#am very open

[reallybadblackoutpoems]

finnegan's wake (1939) - james joyce

"penis war: (bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawanskawntoohoohoordenenthur -- nuk!)"

submitted by @say-duhnelle

[ibtisams]

I AM DOING A HUNGER STRIKE FOR GAZA

It has been almost 200 days of genocide in Gaza, and during this time Palestinians have been in the worst stage of starvation and famine. Children have begun dying from starvation and malnutrition, and more and more photos of Palestinian children are coming out where the child is nothing more than skin and bones.

Personally, I know I take the food I eat for granted every single day. I am no more deserving of a meal than the children of Gaza, so for that reason me and a few of my friends will be doing a minimum of FIVE day hunger strike in solidarity with my brothers and sisters in Palestine.

We will be starting on 1 May, as to hunger strike safely there is preparation needed. I making this post now in case anyone wants to join me and will want to prepare. I am not doing a dry hunger strike, I will be having fluids and I also don’t believe I will be able to hunger strike safely for more than 15 days for health reasons.

“Sponsor me” on my hunger strike!

If you send me proof of a $50 USD donation to Anera (the equivalent of feeding 180 Palestinians), I will add ONE day to my hunger strike (a maximum of 15 days)

Join me on my hunger strike!

If you think this is something you would be able to participate in, I encourage you to participate in any capacity that you can- as long as you’re doing it SAFELY

Here is a resource I have been following to prepare ***YOU CAN’T JUST START A HUNGER STRIKE BY CUTTING OUT FOOD COMPLETELY AND NOT PREPARING***

If you want to participate, please do your research and do it safely. I am doing this for the Gazan children who don’t have a choice right now, and I know in my heart I owe it to them. There is so much we consider a basic right and take for granted that people in Gaza don’t have access to. This hunger strike is solely in solidarity/raise money for Anera, there is no specific end result.

More information on hunger strikes (and why they needed to be prepared for if you’re choosing to do one)

[soranker]

touched up and colored some old dunmeshi doodles from earlier in the year ^_^

[bixels]

Just gonna have to wait and see, right? Just wait and see! Just gotta wait and see! Who knows, we'll just have to wait and see! It's anybody's guess, we'll just have to wait and see! The future is exciting, we just gotta wait and see!

[superhell]

house md is wild because house tells wilson that he’ll sacrifice many things but never himself and then he sacrifices himself for wilson. and then he sacrifices himself for wilson. and then he sacrifices himself for wilson. and then he

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[transbirdgirl]

Trans people should get $100 every time someone misgenders them

[julijbee]

girlbossing too close to the sun.

[imminent-danger-came]

Sun Wukong Knew About MK the Whole Time: A Theory

I am currently hyped up on leftovers and iced coffee, so let's do this!

I've talked about this before, here and here, but I think it's finally time I wrote an official post. You can go and read those posts if you want to (I definitely hit the nail on the head with some of this stuff), but I will be compiling a lot of what I said on those posts here!

So. Let's get the Mr. Elephant out of the room first: The David Breen Tweets. (thread here).

I see this tweet mentioned a lot whenever I bring up SWK knowing about MK, and honestly, this is a far cry from the "it's been confirmed that SWK didn't know" definite answer everyone's been implying.

So let's break it down!

#1: "Monkey King ain't the father"/"Monkey King isn't his dad." Well of course! Being born from a stone means you don't have any parents. I see it like this: Wukong isn't MK's dad, but he's also not NOT MK's dad, it's a secret third thing (creator and creation). Or, perhaps Wukong didn't help create MK at all, but he at the very least was involved in the circumstances that lead to MK being created/being born from the stone. (Aka eldritch abomination MK theory. My Beloved. Okay sorry.)

#2: "Monkey King was ripping his way through memories looking for MK, but kept coming back to the stone. He doesn't know why." So, while Wukong was ripping through memories, he didn't know why the scroll kept spitting him out by the stone. This is not a confirmation that Wukong didn't know about MK and his origins. It also begs the question: how did Wukong know MK was in the scroll to begin with? There's also some speculation to be had about why Wukong was so desperate to find MK to begin with:

MK: "Monkey King did this?" Macaque: "It looks like he's been tearing his way through his past—trying to find his way to.." MK: "Me."

(4x11 A Lifetime of Mistakes)

-

What was he so afraid of MK finding? Or, what was he afraid the scroll would force MK to experience? I think these are questions worth asking.

#3: "Wukong's trying real hard to leave the 'not being open with MK' days behind after s3. Problem is he's got lifetimes of info to catch them up on." Well, this one is a DOOZIE. One: we already know MK doesn't know everything about Wukong and his choices because he doesn't know Wukong killed Macaque (thank you 4x11). Two: "trying real hard" and "successfully doing" are very different things. And three: YOU DON'T JUST DROP INFO LIKE "Hey, did you know you're a Monkey Demon?" ON TOP OF SOMEONE RANDOMLY. Especially not MK. You have to prepare them for it.

Wukong is trying to do better and be better for everyone around him, but that still takes work. That still isn't easy. He's still going to make mistakes, which means he's not going to always go about being open with MK in the best way.

Sun Wukong: “Point is, mistakes happen, but so long as you leave the world in better shape than you found it, then it’s all good. Right?”

(4x01 Familiar Tales)

-

This scene—to me—feels like Wukong is trying prepare MK for his eventual "Hey did you know you're a Monkey Demon?" conversation he wants (and needs) to have down the line. Yes, SWK is trying to be more open with MK, but he's also just not going to be given that chance before the truth comes out.

MK: "Yeah right, if Monkey King really was my dad don't you think he would have said something by now?" Mei: "Yeah...because he's normally SOOOOO forth coming with information." MK: "Well uh, whatever—when we find Monkey King's stone, then we'll just ask him!"

(4x05 Court of the Yellow Robbed Demon)

-

Notice how they never asked Monkey King that question? From a writing standpoint, why bring this up at all if it wasn't to imply that (even if Monkey King isn't MK's dad) he wasn't involved with MK's creation in some way?

ANYWAYS.

NOW THAT THE BREEN TWEET THAT HAS RUINED MY LIFE IS OUT OF THE WAY, let's get into the evidence given to us throughout the entirety of the show. Starting with this:

This isn't a scene that takes place during the "A Hero is Born" special, as I'm sure plenty of people have noticed before now. Of course, this could have just been Monkey King "scouting out a successor", but with everything we know now doesn't that...feel kinda weird?

We were told at the beginning of the show that Monkey King gave MK his powers, but now we know that's not true. MK has had his own powers this whole time—and that's something Wukong, at the very least, knew:

Sun Wukong: "Listen kid: You fought demons, and you didn't die, and you made it here! Not just anyone can lift my staff, but you did." (1x00 A Hero is Born)

-

MK: "This whole time, I thought my powers came from the staff! Sun Wukong: "The staff's just a big 'ol stick bud! It takes someone special to lift it." (3x03 Smartie Kid)

-

There's also 1x09 Macaque, which I have mentioned before:

Macaque: "Ohohoh no, can't you hold the magic staff anymore? Well, you know what that means—there really isn't anything special about you. You're just a kid with a heavy stick."

This scene is then followed by MK lifting the staff, which only happens because Wukong encourages him.

MK: "Ugh, I can't! I'm not strong enough." Sun Wukong: "Kid! We're definitely going to have words later, but it's time for the Hero Stuff!"

(1x09 Macaque)

-

Ultimately, Wukong knows MK can lift the staff again even after Macaque supposedly stole all of MK's powers. He knows MK can beat DBK (more on that later). He does something similar to all this in 3x14, being the one to let MK face the Lady Bone Demon, powered by the Samadhi fire, alone (even after Pigsy tries to stop MK):

Wukong want's to protect MK. That's why he went to face the Lady Bone Demon alone in the first place—but here, he let's MK stop the end of the world all by himself. Why would he let his beloved student face not only LBD, but a reality ending flame alone?

Because he knows how much power MK has. Because he knows MK is capable of doing it.

This all brings me to my main point: If before now we were supposed to believe that Monkey King gave MK his powers, and he so clearly didn't, how would Wukong not know he didn't give MK powers. And because he clearly knew he didn't give MK any powers, why would he not question where this kid's insane level of power came from? He had to have "chosen" MK to be his successor for a reason right?

ESPECIALLY because Wukong never planned on being a mentor in the first place:

Sun Wukong: "I know I can never make it up to you. Honestly, I- I never thought I'd live as long as I have let alone be someone's mentor—turns out I'm not very good at it. I guess what I'm trying to say is...I'm sorry MK. For all of it."

(3x14 Destiny Fulfilled)

-

This was also alluded to in 3x05 Amnesia Rules:

Pigsy: "Of COURSE you don't remember the kid—one day you are going to grow up to be a terrible mentor!" Sun Wukong: "Ha! Zhu Bajie, can you imagine me teaching someone? HA!"

-

So, Wukong clearly didn't ever want to become a mentor, and this directly contradicts what Wukong says to MK in "A Hero is Born":

Sun Wukong: "You're perfect!" MK: "Perfect for what?" Sun Wukong: "To be...my successor!"

Honestly, think about it: has Wukong ever once actually needed a successor? When given the opportunity, he goes off and tries to handle things on his own anyways (Leaving in s2, wanting to go and reforge the Samadhi Fire on his own, going to stop LBD alone). It's the classic "we're being told one thing and shown another" trick.

Sun Wukong: "No no no- in case you forgot I'M retired, you're the one supposed to be taking care of the bad guys." (1x01 Bad Weather)

Even in 2x01 he's lying:

Sun Wukong: "Aw, come on bud! I promised myself that when I found a successor I'd go see some friends, take a tour of my old stomping grounds, just cut loose you know?" (2x01 Sleep bug)

It's proven in the next episode, and by the fact that all of his friends are dead/gone, that literally nothing he said here is true.

And, it's also note worthy to point out, that by this point Wukong had already disappeared for hundreds of years. Why step in again at all? Why put the effort into getting a successor you definitely were never prepared to have?

MK: "*sigh* You think Monkey King ever felt like this? Maybe that's why he stayed up on this mountain, just having a good time with you guys. You know cause- cause he knew he'd be out of the way where he couldn't hurt anyone he cared about." Macaque: "Or, he was doing his usual Wukong thing and being a lazy peach eating idiot. Ignoring all the worlds problems.

(4x09 Roast of the Monkie Kids)

-

So, I don't know about you, but I'm going to trust Macaque's insight on this. I'm not sure Wukong ever planned on coming back. Sealing DBK, he effectively cut off one of his last ties to the world (please go read wlw-wukong's thoughts, they are delightful), and he had already left the world alone for a long time. Why did he feel the need to train a successor now?

The simple answer is this: because he knew he needed to train MK and teach him to control his powers, and DBK's return was the perfect way to do it.

NOW. THE S4 MK VISIONS.

So, the visions MK see's all through out s4 (4x03, 4x04, 4x05, 4x06) are of Wukong ripping through the scroll and going to the stone—David Breen confirmed that himself in the above tweets.

Here's a list of what we see:

(4x03 The Great Tang Man)

-

(4x04 Pig Napped)

-

(4x05 Court of the Yellow Robbed Demon)

-

These are what I would say are the visions of Sun Wukong trying to find MK in the scroll. Yet, they are distinctly different from what Subodhi presses MK to remember ("Tell me of your childhood, your parents." "You do not remember?" "And what else?"):

(4x06 Show Me the Monster)

-

Look at that difference!

Every vision MK has includes the same scenes, except this one. That's why I think it's a memory; that and the way it's framed, with MK closing his eyes in focus. The other visions from 4x03, 4x04, and 4x05 all are unprompted, being forced upon MK. Why make this last "vision" so different from the others? Why show our mystery lady making the stone monkey? That would be because it's a memory—be it MK's, something from the scroll, or a mix of both.

There's also the matter of like, why Wukong going to the stone would trigger any sort of vision in MK to begin with. Overall, it just seems like there something more to those visions.

This would be how I imagine the general timeline playing out:

MK is created (through help of Sun Wukong), a beautiful baby boy pops out of the stone, and Sun Wukong "loses" that beautiful boy (if Wukong knew he was born to begin with) with MK finding his way to Pigsy's.

Then it's later Sun Wukong finds MK again, coming up with a plan to make MK his "successor" (still leaving MK with Pigsy, which I think was the right call lol). As Wukong says in 4x01, "You make ONE mistake, and no one ever let's you live it down! Looks like the ghosts of my past have finally caught up with me." That's what I think this parallel in particular is really trying to show off—in some way, MK is part of his past mistakes, just like Macaque is.

AND SO. I WILL CLOSE OFF THIS THEORY POST WITH EVERYTHING WE LEARNED IN THE SPECIAL.

Sun Wukong: "Heh, nothing gets under his skin more than a monkey. Leave Azure to MK and me."

(4x12 The Plan Man)

-

Sun Wukong: "Kinda embarrassing for the Jade Emperor to have two little cheeky monkeys running circles around him the first day on the job." MK: "Well, one monkey and one unconfirmed, but *laughs* yeah! I'd be embarrassed for sure!"

(4x13 Rip and Tear)

-

Wukong sounds suspiciously confident that MK is a monkey.

Not even MK is sure what he is (which he's probably just in denial, but also "Until I know what I am, what my destiny is?" from 4x08 anyone?), but Sun Wukong is extremely certain about what MK is.

Sun Wukong: "We got this bud. Would have liked to give you some new training with your monkey form, but-" MK: "Oh yeah yeah yeah- uh um- about that— um. I- I was thinking, I've never really needed a scary new monkey form before, so, I just thought maybe I'd use it next time." Sun Wukong: "Next time? Kid, there might not be a next time! This is the time."

MK: "It's be fine! Mei and I have got this awesome new armor and everything! You know, when we look this good? Ain't nothing gonna beat us." Sun Wukong: "Kid. New armor isn't going to cut it! We have to hit Azure with everything we've got! You can't just ignore this whole part of your power because it scares you!"

(4x12 The Plan Man)

-

If the writers were trying to highlight the fact that Wukong didn't know, this scene would have gone very differently. Instead of "You can't just ignore this whole part of your power because it scares you!" I think it would have been more along the lines of "I know this is new for all of us, but you've got to accept this part of your power!".

Even this exchange at the end of the special raises some alarm bells for me:

Pigsy: "Heh, don't bother. I've been telling him that for years but he LITERALLY never listens." Sun Wukong: "Yep! That's how we roll."

(4x14 Better Than We Found It)

-

That's how "we" roll? As in him and MK, as two monkeys? Again, Wukong is surprisingly chill and okay with this new form for someone whose first interaction with it was supposedly this:

MK, writhing on the ground in pain, completely destroying the world around him, and unable to control his powers.

Sun Wukong: "Yeah! Go MK, go! Just try not to totally wreck up my stuff would ya-"

(4x13 Rip and Tear)

-

Overall, it gives me the impression that Wukong already knew what MK was before 4x07. This new form didn't scare him because he always knew that's what MK was. MK, to Wukong, is MK! And MK has always been a Monkey Demon. He has unshakeable faith in his protege, and even while MK is absolutely tearing up the world around flower fruit mountain he can't help but cheer for him.

After all, Wukong knows MK is the only one who could defeat Azure:

MK: "Ne Zha's right—while Azure has the Jade Emperor's power and the scroll, there's NO way we could beat him head on!" Sun Wukong: "I mean, some of us could beat him! *ahem* One of us, specifically-" MK: "Nope! None of us at all."

(4x12 The Plan Man)

-

"But Imp!" I hear you say, "Wukong was talking about himself here!". To which I would reply, that's not true! This scene is right after Wukong has already said he only almost beat the Jade Emperor:

Sun Wukong: "But don't worry—I almost beat the Jade Emperor single handed once! Between both of us, Azure doesn't stand a chance." (4x12 The Plan Man)

-

Between this and Wukong's pre-fight convo with MK ("We have to hit Azure with everything we've got!"), he's clearly banking on MK using the full extent of his powers to win this fight. Wukong isn't banking on his own—if he were, he would never have left MK to go and collect the scroll pieces during their fight with Azure.

Conclusion

Sun Wukong knew MK was a monkey the whole time, lol—and fate has plans for MK. Great plans, or foul? Time will tell.

And Wukong has done his best to ensure that those plans are great.

[carnivalcarriondiscarded]

Hey, I had a thought for the fantasy au! So on one of the previous versions of the WH website, there was a rhyme for the show that went:

A house is a place with four walls and a floor,

with a ceiling above and a lovely front door.

There's a bed to cradle you safely at night,

and windows to bring in the morning sunlight.

Your house is a mirror of just who you are,

A reflection that tells you to never stray far.

Which I thought might make a good incantation for when Wally properly summons Home (I can't remember if that's ever required for Warlocks but hey, it's still a fun poem regardless).

ohhhh this. i like this...

bonus og sketch! big ol eyes...

& no capalet because uhhhh eh nah and also i wanted Home's pendant to be on full display!

[yet-another-haven-of-dollya]

*Tap mic*

Yes, it is I - your poor little Dollya

As some of you may have known already because of my constant whining and bickering for the past few days, my original blog was flagged and I'm trying to appeal. Things seem to not be on my side, though, so I figured a new blog is a must.

I won't delete the og blog, there are too many things going on over there and I simply can not. All my contributions to the DoL fandom, my AU and asks and stuffs,... have all been hidden away from the tags.

Not gonna lie I was terribly discouraged and couldn't pick up a pen to draw or do anything for several days. Terrible, just simply terrible, to look at the ask box or that stupid default avatar icon... But, well, you know, it is what it is, no point just weeping around so might as well make a new place to post stuffs!

This is a sub-blog with the same email address as the flagged one, I think I would still use the same tags as the original flagged blog: Dollya art, Dollya ask,... and I won't repost my higher interaction posts here either, that's just bitter.

I will post more "community-friendly" kinds of stuff here, so spicier asks or requests oughta go to the original blog' ask box... I don't really know, I guess things will kinda fall into the right places after some time... What do you call it? Settle down?

Anyway, I'll try to be positive. After all, the Pandora box was opened, so if I don't hold onto the tiny hope left behind, I will have nothing.

Let's just hope for the best.

[seraphsfire]

im obsessed with neil newbon the Just Some Guy / Fey Creature energy he has, he dresses like a genderfluid cybergoth pajama model, has the body language of a tiny cat in the form of a 6'2 very large man, the bubbly energy of a middle school girl, the athletic skill of a stuntman, will say the smartest and sweetest and most heartbreaking shit and then 10 minutes later while he's gaming he'll accidentally take off a companion characters undies and flash everybody, wildshape his character into a cat, meow intermittently for 15 minutes and ur not quite sure if he realizes he's still doing it? Then he'll spin the strangest little story flirting with himself of two characters he made up and talking in the voices the whole time, remind you his half wood-elf is VERY stupid and very pansexual, and then leave? The minute i saw his first stream i was like FUCK i guess i'm keeping this guy huh. 10/10

[jeeaark]

Greygold has 2 hands your honor. Also if laezel did allow for a third who do you think she would want?

hand, handle, same thing

Gonna be honest, no idea! They're all great why must I choose? But if and whomever Lae'zel had another hand for, Greygold would be very supportive about it.

[somegrumpynerd]

It's interesting to think about how, to me at least, Dust and Killer are like mirror versions of each other.

One who joins a villain enthusiastically, jumps at the chance to leave his past behind and have a purpose again, and the other who has to be dragged in, would rather rot in the consequences of his own actions.

One who needs orders, needs the distraction and the action and the thrill, can't sit alone with his thoughts for too long lest he hear them clearly, and the other who can't bring himself to ignore the ghost over his shoulder, would rather sit in place and listen to his own self loathing parroted back at him than stand up and find a way to drown it out.

One who doesn't associate with his past anymore, that wasn't me and I wasn't him, and cannot stand the thought of going back from where he came, and the other who wants nothing more than to be his old self again but feels so strongly that he doesn't deserve to return to the life he tore down himself.

They both wear their new names like dog collars, but one is a gift given by someone else because he's theirs, he has somewhere he belongs that he's expected to return to, and the other is a choker tying him to a post, warning others of his danger while never allowing him to get out of arm's reach of his past.

And getting them both back-to-back while trying to understand mortals was probably enough to give Nightmare whiplash

[ariadne-mouse]

Oh god are they gonna work this into the animated intro somehow once Sam has a new character. Emotional damage all over again

[skrunksthatwunk]

the debate continues (pt 1) but kurama gets called in

bonus under the cut (ft hiei):

gay people