#also i know the intro meows are rough but i found that so funny i left em in

[kelleycubes]

@subspaceskater i could hear it so clearly in my head...

[yasuda-yoshiya]

Opinions on Ciconia Phase 1!

All is in the name of guiding humanity down the right path...

This should be obvious, but there will be plenty of spoilers below, so please don’t read if you haven’t finished the game yet!

While I was reading, I felt like I had a bit of an up and down relationship with Ciconia. I felt really excited and impressed by the first few hours of the game - the setup of the intro with the whole military propaganda was intriguing and effective, Miyao and Jayden's dynamic was immediately super endearing and adorable, and the whole plot with Meow and her date with Jayden had me absolutely bursting with joy! I still can't quite process how happy I am that Ryukishi committed so hard to "gender weirdness" as a permanent WTC fixture here and that Yasu's story absolutely wasn't a one-off at all, and the whole framing of the plot was so heartfelt and sincere and sympathetic - Meow's gender ambiguity and her relationship with Jayden is completely accepted and celebrated by both the narrative and the entire cast, and the whole situation is framed as something totally sweet and wholesome without a single joke at their expense. Meow herself was incredibly cute, and Jayden's initial surprised reaction to her and his whole phase of overenthusiastically trying too hard to be accepting with Miyao about it in a way that ended up making him uncomfortable ("Yeah, I have a female alter, but I'm still ME, just treat me the same way you always did!") hit the perfect spot of how an awkward but totally well-meaning person really would react in that kind of situation - on the whole, I was and still am delighted that Ryukishi went so far with this!

I can definitely understand people having reservations about some of the specifics of the execution, and there are definitely valid concerns to be had with some of the CPP stuff to be sure - but at least for me personally, just the broader picture that Ryukishi chose to spend so much time having his characters explicitly working through and talking over gender issues in such an unambiguously accepting and humanising way made me so happy; I hadn't remotely anticipated that from Ciconia at all, but I genuinely felt that he did it with a lot of heart and the dynamic between Miyao/Meow and Jayden is still probably my favourite part of the VN overall! (And I also really appreciate that Miyao and Jayden were still definitely framed as being extremely flirty and gay as hell even after Meow entered the picture, since I was afraid we might end up losing that part of their dynamic at first! But no, Jayden's really obviously super in love with both of them and it's adorable.)

Unfortunately, after the very strong opening, I kind of felt a bit let down by the next ten hours or so running so hard into PLOT PLOT PLOT, with Meow almost completely disappearing for no obvious reason and the emotional core that had been originally set up being basically dropped for a lot of RGD-style political intrigue and mysterious apocalypse cults that I felt weren't really given enough context for me to get particularly invested in. It felt to me like there was a very long stretch where the plot basically amounted to a series of increasingly large-scale disasters interspersed with very samey and insubstantial discussions between Miyao and the other faction leaders about how powerless they are and agonising over whether there's anything they can do; since the whole plot takes place on such a macro scale and doesn't really take much time to meaningfully develop the faction leaders as individuals all that much beyond their basic personalities being likable on a surface level, it felt to me like the whole big series of incidents and disasters weren't really fleshed out enough or given the personal and emotional grounding for them to be individually interesting, so it all just sort of blurred together and started to feel kind of tedious.

So, around that point I was feeling more than a little disappointed by Ciconia! And yet... somehow, by the end, I felt like it genuinely did manage to gradually win me over, and the whole ending sequence hit me really hard in a way that I honestly hadn't expected it to. While I do still feel like that whole aforementioned section definitely could have been handled better and not been so dragged out (even just interspersing some of the cute character stuff from the postgame tips would have helped break it up a bit... which I kind of strongly suspect was originally the intent ala Higurashi, and I'm not really sure why they didn't go through with it), after a while I found I was genuinely won over by just how sincere and determined Miyao and the other kids were to avoid fighting each other and to find a peaceful solution, even with all the obstacles in their way. (I think I specifically remember the part where Miyao took over the COU newbie kette's gauntlets to help them intercept his own missiles where I found myself getting genuinely emotional and realising that, huh, I guess I really do care about these kids and this plot after all!)

It's funny, for a long time I felt kind of bemused - from a storytelling perspective - by just how solid the alliance between the kids was and how it totally lasted to the end. There were a whole bunch of incidents like the issue with the ABN/ACR conflict over the crop supplies that I was sort of expecting to lead to the group inevitably falling apart from distrust or suspicion or paranoia in the typical WTC fashion... but they never did! At first I was genuinely confused - like, you have the perfect setup to finally set up some conflict here and let things start to get interesting, Ryukishi! Why are you just sticking with the status quo! - but after a while, I sort of got the feeling that that was kind of the point; that these kids really did earnestly believe in each other and respected each other's common humanity and *did not want* to fight under any circumstances, and how tragic it was that even with their resolve being that strong and lasting through all those rough moments, that they ultimately weren't given any choice in the end. I felt that the game genuinely did sell me on the idea that the image of them all holding hands and chatting with each other to the end in the public bath VR room was their "real selves" - that that really was their true nature, and that those were their true feelings, that ultimately said much more about them as people and meant so much more than the arbitrarily tragic road they ended up being forced to go down entirely against their will.

I think I was kind of thrown for a loop with Ciconia because I generally expect Ryukishi's stories to follow a trajectory where the characters gradually reveal their flaws and their inner "ugliness" as the story goes on (albeit generally in a way that's still very sympathetic and humanising, of course) - but while that did sort of happen at the end here with things like Chloe and Aysha’s turnarounds (and may well happen some more in the future given that we know there were traitors in the order), in this case I honestly felt like the purpose of the story was more about bringing out the kids' inner goodness. They really were good kids! None of this was their fault! They really deserved better! And while I think I normally wouldn't be all that into a story with that kind of straightforward message (you know, me generally being a cynical loveless husk and all), in this case specifically I felt like Ryukishi really managed to convey that specific sort of feeling of loyalty and connectedness and breaking down of boundaries that comes from Internet friendships in a surprisingly touching way.

And I think in that context, even the fact that we don't ever get to see the different factions getting to know each other all that well or forming any particularly deep connections or relationships with each other beyond their political solidarity... also sort of works, honestly? Even just that very casual kind of connection, of these kids just screwing around in an improvised chatroom with a dumb name and babbling at each other about things that don't even particularly matter, the kind of interaction we've all probably experienced at some time without even thinking all that deeply about it - even just that is enough for those kids to meaningfully connect with and humanise each other, to understand on a deep level that the kids from the other factions are basically the same as them, and to want to value their common humanity over everything else. Even something that simple is enough for these kids who don't even know each other all that well to form a strong sense of solidarity that lasts through a hell of a lot of difficult times that could easily have driven them apart - to form a sense of loyalty and shared understanding with each other that feels more real and matters so much more to them than any arbitrary national loyalty possibly could. Maybe I'm just being overly sentimental, but I honestly think that message is kind of beautiful, in its way.

It also feels very relevant to me in... I guess, capturing that unique contemporary feeling of being a young person in the current political climate, and that frustration of the Internet generation being the most interconnected and least bound by national boundaries that we've ever been, and yet being forced to watch mostly powerlessly as the people in power push more and more towards stupid narrow-minded nationalism and xenophobia at a time when humanity most needs to unite against serious existential threats to the planet? So I think in that particular political context, I honestly ended up feeling really moved by just how unambiguously compassionate and sympathetic the narrative was towards these kids - that Ryukishi ended up so firmly deciding to emphasise their "goodness" and how real and precious their bonds were with each other, over anything else. It's not really the kind of story I expected from WTC, but I was legitimately touched by how much the kids' feelings around the bonds they made over the Internet being more "real" than their material reality were treated as being so totally valid - like, yes, the idea of the factory future is treated as a viscerally disturbing one, but the narrative also completely holds up the feelings that led the kids to idealise that future as 100% legit, with genuine emotional truth behind them! It doesn't feel dismissive or patronising at all, and it honestly did give me a bit of that same feeling I got from Umineko and Yasu's story from EP7 in the sense of that totally accepting and non-judgmental message of... "Even if some aspects of what you feel might be ugly, even if some people might be disturbed by you idealising something like that - it's okay to feel that way. Your pain matters. The things that led you to feel this way, to see the horror of a future like that and still long for it on some level, are completely valid. You're seen. You're understood."

And that's honestly come to feel genuinely precious to me as I've had time to reflect on Ciconia and the response it inspired in me; that it did make me feel "seen" in some deep way, maybe on a broader generational level rather than on an intimately personal one like Umineko did, but that still has a lot of value to me too. Ciconia feels very different from Umineko or Higurashi, but it's really got a lot of heart, and I personally felt in the end that the earnestness and overwhelming good nature of the intention behind it was enough for me to forgive any awkwardness in the execution. (Ryukishi is such a good guy! I love him!) So, all in all, I really appreciated Ciconia, and I'm very much looking forward to seeing where it goes from here!