J. Estanislao Lopez, "A Metaphor", We Borrowed Gentleness
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yall will never know the whiplash of following a decent tmnt blog and suddenly seeing them post like "man i cant believe how many ppl believe in evolution don't they know the bible says x?"
like buddy. pal. friendo. you do know where the word "mutant" comes from right...?
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finding out that most other people have an internal monologue fucked me up so bad i swear. what do you MEAN you have a little voice talking inside your head the whole time? does that not drive you nuts???
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sometimes you have to endure alma mater (bleachers track) to get to self respect (bleachers track) and you know maybe that’s a beautiful thing
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but you can't keep holding on like this.
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i don't really like when people say dungeon meshi is accidentally good autistic representation, because while i understand not wanting to make conclusions without explicit confirmation from the author, there's always the weird assumption that non-western authors somehow don't know about things like neurodivergency/queerness/etc. (on top of the assumptions that east asian authors are somehow more naive or oblivious to "western" social issues).
given that dungeon meshi started being published in 2014, it's not really a "work belonging to its times"—it's as contemporary as any other media we discuss on this site, which means it should be fair to assume it engages with contemporary topics (and at the very least, you shouldn't say that the representation is accidental with so much confidence)
but anyways, the chapter "perfect communication" in ryoko kui's "terrarium in a drawer" is some of the most straightforward autistic representation I've seen, and from now on I'm going to assume that laios's character writing is absolutely intentional in that regard:
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Saw a post about helping people that used the analogy of "if you see someone fall off a cruiseship and theres a life preserver ring on the wall next to you do you walk away or do you throw them the life preserver? Of course you throw them the life preserver." And i dont want to add to or tag the post with any sort of correction because its literally not the point at all but i am desperate to say that the first thing they teach you when you work on a cruise ship is that if someone falls overboard you Do Not Look Away
If theres a life preserver nearby but you have to turn your back to get it, tough luck. If theres someone nearby who can't hear you but you could run and get them, absolutely not. You see someone go overboard you point at them and never ever let them out of your sight because looking away even once could mean losing them forever, so you just have to trust that someone will hear you scream for help but you cant for any reason look away
And maybe that adds to the life preserver metaphor somehow but mostly i just need you to know if you spot someone in the water you point at them and you watch them close and you scream for help
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Why why why why why
Hole in my chest
Blood pooling in my mouth again
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best trope is the one where the character’s godlike power is also killing them btw. they don’t even lift a hand to kill the monster but now they’re delirious with fever. they save a friend’s life and said friend immediately finds them emergency medical care. they raze the enemy to nothing and it takes far too long to find their pulse with all the bruising. their friends just constantly having to patch them up and worrying over which feat will be their last. et cetera
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Source:
Eden: It's an Endless World!
エデン
by Hiroki Endo
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Folks announcing they're leaving Tumblr because they're unhappy with the Twitter clone dashboard on desktop. (I don't blame you, it's broken af.) Meanwhile, the day this hellsite finally does close, staff are going to have to pry me out of the air vents like a rabid raccoon that's adapted to survive on drinking air conditioning coolant and whatever trash is left lying around in the breakroom.
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(teaching my art class)
me: and what’s the number one rule when designing characters with wings? …well?
a handful of students, sighing reluctantly: no good fa-
me (interrupting them): NO good-faith attempts at realism, EVER. you want all the bird dweebs and physicists jumping ship as EARLY AS POSSIBLE so they’re not around to cinemasins your ass when you get to the cool parts of your story, and…ugh, what now, gerald
gerald (my least favorite student): why not just do some minimal research instead of-
me: listen you little shit i can and will singlehandedly tank your 4.0 gpa
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