#amas 2021

[bangguks]

heard you guys like TAEJIN 😎

[babytaekoo]

jungkook stares at taehyung with fondness and holding his little fist because his baby is too cute / a

[estebunny]

esteban ocon on 20th race FIA F3 European Championship 2014

via Formula European Masters youtube channel

[beatrack92]

British 4x400m team 🇬🇧

Zoey Clark, Jessica Turner, Ama Pipi and Jessie Knight

2021 World Athletics Relays (Silesia)

[pynkhues]

Do you have post-Emmy predictions or thoughts for Snook's career?

Oooo, I'm actually not too sure? She's such an incredible actress, and I'd really love her to hit the A-list, but her choices even since Succession started and her star rose have been kind of odd ones? Like Pieces of a Woman was such a bit part for her, albeit one in an interesting art house movie, Run Rabbit Run saw her as the lead in a pretty terrible psychological thriller, and The Beanie Bubble? Just - - yeah.

Really odd choices.

I do suspect her career has likely been impacted a bit by the fact that she moved back to Australia, married another actor who has a steady, ongoing gig (Dave Lawson's a part of the core ensemble in Utopia which is a very good and very funny sitcom here!) and has had a baby, to say nothing of the pandemic, and I think she's perhaps still feeling out herself what she'd like her career to look like.

That said, I thought it was really smart that both Sarah and Jeremy have gone back to theatre for their first major roles post-Succession, and Sarah's move I think is particularly smart strategically given it's a Sydney Theatre Company production being performed on London's West End, which kind of relaunches her in theatre in two different spaces.

Sydney Theatre Company is a huge deal in Australia and a world class company - Cate Blanchett and her husband, Andrew Upton were co-artistic directors there for a number of years, and it's a home for many of Australia's best actors like Rose Byrne, Toni Collette, Hugo Weaving, Heather Mitchell (my beloved!!). Sarah already had a relationship with STC prior to Succession - having played Joan of Arc in the STC production of Saint Joan in 2018 - so for one of her first major roles after the series to be back at the Company does really feel like both a homecoming and an opportunity to ascend within the theatrical elite in Australia. The production though that she's in being in the UK's West End I feel offers that two-fold as well.

Getting back into STC though I think opens her doors again to local connections, particularly with the Cate Blanchett set and given Blanchett's been moving steadily into producing in Australia, I could see Sarah being cast in one of her productions? Hopefully a film, given The New Boy and Shayda were infinitely better than Stateless, haha.

In my experience with actors in Australia, the ones with young children tend to lean towards theatre residencies and TV because it's (generally speaking) better / more flexible hours and steadier work, and in many ways, Australian TV is having a bit of a renaissance right now with shows like The Newsreader, Deadloch and Boy Swallows Universe, so I could absolutely see her headlining a mini-series? Perhaps a literary adaptation?

I'd love to see her in something from Jane Campion, Jennifer Kent or Goran Stolevski, and I think all three are a possibility - Goran probably least at this stage just because he's such a new voice.

I think she'll probably pop back up in some US films and TV, and I think she'll probably land a few really meaty ones, but I do kind of think she might be more likely to work between Australia and the UK in the future? I couldn't quite tell you why, and I could be wrong, but yeah. I guess my prediction is that she'll have an incredible career, but I don't necessarily think it'll be US-centric post-Succession, or tremendously high profile.

[yume-kara-samete]

AMa no Jaku - Inaba Manaka, Dambara Ruru

Juice=Juice Inaba Manaka × Dambara Ruru FC Event 2021 ~Manaruru~

[kedilisuvari]

geç açılmasına sevindim dedim ama okulumu özledim aslında ben :(

[thenighttrain]

swifties what are some of your favourite taylor performances?

[vicsdeangelis]

I love that Maneskin won an ama. But I really didn't like the style/clothes they were wearing.

i didn't like them either, and tbh my reaction to them winning was like oh great beggin' again 😐

i am BEGGIN' the US to listen to another måneskin song

[kmonthisday]

211121 2021 AMAs

©️ 스윗 라브린트 𝐉𝐌𝐉𝐊

[therunwayarchive]

Nancy Schvab & AMA for PH5, Fall 2021

[depresyondakipsikolog]

Unutup giden birinin geri geleceğine ve güvenilmez insanlara inanan 16 yaşımdan özür diliyorum...

[kimmkitsuragi]

bakın bu yıl kötü son olursa hemen sonraki gün kendimi öldürürüm demiyorum. sadece günün birinde - 1 yıl sonra olabilir, ya da 2 yıl, ya da 5 yıl, ya da 10 yıl - kendimi öldürme olasılığım birden bire skyrocket olur sadece bunu diyorum

[weldnas]

-

[pynkhues]

Top 5 spooky media?

Oh man, too many to count, haha, so how about my top five spooky movies I've watched this year so far?

Black Christmas (1974). I can't believe I'd never seen this Canadian horror movie about a group of sorority girls getting terrorised by phone calls over the Christmas break. It's genuinely really good, full of some delightful red herrings and some genuine scares. I jumped! A few times! That doesn't often happen these days, haha.

Sissy (2022). This one was such a delightful surprise to me! I'd been keen to see it as a big fan of Aisha Dee and also just generally tending to enjoy lowbudget Australian horror, but it was so much more than that. It really skewers wellness culture and social media, using both to explore the way damaged women can use both to perpetuate violence. It's flawed, but also a bit magic? I loved it. Let more women be evil!

Helter Skelter (2012). One of my favourite films of all time is Satoshi Kon's Perfect Blue, and in so many ways, Helter Skelter feels like its in conversation with it. A Japanese horror about a pop star losing control of her mind and body, but where Perfect Blue leans into questions of identity and fan entitlement, Helter Skelter feels much more about ambition, class and how you stay on top. Infinitely fucked up, but a lot of fun.

Carnival of Souls (1962). This was actually a re-watch, but given it's been a decade since I last saw it, it was pretty delightful to get to re-experience it. A forgotten classic that seems to be recently re-remembered, this movie about a woman who survives a car accident that kills all of her friends only to be chased by death is a perfect gothic ghost story. It's so visually innovative too, every shot sublime, I can never recommend it highly enough.

Lamb (2021). More gothic fairytale than horror, I really, really enjoyed this Icelandic film. The concept of a couple of farmers grieving the loss of their child only to find one of their sheep giving birth to a half-human, half-sheep child is strange, but also ends up really affecting and emotionally rich. It's a movie I've thought a lot about, especially as it really inspires a lot of thought about the treatment (and often kidnapping) of biracial children under imperialism . I am Team Mother Sheep.

Ask me for my Top Fives

[architectureforsuicides]

Ama (Júlia de Paz, 2021) Puente de Triana / Puente de Isabel II / Triana Bridge (viewed from Puente del Cristo de la Expiración) Seville, Andalusia (Spain) Bridge over the Guadalquivir river Type: arch bridge.