The Weekend Read - Cock & Bull Stories and Other Phrase Origins
Why do we say Good Health when we are about to drink alcohol, which is far from good for us?
The answer lies in the 19th century and England’s second deadly outbreak of cholera between 1848 and 1849.
In August of 1849 cholera reached epidemic proportions in the Broad Street area of London resulting in 344 deaths in only four days. But there were almost none in any neighbouring areas.
The water pump at Broadwick Street, Soho
Local physician Dr John Snow suggested cholera was linked to people drinking polluted water and quickly proved this when he found that 87 victims out of the 89 he examined were known to have drunk water from the Broad Street well.
Snow famously called for the authorities to "take the handle off the Broad Street pump", and almost immediately the outbreak was halted.
For a long while afterwards locals would avoid water and drink only ales and wines, knowing the boiling and fermenting process would kill any bacteria in the water used.
When drinking they would greet each other with the phrase ‘in good health’, knowing they were safe from the disease.
The phrase, Pull Your Finger Out, is these days associated with encouraging someone to get a move on, or hurry up and complete a task more quickly than they are presently doing. Like so many English phrases it has a military or naval origin.
Loaded cannons would have gunpowder poured into a small ignition hole, which was then held in place with a wooden plug.
But in times of battle, when speed was of the essence, the powder would be pushed in and then held in place by a gun crew-member using his finger. Impatient artillerymen, anxious to fire their cannons at the advancing enemy, would shout at his crew-mate to ‘pull his finger out’ so that the gun could be fired.
It has not been recorded how many digits were lost on the battlefields.
To Face The Music has two possible origins. The first is that nervous (often terrified) actors and actresses, on an opening night, would have to go out on stage at the start of their performance and quite literally ‘face the music’ (as the orchestra pit sat directly in front of the stage with the musician facing the actors).
In this case ‘facing the music’ meant the actor actually went out and performed, rather than losing their nerve and bottling it.
The second and less likely origin, suggests that a dishonourable military discharge would always result in the disgraced serviceman being marched off barracks to the sound of drummers playing (drummed out), in which case he too had ‘faced the music’.
To be Dressed Up to the Nines means to be wearing our finest suit or evening gown. Some suggestions for the origin of this phrase lead us to tailoring and the belief that it takes nine yards of material to make the perfect three-piece suit.
But that seemed a little bit weak to me, so I looked further and found most sources insist it began as ‘dressed up to the eyes’, which has been corrupted over the years.
Still not convinced, I decided to work backwards and look for all the possible uses of the word ‘nine’, discovering a little gem in the process.
In the precious metals industry, the finest gold and silver are never classified as 100 per cent pure, but as 99.99 per cent; hence the finest metals are known as ‘the nines’ throughout the trade.
It is my belief that ‘being dressed up in your nines’ means to be wearing your finest jewellery. Further evidence to support this theory lies in the archive of the Royal Gloucester, Berkshire and Wiltshire Regimental Museum in Salisbury. Queen Victoria’s favourite regiment was the Wiltshire (Duke of Edinburgh’s) 99th Foot.
Stationed at Aldershot, they were always chosen to guard the Royal Pavilion in Brighton, consequently becoming known as ‘the Queen’s Pets’.
The officers’ dress code included an unusual amount of gold lace on their uniforms; hence they were regarded as being ‘dressed up in their nines’ for royal duty.
A Dead Ringer – is a well-known phrase for somebody who looks just like another. In medieval Britain the medical profession was not quite as refined as it is now, and often anybody found not to be breathing was regarded as dead, when they may have been simply unconscious. (And this was also before comas were fully understood).
It was not uncommon for bodies to be later exhumed and corpses found with their fingers worn to the bone, an obvious indication somebody had returned to life and tried to claw their way out of a coffin.
So horrific was this image that the English gentry began mistrusting medical opinions and buried their loved ones with string attached to their wrists, connected to a bell above the grave.
Those employed to sit overnight and listen out for the bells were known to be working the Graveyard Shift.
Anybody who returned to life and found themselves prematurely buried could attract attention by ringing the bell and it has been recorded this actually worked. Many ‘bodies’ were exhumed after bells were rung and some people carried on with their normal lives.
But when spotted in the street startled acquaintances would cry to each other ‘That looks just like ‘Jack Jones’ - I thought he was dead’ to which they would receive the reply, ‘Yes, he must be a dead ringer’.
And that, believe it or not, is true.
The Cock Hotel - Stony Stratford
A Cock and Bull story is likely to untrue and without any real facts supporting it. Imaginative claims that are made without any supporting evidence are usually dismissed as such and some suggest it originates from old fables in which animals speak to each other.
There is, however, a much more reliable source for this phrase. Stoney Stratford is a Buckinghamshire town located almost directly halfway between London & Birmingham and Oxford & Cambridge respectively.
During the great coaching era of the late 18th and early 19th century the town was an important and vibrant stop over point for travellers, tradesmen and mail coaches.
The two main coaching inns in town were called The Cock and The Bull and both became known throughout the country as the center of all news travelling either on foot or by horse.
Both Inns, competing for national acclaim, established a rivalry over which could produce the most exciting and scurrilous travellers tales to be passed onto to the major cities and as a result many unbelievable stories were dismissed as Cock and Bull tales.
The Cock and The Bull Hotels still stand today at the center of Stoney Stratford and I have a few stories from both of them that are hard to believe.
Shaggy Dogs extracts
Albert Jack AUDIOBOOKS available for download here
Shaggy Dogs & Black Sheep
Buy Now
Audio Books
Other Platforms
Assorted eBooks
Read the full article
0 notes
David Baddiel My Family: Not The Sitcom
Following a sold out run at London’s Menier Chocolate Factory and two critically-acclaimed West End runs, David Baddiel takes his Olivier-nominated one-man show to theatres nationwide. My Family: Not the Sitcom is a show about memory, ageing, infidelity, dysfunctional relatives, moral policing on social media, golf, and gay cats. A massively disrespectful celebration of the lives of David Baddiel’s late sex-mad mother, Sarah, and dementia-ridden father, Colin. Come and be offended on David’s behalf!
2018 Tour Details
28 Jan 18
Bath Theatre Royal
1 Feb 18
Aberdeen His Majesty’s Theatre
4 Feb 18
Cheltenham Everyman Theatre
9 Feb 18
Truro Hall Cornwall
23 Feb 18
Chester Storyhouse
28 Feb 18
Birmingham New Alexandra Theatre
1-2 Mar 18
Lancaster Grand Theatre
3 Mar 18
Workington Carnegie Theatre UK
4 Mar 18
Salford Lowry
8 Mar 18
Southend Palace Theatre
9 Mar 18
Southend Palace Theatre
11 Mar 18
Newcastle Theatre Royal
12 Mar 18
Harrogate Theatre
13 Mar 18
Glasgow Comedy Festival Citizens Theatre
15 Mar 18
Durham Gala Theatre
16 Mar 18
Durham Gala Theatre
17 Mar 18
Southport Atkinson Theatre
18 Mar 18
Sheffield Memorial Hall
19 Mar 18
York Grand Opera House
22 Mar 18
Kingston The Rose Theatre
24 Mar 18
Tewkesbury Roses Theatre
25 Mar 18
Nottingham Playhouse
28 Mar 18
Wolverhampton Wulfrun Hall
29 Mar 18
Northampton Royal and Derngate Theatre
19 Apr 18
Dudley Town Hall
21-22 Apr 18
Swindon Wyvern Theatre
26 Apr 18
Worthing Pavilion Theatre
27 Apr 18
Cardiff St Davids Hall
29 Apr 18
Reading Hexagon
2 May 18
Dartford Orchard Theatre
5 May 18
Hayes Beck Theatre
6 May 18
St Albans The Alban Arena
10 May 18 Crewe Lyceum Theatre
11 May 18
Leicester De Montfort Hall
12 May 18
Eastbourne Royal Hippodrome
13 May 18
Canterbury Marlowe Theatre
17 May 18
Peterborough Cresset Theatre
19 May 18
Stafford Gatehouse Theatre
20 May 18
Winchester Theatre Royal
23 May 18
Aylesbury Waterside Theatre
24 May 18 Dorking Halls
25 May 18
Porthcawl Grand Pavilion Theatre
2 Jun 18
Norwich Theatre Royal
3 Jun 18
Stratford-upon-Avon Royal Shakespeare Theatre
5 Jun 18
Aldershot Princes Hall
8 Jun 18
Worcester Huntingdon Hall
9 Jun 18
Swansea Grand Theatre
12 Jun 18
Yeovil Octagon Theatre
13 Jun 18
Exeter Northcott Theatre
16 Jun 18
Portsmouth Guildhall
17 Jun 18
Brighton Theatre Royal
22 Jun 18
Leeds City Varieties
23 Jun 18
Leeds City Varieties
27 Jun 18
Nottingham Playhouse
28 Jun 18
Stoke-On-Trent Regent Theatre
29 Jun 18
Edinburgh Rose Theatre
30 Jun 18
Dundee Rep Theatre
2 Jul 18
Bristol Bristol Hippodrome
BOOK TICKETS
Any venues not listed on the ticket link – visit http://www.davidbaddiel.com/
http://ift.tt/2mVJFPk London Theatre 1
0 notes