#also I have to do a movie pitch for it bitch it's an amv with intentionally one dimensional characters 😭 tf do I even say about it

[francy-sketches]

I'm gonna have to work on my final project non stop for like a month straight bc I procrastinated on it too much fuck my stupid baka life

[nedlittle]

top 5 most underrated MCR songs 👉🏻👉🏻

burn bright - gay transmac swag. that one genius comment was right calling it their third most homosexual song right behind mama and prison. my second fave track of conventional weapons; feels like spitting out a mouthful of blood and getting gravel in your knees. the spanish guitar! you made me who i am. be afraid of what i am. you know you'll never get to heaven with a love like yours. gay people are real.

not that kind of girl - gay transfem swag. burn bright's preppy younger sister. you know this is underrated because whatever beachy waved cw sapphic couple tumblr is currently going goo goo ga ga over at any given moment ought to have at the very fucking least have gifsets with the lyrics to not that kind of girl. there should be not that kind of girl amvs for like. jennifer's body. incredibly unhinged example but are you picking up what i am putting down? where are the amvs. where's my dykey little teen movie. let me paint you a word picture: it is 2005. we open on two kids playing in a sandbox/larping as knights on the playground/exchanging friendship bracelets, protagonist voice over about how she wishes they could go back to being kids because everything was so less complicated. whatever. we zoom out to look at our protagonist--baby butch. bikini kill posters on her walls. truly heinous haircut. wants to Get Out of This Town. we follow her eyes as she looks out the window at the car that just pulled into her neighbours driveway. a person jumps down the stairs and into the car--gasp! it's the other girl from when they were kids. she gets into the car with her bland-ass boyfriend, locks eyes with our girl before driving away. BAM dirty little secret by all american rejects plays over the opening credits. the plot progresses. protagonist is worried that she's never going to amount to anything and will live and die in this shitty town just like her parents and her grandparents, tries to just keep her head down and get through high school unscathed, parents don't want their kids hanging out with her etc. meanwhile her childhood bestie is tightlaced into this life of high achievement: she's got a full ride to a good school, she's in model un and plays three different sports, on track to be valedictorian. a good kid. but she seems unhappy with being saddled with these expectations, her heart isn't in her relationship anymore. hmm i wonder why. the second half of the film follows her as she wonders what's wrong with her life that she doesn't want to live it. tries to avoid kissing her boyfriend, flunks an important test, gets concussed playing soccer because she's thinking about her childhood bestie. accidentally-on-purpose ends up at the only gay bar for miles just to. y'know. see what gay people are like BAM ring of keys moment with the intensity of ten thousand suns. BIG realization that she has to start living her life for herself. also gets a bad haircut. breaks up with her boyfriend. tells her parents she wants to take a year off before going to college. the girls kiss. last shot is them recreating the scene from the opening. fade out. BAM not that kind of girl plays over the closing credits. do you understand my artistic vision? i understand why it wasn't included on any albums proper because sonically and lyrically it doesn't quite fit anywhere but god it's SO fun and bouncy. nancy sinatra shoutout! the boots are big stompy combat boots. loud ass ray backing vocals. if you get it you get it if you don't you don't!!!

the end/dead - i cannot separate these two. they are conjoined twin sisters and even listening to them separately is an act of violence to me. possibly the funniest song transition overall. iconic transgender acceptance and resilience in the face of rapidly oncoming death into YEEEEEEEAHHHHHH. the huge, soaring guitars into an auditory experience i can only describe as these bitches frolicking around in my head while i speedrun the stages of grief. pitch perfect opening to such an ambitious album that i'm still shocked they managed to pull off. can we play either of these live again. can we please. either of them.

disenchanted - as i am disconnected from the fandom as whole and am just having fun with my friends i have no idea how disenchanted ranks amongst the fans as a whole but what i do know is that on the post i made about being thankful mikey gaslit the others to get disenchanted on the album while they were actively being haunted (mikeyway i love you there is so much wrong with you) someone said it was shit and i was overcome with holy rage. you don't get it. it was the roar of the crowd that gave me heartache to sing. you're just a sad song with nothing to say. an all time weeper. makes me experience regret and nostalgia and grief for a live i have never lived. trying to think of the most evil combos for a disenchanted encore. disenchanted/cancer. disenchanted/kids. demo lovers/disenchanted. i know you're there mikey. force your bandmates to put this one back on the setlists again. haunt them if you need to.

bulletproof heart - when i was in high school the only album i really listened to was danger days because i was too intimidated to get into the others. it was the most accessible to me, having listened to almost nothing but fall out boy from the time i was 13-18. i had no friends on my bus route home and it wasn't a long ride, thankfully, but it meant that i only got to listen to a little bit of danger days. depending on how fast i walked from the bus stop i'd make it home it home sometime during sing (also i like sing :( i do think it's good. ppl need to stop being mean to it bc it got airplay and was on glee even tho yeah the glee version was bad). i would do this every day my final semester of high school, the same three tracks, the same walk home. when i go through the one crosswalk by my house i instinctively think of the chorus to bulletproof heart because it always played at the exact same point. i measured my way home in my chemical romance and god i did want to run away from here. iconic gender with the jenny/johnny switch in the second verse. not even my favourite song off danger days but it's so special to me because i needed it to be <3