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#all other sides only mentioned
ruporas · 1 year
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i’ll find you again in every universe. let us be a little more honest, let us have a little more time.
#vashwood#vash the stampede#nicholas d wolfwood#trigun#despite it all though badlands rumble is like. the only universe where we get wolfwood thinking vash died first... and i think that means a#lot to their relationship and how it may bloom if there was more to badlands rumble considering vash literally saw wolfwood carrying a piece#of vash after his supposed death. u know! despite the short time they were together vash still meant so much to wolfwood that he couldn't#just move on or forget him in anyway. needed to keep a piece of him for himself and the rest of his days. but ofc vash lives and wolfwood#was like ill beat ur fucking ass into tomorrow. there's just so much honesty in vash being able to see that gesture bc he wouldnt know#otherwise just how much he might mean to him. ANYWAY. trimax with with the eternal pining featuring the two chapters where imo#where the both of them really fell for each other... i wrote my thoughts about this on another comic i did before#but vash solidifying his feelings during the hospital arc -- ww solidifies his when he realizes his allegiances are permanently with vash#98 my lovelies but also to me they are so one-sided bc ww pined like no tomorrow and vash only realizes after ep 23?24? his heart did tickle#whenever ww complimented his smile though#and tristamp vw my beloveds. it really just feels like they get the  chance to be closer and closer and more honest with each other#with every version that comes about. in trimax they knew how little time they had but struggled so desperately to get closer. in 98 ww felt#more willing to forsake for vash. in badlands rumble theyre Angry but as mentioned earlier ^ more blatant truth... due to circumstances#mainly but has the chance to lead to discussions and tristamp literally. first day of knowing each other ww saves vash - 2 days later vash#saves ww like. Man. AND NOW THEY MAY POTENTIALLY GET EVEN CLOSER!!!! with s2....#ruporas art
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DP x DC Prompt
This, but it's because their flight home was canceled due to Gotham's airport being destroyed. And they didn't want to drive all the way back.
The reason it all started was because Tucker was really bored and was getting a bit frustrated when he couldn't get past one of WE's many firewalls. He had already skimmed through everything else and concluded that Gotham's Brucie Wayne was a literal angel sent from heaven to one the worst cities in the world because he committed a crime so horrific that not even God could look him in his pretty little face anymore and that firewall proved it!
So to cool his head off, he decided to hack into a bank. Banks were pretty easy, right? Almost anyone could do it with just enough knowledge and the proper equipment. What he DIDN'T expect was just how EASY it was to do so. Laughably so, to the point it made him cry.
Did Gotham's rouges or Gothamites in general not like money? Not even the small-time rouges? Because he KNEW those operations that they try to pull off cost money. Shit tons!
So when his laughter became so disturbing that his friends and even his frenemies got concerned, all he had to do was show them what he found out. Which sent them spiraling into laughter as well. Like, c'mon, even Amity Park's bank was more secure than that and they only had fucking GHOST CRIME!
As the tears began to dry, and the laughter turned to giggles, one of the girls suggested something.
Star: Why don't we, like, rob it or something?
The hotel room went silent and Star started to fidget. Then she started to ramble.
Star: I mean like, we don't have to. It was kind of a joke anyway, since their security's so bad ya know, and I'm pretty sure we're gonna be here for a while and-
Dani: Star, baby, sweetie, honey. Why are you justifying yourself when we were all probably thinking the same thing, right?
Nod and hums of agreement filled the girl with relief.
Wes: Besides it's not a class trip unless we cause some trouble right?
They all then pilled into the bed and around Tucker as his finger flew across the keyboard.
Tucker: So, where are we hitting up first?
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coquelicoq · 11 months
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what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.
#the other thing i love about it is that in a very real sense it's his actor day job that is his alter ego#being an exorcist is his normie job. he's just a famous celebrity on the side#which isn't that uncommon in secret identity setups but it's still very funny#natsume's book of friends#natsume yuujinchou#natori shuuichi#natsuyuu meta#my posts#f#i think probably the actual answer is that acting was a very natural career choice because he already masks so extensively#both to hide that he can see things other people can't (and that youkai exist and that he exorcises them)#and to hide what he's really feeling so that no one can use it against him#so if it's already something he has to do & he's good at it...why not have someone tell him exactly how to do it & get paid for it?#and the other part of the answer is that most ppl don't go into acting assuming they'll get famous. the fame was a side effect#so each decision as it was being made probably made perfect sense. but put them all together#and you have this hilarious assortment of elements that seem to directly contradict each other#okay also i would be remiss if i didn't mention the other possible answer which is that the attention came first and was unavoidable#and the acting developed from the need to protect himself from the attention that he was going to be attracting no matter what he did#because he's so beautiful. and (in the exorcist world specifically) because he's the last of the natori#the more i talk about it the more i'm like no becoming a famous actor was the only path that made any sense for him lol#1) he's gonna be watched no matter what bc he's him -> gotta figure out how to hide his secrets -> learn to act as self-defense#or 2) he's got secrets -> he's gotten a lot of practice hiding them -> hey you could make a career out of this!#all roads lead to actor natori shuuichi. and since he's beautiful...all roads lead to FAMOUS actor natori shuuichi#i love it when i ramble so much in the tags that i end up contradicting my own post lol#he's neither thinking ten steps ahead nor is he irrational. he's simply making sensible individual decisions#that follow logically from what is available to him and what his priorities are
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hypervoxel · 3 months
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Oh, so, like, the entire first season's establishment of the characters and their interactions don't actually matter in Helluva Boss. Okay, cool.
Like, I get that characterization develops over time and the writers come up with new ideas and places they want to take the story, but. So much of the Stolas/Blitzø stuff recently isn't character development: it's retconning.
#I'm just salty because i was heavily invested in the unhealthy dynamic as i interpreted it#instead of the unhealthy dynamic the show decided on.#uhhhh. yeah I'll throw this in the crit tag#helluva boss critical#I'm mostly just not invested in this show anymore. alas! but i do still very much enjoy the art and animation style#every time there's shiny glowy eyes i go 😍#anyway it does just take a tiny amount of editing to have this come across how i would very much enjoy#where Stolas is just. hypocritical#he wants love and a relationship so badly#and that's such an interesting characterization and I'm here for it!#if we also just. acknowledge the way he was SO obsessed with sex while Blitzø was awkward about it#like there is a lot of mention of that - Blitzø says he thought that's what Stolas wanted from him#and is confused about why things are changing!! (i love it so much)#but the show seems to take Stolas's side instead of allowing that 'yeah‚ he doesn't recognize how his internal emotions were never seen‚#because all Blitzø sees are Stolas's external actions - exactly the problem that Stolas is having with Blitzø not communicating!'#AND i still think there should be more emphasis on 'hey yeah it was really fucked up to manipulate Blitzø into sex like he did'#the crystal didn't magically fix it and they should have issues with Blitzø not understanding his worth to Stolas#because from his POV: Stolas really does only want him for sex‚ is paying him with access to the book and human realm‚#and has repeatedly sexualized him And seemed ashamed of it when other important people knew#(compared to how he acted towards Blitzø around other Imps) (which makes it seem like he doesn't care about what Imps think at all)#Stolas can be sad and his emotions are interesting but not when all of the fandom I'm seeing is taking his side#me at all times always: i think these characters/this ship should be worse!!!
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batsplat · 3 months
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hello, i have a question. what is the difference betwwen a hard and a dangerous racer? is there some sort of characteristics like how succesful a racer is or is more of a "a dangerous racer races on the limit and that's dangerous. a hard racer races on the limit but. its just a hard racer". thank you for answering!
completely in the eye of the beholder, I'm afraid. it's a perpetual debate, and one where everyone draws the line differently... very much a case of one man's dangerous manoeuvre is another one's hard but fair overtake... that being said! I'll have a go at coming up with a general framework with which people assess this stuff
let's bring in two strawmen, which feels like the most direct way to illustrate the possible stances you can take on this debate. to be clear, nobody really fits neatly in either ideological category - but, well, these are pretty much the two most extreme positions anyone could have:
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when people are describing something as 'hard racing' (as opposed to... idk, 'clean' racing), they are usually talking about a) contact between the two bikes, and/or b) an action that forces the other bike to take evasive action. what constitutes forcing evasive action? well, this is all very nebulous and hard to define - there's crossing another rider's racing line, making them pick up the bike mid-corner, forcing them wide/off-track, not yielding in situations where one of you will have to yield to avoid a crash... but this is always an assessment that will depend on the specific circumstances. not every block pass is considered hard racing, for instance, even though you are quite literally 'blocking' the other bike. contact is the more straightforward one... if you initiate a move that leads to contact, then most people would agree this is 'hard' racing
so say you are in the 'A' camp. according to this line of thinking, pretty much every contact is 'dangerous' riding and should not be allowed. here's what gibernau said about jerez 2005, included in the sete post:
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let's not discuss the merits of the jerez 2005 move specifically here - this is an expression of a broader ideological position. "this is not a contact sport" "it's not about hitting another guy"... so, according to this stance, actions that knowingly result in contact should not be acceptable and as a result need to be penalised. taken to the logical extreme, any and all 'hard racing' is dangerous
let's go to the other extreme, 'B'. let's say you're very pro-hard racing, to the point where you think that contact is more than fine and that it is unreasonable to call it 'dangerous'. sure, of course it is dangerous, but inherently all motorcycle racing has a lot of risk attached. racing that involves contact is basically acceptable. even within this extreme, my lovely venn diagram allows for some actual 'dangerous' riding - either behaviour that is wholly irresponsible during races... or stuff that doesn't count as hard racing because it's not 'racing'. here are some examples:
stuff that happens during races but is like... egregious misbehaviour. cf romano fenati pulling a rival's brake lever during a race - obviously dangerous and no longer really exists within the confines of actual racing
in either races or non-race sessions - not following proper safety procedures like for instance ignoring yellow flags. again, should be pretty obvious why that's dangerous
poor behaviour in non-race sessions,the general tag for not exhibiting appropriate care, awareness for your environment, all that stuff... the extreme example is marc barrelling into the back of another rider after the chequered flag had been waved in friday practise at phillip island 2011 (more on that here). it's also things like faffing about on the racing line, see the pecco mugello dramatics
so, yes, everyone will agree that there's some stuff that counts as 'dangerous riding' that's distinct from 'hard racing' just because it's not actual racing. that's the most straightforward stuff... but yeah, anyway, those are basically the two extreme positions you can take. you can say that all contact is bad and dangerous, that any time you're forcing another rider to take evasive action and are making a pass that isn't 1000% clean, you are putting others at unnecessary risk. or, you can say, hey, everything goes, rubbing is racing on steroids - sure, there's a small category of things that aren't acceptable, mainly stuff that isn't actually racing, but otherwise you should be allowed to brute force yourself past riders whenever you please
obviously, they're strawmen for a reason. basically nobody holds either of these positions in their entirety - and in race situations, there's always going to be actions that are seen as hard racing by some and as dangerous by others. so, unfortunately, we're going to have to dig a little deeper here, and figure out by what metrics people draw the line between hard and dangerous. let's... hey, how about we bring in casey stoner, just this once. as a treat. here's what he said after laguna '08:
“I’ve been in hard racing all my life, some very aggressive racing, but today was a little bit too much. I nearly went in the gravel so many times and I don’t think it was necessary.”
hard racing? casey's done that before. some very aggressive racing? no issue. but what valentino did at laguna was "a little bit too much" and not "necessary". the specific thing casey cites is nearly going into the gravel - and indeed, forcing other riders wide/off-track is one of the types of racing behaviour that most finely straddles the line between 'hard' and 'dangerous'. for other examples, see suzuka 2001 in which biaggi forced valentino off-track and valentino flipped him off when he eventually got past (a few more details here), qatar 2012 where marc forced luthi off-track and got slapped after the race (here) and sepang 2015, where... uh. you know. or how about argentina 2018 where... look, I think you get the point - plenty of controversy comes from forcing your opponent's bike into places where it's simply not supposed to be
while we're at it, let's throw in a little excerpt from casey's autobiography about the race:
A lot of it was fair racing, he was out-braking me on the inside and riding better than me around a lot of the track. If it had all been like that I would cop it sweet. But a couple of moves off camera added to my frustration. I risked running off the track, and racing at the limits like that as we were I even became worried about my safety.
(does have to be said that the pair of them spend... relatively little time off-camera, never when the bikes seem to be particularly close - but of course the problem this statement creates is that by definition you can't judge any footage you don't have access to)
so, let's strip away the details and think about what casey is actually talking about here. it's a risk/reward calculation. this is what's at the heart of this riding standards debate: what level of risk is acceptable for what level of reward? there are situations in which there is inherently a higher level of risk in a way that isn't caused by either party - influenced by the circuit layout, what the weather is like, how hard you're both pushing aka how much on the 'limit' you are, and so on. but even if that risk isn't your 'fault', if you are riding at very high speeds on a dangerous track, you can still be considered a dangerous rider if you're not exercising appropriate levels of caution
so, let's break it down even further and try and come up with some basic criteria by which people judge whether a specific move is 'hard' or 'dangerous'. how about this: (1) does the action have a reasonable chance of coming off, (2) is the risk you're taking proportionate to the reward, and (3) is the move likely to cause serious harm to you or the other rider. let's take them one by one
listen, it needs to be plausible that you're going to be able to pull this move off. if you're firing the bike from fifty miles back into a gap that doesn't exist, then this is by definition an unnecessary risk. you are not going to do yourself any good and you are also not going to do the other rider any good. (sometimes it might be in your interest to crash the other rider out so you might as well, but unsurprisingly this is frowned upon. see the 1998 250cc title decider.) obviously, this is going to be affected by your skill level - if you're a mid rider, there will be fewer moves that are 'plausible' for you than for the best riders
this is basically the common sense metric. if you are riding in a pack, make sure to keep in mind that crashing in this situation could get ugly. if you are fighting for p5, maybe a different approach is fitting than fighting for p1. if you can make an overtake a lap later as long as you're patient, in a way that's a lot safer than doing it now, perhaps just do that instead. don't be silly in the wet! this comes down to stakes, whether it's worth it, how likely the move is to succeed... and also what the consequences would be if you got it wrong, for both yourself and other riders. you're making an overall judgement based on all of those factors... sometimes you need to take risk, but it's better to make sure that risk is reasonably sensible
however high the potential rewards are, there's a certain level of risk that is no longer acceptable, where the 'risk/reward calculation' stuff has to be thrown out of the window because the reward no longer matters. this is basically the catch-all for 'wholly irresponsible riding' - anything that's just going too far
so, uh. obviously everything described above is super subjective... but that's what people are judging in my opinion, this is the standards they are using in their head to determine where they draw the line. so, as an example, to bring back the stuff from this post about the inter-alien ideological differences:
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and again, this is also what the debate after aragon 2013 was about:
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if you think aragon 2013 is unacceptable to the point of being dangerous, then you probably take quite a hard line view and think pretty much any action that could lead to contact needs to be stamped down on. while that contact did have unpleasant consequences for the other party (dani wasn't able to walk for several days and his title bid was basically over), it is perhaps a little worse than could have been reasonably expected in that situation. in that sense, there's a bit of surface level similarity with jerez 2005... there, valentino made the pass for the win at the last corner, knowing he would probably bump into sete while doing so. neither rider is knocked off their bike (though sete has to leave the track) and it is at a slow corner, with relatively 'light' contact. unfortunately, as a result of where valentino's bike impacted sete's body and sete's preexisting shoulder issues, it ended up injuring sete (see here for valentino learning of this perhaps a little later than was ideal and only after he'd taken the piss out of sete for dramatically clutching his arm). at aragon 2013, marc was harrying dani and sticking very close to his rear tyre as he applied pressure to his teammate before he made a small misjudgement, getting his braking a little wrong and clipping the back of dani's bike. he happened to cut a crucial wire in the process, causing dani to highside a few moments later
these aren't equivalent situations and each have their own risk/reward profile. but the basic point is this: inviting contact with another rider will always generate more risk, and can always have unintended consequences... even when the action is relatively innocuous and the rider would not have expected this outcome. if you are in the 'all passes should be clean passes' school, this risk is fundamentally unacceptable. even trickier - what if contact is made as a result of a move you initiated but the other rider could have avoided? of course, you started it, but they could have yielded... and maybe they should have, maybe that would have been the wise, the sensible thing to do in that situation. it's always important to remember that at least two riders are involved in all these situations - and there are many cases where contact and/or crashing is not 100% the fault of any one party. so, for instance, there are several moments in laguna 2008 that are so risky in part because casey is also refusing to yield. that's not to necessarily imply any blame or fault! of course, it might not be ideal for the most aggressive riders being able to bully everyone else as they please because they know they can generally rely on everyone else being more sensible and yielding. but the differing outcomes resulting from the choices made by the 'other' rider will always help influence perception of any race situation - a move that is seen as 'hard but fair' might have been seen as considerably more dangerous if the other party hadn't yielded
and yes... yes, there is absolutely a question of your success rate. this links back to point (1) - is the move plausible? there are moves that aren't really considered examples of 'hard racing' and certainly not dangerous... because they worked. take valentino's last corner move at catalunya 2009, at a corner where you don't traditionally overtake (remember, before the race jorge was going around tempting fate by saying that if you're ahead by that point you're sorted). sure, he goes for a gap that exists, but it could easily have gone wrong - and if a lot of other riders had tried that, then it would have. how do you think yamaha would have felt if valentino had taken both yamaha riders out at the very end of the race to allow ducati to claim an unlikely victory and an increased championship lead? here's another one: misano 2017 and marc making a last lap move in treacherous conditions to snatch the win. no contact required to make that risky as shit - and if stuff like that goes wrong too often they call you an idiot at best and dangerous at worst. of course, both valentino and marc have had moments where they very much did not pull off moves they were intending, which is how we get ambition outweighing talent and 'I hope he can learn from this one and improve for the future', among other hits. but, relative to the amount of risk they're regularly taking in their racing, they get a lot of reward for their troubles... because they're very good at what they do. the risk/reward calculation is one that they... uh, can both be very adept at, but it's also one that's fundamentally easier when you're skilled enough to pull off a lot of moves that would be beyond the capabilities of other riders. it's when you don't know how to judge your moments, when you keep trying moves that you can't pull off - that's where other riders will start having a problem with you
which is where we get to reputation! how different incidents are judged will also depend on the existing reputations of the riders involved and whether they are seen as 'fair' racers or not (an even more nebulous term, if possible), versus hard racers, dangerous racers... often, this is a question of quantity too - with certain riders on the grid, you will notice they're involved in controversial incidents disproportionately often. how likely people are to pay you the benefit of the doubt... how likely they are to believe you as to what your intent was in a certain situation, perhaps the most nebulous concept of them all. 'hard' and 'dangerous' aren't assessments that are made in isolation, and how severely riders are judged will often depend on their pasts and how those pasts are perceived by others
where you get into really sticky territory is... okay, both valentino and marc have more often than not (arguably) been able to stay on the right side of 'the line', where their moves might be hard but aren't putting anyone else in active danger - but that's because they are at least theoretically capable of exhibiting a good sense of judgement and are also good at what they're doing, as covered above. here's a question: do they bear any responsibility for when younger and/or worse riders copy their moves and/or general approach to racing, with worse consequences? when they have been criticised, when they are called dangerous, at times it's not just what they're doing in the moment... it's what they're inspiring. so you've got stuff like this from sete:
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even more drastically than that, after the death of a fifteen year old rider in supersport in 2021, one of his fellow rider said this about marc (which marc unsurprisingly strongly pushed back on):
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(just worth remembering, this is a rider who did walk away from the sport as a result and was clearly deeply affected by what happened - the marc comments were part of a longer statement that got overshadowed by this part and the resulting controversy)
setting aside the merits or lack thereof of these specific assertions, what of the general questions they raise... can you be a dangerous rider in an indirect fashion like this, by the very nature of your legacy? are riders who helped bring about a more aggressive baseline standard of racing in any way responsible for anything that happens as a result of this standard? (even worse, there's a line of succession here - after all, who was marc's biggest inspiration?) or does individual responsibility reign supreme here? athletes are by design only interested in their own successes, aren't they - and 'legacy' is so abstract, how can anyone know how others will be influenced by what they do? how can we even begin to assess how big an influence individual riders really are? let's not forget that there will be other factors - riders in the past have discussed how particular characteristics of the moto2 class have bred more aggressive racing, or the influence of the size of motogp bikes, or how difficult it is these days to overtake in a completely 'clean' manner, or the rules themselves and to what extent they have actually been enforced etc etc... maybe there's also an element of people focusing on the easiest, most visible explanation in the form of star riders, without giving proper consideration to the underlying factors that will influence an era's style of riding. again, how you feel about all of this will vary from person to person - but part of the hard vs dangerous debate is inherently forward-looking. and it's hardly just legacy... your hard/dangerous moves may also be setting a precedent in the present. to what extent is it the duty of riders to worry about that?
so then, that's what I've got. how you draw the distinction between hard racing and dangerous riding will come down to your individual ideological position and what you think racing even entails. do you think all contact is objectionable? do you think only the most extreme of transgressions - most of which don't qualify as 'racing' per se - should be labelled dangerous? somewhere in between? everyone will draw the line in a different place, according to the situation and their individual biases and understanding of events. it comes down, generally speaking, to how you judge the risks and rewards of a certain move, whether you think what a rider attempted was 'worth' it. all of which depends on whether the rider could realistically have managed whatever action they were attempting, whether the potential rewards were proportionate to the risks, or whether the whole thing was just too flat out dangerous to ever be worth it... of course, none of these are objective standards by which you can assess the racing, but they should give you a rough indication of what people are even talking about when they're distinguishing between hard and dangerous racing. riders as individuals are also far from consistent in their stances (surely not!) so you do have to play it by ear a lot of the times... and while there are plenty incidents where the majority can agree whether it is 'hard' or 'dangerous', there are plenty more where you're going to get a lot of contradictory opinions. no definitive answers here - unfortunately a lot of the time you'll just have to make your own mind up
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aroaessidhe · 1 month
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2024 reads / storygraph
Smile And Be A Villain
queer character-driven historical fantasy, reimagining Hamlet before the events of the play
follows prince Hamlet who has been sent away to Wittenberg after being caught in a compromising position, meeting new people and discovering magic
and Ophelia, back in Denmark, dealing with the rise of the corrupting by-product of magic
while a war is brewing, and they have to figure out how much they are willing to sacrifice to save their country
duology
bi hamlet, aspec ophelia
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like there has got to be at least one doctor out there that says endogenics are fake right??
there's ones that argue DID isn't even a real thing there's some out there that argue against endogenics openly and actively?? right??
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hanzajesthanza · 2 months
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dandelion is indeed the worst but if he’s not present in the next book i would legitimately be sorrowful as the whole thing will become a slog . you basically cannot have the “short stories” era-of-the-timeline iteration of geralt without dandelion, it would be like eating unbuttered bread.
though it’s not like season of storms did them dirty, i wasn’t disappointed with it (… with regards to them), but since it’s literally been over 20 years since the saga was finished i’m trying to prepare for any potential reality
#however i will accept an absence of dandelion IN THE CASE OF we get to see geralt and yennefer living together in vengerberg#but if it’s regular geralt day in the life then if dandelion’s not there it’s gonna suuuuuccckk#i mean as in geralt’s life sucks without him. badly#and it also? sucks with him. good-ly.#it’s august and we don’t have a title yetttt 🥲 and they said 2024 … hmhm sure#i just feel like rupaul ‘and don’t fuck it up’.gif#like i’m excited but also wtf? new witcher book? are we on punk’d?#it’s not going to be the best but i’m hoping it will be at least as good as season of storms. not a high bar ok!#this from the person who was optimistic about the n*tflix show. don’t trust me i like to believe in the future#i was going to say ‘and i trust sapkowski more than i trust n*tflix’ and then i laughed.#i don’t trust him—i don’t even trust the version of him from the 90s and 00s!#one side of me can’t believe i’m still here after the guardswomen of kerack. and the ‘well i’m only gay for clout’ villain motivations#the other side of me is intensely curious wtf geralt will get up to this time and how witcher could maybe even denigrate further#but season of storms ending was actually good and = well it’s not like sapkowski forgot what it was about#then again it’s been 10 years and a bad adaptation since then so im biting my nails#all i ask : please stick with the naming convention of the other books. i don’t want to write an absurdly long or short name or acronym out#sooooo weird that in a few months i will be saying: there are 9 witcher books.#actually rn i just say there’s 7 and discount season of storms as a legitimate heir but mention it as footnote lol#i just hope i can survive until this new book and until its translation LOLLLL#they said translation in 2025 but you know the track record#new book: *releases winter 2024* | english translation: coming 2045!#jk i think they finally figured out that witcher is a money printer so they will be eager to translate it now and not waffle around#they kicked their butts into gear with the hussite trilogy so ! and they made new hardcovers.#the elbow-high diaries#new book 2024
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emry-stars-oc · 6 months
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New oc with a new sketchbook spread!
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Another bodyguard character, this time for Quinton! Meet Mercer Chantry ⚔️
Q and Mercer aren’t as close as Bo and Ambrose, but they’re still good buds. He and his sister live in Bylldewn castle with the rest, and things may start out rocky with a misunderstanding between him and the Beldans (Bo, Ambrose, Betony) but once it’s ironed out he and Ambrose make a TERRIFYING great team. Anyway I love him v much
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lucrezianoin · 4 months
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Well, so my third attempt this year to find out what my chronic pain is ended up in another failure
Last year I completely gave up after too many random diagnosis and no solution. I'm trying again:
- gynecologist asked me if I wanted the pill if I had pain during my period (the pain is constant it just gets more intense during my period and my period is much more heavy as well since last year), the rest of the cancer test were clear
- GP says maybe it's stomach (?? Pain is under my ribs so I guess it could be), she gives me anti acid to try. The anti acid makes me feel so sick I stop at day six.
- I go back for blood tests, all clear. The GP is like okay bye, and I'm like ?? I still have pain?? Like I am missing so many working days. So she gives me ibuprofen (now keep in mind she thought it was my stomach before, and now she's giving me something that is usually not kind on the stomach). She tells me take it for two weeks every time you have pain (which would be every day for me)
And I'm like.. okay... And then she says something like "unfortunately it's impossible to know what it is, maybe it's your depression"
Now, I'm not depressed. I've not been diagnosed with depression. I take ADHD medications. This is the third time she calls them "anti depressants" and she tells me I have depression. I don't??
So I decided to go to a private clinic for an ultrasound, on my own. I don't understand why Doctors in Germany are like this. I've lived in three different countries and this is the only one where I've seen this level of incompetence, rudeness and disregard. If you're not immediately dying then it's "depression" (even if you are not diagnosed with it and don't have it).
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having thoughts about how Husk actually has very little left to redeem bc he started his journey of self-change before even coming to work at the hotel, but at the same time redemption isn't even his goal- he ain't even aiming for heaven, he just wanted to be a better person and maybe now with friends and especially Angel, who he supports so much and wants to see succeed, maybe now he has a reason to be a better person
#hazbin hotel#husk#warning I am about to ramble in these tags O7 I have a ridiculous amount of thoughts about this cat bird man#thinking about that word of god from vivzie that Husk is actively fighting his gambling addiction in hell#which besides the pilot we've only seen his gambling mentioned in the past#and idk if it's just because they had to focus on other things but we don't see him drinking as heavily as he did in the pilot#and first few episodes. like he actually wants to be sober#we know he used to be an overlord and we assume that comes with all the terrible overlord qualities#(aka there's no such thing as a good slave owner)#but the Husk we know now has been on both sides of this chain#he knows and respects boundaries. consent is super important to him. this feels like a moral you can't really have to be an overlord#he also sees everyone as more than just what they can do for him specifically. he gets NOTHING out of being Angel's friend#he gets NOTHING out of defending Angel and Cherri during the fight with the Exorcists#he knows when to open up and who to open up to and trust. and he extends a hand to someone in need. someone he ain't even close to-#and if it hasn't changed he is trying to beat his own vices despite not even being a guest of the hotel. he's staff. he doesn't HAVE to#participate in their activities or try to change. he was dragged into this#but dammit he does it anyway#(also if he is still trying to beat his gambling addiction I wonder if the pilot was a relapse. hm)#anyway ig what im trying to say is husk isn't a guest at the hotel but plays the role of a guide for the guests bc he's already#got a very strong and *GOOD* set of morals considering they're in hell#like his level of morals we've only seen /explicitly/ shown in hellborn. and yeah consent and boundaries is rock bottom even for Earth#but they're in hell so somehow the bar manages to be even fucking lower than that so I consider it a win#ALSO THE FACT THAT HE STOOD BETWEEN ANGEL & CHERRI AND THE EXORCISTS??? this mf is willing to DIE for these people#I am 100% sure that if Husk's soul didn't belong to Alastor he would already be redeemed#we don't know what he did in life and we don't know how bad he was as an overlord but we know who husk is /now/#and that person is a pretty damn good guy#he might have some work to do sure but he's already at least started his redemption before the show even began and#we're just seeing the tail end of it#god damn I really rambled in these tags i am so sorry#I just have so many thoughts about him
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p1x1x · 4 months
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me pushing myself further with my art drawing really cool perspectives and whatever with the Duo and then i turn around and make lame cutesy ship art waaahhah 😭😭😭
dont read the tags on this if you havent watched gbc i just ramble spoilers 😭 just uhh screaming yknow. mostly mmnn but i like the other characters i swear its just these guys are making me insane
#UGGGGGGGHhhH the duo ever rn…#theyre jsut. so important to each other#supporting each other in their honest expression#FLIP OFF THE WORLD#and i mentioned once on twitter about how real mmk’s fear was#music is everything to her… so for those songs she wrote of her own expression to not be accepted or seen as successful..#yeah that Hurts#i totally get the feeling of wanting to quit… bc why would you want to be hurt that way…#OUUGGGH music (art in general) being able to leave a mark on people…! it can change people…! dont stop making art…!!!!!#but then there’s the side of me that sees all those moments and be like Hell yeah thats some romantic shit… wooo codependency yuri…#going into romantic ship mode#ouggggh but theres also the slightly messed up fact that mmk saw nn less as nn and more as her own past self#and how mmk was not really guiding nn the person so much as she was trying to fulfill her dream through nn#(ok my wording might get confusing but im RAMBLING OKAY)#GOD NN’S VA AND LINES WERE SOOOOO GOOD#mmk stuck in trying to amend her past…! but nn pulls her back to the present#back to reality and shows her that she can still fulfill that dream that desire…!#you saved me with that song its that important and i love it so i love you who laid bare your feelings#UGH THE TRUCK SCENE THAT THAT THAT UUUUGGGGHHFHH#she loves the real mmk…!#god what was i saying with codependency yuri earlier…?#oh right nn only being able to keep going now bc of mmk#hhhhhhhhh#and well. mmk having her happiness depend on keeping nn going (bc of yeah. seeing her past self in her…)#but the confession makes mmk realize what she was doing#(yet still good stuff for codependency yuri)#ok im shutting the fuck up now 😭
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randomnameless · 2 months
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I mean… fire emblem shouldn't be taking in consideration when making points about representing real world issues or using it as a crutch for sociopolitical arguments irl. One of the best examples in this franchise of "culture bias" and "covet bigotry" is Fates, where Hoshido is too pure, too good, and Nohr is the bad, bad, evil barbaric nation. And this goes so far as to make birthright's story a more watered down version of blue units vs red units story from shadow dragon.
In 3H now the good, pure nation is Fodlan, and those who surround it are either filler to make the worldmap look prettier, or barbarians that like to hunt the good guys for sport (Almyra and Sreng, and possibly Dagda), with Brigid being a repetition of the noble savage trope. Just bc there's a poc guy that wants to unite people and get rid of prejudice in story, doesn't mean that the developpers agree to that or support that.
(Also, let's not talk about Hopes and how Claude's altruistic dream turns out to be unifying two different nations and make the cohabit by force with him as sole leader of both. AKA the typical fire emblem trope of uniting different countries under one ruler, something that's not progressive in the slightest)
Mmh,
Speaking on eggshells here because Fates isn't really my area of expertise, but basically, iirc you can thank Pat for scrubbing the worst of Hoshido!
Fates' best route is Revelation (rip izana) where both countries accept to set aside their differences to work together, meaning that, obviously, Hoshido wasn't only "blue unit land" against Nohr's "red units".
Even through Birthrout, you can catch here'n'there, even in the Pat version!, how Hoshido isn't roses'n'daisies, it's the land where Mikoto takes her niece "hostage" ffs as a measure against Corn's kidnapping (you can't tell me she never guessed Azura was Arete's kid!), where Ryoma (idk if you were the same anon as back then?) as the crown prince ignores the plight of the nohrians and why they were attacking Hoshido because life in Nohr sucks and they're starving (idk if, much like the Leonster/Thracia conflict, Hoshido refused to trade with them and let them starve instead), the fuckery with Mokushu and Shura's backstory, or Hoshido being Misogyny Land (tm).
Heck Birthrout has you march on Nohr's capital city iirc, and fight in the streets - it's in Birthrout that Corn's obsession with taking revenge/defeating Garon leads to Elise' death - so it's not the the "blue unit waltz on red unit lands, routs the enemy and calls a day".
So I don't think the Fates writers really wanted to push the "pure unproblematic land" card with Hoshido compared to Nohr, but rather depict them as both flawed - in different ways - and needing to work together.
Now, I wouldn't say the nations of Fodlan are good compared to the rest of the filler nations that make up this verse's world - after all it's Adrestia who starts hostilities against Dagda'n'Brigid and Adrestia who most recently flattened Brigid and made it its vassal! - but in a sense you're right calling them filler, the FE series in general don't spend a lot of time to depict nations in general, they're just "the place character X is from" and for all of its, hm, reknown writting, Fodlan is following the trend, Albinea is no less different than Cheve (wait, we have one map set in Cheve! kill that) so bar flavor text, they're effectively just "filler".
I disagree about Sreng and Almyra being filler though, if Sreng could be seen as a ref to the Thracia situation or Norh/Hoshido fight for ressources, Almyra?
Is basically Verdane all over again - with the dubious honor of having a Verdanite Lord who, unlike Jamke has some relevance to the plot bar his introduction, but most important, seems to appreciate and want to emulate/import the values/methods of his country to the cast/main plot.
Can you imagine FE4 where Jamke suggests to kidnap Deevtar to seduce lure Andrei in a trap and rekt him?
Of course not.
Just bc there's a poc guy that wants to unite people and get rid of prejudice in story, doesn't mean that the developpers agree to that or support that.
I guess they agreed with the "get rid of prejudice without dealing with the dragon in the room" idea, but the main issue I mentionned and talked about in the other anon reply was the how, and what, doylist wise, it conveys.
"I'll unite people and get rid of prejudice by busting open your country to my people who are as prejudiced as you supposedly are, and I will bring you new values"
That's... not a good way to bring people together lol.
Even in FE16 I found Claude and Almyra's writing a bit odd : why asking Timmy first to stop shunning Bob when Timmy started to avoid Bob because Bob keeps on stealing his lunch money? Shouldn't you ask Bob first to, uh, not be an ass?
In Nopes?
Bob ruins Timmy's house, hits Timmy's toddler sister in the face and still steals his lunch money - but now, Bob has the nerve to tell Timmy that he's doing this to "help" him.
Also, let's not talk about Hopes and how Claude's altruistic dream turns out to be unifying two different nations and make the cohabit by force with him as sole leader of both. AKA the typical fire emblem trope of uniting different countries under one ruler, something that's not progressive in the slightest
Hmmm,
I don't know if you played the older games (FE1 to FE10), but as far as I remember, bar Archanea verse, we have different rulers for each countries and the world is never an unified entity -
And even then, Marth doesn't unify the world by making people "cohabit by force", as forced as it is, everyone gives him their crown.
Sanaki doesn't tell Elincia to suck it as she annexes Crimea in FE10, ditto with Innes and Joshua, or Ced and Ares in Jugdral... I can see Leif's unification of Thracia falling under that criteria, but even then, it's not so much by force than Travant making suicide by cop because he wanted the peninsula to be united and understood he couldn't be the one to do it.
Uniting the continent by force is, on the contrary, what red emperors do, and in traditional FE games, red emperors are defeated.
To return to your main point :
I mean… fire emblem shouldn't be taking in consideration when making points about representing real world issues or using it as a crutch for sociopolitical arguments irl.
Of course, and I totally agree!
The FE series has always been, as its core, a series where a "rightful ruler" returns home to rule "rightfuly" and better than its predecessors, by acknowledging what they did wrong and what they can do now.
That being said, a game is never written in a vacuum : that's the doylist side of various discussions : "What were the devs thinking, was what their reasoning when they decided to make the game this way?"
In 2004, real world persons believed that putting Devdan in their game was okay.
You can give them some flak because different cultural references between Japan and the US world (hell, western world at this rate because damn if Devdan hit "international" racist stereotypes boxes!) - and yet, can you really suppose the devs wouldn't have known, in 2004, that those stereotypes are harmful to real life people and Devdan was basically an insult?
But Devdan was just a living (as much as a fictional character can be alive, but you catch my drift lol) stereotype, the issue was just with Devdan existing.
It was 2004, 15 years later, we expect of IS - not your backwater company! - to never ever fall in the same pits, right?
(well, we had FE13 with the Feroxi main characters who love to fight being dark skinned... so the Devdan dev might still have been there :/ )
FE Fodlan, let it be for design or even names, took some inspiration from RL (it was funny upon release to catch all those links and nods!), and while i appreciated the aesthetic, it was bound to create another "Devdan" issue.
You have Almyra, designed with several RL inspirations (they weren't being subtle with Claude's battalion called the Immortals lol), from design (Claude's clothes and braids!) to units (mounted archers!) to, well, names.
Okay, in itself, it's nothing as insulting as Devdan's existence. But taken with the context?
The devs wrote that Fodlan's aesthetic was supposed to be the Age of Discoveries (1500s and onwards?) so yes, during that Age, you had people who were prejudiced as fuck against people from other lands/different cultures.
But in 2019, we know that those prejudices were full of shit, and either fueled by ignorance, or just, the need to find a good "excuse" to get new lands/manpower/ressources.
Maybe the devs wanted to showcase this part of history : depict the characters being prejudiced against "foreigners" and have them later learn that their prejudice was unfounded !
But... they took the inverse path
Hilda's racist stereotypes? They're shown to be....
True through both games!
As you put it, Almyra are the "barbarians" who : attack the land the characters are from when they're at their weakest, for no reason than to get a good fight - even if it means dying which in turns create several orphans they don't give a fuck about - pillage and "rampage" in cities, let their allies die after accepting a "mutual support" alliance with them, and ultimately rave and scream at their "outdated" values and how you're going to bring them yours.
"You see those people who were derided as savages and barbarians back then in RL - and still are in some parts of the world because the early 2000s happened and in general because racism exists? - Well I'm going to base my fantasy "token barbarian country who is untrustworthy and backstabs everyone" based on them!"
:/
I know you can't compare tomatoes to watermelons, but the Baten Kaitos franchise also has a nation who's, more or less, full of assholes, racists and imperialist pieces of shit. But the devs in those games designed each island/country from scratch, there is no nation that immediately calls back to "RL country X or culture Y"!
you can make a farfetched point about the people wearing ceremonial masks and having totems being a mix of several RL inspirations or at least being a call back to them... but they're part of the most OP people of that universe!
So why? Why, doylist wise, FE Fodlan designed with care - you can't tell me those costumes and outfits were designed in 10 minutes! - Almyra and its characters... only to have them act out as what an english book from the 1780s depicted "oriental" people ?
Unlike Devdan, the racism doesn't ooze out from the way the characters/country was designed, but what role they fit in the story.
It's not a sociopolitical commentary or representing real world but more like another jab at IS for being as prejudiced against non western/japanese cultures and civilisations as they were when FE4 was released, which is problematic in 2019/2022.
(and then you have Square Enix giving us Hyzante in Triangle Strategy, which is even more in your face with the dubious parallels)
#anon#replies#fandom woes#IS is part of the fandom as the creators of the games lol#I mentionned it in the other reply#but while only have dungeons and aesthetics#the Golden Sun Saga had places inspired by real world cultures and civilisations and never#put one under the bus to act as the token barbarians#hell the antagonists from the first game are a tribe of people who can turn into dragons#and the main antagonist is a giant rock with an eyeball#in the third opus we have aliens#but Kibombo? Champa? Ayuthay? they exist and aren't treated as bad as#Almyra is by the plot and devs#Fodlan's unification kink is another can of worms but#in the other series you are never supposed to end up with an unified continent under one leader save for Marth but it happens in the plot#hell in FE4 it's often refered as the bad ending the one where Seliph rules over Jugdral#claude wants to get rid of prejudice by being prejudiced as fuck#of course FE Fodlan being what it is this angle is never challenged directly#i think the only mention that vaguely resembles a challenge is when Hilda is kind of surprised at having to fight side by side with almyran#because they were trying to invade 3 days ago and building relationships with them is kind of hard to fathom#to which iirc claude says to let bygones be bygones#sometimes people fight r8? Dude that's not how it works#FE16#idk if i answered to your post anon lol#But Fates is more muddled than the trailers gave us with the 'good kingdom and bad kingdom'#I know Pat's lolcalisation didn't help at all#but Hoshido isn't perfect far from that
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andr0nap-wf · 7 months
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i think it wouldve been funny if albrecht was haunted by wally like we are
imagine randomly spotting the shithead sitting on pom-2 in the sanctum and calling albrecht a bitch
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thinks about Kohane Azusawa and photography (explodes)
#you know how she said she wished she could feel as passionate about something as an or minori#but she was already doing photography as a hobby by then#something about that. something about photography not exactly being her passion but it being something she knows#(especially in the sense that it was her dad that got her into it. her family being the only significant people in her life before hs)#(azusawa family and how little we truly know of you i want to blow you up so badly in the good way)#go further in with that line from over rad squad (she can feel passionate about things because of other people)#so a. photography literally coming from papa azusawa b. photography was how she experienced things growing up#pictures of the mundane. pictures of action. pictures of the things kohane would have loved to try#but considered herself incapable of pursuing#but photography itself didn't give her that passion otherwise she would have mentioned it in the main story#then vivid bad squad. an's side story for the first wedding event where she rushes over to take photos of them all#the photos from same dreams same colours. her photos being used in their flyers#kohane's fes card. the gallery of what she cherishes most. the trained and the outfit#photography has become something she does love. genuinely love. thanks to vivid bad squad#how kohane's passion for something comes from other people. how her love for her hobby properly comes out with them#it is most likely the thing she will be doing when vivid bad squad retires from singing (however long that takes)#or maybe even it'll be what she does on the side#sega i know we got the valentines event to sort of give us this but. proper kohane unit focus based around photography? please?#card set that looks like photos kohane took? the edges looking a bit old? a way of showing how much she loves these memories?#an event that reintroduces papa azusawa???#if they're going abroad it could be going over her anxieties about it (however that depends on how long it is until then)#(i doubt next event will be straight into the travelling. we maybe won't even get it this rotation)#(so maybe. maybe if they swap an and kohane around so kohane kicks off rotation 6 for vbs?)#(idk. blah)#bagel's rambles
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astranauticus · 1 year
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snapshots of what could have been
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