#analysis? kinda

[ircn-dad]

One thing I love about Irondad is that Tony -despite his past with Howard- is not cold with Peter, and is not ashamed to admit how much he cares for the kid (in his way, ofc).

People always judge Tony's character is Homecoming because "Hah!! Stark doesn't care about him! He ignored for two months!! He's the worst!"

Can I Start saying that that man right here wasn't in the right mood to mentor a kid right after civil war? He saw his parents die, he saw his friend almost killing him in rage and then had to deal with the breakup of the Avengers and the whole Rhodey's situation. He probably thought it would be better for both to not be in contact, because while Tony wants to heal, he also want Peter to not be like him.

Think about it: After civil war, Tony was a disaster and all of this because he was an Avenger. Of course the man wouldn't want Peter to be like him, not when Tony's life went down hill since the first day as Iron Man. He doesn't want that life for a fifteen years old kid, so he leaves Peter with Happy and everyone is safe.

Not because he doesn't want the kid around, but because he thinks it's the best for the kid to not be around a billionaire with severe anxiety and a little bit narcissistic.

Tony never showed any discomfort around Peter, since their first scene together. He has always been interested in the kid, and was the one one who understood Peter, as Peter said him self in the infinity War novelization.

(I won't start saying how everyone blames Tony for "manipulating" Peter and bringing him into a war. Just know that is incorrect, and Tony would never bring a kid in a war, because that wasn't meant to be a fight. Tony brought Peter so that -his words, not mine- he could web them up if they tried to escape. He never thought about ending up with a broken arm and with Rhodey who can't walk anymore)

Anyway, returning to the subject, I think we can all agree on one thing: Peter is not aware of how Tony actually cares about him. But not because Tony is an asshole and hates him, but because of one reason:

1. Peter in homecoming only wanted to prove himself. He desperately wanted Tony to see the potential in him, so during all the movie he he acted so that Tony could be proud of him, but at the same time when Tony complimented him he didn't even showed gratitude. He was blinded by wanting to show the man what he was worth for that he didn't notice Tony was always proud until the very end.

I don't think the main problem is in fact Tony because as we see, and Peter can't, he actually already invested in Peter's life.

He listens to the voicemails, remembers them and always kept an eye on him, even during his journey to India (TO RECOVER HIM SELF FROM CIVIL WAR Y'ALL).

And can I say something more? Tony isn't afraid to think Peter as his son. Often, in the Fanfics, we always see Tony panics because him and Peter became closer and he's scared how he could be like Howard to the kid. The second part is right, but he would never panic about thinking Peter as his son. Actually, he doesn't mind and already thinks the kid as his responsibility.

It's actually funny and cute how he says "My father never really gave me a lot of support and I'm just trying to break the cycle of shame" because all I see is a man who was neglected and abused by his father, and hated the idea of having a child because of this (remember that scene in IM3 where he flinches at the only thought of having one) until he met Peter. He decided to be better because of him, he wanted to change because of him.

When he says "I sound like my father" my heart broke because no, YOU DON'T YOU SILLY.

These two phrases demonstrate how he's not afraid to tell the kid he sees himself like a father for him. Ofc he's scared because he doesn't want to end up as his own father, but he is ready to be a good role for Peter when he will finally be healed from civil war.

He's not cold, he's not distant towards Peter and even though he's afraid of ruining the kid and his childhood, he already loves him.

Homecoming was a new start for both of them and I believe that in the two years between Infinity war and Homecoming they were not afraid to tell each other how much they cared (again, on their way because even I think it's pretty weird imagining tony saying "I love you you're my son" to Peter or Peter saying "Yes you're my dad adopt me" because that's so out of character).

Every interaction they had in infinity war screamed that. You can clearly see how much the kid is now comfortable with the man, is not shy around him, and is not scared to talk to him; you can also see how Tony has become more protective of Peter. Literally everything he says or does screams "don't touch this kid or I will kill everyone in this room and then my self" (I mean, that's what he did in endgame, no?)

at last, I want to appreciate this scene because it's not appreciated enough:

Strange is literally assuming Tony is Peter's guardian, and the way Tony crosses his arm, assuming this defensive pose to protect him self when he said "I'm confused as to the relationship here" because he wants to know what Strange has to say about them, ready to answer and to kick his ass out of the flying donut if he says something bad about Peter or about their relationship. Or the fact he always has something to answer to Strange, but this time he stays silent and doesn't even try to explain who is Peter when he asks he is his ward because that's his kid and so many other things he doesn't know how to explain.

Also, Peter saying an awkward and quick no while staring at Tony will never not be cute for me. It's like this already happened before and someone already pointed out how they look father and son together, and Peter is not even that embarrassed. He's just confused why everyone keeps thinking they are father and son (but not unhappy)

[aliennazero]

Thinking about why Kishibe and Yoshida Hirofumi is likely to be blood related (father-son) and not just senior/junior because of these small interractions.

I don't think Captain "I am the best devil hunterᕦ⁠(⁠ ⁠⊡⁠ ⁠益⁠ ⁠⊡⁠ ⁠)⁠ᕤ" Kishibe would let a random emokid1125 he met in a high-risk mission to basically call him an "old boomer" even as a joke.

I'm certain there's familiarity between them.

That's why Kishibe is sure about Yoshida's ability and competence when it comes to devil hunting, to have the potential to be better than him. Even though this comment also can be seen as chit-chat convos between them to make the situation more relaxed.

(Let's be real the entire casts have been through a lot in this arc in the span of like 4 hours—I also like the interpretation of this scene to be played as distraction for Yoshida because he need to kill a lot of "doll people" in the background to prevent more people turning into another dolls—IMO his character is actually kind of altruistic like Kishibe but it's a topic for another discussion).

That's why they talk more "casually" when there's only them two. They have so much trust in each other to talk about their distrust towards Makima and do commentary to the whole chaotic situations. Octopus Devil also seems okay with Kishibe and that's why it let him sit down on top of it just like Yoshida.

That kind of interractions doesn't make sense if it's truly the first time they met each other. Especially for the latter reasonings.

"They could just be senior/junior then. There's no need for them to be blood related. We had seen Kishibe put trust on his disciples like Himeno, Aki, even Denji and Power. So why it can't be the same case for Yoshida?"

Because Yoshida start his Devil Hunter carrier as private Devil Hunter, he join Public Safety later on after International Assassin Arc and before part 2. Meanwhile Kishibe is from Public Safety since the start, and one of his job is to train PS's new recruits.

Public Safety and Private DH is a different work environment. It makes no sense for Kishibe to spend time with this random private devil hunter if not because they're already related in some way.

++ Oh, another thing of why them being only senior/junior didn't make sense is because of this.

They talked about school here, very family-type of chit-chat.

Later, Kishibe offers Yoshida a cigarette, then followed by forgetting about his school grade and his age (which sounded very absent father jokes btw, and to make it even better Yoshida didn't laugh at it but rather seems irritated to the point he directly called Kishibe an idiot [馬鹿 baka] LMAO).

If Kishibe and Yoshida really are just senior/junior, Yoshida won't call him by "anta" (which is a ruder version of "anata" that means you) but rather he would call him master like any other of Kishibe's students/subordinate. But nooo, he didn't hold back from showing his rudeness in front of Kishibe. He's such a little btch of a son lol, I love him.

TLDR; Kishibe and Yoshida are so deadbeat dad and his neglected emo son coded❤️ I guarantee you'll have easier times convincing other people about this than otherwise, tbh.

Anyway sorry for being insane again, I need to to let this out from my brain.

[beedreamscape]

Let me write this before I lose my line of thought, (Again another RANT for the weak of heart)

but I think BH needs to lose something that matters to them, I'm talking true loss --- not like losing Bertrand or Eshteross which they mostly didn't care about, or like losing the skyship which they sacrificed willingly, or 'losing' their newfound friends/lovers to a research mission that should've ended at least a month ago.

I could add Laudna to the above list since everyone knew we'd get her back eventually, but at the very least it gave them drive (which gave us one of the coolest battles in the campaign which was worth nothing in the end, hey Delilah...)

But lose something that makes them ache, that shifts their dynamic into life and gives them purpose --- like losing Dorian! like fumbling the Paragon's Call infiltration and losing that battle in Bassuras with three party members down! like dropping a ship on a wizard's head and meaning very little! like 'losing' each other across a communication-less Exandria when you thought victory was within your grasp! like aaaalmost losing a friend to a million pieces for a decision he made!

There's so much stagnation in Bells Hells that it drives me insane, they're not the same people from the beginning but maybe apart from FCG and a little bit Orym and Imogen, most of them are still committing the same fallacies as they did in the beginning.

[idkyyyet]

bro i luv spider-punk but i specifically wanna talk about his hair

[image description: a gif from Across the Spider-verse of Hobie, without his mask, saying: "I was this cool the whole time." End image description]

he. has. wicks!!!

the origin of wick dreadlocks is florida usa, and are named due to the resemblance to a "candle wick" because of how they stick straight up and/or out!

now, wicks have a bad reputation even within the loc community.

its already known that like if you got dreads, generally, ppl think u are unkempt, and dirty, and things of that nature, but there is even more discrimination against wicks its unreal. like legit yall i cant even begin to explain the nasty shit ppl say about them because i will be sad.

its kinda just considered the "crazy Florida man hairstyle". and a lot of the hate is due to the fact that wicks, appear "unkempt" or things of that nature

there has been a lot of texturism in the loc community which has brought with it the idea that dreads need to be retwisted to be "properly" taken care of, and need to be flat on your head and all these other things that often bring with it the need to hide your natural hair. i get unsolicited advice on my hair all the time telling me "i need a retwist" because of the belief that black hair needs to be all tidy and stuff to be respected.

but the thing is, dreads aren't meant to be all neat and tidy all the time y'know. its black hair in one of its most natural forms. and who better to showcase that than hobie brown, spider punk?

wicks kinda go against everything that dreads are "supposed" to be and "supposed" to look like.

i just love everything about this movie but i especially wanted to like talk about this hair choice. hair most def has meaning, especially black hair, so i think this was a really cool and fitting design choice for his character and everything he represents.

(i did my best to like articulate my thoughts but hopefully this makes at least a bit a sense)

[bisexual-buck]

"But Buck was trying to get Eddie's attention."

Well I have some thoughts on that! I think Buck does like Tommy, and there's no confusion for him about that. His feelings for both people can coexist!

My interpretation of last night's events for our chaotic bisexual kind of played out as him trying to get both Tommy's and Eddie's attention at different times. And not really knowing why. I think he was having feelings he couldn't really process because he didn't have the right context for those feelings and hasn't really felt them before.

So call me a clown but my thoughts are that he was definitely feeling jealous of both of them. With Eddie, he's primarily been close with only women outside of the 118, not other guys. Buck's subconscious feelings (not known to him at the time or even fully now) may have been along the lines of "Eddie likes women, I have no competition" and then in swoops Tommy (someone Buck already thinks is really cool and wanted to get to know even if he didn't quite know why yet) and his brain goes "I have competition" about both Eddie taking his new interest's attention and Tommy taking his long time interest's attention.

But then Tommy comes back into focus and clearly shows interest in Buck, so it clicks! This was that feeling! Part of the puzzle has been solved— it's just the rest that isn't as obvious to him yet.

Because without understanding his sexuality, Buck has likely only ever viewed Eddie as a friend even if along the way he has felt things that friends don't typically feel. So what we have right now is an opportunity for Buck to explore his bisexuality as a completely separate thing from Eddie, and then come to understand what he has also been feeling for Eddie without realizing before.

Or I'm completely wrong but only time will tell.

[justrustandstardust]

i saw an incredible post on tiktok and i wanted to expand on it, because it's genuinely amazing. all the credit to @noesbf on tt for the idea that inspired these thoughts.

geto's character is threaded through with motifs of consumption. he takes things in, whether they be curses or daughters, and is spurred by intense empathy that ends up going in the "wrong" direction once he takes the entire jujutsu world under his wing.

when we're introduced to him in hidden inventory, our first glimpse is of him consuming a curse. he's also alone, in a dark alleyway, a symbolic image that parallels his journey throughout the story. he's a consumptive force, a facet of his being that ultimately leads to his undoing because he consumes the responsibility of "saving" the strong, who are burdened by the weak.

gojo, on the other hand, repels. he's an outward force, extending out a physical barrier that creates distance between his body and the world. where geto invites, gojo rejects. their abilities are constructed as diametrically opposed to one another's.

through the motif of gojo's abilities, this image captures their consume/repel dynamic in a singular shot. after riko's death, gojo leans into red, which repels. he focuses on growing stronger and in doing so, isolates himself from the world (and subsequently, geto). on the other hand, geto leans into blue, which aligns with the consumptive nature of his character. he harbours riko's death inside of himself and it festers, like a curse.

black holes are all-consuming vacuums. they subsume everything around them and create an inescapable vortex— once you're pulled in, you're never getting out. it will literally eat you and in doing so, makes you an everlasting part of it.

white holes, on the other hand, function in opposition to black ones along the same axis. where black holes pull, white holes push. nothing can enter them; they're doomed to a lonely eternity because of the force that holds the universe at a distance. nothing outside of it can affect what goes on within, yet it affects everything around it.

however, white holes can be subsumed by black holes. while nothing can enter them, if a white hole were to cross paths with a black hole, its consumptive force is so powerful that it would eat them too.

after geto and gojo experience a rapture in their relationship, gojo withdraws from the world, holding everyone at a literal and figurative distance. yet, even while he's alone, he's endlessly drawn towards geto. his eyes are bound but his soul isn't— it's tied to the piece of him inside of someone else, and gojo visibly feels the pull.

white/black holes also correspond to the colours associated with gojo and geto's characters (they align with their yin/yang dynamic, where yin (black) symbolizes darkness & the moon and yang (white) symbolizes light & the sun).

yin/yang are more than two halves; they form an indivisible whole. they become one another: light turns to dark, the moon replaces the sun in the sky, life transitions into death only to be born as life again.

if two celestial bodies exert oppositional forces upon each other, they function in equilibrium. geto's consumption was growing alongside gojo's repelling, reaching an event horizon when he took the lives of 112 villagers and forcing the two of them out of equilibrium. he continued to consume (curses, money, vulnerable people through his cult) until he died and took gojo's soul with him.

consumption can only exist if there's a repellant force pushing back. geto and gojo are not opposites, instead, they each contain the other— every yin has yang within it and vice versa.

they are borne of each other, they are unknowable without the other. they are more than matching; together, they are complete.

[lastflowerofyourhouse]

something i like about nona's family is that they're so like, almost a perfect little nuclear family, and then just. not.

like. pyrrha is "the person who works for her" but also the one who makes breakfast and does the dishes. she's a woman quite literally posessing the body of a cis man and really leaning into the look, honorarily trans in both directions, working construction and shaving in the mornings and braiding nona's hair before school.

and then there's camilla, her...nagging wife? troublemaking older child? roomate who she barely gets along with? the fact that palamedes shares this role is doubly weird. he's a man literally posessing the body of a cis woman, and they're both pyrrha's nagging wife/problem child/roomate. i don't personally believe that anything explicitly or overtly sexual was happening between her and either of them, but i completely understand where people who think that are coming from. and it's fucking weird (affetionate?).

even nona occupies a weird place in this dynamic. like. pyrrha is definitely a parent to her but camilla, who takes a much more active role in her daily life, is...idk. nona has a crush on her and wants to marry her and adopt dogs. camilla's feelings for nona are more parental or older-sisterly, in that she cares for her and wants to protect her, and if her feelings are more complicated than that, it's because of the obvious aspects of the situation which make her extremely sad and apprehensive of the future. her affection for nona seems relatively simple.

and then there's palamedes, who is in theory another parental figure (see: camilla's "i'll talk to your mother later" face, or pyrrha's "you're going to make someone a really irritating wife one day, sextus"), but in nona's view of things he seems like something more along the lines of an older sibling, or perhaps a cool uncle, which is funny because pyrrha arguably treats him more like a spouse than she does camilla.

it's all just so fucking weird and jumbled up on itself. pyrrha will kiss camilla on the head and say "i'll be home for dinner, dear," and then turn around and call both her and nona "daddy's own treasures" (don't get me started). she'll kiss palamedes and camilla both on the mouth and tell them she loves them. she'll tell them she didn't love them well, or even wholesomely, and she won't explain what she means by wholesome.

alecto calls her "mother and father." alecto tells her she should've given into her urges and eaten them.

palamedes and camilla are second cousins and queerplatonic and married and the same person and by the start of the book the lines between them are already dissolving.

nona is so so young and she's so so old and she's not so much younger than camilla and she's older than pyrrha can even comprehend and some days she needs help getting her shirt over her head.

and most importantly they all love each other. it's a weird and confused and unhealthy love. it's a love full of tension and annoyance and fear. it's a love that wants very badly to fit a category and can't. but it's love it's love it's love and even when it's over even when it has nowhere left to go it's not gone it can't be gone. it's over it's done you can't take loved away.

[katzone]

I want y'all to know that all my fem!Light Yagami drawings where she's drawn looking feminine are her b4 coming out and entering her butch era.

(also for those who wanna read Light's internal monologue I left it below:)

[thranduel]

some facts about astarion that i find very cute/meaningful :)

i wanted to share this so more people can learn about him and appreciate who he is deep down, behind the mask he wears. before cazador turned him, he was just like any other person; he had hobbies, passions and emotions. those things are still there, but they’re just hidden amidst all the darkness. he was so young when he first turned that he barely had a chance to enjoy life or figure himself out. so many people miss out on the complexity of his character due to only focusing on his physical appearance or labelling him as a cruel villain, but in order to see that he’s so much more than that and he’s capable of growing as a person, all you need to do is show him a bit of love!

- he loves embroidery and poetry

- he approves when you pet the owlbear cub because most people view it as a monster (the same way people have always viewed him). it’s like he finds comfort in the fact that you can love and care for something that most people are afraid of, and it gives him hope that you may feel the same way about him too

- if you put a flower on his grave, he smiles and says "cute"

- he comes up to you in camp just to thank you and tell you how grateful he is that you allowed him to make his own decision (after you defend him and don't force him to drink the drow's blood) because he is so used to being told what to do and he was forced to use his body for so many years

- in that same scene, he will hold your hand whether you choose to stay in a romance with him or be friends instead, because he loves and appreciates you no matter what, and any sort of relationship with you is so important and meaningful to him

- if you try to romance karlach and astarion at the same time, he tells you to choose karlach over him, even if he loves you and it hurts him to do so, because he can see that karlach loves you too. he says that normally an arrangement would work for him, but after everything karlach has been through and how fragile her heart is already, he doesn’t want to get in the way or see her hurt

- if you try to romance halsin and astarion at the same time, he just wants you to do what makes you happy, even though you can tell it hurts him if you choose halsin. he’s also worried that you’re unhappy because he hasn’t slept with you (he should never have to worry about that ☹️), so he doesn’t want to stop you from enjoying yourself. in this situation and the one with karlach, you can see that there are moments where he puts others before himself and thinks about their feelings more than his own

- if you’re playing as the dark urge and you’re trying to resist it, he is so incredibly comforting and tries to give you strength and encouragement. one of my favourite astarion lines is this: “you’re not alone in this, none of us are.”

some more lines that i love:

“i don’t hate you. because this is not you. but whatever it is, you’ll get through it. and i’ll be here to make sure you do.”

“whatever it is that’s controlling you, we can fight it. i know that better than anyone.”

“this thing won’t have you. it won’t win.”

“easy now, darling. you’ve got this. and i’ve got you.”

- when you try to break up with him because you’re transforming into a mindflayer and you tell him you’re becoming something horrible, he gets so upset that you would even think that way and tells you that you’re wonderful and he doesn’t care about what you look like. then he says he would get more stares walking down a street than you to try and make you feel better

- if you love and care for him and remind him that there is still good out there, he genuinely wants to grow, be a better person and break the cycle of power and terror that started centuries ago

- he approves when you help people that are considered outcasts or "freaks" because he has felt that way too

- he risked his life and got punished for letting a man go instead of luring him back to cazador because it’s implied he cared about him in some way and he couldn't hurt him (not entirely sure about this one, this is just how i interpreted it based on his voice and mannerisms when he was talking about him)

- he approves when you give an orphaned child food (act 3)

- he becomes vulnerable, honest and more gentle with you once you start treating him like a person, because for the first time in his life, he actually feels safe with someone

- he's extremely insecure despite the mask he wears at the beginning of the game and he doesn't believe he is capable of being genuinely loved for who he is as a person. when you get close to him and tell him you care for him and give him a hug, he is taken aback at first, but then he believes you and hugs you back. also, when you're playing as the dark urge, you get this line: "you like him for more than his looks, but he will never believe that." this is proof that astarion is so used to being reduced to his physical appearance after what he was forced to do for so many years, and he thinks that's the only reason why people like him. he struggles with intimacy and forming strong emotional bonds, so that's why it makes your relationship with him even more meaningful when he realises that you truly do love him for who he is, not just for his looks and body

- when the drow you met at moonrise shows up in act 3 and tries to make you drink something, astarion tells you to say no, because the only thing she's offering is pain and he doesn't want to see you hurt

- if you romance him, stop him from doing the ritual and help him defeat cazador, he tells you that you are the only person he's ever truly cared for

- if you defeat cazador without him and tell him you just wanted to protect him, he gets upset at first because you left him behind without telling him and he wanted to take revenge himself, but then he becomes understanding and says “maybe this is what’s best? the kind of power that ritual offered could ruin a person. even me.” this shows how much he’s grown and matured as a person and he’s aware of the consequences of too much power. the scene also ends with him telling you that he’s grateful for something that you did to help him (again).

- he becomes more self-aware, straightforward and honest over time and he doesn’t pretend like he’s perfect. he tells you that you were by his side through all the bloodlust and pain and misery, despite all of his flaws and mistakes. you remained patient with him and trusted him even though it was an objectively stupid thing to do, but he is so grateful for it because you believed he could become a better person (and he did)

- this is sad but he remembers some of the names of the people he had to lure back to cazador and even the memories he shared with them. you can see this during the scene with sebastian, and it’s clear that he actually cared about him (not sure how many situations were like this, but there was definitely more than one)

- if you say “i’m sorry we couldn’t save the other vampire spawn”, he says:

“we could have tried. we could have given them the same chance i had. i was able to go out into the world and make better choices. to go against my nature and become more than a blood-sucking monster. maybe they would have done the same. or maybe not - but did we have the right to take that choice away from them?”

this scene shows how much astarion has grown and how compassionate and empathetic he can be towards others. he understood what it felt like to have his own freedom taken away while cazador made all his decisions for him, so he didn’t want to put the other vampire spawn through that too (especially because he still feels so guilty for luring them there in the first place)

- if you romance him and he stays as a vampire spawn and you choose to help him look for a cure so he can stand in the sun again, this is revealed during the epilogue scene:

“one night, he tells you that these last six months of happy memories are the counterweight to two hundred years of misery.”

he’s finally truly happy and free, and the short time he’s spent with you is already so incredibly powerful and important to him. being with you has positively impacted his life in such a massive way that it makes all those centuries of pain and misery feel so much smaller

- another sweet line from astarion during the epilogue scene after he tells you to go catch up with your other friends and see how they’re doing:

“i’ll be here when you’re ready. i’ll always be here, my love.”

THE CHARACTER DEVELOPMENT AND GROWTH 😭🫶🏼 he’s become so kind, loving, respectful, genuine and sincere. i’m so proud of him 🥹

[agender-alien]

Blitzø’s self hatred has literally destroyed/ is in the process of destroying every good thing in his life. It destroyed his friendship with Fizzarolli (more in that later), it likely contributed to his fear of intimacy which is what destroyed his relationship with Verosika, and his fear of intimacy, which is fueled by his self hatred and fears of intimacy often are is drives him to talk to M&M and all his other friends like shit.

Blitzø’s deep and utter hatred of himself is actively preventing him from reciprocating Stolas’s genuine affection and letting him enjoy his relationships in general. And it seems like Blitzø has always been this way.

This man’s hatred runs deep, and it’s so intense he literally scribbles his face out of every photo of himself. He obviously cares about the people around him, he keeps constant reminders of the people close to him. The photo wall at home, the bobble heads of M&M in his office.

I think most people assume that this hatred of himself started with the fire. That his guilt over the accident is what led to his belief that he didn’t deserve to be happy, that ultimately destroyed his relationships. But i don’t think this is the case. I think his guilt over the accident definitely fueled his self hatred for a long time but i don’t think that’s the root cause of it.

In this scene it’s a teenage Fizzarolli’s birthday, and a teenage Blitzø appears to be going to hand him what appears to be a love letter, but upon seeing Fizzarolli surrounded by family and friends celebrating he becomes self conscious and throws the letter in the ground and walked away. I believe his internal thought process was that Fizzarolli already has all these people that care for him, why would he want Blitzø around?

I don’t believe this was cause of jealousy, that was fizzarolli’s interpretation of events from his perspective. I think this is one of the first example of Blitzø wrecking his life over his own self hatred.

And i think the most tragic part of this is that he has people in his life that definitely love him. Millie and Moxxie are his employees but they are obviously his friends and do care about his general well-being, Loona is a shit-heel most of the time but she also cares about how Blitzø’s well-being on some level. He has just re-kindled his friendship with Fizzarolli, and Stolas is so head over heals in love with him it’s insane.

Look at this man, so absolutely fucked. And Blitzø is going to be utterly incapable of reciprocating these feelings or even acknowledging that someone is capable of loving him until he actually starts accepting himself.

[bonnisbon]

⚠️ I am not chinese, so if any chinese person in the fandom wants to add something or just point out any mistake, please do ⚠️

I've seen people in the fandom call Macaque's smoke monster 'kaiju', but this is not a correct denomination.

It is better to call it "法相" (fa3 xiang4), meaning "image of (commonly Buddha)"

"佛教术语，指诸法之相状，包含体相（本质）与义相（意义）二者"

Trans.

"A Buddhist term that refers to the appearance of all dharmas, including both physical appearance (essence) and righteousness (significance)"

Following this definition, a 法相 is your true self, your essence, both physical and spiritual... meaning that Smokey (little guy) is not a 'kaiju'. It is an essence, Macaque's.

Same goes to all manifestations of characters who have a version of their 法相, it's their true essence.

Yes, you got it right! This little (not so little) guy is also a 法相.

(Don't call them 'kaiju', please).

Just to add, they can also be called 'war forms', since they appear in the original jttw.

[aliennazero]

hi, your yoshiden posts are making me go insane at midnight. thank you so much for the good food! i was wondering if you have any personal thoughts on the reason(s) why yoshida would be romantically interested in denji? (or have the potential to be?) and if you think there's anything in the manga so far that does/could point to that?

Thank you for your question, yoshyoshy! Sorry for my late responses.

About why Yoshida would be romantically interested in Denji... honestly I have no basis for that, it just from VIBES and my feelings alone like- In my eyes, they have this weird gay tension that's only shounen mc and his *completely opposite designed* "rival" could have.

HOWEVER when we talk about CSM style of foreshadowing, I think yes, their relationship progression is already hinted since chapter 103 and 104. We, as the readers, just don't know exactly how it will ends up to be. We have the puzzle pieces, but not knowing the bigger picture. It could be platonic, it could be romantic (either one sided or not).

CHAPTER 103 SYMBOLISM

In chapter 103, there's so many details set up for both of them that I will show one by one. May be a reach, but knowing Fujimoto, we can't really predict or ignore anything tbh.

When the crowd cheered for Chainsaw Man, Yoshida saw and interested in Denji only.

Yoshida seems to be more relaxed (leaning in) and comfortable sitting with Denji than Fami (in chapter 122).

There are metaphor using their drinks to showcase their personality. Yoshida is iced coffee: bitter, dark, tired, and more mature-like. Meanwhile Denji is orange juice: sweet, sour, and more childish-like. Both standing next to each other (with height differences too). Which is very cute in my opinion.

Lastly, the famous background scene full of paintings with each different objects and symbols. Which I might try to debunk later on, but it's for another post.

CHAPTER 104 REVISITED

Now we go to the next "foreshadow" chapter, which is my personal favourite because we get teased by the probability of new trio. But we will focus on yoshiden this time.

"I'll stop you by force if I have to." Yeah, he already did. But what interesting about that is, he never *actually* try to hurt Denji. He always try to minimize the impact of his force method and tries to make Denji understand (the problem is, Yoshida is really just that BAD at giving reasonings and excuses).

Yoshida's memory is hinted to be weirdly strong. He remembers so many details even from small talks months ago, talking about Denji and "10.000¥ is 10.000¥"

"If there's anything I can do, I want you to come to me" has the same energy with "It's save through cloth, right?". It's not just a random empty words. It must be relevance in the future, right? RIGHT???

IN MY CONCLUSION

I think that's it. If you think there's more evidence to foreshadow their relationship, feel free to discuss about it! For me personally, their dynamics is very interesting and it would take much more effort to develop them into nothing than something.

I am VERY positive that their relationship would go deeper beyond what we have now. Honestly let's be real, it would be more interesting if their relationship develops romantically. Not only it would break shounen rules, but it also will be a major character development for both Yoshida and Denji. And apparently it suit the subplot we had right now, conforming your real identity. However I don't hate the idea of them being platonically too.

Also their dynamics goes from "haha funny comedic duo with gay jokes sprinkles" to "I could see you for who *you* are, but our traumas and our limited social abilities has shaped us to threaten each other, we understood everything yet we understand nothing (also let's blame the government)" in exactly 30 chapters after their first meeting in part 2, crazy.

[somerandomdudelmao]

Okay okay hear me out.

We all know that Donnie was devastated to discover what happened to his brothers. But in light of the most recent update, new meaning has been added to the panels of him watching their deaths' play out.

Look at him here. At first glance, it simply seemed that Donnie was grieving the loss of his brothers. "We lost. They're all gone. My dumb dumb brothers sacrificed themselves. I'm alone."

BUT after today's update, we realize that NOOO he's not just regretting that they're gone, he's BLAMING HIMSELF. Not only is he sad, he feels GUILT.

Looking back, his face clearly says, "I could have stopped it. I could have saved them. I failed. This is my fault."

"If I had been with you, the outcome might have been better." What hurts is that Don is RIGHT. He WAS the keystone of the resistance. Everything does indeed fall apart soon after he's gone (hence the episode name). It's a cruel, ironic twist on Survivor's Guilt-- because in that timeline he didn't survive. He was gone. And he blames himself for being gone.

We often talk about Future Leo's guilt over the apocalypse, but Future Donnie's guilt is not to be taken lightly. It actually makes a LOT of sense for him to blame himself for his family's deaths. We know that all dear Donton has ever wanted is validation for his tech, and his tech is his way of expressing to his family that he loves them. Ergo, all Donnie wants is to make tech to protect his family to Show Them That He Loves Them.

This is probably why he opened up to Raph, all but admitting his guilt over the less-than-perfect security system: it was like saying he and his love failed to protect them for long.

The character analysis deepens~

Here (and throughout all of The Little Things, really) we see him taking steps to make sure his brothers (and the resistance) will be taken care of. Delegating everything, even The Little Things (ah HA) all to ensure that all he does for them (to prove his love, of course) continues to happen.

Even here, when Donnie has been hanging onto life for so long that the Kraang are shocked he's still alive, Donnie wants to help. He could not "sit here and listen to them get killed," because he is Donatello, and he loves his family. Cass, you said it yourself: Violence is his love language. Rushing into battle, decimating the Kraang, saving his family. Because he may be dying, he may be clinging to life by a few threads, but he is Hamato Donatello and he loves his family.

But in the end, that's what he does. In the end, he DOES sit there and watch them get killed. Watches with his very own tech. One. By. One. They. Die. And deep down, Donnie thinks that if he would have been there, he could have found a way to make a generator NOT from Raph's heart. That he could have supported Mikey enough to keep him from disintegrating. That he could have protected Leo in those final, self sacrificial moments.

Donatello blames himself for not being there for his brothers. He blames himself for his tech not being flawless enough. He blames himself for dying on them.

Which is why he won't rest until they're ALL back home.

He is Mr. "I Can Fix This", so of COURSE he's going to fix this.

And afterwards, when his family is SAFE and HOME and TOGETHER he's going to apologize for "letting them die" and he's FINALLY going to get some SENSE knocked into his OWN dumb dumb brain (probably by Dr. Delicate Touch). His brothers love him because he's DONNIE. I cannot WAIT for the moment when they make him realize that they didn't miss his tech, they missed HIM. He's gonna realize just how utterly loved he is and I'm so excited for you, Cass, to show us that moment.

(I apologize; this got out of hand quickly, but the analysis has been bouncing around my head all day and I NEEDED to share it)

OH THIS IS ONE GREAT ANALYSIS RIGHT HERE

[exilepurify]

Studio Bones’ and ONE’s masterful work with the extremely nuanced and allusive facial expressions in Mob Psycho 100 adds so much subtext and subtlety to scenes. Like there’s a rich world of emotions behind the text of a lot of important scenes—stuff said only through furtive movements and charged looks. It’s very fun to go back through the context of the anime or the manga and really pay attention to the details. People who won’t watch or read MP100 because of the art style are really missing out

[sparring-spirals]

okay. i mean this with the utmost affection. but. while imogen and laudna telling each other "im you're anchor. you're my tether" as reassurance about going "dark" or giving into the lure of power is very meaningful and important. it also kind of struck me like. hey wait one of you anchoring the other. fine. possibly-functional. but doesnt BOTH of you tethering to each other risk creation of a spinning centrifugal blur whirling down the road to power.

and like yes yes this isnt an original thought and the proper terminology for this is probably like "dual corruption arc" or in CR "i broke the world for you" yes but. i wanted to share the specific imagery my brain provided for this train of thought, which is roughly:

like. thanks. brain. i guess.

bonus thought that popped up when drawing this:

[amber-laughs]

catelyn throwing her blanket off her with ned’s cum still running down her legs in front of maester luwin vs Jon being ass naked dripping wet in front of alliser thorne, othell yarwyck and bowen marsh STOP calling each other names! neither of you have any fucking decorum