#aang was the first one I did and it SHOWS

[cienie-isengardu]

Sokka's sexism

Sokka’s sexism from the earliest episodes is an interesting case, because the Southern Water Tribe, at least from what was presented to us on screen, doesn’t seem to operate that much on gender roles? Especially when compared to the Northern Water Tribe?

I mean, yeah, warriors (men) went to war, while women, children and the elders stayed at home. But as Hama’s story shows, when Fire Nation attacked Southern Water Tribe, both female and male benders were fighting against invaders arm to arm and it seems like they were the actual first line of defense there, not the non-bender warriors.

In contrast, during siege of North Pole, in the final of Book 1: Water, we don’t see any female bender helping defend their home except Katara, who was involved in protecting Aang when he was in Spirit World.

Since all the waterbenders were captured from the Southern Tribe, it makes sense that non-bender warriors stepped in and got involved with war, while the kids and elders were left under women’s care.

Another example comes from “a ceremonial test of wisdom, bravery and trust”, known as ice dodging. As Bato explained, it is a rite of passage for young Water Tribe members and in their village “done by weaving a boat through a field of icebergs.” When a child turns 14, their father was supposed to take them to ice dodging, so they could earn their mark. Though the episode itself was focused on Sokka’s ceremony, Bato never specified it as something that boys alone should do and not only Katara (girl) but also Aang (outsider) is allowed to take part in the ritual. Once Sokka proved himself, everyone of their group got a mark, as a sign they passed the test. Interesting thing to note, since Bato did not specify it is a rite of passage for boys alone, it suggests girls were expected to know how to sail in boats of the Southern Water Tribe. Of course, again, war didn’t allow to continue this tradition as men (Hakoda, in case of Sokka & Katara) left to fight against Fire Nation.

Later, when Sokka and Katara reunited with their father, Hakoda did not try to send away Katara nor relegate her to just a medic job during the invasion. In Northern Water Tribe episodes, we learned that teaching for waterbenders there was defined by gender - women were allowed to learn only how to heal, while men how to use their bending in fight. Hakoda, nor Bato nor other of their warriors even for a moment questioned Katara’s presence on the battlefield nor the presence of women in the ranks of their allies like a blind, 12 years old Toph or the female water benders from Swamps or female(?) soldier from Earth Kingdom

And during battle, Katara did not fight in rank with other soldiers, she first alone secured Appa during submarine attack, then alongside her brother and father took down guardhouses - Hakoda himself told her and Sokka to attack one when he took down the other one

showing how much he trusted his 15 years old son and 14 years old daughter while ordering them attack on Fire Nation adult soldiers hidden in well guarder place.

Later, when Hakoda got seriously injured and Sokka temporary took the command of their forces, we could see that Hakoda relied on Katara to follow his troops and not ever once tried to send her back “to safety” or argued she should leave him behind, as often it happens with heroic (male) figures. Quite the opposite. When Katara offered him to “wait here if you want”, Hakoda firmly said “I want to press forward with the others”, which meant his daughter needed to come with him directly into an already ongoing fight (even if they stayed more at the rear of their army, they were still on battlefield).

She and her brother, alongside with the youngest members of Invasion, were forced to flee on Appa once the battle was lost, but no other adult woman was included. During Zuko’s coronation, when all war prisoners were released, in the background we could again see the female character(s) from Swamps.

And let's not forget how impressive Hakoda was by Suki when she single-handedly captured the warden at Boiling Rock prison and did not try to stop her from fighting against Ty Lee alongside Zuko and Sokka against Azula.

Understandably, we have no idea how the Southern Water Tribe and its culture looked like before the war, even arguably, the characters themselves may not have a clear idea due to growing up in dire times. But my point is, Hakoda and Bato, the two main adult Southern Water Tribe’s warriors that Avatar: The Last Airbender allowed us to know more about, have never shown any direct sexism toward Katara or other female characters. And though Sokka was the oldest boy at their village, there is no reason to think women did not hunt in absence of men, because one person would not be able to provide for a whole community 24/7. Also, as Hama proved, the Southern Water Tribe’s waterbenders were capable of fighting and their gender did not play any vital role the way it happened in their sister tribe at North Pole. 

Of course, Fire Nation’s repeated attacks affected residents of South Pole and their living conditions but from the little bits the show gave us, I think it is correct to assume if Sokka grew up with Hakoda around to guide him as he should, his behavior would be different from the sexism and dismissive attitude toward Katara or Kyoshi Warriors. For one, logically thinking Southern Water Tribe’s warriors need to do all the cooking, sewing and keeping their camp clean all on their own during war so it is not a “girly job” but a vital part of a warriors skills to survive and ensure their equipment is in the best condition. But Sokka doesn’t know it, because there is no one to teach him the importance of those skills. All Sokka had was father’s farewell words to cling to - and I’m not sure if Hakoda truly expected his son to be able to protect Katara and the village in his absence, or he just tried to make Sokka feel a bit less depressed about being left behind. You know, by giving him purpose and a Big Important Job to focus on and to feel needed and trusted. 

Which leads me to think that Sokka’s sexism is not rooted in Southern Water Tribe’s culture itself, but in his own insecurity and pressure of being the oldest boy in the village. If girls could be warriors - and be better than him - it would put into question all his self-worth, purpose and the trust given by father. Once Sokka met Kyoshi Warriors and later all the skilled girls, it challenged him on a very personal level, but he accepted the truth and moved on and alongside, finally became a true warrior and a man. 

And I find it indeed an interesting case, as Sokka’s sexism and dismissal of girls is not necessarily stemming from the culture he is part of, but rather is the effect of not knowing said culture & pre-war history of his Tribe. And of course, from his own insecurity. 

[myattman]

can I offer you some atla (but they're mice) in these trying times

(click for better quality | individual characters under the cut)

[polyglottishthings]

Why TF do people act like Korra's trauma arc comes out of nowhere???? Like, season one is entirely about her learning how to cope with and even process fear. She is not used to being afraid and doesn't know how to handle it. She has recurring memories and nightmares about Amon within the first few episodes of the show and people wanna act like her post traumatic stress was bad writing or random??? Like umm. To ignore that part of her character would actually make less sense.

In fact I think the main reason trauma wasn't heavily addressed with Aang after he woke up in the iceberg is because 1. He was always characteristically in touch with his emotions for the most part, as much as a 12 y/o can be (and his friends mention his unusual maturity/wisdom more than once); 2. He had seen the world and experienced much more than Korra ever had bc she was essentially locked up in the South Pole, giving him a wider emotional bandwidth than Korra (imo) and 3. It was clearly directed toward an audience of younger children whereas TLOK seems to be directed toward older children/teens, meaning it's more appropriate to address some darker themes in greater depth than they could in ATLA

ALSO... The obstacles that Aang faces are mostly the same through the show too, where he has to find someone to teach him, he's being chased by the royal family, and ultimately he has to fight the Fire Lord. This isn't to say he's not afraid, but the villains in TLOK, particularly in season 3, were much more intense than the ones in ATLA. Aang never had someone even threaten to take his bending away, let alone display to him that they could do it whenever they wanted, when it would suit them best. He wasn't betrayed by a trusted family member like in season 2 of TLOK (of course due to the nature of his situation this wasn't even really possible but the point stands). He wasn't chased by literal supervillains who had been locked away for years. It's the elements of fear and manipulation that makes Korra's story more intense to me. These were grown ass adults trying to terrorize, kidnap, and/or kill a 17 y/o. To me, in ATLA it was children beating each other up in a rather straightforward way, until the very end of the show.

All of this is to say that Korra faced a barrage of terrifying opponents and situations, back to back, after of lifetime of being sheltered that understandably left her traumatized. I think people just get so used to seeing shows/movies/video games where the main character doesn't even blink about traumatizing stuff that they think it's cheap writing when the writers actually decide to address that the protagonist has in fact not suffered happily lol.

[faultsofyouth]

You Must Learn To Let Go

[snekdood]

now ik why they didnt have aang and katara have any time getting close, bc people would be fuckin weird about it huh

[caramel-ribbons]

I just watched Avatar for the first time all the way through, and yeah, it’s great, but the one thing that surprised me was how different Katara was compared to the fandom interpretation I’d seen and internalized before watching.

Like, before you watch Avatar, you’ve seen all these memes about Katara and her mom, and based on those memes, you assume it’s one of those lines you have to get used to hearing at least once every episode. But then you watch the show and realize that she only talks about her mom maybe five or six times per season and you also realize she only brings her up when she’s trying to comfort someone or empathize with them because that’s how she processes her grief and that’s one way she connects with people.

Or you hear the infamous line, “then you didn’t love [our mother] the way I did” and you prepare yourself for one of the worst character assassinations ever only to see the scene after nearly three seasons worth of context and realize she was kinda right. She’s been the mother, the nurturer, the comforter. She’s been patient, gentle, and accommodating where everyone else has gotten to be insensible and reckless and childish, and the one moment where she allows herself to feel her grief, suddenly she’s this evil bitch and not, y’know, a 14 year old girl whose been thrusted into adulthood in a way no other character has. A 14 year old girl who should be allowed immaturity and raw emotion and anger instead of the patience and grace she’s been forced to extend to every character without even the smallest amount of gratitude or even consideration in return.

Or you see all of the clips where Katara puts Aang in the “friendzone” and you expect to have this wishy washy back and forth where Aang is putting his feelings out there only to have Katara neither commit nor express any clear reciprocation or rejection. Then you watch and realize that, as cute as the ship is initially, that there’s never a point where Aang returns any comfort or grace to Katara despite her always doing this for him to the point of coddling. That for as much as Aang says he loves her, he never seems to outgrow his perception of her so he can recognize her as someone who feels grief, anger, and pain as much as she expresses love, kindness, and maturity. And instead of having moments where he learns to see her beyond her strength or compassion, you’re instead given moments where Aang forces his feelings onto her, both romantic and non-romantic, and Katara is expected to just…shoulder those feelings the way she shoulders everyone else’s.

Katara is the most misunderstood character in the show. As much as people recognize the complexities of Zuko, Sokka, and Azula, they struggle to do the same for Katara because they see her struggles as somehow lesser, and therefore, less deserving of sympathy. They can handle her so long as she’s being endlessly patient and loving and kind, but the moment her endless love, patience, and kindness runs out, she’s suddenly this annoying bitch who can’t shut up about her mother or reciprocate Aang’s feelings. But Katara’s trauma does matter as much as anyone else’s. No, she wasn’t banished from her kingdom. No, she didn’t lose her entire community, and no, she isn’t the only one who lost her mother. But the difference between her and everyone else whose experienced loss because of the Fire Nation is that she’s never given time to process her trauma. Aang gets to lean on Katara constantly. Toph gets to express her feelings to Katara, and yeah, Sokka also lost their mother, but unlike Katara, he isn’t put in the position of being a substitute for everyone’s parent. He even admits that he sees his sister as a mother. The only characters who ever comfort Katara or allow her to vent is Zuko and her father and that’s, like, three scenes in a show where the other characters are consistently given opportunities to seek out Katara for unconditional support.

The fandom interpretation of Katara has been so bastardized that even those who haven’t watched the show know her for this fanon version and not for who she is. She’s such an interesting character beyond her fandom limitations, though. She’s brave, hot-headed, and hopeful as well as gentle and caring. She wishes to learn waterbending, not only because she wants to fight in the war, but because she wants to continue her culture’s practices because, and people often forget this, she also lost an entire subculture within her already fractured tribe. And she wants to defeat the Fire Nation both because of her deep love and empathy for other people, but also because she wants to avenge her mother. But because some of the fans have reduced Katara to a bitch who constantly whines about her mother and friendzones Aang, you wouldn’t know any of this, and it sucks because she’s the only character whose been dumbed down to such an extent.

[paishowhitelotus]

Rewatched book 1 after watching the live action and here is a list of everything that wasn’t in the live action that I think should have been :

Sokkas war paint

Saying the words “hair loopies”

Barely seeing the boomerang

Katara being able to calm down aang during the avatar state

The comet

Importance of mastering all 4 elements

Sokka dressing in kyoshi warrior clothing and learning the strength of women (removing and growing from his sexist beliefs)

Zukos honor /destiny (think it’s mentioned once?)

Mouthfoaming guy

Aang water bending

Roku manifesting and telling jeong jeong to teach aang firebending

Aang trying fire bending too soon and burning katara which leads to him being hesitant on learning firebending in book 3

Katara finding out about her healing abilities

Aang being selfish by keeping location of Sokka and kataras father from them

Aangs crush on katara

Aang doing everything he Can to heal his friends in the swamp

"Miyuki, did you get in trouble with Fire Nation again?”

Rokus dragon

Aang dealing with the guilt of leaving the southern air temple and all his people getting killed and not accepting his role as avatar

Sokkas intuition for recognizing Jets deceit

Sokka being a natural inventor (it’s barely even touched in the live action) Sokka is smart and creative

Katara’s dedication to learning water bending by stealing the scroll

Katara’s jealousy of aang being able to bend and learn faster than her

Kataras fierce determination and her take no shit personality

The cruelty of the fire nation by imprisoning earth benders into work camps (this is just one example)

Katara’s selflessness and bravery by getting herself imprisoned in the war camp and saving all the prisoners shows how much empathy Katara feels for people and always wanting to help those who can’t help themselves

Showing how master jeong jeong and others left the fire nations army because of its cruelty (fire nation people can be good and recognize the evil in their own ranks)

How aang feels upset about the disrespect and condition of the northern air temple/legacy of his people but accepts it in the end knowing they need this temple as their home

Using the fallen war balloon to create a fleet of airships in the final battle with Ozai

Appa being a badass and also fighting to protect aang multiple times

Iroh and his white lotus tile (this is important foreshadowing for later seasons)

The healer in the northern water tribe recognizing the betrothal necklace and realizing it belonged to her friend and kataras grandmother, kanna, who was engaged to master pakku of the northern tribe but left to live in the South Pole

Katara confronting pakku and telling him “I’ll be outside if you’re man enough to fight me” ( the challenge is off screen in live action, dumb choice tbh just glad we got to see the physical fight at least)

Pakku finding the betrothal necklace and talking about kanna and katara saying her gran left because “she wouldn’t let your stupid tribes customs control her life” which in turn makes pakku reconsider and start teaching katara waterbending

Pakku complementing kataras skill saying she’s has advanced faster than any other student he has trained (this shows how great and powerful of a water bender she truly is)

How strong the water benders are at night especially during the full moon

How the moon was the first water bender

Zuko kidnapping aangs body while he is in the spirit world

“You rise with the moon, I rise with the sun”

Not showing emotion to koh cause he’ll steal your face

Zuko talking to unconscious aang telling him how everything always came easy to his sister, she’s a firebending prodigy. Ozai telling Zuko that azula was “born lucky while Zuko was lucky to be born” (another instance of ozai’s cruelty as a father)

Talking about how iroh has been to the Spirit world

Zuko trying to challenge katara during a FULL MOON” “Here for a rematch?” “Trust me Zuko it’s not going to be much of a match” and then her kicking his ass in 5 seconds

Aang showing compassion to Zuko by saving him again despite Zuko kidnapping his body

Iroh staying with katara Sokka and yue after the moon spirit is killed (this shows his heart)

Yues body disappearing and her spirit kissing Sokka and her saying “I’ll always be with you”

The ocean spirit grabbing zhao and dragging him into the sea

Pakku wanting to help rebuild the southern water tribe

Pakku Calling her Master katara and saying she’ll train aang from now on

Azula appearing at the end and Ozai sending her on a task because Zuko is a failure and iroh is a traitor

[wileycap]

The Stupidest Things In Netflix's Avatar The Last Airbender: A List

a.k.a.

a whiny rant from someone who has dedicated far too many of their already limited number of braincells to atla i know it's just a tv show but come on this is what tumblr is for let me whine

For your consideration, with many spoilers:

5. Katara Being Smug After Kicking Jet's Ass

In the original, Katara is betrayed by Jet. You can feel the raw emotion in the words "I trusted you! You're sick, and I trusted you!" immediately followed by her concern for the innocent people Jet has seemingly murdered. It's not a triumph, it's a wound, and the next time she sees Jet, her first reaction is "kill on sight".

This is great. It's heartwrenching, it's humanizing, and Katara using violence against Jet isn't a victory for her. It's just pain.

In the live action, Katara very mildly chastises Jet for trying to kill innocent people, which is... an interesting characterization for her, to say the least. Jet then tries to grab her, immediately followed by Katara throwing him and freezing him. She then just tells him goodbye. Her tone is placid, almost unaffected.

And then Jet says "Look at the power you have. That's because of me!"

Katara: "That wasn't you. That was me."

And then she strides off with a small smile, and that's the end of that. Sokka and Aang are not present. It's an incredibly hokey moment that's meant to emulate the style of feminine empowerment, but it has none of the substance. It glosses over any human feelings of hurt and betrayal. All that the it ends up doing is removing a story beat for Katara.

4. The Badgermoles

"They're blind! They sense feelings and react to them! Anger, fear... but mostly love."

Katara and Sokka hold hands in a cave and it makes the badgermole stop attacking them.

The blind badgermoles. Navigate by... love.

Yeah.

Do I need to say anything? Can we all see (pun intended) how stupid that is?

3. Bumi Makes Aang Choose Between Killing Him Or Letting Himself Die To Make The Dumbest Point Imaginable

Remember Bumi? Aang's old friend, a fun, kooky king? Well, here he's an actual fucking psychopath.

He collapses part of the roof onto Aang, and Aang holds it up with airbending. Another part of the roof collapses on Bumi, and Bumi just... shrugs his shoulders, fully intending to die. Aang holds that one up as well, and Bumi, instead of helping, makes the dumbest fucking point I've ever heard about "making tough choices", and urges Aang to let the boulder crush him.

Again. Bumi, the fun, wise king, wants Aang to kill him.

The situation is defused by Katara freezing a little strip on the floor so that Sokka can very slowly slide on it and tackle Bumi to safety. I can not emphasize how slow his slide is. Running would have been faster. Bumi has time to look at him and say "Huh?" as Sokka slowly slides across the floor. Oh, yeah, they were led onto the scene by the love-sensing badgermoles.

Then it's Aang's turn to be dumb. He says "you CAN rely on your friends" and hands Bumi a friendship rock. Bumi is pacified for now, but there is no telling when his next Saw trap will activate.

This made me actually feel bad. I just. I kept expecting for it to turn into a secret lesson, like Bumi in the original show, but it never did. Bumi's just a spiteful psychopath who is easily swayed by the gifting of rocks.

2. Koh The Face-Stealer Has A Backstory Now

Why? Mother of Faces? What? No.

No.

Iroh Is Intimidated By Zhao, And Then He Kills Zhao

Ah, Live Action Iroh. The most ineffectual man on the planet.

So, Zhao has the Moon Koi in a bag, and is ready to stab it with his special stabbing implement. Iroh is standing right behind him. RIGHT BEHIND HIM. Iroh has been there the whole time. Iroh does not want Zhao to kill the fish.

Iroh says: "Whatever you do to that spirit, I'll unleash on you tenfold!"

Remember how in the original, where that was like a big, shocking moment that he got angry? And how Zhao immediately let go of the fish, only to then have his anger get the best of him? How Zhao attacked the spirit by surprise?

Well, here it's a little different. For one, like I already said, Iroh doesn't come in suddenly, he sort of gets bullied into looking for the spirit by Zhao. Then he looks for the spirit, and after Zhao finds it, then he decides that he really has a problem with killing the spirit. He did protest before, but then he kind of just caved and helped anyways.

He threatens Zhao, and Zhao just... brushes him off. "Spare me your empty threats." Then the firebenders next to Iroh sort of... glower at him menacingly, and Iroh looks worried.

Zhao offers Iroh a place at his side once he becomes Fire Lord, which, uh? Okay. Fine. I actually don't have a problem with Zhao wanting to be Fire Lord, that seems to be entirely on brand for him, but everything he does to get to that goal is just stupid.

Aang arrives, they talk, Aang says "I don't matter", and then Iroh, who has sidled past the Glowering Firebenders Who Do Nothing Else, shoots the fish out of Zhao's hands. And then, as Zhao is on the ground, reaching for the fish with his special stabbing implement, Iroh forgets that he can shoot fire out of his hands, and lets Zhao stab the fish.

AND THEN Iroh, who literally stood by two different times and let Zhao kill the fish, decides to kick everyone's ass. And the Glowering Firebenders do nothing. One of them just stands in the background. Iroh doesn't even attack that guy.

In the original, Iroh immediately leaps into action after Zhao kills the spirit by means of surprise attack, takes out Zhao's guards in about a second, and Zhao escapes.

Here, he doesn't do anything at first except help Zhao find the spirit he doesn't want to see killed, then back down, then do something, then back down again, then do something again, then forget that he can do anything, and then he does something again.

It's just... so dumb. (So dumb it's brilliant!) No! It's just dumb!

And then, fifteen minutes later, after Zuko has dueled Zhao, Iroh kills him. Iroh just barbecues him by striking him from behind. Gee, Iroh, if you were willing to do that, why not just do it when Zhao was holding the fish?

Dishonorable mentions:

The fact that all of the actors fit their characters so well and have some great moments, but the show just doesn't support their performances at all. I feel so bad for all of them, being robbed of a chance to shine by some truly awful writing, editing and direction

The Ocean Spirit making Godzilla noises

June flirting with Iroh (didn't they say that they wanted to remove iffy stuff from the original? Well, that whole thing was iffy in the original. Why didn't you cut it entirely?)

Zuko doing the jazz hands to charge an attack

All the clunky and unnecessary exposition (for example: after Aang turns into the Ocean Spirit, Yue immediately turns to Sokka and narrates that Aang has turned into the Ocean Spirit, for almost 30 seconds)

The fact that Aang can only communicate with each Avatar at their shrines

The Ice Moon

The Cabbage Man literally turning to shout his line to the heavens while fire rages around him

The Secret Tunnel song being shoehorned in for no reason

Iroh's entire backstory being shoehorned in for no reason

Ozai being a caring dad actually

Zuko being shocked that Ozai prefers Azula

Gran Gran's speech

The fact that they showed Gyatso being killed by Sozin (literally nobody needed a big action scene, because that's what it was, predicated entirely on the genocide of the Air Nomads)

And finally, the fact that Sokka and Yue's reason for going to the Spirit Oasis is that Momo was fatally injured.

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[overtail]

ATLA Headcannons - Dating Them ˗ˏˋ ♡ ˎˊ˗

These are all MY headcannons, and you dont have to agree on them :3

Aang ༄

-since you two are so young, it tends to be awkward at first

-hes very touchy, but he'll try his best not to show it

-he'd love to hug you by wrapping his arms around you waist and bringing you tight. the feeling of your cheek against his chest makes his stomach flutter

-if you're a non-bender, he'll be very protective towards you. if you were ever taken or lost, he'd behave just like when appa was stolen by the sand benders

-he spends most of his free time daydreaming about you

-'you've got, nice, uh, ears?'

-horrible at compliments

-you hear whenever he asks Sokka for crappy advice

-absolutely adores when your hair is down (fem)

-when it comes to liking guys, he prefers longer hair (masc)

-blushes when you ruffle his grown out hair

-he'll take you on rides on appa when you're feeling down

-'i'd love to try, but there's meat in the stew..'

-if you were a bender, he'd always be begging you to teach him moves and tactics even if you didnt know how to be an instructor

-loves skin to skin contact, and will press his bare chest against your back when sleeping

Sokka 𖦹

-the BIGGEST nagger

-can't ever stop moving while sitting around the fire

-won't keep his lips off yours when you're alone

-will fall head over heels for an angsty teen boy (masc)

-especially mean to you when he likes you, and teases you while dating

-thinks your aggression is hot

-very protective of you, even if you're strong/a warrior

-'shit- i mean uhm.."

-cussing problem

-both of you guys are stupid together, so when you were thirsty and dehydrated in the desert, you both got high on cactus juice

-'heh.. you see that flying shark cat?'

-loves seeing you embrace your feminine side (fem)

-love language is cooking for you, even if he sucks

-crappy pick up lines work but just because you think his attempt is cute

-'did i hurt when you fell from heaven?'

Zuko ☄

-not very open about his emotions in the beginning

-when he gets comfortable with you, he'll sometimes cry in your arms at night

-arm across your shoulders or around your waist CONSTANTLY.

-and when i mean constantly, i mean constantly.

-when hes fire lord, he'll have a designated room for whatever hobby you're passionate about

-'the greenhouse is just outside-' 'A GREENHOUSE?!'

-thinks stretch marks are the most beautiful thing

-can stare at your face for hours on end because hes so lost in your eyes

-loves doodling you in his notebooks

-if hes in an angry mood, he'll always have a soft spot for you

Katara ≈

-jealous jealous jealous girl

-love splashing you with water just to bother you

-runs her fingers through your hair at night to calm both of you down

-embarrassed when you catch her singing

-she hates it when you leave a mess

-super cuddly when tired

-loves stupid nicknames

-'whatever you say, princess.' 'what did you just call me?'

-loves telling stories you've heard 1000 times over and over again

-SUPER big hugger

-will elbow you when she can sense you're annoying someone

Toph ᨒ

-will always find a way to wind in an argument

-constantly using being blind as an excuse

-'i can't clean up the mess if i CAN'T SEE IT.'

-super giggly when you tell jokes, but only when its you

-jumps around with joy when she hears that you're gonna be joining the gaang on a mission

-hates when you hold her in your arms because she can't feel the floor

-women with deep voices make her weak in the knees (fem)

-unsurprisingly, fighting is one of her love languages -- she likes competing with her favorite people

-loves when you tell a story in detail, especially the juicy ones

-holds your hand whenever walking somewhere

Suki ❀

-loves spending time outdoors (picnic dates, walks, exploring)

-she loves putting you in makeup because you look ridiculous (masc)

-very inexperienced when it comes to romance

-'why are you kissing my neck? That's not where my lips are..'

-loses things CONSTANTLY and always makes you help her look for it

-loves dancing with you

-pathological liar, but only when it comes to stories

-'one time, i saw the unaki eat a child.'

-listening to rain and cuddling in front of a window makes her feel so happy

-loves taking care of children with you, and looks forward to having kids

-loves your corny jokes

...

BONUS!!

Sexuality headcannons..

Aang: unlabeled

he just sorta loves who he loves

Sokka: Bisexual with a preference for women

Says hes a ladies man, but will fall for a boy from time to time (*cough cough* zukka)

Zuko: Gay

Im sorry ladies but just LOOK AT HIM.

Katara: Pansexual

I love kataang with my whole heart so i couldn't really see her with anyone else, but if Aang wasn't in the picture she'd date a few girls

Toph: Lesbian

like cmonnnnn

Suki: Straight

im sorry but im a sucker for strong straight females

[sausage-rolll]

The amount of times I said something along the lines of "They would not fucking do/say that!" while watching the live action atla series is insane. It felt so weird to watch because the acting was pretty fantastic and the set design/costumes weren't bad for the most part either, but the writing and direction itself was painfully bad.

I think King Bumi is probably one of the worst offenders of being written completely ass backwards, which is a shame because the guy portraying him did a great job and I think he would have made a fantastic Bumi if the writing was better.

It feels like they missed the entire point of his character. They took his goofy/slightly mad front from the original show and dialled it up to 11 all the while completely ignoring all the nuance behind that front.

Bumi isn't just the mad king they portray him as in the live action, he's a mad genius. Despite his quirks, he's a fucking fantastic fighter and a brilliant ruler. Despite what you may believe from first impressions, it really does feel like he always knows what he's doing.

Even when he's being antagonistic towards the gang in the show, he's never actually putting them in significant danger. The crystals he trapped Katara and Sokka in were ultimately harmless and all the trials he gives Aang were more akin to games than anything. Even when he fights Aang in his episode he's very clearly not giving it his all, as seen when he single handily takes back his city from the fire nation during the eclipse and when he takes back Ba Sing Se with a small group during Sozins comet, when the opposing forces would have been at their most powerful. My point is that if he actually wanted to beat book 1 Aang, he could wipe the floor with him easily. But this version is fucking furious with Aang (wrongfully so this time around because he explicitly did not run away from his duties in the live action) And very much seems like he wants to cause Aang as much pain as possible, but can barely manage to land a hit on him when he's not pulling cheap tricks with the crystals.

-

I'm getting very side tracked but god damn it! This is the man Aang eventually decides to name one of his children after. Their friendship was so sweet and meaningful in the original. Bumi was such an interesting character in the original! And all of that meaning is lost here.

Ironically in an attempt to make Bumi's arc more dramatic and dark, they ended up making it significantly less interesting, along with also missing major parts of his character.

[ranilla-bean]

culture tips for writing asian settings: calligraphy (pt ii)

in my last post i talked about calligraphy more generally, but here i want to talk about the calligraphy from atla. all of the calligraphy from the show is written by dr siu-leung lee and i'll be using the artbook as my reference.

if you're a writer or artist approaching written chinese, you can think about how script and handwriting might tell us something about a character. dr lee certainly did, and he even tailored writing styles to who he thought might've been writing that text: "If it were a highly cultured royal attendant, he would use a refined, elegant style, but if it were a low-level clerk, he would use a more pedestrian handwriting style."

first thing: modern standard chinese coming out of mainland china uses simplified chinese. this system was developed in the mid-20th century, so it's pretty anachronistic to use this for atla. instead, you should be using traditional chinese as dr lee does (which is still used in hong kong, taiwan, and many diasporic communities). i usually use google translate to switch between the systems.

note the use of simplified 门 (door) instead of the traditional 門 from the aang's unfreezing day comic.

next i'm going to take aang's wanted poster as an example of three different chinese scripts we see in the show. the "title" is in clerical script, the body of the text is in regular script, and the seal is in seal script.

regular script is the standard way you'd learn how to write chinese nowadays. you can see (as i mentioned in part i) how the text is meant to be read up -> down, then right -> left.

clerical script is characterised by fairly compact shapes and a kind of "roundness", and was developed in the late warring states period. this is the script used for the chinese title of the show! in the context of atla, it implies to me that the writer has more specialised calligraphic training than the average person (who, if they can write, would be using regular script). you can compare the difference in styles for the same words between clerical (L) and regular (R):

seal script is the most archaic form of chinese on display; this one wouldn't have been written by the calligrapher, but carved into a seal by a craftsperson and then stamped onto the page.

what's also really interesting is dr lee implies a difference in script between the nations. some of the characters used to write water tribe-related concepts:

this is an adapted form of oracle bone script, the one of the earliest forms of chinese writing. this fascinated me because this script was—as the name suggests—written on bone, and perhaps reflects something about the material of what the water tribes were using to write. (you can input modern characters into this website to see examples of their older forms.)

finally, some cool differences in handwriting! this is from the fire day festival poster:

this uses regular script, but in contrast to the excerpt we saw before, the formation of the characters is more haphazard (excitable?). it's also written left -> right! this suggests to us the writer is a commoner, as opposed to a royal scribe.

these are some things you can keep in mind when you're writing or drawing in this universe—while you're probably writing in english, the characters would be steeped in the writing systems we've been talking about. if a character's sending a letter, what might the recipient notice about the handwriting? what does it tell them about their social status or education? could the shape of the letters signal something about where they come from, i.e. water tribe characters write a more curvy script?

disclaimer | more tips

[flowersadida]

I know people have already talked about this topic, but I want to too.

There are a lot of jokes on the Internet about how Katara constantly mentions her mother as if it were the most important event, but...

Isn't that so? I mean, in the life of a little eight-year-old girl, this is truly the most important event in her life and she wants to share it.

Katara took on the role of an adult too early, and she didn't have the opportunity to work through this problem with anyone, because she's already an adult => she cannot afford to rely on someone. But she needs it, and that's what traveling with Aang gives her: the opportunity to find children like her and share with them the burden that she has been carrying all this time. Note that Haru, Jet, and even Zuko are people who not only have experienced loss, but also have some kind of responsibility for others: for their family or even for a group of people. She doesn't tell adults about this because she isn't looking for care, she's looking for understanding of her feelings.

The problem is that it's not enough for her. Her sadness turns to rage because the further the story goes, the less satisfied Katara becomes.

The closer the heroes get to the end of the war, the more angry Katara gets: first at her father, then more specifically at Zuko. And, in the end, she finds the cause of this anger, as well as the opportunity to satisfy the thirst for understanding of her grief - the murderer of her mother. She needed revenge not just because it was fair, but because from the very beginning of the series, Katara was looking for an opportunity to calm those feelings that were rushing out. And her attempts to do this by expressing the problem were not enough. She needed more, and she got it by facing the biggest monster in her life.

In general, the “monster” metaphor obviously speaks not only about Yon Ra, but also about Katara herself. Or rather about her anger. Judge for yourself: she had to restrain a storm of emotions from the age of eight; she began to reveal her grief only in the first season, that is, at the age of 14. She ignored her pain, pushing it deep inside until it became a raging monster rushing out. And what Katara really needed was to face it. So when she flies to find Yon Ra, she also finally meets the version of herself that she has carefully ignored and hidden for the benefit of others.

It's funny that Zuko is the one who helps her. In general, it was his complete understanding of Katara in this matter that amazed me. He, like no one else, knows what it’s like to face your inner demons and knows how useful it is for knowing yourself. And how dangerous it is when you're alone in it. So he accompanies her to keep her safe. So that she has a person on her side who will be there, no matter what choice she makes. He will support anyone. (I'm crying because of how beautiful it is wasgffv💖)

(A small antikataang insert: this is the reason why their relationship doesn't work. Aang only supports the right decisions, even if they require Katara to sacrifice inner harmony, while Zuko will simply support her for whatever choice she makes. It's funny because Aang has to keep balance and as a monk he knows a lot about that. The show focuses heavily on the theme of yin and yang, that is, the balance of good and evil. In order to achieve internal balance, Katara needed to turn to internal evil, because she tilted this scale towards good. She was imbalanced to begin with, and instead of understanding this, Aang insisted on continuing the preponderance of good. It’s as if he doesn’t understand that the preponderance of good is as bad as the preponderance of evil, and this will only harm Katara. I hope my point is clear)

Finally, Katara finds inner peace when she faced everything that was raging inside her, when she did what she needed and poured out everything she ever wanted. Every word about her mother led us to this moment, as did Katara herself.

And do you know what the point is? Why am I telling all this? It's all a character arc that unfolds linearly over three seasons.

Now think back to the arc of Aang, the main character of the show, in relation to his family. Did he bring them up in seasons two and three in a way that was linear? I mean, the one who constantly grieves over his father's death should have been Aang, because he learned the pain of loss so recently, he didn't have a chance to get used to it. But even in the episode SR, Aang compares the loss of mother not to the loss of his mentor and father, but to the loss of Appa and his people. It’s as if he doesn’t care about the individual connection with Gyatso and it’s nominal.

Katara, on the other hand, has emotions that she smoothly carries throughout the show and resolves in it. She has a huge number of Chekhov's guns, which each fire at its own time. Her feelings about her mother, the development of these emotions and their resolution are the most beautiful thing about this show along with Zuko's arc (even though I have problems with him in book 3).

And making derogatory jokes about it like Katara is whining and annoying is blasphemy. After all, she's the only one of the Gaang who has a single development arc throughout all three seasons, this must be respected

[zvtara-was-never-canon]

Can you give examples of Aang showing Empathy? Oh wait, you can't.

Actually, I can - because unlike you, I base my opinion of the characters on the actual stuff that happened in the story, not the bad faith takes dumb people on the internet come up with.

Zuko literally only survived past book 1 because Aang was the ONLY person amongst the heroes that gave a single fuck about his well-being. Aang offered to be FRIENDS with him as early as episode 13, even though this dude is trying to kidnap him.

In the first damn episode we see him realize and try to remedy Katara's struggle with no longer being able to act like a kid and have fun. He wants to travel with her so SHE gets to learn waterbending. He willingly lets Zuko take him into his ship because he understood that a conflict could lead to the people of the water tribe getting hurt or killed.

In Warriors of Kyoshi he apologizes to Katara for letting all the praise and admiration go to this head. He makes sure to put out the fires Zuko and his crew started in Suki's village.

He tries to help remedy the Hei-Bai situation, even though he is unsure of himself and even scared, because he knows he is the only one that has any chance of helping - and the thing that allows him to connect with Hei-Bai is the fact that he is ALSO upset about the destruction the Fire Nation has caused AND hopeful that the world would eventually heal.

He thinks Jet is awesome because he wants to help people that are being oppressed by the Fire Nation - and then is horrified when he finds out his intension is to "free" them by killing everyone

He wants to help the two rival groups not only safely cross the Great Divide, but also stop hating each other.

He confesses that he hid the map to Hakoda because Bato, Katara and Sokka are showing how much they appreciate and trust him and he feels unworthy of it after what he did because he knows it'd hurt him if the roles were reversed.

He is so devastated by the fact that he ACCIDENTALLY hurt Katara that he swears to never firebend again. He is also able to recognize the same principle behind his mistake in Zhao's fighting style, allowing him to win the battle against the bastard.

He accepts the fact that the Northern Air Temple is now occupied by people who not only don't belong to his culture but also don't understand it and unknowingly destroyed something sacred to him (and that one of them had been forced to make weapons for the Fire Nation) because these people have nowhere else to go and he doesn't want them to suffer.

He is furious at Pakku for refusing to teach Katara waterbending, because he knows how much it'd mean to her and how unfair it is that she can't learn it just because of her gender.

He is so devastated by the death of the Moon Spirit that the Ocean Spirit latches onto him to avenge it and save the day - and the leve of destruction it causes haunts Aang, even though the violence was against his enemies. And still, he tries to go into the Avatar state again because people are dying and he can't accept that.

After the fall of Omashu, he wants to rescue Bumi, not because he needs a teacher, but because they're friends.

He felt empathy for Toph when she was explaining to her parents how lonely and unappriacted their over-protection made her feel.

He and Katara both feel bad for snapping at Toph during "The Chase" and wanted to apologize for not understanding that being part of a group was a radical change to her, even though she had refused to even try. He also didn't have a problem with fighting alongside Zuko and Iroh against Azula, AND he looked concerned when Iroh was injured.

After Katara comments on the fact he called Toph Sifu but not her, he calls her Sifu while bowing, to show that he respects her both as his master and friend.

The hopelessness and downright depression he was feeling after Appa was stolen only starts healing because he saw a couple being happy with their newborn baby - the same couple he decided to help cross the Serpent's Pass, even though he and his friends had just been allowed to take a much safer route to Ba Sing Se.

His understanding and sympathy towards Jet, even after everything the guy did, was so strong that it freed him from literal brainwashing.

He doesn't want to push his love for Katara aside to gain power because he cares about her too much - and then does it anyway because, even though not making her his main focus 24/7 offers the risk of her being hurt, him neglecting his mission guarantees she'll get hurt.

He is devastated to learn that the world thinks he is dead because he knows he was everyone's last hope - and yet in the end he still accepts the burden of failure because he understood that, at that moment, everyone would be safer if no one else knew he was still alive.

He goes to a Fire Nation school and bonds with the kids, wanting to give them a taste of freedom and joy, as well as trying to understand what the war is like from their perspective. The same episode also has him pull Katara for a dance because he noticed she was feeling left out.

The boy felt empathy for, and understood the mistakes of, both Ruko and Sozin. SOZIN. Aang could see the humanity in the monster that is responsible for him losing his entire culture and everyone he loved.

When Zuko spoke about wanting to control his impulses so he wouldn't accidentally hurt anyone, Aang explicitly connected with that struggle and saw them being teacher and student as fate, and Zuko agreed because that's how deep their connection was.

Aang is not happy about Katara wanting to murder a man, but he still lets her take Appa on her mission and is not disapproving when she ultimately spares the guy but does not forgive him and makes it clear she never will.

He feels empathy for freaking Ozai, to the point that refuses to kill the guy - even as he has the balls to say that Aang's family, his people, deserved to die. He spared that guy - but only after he had a way to do that without it meaning the death of more innocents. Aang, the pacifist, was going to turn his back on everything he believed in just to avoid more human suffering.

So yeah, miss me with your bullshit and don't come back until your brain is developed enough to understand a cartoon aimed at kindergarterners.

[specialagentlokitty]

Zuko x reader - one more time

Hey can I get a Zuko x reader where the it’s Legend of Korra era but what it is is that Korra or Bolin just anyone in the main group ask about his past s/o who was the reader and he talks about them in a sad old man way taking about his deceased lover 😭 thank you - Anon 💜

Korra had been trying to figure everything out, and she realised the only connection she had to Aang, the one that knew him when he was going through the same thing was Zuko.

So she visited him, and spent as much time as she could asking questions, asking for advice and help.

“I’m sorry Korra, but this is not something I’m so good at, (Y/N) was better at giving advice than I ever could have hoped to be.”

“(Y/N)? You’re partner?” Korra asked.

Zuko nodded his head and gestured for her to follow him.

He led her through a lavish garden, nearly cared for, and when they reached the middle he showed her a large statue and Korra stared at it.

You were absolutely stunning, you looked young, beautiful, elegant, yet powerful and a fair ruler.

“Wait.. I think.. I think I spoke to them. In the spirit realm.”

“You did?”

They both sat down in the bench opposite the statue of you.

“Yeah, they were the one that told me to come speak to you, that you would know what to do.” She said.

Zuko smiled and chuckled softly as he stared up at the statue in fondness.

“They always said I knew what to do, even if I didn’t realise it straight away.”

Korra looked at the former fire Lord, and she looked up at the statue of you.

“What were they like?” She asked softly.

Zuko smiled softly, turning his head to the floor before he looked back up at the statue.

“They were… they were strong, stubborn, like Katara, but peaceful and loving like Aang. They saw the beauty in everything around, but they were one of the bravest people I had ever met.”

Korra listened carefully as Zuko told her all about you.

He told her stories from when you two first met, how you had left the nation to fight with Aang, and you would always mock him for not being able to defeat you.

Then how he fell in love with you, on the day of the war ended, while he was fighting with his sister you risked your life for not only Katara, but for him too.

He loved your stubbornness, and your smiled that could light up a room on the darkest night.

“They were more then anything I could’ve ever asked for, they gave me the love and the forgiveness I never have asked for from anyone else…”

Zuko sighed, running his finger alone the lone wedding band on his finger.

“They were the love of my life and more…”

Korra reached out, placing her hand on his arm, making him look at her.

“You’ve done them proud, they told me how proud they were of you, and how much they miss you.” She said.

He smiled softly and looked at her.

“Really?”

“Yeah, of course.”

He nodded his head and looked at your statue before turning to the young avatar.

“Do you think you can talk to them again?”

“I.. don’t know. Maybe.”

“If you do please give them this. I was going to give it to them on the our anniversary before they passed, I’ve carried it ever since.”

He handed over an old letter, and she took it, slipping it into her pocket.

“Of course, will you tell me more about them?”

Zuko smiled and carried on talking, and Korra just sat there listened to his stories.

She knew he was lonely, she heard from Katara how you were never without one another.

To loose your lover so early and have to go on through life without them? She couldn’t imagine how lonely and how painful it must be.

She heard the way he talked, the sadness in his voice, the tears brimming his eyes as all he could do was stare at the statue.

Korra looked at the statue and she saw something behind it, and all she could do was stare at the spirit.

She didn’t need to compare the looks to know immediately who it was.

She watched as you walked over and sat in front of your statue, resting your elbow on your knee, and you rested your chin on your palm as you smiled at Zuko.

“Ask him to tell you about the time he proposed to me.” You whispered softly.

“Can you tell me about the time your proposed to (Y/N)?”

“You really want to hear about that?”

Katara flicked her eyes to your spirit, and you gently nodded your head.

“I.. (Y/N) wants to hear it.”

“They’re here?”

Zuko knew the avatar could see spirits, talk with them, and he knew since the spirit realm was opened more and more were pouring through.

He never thought that you would come through though.

“They’re here…” she smiled.

Zuko looked around and Korra pointed to where you were sat, and all she could do was smile as he smiled to himself.

“It was supposed to be elegant, I had a large ball planned, everyone was invited, everyone was waiting for me. (Y/N) wore the most beautiful clothes you had ever seen, made out the finest silk you could ever see. I was walking down the stairs, and I tripped, falling the rest of the way and I knocked (Y/N) over along the way.” He laughed.

You laughed as well and nodded your head.

“I was so embarrassed I quickly left and (Y/N) followed me, out to this very garden and we stood in very spot. They kissed me, and told me that it was okay, and I asked them there and then if they would marry me.”

He twisted the wedding band on his finger.

“They teased me and kept putting off the answer, and I went to walk away thinking it was them rejecting me… I tripped again…”

“But they said yes.” Korra smiled.

“They did. But not before laughing at me first.” He chuckled.

Korra watched as his face turned to sadness.

“It was the best marriage I could’ve ever ask for… but they got sick… they tried to fight, to hold on but they wouldn’t do it anymore. They passed away in their sleep, they never got to watch our children grow up, they never saw the kingdoms grow closer.”

Korra couldn’t handle it anymore, she knew she shouldn’t do this, but she felt like she owed it to Zuko, for everything he’d done.

“Close your eyes.” She said softly.

Zuko did as he was told and she placed a hand on his head, whispering something she stepped away.

“I.. I don’t know how long it’ll last, but I hope this helps.”

She handed him the letter he gave her and stepped a few steps back, watching him open his eyes and he stared directly at you.

He smiled and you stood up, walking over to touch his face.

Maybe she was breaking a lot of rules, but Korra knew he was breaking inside without you, he’d been so alone without you for so long she wanted him to have some time with you, even if it was just a few minutes

[snekdood]

nah idk the avatar live action is actually growing on me. i dont think i hate it at all. i'd give it like a 3.5-4 stars out of 5