#aim for greatness

[mrskscrochet]

This insightful quote reminds us that setbacks and difficulties are not roadblocks but stepping stones towards our dreams. When life pulls you back, gather strength and resilience, for it means you are being prepared for something remarkable. Instead of losing hope, stay focused on your goals, maintain your aim, and trust that the universe is aligning to launch you into a future filled with greatness. So, take a deep breath, draw back the bow, and let the journey unfold. You're destined for something extraordinary! 🌟💪

#EmbraceChallenges #StayFocused #AimForGreatness

[nitw]

i've been waiting for gravity falls to become relevant again so i could share one of my favorite underrated bits from the entire show. like it's only episode 2 but this whole segment just makes me lose my shit. i think jason ritter's exasperated line delivery is what makes it

[stevebabey]

personally love the interaction in the start of s4 where steve goes “ugh, you know i don’t do double vhs.” when robin suggests doctor zhivago. like ugh robin!!!! we’ve talked about this before!!! steve has a limited attention span and if robin puts on something too long, he will start shooting her with rubber bands

[emdotcom]

Some of these are more "useful" than others, I'll admit.

[vimbry]

the best pokedex descriptions are the ones that make them sound completely incompatible with the world suggested by the gameplay mechanics. "a stuffed toy that was thrown away and became possessed, ever searching for the one who threw it away so it can exact its revenge." ok well um. why would this fight for me

[splickedylit]

moggettt asked: Hey!! For art suggestions, possibly a Mike Chilton? Love that burner boi;; (I've been listening to Underdog by Kasabian and it has big motorcity vibes 🔥)

Yes!!!! Ah! My boy!!!!!! I saw a clip from Motorcity again the other day and it was Mike just cheerfully hopping backwards out of a window many stories up apparently just on the cheerful assurance that he'd figure something out on the way down, and. I love this fucking doofus. What a good main character lmao

Bonus: wet >>>>:(

[agentoffangirling]

Season 1 of Agents of S.H.I.E.L.D. is not bad. It really isn't. To both a longtime fan and a complete newcomer to the MCU, it would not be seen as a bad show if they just did more than surface research on it

If you look at the ratings on Rotten Tomatoes for the show overall, it has a 95%. 89% for s1. On IMDB, 7.5/10, with their lowest episode being only 7.1/10. Critics like it, audiences like it

So why is it that it is viewed so negatively by a large majority of Marvel fans? And to that I say: they never stuck around till the end of the season

See, when AoS was coming out, there was massive hype around it. Marketing would have you think that it was some type of Avengers crossover, with people like Tony Stark and Natasha Romanoff showing up every other episode (but hey, this is Agents of S.H.I.E.L.D. Not Agents of T.H.O.R.)

This is what led to the massive turnout of 11 million viewers for that first episode, but when it turned out to be a show about S.H.I.E.L.D. featuring new people, like it always was supposed to be, people very quickly tuned out

(Even tho, hey, it's a SPY show and you only watched 1 EPISODE. Give it some time)

But most didn't give it time. They wanted to see Hawkeye and Fury and Maria go on adventures that would stand the test of time, fighting Loki and essentially just being mini Avengers, and when that didn't happen, they left. They wrote early reviews claiming that the show didn't meet expectations and wasn't worth the time. You get a very sharp dip from episode 1 bc marketing claimed this was an Avengers show, and people felt that it fell short

Those reviews are what Marvel fanboys use now, without ever watching the show themselves or pointing out that they're literally 11 years old. They bring the idea that the show is boring and lazy, putting aside the fact that basically everything else from it is called innovating and jaw-dropping. They praise the use of THEIR ideas in other Marvel shows, but call it plain in their home territory. They don't bother

So hey, if you're planning on watching Agents of S.H.I.E.L.D., please ignore literally everything those fanboys say. They haven't watched the show, those early reviews couldn't stand watching past episode 2, just ignore them. Trust the fandom when we say that not only is season 1 perfectly fine, it's truly amazing fun, and so many of the plotlines they executed in that season are incredible

Because if we all stopped at season 1, there wouldn't be any shows

[makingqueerhistory]

A Fright to Remember (Monster High School Spirits #1)

Adrianna Cuevas

The Monster High ghouls are back and more spooktacular than ever in this all-new, original middle grade series set in the world of Nickelodeon's animated show and written by Adrianna Cuevas! As Monster High prepares for its annual talent show, Frankie Stein is left wondering what they could perform. When Torelei Stripe mocks Frankie's music playing abilities, Frankie is left even more confused about which of their brain parts is exciting enough for the talent show. Luckily, Headmistress Bloodgood presents Frankie with new information about their brain that might hold the answer. Except Frankie discovers that their brain part is from a disgraced scientist accused of unethical experiments. Plagued by dreams from the scientist's life, Frankie teams up with Draculaura and Clawdeen to discover the truth about their past--and save Monster High in the process.

(Affiliate link above)

[ratatatastic]

"Funny enough I—like, if street hockey, ministicks, I always wanted to be a goalie too! Like, for some reason I always wanted to go in net. You know, probably because of [my Dad] and then, um, you know, once you get dinged a couple times and the shots get too hard you realise—then it's not so much fun after all so... Yeah, it was great he'd always—" "You probably wanted to be goalie 'cuz you're fucking crazy, man! Those guys are bananas! I actually went as a goalie in morning skate one time when I was suspended in the coast, and it was the scariest thing ever, bro. It's nothing like blocking a shot because you're literally just standing there, and these guys are shooting right at you. It's unbelievable!" "Yeah! You gotta get in the way of the stuff to save it! That's crazy! I know, and like obviously gear is like great and they don't really feel—but there is, like, that psychological thing going on where, like, you know, you wanna move out of the way 'cuz it's gonna hurt! I get—I mean, it must not hurt that much, like, 'cuz Bob's crazy, man! Bob loves taking—Well, I wouldn't say loves taking it off the head, but he doesn't hate it, like he—" "Feels good?" "You know, every once in a while—they hit him in the head and you go up and say sorry he's like, 'No, no! It's all good! I love it, I love it!!' and like, kind-of shoos you away so."

The Buzz Pod | 8.7.24 (x)

so speaking of banking pucks off bobbys head and how much he loves it flashback to that day in october of 23 where bobby was doing that for practise and managed to rope in matthew to the shenanigans to the utter confusion of everyone involved (x)(x)(x)(x)

[news4dzhozhar]

[libelelle]

silver doodles plus annotations of my thoughts <3

[troius]

What we learned from the war

"Endings are hard" is a something of a truism, but it's borne out in Bleach, where every story arc besides after the first two stumbled at the finish (even the endings of the first two arcs don't really "end" so much as continue into a new story). In the Arrancar arc, the number of characters and plotlines got so overwhelming that an ending that had to be rushed if it was to arrive at all. In the Lost Agent arc, the characters were pared down, but the ending wound up thematically inconsistent with the story anyways, possibly due to real-life circumstances. And the Thousand-Year Blood War somehow managed to have both problems.

The change in direction from "tightly focused character drama" to "sprawling cast of soldiers" meant that it was unlikely to ever give us the development of our protagonist that we craved, and that lack of focus was only aggravated by the widely-reported health problems of the author. And yet, perhaps because we don't get that, because so little of this arc is filtered through Ichigo learning about himself, we get a much clearer statement of the values inherent in the work.

This is most evident in our antagonists for this Arc. Yhwach and the Wandenreich don't really have the relationship with Ichigo that previoius antagonists had. He never knew his Quincy heritage, never identified with their ideals, and so feels very little conflict about opposing them. He doesn't ever develop his Quincy powers, at least beyond integrating them with his already existing powerset. And he doesn't take much of a personal interest in Yhwach, who in turn, doesn't seem to think much of him when he's not directly in front of him.

But for all that Ichigo doesn't end up having much of a dynamic with them, the Wandenreich still manages to maintain a unique character. Every antagonist has a priority, something that they are willing to do great evil for. For Soul Society, it's its own existence, the continuation of the system they've built. For Aizen, it's his own self-aggrandizement. For the Fullbringers, it was simply living another day, screwing over others so that they can't screw you first. But the Wandenreich has no such priority. They simply want it all to end.

That's most obvious in Yhwach's ending monologue, but you can see it from the very beginning as he kills Yamamoto, the man who tried to move on from his bloody past being slaughtered by the man who would absolutely not let it go. Yhwach shows more emotion towards the skeletons of Argola and Huberdt, his dead soldiers from a war long lost, than he does towards any of his living subordinates. And his subordinates follow his lead in showing no love to one another, happily stabbing each other in the back without even the Arrancars' uneasy level of camaraderie. Their movement has no future, and neither do they, so nihilism is the only recourse.

Most of the time. I think it's important to note that every time a member of the Wandenreich expresses positive feelings towards one of their comrades, it's immediately followed by them turning on Yhwach. Liltotto, Bazz, Giselle, eventually, in her own twisted way…even Jugram, at the very end. Sure, Yhwach kills them for their impertinence (he is the bad guy), but he also massacres the Wandenreich faithful en masse. There's no salvation, only death, and he'll enforce that state on his followers rather than allow them to discover any alternative.

I imagine the lesson, and the general attitude of the Wandenreich, was not lost on Uryu Ishida. Even in his relative paucity of appearances, it's he who is at the moral center of the arc. His culture, which he had thought was nearly entirely dead, turns out to be alive, and out for vengeance against the people who exterminated them. It's something he probably fantasized about growing up, and I don't blame him for joining. How could he not?

But at the end, he makes the very easy choice. Calling it a matter of "life and death" is a little on the nose, but it's morally quite black and white. Yhwach has no hope for this world, or for his people within it, or even himself. He lost a war for the nature of existence to a monster a thousand years ago, and never got over it. But Uryu has the strength to look at the horrors of this world and yet hope for better. Because he has people he loves in life, and who love him in return, he can dream of a better tomorrow.

And that's what the ending is all about. Yhwach loses to Ichigo, and it is very much "good guy beats bad guy". But he also loses to Uryu, and to "I hope to have a family with my girlfriend who I love so much" Renji Abarai, and to "I have a tremendous amount of hope to eventually make myself king of everything" Sosuke Aizen, and eventually (in a way I'm still confused about mechanically) to the child Ichigo and Orihime will eventually have, the literal embodiment of the potential of the future.

The final villain of Bleach is not society's tendency to preserve itself at any human cost. It's not individual selfishness, or manipulativeness, or any of the many vices we saw embodied in the hollows throughout the series. It's despair, the idea that life might not be worth living even through all the struggles and horrors our protagonists have endured. Sure, it will always raise its head, sometimes at the most inconvenient, or ill-fitting times. But having its reincarnation be blown away by the supernaturally normal lives of our cast…well, that's as clear of a message as I can imagine.

[clutch-nixon]

I'm gonna say it: there'd be a lot less vitriol towards Sydcarmy if it was an m/m ship, especially if it was another attractive white man. 😒 For example put a man like Luca (sorry for dragging you into this babe) and put him in a Sydcarmy scene like the one under the table or the panic attack without changing anything. I bet it'd SUDDENLY make sense to them. 🙄

[introspectivememories]

NICO: WE SHARED THE LIFT THIS MORNING! I WAS GOING TO THE POOL TRAMPOLINE WITH MY TWO DAUGHTERS AND HE WAS GOING TO THE RACETRACK. PINKHAM: VERY DIFFERENT LIVES YOU'RE CURRENTLY LEADING.

[discaet]

Does it ever drive you crazy

Just how fast the night changes

[silusvesuius]

n*loth not being able to bag anyone over the (human term) age of 25-30 at most is the only logical and real conclusion to me because it can be just explained away as him wanting to prove and control everything and anyone (Cus he's a man!) but being stuck in that demographic because his unbearable and vile personality is a force that nobody can look past once they've outgrown the possible fear and idolization period of anyone but also n*loth in particular.