohru overreacting for the sake of being a nice girl, it's because her father died from a cold he brushed off and that cold turned into a fatal illness. For Tohru, colds aren't something that can just be brushed away because what if it turns into something worse.

Tohru would rather wear clothes until they practically fall apart than buy new clothes because she knows that she can't just spend her money haphazardly. But when it came to Valentine's Day and wanting to express her gratitude for those who cared about her, she had no problem dropping an entire check to purchase the ingredients to make enough chocolate for everyone.

She disregards herself and the efforts she puts forward. When she feels she has failed in helping Arisa, she specifically says "everyone around me has always helped me and when it is my turn to do the same, I can't." These aren't problems she overcomes herself by simply "smiling through the pain" as some who discredit her argue. Tohru is repeatedly loved and helped by those around her who care for her and opens herself up to receive that love and help over time. She is taught by her grandfather and Sohmas that is okay for her to be selfish and ask for things.

Her friends teach her that she helps them so much and that in reality they feel like they are never there to help her when she needs it.Her friends get upset that the same amount of money she would spend on them, she wouldn't spend on herself.

She is told that the way she villainized Katsuya after his death because doesn't make her dirty or a bad person because she was a child that was scared to lose her mother. That her fear and desperation to make her mother acknowledge her was understandable. That mimicking her father in her attempt to draw her mother's attention probably helped more than she realized.

Tohru is not just a "Nice Shoujo Girl" Protagonist, she is a girl with trauma who would rather focus on the issues someone else has than look to her own.

Like I said before, this isn't me trying to get Tohrus haters to like her. People are entitled to like and dislike whichever characters they please, but it is a complete disservice to Natsuki Takaya's writing to say Tohru is bland and has no struggles of her own. Tohru has many problems and struggles she has to deal with throughout the series and seeing those issues she overcomes being brushed aside as her being perfect and having no problems is a complete oversight. As such, I just simply wanted to peel back Tohru's layers and showcase that just as characters such as Momiji, Shigure and Ayame are more than the tropes they are introduced as, Tohru is as well.

[i wrote this on reddit too]

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