So i watched how to train your dragon 1, 2, and 3 in a row with a friend and it's disturbing how everyone is pore-less in the last movie, and a lot less charismatic and unique. Also why his mom a redhead now
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REPLICA PLAYLIST
MUSIC UNDER CUT
I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).
Replica Main Theme - “Die for You” by Grabbitz
Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay
Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara
Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon
Shanghai - "Icarus" by Madeon
Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki
The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu
Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell
Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay
Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP
Book 2 Trailer - "Sea Dragon" by Covet
7 Years Later - "Iron" by Woodkid
Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia
Omega's Theme - "Touch" by Daft Punk
Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes
Spear - "Monsters" by Tommee Profitt
Final Protocol - "The Kraken" by Katie Dey
Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills
I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.
I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!
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new metric for media literacy for film bros is if they understand the barbie movie.
the kens are first presented as accessories to their barbies and it's pointed out loud that they don't even have places to stay in barbieland. one of the barbies straight up asks "wait, where do the kens stay?". they're just arm candy made to look pretty and cool while the barbies run their world.
but that's fucked up!!! the film presents it as fucked up! that's why ken screams "YOU FAILED ME!" and why he is insecure in the first place because he wanted to be respected and seen as a person, not someone who only exists in relation to someone else. should he have done what he did? no!!! that's why it's part of the conflict! the root of both of their breakdowns was in their society in that the barbies are supposed to be perfect and the kens exist in relation to them! it's barbie and ken. he was a footnote. that's why barbie apologizes to him in the end and tells him he can be himself. she doesn't have to exist by some set of rules and neither does he! it's barbie and it's ken! sure, the resolution to the whole barbieland issue wasn't perfect, BUT KEN'S WHOLE ARC IS ABOUT HOW THEIR WORLD FAILED MEN. WHAT DO YOU MEAN THIS MOVIE WAS 'WOMEN GOOD MAN BAD'. WHAT ABOUT THE NUANCE
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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This idea came to me in a dream and it impacted me so violently i had to sit down for a while
Diana being ADAM'S daughter instead of Lawrence's. Financially struggling single father Adam. Trying-his-best father Adam. Can anybody hear me
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it's fun how "villain gets tricked into confessing on video and now everyone hates them" is usually the resolution to a kids movie (monsters inc and coco do this for example) but i think the director from nimona is the only villain (that i've seen at least) who's wily enough to get out of being twitter cancelled
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