#also tohru’s cliff fall is going to look real bad -_-

[lettuceflower]

Alright, now that the episode has officially aired and everyone has seen the iconic Akito Flying Choke Slam™, here’s a compilation I would like to call:

Season 3 Moments I am Worried About 

(aka moments that are already dramatic enough but the director is probably going to turn them up to an 11 because more intense = better, apparently. 🙄)

spoilers under the cut of course.

kyo’s dream

kagura SLAP

haru’s rage

ren shenanigans 🤪🔪

attempted stab 

the actual stab

tohru’s cliff fall

kyo and yuki FINAL FIGHT

[ae0nx]

FRUITS BASKET ‘19 EPISODE 24 VS FRUITS BASKET ‘01 24-26 (PART 2)

Link to Part 1 here

So just to start it off again... I just wanna reiterate...

When I think of the True Form Arc, I think three simple points are vital to be shown:

Kyo’s true form is to be revealed to the audience and to Tohru

Kyo’s past with Kazuma and his mother/(partly)father

Tohru still accepting Kyo and declaring her love need for them to be together and share each other’s pain and joy

Also, if you’re more invested in my review of the 2019 version, scroll further down as most of this is gonna be the 2001 rewritten bits recap. Sorry?

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- Again, I really appreciate that the 2001 version left us with that pre-transformation cliffhanger. It’s a really great separation and keeps us on the edge of our seats. Plus, gives the horror and effects of Kyo’s transformation much needed time. I love the 2019 version too but it could’ve been excellent with a WHOLE episode dedicated to Kyo’s true form transformation rather than just half of one... Plus, aren’t these events are supposed to take course during an entire night leading into morning? 

I can’t decide which iteration of the Kyo transformation I like the most. I just know that the manga version doesn’t live up to the animated versions...

They’re both pretty horrifying and scary and look incredibly painful. I’d probably give it to ‘19 cos Kyo had tears in his eyes as he was transforming which hurt my heart and also just cos you know it’s in high def andddd the transformation isn’t a cloud, it’s fire embers. This is great gore-y content and I’m a little desensitised cos I had to watch/read this scene three times in one sitting so... 

I loveeee Tohru’s resilience. Kazuma’s here saying soliloquies and philosophical questions and Tohru just takes off after Kyo! And the manga and ‘19 version definitely wanted to highlight this message to the upmost: Tohru’s love is so STRONG. And BADASS. But, a part of me also loves the time ‘01!Tohru takes to evaluate the situation cos in all fairness... it is a very shocking reveal (if Tohru wasn’t already shocked enough from them turning into animals)

I like how in ‘01 anime we don’t get the inner monologue of Tohru evaluating what she saw. It leaves the whole notion of Tohru chasing after Kyo a little more mysterious as to whether she will or not. And the silence says it all anyway. Only the sound of the falling rain... I like it better. I tend to lean towards scenes with more action and less dialogue as someone who apparently learns better through visuals rather than dialogue. 

Akito appearing like a fuckin ghoul out of nowhere is still ridiculous haha but I have to give kudos to the ‘01 English VA Chad Cline. He definitely elevates the scene when he says this one sentence:

- I also like that this event (and also Akito) feeds into Tohru’s insecurity of not truly being a part of specifically Kyo and Yuki’s world. Not truly understanding them. She’s been living with them for almost a year by now(?) and I’m sure she felt because she knew the worst secret of them already there couldn’t have been anything even worse. And in a way, she feels cheated? ALSO KYO JUST TURNED INTO A FREAKIN ALIEN CAT MONSTER. I know Tohru’s very much aware that she still has much to learn about them but she couldn’t have predicted this. And it kinda puts her on the level of being an outsider once again. I like that it concentrates on Tohru’s own feelings towards her place rather than just her feelings towards Kyo. 

...I’m gonna get into some heavy 2001!Shigure defending, so I’m sorry if you don’t favour this iteration - stick with me for a sec lol

I’m ignoring all the ‘it’s not accurate, it’s not real’ chants in my head because... LOOK HOW DEJECTED HE LOOKS.

...

2001 gave me everything I wanted from Shigure as a character. Yes, he’s very interesting and conniving and fun as he was originally depicted. But... this Shigure has emotions and is fully showing them! That’s all I FUCKIN WANT. I just want him to show that even though he’s making these dangerous moves and manipulating people for his own benefit, that he has a conscious that is eating away at him and eventually will break. It may be too early in the story for an event like this to take place but I do appreciate that it’s shown. I get very frustrated with the fact that Shigure stays somewhat the same throughout the course of the manga but I guess the only person who does stay the same in the story is the narrator...

- I don’t know if the director of the 2001 version knew that they only had one season to translate Fruits Basket somewhere in the making of these three episodes, or even before. But, it definitely shows with the choices they make with the inclusion of Shigure, Uo, Hana, Kagura and Yuki in the search for Kyo. It’s almost as if they read future arcs and felt to just mash an iteration (or bastardisation) of it to try and conclude the whole story... which was quite a desperate move.

I also like the way this scene closes.

👌🏾

I actually really like this moment from Kagura! She’s actually being mature! And rational... and sort of letting go of Kyo at the same time. I do think if Fruits Basket ‘01 was given another season, it would’ve been fleshed out (obviously) but it’s such a great moment. Again, these are all signs that the end was nigh and they felt they had to tie up all the character arcs that were involved very quickly and I don’t necessarily blame them for trying. It just made them look a bit silly when looking from a 2019 view.

- But yeah, Yuki being involved is a no-no. He felt the most out of place when it comes to ‘characters that should’ve not been involved’. He makes a point when he finds Kyo about how they should both stop running away but it’s not fully fleshed out enough before this event for me or anyone else to care about. It’s kind of unfortunate cos I quite like the concept of Yuki being there especially tying in to how Yuki comes to a realisation of himself and Tohru’s relationship. 

- Also, are Yuki and Kagura tight like that? Lol for him to go rushing after Kyo basically cos she asked? mmmm.... 😓

This is actually my favourite moment from the 2001 version of the True Form Arc! It’s visually stunning and haunting and just... interesting. I like that they included the cats. Cats that would normally gravitate to Kyo but are now taking the voices of haunted figures of his past. Whether it’s in his head or not. 

In general, I felt Kyo’s mental anguish in the ‘01 version was a lot more artistically styled and creative. Very creepy and even more sad.

I do like that Tohru went to her mother’s grave for comfort/guidance before finding Kyo. I probably would’ve included a scene like that myself in the 2019 version as it adds a preliminary to Tohru’s future conflict between her love for her mother and her love for Kyo. AND it also adds time between the night Kyo transforms and the eventual sunrise when she finds Kyo. How far is Kyoko’s grave from the Sohma house? Lol

But yep, Uo and Hana being there was irrelevant but it’s pretty funny that Hana’s waves were used as a last minute explanation as to why they felt they had to attend Kyoko’s grave. But, I guesss the writers wanted to use this as a moment of Uo and Hana letting go of their ‘daughter’ to let her become a woman (reminds me of Yuki’s comment of how he saw Tohru as a woman when she ran after Kyo) and go after her man. It’s a conclusion... but it’s meshed with so many other themes and conclusions that it ALL DOESN’T MATTER. Plus, I don’t really like this as a thing; Uo and Hana will always be Tohru’s surrogate parents. ALWAYS.

Anyway, look at this beautifully depressing visual that ‘01 gave us for THREE EPISODES *sips wine*:

But seriously, while the visuals are so drastically dark compared to rest of the ‘01 season and are dragged out for sooooo longg, it is a very beautifully, depressing design. I love the way that all background music is edited out. Everyone is crying. Everyone is confused. The sound of rain is a constant throughout it. Honestly? It almost broke me cos the heaviness of it is exhausting, haha. And I have to commend it on pure shock value cos ‘01 Fruits Basket was barely dark until this arc. I think that’s what essentially made me adore it when I first discovered the ‘01 anime. I hadn’t read the manga so I didn’t know any better, but the darkness and pain in this arc is so beautifully shown and I feel like people forget that when critiquing the ‘01 version.

They jam packed a whole lot of character arcs in here when really the story should be focused on Kyo and Tohru’s reaction to Kyo. And I honestly, don’t blame them. It’s just too much at once that you don’t get to appreciate any arc at all because it’s not pushed to it’s full potential. It’s mostly just a feeling of sadness... that you later equate into genius...  because it’s sad? Which, I guess, could be seen as manipulatively clever? But now that we have the 2019 version, I think people will be more likely to decipher the bad from the good. Like, I have :)

- BACK TO 2019 VERSION: Wow, Kyo, really took out a whole cliff, huh?

I honestly got impression from the manga that Kyo did push and injure Tohru enough for her to get a huge amount away from him but not so far that she fuckin DIVES INTO A LAKE. My God, this was a bit dramatic lol

Ouch... that wound looks worse in the anime than the manga...

QUEEN TOHRU. I love everything about this.

You guys know I LOVE a good parallel and look at this couple meeting each other’s needs and taking their first steps. I can’t. I’m going to be crying into my wine soon. Nothing needs to be said about this scene, except excellence in ALL AREAS.

🎵TEARS STREAM.

 🎵DOWN YOUUURRR FAAACEEEE

🎵AND IIIIIIIIIIIIIIIIIIIIII....

I can’t get over Kyo’s face in this moment. I just- MY HEARRRTTTT. GOD TAKE ME. PLEASE. Couples that cry together, stay together. Omggg.

Even if we can’t agree on much when it comes to 2001 vs 2019, we can both agree that Tohru stays being an ethereal goddess. OUTFIT APPRECIATION. LIFE APPRECIATION. I’m so tired. haha.

So in conclusion, I think 2001 succeeded at showing all the three main points of the True Form Arc. I just think it got the message of this being a Kyo/Tohru centric tail a bit misconstrued because they wanted to make this a general zodiac tale of them finding freedom and release through Tohru. And it definitely takes away from the Kyoru centric storyline that runs through the True Form Arc. And while I think the True Form Arc could’ve used another episode in the 2019 version, it’s quite clear that 2019 wins this battle in all areas of it being a more whole and complete yet emotional and stunning version of the True Form Arc.

I would go into what happens at the end of episode 26 in the ‘01 version but it honestly kinda angers and frustrates me? And I’m mentally exhausted soooo, I might go into it some time next week before the next 2019 episode drop. Also, I’ll tie up some thoughts of the ‘01 version of Kyo and Kagura’s date. This was fun! Only took half a day to organise my thoughts, ahaaaa.