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sheetmusiclibrarypdf · 3 months

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Igor Stravinsky (1882-1971)

Igor Stravinsky (1882-1971)Three Movements from Petrushka: The Shrovetide FairThree Movements from Petrushka: The Shrovetide Fair ·Arthur Rubinstein, piano · Igor StravinskyNew Highlights from "Rubinstein at Carnegie Hall" - Recorded During the Historic 10 Recitals of 1961Please, subscribe to our Library. Thank you!Best Sheet Music download from our Library.Igor Stravinsky's PetrushkaIgor Stravinsky (short bio)

Igor Stravinsky (1882-1971)

Three Movements from Petrushka: The Shrovetide Fair

https://www.youtube.com/watch?v=cSSWuIfb0LU Three Movements from Petrushka: The Shrovetide Fair · Arthur Rubinstein, piano · Igor Stravinsky New Highlights from "Rubinstein at Carnegie Hall" - Recorded During the Historic 10 Recitals of 1961

Igor Stravinsky's Petrushka

Petrushka (French: Pétrouchka; Russian: Петрушка) is a ballet and orchestral concert work by Russian composer Igor Stravinsky. It was written for the 1911 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto. The ballet premiered at the Théâtre du Châtelet on 13 June 1911 with Vaslav Nijinsky as Petrushka, Tamara Karsavina as the lead ballerina, Alexander Orlov as the Moor, and Enrico Cecchetti the charlatan. Petrushka tells the story of the loves and jealousies of three puppets. The three are brought to life by the Charlatan during the 1830 Shrovetide Fair (Maslenitsa) in Saint Petersburg, Russia. Petrushka loves the Ballerina, but she rejects him. She prefers the Moor. Petrushka is angry and hurt, and challenges the Moor. The Moor kills him with his scimitar. Petrushka's ghost rises above the puppet theatre as night falls. He shakes his fist at the Charlatan, then collapses in a second death. The gestation of Petrushka was not a straightforward matter. While completing The Firebird during the spring of 1910, Stravinsky had a "vision" of a solemn pagan rite: sage elders, seated in a circle, watching a young girl dance herself to death. They were sacrificing her to propitiate the god of Spring. Such was the theme of The Rite of Spring. Immediately following the stunning success of The Firebird in June 1910, Diaghilev approached Stravinsky about a new ballet; the composer proposed the Rite theme. Diaghilev accepted in principle and suggested that the premiere might take place during the Paris season of the Ballets Russes during the spring of 1912. At the end of September 1910, Diaghilev went to visit Stravinsky in Clarens, Switzerland, where he was living at the time. Expecting to discuss the new ballet, Diaghilev was astonished to find Stravinsky hard at work on a totally different project. Stravinsky, it seems, had had another vision: "I saw a man in evening dress, with long hair, the musician or poet of the romantic tradition. He placed several heteroclite objects on the keyboard and rolled them up and down. At this the orchestra exploded with the most vehement protestations – hammer blows, in fact …" Later, Stravinsky wrote: "n composing the music, I had in my mind a distinct picture of a puppet, suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggios. The orchestra in turn retaliates with menacing trumpet blasts." Although Stravinsky had conceived the music as a pure concert work—a Konzertstück, Diaghilev immediately realized its theatrical potential. The notion of a puppet put Diaghilev in mind of Petrushka, the Russian version of Punch and Judy puppetry that had formed a traditional part of the pre-Lenten Carnival festivities in 1830s St. Petersburg. Stravinsky composed the music during the winter of 1910–11 for Diaghilev's Ballets Russes. It was premièred in Paris at the Théâtre du Châtelet on 13 June 1911 under conductor Pierre Monteux, with choreography by Michel Fokine and sets by Alexandre Benois. The title role was danced by Vaslav Nijinsky. The work is characterized by the so-called Petrushka chord (consisting of C major and F♯ major triads played together), a bitonality device heralding the appearance of the main character. The original 1911 version of Petrushka is scored for the following orchestra. Stravinsky's 1946 scoring is for a smaller orchestra: Compared to the 1911 version, the 1946 version (given in 1947) requires 1 less flute; 2 fewer oboes, but a dedicated cor anglais player instead of one doubled by the fourth oboe; 1 less clarinet; 2 fewer bassoons, but a dedicated contrabassoon; neither of the 2 cornets, but an additional trumpet; 1 less snare drum and no tenor drum, thus removing the offstage instruments; no glockenspiel; and 1 less harp. While the original idea was Stravinsky's, Alexandre Benois provided the ethnographic details of the Shrovetide Fair and the traditions of the Russian puppet theater. And although Petrushka is frequently cited as an example of the complete integration of libretto, music, choreography, and scenic design, Stravinsky had composed significant portions of the music (chiefly the Second Tableau) before Benois became involved with the project. Petrushka begins with a festive orchestral introduction based, in part, on historical Russian street-hawkers' cries. The curtain rises to reveal St. Petersburg's Admiralty Square during the 1830s. The stage set (also by Benois) depicts several hucksters' booths, a ferris-wheel, a carousel, and (upstage center) a puppet theater. A crowd has gathered for the Shrovetide Fair (known as Maslenitsa), the carnival (analogous to Mardi Gras) preceding Lent. In Fokine's original choreography, a group of Drunken Revelers emerges from the crowd, dancing to Stravinsky's adaptation of the folk-tune "Song of the Volochobniki" ("Dalalin' Dalalin'" from Rimsky-Korsakov Op. 24 No. 47). Suddenly, the festive music is interrupted by strident brass announcing the appearance of the Master of Ceremonies on the balcony of his booth. The equivalent of a carnival "barker", he boasts of the attractions to be seen within. The squeaks of a street-organ are heard (clarinets and flutes) as an Organ-Grinder and Dancing Girl emerge from the crowd, which at first pays little attention as the barker continues to shout. The Dancer moves downstage and begins to dance to another Russian folk-song, "Toward Evening, in Rainy Autumn", while playing the triangle. At the other end of the stage, a second Dancing Girl appears, accompanied by a music box (suggested in the orchestra by the celesta). The two Dancing Girls compete for the crowd's attention to the strains of a ribald French music-hall song about a woman with a wooden leg: "Une Jambe de bois". Both tunes are repeated. The Drunken Revelers return (again to the "Song of the Volochobniki") interrupted several times by the Barker's boasts. The street-hawkers' cries of the very opening are heard once more. Suddenly, two drummers summon the crowd to the puppet theater with deafening drumrolls. The Magician (sometimes called the "Charlatan") appears to mystical groans from the bassoon and contrabassoon. When he has everyone's attention, he produces a flute and begins to play a long, improvisatory melody. The curtain of the puppet theater rises to reveal three puppets hanging on the wall: the Moor, the Ballerina, and Petrushka. When the Magician touches them with his flute (to chirps in the orchestra), they seem to awaken. The astonished crowd watches as, with a wave of the Magician's hand, the three puppets begin a vigorous Russian Dance (based on two more Russian folk-tunes: "A Linden Tree Is in the Field" and "Song for St. John's Eve"). In Fokine's masterly choreography, they first begin to move their feet (while still hanging on the wall), then burst forth from the puppet theater into the midst of the crowd. The Moor (resplendent in turban and exaggerated pantaloons) is swashbuckling. The Ballerina dances perpetually en pointe. Petrushka, on the other hand, is wooden and awkward. It becomes apparent Petrushka loves the Ballerina; but she has eyes only for the Moor. The Magician calls the dance to a halt; the curtain falls rapidly. Although Petrushka's room is inside the puppet theater, the Benois design is fantastical, portraying the night sky with stars and a half-moon; abstract icebergs (or snow-capped mountains), and a prominent portrait of the Magician. Drumrolls announce the beginning of the Second Tableau. Without an Introduction, the music begins menacingly. "A foot kicks him onstage; Petrushka falls…" As Petrushka gradually pulls himself together, we hear a strange arpeggio in the clarinets: this is the famous "Petrushka chord" (consisting of juxtaposed triads of C major and F♯ major). Petrushka gets to his feet (although shakily) to the accompaniment of waves of arpeggios from the piano (revealing the music's origins in Stravinsky's Konzertstück). The "Petrushka Chord" returns, now violently scored for trumpets, marked in the score "Petrushka's Curses", directed at the portrait of the Magician. The music turns lyrical as Petrushka falls to his knees and mimes (in turn) his self-pity, love for the Ballerina, and hatred of the Magician. The Ballerina (still en pointe) sneaks into Petrushka's room, at first unnoticed. As soon as Petrushka sees her, he begins a manic, athletic display of leaps and frantic gestures (although he was barely able to stand before she arrived). Frightened by his exuberance, the Ballerina flees. Petrushka falls to the floor to the mocking of the clarinets. Another passage of arpeggios for piano grows into a second round of curses directed at the Magician, again represented musically by the "Petrushka Chord", this time scored for full orchestra. For just a moment, Petrushka peers out of his room at the crowd assembled in Admiralty Square (Stravinsky provides a brief reference to the "crowd music" of the First Tableau). Then, Petrushka collapses as we hear a taunting reprise of the clarinets playing the "Petrushka Chord", followed by an odd trumpet call signalling "blackout, curtain." As before, drumrolls link the Third Tableau to its predecessor (in the 1911 score, Stravinsky directs that this drumroll should be omitted in concert performance). In sharp contrast to the darkness of Petrushka's Room, the brilliant colors of the Benois design for the Moor's Room evoke a romanticized desert: palm trees, exotic flowers, sand. In Fokine's choreography, the Moor reclines on a divan playing with a coconut. He then jumps to his feet and attempts to cut it with his scimitar. When he fails he believes that the coconut must be a god and proceeds to pray to it. The Charlatan places the Ballerina in the Moor's room. The Ballerina is attracted to the Moor's handsome appearance. She plays a saucy tune on a toy trumpet (represented by a cornet in the original 1911 orchestration) and then dances with the Moor in a waltz (the themes taken from Joseph Lanner's Op. 165 No. 1 and Op. 200 No. 1). Petrushka finally breaks free from his cell; he interrupts the seduction of the Ballerina. Petrushka attacks the Moor but soon realizes he is too small and weak. The Moor beats Petrushka. The ballerina faints. The clown-puppet flees for his life, with the Moor chasing him, and escapes from the room. The fourth and final scene returns to the carnival. Some time has passed; it is now early evening. The orchestra introduces a chain of colourful dances as a series of apparently unrelated characters come and go about the stage as snow begins to fall. The first and most prominent is the Wet-Nurses' Dance, performed to the tune of the folk song "Down the Petersky Road". Then comes a peasant with his dancing bear, followed in turn by a group of a gypsies, coachmen and grooms and masqueraders. As the merrymaking reaches its peak, a cry is heard from the puppet-theater. Petrushka suddenly runs across the scene, followed by the Moor in hot pursuit brandishing his sword, and the terrified Ballerina chasing after the Moor, fearful of what he might do. The crowd is horrified when the Moor catches up with Petrushka and slays him with a single stroke of his blade. The police question the Charlatan. The Charlatan seeks to restore calm by holding the "corpse" above his head and shaking it to remind everyone that Petrushka is but a puppet. As night falls and the crowd disperses, the Charlatan leaves, carrying Petrushka's limp body. All of a sudden, Petrushka's ghost appears on the roof of the little theatre, his cry now in the form of angry defiance. Petrushka's spirit thumbs its nose at his tormentor from beyond the wood and straw of his carcass. Now completely alone, the Charlatan is terrified to see the leering ghost of Petrushka. He runs away while allowing himself a single frightened glance over his shoulder. The scene is hushed, leaving the audience to wonder who is "real" and who is not. The work is divided into four tableaux (scenes). The score further indicates the following episodes: During rehearsals for the 1911 premiere, Stravinsky and other pianists including Russian composer Nikolai Tcherepnin used a piano four-hand version of the score. This has never been published, although Paul Jacobs and Ursula Oppens, among other pianists, have played it in concert. In 1921, Stravinsky created a virtuosic and celebrated piano arrangement for Arthur Rubinstein, Trois mouvements de Petrouchka, which the composer admitted he could not play himself, for want of adequate left-hand technique. Herbert Stothart, who composed the score for The Wizard of Oz, was visited by Stravinsky at MGM in 1936. Stravinsky gifted Stothart a personal, signed copy of Petrushka. As the main characters in the film run through the Deadly Poppy Field, the opening to the fourth tableau can be heard briefly. In 1946, he thinned the ballet's scoring, in part because the original was not covered everywhere by copyright. The rapid continuous timpani and snare-drum notes that link each scene, optional in 1911, are compulsory in this version, which was published in 1947. The Ballerina's tune is assigned to a trumpet in 1946 in place of a cornet, and the 1946 version provides an optional fff (fortississimo) near the piano conclusion. Stravinsky also removed some difficult metric modulations in the First Tableau. Separately Stravinsky created a suite for concert performance, an almost complete version of the ballet but cutting the last three sections. In 1956, an animated version of the ballet appeared as part of NBC's Sol Hurok Music Hour. It was personally conducted by Stravinsky himself and was the first such collaboration. Directed by animator John David Wilson with Fine Arts Films, it has been noted as the first animated special ever to air on television. In 1988, Maddalena Fagandini directed a version of Petrushka along with The Sleeping Beauty (Tchaikovsky), The Nutcracker (and the Mouse King) (Tchaikovsky) and Coppélia (Delibes) in the BBC puppet film Musical Tales which was released in VHS. Basil Twist debuted his puppetry version of Petrushka at Lincoln Center in 2001; it was performed as well at New York City Center's 2009 Fall for Dance Festival. A full transcription of the 1911 version for symphonic wind ensemble in the original key was made by Don Patterson.

Igor Stravinsky (short bio)

Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Born to a famous bass in Saint Petersburg, Russia, Stravinsky grew up taking piano and music theory lessons. While studying law at the University of Saint Petersburg, he met Nikolai Rimsky-Korsakov and studied under him until his death in 1908. Igor Stravinsky met the impresario Sergei Diaghilev soon after, who commissioned the composer to write three ballets for the Ballets Russes's Paris seasons: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913), the last of which caused a near-riot at the premiere due to its avant-garde nature and later changed the way composers understood rhythmic structure. Stravinsky's compositional career is often divided into three periods: his Russian period (1913–1920), his neoclassical period (1920–1951), and his serial period (1954–1968). During his Russian period, Stravinsky was heavily influenced by Russian styles and folklore. Works such as Renard (1916) and Les noces (1923) drew upon Russian folk poetry, while compositions like L'Histoire du soldat (1918) integrated these folk elements with popular musical forms, including the tango, waltz, ragtime, and chorale. His neoclassical period exhibited themes and techniques from the classical period, like the use of the sonata form in his Octet (1923) and use of Greek mythological themes in works like Apollon musagète (1927), Oedipus rex (1927), and Persephone (1935). In his serial period, Stravinsky turned towards compositional techniques from the Second Viennese School like Arnold Schoenberg's twelve-tone technique. In Memoriam Dylan Thomas (1954) was the first of his compositions to be fully based on the technique, and Canticum Sacrum (1956) was his first to be based on a tone row. Stravinsky's last major work was the Requiem Canticles (1966), which was performed at his funeral. While many supporters were confused by Stravinsky's constant stylistic changes, later writers recognized his versatile language as important in the development of modernist music. Stravinsky's revolutionary ideas influenced composers as diverse as Aaron Copland, Philip Glass, Béla Bartók, and Pierre Boulez, who were all challenged to innovate music in areas beyond tonality, especially rhythm and form. In 1998, Time magazine listed Stravinsky as one of the 100 most influential people of the century. Stravinsky died of pulmonary edema on 6 April 1971 in New York City, having left six memoirs written with his friend and assistant Robert Craft, as well as an earlier autobiography and a series of lectures. Read the full article

#SMLPDF #noten #partitura #sheetmusicdownload #sheetmusicscoredownloadpartiturapartitionspartitinoten楽譜망할음악ноты

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spacetiquette · 10 months

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#sameheads

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indietapes · 2 years

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Vlimmer - Platzwort (Indie Rock)

🕑 1 min / Text: Adrian Release Date: Jan. 20, 2023 This song is quite interesting and a bit different than the tracks we usually share with you here. Blending goth and krautrock with shoegaze and dark wave, Vlimmer is the project of Berlin-based artist Alexander Leonard Donat, who just dropped a new release called 'Platzwort'. It features uptempo drums, energetic guitars, and melodic synths with arpeggios. But what makes the song so special for me? Yes, the vocals! They're deep, sonorous and they add a lot of darkness to the music. I really like the gloomy soundscape 'Platzwort' creates. As I said, the vibe is special, but give it a try, it's absolutely worth it! Check out the preview below: Melody: ★★★★★ | Production: ★★★★☆ | Arrangement: ★★★★★ | Energy: ★★★★☆ | Stream: https://open.spotify.com/track/1jT6H2oKikE8EDamgKZ6zw Instagram: https://www.instagram.com/blackjackilluminist/ ✔️ Available on our Indie Playlist on Spotify.

#Indie Rock #Vlimmer

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windpolaris · 2 years

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U he hive soundset

Hive Presets Double Pack - 160 Hive PresetsHive Presets Double Pack is the ultimate sound bank for U-he Hive featuring 160 inspirational presets. Hive Double Pack (Hive Presets) New Loops.

This soundset is inspired by a handful of classic digital synthesizers of the 80s & 90s, including the Korg Prophecy, Novation Supernova, Roland JD800 & JP-8000 & Access Virus. Many patches offer added adaptability programmed into the mod wheel, to make these sounds come alive. The majority of the presets are initially very chilled &. Essential Mix contains 100 sounds for U-he Hive. These sounds borrow from a variety of films such as “Ghost in the Shell” by Lorne Balfe & Clint Mansell, “The Machine” by Tom Reybould, “Arrival” by Jóhann Jóhannsson, “Beyond the Black Rainbow” by Sinoia Caves, “Altered Carbon” by Jeff Russo and “Electric Dreams” by various composers. Hive Aeon is a perfect fit for your next cinematic pr oject.Hive Aeon delivers inspiring fluid animated arpeggios and melodic sequences, low and powerful cinematic basses and bass lines, colorful, dynamic synths, dark edgy cinematic drum loops and drum hits, dark edgy sound effects and lush atmospheric/ambient pads and textures. With a focus on cinematic sounds, it offers both delicate ambient textures, pads and dark electronic type patches in a variety of different categories. Hive Aeon is a collection of 150 patches for u-he’s Hive synth. 64 Monster Sounds for the new lead VST from U-He - HiveThis soundset contains a full working patches, you no need to think how to create something stunning. Choose from thousands of production-ready presets and patches by Howard Scarr, The Unfinished, Kabuki, Kevin Schroeder, Michael Kastrup, Samuel Bereczky, Alexander Hacke, Bigtone and others available from our online store.

Hive Aeon For U-HE HiVE DiSCOVER | March/25Th/2018 | 17.4 MB We enlisted world-class sound designers to create exclusive new soundsets for our plug-ins.

#U he hive soundset

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gravedadzero666 · 5 years

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(The Ransom Note)

#SoundCloud #music #The Ransom Note #Radium Craze #Too Many Squares #Alexander Arpeggio #Ransom Note

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zattirizat · 5 years

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Otto yeni albümü Over The Top Orchester’ı Bureau B etiketi ile yayınladı

Daha önce Charlois, Orgaton etiketleri ile kısa çalarlarını yayınlayan Alexander Arpeggio ve Cid Hohner’in oluşturduğu OTTO ilk uzun çaları Over The Top Orchester’i Bureau B etiketi ile yayınladı. Sekiz şarkıdan oluşan albümü aşağıdan dinleyebilir bandcamp üzerinden edinebilirsiniz. OTTO - Over The Top Orchester

Over The Top Orchester by OTTO

#news #bureau b #otto #disco #Alexander Arpeggio #Cid Hohner

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dreimalfuermich · 3 years

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Montag, 20.12.2021

ADVENT MIT DEN NETANYAHUS

Nach ich weiß nicht wann zuletzt: die Wecker-Funktion des Telefons benutzen, um über den Umweg des assistierten Aufwachens wieder das natürliche einzuüben. Jene Nervenzellen im Thalamus geschmeidig machen, die unsere täglichen Übergänge steuern. Sind diese also Holz, das man über Dampf verformt, oder bedarf es der heißesten Flamme, weil sie Metall...?

Dasselbe Telefon, das mich mit einem Arpeggio in die Wachheit ruft, zeigt mir für später ein Sonnen-Symbol an. Uneingeschränkte Sonneneinstrahlung im Mittelsegment des Tages. Für den Heiligen Abend sind zum jetzigen Zeitpunkt vorausgesagt: 9 Grad und Regen. Im Wetter-Archiv ein Überblick der letzten Jahre über die Temperaturen am 24.12.. Zuletzt KALT, im Sinne von kalt, war es 2010: -1 Grad. Dann, 2012, beginnt eine kleine perverse Wärmephase, die bis 2015 anhält: 13, 14, 10 und 14 Grad. In den Jahren 2010 bis 2020 ist die Temperatur am 24.12. zweistellig: 7 Mal. In den Jahren 2000 bis 2010 ist die Temperatur am 24.12. zweistellig: 2 Mal.

Malte der Österreicher Alfons Walde, 1891-1958, vielleicht zwingenderweise die besten Schneebilder? Was bedeutete hier die Leitidee von Paint what you see not what you know - as an Austrian? Büchlach und Wilder Kaiser bei Kitzbühel

Ein anderer, der es wissen könnte: der Kanadier Alexander Young Jackson, First Snow, Algoma, 1919/1920

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wobster109 · 3 years

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Chopin Comp Stage 3 - Oct 15

Click to go to master post for explanation and link to all parts

Morning (coming soon)

Afternoon

Alexander Gadjiev - I'm liking this polonaise-fantasy! Wish I understood it better. These mazurkas again lol, I've heard them a bunch. Nice start to this sonata! This has some nice shapes in it! Whoa this middle section! Whoosh! This scherzo has an energy to it! Not always the cleanest, but cool. Nice rhythm and mood of the funeral march. Awesome fourth movement!

Avery Gagliano - Scherzo movement seemed nice. I really liked the third movement! Very measured and very lovely middle. Fourth movement clean but maybe needs a bit more shaping. Lovely start to mazurkas. Yay, my favorite scherzo, the mega popular one! Lovely fast runs, softer and more lyrical than usual. Really clean section with the awkward rh runs. Pretty clean on the really hard page, I think she only missed one chord in the lh. Coda wasn't my favorite, parts of it felt rushed. Overall I felt it was solid but not stunning.

Martin Garcia Garcia - This looks like a charming program! Three major key preludes and. . . is that cat waltz? He makes really dramatic faces lol... and is that him singing? These opening preludes are lovely! I like the contrast of the major key, cheerful pieces with the more serious and minor key sonatas. First movement basically fine, he seems to have some trouble with whacking the wrong notes a lot though, and not even in tricky places. Not in love with the phrasing on the start of scherzo movement. The phrases kind of blur together. Hmm, I'm not quite feeling the largo either. Feels a bit like individual notes instead of phrases. Wow this largo is dragging on forever. The presto is fine, I guess? Would like some more brilliance on the scales. A few runs are getting a bit muddled here. Ha the presto got better! Exciting finish! Mazurkas. They're fine, I think? This unfamiliar piece, preludium, is super nice! lol he's singing again. cat waltz! I think he might be scrambling the notes a bit every time he does the arpeggio up on the opening theme.

Eva Gevorgyan - very slow and measured intro, but it works! This is a slower and darker take on the fantasy than usual, with sonorous base and more pronounced down beat rhythm. I like it though! Something got a bit stuck in the march section. A few hiccups in the ending. Hmm, in my opinion this wasn't the strongest fantasy. I'm not feeling the rhythm in the mazurkas either. I don't know. Too much rubato maybe? Or maybe i'm not into mazurkas :/ Dramatic start into the sonata! This is turning out to be a nice sonata! Clean, dramatic in the loud sections. I'm not sure about this scherzo movement. I like it, it's very grand and dramatic. But I'm not sure that's what it's supposed to be. Maybe it's intended to be more playful. Third movement was fine. Fourth a bit too much dynamic variance, in my opinion. The sudden crescendoes were a bit too sudden and felt a bit jerky.

My recs

Alexander Gadjiev (Sonata) - This was a very thoughtful sonata with interesting and intentional shaping. Excellent fourth movement!

#international chopin piano competition #chopin #piano #stage 3 #oct 15 2021

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rogerioreal · 4 years

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REVIVEHER

Nearly every track that Larry Levan played at The Paradise Garage.

2 Puerto Ricans, A Blackman And A Dominican - Do It Properly 198752nd Street - Cool As Ice 1983 52nd Street - Tell Me (How It Feels) (12") 1986 80's Ladies - Turned On To You 1981 Adele Bertei - Build Me A Bridge 1983 Adiche - Get Ready (12") 1985 Adonis - No Way BackAdvance - Take Me To The Top 1983 Affinity - Don't Go Away 1983 Al Hudson - If You Feel Like Dancing 1977 Aleem - Confusion (12") 1985 Aleem - Love's On Fire (12") 1986 Aleem - Release Yourself 1984 Alexander Robotnick - Problemes D'Amour (12") 1985 Alfie - Star (12") 1985 Alfie Silas - A Puppet To You (LP or 12") 1982 Alfie Silas - Communicate (LP Cut) 1982 Alfredo De La Fe - Hot To Trot 1977 Alfredo De La Fe Alicia Myers - I Want To Thank You (LP) 1982 Alma Faye - Don't Fall In Love 1979 Alma Faye - It's Over (12" ext. mix) 1979 Alma Faye - Stop, I Don't Need No Sympathy 1977 AM-FM - You Are The One 1982 Amii Stewart - I'm Gonna Get Your Love 1982 Andrea True - NY, You Got Me Dancing 1977 Andrea True - What's Your Name, What's Your Number 1977 Ann Margret - Everybody Needs Somebody Sometimes (Larry played Instr. 1981 Anthony & The Camp - What I Like (12") 1986 Anthony White - Block Party (Inst.) 1977 Archie Bell - Anytime Is Right 1981 Aretha Franklin - Freeway Of Love (12") 1985 Aretha Franklin - Get It Right 1983 Aretha Franklin - Who's Zooming Who (12") 1985 Arpeggio - Love & Desire 1979 Ashford & Simpson - Ain't No Stopping Us NowAshford & Simpson - Bourgie Bourgie 1977Ashford & Simpson - Don't Cost You Nothin' 1978Ashford Simpson - Found A Cure &It Seems To Hang On! (Special Disco Remix) 1978Ashford & Simpson - Outta The World (12") 1985 Ashford & Simpson - Stay Free (LP) 1979 Atlantis - Keep On Movin' & Groovin' 1982 Atmosphere - Atmosphere Strut 1976 Sojka and Pike on Elite Atmosphere - Dancing In Outer Space 1981 Atmosphere - Disco Juice 1976 Atmosphere - Spaced Out 1976 Attitude - Love Me Tonight 1983 Aurra - Checking You Out 1982 Salsoul Aurra - Make Up Your Mind 1981 Ava Cherry - You Never Loved Me 1980 B.B. & Q Band - "On The Beat" 1981B Beat Girls - For The Same Man 1982 B.T. Taylor - You Can't Have Your Cake (& Eat It Too) 1982Babe Ruth - The Mexican 1973Baby'0 - In The Forest 1980 Bad Girls - Too Through 1981 Bananarama - Cruel Summer (12" Mix) 1984 Barbara Fowler - Come And Get My Lovin' 1984 Barbara Mason - Another Man 1984 Barbara Pennington - 24 Hours A Day (12" Vers.) 1977 Barbara Streisand - Promises (LP) 1981Barry White - Let The Music Play 1976Barry White - My Sweet Summer Suite 1976Basement Boys - Love Don't Live Here Anymore (12" or Comp. LP) 1987 BBCS&A - Rock Shock 1982 Bell & James - Livin' It Up 1978 Ben E. King - Music Trance 1980 Bert Reid - Groovin' With You (Levan 12" Mix) 1984 Betty Wright - One Step Up, Two Steps Back 1984 Beverly Johnson - Can't You Feel It (LP) 1979 Bill Brandon - We Fell In Love While Dancing 1978 Billie - Nobody's Bizness 1983 Fleetwood rds Billy Frazier - Billy Who? 1980 Billy Nichols - Give Your Body Up To The Music 1979 Levan mix on West End rds Billy Ocean - Love Zone (12") 1986 Billy Ocean - Nights (Feel Like Getting Down) (12" Remix) 1981 Billy Ocean - Stay The Night (12" Vers.) 1981Bionic Boogie - Cream Always Rises To The Top 1978Bionic Boogie - Risky Changes 1978 Black Ivory - Mainline (12") 1979 P Adams and L Burgess Black Light Orchestra - Touch Me, Take Me 1977 Black Mamba - Vicious (Levan 12" Mix) 1984 Garage rds Blackbyrds - Happy Music 1976 Donald Byrd Blackwell - Boogie Down & Mess Around 1978 Blancmanage - Feel Me 1982 Blaze - If You Should Need A Friend (12") 1987 Blondie - Rapture 1981Blue Magic- Look Me Up 1974Bo Kool - Love Money 1982 inspired 'Love Honey Love Heartache' On Tania records, UK track Bob-A-Rela - Spend The Night 1979 Bob-A-Rela - Stop 1979 Bobbettes - Love Rhythm 1981 Bobby Thurston - Check Out This Groove 1980 Bobby Thurston - You Got What It Takes 1980Bobby Womack ‎– I Can Understand It 1972Bohannon - Let's Start The Dance 1978 Boney M - Daddy Cool 1977 Bonnie Boyer - Got To Give In To Love 1979 Booker T - Don't Stop Your Love (12" Remix) 1981 Boris Badenough - Hey Rocky (12") 1986 Brainstorm - Hot For You 1979 Brainstorm - Lovin' Is Really My Game 1977 Brainstorm - We're On Our Way Home 1978 Brass Construction - Can You See The Light (12" or LP) 1982 Randy Muller Brass Construction - Changin' 1976 Brass Construction - Give & Take (12") 1985 Brass Construction - Walkin' The Line (12") 1983 Brass Construction - We Can Do It 1980 Brecker Brothers - Don't Stop The Music 1977 Brenda & Tabulations - Let's Go All The Way (Down) 1977 Brenda & Tabulations - Superstar 1977 Brenda Gooch - You And I Together 1980Brian Eno - David Byrne ‎– The Jezebel Spirit 1981Bruce Johnson - Pipeline 1979 Bruni Pagan - Fantasy 1979 Patrick Adams on .... Vanguard Bruni Pagan - Lovers (LP) 1979 Buffalo Smoke - Stubborn Kind Of Fellow 1978 Bumble Bee Unlimited - Love Bug (Original Red Greg 12") 1976 Greg Carmichael Bunny Sigler - By The Way You Dance 1978 CJ & Co - Devil's Gun 1977 C-Bank - One More Shot 1983 John Robie C-Brand - Wired For Games 1982 Cameron - All That's Good To Me 1981 Cameron - Boogie's Gonna Get Ya 1981 Cameron - Let's Get It Off 1980 Cameron - The Magic Of You 1980 Candi Staton - When You Wake Up Tomorrow 1979 Candido - Dancin' & Prancin' 1979 Salsoul Candido - Jingo 1979 Salsoul Candido - Thousand Fingerman 1979 Salsoul Capricorn - Capricorn 1980 Captain Rapp - Bad Times (I Can't Stand It) 1983 Captain Rapp - I Can't Stand It (12" - 2nd Press) 1986 Carl Bean - I Was Born This Way (12") 1987 Carl Bean - I Was Born This Way (Orig. Motown 12") 1978 Carly Simon - Why 1982 Atlantic WEA Carol Douglas - You're Not So Hot (12" or LP Vers.) 1983 Next Plateau Carol Hahn - Do Your Best 1982 Carol Williams - Can't Get Away From Your Love 1982 Carol Williams - No One Can Do It Like You 1981 Carol Williams - You've Reached The Bottom Line (12") 1983 Carolyn Harding - Gonna Get Your Love (12") 1985 Carolyn Harding - Memories (12") 1986 Carolyn Harding - Moving On (12") 1987 Carolyn Porter - I Said It And I Meant It (12") 1987 Carrie Lucas - I Gotta Keep Dancin (Original Vers.) 1977 Cat Stevens - Was Dog A Doughnut 1977 Celi Bee - Superman 1977 Central Line - Don't Tell Me 1981 Central Line - Walking Into Sunshine (12" Levan Remix) 1981 Cerrone - Cerrone's Paradise 1977 Cerrone - Je Suis Music 1978Cerrone ‎– Love In C Minor 1976Cerrone - Supernature (whole album) 1978 Cerrone - Take Me 1977 Cerrone feat. Jocelyn Brown - Cherry Tree 1980 Chaka Khan - I Know You, I Live You (LP) 1981 Chaka Khan - Tearin' It Up (12" Levan Remix) 1983 Change - Angel In My Pocket 1980Change - Paradise 1981 Change - The Very Best In You 1982 Change - This Is Your Time 1983 Chantel Curtis - Get Another Love 1979 Chantel Curtis - Hit Man (LP) 1979 Charlie Calello Orchestra - Sing Sing Sing 1979 Charo - Dance A Little Bit Closer 1977 Salsoul Chas Jankel - Glad To Know You 1982 Chemise - She Can't Love You 1981 Cher - Take Me Home 1979 Cheri - Small Town Lover 1983 Cheri - Star Struck 1982 Cheryl Lynn - In The Night 1981 Cheryl Lynn - Keep It Hot (12") 1979 Cheryl Lynn - Love Bomb 1979 Cheryl Lynn - Star Love 1977 Cheryl Lynn - You Saved My Day 1978 Cheyne - Call Me Mr. Telephone (12") 1985 Chi-Lites - My First Mistake 1977 Chic - Chic Cheer 1978 Chicago - Street Player (12" Mix) 1979 Columbia reds Chip E. - Like This (12") 1985 Chocolette - It's That East Street Beat (12") 1985 Choice 4 - Come Down To Earth 1977 Circle City Band - Magic 1983 Circuit - A Little Help From My Friends (12") 1985 Circuit - Release The Tension 1984 Cissy Houston - Think It Over 1978 Citispeak - I Don't Need Your Handouts 1984 Citispeak - Rock To Rock 1983 CJ & Co - We Got Our Own Thing 1977 Class Action - Weekend (12" Levan Remix) 1981 Sleeping Bag rds Claudja Barry - Down & Counting (12") 1986 Claudja Barry - Johnny Please Come Home 1978 Claudja Barry - Sweet Dynamite 1977 Clausell - Don't Let It Be Crack (12") 1986 Joe Clausell ??? Coffee - Purpose (LP) 1982 Colonel Abrams - How Soon We Forget (12" Remix) 1987 Colonel Abrams - I'm Not Gonna Let (12") 1986 Colonel Abrams - Music Is The Answer 1984 Colonel Abrams - Over & Over (12") 1986 Colonel Abrams - Speculation (12") 1985 Colonel Abrams - Trapped (12") 1985 Colors - Am I Gonna Be The One (12" Dub Vers.) 1983 Colors - Pay Me Back My Love (12") 1986 Columbus Circle - If You Read My Mind 1982 Conquest - Give It To Me 1981 Conversion - Let's Do It 1981 --> Leroy Burgess Conversion - Sweet Thing 1982 Cookie - You Can't Judge A Book By It's Cover 1982 Cory Daye - Pow Wow 1978 Crown Heights Affair - Dancin' 1977 Crown Heights Affair - Don't Wanna Change You 1980 Crown Heights Affair - I See The Light 1980 Crown Heights Affair - Say A Prayer For Two 1978 Cuba Gooding - Happiness Is Just Around The Bend 1983 Streetwise rds Cultural Vibe - Mind Games (12") (Not the same record as Quest) 1986 Easystreet reds Curtis Hairston - I Want You (All Tonight) 1983 Curtis Hairston - I Want You All Tonight (12") 1985 Curtis Hairston - We All Are One 1984 Curtis Mayfield - Tell Me (How Ya Liked To Be Loved) 1979 Curtis Mayfield - What Is My Woman For? 1979 D Train - Keep On 1982 Prelude D Train - Music 1983 Prelude D Train - Walk On By 1982 Prelude D Train - You're The One For Me 1981 Prelude D.C. LaRue - Cathedrals 1977 D.C. LaRue - Let Them Dance 1978 D.D. Sounds - Cafe 1978 Dan Hartman - I Can Dream About You (Levan 12" Remix) 1984 Dan Hartman - Love Strong 1979 Dan Hartman - Relight My Fire 1978 Dan Hartman - We Are The Young (Levan 12" Remix) 1984 David Bowie - Let's Dance (12") 1983 David Christie - Don't Stop Me, I Like It 1978 David Joseph - You Can't Hide From Your Love 1983David Williams - Come On Down, Boogie People 1977 Dazz Band - Let It All Blow (12" Mix) 1984 Debbie Jacobs - Don't You Want My Love 1979 Dee Dee Bridgewater - Bad For Me (Ext. 12" Mix) 1979 Dee Edwards - Put Your Love On The Line 1980 Delegation - Heartache No. 9 1980 Denise McCann - Tattoo Man 1976 Dennis Coffey - Wings Of Fire 1977 Denroy Morgan - Happy Feeling 1982 Becket rds Deodato - Are You For Real 1984 Deodato - Keep It In The Family (LP) 1982 Deodato - Keep On Movin' 1982 Deodato - Night Cruiser 1980Deodato - Super Strut 1973Deodato - Whistle Bump 1978Deodato 2001 ‎– Also Sprach Zarathustra 1986Desmond Child & Rouge - Our Love Is Insane (Ext. 12" Mix) 1979 Dexter Wansel - Disco Lights 1977 PIR Dexter Wansel - Life On Mars Dhar Braxton - Jump Back (12") 1986 Sleeping Bag rds Diamond Touch - Love Line (12") 1985 Diana Ross - The Boss 1979Diana Ross - Love Hangover 1976Diana Ross - "No One Gets The Prize" 1979Diana Ross - Once In The Morning (LP) 1979 Diana Ross - That's How You Start Over (LP) 1983 Diana Ross - Work That Body (12" Version) 1982 Dianne Marie - I've Waited Much Too Long 1982 Dinosaur[/color] - Kiss Me Again 1978 Sire rds Dinosaur L - Corn Belt (Levan Mix; Comp. LP) 1986 Sleeping Bag rds Dinosaur L - Go Bang 1983 Sleeping Bag rds Direct Current - Everybody Here Must Party 1979 Don Ray - Got To Have Loving 1978 Don Ray - Standing In The Rain 1978 Donald Byrd - Love Has Come Around 1981 Donald Fagen - New Frontier 1982Donna McGhee - It Ain't No Big Thing 1979Donna Summer - Autumn Changes 1976Donna Summer - Bad Girls 1979Donna Summer - Hot Stuff 1979Donna Summer - I Feel Love 1977Donna Summer - Last Dance 1978Donna Summer - Love to Love You Baby 1975Donna Summer - MacArthur Park 1979Donna Summer - Spring Affair 1976Donna Summer - Summer Fever 1976Donna Washington - 'Scuse Me, While I Fall In Love 1981 SalsoulDonny Hathaway ‎– The Ghetto 1969Double Exposure - Every Man Has Got To Carry His Own Weight 1976 Salsoul Double Exposure - I Declare War 1978 Salsoul Double Exposure - I Got The Hots For You (12" Mix) 1979 Salsoul Double Exposure - My Love Is Free 1977 Salsoul Double Exposure - Ten Percent 1976 Salsoul Dynamic Superiors - Nowhere To Run 1977 Earons - Land Of Hunger 1984Earth, Wind & Fire - Africano 1975Earth Wind & Fire - I Think About Lovin' You 1971Earth, Wind & Fire - Moment of Truth 1971Earth, Wind & Fire - Power 1972Earth, Wind & Fire - Side By Side (LP) 1983 Eastbound Expressway - Never Let Go 1979 Ecstacy, Passion & Pain - If You Want Me 1981 Roy B rds Ecstacy, Passion & Pain - Touch And Go 1976 Eddie Drennon - Would You Dance To My Music 1977 Eddie Kendricks - Ain't No Smoke Without Fire 1978 Eddie Kendricks - Girl You Need A Change Of Mind 1973Eddie Kendricks - Goin' Up In Smoke 1976 Motown rds Eddy Grant - Living On The Frontline 1978 Eddy Grant - Nobody's Got Time 1980 Eddy Grant - Time Warp 1977Eddy Grant - Walking On Sunshine (Ext. 12" Mix) 1979 Ice rds Eddy Rosemond - Funk It 1979 Edgar Winter Group - Above & Beyond 1979 Ednah Holt - Serious, Serious Space Party (Levan 12" Mix) 1981 West End rds Edwin Birdsong - Rapper Dapper Snapper 1980 Salsoul rds El Coco - Cocomotion 1977 El Coco - Dancing In Paradise 1978 El Coco - Let's Get It Together 1976 Eleanor Mills - Mr. Right (12") 1987 Electric Mind - Zwei 1983 Eloise Whitaker - Don't Turn Your Back On Me 1981 Empire - Freakman 1981 Empress - Dyin' To Be Dancin' 1981 Prelude rds Empress - Take A Risk 1982 Prelude rds Erasure - Sometimes (12" Remix) 1987 Erotic Drum Band - Plug Me To Death 1978 ESG - Moody 1981 99 rds Esther Williams - I'll Be Your Pleasure (Levan Remix 12" or LP) 1981 Esther Williams - You Gotta Let Me Show You 1976 Evelyn King - Your Personal Touch (12"/LP) 1985 Evelyn Thomas - Heartless (12") 1985 Exodus - Together Forever 1979 Expose - Let Me Be The One (12" Remix) 1987 Extras - Haven't Been Funked Enough 1979 Faith, Hope & Charity - You're My Piece Of Mind (Ext. 12" 1976 Fancy - Come Inside (12" Mix) 1984 Fantastic 4 - Got To Have Your Love 1977 Fantastic Aleems - Hooked On Your Love 1980 Fantasy - You're Too Late 1981 Farley Funk - Love Can't Turn Around (12" Dub Mix) 1986 Farm Boy - Move (12") 1986 Fat Larry's Band - Act Like You Know 1982 --> see Whatnauts Fat Larry's Band - Lookin' For Love 1979 Fatback Band - I Found Lovin' 1983 Fatback Band - Is This The Future (12" Vers.) 1983 Fatback Band - Spanish Hustle 1976 Fatback Band - Take It Anyway You Want It 1981 Fatback Band - The Girl Is Fine 1983 Feel - I'd Like To 1982 Feel - Let's Rock Over & Over Again 1982 Sutra rds Fern Kinney - Groove Me 1979 Final Edition - Betcha Can't Love Just Once 1980 Fingers, Inc. - Can You Feel It (Comp. LP) 1987 Fingers, Inc. - Mystery Of Love (12") 1987 Fingers, Inc. - Never No More Lonely (LP) 1987 First Choice - Breakaway 1980 Salsoul rds First Choice - Doctor Love 1977 Goldmind rds First Choice - Double Cross (Levan Remix) 1979 Salsoul rds First Choice - Let No Man Put Asunder (Remix) 1982 Salsoul rds First Choice - Love Thang 1978 Goldmind rds First Love - Don't Say Goodnight 1980 Five Special - Why Leave Us Alone 1979 Flakes - Sugar Frosted Lover 1980 Fleetwood Mac - Little Lies (12" Remix) 1987 Flower - Classical Love 1979 Fonda Rae - Heobah 1983 Posse rds Fonda Rae - Over Like A Fat Rat 1982 Vanguard rds Foxy - Tena's Song 1978 France Joli - Gonna Get Over You 1982 Prelude rds France Joli - The Heart To Break The Heart 1980 PreludeFrankie Goes To Hollywood - Relax 1984Frankie Goes To Hollywood - The Ballad of 32 1984Frankie Goes To Hollywood - Two Tribes 1984Frankie Goes To Hollywood - Welcome to the pleasuredome (The Whole 13:40 version) 1984 Fred Fowler - Girl You Need A Change Of Mind (12") (Kendricks Remake) 1986 Freda Payne - I'll Do Anything For You (12" Vers.) 1978 Freda Payne - Love Magnet 1977 Free Life - There's Something Better 1979 Freeez - I.O.U. 1983 Fresh Band - Come Back Lover 1984 Frida - I Know There's Something Goin' On 1982 Frisky - You Got Me Dancing In My Sleep 1979 Aretha Franklin - Jump To It 1983 Front Page Orchestra - Love Insurance 1979 Frontline Orchestra - Don't Turn Your Back On Me 1981 Full Circle - Workin' Up A Sweat (12") 1986 Full House - Communicate (12") 1986 Funk Deluxe - This Time 1984 Funk Fusion Band - Can You Feel It 1982 Funkapolitan - As Time Goes By 1982 Gary Criss - Rio De Janiero 1978 Salsoul rds Gary's Gang - Let's Love Dance Tonight 1979 Gayle Adams - Love Fever (12") 1981 Gayle Adams - Stretchin' Out 1980 Gayle Adams - You Brought It On Yourself 1980 Gayle Adams - Your Love Is A Life Saver 1980 Gaz - Sing Sing 1978 Salsoul rds Gene Chandler - Get Down 1978 Gene Dunlap - Take My Love 1981 General Johnson - Can't Nobody Love Me Like You Do 1978George Benson - This Masquerade 197 George Duke - I Want You For Myself 1979 George Kranz - Din Daa Daa (Original 12" Mix) 1984 George McCrae - Love In Motion 1977 Geraldine Hunt - Can't Fake The Feeling 1980 Gibson Brothers - Cuba 1979 Gibson Brothers - Oh What A Life 1980 Gino Soccio - Hold Tight 1981 Gino Soccio - I Wanna Take You There Now 1980 Gino Soccio - It's Alright 1982 Gino Soccio - Try It Out 1981 Gino Soccio - You Move Me (LP) 1982 Gino Soccio - Dancer 1979 Giorgio - I Wanna Rock You 1979 Giorgio Moroder - Evolution 1978Giorgio Moroder - Knights in White Satin (Full Album Version) 1976Girls Can't Help It - Baby Doll 1982 Gladys Knight & The Pips - Save The Overtime For Me (12" Vers.) 1983 Gladys Knight - It's A Better Than Good Time 1978 Gladys Knight - Love Is Always On Your Mind 1977 Glass - Let Me Feel Your Heartbeat 1982 West End rds Gloria Gaynor - Let's Make A Deal 1976 Gloria Gaynor - Let's Mend What's Been Broken (LP or 12") 1981 Goldie Alexander - Show You My Love 1982 Goody Goody - It Looks Like Love 1978 Atlantic --> Montana Goody Goody - Let Me Work On You 1982 Black Sun rds Grace Jones - Do Or Die 1978 Grace Jones - Don't Mess With The Messer 1979 Grace Jones - Feel Up (Levan Remix) 1982 Island rds Grace Jones - I'm Not Perfect (But I'm Perfect For You) (12") 1986 Grace Jones - La Vie En Rose 1977 Grace Jones - My Jamaican Guy 1978 Grace Jones - Nipple To The Bottle 1982 Grace Jones - On Your Knees 1979 Grace Jones - Pull Up To The Bumper (Disconet mix)1981 Grace Jones - Slave To The Rhythm/The Fashion Show/Ladies & Gentlemen (all 1985 1985 Grace Jones - Sorry 1976 Grace Jones - Warm Leatherette 1980 Greg Phillinganes - Behind The Mask (12") 1985 Gregg Diamond - Danger 1979 Gregg Diamond - Star Cruising 1978 Grey & Hanks - Dancin' 1979Grover Washington Jr. - Mister Magic 1975Gunchback Boogie Band - Funn 1982 Gwen Guthrie - Hopscotch (LP Version) 1983 Island rds Gwen Guthrie - It Should Have Been You 1982 Gwen Guthrie - Outside In The Rain (Levan 12" Remix) 1986 Gwen Guthrie - Padlock (Levan Remix - EP) 1985 Gwen Guthrie - Peanut Butter (LP Version; Levan remix released in 1985) 1983 Gwen Guthrie - Seventh Heaven (LP Version) 1983 Gwen Guthrie - Seventh Heaven/Getting Hot/Peanut Butter (Levan Remix - EP) 1985 Gwen Guthrie - They Long To Be Close To You (Levan 12" Remix) 1987 Polydor rds Gwen Guthrie - Ticket To Ride (Levan 12" Remix) 1987 4th and Broadway rds Gwen McCrae - Funky Sensation 1981 Gwen McCrae - Poyson 1981 Hanson & Davis - I'll Take You On (12" Levan Mix) 1986 Fresh rds Hanson & Davis - Tonight (Love Will Make It Right) (12" Dub Mix) 1985 Harlequin Fours - Set It Off (12" - female version) 1985 Harold Faltermeyer - Axel F (12") 1985 Harvey Mason - Groovin' You 1979 Arista rds Heaven & Earth - I Really Love You 1981 Heaven 17 - Let Me Go 1983 Herbie Hancock - Tell Everybody 1979 Hercules - Seven Ways To Jack (12"/Comp. LP) 1986 Hi-Gloss - You'll Never Know 1981 Hindsight - Stand Up (12" Remix) 1987 Hot Cuisine - Who's Been Kissing You 1981 House People - Godfather Of House (12") 1986 Hugh Masekela - Don't Go Lose It, Baby 1984 Jive Africa I Level - Give Me 1981 I Level - Minefield 1981 Ian Dury - Hit Me With Your Rhythm Stick 1978 Ian Dury - Reasons To Be Cheerful 1978 Ian Dury - Spasticus (Autisticus) 1981 Idris Muhammed - Could Heaven Ever Be Like This 1977Idris Muhammad ‎– One with a Star 1978 Imagination - Burnin' Up 1983 Imagination - Changes 1983 Imagination - Instinctual (12" Remix) 1987 Imagination - Just An Illusin 1983 Imagination - Looking At Midnight (12") 1983 Imagination - State Of Love 1983 In-Sync - Sometimes Love Lets You Down (12") 1987 Indeep - Last Night A DJ Saved My Life 1983 Inner City Jam Band - What I Did For Love 1977 Inner Life - Ain't No Mountain High Enough (Garage Mix) 1981 Salsoul rds Inner Life - I'm Caught Up 1979 Prelude rds Inner Life - Let's Change It Up (12") 1985 Inner Life - Make It Last Forever (Levan Remix) 1981 Salsoul rds Inner Life - Moment Of My Life 1982 Salsoul rds Instant Funk - Body Shine (Levan Remix) 1979 Salsoul rds Instant Funk - I Got My Mind Made Up (Levan Remix) 1979 Salsoul rds Instant Funk - Just Because You'll Be Mine 1983 Salsoul rds Instant Funk - Slap, Slap, Lickedy Lap (Levan Mix) 1979 Salsoul rds Instant Funk - Why Don't You Think About Me 1979 Salsoul rds Intrigue - Fly Girl (12") 1985 Invisible Man's Band - All Night Thing 1980 Island rds Isaac Hayes - I Ain't Never 1980 Isaac Hayes - Moonlight Lovin' 1978 Isley Brothers - Harvest For The World 1976 Isley Brothers - Inside You (12" or LP) 1981J Geils Band- Give to me 1973J.M. Silk - I Can't Turn Around (12") 1987 J.M. Silk - Let The Music Take Control (12") 1987 J.M. Silk - Music Is The Key (12") 1985 J.R. Funk & Love Machine - Feel Good, Party Time 1980 Jackie Moore - How's Your Love Life Baby (Ext. 12" Mix) 1979 Jacksons - The Hurt (LP Cut) 1984 Jago - Are You Going To Go 1983 Jaki Graham - Set Me Free (12" Remix) 1987 Jakki - Sun Sun Sun 1976 Jamaica Boys - Spend Some Time (12" Remix) 1987 Jamaica Girls - Need Somebody New (12" Levan Remix) 1981 Sleeping Bag rds Jamaica Girls - On The Move (12") 1986 Jamaica Girls - Rock The Beat 1982James Brown - Give It Up Or Turn It Loose 1970James Brown - It's Too Funky In Here (12") 1979 James Brown - Living In America (12") 1985James Brown - The Payback 1973James Wells - My Claim To Fame 1979 James Wells - True Love Is My Destiny 1978 Jammers - And You Know That 1982 Jammers - Be Mine Tonight 1983 Salsoul rds Jan Leslie Holmes - I'm Your Superman (12" Disco Mix Version) 1984 Janet Jackson - What Have You Done For Me Lately (12") 1986 A&M rds Janice Christie - Heat Stroke (Levan 12" Mix) 1986 Supertronics rds Janice Christie - My Love Is Money 1984 Janice Christie - One Love (12") 1985 Janice Christie - Taking Me For Granted (12") 1987 Janice McClain - Smack Dab In The Middle (Levan Remix) 1980 Jean Carn - Time Waits For No One 1976 Jean Carn - Was That All It Was (Ext. 12" Mix) 1979 Jeanette "Lady" Day - Come Let Me Love You 1981 Jeanette Thomas - Shake Your Body (12"/Comp. LP) 1987 Jeff Lorber - Step By Step (12") 1985 Jeffrey Osborne - New Love 1982 Jeffrey Osborne - Plane Love (Levan 12" Remix) 1984 A&M rds Jeffrey Osborne - The Borderlines (Levan 12" Remix) 1984 A&M rds Jennifer Holliday - Hard Times For Lovers (Ext. 12") 1985 Jennifer Holliday - No Frills Love (Ext. 12") 1985 Jenny Burton - Bad Habits (12"/LP) 1985 Jenny Burton - Remember What You Like 1983Jesse Green ‎– Nice And Slow 1976Jimmy Bo Horne - Is It In 1980 Jimmy Bo Horne - Spank 1979 Jimmy BoHorne - Let's Do It (12") 1985 Jimmy Cliff - Peace Officer (Dub 12" Version) 1982 Jimmy Ross - First True Love Affair (Levan 12" Mix) 1981 Quality/RFC rds Jimmy Ruffin - Falling In Love With You 1977 Jimmy Sabater - To Be With You 1976 Jimmy Williams - All Of My Lovin' 1983 Joan Armatrading - Kind Words (And A Real Good Heart) (12") 1986 Jocelyn Brown - Love's Gonna Get Ya (12") 1985Jocelyn Brown "Somebody Elses Guy" 1984Joe Church - Don't You Wanna Be Mine (12") 1987 Joe Simon - Love Vibration 1978 Joe Tex - Ain't Gonna Bump No More 1977 Joe Thomas - Plato's Retreat 1978 John Davis - Night And Day 1976 John Rocca - I Want It To Be Real 1984 Johnny Dynell - Rhythm Of Love (12") 1985 Johnny Harris - Odyssey 1980Johnny Mathis - Gone, Gone, Gone 1979Jomanda - I'll Give It To You (12") 1987 Jones Girls - You Gonna Make Me Love Somebody Else (Ext. 12" Mix) 1979 Joy - I Need Your Love 1983 Joyce Kennedy - Hold On For Love's Sake (12") 1985 Judy Cheeks - Mellow Lovin' 1978 Salsoul rds Juggy Jones - Inside America 1976 Jupiter rds Jungle Wonz - The Jungle (Comp. LP) 1986 Jungle Wonz - Time Marches On (12"/Comp LP) 1987 Junior - Mama Used To Say 1982 Mercury UK rds Junior - Not Tonight/Look What You've Done To Me (LP) 1985 Junior - Tell Me 1983 Mercury UK rds Kano - Can't Hold Back Your Loving 1981 Emergency rds Kano - I'm Ready 1980 Emergency rds Karen Silver - Nobody Else 1981 Karen Silver - Set Me Free 1981 Karen Young - Detour 1982 Karen Young - Hot Shot 1978 West End rds Karyn White - Facts Of Love (12" Levan Remix) 1986 Kashif - Help Yourself To My Love 1983 Kashif - I Just Gotta Have You 1983 Kate Bush - Running Up That Hill (12") 1985 Kebekelektrik - War Dance 1978 Salsoul rds Keith Barrow - Turn Me Up (Ext. 12" Mix) 1979 Kellee Patterson - Turn On The Lights 1977 Keni Burke - You're The Best 1981 Key Of Dreams - Africa 1983 Kid Creole - Going Places 1981Kid Creole And The Coconuts - I'm A Wonderful Thing Baby 1982Kid People - Life's A Party (12") 1985 King Errison - Manhattan Love Song 1977 Kinky Foxx - So Different 1980 Kleeer - Get Tough 1981 Kleeer - Keep Your Body Workin' 1978 Klein & MBO - Dirty Talk 1982 Klein & MBO - Wonderful 1982 Klinte Jones - In The Heat Of The Night 1984Kokomo ‎– I Can Understand It 1975Kokomo - Use Your Imagination 1976 Komiko - Feel Alright 1982 Konk - Konk Party (12") 1986 Konk - Your Life (12") 1986 Kool & The Gang - Fresh (12" Remix) 1985 Kool & The Gang - Misled (12" Remix) 1984 Kool & The Gang - Open Sesame (9 min. version) 1976Kool & The Gang - Summer Madness 1974Koto - Japanese War Games 1983 Kraftwerk - Music Non-Stop (12") 1986Kraftwerk - Numbers 1981Kraftwerk - The Robots 1978 Kraftwerk - Trans Europe Express 1978 Kreamsicle - No News Is News 1984 Kurtis Blow - The Breaks 1980 Mercury US L'Amour - Let's Make Love Tonight 1984 Lace - Can't Play Around (Levan 12" Mix) 1982 Atlantic rds Laid Back - The White Horse 1984 Lamont Dozier - Going Back To My Roots 1977 Larry Graham - Sooner Or Later 1982 Larry Page - Slinky Thighs 1977 Larry played) 1982 Laurice Hudson - Feel My Love 1982 LAX - All My Love 1980 Legacy - Don't Waste The Night (12") 1985 Lemelle - You Got Something Special 1982 Lemon - A-Freak-A 1978 Lenny Williams - Choosing You 1977 Lenny Williams - Please Don't Tempt Me 1977 Lenny Williams - You Got Me Running 1978 Leon Huff - I Ain't Jivin', I'm Jammin' 1981 Leon Love - Once Is Not Enough 1984 Les Lee - I'm The One You Want (12") 1985 Level 3 - Central Line 1982 Level 42 - Something About You (12") 1985 Level 42 - Starchild (12") 1985 Level 42 - World Machine (12") 1985 Lime - Agent 406 1981 Linda Clifford - Gypsy Lady (Ext. 12" Vers.) 1978 Linda Clifford - Runaway Love (Ext. 12" Version) 1978 Linda Evans - Don't You Need 1979 Linda Hopkins - It's In Your Blood 1977 Linda Taylor - You And Me Just Started 1982 Lipps, Inc. - All Night Dancing 1980 Liquid Liquid - Cavern 1984 99 rds Lisa Lisa - I Wonder If I Take You Home (12"/LP) 1985 Living In A Box - Living In A Box (12") 1987 Liz Torres - Can't Get Enough (12") 1987 Liz Torres - Mama's Boy (12") 1987 LNR - Work It To The Bone (12") 1987 Logg - I Know You Will (Levan 12" Remix) 1981 Salsoul rds Logg - You've Got That Something 1981 Salsoul rds Loleatta Holloway - Catch Me On The Rebound 1978 Loleatta Holloway - Crash Goes Love 1984 Loleatta Holloway - Dreamin' 1976 Gold Mind rds Loleatta Holloway - Greatest Performance Of My Life (Levan Remix) 1979 Gold Mind rds Loleatta Holloway - Hit & Run (12" Remix Vers.) 1977 Loleatta Holloway - I May Not Be There When You Want Me 1978 Loleatta Holloway - Love Sensation 1980 Salsoul rds Loleatta Holloway - So Sweet (12") 1986 Loose Change - Straight From The Heart (12" Mix) 1979 Loose Ends - Choose Me (12") 1985 Loose Joints - Is It All Over My Face (Levan Remix) 1978Loose Joints- Is It All Over My Face (Original Male Version) 1978Loose Joints - Tell You (Today) 1983 Lorraine Johnson - Feed The Flame 1978 Lorraine Johnson - The More I Get (Remake of Teddy - Larry played both) 1977 Love Club - Hot Summer Nights 1983 Love Committee - Law And Order 1978 Love Unlimited Orchestra - King Kong Theme 1977 Lucy Hawkins - Gotta Get Out Of Here 1978 M - Pop Muzik 1979 Machine - Is It Love 1980 Machine - Marisa 1979 RCA rds Machine - 'There But For The Grace Of God Go I' 1979 RCA rds Macho - I'm A Man 1978 Prelude rds Made In The USA - Melodies 1977 Madhouse - Six (LP) 1987 Madleen Kane - Forbidden Love 1979 Madleen Kane - Rough Diamond 1978 Madleen Kane - You Can 1981 Madonna - Everybody 1982 Madonna - In The Groove 1984 Madonna - Open Your Heart (LP/12") 1986 Magazine 60 - Don Quichotte 1984 Mahogany - Ride On The Rhythm 1982 Mai Tai - History (12") 1985 Mai Tai - Hold Me (LP) 1986Malcom McClaren - Buffalo Girls 1982Malcolm McClaren - Madam Butterfly 1984 Man Friday - Jump (12" Levan Mix) 1986 Man Friday - Love Honey, Love Heartache (12" Levan Mix) 1986 Bo Kool Man Parrish - Hip Hop, Be Bop (Don't Stop) 1982Manu Dibango - New Bell 1972Manu Dibango - Nights In Zeralda 1972Manu Dibango - Soul Makossa 1972Mandrill - Get It All 1973Mandrill Fench Walk- Fencewalk / Hagalo 1973Mandrill - Hang Loose 1973Marc Sadane - Exciting 1982 Marc Sadane - Sit Up 1981 Marcia Griffith - Electric Boogie 1983 Margie Joseph - Knockout 1982 Marianne Faithful - Why Did You Do It 1979 Marjie Joseph - Prophecy 1976 Mark IV - Rainy Days (12") 1985 Marsha Hunt - The Other Side Of Midnight (12" Vers.) 1977 Marshall Jefferson - Move Your Body (House Music Anthem) (12") 1987 Martin Circus - Disco Circus 1978 Martin Circus - I've Got A Treat 1978Mary Jane Girls - "All Night Long" 1983Mary Jane Girls - In My House (12") 1985 Mary Wells - Gigolo 1982 Mary Wells - These Arms 1981 Mass Production - Sun Dancer 1983 Mass Production - Welcome To Our World 1977 Master C&J - In The City (12") 1987 Matrix - Stay, I Need Your Love 1982 Matthew Wilder - Break My Stride (12") 1983 Maze - Twilight (12") 1985McFadden & Whitehead ‎– Ain't No Stoppin' Us Now 1979Melba Moore - It's Been So Long (12" Remix) 1987 Melba Moore - It's Been So Long (12") 1986 Melba Moore - Standing Right Here (Ext. Remix LP) 1979 Melba Moore - You Stepped Into My Life 1978 Merc & Monk - I Get Carried Away (Levan 12" Remix) 1985 Metropolis - New York Is My Kind Of Twon 1978 Metropolis - The Greatest Show On Earth 1978 MFSB - Love Is The Message (14 min. Remix Vers.) 1981 PIR rds MFSB - Mysteries Of The World 1980 MFSB - We Got The Time 1976 Michael - Jackson - 1987Michael Mauro - Susie Q 1980 Michael Wycoff - Still Got The Magic (Sweet Delight) 1982 Michael Wycoff - Tell Me Love 1983 Michael Zager Band - Love Express 1978 Michele - Can't You Feel It 1977Michele - Disco Dance 1977 Michelle Freeman - Where'd You Get What You Got 1979 Michelle Goulet - Stop & Think (12") 1986 Michelle Wallace - It's Right 1982 Michelle Wallace - Jazzy Rhythm 1982 Mick Jagger - Lucky In Love (12" Dub Remix) 1985 Midnight Rhythm - Workin' & Slavin' 1978 Midnight Star - Curious 1983 Midway - Set It Out 1984 Mighty Clouds Of Joy - Mighty High 1976 Mighty Pope - Sweet Blindness 1979 Miguel Brown - Symphony Of Love 1978 Mike Anthony - Why Can't We Live Together 1982 Mike Theodore - Cosmic Wind 1977 Mike Theodore Orchestra - The Bull 1978 Mikki - Dance Lover 1981 Mikki - Itching For Love 1981 Millie Scott - Every Little Bit Of You (12" Remix) 1987 Millie Scott - Prisoner Of Love (12") 1986 Ministry - Work For Love 1982 Minnie Riperton - Adventures In Paradise 1976 Minnie Riperton - Stick Together (Ext. Mix) 1977Modern Romance ‎– Can You Move 1981Modern Romance - Salsa Rapsody (Import 12") 1981 Moment Of Truth - Chained To Your Love 1977 Mona Lisa Young - Rock Me Down (12") 1985 Mona Rae - Do Me 1981 Montana - Who Needs Enemies (With A Friend Like You) 1983 Montana Sextet - Heavy Vibes 1982Montreal Sound - Music (Very Special Disco Mix By PAJ) 1977Monyaka - Go Deh Yaka (Go To The Top) 1983 Morris Day - Color Of Success/The Character/The Oak Tree (All LP) 1985Mtume ‎– Green Light 1983Mtume - So You Wanna Be A Star 1980Munich Machine ‎– Get On The Funk Train (Part I+II) 1977 Munich Machine - Party Light 1979Murray Head - One Night In Bangkok (12") 1985 Musique - Push Push in the Bush --> Patrick Adams Musique - Keep on Jumpin' --> Patrick Adams N.V. - It's Alright 1983 N.V. - Let Me Do You 1984 Nancy Martin - Can't Believe 1982 Narada Michael Walden - The Nature Of Things (Levan 12" Remix) 1985 Native - Love Ain't No Holiday 1984 Nature Zone - Porcupine 1976 New Birth - Deeper 1977New Birth ‎– Until It's Time For You To Go 1973New Order - Blue Monday 1983New York Community Choir - Express Yourself 1977 Nick Straker Band - A Little Bit Of Jazz 1981 Nick Straker Band - The Beat Inside (LP) 1981 Nile Rodgers - Land Of The Good Groove 1983 Nile Rodgers - State Your Mind/Stay Out Of The Light (Levan 12" Remix) 1985Nina Hagen - African Reggae 1982NJ Connection - Love Don't Come Easy 1981 Nona Hendryx - Keep It Confidential 1983 Nona Hendryx - Transformation 1983 Nona Hendryx - Why Should I Cry (12" Remix) 1987 Norman Connors - Once I've Been There 1977 North End - Happy Days 1981 North End - Kind Of Love (Kind Of Life) 1979 Nu Shooz - I Can't Wait (12") 1985 Nu Shooz - I Can't Wait (12") 1986 Nuance - Love Ride (12" Mix) 1984 O'Jays - Extraordinary Girl (LP) 1984 O'Jays - Put Our Heads Together 1983 Odyssey - Easy Come, Easy Go 1977 Odyssey - Inside Out 1982 Odyssey - Use It Up And Wear It Out 1980 One Way - Do Your Thang 1981 One Way - Music 1980 One Way - Shine On Me 1983 Originals - Down To Love Town 1976 Originals - Hurry Up And Wait 1976 Pam Todd - Let's Get Together 1979 Pamela Stanley - Coming Out Of Hiding 1984 Paradise Girls - Holding Back (12" Dub Mix II) 1986 Passion - Don't Bring Back Memories 1980 Pat Benatar - Love Is A Battlefield 1983 Patrick Juvet - I Love America 1978 Patti Austin - Betcha Wouldn't Hurt Me 1981 Patti Austin - Honey For The Bees (Levan 12" Remix) 1985 Patti Brooks - After Dark 1978 Patti Labelle - I'll Never, Never Give Up 1983 Patti Labelle - Music Is My Way Of Life 1979 Patti Labelle - Something Special (12") 1986 Patti Labelle - The Spirit's In It 1981 Paul Hardcastle - 19 (12") 1985 Paul Hardcastle - Don't Waste My Time (12") 1986 Paul Jabara - Pleasure Island 1978 Paul Simpson - Treat Her Sweeter (12") 1985 Paul Simpson Connection - Use Me, Lose Me 1982 Peech Boys - Come On, Come On (Levan 12" Mix) 1984 Peech Boys - Don't Make Me Wait 1982 Peech Boys - Life Is Something Special (Levan Remix) 1983 Peech Boys - On A Journey (Levan Remix) 1983 Peech Boys - Warm Summer's Night (LP) 1983 Pennye Ford - Change Your Wicked Ways (12" Remix) 1984 People's Choice - If I Knew Then What I Know Now 1980 People's Choice - You Ought To Be Dancin' 1980 Pete Shelley - Witness The Change 1981 Peter Brown - Disco Love Breakdown (Flip of "Do You Wanna Get Funky With Me") 1977 Peter Godwin - Emotional Disguise 1982 Peter Jacques Band - Fire Night Dance 1979 Philip Bailey - I Know 1983 Phreek - May My Love Be With You 1978 Phreek - Weekend 1978 Phyllis Nelson - I Like You (12") 1985 Phyllis St. James - Ain't No Turnin' Back (LP Cut) 1984 Pieces Of A Dream - Warm Weather 1981 Pilot - You Are The One 1984 Planet Patrol - Play At Your Own Risk 1982 Players Association - I Like It 1977 Players Association - Love Hangover (Inst. Remake of D. Ross' version) 1977 Pleasure- Take a chance 1980Pleasure Pump - Fantasize Me (12") 1987 Pockets - Come Go With Me 1977 Pointer Sisters - Automatic (12" Remix) 1984 Pointer Sisters - Dare Me (12") 1985 Pointer Sisters - Happiness (Ext. 12" Mix) 1979 Pointer Sisters - We've Got The Power 1980 Positive Force - We Got The Funk 1979 Positive People - This Feelin' 1981 Poussez - Boogie With Me 1979 Powerline - Journey 1981 Precious Wilson - I'll Be Your Friend (12") 1986 Pretty Poison - Catch Me (I'm Falling) (12") 1987 Prince - Controversy 1981 Prince - Just As Long As We're Together 1978 Prince - Sign Of The Times (12"/LP) 1987 Prince - When Doves Cry 1984Princess & Starbreeze - The Drought (12"/LP) 1987 Princess - Say I'm Your Number One (12") 1985 Private Possesion - Are You Wid It (12") 1986 Private Possession - This Time (12") 1986 Professor Funk - Visions (12") 1987 Project - Love Rescue 1979 Projection - Love Struck (12") 1987 Pure Energy - Breakaway 1981 Pure Energy - One Hot Night 1984 Pure Energy - Party On 1980 Pushe - Don't Take Your Love Away 1984 Q - The Voice Of Q 1982 Quando Quango - Love Tempo (12") 1987 Quartz - Beyond The Clouds 1978 Queen - Another One Bites The Dust 1980 Queen Samantha - Take A Chance (12" Vers.) 1978 Quest - Mind Games (12") 1986 Rainbow Brown - Til You Surrender 1981 --> Patrick Adams Rainy Davis - Sweetheart (12") 1986 Ralph McDonald - We Need More Calypso (12") 1985 Ramona Brooks - I Don't Want You Back 1980 Ramsey Lewis - This Ain't No Fantasy (12" - Female Vocal Side) 1985 Randy Crawford - Don't Wanna Be Normal (LP) 1986 Raw Sex - Stop The War 1982 Raw Silk - Do It To The Music 1981 --> Nick Martinelli Raw Silk - Just In Time And Space 1983 Raww - Don't You Try It 1984 Rebbie Jackson - Centipede (12" Mix) 1984 Reel To Reel - Love Me Like This 1983 Relevation - Feel It 1981 Rene & Angela - Keep Running 1983 Revelation - Holdin' On 1982 Rhonda Parris - No No Love (12") 1986 Rhyze - Just How Sweet Is Your Love 1980 Rice & Beans Orchestra - You've Got Magic 1977 Richard J. Smith - Don't Go Walking Out That Door 1982 Rick Astley - Never Gonna Give You Up (12" Remix) 1987 Rick James - Glow (12") 1985 Rick James - You And I 1978 Ripple - The Beat Goes On 1978 Rita Hart - Pardon Me Mister 1984 Ritchie Family - Alright On The Night (LP) 1982 Ritchie Family - I'll Do My Best For You 1982 Ritchie Family - Life Is Music 1977 Ritchie Family - Put Your Feet To The Beat 1979 Ritchie Family - Quiet Village 1977 Robert Gorl - Darling Don't Leave Me (Import 12") 1983 Roberta Flack With Donny Hathaway ‎– Back Together Again 1979Roberta Flack - First Time Ever I Saw Your Face 1972Roberta Flack - Lovin' You Is Such An Easy Thing To Do 1981 Rochelle Fleming - Love Itch (12") 1985 Rock Candy - I Got Love 1982 Rockers Revenge - Walking In Sunshine 1982 Rockers Revenge - Walking On Sunshine 1982 Rod - Just Keep On Walking 1982 Rod - Shake It Up (Do The Boogaloo) 1980 Rolling Stones - Missing You (12" Vers.) 1978 Rome Jeffries - Good Love 1983 Ronnie Dyson - All Over Your Face 1983 Roschelle Fleming - I Know Just What You're After (12") 1987 Rose Royce - Do Your Dance 1977 Rose Royce - Love Me Right Now (12") 1985 Rose Royce - Still In Love 1982 Roundtree - Get On Up (Get On Down) 1978 Roundtree - Hit On You 1982 Roy Ayers - Don't Stop The Feeling 1979 Roy Ayers - Running Away 1977 Royal House - Can You Party (12"/Comp. LP) 1987 Rufus - Any Love 1980 Rufus - One Million Kisses 1983 Russ Brown - Gotta Find A Way (12") 1986 --> Tee Scott Salsoul Orchestra - 212 North Street 1981 Salsoul Orchestra - Don't Beat Around The Bush 1976 Salsoul Orchestra - How High (Levan Remix) 1979 Salsoul Orchestra - It's Good For The Soul 1976 Salsoul Orchestra - Love Break (Remix 12") 1982 Salsoul Orchestra - Magic Bird Of Fire 1977 Salsoul Orchestra - Run Away 1977 Salsoul Orchestra - Take Some Time Out For Love 1982 Salsoul Orchestra - You're Just The Right Size 1976 Salsoul Orchestrat w/ Loleatta Holloway - Seconds 1982 Samantha Fox - Touch Me (I Want Your Body) (12") 1986 Samson & Delilah - I Can Feel Your Love Slippin' Away 1984 Sandy Anderson - It's Over (I'm Through) (12") 1987 Sandy Mercer - Now That You're In 1979 Sandy Mercer - Play With Me, Lay With Me (12" Vers.) 1978 Sandy Mercer - You Are My Love (12" Vers.) 1978Santa Esmeralda Starring Leroy Gomez ‎– Don't Let Me Be Misunderstood - 1977Santa Esmeralda Starring Leroy Gomez ‎– Esmeralda Suite 1977Sarah Dash - Low Down, Dirty Rhythm 1983 Sarah Dash - Sinner Man 1979 Satin & Green - Spectacular 1982 Screamin' Rachel - Fun With Bad Boys (12") 1986 Seawind - Whatcha Doin'? 1980 Second Image - Can't Keep Holding On 1982 Secret Weapon - It Must Be The Music 1982 Serena - Get Your Body Up 1983 Sergio Mendes - I'll Tell You (Ext. 12" Mix) 1979 Serious Intention - You Don't Know Pow Wow or Easy Street records? (1986) Seven Deadly Sins - Lust 1977 Shades Of Love - Keep In Touch (Body To Body) 1982 Shalamar - My Girl Loves Me (12" Ext. Promo Only) 1985 Sharon Bailey - Cosmic Dust 1981 Sharon Brown - I Specialize In Love 1982 Sharon Paige - Tonight's The Night 1980 Sharon Redd - Beat The Street 1982 Sharon Redd - In The Name Of Love (LP) 1982 Sharon Ridley - Changin' (Closing Song at Garage) 1978 Sheryl Lee Ralph - In The Evening 1984 Shiela & B. Devotion - Spacer 1980 Shiela E. - A Love Bizarre (12"/LP) 1985 Shiela Hilton - The Bed's Too Big Without You 1980 Shirley Lites - Heat You Up (Melt You Down) 1983 Side Effect - Always There 1976 Siedah Garrett - Do You Want It Right Now (12") 1985 Silver Convention - Dancing In The Aisles 1976 Silver Convention - Mission To Venus 1978 Silver Convention - Voodoo Woman 1977 Silvetti - Spring Rain 1977 Sinnamon - I Need You Now1983Sinnamon - Thanks To You 1982 Siren - Open Up For Love 1979 Sister Sledge - Lost In Music 1979 Skatt Brothers - Walk The Night 1979 Skipworth & Turner - Can't Give Her Up (12") 1986 Skipworth & Turner - Thinking About Your Love (12") 1985 Skyy - First Time Around (Levan Remix) 1979 Skyy - Here's To You 1980 Skyy - Let Love Shine (LP) 1983 Skyy - Show Me The Way 1983 Skyy - Skyyzoo (Levan Remix) 1980 Skyy - Super Love 1980 Slave - Feel My Love 1981 Slave - Wait For Me 1981 Slimline - If You Can Dance, You Can Do It 1982 Sly Cabell - Feelin' Fine 1982 Smokey Robinson - And I Don't Love You (Levan 12" - Larry played Dub) 1984 Sofonda C. - Pick It Up (12") 1987Soft Cell - Seedy Films 1980Soft Cell - Tainted Love 1982Softones - That Old Black Magic 1976 Somethin' Special - Come Make It Feel Good 1981 SOS Band - Take Love Where You Find It 1980 SOS Band - The Finest/Borrowed Love (LP) 1986 Soul Sonic Force - Planet Rock 1982 Southroad Connection - You Like It, We Love It 1978 Space - Carry On, Turn Me On 1977 Sparkle - Handsome Man (Levan Mix) 1980 Sparque - Let's Go Dancin' (Levan 12" Remix) 1981 Sparque - Music Turns Me On 1982 Sparque - Take Some Time 1984 St. Tropez - Fill My Life With Love 1978 St. Tropez - One More Minute 1979 Stainless Steel - It All Comes Down To Love 1978 Stainless Steel - More Than Meets The Eye 1978 Staple Singers - Slippery People (12" Mix) 1984 Stargard - Wear It Out (Ext. 12" Mix) 1979 Starshine - All I Need Is You 1983 State Of Grace - That's When We'll Be Free 1982 Status IV - You Ain't Really Down 1983Steel Pulse - Blues Dance Raid 1982Steel Pulse - Ravers 1982Stephanie Mills - Medicine Song (12" Remix) 1984 Stephanie Mills - Put Your Body In It (Ext. 12" Mix) 1979 Stephanie Mills - You Can't Run From My Love (12" Vers.) 1983 Steve Arrington - Dancin' In The Key Of Life (12"/LP) 1985 Steve Arrington - Nobody Can Be You 1983 Steve Arrington - You Meet My Approval (LP) 1983 Steve Hurley - Jack Your Body (12") 1985 Steve Miller Band - Fly Like An Eagle 1976 Steve Miller Band - Macho City (12" Vers.) 1982 Steve Shelto - Don't Give Your Love Away 1983 Stevie Nicks - Stand Back 1983 Stevie Wonder - As 1977 Stevie Wonder - Go Home (12" Remix) 1985 Stevie Wonder - Love Light In Flight 1984 Sticky Fingers - Wastin' My Love 1978 Stimulation - Stimulation (12") 1985 Sting - If You Love Somebody, Set Them Free (12" Remix) 1985 Stone - Time 1981 --> Tee Scott Strafe - Set It Off 1984 --> Walter Gibbons Strikers - Body Music (12" Levan Remix) 1981 Strikers - Contagious 1982 Strikers - Inch By Inch 1981 Subject - Celebrate (12") 1986 Subject - The Magic, The Moment (12") 1985 Sun Palace - Rude Movements 1980 Supremes - High Energy 1976 Supremes - Let Yourself Go 1977 Suzi Lane - Harmony 1979 Suzy Q - Get On Up And Do It Again 1981 Suzy Q - With Your Love 1981 Sweet Cream - I Don't What I'd Do 1978 Sweet Life - I Get Lifted 1983 Sweet Pea Atkinson - Dance Or Die 1982 Sweet Thunder - Everybody's Singin' Love Songs 1978 Sylvester - Body Strong 1979 Sylvester - Dance (Disco Heat) 1978 Sylvester - Do Ya Wanna Funk 1982 Sylvester - Don't Stop (12") 1983 Sylvester - Give It Up 1981 Sylvester - I Need Somebody To Love Tonight 1979 Sylvester - I Need You 1980 Sylvester - Menergy 1983 Sylvester - Over and Over 1977Sylvester - Stars 1979 Sylvester - Too Late (12" Mix) 1984 Sylvester - Trouble In Paradise (12") 1983 Sylvia Striplin - Give Me Your Love 1980 --> Uno Melodic rds Syreeta - Can't Shake Your Love (Levan Remix) 1981 System - You Are In My System 1983 T Connection - At Midnight 1979 T.C. Curtis - Body Shake (Instr. 12" Version) 1982 T.C. Curtis - You Should Have Known Better (12") 1985 T.S. Monk - Can't Keep My Hands To Myself 1981 T.S. Monk - Candidate For Love 1981 Taana Gardner - Heartbeat (12" Levan Mix) 1981 Taana Gardner - No Frills 1981 Taana Gardner - When You Touch Me (Levan Mix) 1979 Taana Gardner - Work That Body (Levan Remix) 1980 Talking Heads - Burning Down The House 1983 Talking Heads - Slippery People (12") 1983 Talking Heads - Swamp 1983 Talking Heads - Take Me To The River 1978 Talking Heads - This Must Be The Place 1983 Tamiko Jones - Can't Live Without Your Love 1979 Tammy Lucas - Hey Boy (12") 1986 Tasha Thomas - Shoot Me (With Your Love) 1978 Tata Vega - Get It Up For Love 1978 Tata Vega - I Just Keep Thinking About You Baby (Ext. 12" Mix) 1979 Tavares - Don't Take Away The Music 1976Tavares - Heaven Must Be Missing An Angel 1976Teddy Pendergrass - The More I Get, The More I Want 1977 Teddy Pendergrass - You Can't Hide From Yourself 1977 Temper - No Favors 1984 Tempest Trio - Love Machine 1979 Tenderness - Gotta Keep Trying 1978 Tenita Jordan - I Don't Wanna Think About It (12"/LP) 1985 Teri DeSario - Ain't Nothin' Gonna Keep Me From You 1978 Terri Gonzalez - Treat Yourself To My Lofe 1982 Terri Wells - I'm Givin' All My Love (12" or LP) 1984 The Affair - Please Don't Break My Heart (12") 1985The Clash ‎– The Magnificent Seven 1980The Cut - Kindness For Weakness (12" Levan Mix) 1986The Edwin Hawkins Singers* ‎– Oh Happy Day 1969The Emotions ‎– Flowers 1976The Emotions - I Don't Wanna Lose Your Love 1976The Family - Screams Of Passion (12"/LP) 1985 The It - Donnie (12") 1986The Jackson 5 - Dancing Machine 1974The Jackson 5 - Hum Along And Dance 1973The Jackson 5 - Mirrors of My MindThe Jacksons - ABC 1970The Jacksons - Show You The Way To Go 1976The Joubert Singers ‎– Stand On The Word 1985The Limit - Say Yeah 1984 The Police - Voices Inside My Head 1980 The Quick - Rhythm Of The Jungle 1982 The Quick - Zulu 1981 The Who - Eminence Front 1982 Thelma Houston - Don't Leave Me This Way 1976 Thelma Houston - I'd Rather Spend The Bad Times With You 1984 Thelma Houston - I'm Here Again 1977 Thelma Houston - If You Feel It (12" Remix) 1981 Thelma Houston - Just Like All The Rest (Dub 12" Vers.) 1983 Thelma Houston - Saturday Night, Sunday Morning 1979 Thelma Houston - You Used To Hold Me So Tight (12") 19 84 Theo Vaness - I Can't Dance Without You 1979 Theo Vaness - Nobody But You 1978 Theo Vaness - Sentimentally It's You 1979 Third World - Dancing On The Floor 1981 Third World - Lagos Jump 1983 Third World - Now That We Found Love 1978 Third World - One To One (12") 1985 Thomas Dolby - Dessidents: The Search For Truth 1984 Thompson Twins - In The Name Of Love 1982 THP Orchestra - Good To Me 1979 THP Orchestra - Two Hot For Love 1978 THP Orchestra - Who Do You Love 1979 Three Million - I've Been Robbed (12") 1983 Three Ounces Of Love - Star Love 1978Tim Curry ‎– Paradise Garage 1979Timmy Thomas - Stone To The Bone 1977Timmy Thomas ‎– Why Can't We Live Together - 1972Tin Tin - Kiss Me 1982 Tina B. - Honey To A Bee (12" Mix) 1984 Tina Turner - Afterglow (12" Promo) 1986 Tom Browne - Crusing 1983 Tom Tom Club - Le Elephant 1981 Tom Tom Club - Pleasure Of Love 1983 Tom Tom Club - Wordy Rappinghood 1981 Tomorrow's Edition - You Turn Me On 1982 Toney Lee - Reach Up 1982 Tony Cook & The Party People - On The Floor 1984 Tony McKenzie - Ha-Chica 1983 Tony Orlando - Don't Let Go 1978 Tony Paris - Electric Automan (Levan 12" Remix) 1985 Total Contrast - Takes A Little Time (12"/LP) 1985 Total Contrast - The River (12") 1985 Touch - Love Fixation (12") 1987 Touch - Without You (12") 1986 Touchdown - Ease Your Mind 1982 Tracy Weber - Sure Shot (2 different 12"s; one has a Instr. Version that 1982 Tracy Weber - Sure Shot (Instr. Version released as "B" Side of One Step At A Time) 1983 Tramaine - Child Of The King (12") 1986 Tramaine - Fall Down Spirit Of Love (12") 1985 Tramaine - The Rock (Levan 12" Remix) 1987 Trammps - Body Contact Contract 1977 Trammps - Can We Come Together 1976 Trammps - Disco Party 1977 Trammps - Love Insurance Policy 1979 Trammps - People Of The World 1977 Trammps - Stop And Think (Remix LP) 1977 Trammps - Wha Happened To The Music 1983 Troiano - We All Need Love 1979 Trussel - Love Injection 1980 Twennynine - Fancy Dancer 1981 Two Tons - Do You Wanna Boogie, Hunh? 1980 Two Tons - Earth Can Be Just Like Heaven 1980 Two Tons - I Got The Feeling 1980 Ullanda McCullough - Bad Company 1981 Undisputed Truth - You + Me = Love 1976 Unique - What I Got Is What You Need 1983 Universal Robot Band - Barely Breaking Even 1982Universal Robot Band - Dance & Shake Your Tambourine 1977 Unlimited Touch - Searching To Find The One 1981 Upfront - Infatuation 1983 Valerie Oliver - Get The Money 1983 Van McCoy - Party 1976 Van McCoy - Rhythms Of The World 1976 Vanilla Mix - Easier Said Than Done (12") 1987 Vanity - Under The Influence (12") 1986 Vesta Williams - Don't Blow A Good Thing (12" Remix) 1987 Vicky D - This Beat Is Mine 1982 Vikki Love - Stop Playing On Me (12") 1985 Village People - Fire Island 1977 Village People - San Francisco 1977 Viola Wills - If You Could Read My Mind 1980 Visage - Fade To Grey 1980 Visual - Somehow, Someway 1983 Visual - The Music Got Me 1983 Voice In Fashion - Only In The Night (12" Dub Mix) 1987 Voyage - From East To West 1977 Voyage - From East To West 1978 Voyage - I Love You Dancer 1980 Wally Badarau - Chief Inspector/Novela Das Nove (12") 1986 Wally Jump, Jr. - Don't Push Your Luck (LP) 1987 Wally Jump, Jr. - Private Party (12") 1987 Wally Jump, Jr. - Turn Me Loose (12") 1986 Wanda - I Must Be Dreamin' 1982 War - City Country City 1972War - Deliver The Word 1972War - Galaxy - 1977War - Southern Part of Texas 1973War - The World Is A Ghetto 1972War - You Got The Power 1982Wardell Piper - Super Sweet 1979Warp 9 - Light Years Away 1983 Was (Not Was) - Tell Me That I'm Dreaming 1982Was (NotWas)- Wheel Me Out (Long Version) 1981Weather Girls - No One Can Love You More Than Me (12"/LP) 1985 Webster Lewis - Let Me Be The One 1981 Weeks & Co. - Go With The Flow 1982 Weeks & Company - Rock Your World 1981 Whatnauts - Help Is On The Way 1982 Whitney Houston - Love Will Save The Day (12" Remix) 1987 Whitney Houston - Thinking About You (12") 1985 Will Powers - Adventures In Success 1983 Willie Colon - Set Fire To Me (12") 1986 Willie Colon - She Don't Know I'm Alive (12") 1986 Willie Hutch - In And Out 1982 Winners - Get Ready For The Future 1978 Wish - Touch Me (All Night Long) 1984 World Premiere - Share The Night 1984 Xena - On The Upside 1983 Yarbrough & Peoples - Don't Waste Your Time (12" Remix) 1984 Yaz - Don't Go 1982 Yazoo - Situation 1982 Yazoo - State Farm 1983 Yello - Call It Love (12" Remix) 1987 Yellow Magic Orchestra - Computer Games 1979 Yes - Owner Of A Lonely Heart (12") 1983 Yoko Ono - Walking On Thin Ice 1981 Young & Co. - I Like What You're Doing (To Me) 1980 Young & Company - Such A Feeling (12") 1986 Yvonne Gage - Garden Of Eden 1981 Zena Dejonay - I've Got To Find A Way 1983 Zulema - A Mother Cries 1981Zulema - Change 1978Zulema - What's In It For Me 1982Roberta Flack - First Time Ever I Saw Your Face 1972

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dear-alex-chill · 4 years

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Y'all want a reason to cry at Hamilton again? I found one. I will make references to the cut song 'Congratulations' so if you want to familiarize yourself with that go ahead. Anyway.

In Take A Break we know the banter between Angelica and Alexander then Angelica finally comes to America. 2 things in the music happen during this,

1. We hear the Arpeggio from Satisfied in there as Eliza discusses Angelica's Arrival. We also hear it during the "My dearest, Angelica" topic where the ending half gets cut off as she dismisses it before the lead in plays (same one as Satisfied)

2. This one I just found. Angelica arrives and Eliza and Angelica sing out to each other happily, then Alexander says 'The Schuyler Sisters'. Angelica responds with, 'Alexander' before the chord in Congratulations is played. The same chord plays in both "Alexander"s. When you hear it, it's a little hidden but you literally can't unhear it.

What These COULD mean

Starting with Number 2. It could've been a tribute to the cut song added into the score, or it could've been planned for the cut song and not changed. If it's the latter it would've been a great move to symbolize how a simple word and chord can dramatically change due to context.

With Number 1, we see a variety of ideas, 1, it sounded good. 2, it's used whenever Angelica talks to/ about Alexander. 3. It reminds us of her romantic attraction to him in the Musical. (This was not the case in real life) Looking at it through the third option, you/I could assume it's her hopefulness that that mistake was a sign of affection and when she dismisses it, it cuts of that Arpeggio (which would symbolize her love, as that is a major point in Satisfied) before continuing on with the same set of notes used in Satisfied before the Rewind sequence. The Fourth idea is that this alludes to Congratulations and Satisfied on the 'He will never be satisfied' trope. In which she flirts with him, it's reciprocated (Satisfied). Then she writes to him discussing things only they relate on (Take a Break). Then she notes how he wasn't loyal, messed up, and broke their bond (Congratulations).

End Note

Once Again, this could be coincidental or totally incorrect, but it's worth noting these things nonetheless.

#hamilton #random hamilton facts #hamilfilm #hamiltrash #congratulations #satisfied #take a break #angelica schuyler #im over analyzing again 😅

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dustedmagazine · 3 years

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Dust, Volume 7, Number 7

What are Grandbrothers doing to that piano?

Greetings from under the heat dome, where shipments of vinyl are melting mid-journey and even the coolest of cool jazz sounds a little wilted by the time it reaches your ear. We are sitting in the shade. We are drinking lemonade and iced tea. We are looking for the window fans and lugging old air condition units up from the basement. We are, perhaps, headed to the community pool for the first time since our kids were young, though also, perhaps not. In any case, we are still getting through piles of recorded music, even in this heat, and finding some gems. Here are dispatches from the furthest reaches of Japanese psych, European free jazz, self-released indie folk, Irish lockdown angst, Moroccan raging punk and lots of other stuff. Contributors included Mason Jones, Jennifer Kelly, Bill Meyer, Tim Clarke, Bryon Hayes, Jonathan Shaw, Arthur Krumins and Chris Liberato. Stay cool.

Yuko Araki — End of Trilogy (Room40)

End Of Trilogy by Yuko Araki

These 16 tracks whoosh past in just 35 minutes, with most of them clocking in around two minutes in length. Many don't reach a conclusion: they simply end abruptly, and the next one starts. Araki manipulates electronics to create whirling, sizzling atmospheres of confusion, sometimes fast-moving burbles of percussion and synths, at other moments pushing distorted hissing and confrontational tones to the front. The aptly-named "Dazed" begins with a cinematic feel, then its galactic drones give way to static and metallic scrapes. "Positron in Bloom" is like a chorus of machine voices shouting angry curses into space, and "Dreaming Insects" sounds as if the titular creatures are being pulled downstream in fast-moving rapids. Oscillating between menacing and humorous, End of Trilogy's bite-sized pieces of surrealist electronics are never boring.

Mason Jones

Alexander Biggs — Hit or Miss (Native Tongue Music Publishing)

Hit or Miss by Alexander Biggs

Alexander Biggs blunts sharp, stinging lyrics in the sweetest sort of strummy indie-pop, working very much in the Elliott Smith style of sincerity edged with lacerating irony. “All I Can Do Is Hate You” finds a queasy intersection between soft pop and tamped down rage, Biggs murmuring phrases like “I want you to fuck me til I can’t say your name,” but melodically, over cascades of acoustic guitar. “Madeline” is the pick of the litter here, a dawdling jangle of guitar framing knife-sharp lyrics about romantic disillusionment. “Miserable,” sports a bit of lap steel for emotional resonance, demonstrating once more, if you had any doubt, that very sad songs can make you feel better somehow. Biggs is good at both the softness and the sting, and for guy-with-a-guitar albums, that’s what you need.

Jennifer Kelly

Christer Bothén 3 — Omen (Bocian)

Omen by Christer Bothén 3

Dusted’s collective consciousness has spent a lot of time considering Blank Forms’ recent publication, Organic Music Societies, which considers Don and Moki Cherry’s convergence of artistic and familial efforts during the 1960s and 1970s, as well as the two archival recordings by Don and associates, which shed light upon his Scandinavian musical activities. All three are worth your attention, but their liveliness is shaded by the awareness that almost every hopeful soul involved is no longer with us. But Christer Bothén, who introduced Don to the donso ngoni and subsequently played in his bands for many years, is not only among the living, he’s got breath to spare. This trio recording doesn’t delve into the African sounds that bonded Bothén and Don. Rather, the Swede’s bass clarinet draws bold and emphatically punctuated melodic lines, driven by a steaming rhythm section that takes its cues from Ornette Coleman’s mid-1960s trio recordings. This music may not sound new, but it’s full of lived-in knowledge and vigor.

Bill Meyer

Briars of North America — Supermoon (Brassland)

Supermoon by Briars of North America

New York-based trio Briars of North America take patient, painterly, occasionally cosmic approach to folk music. With “Sala,” Supermoon sounds like a backwoods Sigur Ros. A falsetto voice intoning a made-up language arcs elegantly over sustained waves of electric piano. Soon after, the album touches down into more grounded guitar-and-cello territory on pieces such as “Island” and “Chirping Birds,” which bring to mind Nick Drake, albeit less contrary or withdrawn. At the album’s midway point, the listener is carried into the aether with the eerie sustained brass and wordless vocals of the eight-minute “The Albatross of Infinite Regress.” A similar space is explored at the album’s end with the 12-minute “Sleepy Not Sleepy,” as strings and warbling synthesizer tones intermingle with the return of the made-up language. Though the band’s more conventional vocal-led songs, such as “Spring Moon,” are decent enough, Briars of North America touch upon something expansive and ineffable when they explore their more experimental side.

Tim Clarke

Bryan Away — Canyons to Sawdust (self-released)

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Chicago-based actor, composer and multi-instrumentalist Elliot Korte releases music under the moniker Bryan Away. His new album, Canyons to Sawdust, begins with what feels like two introductions. “Well Alright Then” is a Grizzly Bear-style scene-setter for wordless voices, strings and woodwinds, while “Within Reach” sounds like a tentative cover of Radiohead’s “Pyramid Song” that runs out of steam before it had the chance to build momentum. The first full song, single “The Lake,” gets the album up and running in earnest with its melancholy piano and string arrangement spiked with pizzicato plucks and bright acoustic guitar figures. Half Waif lends her vocal talents to “Dreams and Circumstance,” another highlight featuring some lovely interplay between guitar arpeggios and drum machine. One pitfall of exploring romantic musical territory is the risk of sounding a tad saccharine, and the weakest links in the album, companion tracks “Scenes From a Marriage” and “Scenes From a Wedding,” have the kind of performative tone you’d expect to find on the soundtrack of a mainstream romantic comedy. Elsewhere, though, Korte’s judgment is sound, and there’s plenty of elegant music to be found. Fans of Sufjan Stevens will no doubt find a lot to like, and it’ll be interesting to see where Bryan Away ventures next.

Tim Clarke

Jonas Cambien Trio — Nature Hath Painted Painted The Body (Clean Feed)

Nature Hath Painted the Body by Jonas Cambien Trio

On its third album, the Jonas Cambien Trio has attained such confidence that it’s willing to mess with its signature sound. The Oslo-based combo’s fundamental approach is to stuff the expressive energy and textural adventure of free jazz into compositions that are by turns intricate and rhythmically insistent but always pithy. This time, the Belgian-born pianist Cambien also plays soprano sax and organ. The former, stirred into André Roligheten’s bundle of reed instruments, brings airy respite from the music’s tight structures; the latter, dubbed into locked formation with the piano and jostled by Andreas Wildhagen’s restlessly perambulating percussion, expands the music’s tonal colors. The tunes themselves have grown more catchy, so much so that their twists and turns only become apparent with time and repeat listening.

Bill Meyer

Ferran Fages / Lluïsa Espigolé — From Grey To Blue (Inexhaustible Editions)

From Grey To Blue by Ferran Fages

When discussion turns to a pianist’s touch, it’s tempting to think mainly of what they do with their fingers. But it must be said that Lluïsa Espigolé exhibits some next-level footwork on this realization of Ferran Fages’ From Grey To Blue. Fages is a multi-instrumentalist who functions equally persuasively within the realms of electroacoustic improvisation and heavy jazz-rock, but for this piece, which was devised specifically for Espigolé, he uses written music and an instrument he doesn’t play, the piano, to engage with resonance and melody. The three-part composition advances with extreme deliberation, often one note at a time, turning the tune into a ghostly presence and foregrounding the details of the decay of each sound. This music is so sparse that the shift to chords in the third section feels dramatically dense after a half hour of single sounds and corresponding silences. The elements of this music have been sculpted with such exquisite control that one wonders if Catalonia has looked into insuring Espigolé’s feet; her way with the piano’s pedals is a cultural resource.

Bill Meyer

Grandbrothers — All the Unknown (City Slang)

All the Unknown by Grandbrothers

The duo known as Grandbrothers hooks a grand piano up to an array of electronic interfaces, deriving not just the clear, gorgeous notes you expect, but also a variety of percussive and sustained sounds from the classic keyboard. In this third album from the two—that’s pianist Erol Sarp and electronic engineer Lukas Vogel—construct intricate, joyful collages, working clarion melodies into sharp, pointillist backgrounds. The obvious reference is Hauscka, who also works with prepared piano and electronics, but rather than his moody beauties, these compositions pulse with rave-y, trance-y exhilaration. If you ever wondered what it would sound like if the Fuck Buttons decided to cover Steve Reich, well, maybe like this, precise and complex and shimmering, but also huge and triumphant. Good stuff.

Jennifer Kelly

id m theft able — Well I Fell in Love with the Eye at the Bottom of the Well (Pogus Productions)

Well I Fell in Love With the Eye at the Bottom of the Well by id m theft able

Al Margolis’ Pogus Productions imprint has cast its gaze toward the strange happenings in Maine, netting a mutant form of electroacoustic wizardry in the process. Scott Spear is the one-man maelstrom known as id m theft able, an incredibly prolific and confounding presence in the American northeast. He draws influence from musique concrète and sound poetry, but adds a whimsical spirit, a tinker’s ingenuity and the comedic timing of a master prankster to his compositions. Sometimes this leads to the bemusement of his audience, but he tempers any surface madness with an endless curiosity and a playful sense of the meaning of the word music. Well I Fell in Love with the Eye at the Bottom of the Well ostensibly came to be via Spear’s desire to create a doo-wop tune. Only Spear himself knows whether this is fact or fiction, because it is clear from the opening moments of “Shun, Unshun and Shun” that this disc is full of sonic non-sequiturs, amplified clatter and delightful mouth happenings that are as far removed from doo-wop as possible. The madness is frequently tempered with beautiful moments: a broken music box serenades a flock of chirping birds in the middle of a mall, Spear hypnotically chants at a landscape of crickets, flutes pipe along to the patter of rain on a window. As one gets deeper into the record, the sound poetry aspects become more and more pronounced, such as on “The Curve of the Earth” and the closing piece, “Purple Rain.” Those seeking a humor-filled gateway drug into that somewhat perilous corner of the sonic spectrum would be wise to pop an ear in the direction of this frenetic assemblage of sound.

Bryon Hayes

Mia Joy — Spirit Tamer (Fire Talk)

Spirit Tamer by Mia Joy

Mia Joy turns the temperature way down on gauzy Spirit Tamer, constructing translucent castles in the air out of musical elements that you can see and hear right through. The artist, known in real life as Mia Rocha, opens with a brief statement of intent in a one-minute title track that wraps wisps of vocal melody with indistinct but lovely sustained tones. The whole track feels like looking at clouds. Other cuts are more substantial, with muted rock band instruments like acoustic and electric guitars and drum machines, but even indie-leaning “Freak” and "Ye Old Man,” are quiet epiphanies. Rocha sounds like she is singing to herself softly, inwardly, without any thought of an audience, but also so close that it tickles the hair in your ears. Rocha closes with a cover of Arthur Russell’s “Our Last Night Together,” letting rich swells of piano stand in for cello, but tracing the subtle, undulating lines of his melody in an airy register, an octave or two higher. Like Russell, Rocha sets up an interesting interplay between deep introversion and presentation for the public eye; she’s not doing it for us, but we’re listening anyway.

Jennifer Kelly

Know//Suffer — The Great Dying (Silent Pendulum Records)

The Great Dying by KNOW//SUFFER

It’s not inaccurate to describe The Great Dying as a hardcore record. You’ll hear all the burly breakdowns; buzzing, overdriven guitars; and grimly declaimed vocals that characterize the genre, which since the mid-1990s has moved ever closer to metal. But Know//Suffer have consistently infused their music with sonic elements associated with other genres of heavy music. Most of the El Paso band’s 2019 EP bashed and crashed along with grindcore’s psychotic, sprinting energy. The Great Dying is a longer record, and it slows down the proceedings considerably. There are flirtations with sludge, and even with noise rock’s ambivalent gestures toward melody: imagine Tad throwing down with a mostly-sober version of Eyehategod, and you’re more than halfway there. As ever, Toast Williams emotes forcefully, giving word to a very contemporary version existential dread. But there’s frequently a political edge to the lyrics on this new record. On “Thumbnail,” he sings, “I swallow what must be hidden / Hoping assimilation makes me whole / The whole that everyone thinks I am / Smiling under this mask knowing / I’m not hiding my face in public.” “Assimilation” is a loaded word, especially on the Southern Border, and it’s no joke walking around in public as a proud black man anywhere in Texas. Wearing a mask as you walk into Target? P.O.C. stand a chance of getting shot. Know//Suffer still sound really pissed off, but the objects of their anger seem increasing outside of their tortured psyches, located in the lifeworld’s social planes of struggle. That gives their grim music an even harder charge, and makes Williams’s performances of rage even more powerful.

Jonathan Shaw

Heimito Künst — Heimito Künst (Dissipatio)

HEIMITO KÜNST by Heimito Künst

The debut album from Italian experimental instrumentalist Heimito Künst, recorded over several years in his home studio, uses an array of electronic and primitive instrumentation to create an overall woozy, dark atmosphere. From groaning, atonal slabs of organ, like a detuned church service, to murmuring field recordings and scrapings, these seven tracks are less like songs and more like unsettling journeys through sound. Pieces like "Talking to Ulises" blend quiet Farfisa tones and a wordlessly singing voice in the distance. Ironically, although the final track is titled "Smoldering Life", it's unexpectedly brighter, with major-key synth notes over the cloudy sound of a drum being bashed to pieces before ending with an almost gentle, summertime feel.

Mason Jones

Jeanne Lee — Conspiracy (moved-by-sound)

Conspiracy by JEANNE LEE

Lots of 1960s and 1970s jazz reissues offer beautiful music, but few redefine how liberating improvised music can be. Conspiracy, originally recorded in 1974 by Lee on vocals with an ensemble that includes Sam Rivers and Gunter Hampel, falls into the latter category without feeling forced. It combines sound poetry, the conversation of spontaneity, and grooves that don’t stay on repetition but still get ingrained into your brain somehow. Best digested in a contemplative sitting, the album demands you give your whole attention to the direction of the music and words mixed with extended vocal techniques. The sound shifts from a full-on medley of flutes, drums, bass and horns with voice, to more minimal experiments. The recording is clean and uncluttered, even at its busiest. A lushly enjoyable listen.

Arthur Krumins

Sarah Neufeld — Detritus (Paper Bag)

Detritus by Sarah Neufeld

Sarah Neufeld’s third solo album grew out of a collaboration with the Toronto choreographer Peggy Baker, begun before the pandemic but dealing anyway with loss, intimacy and grief. The violinist and composer works, as a consequence with a strong sense of movement, underlining rhythms with repeated, slashing motifs in her own instrument and pounding drums (that’s Jeremy Gara, who, like Neufeld, plays in Arcade Fire). You can imagine movement to nearly all these songs. “With Love and Blindness” rushes forward in a wild swirl of strings, given weight by the buzz of low-toned synthesizer and airiness in the layer of denatured vocals; you see whirling, bending, graceful gestures. “The Top” proceeds in quicker, more playful patterns; agile kicks and jumps and shimmies are implied in its contours. “Tumble Down the Undecided” has a raw, passionate undertow, its play of octave-separated notes frantic and agitated and the drumming, when it comes, fairly gallops. This latter track is perhaps the most enveloping, the notes caroming wildly in all directions, in the thick of the struggle but full of joy.

Jennifer Kelly

Aaron Novik — Grounded (Astral Editions)

Grounded by Aaron Novik

Aaron Novik is a clarinetist with an extensive background in jazz, klezmer, rock and in-between stuff, but you wouldn’t know any of that from listening to this tape. Its ten numbered instrumentals sound more derived from the sound worlds of 1970s PBS documentaries, Residents records of similar vintage, and Pop Corn’s fluke hit, “Pop Corn.” Recorded during the spring of 2020, when Novik’s new neighborhood, Queens, became NYC’s COVID central, it manifests coping strategy that many people learned well last year; when the outside world is fucked and scary, retreat to a room and then head down a rabbit hole. In this case, that meant sampling Novik’s clarinets and arranging them into perky, bobbing instrumentals. The sounds themselves aren’t processed, but it turns out that when recontextualized, long, blown tones and keypad clatter sound a lot like synths and mechanized beats. There’s a hint of subconscious longing in this music. While it was made in a time and place when many people didn’t leave the house, it sounds like just the thing for outdoor constitutionals with a Walkman.

Bill Meyer

Off Peak Arson — S-T (Self-released)

Self Titled by Off Peak Arson

Presumably named after the Truman's Water song — a fairly obscure name check, indeed — Off Peak Arson hail from Memphis, TN. Their debut EP's five songs are less reminiscent of their namesakes than of heavier, noisier bands like Zedek-era Live Skull, Dustdevils and Sonic Youth. Which is not a bad thing at all. The four-piece leverage the dual guitars to nicely intense effect, and with all four members contributing vocals there's a lot going on, at times blending an interesting sing-song pop feel with the twisty-noisy guitar. The band have a way of finding memorable hooks amidst sufficient cacophony to keep things challenging while also somehow catchy. Keep your ears open for more from this quartet.

Mason Jones

Barre Phillips / John Butcher / Ståle Liavik Solberg — We Met – And Then (Relative Pitch)

We met - and then by Phillips, Butcher, Solberg

In 2018, ECM Records issued End To End, a CD by double bassist Barre Phillips which capped a half-century of solo recording. You might expect this act to signal the winding down of the California-born, France-based improviser’s career; after all, he was born in 1934. And yet, in 2018 he played the first, but not the last, concert by this remarkable trio, which is completed by British soprano/tenor saxophonist John Butcher and Norwegian percussionist Ståle Liavik Solberg. Recorded in Germany and Norway during 2018 and 2019, this CD presents an ensemble whose members are strong in their individual concepts, but are also committed to making music that is completed by acts of collective imagination. The music is in constant flux, but purposeful. This intentionality is expressed not only through action, but through the conscious yielding of space, as though each player knows what openings will be best occupied by one of their comrades.

Bill Meyer

Round Eye — Culture Shock Treatment (Paper +Plastick)

“Culture Shock Treatment,” the lead-off track from this unhinged and ecletic album, swings like 1950s rock and roll, a sax frolicking in the spaces between sing-along choruses. And yet, the gleeful skronk goes a little past freewheeling, spinning off into chaos and wheeling back in again. Picture Mark Sultan trying to ride out the existential disorder of early Pere Ubu, add a horn line and step way back, because this is extremely unruly stuff. Round Eye, a band of expatriates now living in Shanghai, slings American heartlands oddball post-punk into unlikely corners. Frantic jackhammer hardcore beats (think Black Flag) assault free-from experimental calls and responses (maybe Curlew?) in “5000 Miles, “ and as a kicker, it’s a commentary on ethno-nationalist repression (“Thank…the country. Thank…the culture”). “I Am the Foreigner” hums and buzzes with exuberance, like a hard-edged B-52s, but it’s about the alienation that these Westerners most likely experience, every day in the Middle Kingdom. This is one busy album, exhausting really, a whac-a-mole entertainment where things keep popping out of holes and getting hammered back, but it is never, ever dull.

Jennifer Kelly

So Cow — Bisignis (Dandy Boy)

Bisignis by So Cow

This new So Cow record is a mood. Specifically, that mood during the third and “least fun” of Ireland’s lockdowns, when you head to your shed and bash out an album about everything that’s been lodged in your craw during a year of isolation — including, of all things, the crowd at a Martha Wainwright show (on “Requests”). And while sole Cow member Brian Kelly might have dubbed the record Bisignis, the Old English word for anxiety, it’s his discontent that takes center stage. “Talking politics with friends/Jesus Christ it never ends” Kelly sings on early highlight “Leave Group” before employing a guitar solo that could pass for some seriously fried bagpipes to help clear the room. This album takes the opposite approach of The Long Con, the project’s 2014 Goner Records one-off where So Cow made more complex moves towards XTC and Futureheads territory but obscured its greatest weapon: Kelly’s deadpan wit. And while a couple of these songs overstay their welcome with their sheer garage punk simplicity, others like “Somewhere Fast” work in the opposite way and win your ears over with repeat listens. “You are the reason I’m getting out of my own way,” Kelly sings, and in doing so has produced the project’s best full-length in a decade. So what? So Cow!

Chris Liberato

Taqbir — Victory Belongs to Those Who Fight for a Right Cause (La Vida Es Un Mus)

Victory Belongs To Those Who Fight For A Right Cause by Taqbir

In our super-saturated musical environment, another eight-minute, 7” record of scorching punk burners isn’t much of an event. But the appearance of Taqbir’s Victory Belongs to Those Who Fight for a Right Cause (the title is almost longer than the record itself) is at the very least a significant occurrence. The band comes from Morocco and features a woman out front, declaiming any number of contemporary socio-political ills. So there’s little wonder that the Internet isn’t bursting with info about Taqbir; you can find a Maximumrocknroll interview, some chatter about the record here and there, and not much else. It must take enormous courage to make music like this in Morocco, and even more to be a woman making music like this. The long reign of King Mohammed IV has edged the country toward marginal increments of cultural openness — if not thoroughgoing political reform — but conservative Islam and economic struggle are still dominant forces, combining to keep women relegated to submissive social roles. And the band is not fucking around: their name is a Moroccan battle cry, synonymous with “Alu Akbar!” Their repurposing of that slogan in support of their anti-traditionalist, anti-religious, anti-capitalist positions likely makes life in a place like Tangier or Casablanca pretty hard. The songs? They’re really good. Check out “Aisha Qandisha” (named for a folkloric phantasm that ambiguously mobilizes the feminine as murderous and rapacious monster): the music slashes and burns with just the right dash of melody, the vocals go from a simmer to a full-on rolling boil. Taqbir! y’all. Stay safe, stay strong and make some more records.

Jonathan Shaw

TOMÁ — Atom (Self-Release)

Atom by TOMÁ

Tomá Ivanov operates in interstices between smooth jazz and soul-infused electronics, splicing bits of torchy world traditions in through the addition of singers. You could certainly draw connections to the funk-leaning IDM of artists like Flying Lotus and Dam-Funk, where pristine instrumental sounds—strings, piano, percussion—meet the pop and glitch of cyber-soul. Guest artists flavor about half the tracks, pushing the music slightly off its center towards rap (“A Different You featuring I Am Tim”), quiet storm soul (“Outsight featuring Vivian Toebich”), falsetto’d art pop (“Catharsis featuring Lou Asril”) or dreaming soul-jazz experiments (“Blind War featuring Ben LaMar Gay”). Thoughout, the Bulgarian composer and guitarist paces expansive ambiences with shuffling, staggering beats, roughing up slick surfaces with just enough friction to keep things interesting.

Jennifer Kelly

The Tubs — Names EP (Trouble In Mind)

Names EP by The Tubs

“I don’t know how it works” declared The Tubs on their debut single, but they’re diving right in anyways on its follow-up, Names, with four songs that explore the self and self-other relationship. Their cover of Felt’s “Crystal Ball” tightens the musical tension of the original in places but still allows enough slack for singer Owen Williams to stretch the lyrical refrain — about the ability of another to see us better than we see ourselves — into a more melancholy shape than Lawrence. Of the EP’s three originals, Felt’s influence is most obvious in George Nicholls’ guitar work on “Illusion,” especially when the change comes and his lead spirals off Deebank-style behind Williams while he questions his connection to his own reflection. “Is it just an illusion staring back at me?” “The Name Song” is the longest one here at over three minutes, and in a similar way to The Feelies, it feels like it could go on forever, which might prove useful if Williams adds more names to his don’t-care-about list. “Two Person Love” is the best track of the bunch, though, with its classic sounding riff that swoops in and out allowing room for the chiming and chugging rhythm section to do the hard work. The relationship in the song might have been “pissed up the wall,” as Williams in his Richard Thompson-esque drawl puts it, but The Tubs certainly seem to have figured out how this music thing works.

Chris Liberato

Venus Furs — S-T (Silk Screaming)

Venus Furs by Venus Furs

Venus Furs sounds like band, but in fact, it’s one guy, Paul Krasner, somehow amassing the squalling roar of psychedelic guitar rock a la Brian Jonestown Massacre or Royal Baths all by himself. These songs have a large-scale swagger and layers and layers of effected guitars, as on the careening “Friendly Fire,” or hailstorm assault of “Paranoia.” A ponderous, swaying bass riff girds “Living in Constant.” Its nodding repetition grounds radiating sprays of surf guitar. You have to wonder how all this would play out in concert, with Krasner running from front mic to bass amp to drum kit as the songs unfold, but on record it sounds pretty good. Long live self-sufficiency.

Jennifer Kelly

Witch Vomit — Abhorrent Rapture (20 Buck Spin)

Abhorrent Rapture by Witch Vomit

Witch Vomit has one of the best names in contemporary death metal (along with Casket Huffer, Wharflurch and Snorlax — perversely inspired handles, all), and the Portland-based band has been earning increasing accolades for its records, as well. They are deserved. Witch Vomit plays fast, dense and dissonant songs, bearing the impress of Incantation’s groundbreaking (gravedigging?) records. Does that mean it’s “old school”? Song titles from the band’s previous LP Buried Deep in a Bottomless Grave (2019) certainly played to traditionalists’ tastes: “From Rotten Guts,” “Dripping Tombs,” “Fumes of Dying Bodies.” And so on. This new EP doesn’t indicate any significant changes in trajectory or tone, but the songwriting makes the occasional move toward melody. See especially the second half of “Necrometamorphosis,” which has a riff or two that one could almost call “pleasant.” If that seems paradoxical, check out the EP’s title. Is that an event, a gruesome skewing of Christianity’s big prize for the faithful? Or is it an affective state, in which abject disgust somehow builds to ecstatic transport? Who knows. For the band’s part, Witch Vomit keeps chugging, thumping and squelching along, doling out doleful songs like “Purulent Burial Mound.” Yuck. Sounds about right, dudes.

Jonathan Shaw

yes/and — s-t (Driftless Recordings)

yes/and by yes/and

This collaboration between guitarist Meg Duffy (Hand Habits) and producer Joel Ford (Oneohtrix Point Never) is an elusive collection of shape-shifting instrumentals. Each piece is built around Duffy’s guitar, yet the timbre and mood tends to switch dramatically between tracks. The album’s run-time is fairly evenly split between dark, atmospheric pieces, such as “More Than Love” and “Making A Monument,” and hopeful, glimmering miniatures, such as “Centered Shell” and the wonderfully titled “In My Heaven All Faucets Are Fountains.” “Learning About Who You Are” looms large at the album’s heart, as nearly eight minutes of hazy, wind-tunnel drone pulses and reverberates across the stereo space. Despite the variation in tone, each track stakes out its own territory in the tracklist, and it’s only “Tumble” that comes across as an unrealized idea. While it’s only half an hour, yes/and feels longer, its circuitous routes opening up all kinds of possibilities.

Tim Clarke

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