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ofhouseadama · 3 years

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Ed gets drafted into the Navy right after high school, and in between finishing basic and getting shipped out to the Pacific, he promises Lorraine that the next time he sees her, he's going to propose.

after high school, Lorraine needs something to do so she gets a part time job as a secretary at the Diocese of Bridgeport helping wrangle parish finances and correspondence and other clerical and administrative work.

(this is where Lorraine first meets a young Father Gordon, who occasionally borrows her because she knows her way around a files room and takes excellent notes; he hears a lot about her boyfriend who's away on a ship in the Sea of Japan)

Ed and Lorraine write... a lot of letters during this time, which range from very chaste and heartfelt to NC-17 horny teenage screeds referring to their 3-day sojourn when they were seniors in high school, their many misdeeds in the back of Ed's car, and the time he snuck her into the Alamo Theatre after it closed so that they could have a "private showing" of a movie they remember very little of

when Lorraine is too anxious to sleep, she sews her wedding dress. she saw the pattern a few weeks after Ed left, and liked it, and bought it. she's been slowly buying yards and yards of satin and lace and tulle.

Ed squirrels away all the money that he can towards buying a wedding ring set for Lorraine. after he buys them while on shore leave in Tokyo, he keeps the rings in the breast pocket of his uniform shirt, next to his heart, to feel close to her.

his ship strikes a mine and goes down in the small hours of the night in June of '53; the rings are in his shirt pocket, and Lorraine feels it immediately. Father Gordon has to drive her home from work, and believes her immediately when she says she knows something bad happened to her boyfriend.

Ed makes it home to Bridgeport ten days later; he gets in a taxi at the Navy yard and immediately goes to Lorraine's house. she meets him at the front door before he can even knock and tackles him on the front lawn.

he proposes to her while very exhausted and not exactly coherent.

technically, she proposes to him because she tells him they're getting married and she's not waiting any longer.

these are two hotly contested facts for years to come.

they get one very hasty pre-cana session in as the Moran family (+ Father Gordon a little bit) cash in all their political capital with the church to expedite a wedding as soon as humanly possible.

Georgiana and her friends plan the wedding, everyone is very concerned about Lorraine's dress. Georgiana tells them they should be more concerned about Ed's dress uniform, currently at the bottom of the ocean.

(He wears a suit from Sears. It's fine.)

the story of Ed Warren, hometown boy, as the sole survivor of the sinking of the USS Saint Paul makes the local papers and absolutely no one remembers to tell his father that he made it home until a full 24 hours later.

Ed and Lorraine get married exactly two hours after the end of the legally-required 72 hour Connecticut waiting period elapses. it's a Friday afternoon.

when he sees her in his dress, Ed absolutely cries.

their wedding readings are Romans 12:1-2, 9-18 and Sirach 26: 1-4. it's not a full wedding mass, due to time restraints. it's actually nothing like Lorraine thought her wedding would be like, but she's so relieved Ed is alive, and he's not allowed to go back to the war without being her husband.

their reception is some cake and champagne in the parish hall, Ed's hands have been shaking so badly all day that he can't manage to get cake in her mouth off a fork so Lorraine grabs his hand and sucks it off his finger.

by this point she's had three glasses of champagne on an empty stomach.

it's over by the middle of the afternoon, and they're speeding off to the same aunt's beach house that they ran off to when they were seventeen, this time with permission and this time knowing the whole drive down that they're finally going to have sex.

Ed spends much of the four-hour drive from Bridgeport, CT to Cape May, NJ rucking the many layers of the skirt on Lorraine's dress up her legs, running the hand not on the steering wheel of the car up and down the inside of her thigh, keying her up.

they arrive shortly after dinner, having eaten cheeseburger and fries in the car in their wedding clothes, and are suddenly very very nervous.

even though they've done everything except the technical deed itself.

as Ed peels himself out of his suit and tries to not psyche himself out, Lorraine goes into the bathroom and changes into the peignoir and robe she made for her trousseau. she comes out of the bathroom to grab her brush to take her hair down, but Ed asks her to sit on the bed and pulls all the pins and flowers out himself, gently brushing her curls.

when he's done, he moves onto gently touching her. the last time he saw her naked was also in this bedroom, as they shook with restraint. now they're shaking for other reasons, hands rediscovering each other's bodies and warming themselves on each other's skin.

kissing her neck, he reaches one hand in-between the halves of her robe as the other moves her hair off her shoulder, exposing more skin.

he rucks the hem of the sheer white peignoir up to her knees, then her thighs, then her hips. Ed decides that he needs to make her orgasm before they have sex, because if he doesn't last long, then at least she'll be satisfied.

he eats her out like a man with a point to prove, because he's nineteen and very much is one in this moment.

it's been almost eighteen months since they've been physically present together, and they didn't have much alone time together before their wedding, and Lorraine feels like her body is on fire. it's been so long, and she feels like a bullet leaving a gun. it doesn't take much to make her cum, and Ed manages to do it several times before she's hauling him up her body.

he's still not done getting her ready, unable to not think about every horror story he's heard about bleeding and pain and discomfort and the terrible jokes from his bunkmates.

(they're all dead now. he tries to not think about that, why he lived and they all died. why did he survive, if not to make Lorraine feel good? if not to make them both feel alive? he needs to feel alive, and when he drinks her with his mouth and feels her clench around his fingers, he finally does.)

he sucks hickeys into Lorraine's neck and chest and breasts, keeping her high as he circles her clit with the fingers on one hand as he plays with her nipples with the other.

he is harder than he's ever been in his life, he thinks, pumping two and then three fingers into her. she's wet and all over his hand, dripping down onto his wrist. he wants to eat her out again, taste her again. his mind is a feedback loop of her pleasure.

Lorraine is trying to touch him, but her hands don't feel entirely attached to her body. she ends up curling her fingers into his hair and pulling. the sharp pain is delicious, and he moans while lapping at her nipple and thinks he might see God.

eventually he realizes that she's begging, chanting "now, now, please now, Ed, please--"

they both feel lust drunk and clumsy, all limbs as they take their clothes off, as Ed slots himself between her thighs.

she hasn't touched him at all, and he thinks if she does he'll cum immediately.

he pushes into her slowly, incrementally, watching her face the whole time.

she gasps, bites her lip, scrunches her face up. then, it starts to feel good, and her eyes flutter closed, and she moans.

he doesn't want to move. he wants to move more than he's wanted anything in his whole life. dropping down on his elbows and forearms, he shakes while hovering above her.

Lorraine's mouth is a perfect "o," and slowly she tests out how she wants her legs, first pressing her heels into his calves, then his hamstrings, before pressing her knees in at the sides of his hips. it feels incredibly intense, and she's not quite sure what to do with herself. she no longer feels in control of her body. all of her gifts of perception narrow down to hyper-perceiving Ed, the red sheen to his face, the flop of dark hair over his forehead, the sweat dotting his brow, his heart in his chest. his racing thoughts, his love for her. she feels him inside her body and inside her head. she shivers.

she squirms, trying to get him to move.

he does not, burying his face in her neck.

eventually he realizes that, as she traces her hands up and down the side of his spine, she's whispering, "move, honey, you gotta move, oh God please move, Ed honey please--"

something in his head breaks loose a little bit, and he snaps his hips into hers. when she moves with him, it breaks loose entirely.

it's entirely unskillful and uncoordinated, but Lorraine is already so close to orgasming again that it doesn't matter. when she cums again, Ed's entire brain malfunctions and he stops, watching her, feeling it and feeling her. she reaches down and straight up spanks him, telling him to keep moving.

doubling down, he sucks on the tendon where her neck meets her shoulder, and doesn't last much longer than her.

he thinks his vision almost whites out, gripping her hips tightly as he cums inside of her before pulling out of her and collapsing, happily burrowing his face into her breasts.

Lorraine laughs, wrapping her arms and legs around him, holding him to her tightly.

the insides of her thighs chafe a little, and she feels a bit raw, but she likes it.

they almost fall asleep that way, but Lorraine knows that's probably not a good idea. her mother knew enough about their relationship to know that Lorraine needed a little bit of motherly advice before her wedding night, but not that much. after rolling him off her, Ed promptly falls asleep on his side of the bed.

he didn't sleep the night before.

Lorraine takes a quick shower, washing the shellac out of her hair and scrubbing the make up off her face. she doesn't bother to redress, just gets into bed with him. he feels her weight on the mattress and rolls over, blearily reaching for her to pull her against him. he's half in between dreaming and wakefulness, and slides his hand up to cup her breast in his hand.

"can we do it again?"

#this is deeply unhinged #ed warren #lorraine warren #emily watches the conjuring #otp: i forgot my pills #this is sam and brittanys fault they encouraged it

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popculturebuffet · 3 years

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Of Moons, Millionares and Mothers Part 3: Storkules in Duckburg! aka THE INCREDIBLE STORKULES TERRIBLE BUT WELL MEANING ROOMATE OUT OF MYTH

Hello all you happy people! And welcome and welcome back to Of Moons, Millionares and Mothers, my look at the season 2 arcs of Ducktales! This arc was paid for by WeirdKev27 and I truly enjoy his support. if you want to know how to commission your own reviews or to get a guarnateed review of me of your choice from me a month, stick around to the end. I realized that shoving all my plugs in up top may be driving people away and while I DO make them because I want to make a living off this, i’ts not fair to those of you who simply can’t afford to buy a lot of extra shit like myself to keep shoving it in your face.

Previously on the Louie Inc Arc, Louie, after believing he had no skills and it was a matter of when not if he ws going to die, found his talent: seeing all the angles and thus being Sharper than the Sharpies. With newfound confidence and a chip on his shoulder from Scrooge saying he could one day be a bigger success than Scrooge himself, founding Louie Inc as a result. But what is Louie Inc? Does he actually have a plan or a bunch of buzzwords. And what does STORKULES, MANLY GAY OUT OF MYTH have to do with any of this? Join me under the cut to find out.

We open with Louie giving Scrooge his sales pitch that is essentially...

Naturally Scrooge buys none of it. I mean he’s somewhere in his hundreds, he’s probably seen about 80 thousand pitches that amount to “I have no plan but give me money anyway”. There’s a reason there’s a Butch Hartman shaped crater on the lawn from where he threw his ass out.

Scrooge does mentor the lad, or at least attempt to pointing out he needs an actual product or service (Louie rejects the idea of a lemonade stand as too easy), or as he puts it “Find a problem and create a solution”.

While the basic PRINCIPAL isn’t bad, find something people want or need and provide it, phrasing it that way sounds like “find a problem people are having and exploit the shit out of that problem for fun and profit.” Granted that IS a guiding principal of business, it’s just not something an uncle should be teaching his kids. They should be teaching them about the anime and cartoons they grew up with as I do with my niece and nibling.

He does show him a valid example of this in action in the form of Donald. Turns out Donald has found a good way to make money while he looks for a job, can relate: since Duckburg is facing a housing shortage, likely because several square blocks probably get destroyed by Scrooge’s Adventures, Glomgold’s Schemes, Superhero Battles, whatever creation went horribly wrong for Gyro, etc at least once a week. So he’s taken it upon himself to offer up the spare room to whoever can rent it.. and to steal Scrooge’s chandelier which even when caught he still takes anyway. Scrooge.. you called the guy a god-damn moocher in the season premiere, despite the fact he lives there soley because YOU offered and because he’s you know, being responsible and staying by his boys so they have their father figure around. So yeah I feel he’s doing this partly out of spite as is the McDuck way. I mean if your going to call him a freeloader just for being a responsible parent, then he’s going to take it up a damn notch.

Scrooge proceeds to laugh off Louie wanting a million dollars and gives him a dime instead because of course he was. Seriously Louie there are two other billionaires in town who are FAR dumber and far more easily swindled. Just go get star up capital from them. Hell with Glomgold all you’d have to do is tell him it’d upset scrooge and he’d literally throw money at you. Or give you a shark full of money. He needs the shark back though. He’s family.

Meanwhile Donald prepares for his new tenant and finds.. THE INCREDIBLE STORKULES! Who to his mounting horror as he realizes it, IS the new tenant. And who throws him into the sun. Cue credits.

So after Donald somehow survives being thrown into the sun, Storkules explains why he’s here: Zeus responded to his son playing the lute a lot like any rational reasonable

No of course he responded to the “crime” of “playing his instrument a lot” with sending a swarm of harpies on the town then blaming Storkules for it and casting him out. What’s most shocking is not the action, this is honestly him staying the course of being a fucking disgrace, but that Zeus somehow ISN’T the biggest asshole i’ve dealt with this week. No that honor is reserved as always for this bitch:

Keep in mind she manages to be this obnoxious in only TWO scenes. Also keep in mind I had to put up with Julie for a MUCH larger chunk of the previous two volumes I covered before volume 5 yesterday for my Scott Pilgrim Retrospective and she is ALWAYS like this and you now feel my pain.

This does create a problem though: Zeus casts Storkules out until he’s a responsible adult.. and thus paints Storkules as the bad guy... in a situation where the only other person in the story sent a swarm of HARPIES down at him for simply playing his music too loud. It just dosen’t work as a catalyst: Storkules objectively did nothing wrong. The only person he annoyed was a person who clearly dosen’t love, respect or like his son in any way shape or form anyway and essentially assaulted him and a bunch of innocent people via harpie and then cast him out. Zeus is an abusive asshole and i’ts weird the narrative sides with HIM and not our well meaning doofus. Zeus being an asshole with harpies is not a bad catalyst for the episode, and the harpies being unleashed is used well.. it’s just not a good catalyst for THIS story to try and portray an abuser as in the right. And make no mistake Zeus is a domestic abuser: he had his son mind controlled to try and MURDER innocent people, something Storkules begged him not to do, sent a swarm of creatures after him for the crime of playing his music too loud and in his next episode manipulatives Storkules sad emotional state for personal gain. Why would you try and paint THIS jackass as in the right?

Speaking of painting this jackass in the right sadly.. this episode does not do my boy donald justice. In most episodes he’s pretty nuanced and i’ts fair enough he’d be frustrated by Storkules as a roomate. Storkules has little sense of personal space, breaks his stove thinking theirs hydra in it, makes a mess of the kitchen making them a meal, and in general clearly dosen’t know how to live with a roomate much less in modern society. He has valid concerns and the episode COULD have used it that way.. but he’s also horribly impatient with Storkules. He refuses to get the guy just hasn’t had to live in a modern society and dosen’t know HOW to function in it and instead of helping him just gets mad again and again and gets really pissed when it’s clear Storkules dosen’t have a job and didn’t consider paying rent. He’s not WRONG to want him to pay Rent, despite what ironically the musical Rent would try and have you believe, but he dosen’t have any patience with the guy. And stork isn’t nearly coming on as strong as he normally does. The worst he does is cook the guy lunch and bring his donald fan art with him. Which we don’t see but I am assuming is mostly naked. What i’m saying is for once that while still bombastic, Storkules isn’t trying to force a relationship/friendship on him and simply wants to learn t be an adult from his best friend.. and Donald isn’t bothering teaching him.

Asking for rent or for him not to destroy the stove is fine, but not explaining WHY he needs either of those things or why he needs boundaries, he makes a roomate list, isn’t helping the guy. And this would be fine... but the episode dosen’t call Donald out on it for no real reason. It feels like it’s setting up for a “you should learn to wokrk with someone instead of just screaming at them aseop” that never comes and like with Zeus takes his side because shutup. I’d also LIKE to say this is the only time the writers reduced one of the cast to a caracture of themselves.. but I can’t. Several episodes in season 3 forgot Louie’s character development and another episode in season 2, The Duck Knight Returns!, somehow reduced both Scrooge and Dewey to parodies of themselves with Scrooge SOMEHOW, despite Della as stubborn as she is being in his care and by his side for decades and Movies bein ga huge business, not having seen a movie since the 1920′s and not knowing how they work and Dewey being reduced to just hyperactive moron. It isn’t as common as other shows like say Regular Show, The Loud House or, for the exact reason I lost intrest, Rick and Morty, but I still expect better, especially since they went into this season KNOWING Donald would be gone for half of it and this would likely be one of his only spotlight episodes.

Back at the good part of the plot, Louie is having a company meeting aka already treating Huey and Webby like his employees. Webby of course is glad to sign on, if little help in actually coming up with a product while Huey just wants to nope out. And if your wondering why Dewey isn’t involved Louie outright says he’d make a bad employee and while Dewey rises from his bed to object.. he stops halfway to opening his mouth and concludes he has a point. Best gag of the episode. Louie being louie easily cons Huey into staying by making Webby his charts officer.

So the three have a corporate retreat at Funso’s... granted they don’t have a product but Louie figures this might help. Huey.. still wants out of this and suggest since they already spent what they had on ski ball “Company over?”. It’s clear that Huey just sees this as another one of Louie’s short sighted schemes... and while he’s not ENITRELY wrong, Louie has genuine ambition.. he just has no earthly idea what he’s doing and is shooting way too high.. but for understandable reasons. 1) He’s 11 at this point. 11 year olds aren’t great at business strategy or reinging it in. 2) he wants to live up to what Scrooge said to prove he can be successful and really be worth something like his mom was.

But sometimes fate throws you one and the harpies bust in. And while Louie wants to do nothing and hope they go away Huey and Webby spring into action.. as does Storkules, who had to leave but warns donald there’s Orzo in the slowcooker and to not open it “LEST THE PASTA FAIL TO ABSORB THE BROTH!” Which is just.... Chris’ best line dleivery the episode. He says it like he’s saying the title of an old Stan Lee and Jack Kirby comic, i’ts wonderful.

So our heroes defeat them and Louie steps in to charge for the service and quickly comes up with a company idea and name “Harp-B-Gone” (A Subsidary of Louie Inc). Louie hires Storkules on the spot. Storkules proudly tells Donald he has a job the next day and goes off to it. What follows is our heroes hilarously shooting a commerical with Storkules playing a baby to promote themselves so they can help who needs it. They just need to find out what they want.. and thanks to the JWG and the harpies stealing it find out they go after people’s most treasured posessions Cue Ghostbusters-Style Montage

And this isn’t just me saying thing. The Rewriting History Entry (Which as a series weirdly stops around mid-season 2 and I don’t get why frank hasn’t gone back and finished it since) states they specifically based this whole operation on ghostbusters and the entire sequence of our heroes cleanin up the town reminds me of it. The highlight of it is a glomgold cameo where he’s kidnapped.. and refuses to pay so Louie just lets him go. And were this an innocent person who couldn’t afford it, i’d call him a monster.. but it’s glomgold. he brought this on himself.. and also sues himself for it. Wonder if he won.

So with their stars rising, our heroes get booked on the hottest show in town: Dewey Dew-Night! I had honestly forgotten there was a Dewey Dew-Night segment in there, and delighted I get to talk about this recurring bit. It’s one of the shows funniest runners and just perfectly FITS Dewey: of course the most egotistical and energetic of the kids would not only want to be a late hnight host but make up his own show. I also love the slow evolution of it: it started as something everyone clearly knew about but he stlill tried to keep hidden, slowly escalated to him allowing the rest of his siblings (Webby very much included) and the giant man who stalks his uncle in, and by later this season he’s putting the show online in the web shorts and gladly shooting it into space, with Season 3 having him spend the first half of let’s get dangerous making a documentary that includes an episode of the show featuring Darkwing. It’s a small thing sure, but it’s the little things like this that make the show special.

The show does reveal a problem though as it turns out they’ve GOT all the harpies and while Storkules merely wanted to help, Louie points out they need more to keep a buisness going and naturally never bothered to ask Storkules just how many there were. They need SOME plan to get going. Webby submits a legitamte and great idea, training the harpies as she’s been trying to do in the background of the episode and aside from a hole in the floor they are starting to listen. But Huey is an ass about it and not only shoots it down saying let’s keep the dangerous creatures contained, even though A) he has no idea WHERE they’ve been kept so he can’t verify it’s safe, and since i’ts Donald’s Closet no no it’s not. and B)There’s no where he knows of to keep them. He isn’t aware of the other bin till next season. and C) it’s not ehtical to keep creatures locked up forever epsecially since while the harpies are dangerous they arent’ MALEVOLENT and are clearly acting on instinct. oh and for D) at least she has a plan to keep the company going instead of just wanting to end this and cash out.

Which Huey tries to.. but naturally Louie spent all their money on...

So their broke.. and Storkules has no rent money and feels like a failure despite having done NOTHING wrong. We do get a clever little nod to Disney’s hercules though “I”m not a hero, i’m a zero”. Webby rightfully glares at Louie who decides to fix it... by sneaking into Donald’s house that night to free the harpies.

Though to the shows credit it’s a VERY bad idea, and Storkules coming in mid attempt and congradulating Louie when he lies about checking the door gets the kid to come clean. And it’s a nice character moment: He could still go through with it.. but it’s clear he realizes just HOW low he was about to sink to save his own skin and that as much as Storkules WANTS a paycheck and deserves one, it’s not worth hurting people to get it. Louie tries to justify after this.. but can’t.

Unforutnately Donald took a lot of stupid pills this episode, yells about his no pets rule and frees them instead of you know, THINKING for five minutes.

So yeah NATURALLY Donald is an angry shit about it , refusing to actually TALK to Storkules about this or maybe admit this is partly HIS OWN FAULT. Yes their both at fault, Storkules shoudln’t of shoved a bunch of harpies in a closet. That’s a classic blunder. But Donald still opened it and isn’t called out on taking zero responsibility. Huey sees the fracas and just takes down their days without an accident placard, good stuff and he and webby arrive to help. Donald fights with Storkules and Storkules worries about loosing his friend.. lead to them going after the thing he values most aka donlad and hyjacking the house boat, though the kids manage to get aboard.

As Storkules saves Donald, Louie realizes the most precious thing he has is his merch and willingly gives it, and his buisness up to save everyone. It’s good character stuff and shows that despite his problems with greed, Louie IS a good kid and will do the right thing. It’s what seperates him from the Rouges Gallery the family faces: He has FLEXIBLE morals but he has morals when it comes down to it. So everyone tosses the stoff to help direct the hapries and make it home tying them up. Donald has a heart to heart with Storkules and agrees to help him find another place, but still considers him a friend and they hug. Awww. One intresting thing I DID find out from rewriting history is they originally fully intended to have Storkules STAY on the houseboat. He was going to be a permenant member of the household, at least as far as Season 2 was concenred and plans were made for several episodes down the road: the whole bit with him in “The Golden Spear” was simply because he lived there, he was going to be the one Della met in the houseboat, obliviously guilting her about what she’d missed, and he was going to set off the kids subplot in “Whatever Happened to Donald Duck?”

This ended up not happneing for logistical reasons: Frank, and I swear this was the term he used, felt they already had the perfect Himbo in Launchpad and it was just too much HImbo energy for the two to coexist without one taking the others screen time or neither getting a lot.

The next reason was having a god around simply broke the story: He cited the gilded man from “Nothing Can Stop Della Duck!” as a specific example. There were just too many hoops to jump to have him not break any story he should be around for. Finally with Della being added to the cast soon there simply wasn’t room in the main cast. Della brought it up to 9, Storkules would make it 10, and as i’ve gone on about the show already had trouble ballancing it’s cast, something Frank admitted to. Adding him would both be too big a stiatus quo change and be one on top of the massive one of Della joining the cast. So he was dropped back to recurring and only showed up one more time. And while it was the right call I am dismayed he didn’t show up for the whatever happened to donald duck subplot and it does feel very weird he never adresses Donald being gone despite, at least for season 2, apparently living in Duckburg. Otherwise though as funny as this wouldv’e been.. yeah it was the right call.

Scrooge returns... having been absent all episode because otherwise it wouldn’t work and easily saw Louie loosing it all coming.. but gives him a can of lemonade for his troubles and comforts the boy. The heart of htis arc and what makes it work at it’s best.. is these two. Scrooge GENUINELY wants to help Louie see his potetial successor in buisness: oh sure adventure wise he’s throughly covered.. but Webby, Dewey and Della all are more focused on the addventure part and that’s where their passion and talent lies, Huey’s better at science and given his close frinedship with fenton and how much that part of things seems to truly inspire him, i’ts what he was born for, and Donald just wants a regualar life and can’t manage his own life much less a company.

Louie is the only one in his family whose the right fit to inhereit that part of his legacy and I feel that’s why he takes a special intrest in him and webby over the other two: While he loves all of them and will clearly again leave a piece of his fortune and empire to all of them, Webby is the most like him, as we later find out not coincidentally in the slightest, when it comes to adventuring and curosity and a love of exploration. But Louie is the most like him in other ways; He’s cynical, money driven and passionate. Scrooge simply wants him to be as good a person and buisnessperson as he can be and is trying to push him in the right direction. And does so here by pointing out that failure isn’t a huge problem..it happens, comes with the terriotiry and as we’ve seen with life and times, even with portions of it clearly not happening in this universe, he failed a LOT to get here. What matters is that he tries and tries to do it the right way.

Scrooge also sympathizes as he was buying a lemonade company in cape suzette, giving Louie the can as a present... but laments there’s no cheap effective way to deliver the lemons. Louie notices the harpies going after the can after he throws it and Webby controlling them with it and muses that theyd idn’t think about what THEY wanted.. nad rightfully gets punched across the lawn by Webby, whose had to spend an entire episode having her surrogate brothers talk down to her and ignore her valid ideas. She dosen’t even open her eyes she just bops him one.

So we end with Scrooge having enlisted the hapries, Louie trying to take credit again and both realizing they might just steal the lemons instead of work for them. Ha ha ha their going to get so sued.

Final Thoughts: This one was mediocre. It has some good points, Louies arc continues to fascenate me, Huey’s done with this shit attitude is hilarous, and Storkules is at his best in this episode: his crush on Donald is toned down from this..

To this

To the point I could see shipping them off this one if Storkules episode didn’t have him do eveyrthing short of .. well see above. So it’s not WITHOUT merit: I love me a ghost busters style plot, there are great jokes and Chris Dimatopolis is a gem as always. Glad he’s getting work after this show on Invincible and hope he gets to play Darkwing again some day. But the Donald stuff and the fairly predictable plot drag this one down. I’ts fairly obvious they’ll run out of harpies, Louie will have spent the money and they’ll somehow get free. It’s not a terrible episode but it’s it’s sandwiched story wise between two straight up classics on both sides: the previous two episodes were even better than I remembered and the next two are incredibly good: Whateve Happened to Della Duck?! is one of their finest hours and The Outlaw Scrooge McDuck, while not making my best of list for the series as a whole is still one of my favorites for the season. It’s just disapointing this one wasn’t nearly as good as I remmebered and it’s understandable why I forgot almost all of it, unlike the previous two episodes. Thankfully as I said better’s over the horizon.

NEXT TIME ON OF MOONS, MILLIONARES AND MOTHERS: I’m taking a break for a week. One of two weeklong breaks for the arc, the other being the first week of July where i’m on vacation anyway (Though i’ll be doing the episode I would’ve done for that week the week before to keep the pace up, so no worries),

As for why, it’s my utmost honor to announce GOOF WEEK! Goof Week is a weeklong celebration of Goofy’s birthday. The idea came about because as I do for the big three, I intended to just do a shorts special. But Kev , the guy who made this very review possible, suggested doing the two part Goof Troop pilot. And since kev pays for a house of mouth episode a month anyway and thaks to you lovely people I hit my patreon stretch goal to review the goofy movie, I figured “why not make a week out of it. Hence Goof week. So next week we’ll have a review of the two part pilot for Goof Troop, the special Sports Goof, the House of Mouse episode Super Goof, your regularly schedule shorts spectacular, with The Goofy Movie for the grand finale! yaaahoooooieeee!

When we come back i’ll be shuffling episodes around slightly so I can do the Della comics from the Ducktales Tie-In Comic before her debut and in time for Donald’s own theme week in June, i’ll be saving “Whatever Happened to Della Duck?” for the week after Donald Week. Instead next we get a fun wild west adventure as Scrooge tells a story of his outlaw days, his tension with goldie and his encounter with a certain robber baron as John D Rockerduck FINALLY makes his screen debut. Yee-Haw!

If you liked this review, subscribe and follow for more and consider joining my patroen, patreon.com/popculturebuffet. I have exclusive reviews, my most recent duck based one being an obscure carl barks story about wigs and the boys attempting to murder a guy with a blow gun, and your contribution helps me reach my goals and thus gets everyone, patreon or not, a bunch of neat new reviews. If you get me to 20 dollars a month, i’m currently at 15, EVERYONE will get a monthly darkwing duck reviews, reviews of the two remaning ducktales 87 mini series including the origin of GIZMOOOODDUUUUUCCCKKKK, and a review of the Danny Phantom movie The Ultimate Enemy. And with the month running out NOW’S the time to join. YOu’ll also get to pick one of the shorts for my Donald Duck birthday specail next month, so if you want to join in NOWS the time. But wether you can or you can’t, thank you for reading, i’ts been a pleasure.

#ducktales #louie duck #storkules in duckburg #dorkules #donald duck #storkules #scrooge mcduck #webby vanderquack #huey duck #flintheart glomgold #dewey duck #funzos #disney #disney+#disney plus #disney xd #harpies

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sylvie--laufeydottir · 3 years

Text

an obligatory analysis of sylvie’s character (aka: who betrayed who?)

in case you can’t tell, i like sylvie. but here’s a big fuckin post where i share my thoughts on her role in the finale in a sort of disjointed kind of way.

NOTE: this isn’t about sylki. i don’t ship it personally, but that isn’t really relevant to this at all. this also doesn’t go into the criticisms i have of the show because this isn’t really the place for that. maybe i can do that later, whatever.

also, this is gonna be a long post. i have a lot of thoughts.

sylvie’s introduction and motivations

one of the first things we learn about sylvie is her opposition to the tva. (okay, it’s literally the first thing, whatever.) in episode 3, we get to see her entire plan - overthrow whoever’s running the tva, and... that’s it. loki questions her about the power vacuum that would leave, to which she shows that she’s not interested in running the tva. (this is also stated in ep 2.) her goals are clear. she wants rid of the entire organisation, and doesn’t care about or want the sort of power that would come with pulling the strings.

her reasoning for this seems pretty simple. she doesn’t want the power ruling the tva would entail because she knows what it’s like to be on the other end of that deal. she had everything taken from her as a child, and doesn’t want that to happen to anybody else. she believes that that kind of power belongs to nobody, not even herself.

this easily establishes her as a character who, despite having an ego, has principles that trump everything else. she’s very dedicated to her cause; the ‘never at the expense of the mission’ line in ep 3 just states it out loud. her entire life has been dedicated to this cause. this is a good time to segue into the next section...

sylvie’s personality, character and flaws

she’s fuckin stabby.

despite only really being present for 4 out of the 6 episodes of the show, we manage to get a pretty good idea of sylvie’s personality right from the start thanks to episode 3 being largely a character study with both her and loki. she’s shown as a very competent and strong character - however, contrary to marvel’s guidebook on writing female characters, those aren’t personality traits. what we actually see of her is that she’s very confident, and has a tendency to be rude or dismissive of other people. episode 3 has a bunch of examples of this, but the easiest one to point to is the fireworks scene. after loki does something nice to cheer her up, something which visibly works, her response is to waive it away as ‘not bad’.

her coldness in this scene even after bonding with loki is likely due to her upbringing. sylvie spent the majority of her life, including her childhood, on the run, unable to form relationships with people who weren’t moments away from dying. it feels a bit redundant for me to point this out, but this is, as they say in the medical field, mega fucking traumatic. not only did sylvie not have the opportunity to form these kinds of connections, she couldn’t even develop the ability to form them. loki is a bandaid to cover a bullet hole in this regard, one she needs years to heal from. while she does bond with him to an extent, she is physically unable to trust him to the point where they can be considered close.

another thing we learn about sylvie is that she’s very violent - and that she enjoys it. being a character that grew up running from an organisation that wanted her dead, it makes sense for her first instinct to be confrontational. however, despite having to fight to survive, she visibly takes pleasure from fighting. this was brought up in an interview with sophia (that i am not going to link here, because tumblr is kind of a hellsite and i’m not in the mood for that today). here’s a nice extract instead.

“She's not trained like Loki is,” Di Martino continues. “She can't do some of the flourishes that he would, but she's figured out how to brawl. She's a street fighter and she loves it. That was a really great key to unlocking part of Sylvie for me, was how much she just loves a fight. She knows that she's either going to win, or if she isn't going to win, she'll survive. She's that damaged character who's dangerous because she knows she can survive.”

her tendency towards violence is actually a key part of sylvie’s character. this works as both a strength and a flaw. on the one hand, she’s able to survive scrapes most other characters wouldn’t, and she knows that. she’s not one to freeze in most (note: most) scenarios, because she knows what to expect. on the other hand, violence isn’t always the answer, and she’s very unlikely to consider any other option than a fight.

her enchantment abilities tie into this - they’re another weapon for her to use, and one she’s not afraid to call on. however, her eagerness to enchant people without hesitation puts her in a pretty bad place morally. her enchantment clearly leaves hunter c-20 traumatised, and yet she’s more than willing to enchant people for the sake of the mission. she’s also relatively dismissive of human sentient lives. an early example of this is in episode 2, where loki asks her if the person she had enchanted was dead, to which she responds with a casual ‘they usually survive’. additionally, she’s more than willing to fight the guards on the train in episode 3, despite them seeing her as a threat for completely understandable reasons.

in the case of the guards, her reasoning for placing such little value on their lives is likely that they’re about to die anyways. everyone on lamentis is doomed, so from her point of view, whether they die at her hands or at the hands of the moon from majora’s mask isn’t really important. however, c-20 is a different story. sylvie places next to no value on the lives of the tva’s workers, content to slaughter them en masse for the sake of her goal. this is despite her knowing that every one of the tva workers is a variant plucked from the sacred timeline. this sets up a weird sort of transactional nature in how sylvie views other people - to her, they’re less important than the mission, and she doesn’t hesitate to eliminate threats.

was this a long section? this was a long section. i would like to call back to the fact that this is not a sylki post for this next part. and also to praise anyone that got this far, because fucking hell, is this excessively long or what? who would have the time to write this out?

sylvie’s bond with loki

i want to go back to that whole thing about her relationship with loki. he’s the first person she’s really spoken to since she was a child who isn’t about to face imminent death. furthermore, despite their differences, they have quite a lot in common - enough to hit it off surprising well for two people who kind of want to kill each other. they’re able to relate on common ground like frigga, and even though they clash due to loki’s initial carelessness, they’re overall able to get along well enough aside from occasional bickering. the blanket scene from episode 5 is probably the best example of this. sylvie allows herself, albeit briefly, to be vulnerable around loki.

except, not really. one of the first things she does is tries to ensure he won’t betray her. i’ve seen somebody cite this before as proof that her fondness towards him isn’t real, and that she was planning on betraying him from the start, hence why it was on her mind. that’s definitely possible, but i think it’s far more likely that it’s just her difficulties connecting to people stopping her from feeling safe around him even as they share a nice moment. she really does seem to care about loki - an easy example of this is her asking how he is during episode 4 without being prompted. she’s just unable to properly process these kinds of feelings due to an incomprehensible amount of trauma. as loki puts it, she can’t trust.

and loki can’t be trusted. she knows - or at least, thinks she knows - his nature as a trickster and a villain. loki embodies a part of sylvie that she considers herself completely separate from; the tva-approved liar whose purpose is to bring out the best in others. while she does show him more decency than to treat him like that, at the end of the day, he represents something that makes her deeply uncomfortable, hence her rejection of the loki name. despite what they have in common, loki is an incredibly difficult person to trust, especially for somebody who has deep-rooted trust issues. so, this brings us onto...

who betrayed who?

so, sylvie and loki make it to kang’s castle. after all this time, she’s finally about to reach her life’s goal. she’s clearly nervous - this is out of her comfort zone, unlike most fights. loki reassures her, and they head in. they meet kang, learn the true nature of the tva, have the opportunity to kill him...

and loki stops her.

loki’s motivations are left ambiguous. the uncharitable interpretation is that he wants to rule the tva for himself, as per kang’s offer. he’s expressed such an interest to sylvie before. for the loki we know in avengers 1, this seems perfectly in character.

however, for the loki we’ve seen in the show, there’s a different option. he believes kang’s threat that there are multiple of him, and that killing him won’t solve anything. to him, he isn’t willing to risk unknown horrors for the sake of taking his revenge out on kang. this is the loki who offered diplomacy and guile to counteract sylvie’s brute force.

but sylvie, who can’t trust, assumes the worst.

to her, loki was the one who betrayed her. they had a plan - find whoever pulls the strings, and destroy them. to her, loki’s hesitation isn’t caution, but treachery. taking kang’s offer to rule the tva is exactly what she thinks she should’ve expected from the guy who hurts everybody who loves him. her fight or flight responses kick in, and she chooses the one she always chooses. loki’s attempts to reassure her fall on deaf ears, not just because she doesn’t want to trust him, but because she’s physically incapable of it. she makes the short-sighted decision of brute force, just like she did back on lamentis, because it’s all she’s ever known, and the cause she’s dedicated her life to.

from the outside, it looks like sylvie was the one who betrayed loki, but things look pretty different from where she’s standing.

this is why i take issue with people calling sylvie a ‘villain’ or questioning whether this was her plan for the start. in my opinion, her motivations line up pretty clearly as a creature of habit, one who panics at the first hint of smoke and pushes away the first person she’s been able to bond with for the sake of self-preservation. did she make the wrong decision? unquestionably - the effects of her actions will no doubt plague the multiverse (and the mcu, for us) for as long as they go unchecked. but she made the only decision she was capable of making, and that’s not villainous, just tragic.

conclusion

well, this is a kind of depressing way to finish this post. for what it’s worth, though, i don’t think sylvie is a doomed character. regardless of how brief it was, she did show a real connection with loki. just because something requires a lot of healing doesn’t make it impossible. this is why i like sylvie as a character so much; she’s deeply flawed and complex, but that complexity makes her interesting, and relatable. marvel has a long history of sexy lamps and supposed ‘tortured backstories’, but sylvie is the first time they paid attention to this with their character writing without having to give somebody a wholeass prequel movie. with loki confirmed to appear in multiverse of madness, i’m hoping we see more of sylvie - not as a villain, but as a hero who can overcome her past experiences and rise to better things.

or maybe another kang shows up and kills her immediately. who knows.

#sylvie #sylvie laufeydottir #loki #loki theory #loki analysis #loki series #long post #like really fucking long #i’m so sorry for this #not a gif

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xxdragonwriterxx · 4 years

Text

🔥The Angelus Mortis (1/2)🔥

A/N: Hey everyone, I’m back! I apologize for the really long wait but I wanted to try something different where, instead of posting one story at a time as soon as I finish it, I wrote five stories and then I went back and edited them in the order I wrote them. It took so long because I’ve been writing a ton in the past week. Hopefully I can make up for the long wait by giving you guys several stories in the next few days or so. Thank you so much for the support on “Scalding”, I was not expecting it but it makes my really happy to know you guys liked it ❤️. Now, without further ado, here is my next Levi x Reader fic!

Warning: This one is super long so I actually had to split it up into two parts so it wouldn’t be such a huge pill to swallow. I will post the next chapter asap though, so keep an eye out for part two!

Summary: Erwin finds a dangerous assassin in the Underground while Levi is on a solo mission.

~~~

Erwin sighed and rubbed his temples to try to dispel the headache that was already building there, the message from the Military Police on his desk, mocking him. He glared at it, his eyes scanning over the words again.

Gods they were so incapable. He would never voice his frustrations aloud, but he wished, for once, they could deal with their own issues. Fight their own battles without having to drag the Survey Corps back to do all of the hard work for them.

Despite his annoyance, Erwin would not have normally been so frustrated, but this situation was different than usual due to the fact that Captain Levi was gone from the base. He had been sent off on a solo mission to get some more information for Erwin on the movements of the violent gangsters that were fighting with one of the Military Police branches.

“What’s today’s headache about?” The loud, chipper voice of his girlfriend, Hanji, made him look up and grunt at her and the stack of finished reports she held in her arms.

“Oh, I just received a message from the Commander of the Military Police. There is a dangerous assassin who has been cutting down the MP’s that venture into the Underground. Apparently, this guy is impossible to catch and incredibly ruthless, known to leave pieces of the soldiers around for the officers to find later. They want us to go down there and find them, put an end to them before they wipe out an entire regiment.”

Hanji leaned her hip against Erwin’s desk and raised her eyebrow at her partner as she listened to the gruesome things the assassin had done.

“Holy shit…, who are you going to send? Levi is on that solo mission,” Hanji said.

“Yeah that’s the problem,” Erwin responded. “I’m going to have to be the one to go. I’m not going to send someone who will lose their life on this mission. There is no need to waste lives on something as trivial as catching this guy. Also, if he’s impossible to catch, the only one other than me who has enough experience with the ODM gear to navigate the Underground would be Levi, who you pointed out is not here at the moment.”

“Well, I’m coming with you then,” Hanji said. “Someone will need to watch your back, and be there to bring you back to the surface if you end up getting your ass handed to you.”

Erwin smiled at her as he shook his head.

“I’m not going to lose this fight.”

“Oh ho ho, tough guy! Such confidence, I can’t wait to watch your ass hit the ground when that assassin shows you a couple of choice moves,” Hanji chortled.

“Your obsession with my ass is noted. Now go get ready, we are leaving in an hour,” Erwin said, his eyes twinkling as he teased her.

Hanji’s laughter bounced around the halls as she exited his office to pack her things and prepare for the trip to the Underground.

__________________________

Levi grumbled lowly to himself as he nursed a glass of whiskey, his silver eyes appraising the other people in the bar in annoyance. The Captain was not normally one to drink, especially back at the base, but after having to deal with some of the most annoying people on the planet, he felt as if he deserved to relax a little.

At least neither Erwin nor Hanji were with him. That was one of the only reasons he was able to convince himself to go into the old bar; not having to worry about Erwin pressuring him to loosen up, or Hanji trying to wrestle secrets about his life out of him while he was drunk.

Levi took a sip from his glass. The alcohol slid down his throat, leaving a fiery trail in its wake to settle in his stomach, the warmth spreading throughout his gut. The whiskey was starting to loosen the headache that was holding his skull captive, allowing the usually stoic Captain to settle a bit more in his seat, enjoying the relative silence of the dingy establishment.

All day he had been forced to fight with violent gangsters, helping one of the Military Police branches arrest the most aggressive ones and scaring away the others. The whole day had been a loud, frustrating, exhausting experience, making Levi almost miss his normal expeditions outside the walls with the Titans. At least it was his last day in this shit hole, finally able to return to the base in the morning now that all of the criminals had been successfully rounded up.

Thinking about the men and women he had helped put away that day, combined with the alcohol that was circulating through his system, made his mind stray back to memories from his Underground days. For the most part, he tried to forget about his past, thoughts about his time down there, only bringing up bitter emotions. It was like reliving a nightmare over and over again.

He huffed as he tried to lead his train of thought elsewhere to no avail, his mind flooding with images from his childhood, his struggle as he and his friends fought for survival. His mind even dragged up a foggy image of a beautiful face from the dregs of his past before he quickly diverted his train of thought, refusing to think about that face, that loving smile.

Levi didn’t know if he was lucky or unlucky when his spiraling thoughts were suddenly interrupted by the appearance of a woman. She wearing a severe red dress that pushed her cleavage up so her breasts were almost spilling out over the top, her lips pursed as she sat herself across from him.

Levi refrained from groaning aloud in frustration, wanting absolutely nothing to do with the woman in front of him, but also recognizing that a tiny part of him was grateful for her intrusion, distracting him from sinking further into the dark memories of his past. Now, he just had to figure out how to shrug this woman off as she leaned forward, so obviously trying to get into his pants he was surprised there was not a ‘FUCK ME’ sign strapped to her chest.

Levi scowled and pulled away from her when she went to touch his arm. To his annoyance, the woman laughed instead of moving away, her eyes sparkling with barely disguised lust as she looked him up and down.

“Look, I’m not interested,” Levi said bluntly.

“Come on, handsome, it won’t hurt for you to relax, why don’t we ditch this joint?” the woman purred.

Levi rolled his eyes so hard he was worried he’d strained something. The situation reminded him of all of the times Hanji had tried to set him up, ignoring his protests and forcing him to meet women from all walks of life despite the fact that he turned them all down without a second thought. It bothered him to no end, not only because it was annoying as hell, but also because there was only one person he had ever given his heart to, and she was gone. Nobody could ever replace her, it didn’t matter that she wasn't around to love him anymore, he refused to be with anyone else.

He figured some people would probably see this as childish, but he didn’t care. To him, he didn’t have a heart left to give, the organ dying with his lost love all those years ago.

“Not interested.”

The woman pouted but moved closer still, practically leaning into him despite his grimace of disgust.

“You don’t mean that, baby, you look like you could use a good time. Here, let me help you. I know exactly how to make you feel better. Have you ever felt the stars? Because you’re about to…,” the woman said boldly, her hand slowly drifting downward.

Levi stood up so fast he almost knocked the table over. His glare was fierce as he slammed his empty whiskey glass on the table. Piercing her with his sharp gaze, Levi snarled lowly at her.

“Not. Interested.”

Grabbing his cloak, Levi stormed out of the bar in even worse spirits than before, memories of the face that haunted his dreams floating across his mind to tease at the edges of his broken heart. Growling to himself, Levi was only grateful that he was leaving in the morning as his feet carried him back to the shitty inn he was staying in for the duration of the mission.

____________________________

This was a bad idea. Scratch that, this was a horrible idea. Erwin laid on the filthy street of the Underground, hidden in the shadows of an alleyway, holding his hand to his shoulder where a dagger was lodged, gritting his teeth as he fought back the bile that rose in his throat at the pain swelling in his body.

He had no idea where Hanji was, the pair having been separated when they were attacked out of nowhere. Erwin realized now as he lay in the dirt that he had severely underestimated this man, the assassin who got hired to kill the most powerful soldiers and officers in the military. He had read about his strength, but even with that information, he had not expected the fight to be so overwhelming.

This man was dangerous. Very dangerous. Erwin knew from the reports that the killer worked alone, using wit and cold, calculated cunning to attack in ways that not even the veteran soldiers had seen before.

Erwin’s thoughts were suddenly cut short when he heard a pained shriek, one he immediately knew to be Hanji, and watched in horror as a figure slowly came around the corner, holding the limp form of his comrade in his grip.

Hanji let out another pained noise as the figure threw her right at Erwin, the Squad Leader hitting her Commander, causing them both to grunt. Looking down, Erwin saw that Hanji had a long gash down her side, but it didn’t look very deep and she didn’t seem to have any more wounds other than some bruising. A warning.

Erwin managed to hide his nearly imperceptible sigh of relief at the thought that this assassin was considering sparing them if they only left him alone. He knew that he could never leave the assassin alone forever, but if it gave them the chance to get to safety, he could come back another time with reinforcements. It was only one man. A very powerful man, but a man nonetheless, he wasn’t invincible.

Forcing down the whimper that bubbled in his throat when Hanji moved against his shoulder, shifting the blade in his flesh, Erwin locked his eyes on the figure that was still watching them, the darkness of the alley covering any distinguishable features. The only thing Erwin was able to make out was that the figure looked smaller than he imagined. But the seasoned Commander wasn’t stupid enough to determine his threat level based on size, not when one of his best friends was Levi Ackerman, one of the shortest yet deadliest men alive.

The pair tensed when the figure suddenly started towards them, his arm reaching back to procure a wickedly sharp sword from underneath his black cloak. Erwin’s mind scrambled for a plan but he came up blank, his mind ceasing all thoughts when the figure suddenly charged them, sword held aloft.

Erwin and Hanji closed their eyes, clutching each other as the killer came for them, both of them waiting for the quick sting of pain before death, waiting for their remains to be scattered around the Underground like Easter eggs for their friends to find when they came back to their empty offices and cold beds.

Erwin sucked in a breath when he felt the cold, harsh tip of the sword touch his throat but slowly opened his eyes after a moment when the feeling stayed there, the blade hovering just above his delicate wind pipe.

From this distance, Erwin could tell that the assassin was wearing a mask in the shape of a wolf over his face, his body poised to strike as he hovered over the pair of senior officers, his breathing labored.

“Are you Commander Erwin?” The man suddenly asked, the voice deep and distorted thanks to the mask.

Erwin contemplated lying for a second, but knew he didn’t really have a choice in the matter when the man pressed the tip of their blade a little bit harder against his flesh, even causing a pinprick of blood to bubble up from under the steel point.

“Yes.”

The man hesitated for a moment. It was almost as if he were remembering something, Erwin’s name bringing up memories from another time. The Commander had no fucking clue what that could mean for them, but he wasn’t entirely sure he wanted to find out.

The assassin opened his mouth to say something when all of a sudden, several ropes were thrown from the darkness, catching the killer by surprise. He leaped out of the way, dodging the ropes at a speed that could only be rivaled by Captain Levi, almost making it out onto the street before he ran headfirst into a trap of chains, the metal clinking as it wrapped around his lithe form and tightened, forcing his arms to snap to his sides and his legs to buckle.

Erwin and Hanji scrambled into a standing position and smiled in joyful surprise as a familiar Mike, Nanaba, and Moblit rounded the corner. Erwin sighed in relief and Hanji let loose a little cheer as the three other veteran officers surrounded their quarry. The pair had no idea how their friends had found them or even why they had thought to follow them, but neither cared as relief filled their systems.

The assassin snarled at them and continued to struggle against their bounds, his mask making the words coming from his mouth sound nearly animalistic in nature.

“Fuck you!” The assassin roared, somehow finding the energy to fight harder as the veterans leaned down to detain the criminal. The soldiers ignored the assassin as he continued spewing profanities while they made their way towards the stairs, their mission complete.

___________________________

Erwin blinked in utter shock as he stared at the assassin through the bars of the cell they had shoved him in underneath the Survey Corps HQ.

Only, it wasn’t a him.

Erwin could only gawk as the reality of the situation settled in, his eyes roving over the assassin’s (h/l) (h/c) hair, feminine curves, and beautifully angled face. The strongest assassin in the Underground, the one that had been dubbed The Angelus Mortis, The Angel of Death, was a woman.

He never doubted that women were strong, he trained and fought beside a whole legion of strong, battleworn women that could take down anyone in a heartbeat any day. But this woman had come from the Underground. While not impossible to gain strength in the Underground, most women, and many men for that matter, that lived in that cesspool merely ended up rotting away, their legs destroyed by the lack of sunlight and their bodies wracked with disease. Even if a woman managed to avoid the severe malnourishment, most of them were forced into brothels to be used by the wealthy merchants and nobles who decided to flaunt their wealth in the poorest part of their cities.

But this woman had fought. She had fought like an animal, a wolf, as her mask had suggested. She had used her impressive intelligence and strategic mind to avoid getting caught, all while clawing her way to the top of the food chain, making herself such a feared symbol that nobody would touch her. She was cold and vicious but not at all feral, her mind sharp and her eyes clear as she stared right back at the giant blonde Commander, her gaze never drifting from his.

Erwin leaned back as he appraised her. He could tell that despite her strength, her body was severely malnourished and neglected, the lack of proper food and water paired with the intense physical labor she pushed herself through every day, rendered her body weak and thin. Erwin could tell right away that if she were given the proper commodities and nursed back to health, she would be stunning and very powerful.

He had to think about this carefully. He had sent in an after action report to the MP’s telling them that the Survey Corps had done their dirty work for them, and they had already responded with a message telling him to bring her to one of their prison cells the next morning to be tortured to death for her crimes. He knew she probably deserved a punishment like that, she had killed a lot of soldiers, but he felt a strange tugging on his heart, like he knew, deep down, that there was more to her story, something that would make her worth much more than a street rat to be thrown to the dogs.

He had no idea why but he wanted her in the Survey Corps. He knew that she was dangerous, knew that most people would call her insane and then call him insane if he brought this up. But he felt something, like he knew that if he didn’t get her into the military, they would be losing something priceless.

“Are you going to keep staring at me like a perverted fuck or are you going to tell me when I’m being taken away?”

Erwin’s eyes snapped to hers from where they had drifted to her ribs, which were jutting out of her chest prominently.

“I knew you were going to be testy, sassy even, maybe downright insane, but I didn’t expect someone so close to death to be so confident,” Erwin said, a smirk teasing the corner of his lips.

The assassin rolled her eyes.

“I’m from the Underground, idiot, death is always a constant companion on your shoulder. I’m not scared of death, scared of the torture before death, maybe, if I decide I care enough, but not of death.”

“Is that why you killed all of those people? Because death is your friend?” Erwin asked.

“Don’t be stupid.”

“That is what you said.”

“I only said it is something I am used to, the constant threat of death and suffering, not that I enjoy it. Death is not my friend,” She growled with a sharp glare in his direction.

“So why did you kill all of those soldiers? Besides being hired to, I mean. I’d understand your motivations a little more if you had started killing other people who lived in the Underground, to give yourself an advantage, but you chose soldiers.”

The assassin was silent for a minute, breaking his gaze for the first time since he had come down to see her. He could’ve sworn her gaze clouded over slightly, as if she were remembering painful memories, but the fog in her gaze was gone as quickly as it appeared, making Erwin question whether it was even there to begin with.

“That’s personal,” she said after a heavy pause.

“They didn’t compliment your outfit?” Erwin teased, flashing a smile in her direction when she snarled at him.

“Fuck you.”

“Alright fine,” Erwin said. “Why did you ask about me? About my name?”

“That’s personal too.”

“Well you’ve got to answer at least some of my questions.”

“Why should I care about you and your inquiries?” She asked, leaning against the wall and crossing her arms in a way that reminded Erwin so much of Levi he almost smiled.

“Because it might guarantee you your life,” Erwin said.

“Who says I care about living?”

Erwin was silent for a moment this time as he scanned her with his bright blue eyes again, really taking her in. She was something, he could say that. She was unlike anyone he had ever met before. Even Levi, with his similar distrusting nature and sharp, piercing gaze was never this witty, never this sassy.

“I say you do,” Erwin said.

“Oh really? And what makes you the authority on that?”

“Nothing. You are the authority on yourself, on your emotions and instincts. I am merely an observer in this matter. I can see it in your eyes, I can read it in your posture and spot it even in the methods of your actions. In why you became an assassin, and the best one at that.”

She stayed quiet, watching him.

“I know you want to live. I don’t know anything about the personal shit that went down between you and the Military Police but I’m assuming that whatever it was was crippling, which was why you went to such drastic measures to make it to the top, to do whatever it took to make them hurt and scream. Why you never even attempted to hide the bodies. I know some people claim it was because you are cocky or egotistical, but I know better.”

Erwin leaned forward, his eyes glinting in the dull golden light of the lantern hanging on the wall. The assassin again said nothing but she never stopped watching him, playing into this game they had started, dancing on hot coals.

“Just from the fact that you did all of that. That you chose to fight back against your grief rather than succumb to it, rotting away in a forgettable corner of the Underground, shows me that you want to live. That you want to give yourself a purpose to cover up whatever loss you have felt in the past, and use it to fuel your own future.”

The assassin’s eyes narrowed on him as she pushed away from the stone wall of the cell. “I’m impressed.”

“Not quite so much of an idiot anymore, right?”

She glared at him and the smirk that spread across his face.

“(Y/N).”

“What?”

“My name is (Y/N).”

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trashmancer · 3 years

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Again, been reading a lot recently, and here's some recent reads and my thoughts. (All very spoiler-free)

Johannes Cabal: The Necromancer by Jonathan L. Howard

I'd heard about this series for a while, but had always kept putting off reading it, and finally I was in the mood for some comedic (yet dark) shenanigans--and a villain protagonist as charming as Johannes Cabal really hit me just right. I really enjoyed the first of this series and the introduction to this 1920's-ish universe similar-yet-different to our own that Howard's created. His writing is crisp and clever--and Johannes is a villain protagonist worth cheering for. He's duplicitous, arrogant, and cold, yet sharp-witted and competent enough to be engaging, and even though he's amoral (driven predominately with an "ends do justify the means" mentality) there are glimmers of a conscious buried in there.

The basic gist of the first book is that Johannes Cabal is a necromancer dead-set (ba-dum-sh) on thwarting the biggest plague affecting mankind: Death. As such, he's willing to go to extreme lengths to hone and perfect his necromantic abilities. In the pursuit of this knowledge, Cabal sold his soul to Satan, but he comes to realize he actually needs his soul for his necromancy to work more properly (apparently without a soul it gets very unpredictable). In order to win his soul back, he strikes a wager with Satan: he will accumulate 100 souls for Satan in return for his own. Satan, ever the fair player (not), gifts Cabal with an infernal carnival to help Cabal reach his goal within the year. Shenanigans ensue.

While I read some books in-between this one and the next in the series, I'll write about the other here--

Johannes Cabal: The Detective by Jonathan L. Howard

So clearly I enjoyed the first installment enough to keep going, and I am glad, because I enjoyed the second one even more than the first. It feels like Howard got more comfortable with the characters and world than before, and in this one he expands his universe with some made-up countries that are similar-to-yet-different than countries on our Earth. In this one, Cabal does less fantastic tricks, as he dons the role of investigator (there's been a murder--on an airship!), but the plot was very fun. I will say this is one of the first books in a long while to genuinely make my world-weary ass laugh out loud in public. Howard truly does know how to turn a phrase and comes off with some great witticisms.

Guns of the Dawn by Adrian Tchaikovsky

Tchaikovsky has been on my radar for a while because I have had Children of Time on my reading list for what feels like an age (and I still haven't gotten around to reading it, but I will soon). To prime myself, I looked up other works by Tchaikovsky. This was around the time I was look for good "stand-alone" Adult Fantasy novels as well, so the two linked up and I had this on my TBR for a while and got around to finally cracking it open.

I really loved this book. If I could describe it in any way, it would be sort of like Pride & Prejudice if Elizabeth Bennet got drafted into a war. Seriously. That's how it reads--and Tchaikovsky made the allusions to Austen's work very clear. The setting is very English-inspired, and the time period mimics Napoleonic times. Definitely the first "Flintlock Fantasy" I've had the pleasure of reading.

The themes of the book are about the caustic nature of nationalism, the blurring of truth during war, and what is true patriotism in the face of falsehood and horror. Definitely my kind of questions--and I love watching characters thrown into completely unfamiliar environments. A genteel woman (Emily Marshwic) being tossed headfirst into grisly, mosquito-infested swamps armed with a musket? It's a fascinating journey she undergoes.

Plus the novel featured a romantic subplot that hits my enemies-to-lovers buttons hard. (It's not at all like one of those tired YA enemies-to-lovers stories, but something more grown-up and messy, which I approve of, because I love drama.) But this is more of a personal note. It's definitely not going to be for everyone.

Retribution Falls (Tales of the Ketty Jay #1) by Chris Wooding

After Johannes Cabal, I got into the mood for some steampunk, and I hadn't actually read much in the way of steampunk, so I looked up some recs and the Tales of the Ketty Jay series seemed to appear on a lot of lists for this kinda thing. The basic gist of this one is... imagine steampunk Firefly. That kinda gives you the whole vibe and feel. It's about a crew of disparate and colorful characters all running from something who meet on the ship the Ketty Jay and have to learn to work together to survive.

Overall, it was a fast-paced read (I read this 400 page sucker in a single day--while doing other stuff) and Wooding knows how to write action and interesting character interactions. The world had some glimmers of brilliance (the wizard analogs in their world--daemonist--were the most intriguing part), but otherwise it was very typical steampunk. I had no real quibbles with any of that (aside from the fact some of it read as very cliche and Wooding's inspirations seemed a little obvious--Fullmetal Alchemist and Firefly being the two big ones that kept hammering me over the head), but my main complaint was with the writing and treatment of female characters. First, there is only one main female character in the Ketty Jay's crew--Jez. I had no real issues with Jez's character or writing (in fact she's refreshing in some ways), but she's completely isolated from any other female characters (and is also the only crew member who isn't really allowed to be a complete screw up--she's somewhat sanitized, which, I guess the heroic women characters aren't allowed to be fuck ups like the men?). Second, the other predominate female characters, of whom there are only three, are mute/dehumanized (Bess), characterized as stupid and unhinged (Amalicia), and have rape-as-a-backstory-written-TERRIBLY (Trinica). All that said, as much as it was cringe, this was written in 2009, and I am sure Wooding has had some growth as a writer since then.

I liked this one enough to decide to check out the next in the series (even knowing the writing for the female characters leaves much to be desired).

Black Sun by Rebecca Roanhorse

A Fantasy taking place in an Americas-inspired world? Absolutely refreshing (and more please). The main gist of this one is that a cult sets out to resurrect a dead god (seriously that's the main plot crux) while political machinations are going on in the central city of this country where the resurrection is going to take place. As the novel progresses, it's like a countdown clock to game time. There's four POV characters we follow: Xiala (a Teek sea captain who is kind of an outcast from her native people and has a love for beautiful people), Serapio (the man who has been groomed since birth to be the vessel for the resurrected god, part of this process has included blinding him), Naranpa (the Sun Priest of the capital city who is trying to garner back control the priesthood has lost), and Okoa (who really doesn't even appear until way later into the book; he's been separated from his family to train to be a warrior). For the most part, I was primarily engaged (re: 90% engaged) with Xiala and Serapio's story. They were the most interesting characters, and the journey of them on the sea trying to get to the city before the ceremony was exciting and emotional. The political dealings in Naranpa's segments kind of bogged down the action--and I didn't feel anything for that. Overall though, definitely a thrilling read with a beautifully constructed world. If I had one big criticism, it's that it ended incredibly abruptly without any resolution. I knew going in this was a part of a greater whole, but I still felt the ends could've been knotted a little tighter. I'm left dangling! But I'll be sure to pick up the next one (if anything just to find out what happens to Xiala and Serapio).

Vicious by V.E. Schwab

As an unapologetic villainfucker, I had to read this one, right? It's about not just one, but two villains! How could I lose? And they're in an intense rivalry? Revenge? Betrayal? Superpowers? Gah! Be still my heart!

I'll say I enjoyed this book (fun characters, solid writing), but I didn't love it as much as I thought I would (I wish I could love yooouuuu!). Definitely worth a recommendation to anyone who loves villains and fast-paced narratives, but... there were a few things that tarnished what could've been sparkling. The biggest for me was the jumping around in the first half. For a length of time, the novel leaps between three different points of time, sometimes 2-3 pages at a time, and it was jarring (not confusing, mind you, but it was a jolt each time). I get it was done to create an air of mystique and intrigue, but it felt like I was getting dragged around by the ear. Along with this, the plot just seemed... very convenient? As various moments kept happening, it all felt too tidy and paint-by-numbers. The characters were certainly messy and fun (and I love messy and fun), but the action itself seemed to glide on well-oiled rails with no hiccups. This did lead to the magnetic pacing of the book (which I also read in a day), but it didn't do the drama any favors. Never once did it feel like the characters were caught with their pants down--and I think that's part of the point, but it kind of dampened the tension.

I liked it enough I am definitely going to check out the sequel Vengeful though. If anything I am reading for Sydney, Mitch, and Victor. I gotta know what happens to them!

Right now I am reading some fluffy fluff to cleanse my palette because I've been reading so much moodiness. I'm mid-way through the light and breezy Half a Soul by Olivia Atwater (and it's super cute so far) and then I am finally going to crack open Andy Weir's The Martian (because I have put off reading it for far too long).

#recent reads #book review #just jotting my thoughts down somewhere #seriously though i am itching to read the next johannes cabal but i gotta pace myself #i don't want to burn through those like i did murderbot lol

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ryttu3k · 3 years

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Part 2 of my season 12 reaction posts! Find part 1 (Resolution of the Daleks to Fugitive of the Judoon) here!

Praxeus

Thoughts on Doctor Who - Praxeus!

OKAY FIRST. THANK YOU, SHOW, FOR FIXING A BIG ISSUE I HAD WITH THE FIRST SEASON. So they were doing a thing where they’d introduce incidentally queer characters, have a female character mention her wife, stuff like that, only for them to die. This episode had Jake and Adam, married/separated/it’s complicated couple, who face huge amounts of danger, who both come close to dying, but who survive! And have a Big Damn Kiss! And walk off together holding hands! They survived!!

Plotwise, I enjoyed it a ton while watching, although in retrospect it did feel a bit free of danger. The companions were never in true peril because the Doctor can home in on them automatically, and we never got the true scale of the risk of infection, since the only people we saw get infected were in isolated areas. I would have liked to see, for instance, the threat of Praxeus spreading beyond just the very Hitchcockian birds; all of the peril was on an individual level.

Good message, if unsubtle. Mind you, that’s kind of Doctor Who’s thing, and it pisses off conservatives, so all for it, really XD (They must have loved the core relationship in this episode, too!) Like. Subtle doesn’t work. There are literally climate change deniers that exist. Sometimes you actually do have to tell a message with all the finesse of a sledgehammer because .

(Side note, I was deeply concerned when I saw the cowriter was the guy who did the hot mess that was Kerblam!, so at least this was just an unsubtle and kind of questionably written story instead of an actively harmful one.)

The companions: Ryan seems a fair bit more confident on his own? His initial scenes with Gabriela showed that he’s starting to work well even without backup, and picking up the bird proved to be a damn good call. Yaz and Graham were a fun pair, and Yaz got a lot to do when she and Gabriela (again!) got to explore, and I can definitely understand the conflict between curiosity/doing what’s right and safety when it came to the teleport scene. She does seem to be bordering on the reckless. Intriguing!

Minor plot snag - Graham knows how to set up an IV, presumably because of the shitload of time he spent in hospital! …And yet he doesn’t know what a pathogen is?

Friend note!

“fun fact about graham seemingly not knowing what a pathogen is! in my reading of the scene, i saw it as graham knowing what one was. with "Well, I’m glad you asked that…!” he seems like he’s actually sort of pleased with himself, like he’s about to launch into an explanation, and then IIRC there’s a very brief shot at Ryan giving him a Look and Graham immediately changes tone to “…cause I didn’t want to look stupid.” he immediately changes from boosting his own ego to bolstering ryans and im love"

In which case, good shit gooood shit.

SFX - the infection was creepy as shit. The very obviously puppet bird near the lab was hilariously bad.

Apparently the filming was tricky because it was super windy so all the shorts of Thirteen with her hair Like That weren’t planned, it just kind of happened. Love a fluffy ruffled Thirteen.

So anyway. People calling for more plot focus - literally this is the Doctor trying to distract herself and not focus on the plot! This is her avoidance tactic! Emotional honesty? Who’s she? She’ll get back to it eventually, but for now she needs a distraction after being punched in the emotions. Give her that for one episode, c'mon.

Ryan: “…I do a lot of running.”

Graham: “Whatever is giving off those weird readings… is on the other side of that wall!” Yaz: *silently turns scanner around* Graham, not skipping a beat: “…is on the other side of that door!”

Yaz: “I don’t want you to panic, but… we followed one of those things through a teleport and now I think we’re on an alien planet.” Thirteen: “…well, you don’t do things by halves!”

Thirteen: “That’s why you smell of dead bird! I thought you’d changed your shower gel.”

Thirteen: “I’m having half a thought. Ooh, this one tickles!”

Thirteen: “What can I say? I’m a romantic~”

In conclusion, Doctor Who said gay rights.

Can You Hear Me?

Thoughts on Doctor Who - Can You Hear Me?

Trigger warning for discussion of depression and suicide.

You know you're in for a wild ride when iView warns for horror themes instead of science fiction themes.

Overall: at first impression, it felt sort of mashed together? There's 14th century Aleppo, and there's 21st century Sheffield, and there's a deep space station, and there's creepy monsters and dream villains; I do kind of wonder why Zellin targeted a random girl in Aleppo as source for his pet monster, although targeting people like Ryan's best friend makes sense if he's deliberately trying to lure the Doctor to him.

The theme, on the other hand, of mental health resiliance and reaching out, was done incredibly well. Oh yeah there'll be more comments about it - the Guardian described it as 'adventures in Wokeness' - but damn, sometimes you need to hear it. I loved getting more of Yaz' backstory, about being a desperate teenage runaway at the point of being suicidal, and her reunion with the older woman legitimately made me tear up.

But like, goddamn. Her nightmare - she's still hearing that. She's still hearing her sister saying that she should "do it right this time" and that this time she won't call and that no one is coming and holy fuck. God this makes so many of Yaz' scenes incredibly painful in retrospect, knowing that she was at that point only three years before and that she's still dreaming that shit! It makes her recklessness terrifying!

Ryan's nightmare, and his experience with Tibo - it's quite reflective of the Doctor, too. She wasn't there, and Gallifrey burnt. And Ryan is realising this now, and really thinking about the potential future in Orphan 55. I think this is absolutely foreshadowing Ryan leaving at the end of the season (there's been a lot of speculation given Tosin's new TV role), and I think Ryan and Yaz' discussion at the end of the episode was a definite hint in the direction of Ryan choosing to going back to Earth.

Would have really liked Graham, during his talk with the Doctor, to gently remind her that she can talk about her own problems, although I can understand the narrative choice on why she didn't (although, yeah, would have been good for Graham to ask). Because, yeah, if anyone needs a sympathetic ear (...sans fingers) or a shoulder to lean on, it's her!! The entire theme of this episode was like... reaching out. Conquering your fears with the help of others. Sharing your fears to lessen them. Getting help. And the Doctor deliberately... not doing that makes it into an actual Thing that I think is going to seriously be addressed by the end of the season.

It's been such an ongoing theme. A bunch of episodes have started with an obviously depressed Doctor. The Fam has tried to raise the issue multiple times and have discussed it amongst themselves even more. Scenes like Yaz' reaction after being abducted in Spyfall (...which makes her, "I thought I was dead" part even more worrying) and being comforted by Ryan, not the Doctor... her whole reaction to Graham being like, "I'm glad you talked to me but I literally can't do the same in return" - if it's not addressed by the end of this season, it's at least going to have to be an ongoing theme, because it's becoming very deliberate now.

An interesting note: the actor who played Zellin (an immortal manipulator of nightmares) also voiced the Remnants (who were the first to mention the Timeless Child in The Ghost Monument). Coincidence or deliberate?

Assorted thoughts:

"I'm still quite socially awkward." There's socially awkward and there's emotionally repressed... (I saw a description of it on Tumblr as 'weaponised dissociation' and... yeah. And also yikes.) Also the way she was so closed in on herself, basically hugging her arms to her body! On a semi-related note, talking to herself in Aleppo was a bit depressing. Like it's continuing the theme of The Doctor Does Not Like Being Alone.

The finger thing - ew ew ew ew it's in their EARS ewww D:

Stylistic comment: the traditionally-styled animation for the Immortals' game was gorgeous.

"Try not freak out, yeah, but you're on a floating space platform trapped in a gravitational pull between two colliding planets."

"Thanks for lending a helping hand!" Companions just being, "...Doctor p l s."

On an old lore note, loved the callback to Eternals, Guardians, and the Toymaker! On a concerning note, man, the Doctor has so many issues with immortals. They abandoned Jack, there was the punishment they gave the Family of Blood, they had those Issues with Ashildr (from what I've read), now this, an eternal punishment with no chance of redemption, perhaps because she knows what immortality does? Parallels with the Doctor as quasi-immortal too, which Zellin even pointed out.

"You're wrong about humans. They're not pathetic. They're magnificent. They live with their fears, doubts, guilt. They face them down everyday and they prevail. That's not weakness. That's strength. That's what humanity is."

(Contrast: "That's what humanity is." The Doctor isn't human. She's not prevailing against her fears, doubts, and guilt.)

In conclusion, literally everyone but the creepy immortals needs a hug.

The Haunting of Villa Diodati

Thoughts on Doctor Who - The Haunting Of Villa Diodati!

tfw you think you're just going to get a nice spoopy historical and instead get major plot?

Overall impression: Well, Jack is going to be pretty miffed, given that the Doctor had to do precisely what he didn't want to happen - giving the Lone Cyberman what it wanted. To save Shelley, and also to save the future, although that does bring up the question on if the death of one person can rewrite the future, why doesn't that apply to literally everyone? Fletcher the valet and Elise the nurse died too, do their deaths have the same impact? Either way, the Doctor takes the Cyberium for herself - then realises that the Cybermen are inevitable, and returns it. And now she's trying to go and stop them. So... a bit conflicting in the message there, I think.

Yeah. Bit of a Trolley Problem there.

The characters were really fun. I did enjoy seeing Mary's sense of morbidness, but also her kindness and sympathy towards the Cyberman; you can see the foundations of Frankenstein there. I'm seeing some criticism of how Byron was portrayed as a coward, but eh. Nice little callback to Ada. Also I love how one of the rules was 'no one snog Byron'. Put that dirty boy back, you don't know where he's been! Glad Claire realised that too, although historically, she was already pregnant with his daughter at that point (and that didn't go well at all)... Either way. Good display of all these bright young reckless things.

(And yes, they were young. Byron was the eldest at 28. Shelley was 23, Polidori was 20, Mary and Claire were just 18. And while Claire lived to 80 and Mary to her 50s, the three men all died young, too - Byron at 36, Shelley at 29 - yes, from drowning, Polidori at just 25. Also wasn't mentioned that Polidori also created something on that Dark And Stormy Night along with Mary's Frankenstein - he wrote The Vampyre, the first modern vampire story!)

The Lone Cyberman (and I am deliberately using that instead of 'Ashad') - creepy as shit. Not just the whole Frankenstein look, but the way he acted! Not emotionless and blank, but actively manipulative and sadistic! Mary showed empathy and he actively threw it back in her face! I mean, yikes.

House was terrific and also spooky as hell. (Am lowkey miffed that no one went "VIBE CHECK!") The jumbled layout was quite Castrovalva, and I actually really dig that Graham got to see some actual ghosts. Ghostly sandwiches!

I think we got actual confirmation here that Yaz does have feelings for the Doctor? (Bleeding Cool News is pretty sure that it was for Ryan, but... lmao no.) BBCA twitter certainly thinks so!

Claire: "His answers only increase the enigma." Yaz: "I know someone like that." Claire: "This enigmatic person of yours... would you trade them for reliable and dull?" Yaz: "My person's a bit different..."

I MEAN.

(It got deleted. So. There is that.)

Thirteen: "Hmm. Fourteenth... no. Fifteenth century... touch more umami." (Doctor, have you been playing Detroit: Become Human again?)

Mary: "I don't think they're really from the colonies!" Byron: "No, she... is from somewhere much, much stranger." Polidori: "The North."

Thirteen: "YOU HAD ONE JOB."

Cyberman: "You appear courageous. But your vital signs betray a heightened state of anxiety." Thirteen: "Or as I like to call it... Tuesday."

Thirteen: "Yeah, 'cause sometimes this team structure isn't flat. It's mountainous, with me at the summit, in the stratosphere, alone. Left to choose. Save the poet, save the universe. Watch people burn now, or tomorrow. Sometimes even I can't win."

Claire: "You pursued Mrs Doctor without a care for my presence, belittled my thoughts and opinions... and then proceeded to use my person as a human shield." Byron: "...And?" Claire: "And the spell is broken... my lord." Polidori's face: "haha you fucked up dude"

Next week: Shit Hits The Fan.

Ascension of the Cybermen

In lieu of a proper post for Ascension of the Cybermen, here are a list of questions we need an answer for.

Will Graham and Yaz survive, on a giant carrier full of Cybermen?

Who is Brendan, and what is his relevance to the story?

What is the Boundary?

How is Gallifrey in the Boundary?

How was the Master in Gallifrey, and not trapped by the Kasaavin?

Who is Ko Sharmus and why am I getting Yana vibes?

Who is Ashad and what is his story? (And why is his theme such a literal banger?)

Is he an actual Cyberman? Because I'm totally getting this impression he's human in armour?

How did Brendan survive being shot, and why did his non-ageing father and mentor do that?

Why did it look like a chameleon arch?

Is Ethan's tech-savvy just warzone familiarity or something more sinister?

Are there any other large human populations left?

Was I detecting a hint of romantic tension between Graham and Ravio?

What's up with Yaz?

Why did the Cyberium get sent to that time period?

Who or what is this alliance Jack is a part of?

How do the Time Lords and the lie of the Timeless Child come into it?

WHO THE FUCK IS BRENDAN?

The Timeless Children

WELL THEN.

While I gather proper thoughts on The Timeless Children, here are the questions I had from Ascension of the Cybermen, now with answers!

Will Graham and Yaz survive, on a giant carrier full of Cybermen?

Yup! Disguises for the win!

Who is Brendan, and what is his relevance to the story?

Brendan is a filtered overlay memory of one of the Doctor's former lives.

What is the Boundary?

An anomaly, as far as I can tell.

How is Gallifrey in the Boundary?

No idea!

How was the Master in Gallifrey, and not trapped by the Kasaavin?

No idea!

Who is Ko Sharmus and why am I getting Yana vibes?

A big damn hero.

Who is Ashad and what is his story? (And why is his theme such a literal banger?)

We're still not actually sure. Either way, he's an action figure now.

Is he an actual Cyberman? Because I'm totally getting this impression he's human in armour?

Yeah, sort of.

How did Brendan survive being shot, and why did his non-ageing father and mentor do that?

Because Time Lords.

Why did it look like a chameleon arch?

It's probably related technology! If the chameleon arch rewrites memories, this one just wipes them.

Is Ethan's tech-savvy just warzone familiarity or something more sinister?

Just warzone familiarity. Poor li'l bean.

Are there any other large human populations left?

Possibly! If the Boundary really did send them to random places, there still could be surviving pockets elsewhere in the universe.

Was I detecting a hint of romantic tension between Graham and Ravio?

Maybe a bit XD And now they're all on Earth, who knows?

What's up with Yaz?

Who knows?

Why did the Cyberium get sent to that time period?

Ko Sharmus sent it. Didn't send it far enough.

Who or what is this alliance Jack is a part of?

Same organisation Ko Sharmus is part of. Also, young!Ko Sharmus/Jack please.

How do the Time Lords and the lie of the Timeless Child come into it?

In so many ways.

WHO THE FUCK IS BRENDAN?

The Doctor!

More thoughts later!

Thoughts on Doctor Who - The Timeless Children.

...Actually, first thought is the title. Timeless Children? Hmm.

Anyway. That is... sure a literally mind-blowing revelation for the Doctor, yes! Like, damn, the discovery that you're not even the species you thought you were, that your adoptive parent spent lifetimes abusing and experimenting on you, that your memories were routinely erased by people you thought you could trust (including your adoptive parent), that you're literally the progenitor for your entire species, that you've lost who knows how much time and who knows how many memories... yeah. Damn.

What's an appropriate birthday present for someone turning ten million?

Also, huh. Amidst all the old lore and casual mentions (like Borusa!) that got mentioned - were they taking hints from the Cartmel master plan? About the Doctor being some kind of founding figure for Gallifrey? Not exactly written as Cartmel had it, but that big main concept of the Doctor as a sort of... foundation piece of Time Lord culture was still actually there.

Brain of Morbius Doctors confirmed, I guess. I guess even Four was going, "...the fuck?"

Cybermen = still scary. Regenerating Cybermen = felt somehow obscene. Like, no, that's just fundamentally not right. Like the TARDIS responding to Jack by noping the fuck out kind of not right. God. And the Master was completely and utterly magnificently batshit, like, more than usual, come on, dude, you know they'd kill or convert you the second you turned your back.

Still. Deeply, deeply entertaining to watch just from a villain perspective, completely Chaotic, and like... I do understand where he was coming from? His entire life is a lie. His entire life is because of the Doctor, who, I think it's fair to say, he has Complicated Feelings regarding. (Their entire interaction this episode was a giant power play. Like damn guys just get into BDSM and leave the would-be genocide and universal takeover.)

Tecteun = Rassilon, I'm assuming. Goddamn. Like they were a pompous abusive asshole from the outset, this just kind of makes it worse. I also wonder if Rassilon chose the Master specifically to get the drums because he was friends with the Doctor? That actually may have been something the Master worked out himself, too. I mean, I'd be pissed off as well :-\

Also, how many people know about this? I assume Gat knew, since she was implied to be responsible for the mind wipes, but was it like... a super tightly-held secret or was it something a lot of higher-ups knew? Because that's fucked up tbh

Thought on the Master. Okay, he's hugely furious that he's been lied to, that the entire origin of his people is based on a lie, that his greatest friendrivalloveenemy is incredibly special and that a part of her is in him and not in the fun way, but like... I'm also wondering if he's looking at the Time Lords, the way they turned him into their puppet, how they drove him insane for their own purposes, then looked at the Doctor - someone who has also been used, abused, experimented on, manipulated, controlled, and went, "No. This is an injustice and the Time Lords need to be punished for it."

Oh, saw a nice theory regarding the TARDISes - Ruth!Doctor had the original busted police box TARDIS. When she was eventually taken in to be mind-erased, they sent the TARDIS off to storage to be eventually repaired. The Doctor manages to steal that one, goes to Earth, and it immediately gets stuck again because it's still broken. Explains how Ruth!Doctor can have the police box while also being pre-everything.

I really want the Doctor and Jack to sit down and have a nice chat about being timeless undying constants of the universe. Also for Jack to get one of the spare TARDISes around. Be kinda funny if he got the Master's old one, given the Year That Never Was, but it really is just sitting there. (Poor TARDIS stuck as a tree on a random wartorn planet in the far future, though!)

Also, Jodie was fucking magnificent in this episode. The hurt, the absolute fury, the almost glee when she's telling the Master he can't break her, her refusal to press the button at the end (so much like Nine's "coward or killer?" moment!)... just... so good.

Beautiful post I saw here on Tumblr - the Doctor as the Timeless Child, making the choice to help.

Amazing post here on Tumblr about abuse and repressed memories. Even if the Doctor doesn't remember it all, the abuse they underwent at the hands of a beloved parent figure still informs a hell of a lot of their behaviour, but it doesn't define them. The Doctor's need to run = informed by abuse. The Doctor's desire to help crying children = informed by abuse. The Doctor being an inherently good person = being their own person, no matter what their upbringing, no matter what their past was. They made the choice to be the Doctor, and that's a hell of an important thing.

Extremely painful post I saw on Tumblr about the Doctor being 'hip with the kids' by calling her companions her Fam but hell if they're not more family to her than her actual adoptive mother ow my heart.

Also, the scene between Yaz and Graham was so sweet <3 I do want to see Yaz, at some point, admit that sometimes she's so terrified she can barely move, and to tell him what she came so close to doing when she was sixteen, and Graham to just go, "Yeah, but you keep going." Also I'm trying not to think about how Yaz would respond to the Doctor going off on a suicide mission when Yaz was suicidal just three years earlier because ow my heart. She knows that Ko Sharmus went after her, she knows the Doctor might be alive, but either way, she's just seen someone she loves leave with the intention of dying (and Ko Sharmus too, actually). Someone please give her a hug. Actually please just let the Fam have a big group hug in general.

"Have you ever been limited by who you were before?" "Huh. Now that does sound like me talking."

So, remaining questions to be answered next season!

What actually is the Doctor? Since they were found near the Boundary, they could be from anywhere. It's fair to say they now are recognised genetically as a Time Lord, but what were they originally, why were they abandoned in the first place, and are there any more of their original people out there?

How do the Remnants know about the Timeless Child, or were they just picking up on that unconscious knowledge from the Doctor's own mind?

Like... we're generally under agreement that the Master, the eternal cockroach, survived, right? Despite definitely being lowkey suicidal like oh, was hoping the Death Particle would kill me? Like the Death Particle was made by the Cyberium, it could have gone, "Nah, keeping this one."

What's going on with the Kasaavin? Remember them? Still out there, stationed all through time and space? And are we going to see Daniel Barton again?

Is something going on with Yaz?

Will the Fam stay on? (I personally think Ryan will elect to stay on Earth to account for Tosin Cole's new TV role, and if Graham and Ravio enter a relationship, he might too.)

When will we see Jack again? If he was connected to the Lone Cyberman arc, that seems... pretty conclusively finished, unless we're going to learn more about it?

Is it Christmas yet?

............so the Christmas/NY special is going to start with Jack using his vortex manipulator to bust the Doctor out of prison and get back to the Fam and it'll never be mentioned again, right.

"At least buy me diNNER!!"

#doctor who #companion love #best enemies #long post

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elenathehun · 4 years

Text

Watching the Clone Wars, Part 5

Hey, I’m actually being prompt this time, and not letting this sit on my desk for the rest of the week. Good for me! In this viewing session, we watch one “good” arc, and one terrible one. Guess which is which ;)

“Storm Over Ryloth” (1x19)

Aw, the fourteen year old is going to engage in very dangerous dogfighting? For those of you old enough to remember X-Wing: Rogue Squadron, remember how leery Starfighter Command was of letting sixteen year old Gavin Darklighter join Rogue Squadron? More innocent times, for sure.

Anyway, Ahsoka just got eleven men summarily killed, all to set up a tedious episode on the nature of command. It’s so wild how Rex and the bridge officer clone actually defer to her. Maybe, just maybe, GAR would win if they gave a bit more power to the highly-trained war machines the Jedi purchased, eh? Instead of the barely-trained teenagers with no business in a war zone.

I’m not even going to talk about the actual tactics because they’re superfluous. It’s a shame the jedi don’t understand the purpose of consolidating their force and utilizing a joint attack. Maybe Anakin could have saved a ship or two if he, Mace, and Obi-Wan had attacked as a group.

No, you’re right. That’s too smart.

“Innocents of Ryloth” (1x20)

Obi-Wan’s low-impact strategy is a bit stupid. Like, the CIS is explicitly engaging in terrorist tactics on Ryloth, the Twi’leks most likely have no homes to return to. But, whatever, that’s not the point of the episode. The point of this episode is Waxer and Boil. I love them, but I also love the casual specie-ism/racism on Boil’s part. Dude grew up on Kamino, which is basically an isolated military boarding school, where would have learned a word like “tailhead”?

Oh, that’s right, the scum of the earth working as trainers. Never mind! I like to think that the clones, while generally very nice and polite young men, also have a very strange idea of appropriate language and conduct outside of their very isolated, insular upbringing. I do love ye olde culture clash plotline!

The CIS continues to devolve with internment camps, animal cruelty, and yes, weaponizing animals to kill clones in a suitably horrific way. Good job, guys, way to lower the bar! With that said, Numa is adorable, and it’s amazing that she managed to survive on her own in this ghost-town while her family and community have been rounded up into camps.

Obi-Wan may be a subpar general, but he is definitely a very capable psychic super-soldier. The fight scenes were incredibly enjoyable to watch, and although it’s a bit silly, I did really like the Twi’leks pulling the tactical droid who was their warden out of his tank with their bare hands - they definitely deserved that.

“Liberty on Ryloth” (1x21)

This is a Mace Windu episode, and I am here for it. What an icon, what a legend. I do think that he is portrayed as having exceptional control of the Force, and it’s always really interesting to see him use it in a fight. The episode is a fairly basic one: He’s trying to link up with Cham Syndulla to get rid of the rest of the CIS army; the senator for Ryloth, Orn Free Taa, is more concerned about the disposition of political power on Ryloth after the invasion is complete. I have...so many questions about how political power on Ryloth is distributed: is Orn Free Taa the ruler of the planet and the Senator, or is there a different kind of power-sharing agreement? Is Cham Syndulla just the sort or ordinary person thrust into extraordinary times, especially by the abandonment of their people by their leadership and the Republic? It strikes me as a setting rich with potential plots.

Of course, that’s only a small part of the episode, which is mostly Mace being a badass and basically being a one-man army. Again, the direction is remarkably good in this episode. As usual, air supremacy is not a factor in this war. ¯\_(ツ)_/¯. Even though AT-RTs really make no sense, I want one very badly. Lastly, based on the clone trying to pet the blurrg and Boil and Waxer’s treatment of Numa last episode, I believe the clones are going through that stage where they just want a pet of their very own. It is actually a little adorable.

Shout-out to the tactical droid obtaining full sentience and ditching his boss and lying to Dooku. Still wish that a subplot of Dooku’s droids turning against him had been a thing.

Season 1 Restrospective: It only took five weeks, but we are finally finished with this season, save for 1x22, which is actually set sometime in the third season. There were some high points, but man, this was an absolute slog mostly. There were way too many Jar Jar episodes, and the clones were not given nearly enough screen time. “Rookies” and “Lair of Grievous” were the outstanding stand-alone episodes imho, and the “Ryloth” and “Malevolence” arcs were generally ok, with two of their three episodes being rewatchable.

But in a series about the clone wars, there is very little character development of the actual clones - like, poor Rex is barely a presence in this season. And the CIS is just so cartoonishly awful that I can’t take it seriously at all. It actually does strain my belief that Palpatine could keep these plates spinning for more than a week. Anakin is just...blah. And although I know I’m supposed to like Ahsoka, I just can’t help but find her annoying, mostly because she’s a kid.

Well, we’re about one-sixth of the way through. She’s got another six seasons to grow on me - and hopefully she will, because otherwise this will be very tedious.

“Holocron Heist” (2x01)

No sooner do I say that than Ahsoka reverts to being a dumb fucking kid. However, is a full Council meeting to investigate the fact that she’s a dumb fucking kid actually a good use of the High Council’s time? Just curious. This arc is honestly really stupid, so I’m not going to spend a lot of time on this, only to say that Cad Bane’s aesthetic is very choice for an outlaw, and the Jedi have laughable security.

“Cargo of Doom” (2x02)

Another Anakin & Ahsoka episode where they and Yularen share one braincell, and Rex is the one who holds it most of the time. Also really love how the Jedi with the list of all the potential Jedi recruits apparently took his sole record with him to a warzone. That makes perfect sense. I’m not really going to get into this episode, except to point out that we saw a Jedi tortured to death on-screen, which leads me to my most pressing question: how much money, per episode, did Lucasfilm have to use to bribe the MPA?

As for the choice Cade Bane gave Anakin at the end? As @spiraling pointed out, people don’t die of decompression and vacuum exposure immediately. Anakin could easily take Bane out and rescue Asohka in that time. She’d need a dip in bacta, but she’d live.

“Children of the Force” (2x03)

This episode is actually the worst of all, because the Jedi (who, by the by, are an actual government entity with access to priority comms and lots and lots of computer space) don’t have backup lists of their recruits, nor do they, say, call ahead with the address and have the local government set a trap before they arrive. Poorly done, Obi-Wan, poorly done.

Anyway, the kids are rescued from the unspeakable horrors that later children will be exposed to, children like Mara Jade and Lumiya. Good for Anakin and Ahsoka! However, I’d like to present a more awful possibility: If it weren’t for the need for a holocron, Cad Bane (and by extension, Palpatine) would have gotten away with it. Like, Palpatine is a Sith Lord, trained by a Sith Lord, and his putative apprentice is a former Jedi who had access to the temple and the various Jedi stores until about a year ago. Do you really think he doesn’t already have a holocron ready to go?

So instead of stealing a holocron to start off with, Cad Bane just... targets and captures Bolla Ropal under the guise of a CIS attack. He steals the kyber crystal. The Jedi are very, very worried, of course, but it takes time for them to realize it’s gone missing. in the meantime, however, Cad Bane just takes it to Dooku, they pull and copy the list, and the harvesting of Force-sensitive children can continue.

This is, I think, one of the great disappointments of TCW. For a show that likes to use the model the Justice League cartoon of the early 2000s pioneered, they haven’t quite figured it out yet. This is the sort of plot that could fuel an entire season of investigation, but instead they have these little three-episode arcs that never connect to the rest. It’s a real shame.

Next week: We continue Season 2 with “Bounty Hunters”, “The Zillo Beast”, “The Zillo Beast Strikes Back”, “Senate Spy”, “Landing at Point Rain”, “Weapons Factory”, and (time permitting) “Legacy of Terror”.

#watching the clone wars #star wars tcw #television is hypnotoad

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inventor-researcher-chef · 4 years

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I MAY BE TO SCARED TO INTERACT BEYOND ANONYMOUSLY BUT I WOULD VERY MUCH LIKE YOUR ASOUE EPISODE RANKINGS

Mmk It’s gonna be long tho so it’s going under a cut

Penultimate Peril Part 1

very accurate to the books! any changes made sense within the context of the show and worked

gorgeous aesthetics, strongest opening of any episode aside from Bad Beginning

only minus points because of Sporty Kit but she’s in it so little and the rest of it is so good that it doesn’t even matter

Max Greenfield as the Denouements was phenomenal

I actually liked the part where they try to make us think Kit was shacking up with Ernest, it was clever

Also I actually like the green uniform, I think it’s a more flattering colour on the actors than red would have been

Dewey’s death scene was amazingly shot and acted

I would die for Sunny in her toddler uniform. That being said in this episode if you look closely you can in fact see the light from the ipad they used to get her to look in the right direction

Reptile Room Part 1

Once again, gorgeous aesthetics and incredible book accuracy

Minus points for the spyglass subplot

Higher than part 2 because of Aasif Mandvi’s wonderful portrayal of Monty

I love the conservatory reptile room

Reptile Room Part 2

Very book accurate and entertaining

This is the episode where Violet’s outfits begin to slap

Minus points because with Monty’s death they made the colour grading less bright which makes sense but is less fun to look at

Also not a fan of how comedic and bafoonish the troupe is, it’s really more of an overall problem but it really just undermines how impactful Monty’s death is

Bad Beginning Part 2

Let’s be real, the Bad Beginning episodes were the most book accurate of the whole show

Loved the entire Marvelous Marriage bit, the play and marriage were done spectacularly

Lots of Jewish references, we stan

I actually like Jacquelyn’s presence in the first season, it works and adds a new element to the story

I also like Gustav being a major part of this episode because we never saw him in the original books and it’s nice to see his character before he dies (also symbolism with his death and Dewey’s)

Hostile Hospital Part 2

Do I even need to explain why this is so high on the list?

Higher than the first part because of the absolute horror of the whole operating theatre, it’s done so well

The aesthetics and filming work perfectly to underline the horror of everything

Only so low because I personally am not a fan of horror aesthetics

Bad Beginning Part 1

Once again, Bad Beginning episodes were the most book accurate and I love Jacquelyn

Strongest opening of any episode aside from Pentultimate 1

Only so low because of the cheesy CGI and NPH’s comedic Olaf

Hostile Hospital Part 1

ESME IN THE LIBRARY OF RECORDS HOLY FUCK

Low because aside from Esme being fucking fabulous in that scene I found the rest of the episode to be a bit boring at times

However, very accurate to the books and the chase scene in Last Chance was sufficiently freaky, as was the scaring Babs scene

For that matter, absolutely loved that we got to see Babs

Penultimate Peril Part 2

The Baudelaires in the trial scene made me🥺

The scene with Justice Strauss and Olaf with the kids was amazing

The ending made me cry

So low because of the opera scene, like how many issues did that have? It was pretty though

Also low for confirming Justice Strauss to have survived the fire, we don’t like getting answers to our questions

AND ANOTHER THING Esme’s ending was really lackluster? To the point of just being shitty? Especially given that while she is comedic, Lucy Punch hasn’t played up the comedy aspect of her character as much as NPH has, so Esme feels scarier and like more of a villain at this point so giving her that ending really fell flat

A very strong ending that really should have been the ending to the whole story

Grim Grotto Part 2

Grim Grotto was brought so low because of the absence of Widdershins but at least with part two you can pretend the first part had him and he left like in the books

Ansolutely in love with the submarines and Esme’s dress

Grim Grotto was one of my favorite books of the series as a kid so naturally it’s gonna be pretty high on the list

Also I think K Todd Freeman brings a needed likeability to Mr Poe, so when th Baudelaires are on Briny Beach again you do get the feeling they’re torn between going with him or Kit. Like they distrust and dislike him at this point but they don’t want to distrust him

Slippery Slope Part 2

The sinister duo are fab

Sunny is at her cutest in this episode, we’re talking peak cute

It’s pretty low because there’s a lot of stuff in the headquarters with Quigley that got cut, didn’t really make much of a difference but I missed it

I feel like Esme in the headquarters had so much potential to be as freaky as her Library of Records scene and it just fell short

Ersatz Elevator Part 2

Minus points for the VFD subplot but part 2 had less of that which is why it’s higher

Also in the ranking of Sunny being the cutest, this episode comes in at a close second to Slippery Slope

That being said overall I really adored the aesthetics of both episodes, absolutely love the mix of film noir and art deco

Jerome at the In Auction was amazing but Larry, Jacquelyn, Olivia, and Jacques was less so

Also still not a fan of the writing of the Quagmires

Ersatz Elevator Part 1

Once again, adore the aesthetics

Love the casting for the Squalors

Gunther’s disguise was *chef’s kiss*

so low because of the VFD subplot and the gratuitous musical number

That being said I did like the cuts between Keep Chasing Your Schemes and the Baudelaires finding the Quagmires, it worked well

Grim Grotto Part 1

Very low because of the absence of Widdershins and what this did to Fiona’s character

In general the way they wrote Fiona’s character was even less sympathetic than the books

Why, dear god, oh why was Quigley at Anwhistle Aquatics

Why, dear god, oh why does the Medusoid Mycelium look like that

Carnivorous Carnival Part 1

This was in fact my all time favorite book in the series as a kid and I just remember being a little disappointed I guess? By the episodes and I could never put my finger on why

Olivia’s character 😒

Higher than the second episode because I do love the creepy carnival feel and the feeling of unease before the Baudelaires know who Madame Lulu is

Also Esme’s gold outfit

As far as gratuitous musical numbers go, I do enjoy House of Freaks

Carnivorous Carnival Part 2

Cool carnival aesthetics

Chabo the wolf baby is adorable

Olivia’s death was more impactful and upsetting than Jacques’s, I’m just gonna say it

We miss a morally gray neutral character who is more interesting than a copy pasted Jacquelyn/Mrs Quagmire

Wide Window Part 2

This is really only so low because the colour grading is still kinda dull and it works within the episode but also makes it boring to look at

That being said the whole Hurricane Herman scene was phenomenal

rEaL eStAtE aGeNtS

The Colours in this episode were pretty, with the Lavender Lighthouse and the raincoats

Violet’s outfits remain slapping

The change to Josephine’s character is a good change (until season two when they do that to every single other character and take away any and all moral ambiguity but still)

Slippery Slope Part 1

we weRNT EXPELLED

I did love the Mortmain Mountains set

so low for the killing of the freaks, Sporty Kit, and for the heavy handed way they got rid of Jacquelyn

Wide Window Part 1

Boring and dull

Only this high because of Violet’s poppin outfits, the beautiful set, and Alfre Woodard as Josephine

Also the Captain Sham disguise is my favorite after Gunther

Austere Academy Part 2

The only reason part two is so high is because it has more Carmelita

who is the only good bit of these episodes

Like they’re both relatively book accurate, especially with the casting but like

I did not think it possible to make the Quagmires in this book more boring and yet

I get that it’s supposed to be dark and gloomy and depressing but it shouldn’t be so much that people just don’t want to watch it

Sunny running after the Quagmires in her little uniform does put this episode at like number 5 in her cuteness ranking though so points for that

Miserable Mill Part 2

While I miss the sword fight, I do understand why it was changed so I can accept it

Part 2 is higher because of Georgina’s slappin purple pantsuit

As far as MM goes I did actually like it but it still is kinda boring in comparison to the rest of the episodes

But I did like the mill scenes and Sir

Also a really strong ending that sets up season two nicely

Miserable Mill Part 1

See above

A little lower that Part 2 because of more Quagmire scenes

I actually liked the Quagmire scenes in season one and how it was handled but less so in this episode? Maybe it was the cheesy effects with the fighting

Also CGI Sunny. Her least cute episode

Vile Village Part 2

Vile Village was definitely one of my favorite books and I was so disappointed by the episodes

While I liked the western aesthetic, I don’t think it felt right with the feel of the book

Also crow nazis

Now that Jacques is dead there’s no bad VFD subplot so that’s why it’s higher than part 1

I really like how they handled Sunny not being able to take her first steps because she’s too old now. This is also definitely a good episode for the Sunny Being Cute scale

Vile Village Part 1

I really think the only thing this episode has going for it is the costumes, specifically Violet and Sunny’s

the watercolor dress, flannel, overalls, jesse hat, tricolor dress? fashion legends

disappointing, kinda boring, bland to look at, horrible VFD subplot, D+V???, bad CGI

however cute donkey

also a fan of Esme’s accent, idk what it’s supposed to be but it made my russian friend laugh

Austere Academy Part 1

Same as the first part however less Carmelita and Larry and Jacquelyn are at their most useless

Just the least entertaining episode overall

The End

honestly do I even need to explain this

I get what they were going for with the pink sheep and I quite like the tents but the pink robes were not flattering on anyone

Kit. Sugar. why is she in a white dress? when did she have time to change? overt christian symbolism after 14 episodes of Jewishness. Ishmael founded VFD. Ishmael can walk

The bad CGI. I haven’t seen CGI this bad since season one

The arboretum was disappointing and didn’t give the feel of years worth of buildup and it didn’t feel like the Baudelaires could live off of this stuff

That being said I loved chapter fourteen and BL

#asoue #a series of unfortunate events #asoue netflix #asoue thoughts #i would love to hear other peoples opinions on this

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clairebeauchampfan · 5 years

Text

Tripe. Bollocks. Absolute tosh. Deliberate distortions? Anyway, how would they know? Many ES claimed they only watched the first three episodes, then gave up because there wasn’t enough sex..(I mean, intimacy). did these people watch the whole series? Were they paying attention to what was actually going on?

gaelic-fullmoon-lady

Only at the start…😩 Season 4 she’s soap-opera-equipment

accardi1921

Yeah,where did this character go she's talking about? Not badass in S4 & doesn't always have to be but S4 Claire was Just so unhappy looking.

mylessanchez

Session 4 she’s an after thought. She had nothing in season 4. She entertained his admirers and rubbed his shoulders. Had to have irked Cait to no end

Etcetera etcetera (and ‘liked’ by people who should know better) . What a load of absolute cobblers. So here we go, Claire apparently had NOTHING to do in Season 4. Perhaps they’ve forgotten. Most likely they just blindly followed the reviews of people who were absolutley determined to be negative about the Season, about Outlander and about Caitriona Balfe, as they have been since 1st January 2018. I wonder why?

Episode 1 Claire rescues Bonnett from hanging. Badass Claire Claire sets off with her husband into a new land where they have only one relative, aunt Jocasta Claire loses her wedding ring; has presence of mind to swallow one. Badass Claire.

Episode 2 Claire encourages Jamie to reject Aunt Jocasta’s inheritance; a life of ease and luxury, because she can’t own slaves. She faces down the lynch mob; patches up Rufus, then has the courage to give him a poison to spare him from a lynching, thus breaking her hypocratic oath - first, do no harm. Badass Claire much.

Episode 3 Claire sets of with her husband into the wilderness. She can ride a horse, confront ghosts, load and fire an eighteenth century rifle. Claire is badass Claire

Episode 4 Dr Claire fixes up Myers and , husband wounded after confrontation with the man bear: makes friends with wise woman from potentially hostile indigenous people, the Cherokee. Does Claire run screaming back to civilisation? No, Claire is badass Claire.

Episode 5. Dr Claire brings baby into world. No epidurals, no midwife....Dr Claire is badass doctor. Dr Claire stops Mueller from starting war with cherokees by interposing herself between them. Badass Claire. ‘Vulture’ recap: “Claire gathers her gun, Rollo, and some decent beef jerky, and hunkers down in the cabin. She’s terrified, but in a very badass way. Mueller finally arrives, but not to kill Claire — he wants to make sure she’s okay. He also wants to give her a gift. In a horrifying reveal, Claire opens the package to find Adawehi’s scalp. I’m sorry, but the fact that Claire hasn’t had some type of breakdown yet after suffering through an unreal amount of atrocities just seems ridiculous at this point. But she soldiers on. She throws Mueller out, gives Adawehi a proper (as proper as she can) send off, and still, the carnage continues”

Episode 6 Dr Claire saves Lord Johyn from the measles, survives having her husband’s would-be gay lover and Jamie’s by-blow son drop in on them, exchanges some brutal truths with Lord John. Badass Claire

Episode 7 Yeah, okay, Claire wasn’t in THIS ONE frigging episode. Oh My God! Her badass daughter is instead.

Episode 8. Dr Claire works with her husband to save Murtagh from arrest, performs operation on local corrupt official . As Vulture says:

“There is chaos! There is commotion! Claire says he needs surgery immediately or he will die! Even in the midst of this, men are like, “But you have a vagina, how can you wield a scalpel!?” Honestly, Claire should just let Fanning suffer, but she’s a professional, so she orders everyone INTO THE LOBBY to get set up for emergency surgery. Meanwhile, she gets the low-down from Jamie, who needs her to distract Tryon as he runs off to warn Murtagh of the trap; Tryon can’t know Jamie’s gone.

Jamie uses George and Martha Washington as a sort of Colonial Lyft to get to Fergus and Marsali’s (they had a boy, BTW), and has Fergus find Murtagh while Jamie tries to slip back into the theater unnoticed. Don’t worry guys, it all works out! Although, it’s a little unsettling that Tryon knows exactly who Murtagh is. Keep an eye on our guy, Jamie!

And sure, saving Murtagh is exciting and all, but the most exhilarating part of the entire excursion to the theater is Claire, back in her element, crushing some impromptu surgery. Before you know it, she’s three knuckles deep in that dude’s abdomen and not even breaking a sweat. Governor Tryon is impressed, Fanning’s dummy doctors are impressed, we’re all impressed. You also must remember that while Claire is successfully performing surgery under less-than-desirable circumstances, she is also successfully saving her husband’s ass by distracting Tryon. She manages both tense tasks with a cool composure. Never forget that Claire’s the true hero of this show. If only the entire episode had just been Claire, Jamie, and George Washington”

Episode 9. The reunion. Claire is bowle4 over by her badass daughter travliing back through time to warn her mom about the fire. Claire , badass Claire, says nonchalently: we’ll just go have a holiday every year on that day.

Vulture recap again:

“Brianna is pregnant and Claire figures it out. After a hilarious fight about why Brianna didn’t pack condoms for her trip to the 1700s (moms are moms no matter the century), Bree confesses that it might not be Roger’s baby, and the truth (without naming Bonnet) comes spilling out. This is definitely Sam Heughan’s episode, but can we give it up for how incredible Caitriona Balfe is in this scene as Claire processes a whole slew of emotions at once? “

Episode 10 No much badassery, to be sure . Here’s Vulutre again to remind us:

“As important as that Jamie-Bree conversation is, and as nice as their shared moment commenting on how at peace Claire seems in the wilderness is, the parent-child moments in this episode that moved me the most belonged to Claire and Bree. The ladies talking about what they missed back in their time — cheeseburgers, Led Zeppelin, and toilets that flush, to name a few things — was a rare lighter scene on Outlander, and brought me so much joy! Claire compassionately and tactfully discussing abortion as an option for Bree was a great reminder of both how Claire is a woman ahead of her time literally and figuratively and of the strength of this mother-daughter relationship. It’s all pretty great.

and Badass Claire takes the side of her daughter against the man she loves, like a real mom! And rides into the wilderness to find and rescue roger from that seriously badass tribe, the Mohawk, just a 700 mile ride away in upper NY state. Badass?

Episode 11 Vulture again; my memory’s not what it was

Regardless of their scant airtime (in this episode) , Jamie and Claire get the best scene of the episode — maybe the best of the season.Things between Claire and Jamie are still very icy since separating from Bree, and no amount of ignoring it to focus on Claire’s fabulous headband will change that. Even Ian is begging Mom and Dad to make up. Finally, Claire gets to a point where she just can’t watch Jamie in so much pain over what he’s done to Brianna.She (Claire) he goes to him in his tent one night and explains that she’s not mad at him — she’s mad at the world. She explains that after Frank died, she and Brianna shared secrets and they belonged to them — so she’s sorry she didn’t tell Jamie about Bonnet as soon as she found out, and she blames herself for this entire mess. She explains that their marriage is different now because they’re parents. Listen, you guys, two people talking about the difficulties of balancing being a parent with being in a marriage is typically a snoozefest, but Balfe and Heughan are just so freaking good together (what’s new, I know) and imbue such vulnerability and honesty in this moment (I’m still sobbing over Jamie admitting that he’s worried both Bree and Claire think Frank was the better man), that I’ll be thinking about this scene for days. Sure, after Claire assures Jamie that Bree didn’t mean what she said and knows that Jamie for sure didn’t mean what he said and they both say “I’m sorry” and they both wipe away tears from their gorgeous faces, they have sex in that tent

Episode 12 OMG this episode didn’t feature Claire. Shock, horror

Episode 13 Badass Claire and her husband try to rescue Roger from the Mohawks. it all goes wrong. There’s a fight. Badass Claire is wearing the stone from the future! How badass do you have to be as a woman to go, outnumbered, under armed, into the wilderness, to rescue your daughter’s husband from a people whose track record is um.er...(how can one put this in non-judgemental terms?)..to use extreme methods when putting people to death.

So there you have it: ‘not badass’ in Season 4? In Season 4 as an afterthought? Soap opera equipment ? She had ‘nothing’ in Season 4? I’ve gone on about how Cait-Haters have misused pictures of Claire holding her arms (which she does in EVERY season) as proof she is unhappy. Well, lots of unhappy things happen in Season 4, to Claire, to her friends, to her daughter. It would have been odd if she’s looked happy the whole time, wouldn’t it. I know I’d have been terrified, most of the time, in her position. Here’s some pix of Claire looking sad in Season 4.

#Badass Dr. Claire Beauchamp

#samcait samxcait samandcait outlander season4

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darthstitch · 6 years

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Castlevania Netflix Season 2 Review: All My Bloody Tears

Yeah. Uh. SPOILERS. MASSIVE GINORMOUS SPOILERS. Consider yourself warned.

I'm kind of a complete mess as I write this because PAIN! PAIN AND SUFFERING! TEARS! BLOODY TEARS!

While it's not without its flaws, the second season of Netflix's Castlevania is incredible and lives up to the promise of Season 1. This, gentlebeings, is how you set up a sequel and leave the audience wanting more, but still walking away satisfied with what we've currently got.

The Good Stuff

The thing about Castlevania - as the game series by Konami - is that it's pretty much a patchwork quilt of everything goes. Think your favorite fan fiction peeve on AO3, the ones with the ten million tags before you even get to the goddamn story. So on one hand, it's got its clear inspiration from the classic Hammer and Universal Horror renditions of Dracula. But the game series is Japanese, so you have your beautiful anime-esque artwork by Ayami Kojima and the obvious anime influences.

I've played a few of the games, but I'm not going to claim gamer-god status. I just play for the fun of it and I don't hesitate to use walk throughs as a map of sorts, basically figuring out where to go, because the general castle layout is set up like a labyrinth and it is INSANE and FUN at the same time. So far, I've played and finished Symphony of the Night and two of the GBA ones: Harmony of Dissonance and Aria of Sorrow. I'm still trying to master the ones on the NDS. But basically, the premise is the same: You're the hero/heroine, you need to enter the big spooky castle, gather weapons and/or spells to make you stronger and add to your abilities, take down monsters and Major Bads - including Death Himself - and hopefully prevent Dracula from resurrecting and covering the world in Eternal Night. The main timeline basically has Belmonts, assorted Not-Belmonts who also hunt vampires and of course, pretty, pretty Alucard.

Then, there was your AU timeline in which Gabriel Belmont goes to defeat a Big Bad and becomes DRACULA ... and Trevor Belmont is his son, a.k.a. Alucard. Yeah, wrap your head around THAT one.

In short, Castlevania canon is fucked. To quote our Trevor, "Snake-fuckingly insane."

So Warren Ellis does the smart thing and basically picks up what works from the "canon" and crafts a damn good story out of it.

The Disaster Trio that is Alucard, Trevor and Sypha, end up bonding even closer together and spend much of this series in the Belmont Basement...er.... I mean, "Hold," trying to do the game equivalent of gathering spells and weapons to storm the castle with. We learn a few more interesting things about the Disaster Trio. Trevor actually ended up losing his family at a way too young age. Sypha and her people have some pretty "interesting" views about God. Alucard has artistic talents and basically acts his real age, which is a traumatized snarky 20 something year old, who's barely holding on to his composure with his shiny fangs and claws. There are epic moments such as "Treffy" and I would absolutely LOVE to hear the Belmont family story that explains how the hell a book of "penis spells" ended up in the Belmont Family Library.

Seriously. Fan fiction writers, don't fail me now!

Also, Lisa gets a few more minutes to shine and break our hearts at the same time. This is the woman who managed to charm and get one Seriously Scary King of Vampires wrapped around her tiniest finger. She's snarky and sassy as before, but so real, so kind and just basically trying to be a decent person in a Crapsack World. She loves her husband but she knows he can be monstrous. She loves her son but as Alucard himself puts it, she wants him to be able to be himself, be happy and not be overshadowed by his father. Seriously, as long as each season gives us something more about Lisa, I'm gonna be content.

We also get introduced to a few more new characters, who basically make up Dracula's Court of Evil. Hector and Isaac are humans but sociopathic enough to despise their own kind and willing to take part in their death and destruction. They both have their requisite tragic and abused pasts. Hector, however, has an element of naivete that makes him an easy target for the machinations of Carmilla, the only general in Dracula's court who's figured out which way the blood's flowing and wants to make sure she comes out on top. Isaac, however, is somewhat the mirror of Alucard himself. This is the guy who gives his unconditional love and loyalty to Dracula and refuses to abandon him no matter the personal cost to himself or his remnants of a conscience or whatever he has that passes for a moral compass. I figure that it's there, it's just not one that I would recognize. Isaac is a scary, scary mofo and it looks like he and Hector are gonna be back for season 3.

In fact, if Isaac ends up becoming "Death" in this entire series, I'm gonna be evilly delighted.

And then, there's Godbrand, who is basically the vampire equivalent of YOLO. Basically, all he wants is to fight, fuck, drink blood and make boats out of things he shouldn't make boats out of. Generally, he just wants to have a good time, rule the world like a king and make sure the humans know their place.

So okay, let's give Carmilla her due. Evil? Check. Manipulative? Check. Sadistic, vicious and cruel? 10 across the board. In the absence of a Certain Fanged Someone taking a more active role in what should be "The War on Humankind," Carmilla wants to make sure she's keeping things moving, spinning her webs of intrigue and plans upon plans, thinking she's going to come out the winner and make herself the new Queen of the Damned.

Here's the problem. Dracula figures that out, easily enough.

Here's the OTHER problem. His Fanged Nibs is all out of fucks to give. He's done. Finito. Finished with everything.

Yeah, about that.

While the humor of this series is a gift that keeps on giving, the drama and the feels will DESTROY you.

You know that moment when you realize Dracula isn't just waging a war on humanity, he's waging a war to destroy all vampires too? Because in that moment when he lost his beloved Lisa, he hated not only humans, but he also hated HIMSELF. He hates the fact that his life of evil, wanton death and destruction, wrought this price on the person that he loved. And she damn well didn't deserve that treatment. He hates the humans who killed her but he also hates his own kind, who are just as monstrous as he is.

So when Godbrand basically asks him, "If we're killing all the humans, what are we going to EAT?" Dracula basically tries to fob him off with some excuse or the other. Yeah, His Fanged Nibs is a LYING LIAR WHO LIES. Also, this lying liar who lies is actually spending most of his time sitting, brooding and being HUNGRY. Because he's not drinking blood. At all. Any blood drinking we see from His Fanged Nibs is in flashbacks.

Let that sink in for a second.

Aluard accuses his father of basically doing history's longest suicide. Yeah. It is - Dracula wants to take EVERYBODY down with him.

The fight scenes are worth the wait. I was screaming when the classic "Bloody Tears" started playing in Episode 7, an episode that I'm gonna watch like ten thousand times more, because OH GOD THE EPICNESS OF IT. The sheer badassery. The fact that Alucard is actually the secret identity of Moon Moon.

And then, the final fight between Dracula and our Disaster Trio is just as epic as expected. Even when he hasn't drunk blood, the trio is outmatched and outclassed and this is where you remember that if Dracula had only roused himself long enough to give a flying fuck about something, Carmilla's head would have been rolling on the floor a long time ago.

But then: "My boy.... I'm killing my boy. This is your room. Your mother and I painted these walls, made these toys. Lisa.... it's our boy. Your greatest gift to me. And I'm killing him. I must already be dead."

GDI WARREN ELLIS HOW VERY FUCKING DARE YOU.

The only way they take down Dracula is because he basically wants to die. So he lets his son kill him and end his misery. And when his rotting, decaying, corpse seems to be reaching out to his son for some kind of last embrace, Trevor, thinking that Alucard's going to be hurt, takes Dracula's head off. Sypha burns off the remains.

And it's done.

Castlevania is a game with numerous endings, all depending on how you played the game and whether you got this artifact or what not. The series pays homage to it because Trevor bequeaths the Belmont Hold to Alucard and asks him to be the last defender of it and his father's Castle. It's not going to be Alucard's grave, but his home now. Trevor and Sypha wander off into the sunset, for more adventures and mischief and Alucard lovingly sends off his BFFs with a fond "Fuck you."

We check in with the villains who survive and of course, we know there's gonna be sequels, because, hey, that's kind of the point of each and every Castlevania game. There's always gonna be a new Big Bad coming around. And trust me, Dracula's gonna be back. He's not just going to lie quiet in his grave.

And just when you think you can end this series with a satisfied sigh, our very last moments are spent with Alucard. Who is haunted by the ghosts of the parents he loved so much. Who gets to relive one happy memory with his mom, who loves him with all her heart. And she's so proud.

And Alucard finally breaks down into heartbreaking sobs.

We grieve with him.

The Bad Stuff

Yeah, okay, so I need to get this explained. Why bother to have all these interesting character designs for Dracula's other generals AND NOT HAVE THEM TALK? I'm serious. Not one of these fascinating-looking vampire bastards HAVE ANY GODDAMN LINES. Netflix, FFS, DON'T WUSS OUT ON YOUR CHARACTER ACTORS. YOU CAN'T BE THAT POOR. GIVE THEM VOICES. PAY YOUR CHARACTER VOICE ACTORS. OMG.

They basically just get killed off in the end, but while we know they were pretty scary and formidable, we don't really know anything about them other than: Vampire, Scary, Dracula's General. They were just pretty much Red Shirts, because the heroes never did get to confront Carmilla, Hector and Isaac directly.

There was evidently so much story to be told here, like they seem to have come from all over the world, even as far off as China AND THEY'RE. NOT. TALKING. The only ones with any dialogue are Carmilla, Hector, Isaac and Godbrand and none of these guys even get to share screentime with the Disaster Trio. Godbrand doesn't even make it to the final battle.

I mean, if these guys were just going to be cannon fodder, then let's just use any of the voiceless Major Bads from the games. Put some requisite scary music and sound effects and let the Disaster Trio take care of them. Let them speak in mysterious archaic languages or whatever, since we're not going to care about them anyway.

The Conclusion

Apparently, this is gonna be a pattern for this series. It's going to be good, it's going to be GREAT but there's always going to be that ONE THING that would drive us batshit crazy. But not enough to wreck my enjoyment of it.

The best parts of this series is the faithfulness to character, the layers upon layers of motivations and feels you're going to uncover as you rewatch it, the fact that it's not afraid to put tongue in cheek and leave canon at the door, while still being true to the source material.

So. "What is a man? A miserable little pile of secrets. But enough talk! Have at you!"

#castlevania #castlevania season 2 #dracula #alucard #trevor belmont #lisa fahrenheights tepes #sypha belnades #lisa and her boys #sypha and her sidekicks #oh god my heart #all the bloody tears

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travllingbunny · 6 years

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The 100 rewatch: 2x07 Long into an Abyss

A strong episode that moves the plot along in major ways and has some very tense scenes.

Rating: 8.5/10

It helps a lot that Finn’s storyline doesn’t get featured much, and that Finn is much more likable this time, showing actual guilt for what he’s done. The moment between him and Clarke, where she tries to comfort him: “Lincoln is saveable, and so are you” is actually touching.

This episode has one of the most effective creepy openings: starting out with an incredibly idyllic moment that feels like it’s from some other show, with a young woman enjoying the sunny, beautiful day on the outside, before turning into the horror scene of her dying of radiation burns while desperately begging people on the inside to let her back into Mount Weather. It’s a part of Dr Tsing’s and Cage’s experiment to find out if the blood treatments work – obviously, just for a short while – and they decide to let her die, so she wouldn’t tell about it to Dante, since they’re doing it behind his back. Tsing is firmly established as a completely cold evil scientist, and Cage is also OK with sacrificing their own people if need be, though he was initially uncomfortable with it.

Cage and Dante later have a not-so-idyllic father/son moment when Cage convinces Dante to go outside courtesy of the treatment and feel for a moment what it’s like, as a part of the plan to convince him to go along with his and Tsing’s plans. Cage says "This is out world, we deserve it". He’s quite a Mountain Man supremacist. It’s that conviction that they’re entitled to the good life more than any other group of people, who aren’t even entitled to not be tortured and/or killed, that’s the main problem of the Mount Weather society. But Dante is angrily refusing to go along, because he’s apparently more moderate or more concerned with morality, or just more hypocritical: "What we've done to Outsiders has corrupted our legacy, I can't go that road any further". So, he is bothered by what they have been doing to Grounders? But he is still doing it anyway? How is that not going that same road? Because he likes the kids and doesn’t look down on them as “savages”? (The Mountain Men never considered assimilating the Grounders into the “gene pool” as they planned with the kids, did they?) Whatever, Dante.

The stakes are definitely raised as what we always could have guessed is confirmed: Cage and Tsing are planning to kill all the kids. We get the exact number of Mountain Men at the moment: 382. Tsing tells Cage they need the bone marrow and they need 8 treatment by a kid, which means that all the 47 kids will have to die. Now, if they had instead decided to not be terrible people for once and not treat other people as cattle, if they had met up with the other Arkers, offered them support and asked them to donate bone marrow, they wouldn't need to kill anyone, because there’s thousands of Arkers out there.

Other developments in Mount Weather include the 47 learning that the Arkers are alive and on the ground, and making plans how to work inside Mount Weather to free themselves – using Monty’s hacking skills and Miller’s thieving skills. Although Jasper has faith in Clarke (it’s so sad that their relationship will deteriorate so much after S2), they are not sure if she’s even alive, so they have to rely on themselves. (This is most info we’ve gotten on Miller so far: he was a thief, and he’s from the Alpha station.)

Meanwhile, poor Harper gets experimented on. Knowing now that she was first meant to die in season 1 of the hemorrhagic fever, it’s so lucky that she got a chance to survive till the end of season 5 and get such a great arc.

But most of the episode is about the tensions in Camp Jaha, where Arkers are debating what to do about the imminent Grounder attack that was threatened at the end of 2x06. Jaha and Abby find themselves on the opposite sides of the argument, which is awkward, since they both think they’re the Chancellor. Jaha advocates that they should leave and go look for the City of Light (oh, no, not a good solution), and justifies this by saying: "This is not our home, it's theirs". Urrrgh. See me roll my eyes. Not that crap, please. Everywhere they go is going to be someone’s “home”, if it’s inhabitable, nowhere is going to be “your home” since you’re refugees/exiles who have spent a century in space, but it’s not like there isn’t enough room for everyone. And hey, Jaha, you’re gonna change your mind completely come season 4! He’s just saying this because he got into his head that it’s his messianic mission to find the COL. Yes, I felt the same the first time when I had no idea what COL would turn out to be. Abby, on the other hand, is like "I'm not ready to march our people into the desert". Again with the Biblical references.

Jaha’s better argument is that they’re going to die if they don’t leave, what with the Grounders being much more numerous, and if they live, they can fight another day and see what the best solution is then. This is basically the same argument Clarke made in her speech in 1x12, when she convinced the Delinquents to leave and try to search for Luna. But with one big difference: the Delinquents weren’t leaving anyone to die, and this time, leaving would mean giving up on the 47 in Mount Weather – so it’s a definite “no” for Clarke. Unsurprisingly, it’s also a big “no” for David Miller and the other parents of the kids trapped in MW. In one of the most tense moments of the episode, Jaha tries to stage a coup, unsuccessfully, but Miller and Byrne listen to Abby as the Chancellor instead of Jaha, and obey her order to arrest him. (I guess they’ll have to change the name of the camp soon.) Abby declares “I have faith, too, in my daughter". (But the mother/daughter relationship won’t remain that harmonious, with Clarke staging her own successful coup and showing her mom who’s really in charge in 2x11.)

The other big plot thread is Bellamy and Octavia asking Clarke to try to help save Lincoln, which Clarke can’t, but asks Abby to do. Lincoln’s friend, healer Nyko, tries to “save” him by killing him – clearly thinking that mercy kill is the only way to save a Reaper, but there’s a nice payoff to the scene a few episodes ago, when Clarke heard Anya say “Your fight is over” – it allows her to realize what Nyko is doing. But stopping the heart temporarily turns out to be part of the process of healing. And the two plot threads then become one, thanks to Clarke’s quick thinking and willingness to hope and take a huge risk: the possibility of healing Reapers is a big bargaining chip for peace and an alliance against the Mountain Men, which Clarke already tried to make happen by convincing Anya, and now she has to convince Lexa herself.

The first meeting of Clarke and Lexa starts with this exchange: “You’re the one who burned 300 of my warriors” – “You’re the one who sent them to attack our camp”. Thankfully, this is the last time Lexa mentions this, so I guess she must have realized that it’s stupid to complain about people defending themselves when you attack them, and was probably impressed by Clarke’s attitude. Grounder warrior culture respects strength, and Lexa is probably not used to people talking back to her. And this is probably why and how Clarke came to be regarded as the leader of the Arkers for the rest of season 2 – she acted like one, in her determination to save her people, so Lexa perceived her the leader and started treating her that way. Clarke then uses all her skills of persuasion and references Anya to convince Lexa to agree to an alliance against Mount Weather, with the promise of showing her the success of the Reaper treatment through Lincoln – even if she’s not sure that Abby will succeed in bringing him back. The most tense moment of the episode is the standoff that happens when Lexa and Indra come with Clarke to see Lincoln, but he appears dead, and for a moment, everyone is about to kill each other, until Clarke thinks of electro-shocking Lincoln to bring him back.

This is the beginning of the complicated relationship between Clarke and Lexa, and it pretty much sets up the parameters of it from the start: through everything that will happen between them, as allies, enemies or lovers, their dynamic will always be colored by the facts that Lexa has, at all times, the power to give orders to start killing Clarke’s people, while Clarke is determined to do her best to convince Lexa to not kill her people/not let them die.

And it gets additionally awkward when, in the big cliffhanger, Lexa tells Clarke the price of the truce: Finn’s death. I know from BTS comments that the writing staff wasn’t planning at this point to have those two romantically involved (they even didn’t give any thought to Lexa’s sexuality until the writer of 2x09 wrote the part about Costia), but once they did make that decision, this becomes kind of an awkward part of the setup for their romance. In a way, it’s nothing unusual for this show, which really loves developing romantic relationships from messed up situations (I think the only exceptions so far are Marper and Mackson), but “future love interest makes you kill your former love interest” is still high on the unpleasantness scale. What’s even odder is that it’s not even high on the list of the issues I’ll eventually have with their romance – because, in this case, Lexa is not doing anything bad, just following the law, and Finn is guilty.

Regardless of that, at this point my impressions of Lexa were predominantly positive (and remained so for 4 more episodes). She seemed reasonable, calm and controlled, which was very refreshing, since most Grounder warriors were constantly angry and talking about revenge. And Indra was one of the worst at this point. My god, I had forgotten how annoying she used to be – not only was she the Angry Black Woman stereotype, but she was the biggest warmonger at Lexa’s side and was constantly “Kill, kill, kill them all!” The only thing I liked about her was Adina Porter’s performance – she was way better than Dichen Lachman or any of the other actors playing Angry Grounder Warriors. This character has had such a huge character development.

One thing that did always bother me and still does is the fact that Lexa, Tristan, Nyko, Quint (annoying general who goes on to appear in 2x10)… all the white Grounders had such a strong fake tan. Wow, they must have great solariums in Polis! Who would think! And what about their cultural-appropriation-mishmash fashion sense? How did that happen? Did Becca tell her subjects: “I think it would be cool if you started wearing this, and this, and this…”? It makes even less sense as the distorted-English that the Grounders speak, even though it’s been less than a century since the end of the world, and that’s nowhere near enough time for a whole new language or even dialect to develop. But it’s not like anything about their culture and society is remotely realistic – however, overall it’s just a cliché of all post-apocalyptic dramas. The crap with bronzed tans and bindi and dreads etc.? That’s just idiotic and offensive. It doesn’t even make sense in the context of “Proud Warrior Race” stereotypes – I get the war paint, but why bindi and dreads, those aren’t even associated with warriors? If they wanted popular warriors/savages stereotypes, hey, how about Vikings? But nope – they were white, and the logic is “non-white cultures – savages” or something? Uuuum….

But that’s the kind of BS you get used to on this show after a while. What do you do? World-building has never been its strong suit. If I gave lower scores for episodes for that, I’ll have to give low scores to almost everyone episode from now on, so… never mind.

Body count: 1 - Keenan, the Mountain Man girl (and minor character that appeared in a couple of episodes before this) that Cage and Tsing used as an experiment.

#the 100 #the 100 rewatch #the 100 season 2 #the 100 2x07 #long into an abyss #clarke griffin #abby griffin #thelonius jaha #Indra #dante wallace #cage wallace

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oceanwriter · 6 years

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WIP Prep (tag)

I was tagged by @paladin-andric -- thank you!!! I loved filling this out, and sorry for the delay!

Rules: Answer the questions, then tag as many people as there are questions (or as many as you can).

The Colors of War

FIRST LOOK

1. Describe your novel in 1-2 sentences (elevator pitch)

Sent from London, England to Maine, USA by her guardian to escape The Blitz of World War II, Marjorie Borchert is left to navigate her young adult years in a tight-knit and foreign town. As the years progress, she learns war stretches far beyond the front lines.

2. How long do you plan for your novel to be? (Is it a novella, single book, book series, etc.)

A single book with possibly a collection of shorts from the other character’s lives.

3. What is your novel’s aesthetic?

Chilly mountains and moose.

4. What other stories inspire your novel?

Little bits from Number The Stars by Lois Lowry and the character of Emily Bennet from the Molly American Girl series.

5. Share 3+ images that give a feel for your novel

MAIN CHARACTER

6. Who is your protagonist?

Marjorie Borchert. She is in her mid-teens at the beginning of the story. Moody to say the least, but she has a big heart.

7. Who is their closest ally?

Daniel Reynard. Nikita Savas is a close second but Marjorie’s had a special bond with Daniel from the beginning.

8. Who is their enemy?

Kate, Beatrice, and Gina. Kate is the worst despite the fact Marjorie shares a room with Beatrice.

9. What do they want more than anything?

For things to be as they were before the war.

10. Why can’t they have it?

Her parents were both killed.

11. What do they wrongly believe about themselves?

She believes nobody wants her -- which is understandable after being passed off to strangers by her guardian and, in a way, her brother.

12. Draw your protagonist! (Or share a description)

I’m not much of an artist and she’d look like a cartoon, do description it is.

Tall, though not towering over everyone. She keeps her brown hair short or shoulder length until she’s older. She’s thin, possibly malnourished, when she first comes to America. She fills out a bit the longer she’s at the farm and eating three full meals a day. She’s pale, partly due to locations she’s lived. She had prominent German features, most notable, her accent which is mixed with a British tongue.

PLOT POINTS

13. What is the internal conflict?

There’s different stages I’ll say. In the beginning, it’s about Marjorie trying to find her place in this small and established community. Her biggest conflict being a target for the prejudiced Kate. Then it moves on to the progression of the war and her fears around America’s involvement. But she comes to see that war doesn’t just affect those fighting or being captured and bombed. She also sees how different people handle things differently. Priorities fall into place through this.

14. What is the external conflict?

Trying to get by and adapting to the changes the war is bringing to the community. Acceptance, too. Internal and external kind of work together.

15. What is the worst thing that could happen to your protagonist?

Losing her brother for good and/or not being able to return to England.

16. What secret will be revealed that changes the course of the story?

My only secret might not end up working. There would have to be a second book. Either way, I’m not going to reveal it. It might end up being one of things only me and a couple of my writing friends will ever know....

17. Do you know how it ends?

Yes, unless Marjorie decides to change her course of action.

BITS AND BOBS

18. What is the theme?

Acceptance and making the best of a bad situation.

19. What is a recurring symbol?

Change.

20. Where is the story set? (Share a description!)

Jackman, Maine, USA. A small town with a population under 1,000 a few miles from the border of Canada. It’s a heavily wooded area with beautiful mountain and lake views. Lots of wildlife, too. The town is small, running along a single street branching out into houses.

21. Do you have any images or scenes in your mind already?

So. Many.

22. What excited you about this story?

The time period. I’m a history buff and the 1940s has always been my favorite era.

23. Tell us about your usual writing method!

Procrastination. That’s really it. I do my best writing at five in the morning and knowing I have to pick my little cousin up from the bus in a few hours. I tag (if you’d like): @throughwordsiescape @silverscreenwriter and @rachelradner

#tag #wip #The Colors of War #WWII Story #my story #writing

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gregellner · 6 years

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Artwork by Tim Seeley, Daniel Leister, Mark Englert, and Chris Crank through Image Comics from “Hack/Slash: My First Maniac” #1.  (Mild censorship applied to Mortimer Strick’s buttons.)

For October 30 and Halloween of 2018, I did a thorough analysis of “Hack/Slash,” the horror comic epic (in the classical sense of the term) primarily by Tim Seeley. The analysis (viewable here as Part One and Part Two) was deliberately incomplete, as not only did it only intensely cover the first half of the original 2004-2013 run, but doing so involved providing intentionally inaccurate information as to the way in which the world of “Hack/Slash” functions so as to entice incoming readers without giving too many spoilers.

Here, I will be examining one way in which the world of “Hack/Slash” actually seems to function, by way of looking at the creatures that inhabit it so far as can be thoroughly explained.

There are many different kinds of beings in the world of “Hack/Slash,” all of which initially were collapsed under the overall collective name of “slashers.” While the Psychofiles in the earlier volumes (Volumes 1-5, collected in Omnibuses 1 and 2) did label them all as “slashers,” there were enough outliers, especially those who are given their own, unrelated categorization like “Faustian,” that the term itself seemed too generalized. In fact, many of the most famous villains of the slasher genre do not technically qualify under the actual, more precise definition proposed roughly halfway into the epic’s initial run.

As a note, “Hack/Slash” is a mature comic series. As such, there is the possibility of the occasional swear, as well as graphic imagery.

Furthermore, there will be no censorship for spoilers on this article either, so it assumes the reader is comfortable with the epic as a whole.

Some of the information gleaned here is from inference based on the information presented across the epic, while other pieces are from direct questions asked to Tim Seeley himself either online or through in-person conversation at New York Comic-Con 2018.

Slashers

For convenience, it seems best to list at least part of the first half of the analysis I did on Halloween for this.

What are slashers? Well, imagine your basic slasher movie villain. Revenge driven, extremely durable and at times supernatural. Commonly able to survive and escape if you don’t keep them in your sights. In many cases having additional supernatural abilities, most commonly superhuman strength and at least some level of physical regeneration to come back from death again and again. These villains focus on hurting those who are often guilty of some vice, mostly in terms of sexual activity.

Some of these villains, including many in “Hack/Slash” itself, focus on a specific day or a specific set of circumstances, in particular a holiday or otherwise a single day a year, before returning to their graves. These types of slashers are definitely the most predictable, and so are only very rarely dealt with, but do come up, in particular ones for Groundhog Day, Memorial Day, and Christmas each having some time devoted to fighting them in the story, and some others being mentioned as having been fought off-panel.

[…]

As defined, the slashers in “Hack/Slash” are also known as revenants, an older variation on the zombie archetype from European folklore as early as the Middle Ages, if not earlier. These undead are reanimated corpses that are believed to have revived to haunt the living. In the case of the slashers, as far as Cassie Hack knows from the beginning, they are reanimated by their sheer unstoppable hatred and insanity, their need for revenge, and are drawn to the things that they miss from life, mostly the aforementioned sexual vices. Furthermore, they often (but not always) retain intelligence on some level, enough to remember their past lives in spite of their new (or perhaps not-so-new) murderous obsessions, with their homicidal tendencies geared toward those memories, or even just basic impressions on the moments prior to or directly involved with their deaths in particular.

Additionally, several slashers tend to develop a skill set associated with the method of their death, making for a range of different types of villains. These powers range from someone who can kill others in their dreams, to secreting acids when sexually aroused, to the ability to detach one’s own limbs and move them independently, to transmission through the Internet like an electronic ghost. Each of these powers connects primarily to the manner of death, but also sometimes connect to the users’ personalities, in particular with respect to the acid user and the Internet transmission. The powers eventually tend to evolve over time and with subsequent appearances, developing new means of utilizing skill sets like the acidic secretions or a merger of dream-based powers with general psychic illusions, but on the whole, the power sets stay within set parameters in terms of what kinds of things they can accomplish.

While they do have a variety of powers, there are also some weaknesses that often do not come up in slasher movies. For instance, the most common slashers can be taken down with gunfire if in sufficient amounts, and can also suffer greatly from other forms of damage including blunt trauma or being cut up. In essence, while some slashers may have incredibly high healing abilities, they still can only take so much damage. One especially powerful weakness is fire. Whether or not it is truly the case, fire and explosions seem to do more damage than most other things. Those killed by fire have a tendency to have far more difficulties coming back from the dead again. The weakness is potent enough that Cassie tells others that “fire is your friend” when it comes to slashers. How exactly it works is unclear, but there are a high quantity of stories (which Cassie researched in the process of learning more about slashers) that include fire being used to keep things dead, especially zombies or vampires, so perhaps the same rules of “purifying the unholy” follows, as far as she can initially understand.

Now, all of that is all well and good. But why does fire work so well? Why do only some vengeful beings come back as slashers, while others do not? Not every serial killer Cassie Hack and Vlad face returns as undead, after all, and some of the slashers, like Blackfin the shark, are not even human in the first place.

The answer lies in where they come from, and by whom they were initially created. In fact, the elements stated before are an oversimplification at best.

The two elements at play are best said together at first, then explained separately. Rather than try to tell in general terms, it seems best to go to a certain quote from “Hack/Slash: The Series” #24.

“During his travels, Akakios discovered a small African tribe whom regularly used a plant with many unusual properties. When burned, it created a black flame. When its nectar was injected into a corpse, the body would regain a semblance of life. The plant was used respectfully, and in moderation. Inevitably, the plant’s effects on the brain wore off, leaving only a starving, unliving beast that fed upon living flesh. Akakios destroyed the tribe, taking the secret of the plant, which he called black ambrosia, with him back to Greece. […] Akakios synthesized a chemical from the flower, which he and his followers ingested. Akakios’ alchemy would allow the most devote among the believers to return to life after death, as true paladins of their beliefs. They would live again, stronger than ever before, some with bizarre powers and abilities like the Roman gods of myth, to destroy the Children of Dionysus and save the world. […] [Modern] paladins are those who have the nectar of the black ambrosia running through their veins even after many generations. Those you call slashers.”

First, let’s talk about black ambrosia, and its applications. The flower itself is rarely ever seen, but its nectar is rather prominent. The use of fire seems to burn away the black ambrosia nectar in the slashers’ blood, thereby making reanimation far more difficult (if most of it is removed) or outright impossible without other magical means (if all of it is removed). In the case of fire from lighting up black ambrosia flowers’ oil, the effect is even more potent, first negating the supernatural powers of a slasher, then killing them without the ability for the alchemy to bring them back. Furthermore, every subsequent death seems to result in both heightened powers (if they have specialized abilities) and lessened morals (to the point of attacking those formerly out of their own personal morality either without much care or with deliberate malice, such as in the cases of Bobby Brunswick and Acid Angel). In all, it seems as though a part of the slasher is left behind with each return, replaced with the power that flows through them.

The fluid is not limited to humans, as it has been shown to reanimate and make hostile at least one shark (Blackin) and one car (which will go unnamed intentionally, but appears in “Hack/Slash: Trailers 2”), indicating that ingesting the fluid can also cause one to turn given enough time.

Black ambrosia sees use in two distinct forms: through the bloodline of those who previously been given it, or through direct experimentation to create similar effects artificially.

The ones born into a bloodline with the black ambrosia can be considered “pureblood” slashers. They are the most common of slasher types, seeing as they can crop up at random and are bound to the anti-“sin” mentality originally thought up by Akakios himself, be it intentionally going after such people or unintentionally targeting them. The substance has to be activated, most commonly by the subject’s death, but it can, in theory, be neutralized by certain modern science to at least be rid of the homicidal insanity (or at least the exacerbation of it by the black ambrosia itself), but leave them biologically at the apparent age of their initial death until they are killed by external means. In this case, some of the more famous examples include Jason Voorhees of the Friday the 13th franchise (with his resurrection as a zombie) and, possibly, Michael Myers/The Shape of the Halloween franchise (with his ambiguously supernatural abilities even in continuities that lack the Curse of Thorn). The members of this group that are “Hack/Slash” villains are extremely high, including, but by no means limited to, Doctor Edmund Gross, Angela Cicero/Acid Angel, Ashley Guthrie, both Fathers Wrath, Ian Mattheson/D1aboliq, Matthew Ravenswood/Grinface, Delilah Hack/Lunch Lady, and many, many more.

On the other hand, certain organizations have taken to creating slashers artificially, either intentionally or not, by utilizing black ambrosia-related substances.

On the unintentional side, we have “hate juice” distilled from captive slashers by the pharmaceutical company Ceutotech, Inc., which engaged in “experimental cosmetics” as one of its bases. The goal was to replicate slashers’ ability to heal in order to make better anti-aging creams and presumably other applications to that effect. Of course, the fact that the name was “hate juice,” along with Emily Cristy’s to use it herself, indicates that Ceutotech was aware of its dangerous nature. After ingesting the fluid orally (by drinking it), she began to take on some elements of a slasher, primarily in the form of some limited healing. Cristy, unfortunately, also took on some of the negative side effects as a result, including the “back of your head ‘panic attack’” voice (to quote Cassie from ‘My First Maniac’) and highly violent actions, but managed to keep herself more or less under control aside from some slips until her first death in the explosion of her building. Despite probably not being a hereditary slasher herself, she reanimated, and was far more lucid than many others, even to the point of paying back Cassie and Vlad’s kindness by saving their life once. Her ability to reanimate appeared to be far less potent than most, as being impaled killed her once again, and subsequent reanimations were quickly dealt with.

On the more intentional side, we have the work of Doctor Ezekiel Chase at the Englund Prison in Indigo River (examined in ‘Resurrection’ during its first arc). He seemed to be completely aware of the nature of slashers, to the point of having sought out Vlad to help her, and various “resurrection fluid” formulas (which are directly identified as connected to black ambrosia by Cassie and Vlad both) are able to reanimate subjects in varying levels of cognition, ranging from Vlad having all of his faculties back to Dominique Peacetree being little more than a zombie, as was the case with the “controlled fun-dead” of the prison and the fatally poisoned counselors. While this type does engage in some ritualized behavior in the case of the less aware, as Cassie herself says, “their brains are mostly soup at this point.”

Outside of black ambrosia itself, we have its originator, the mystical alchemist Akakios. Without indulging too heavily in who he actually is, his power over existing slashers, especially those of the pureblood variety, cannot be denied. To explain, it seems best to indulge not only in the events of his life (and apparent unlife) but also what came after his final death. During ‘Final,’ he seemed to have an unparalleled control over slashers as a whole, able to control even the most volatile of his “paladins” such as the first Father Wrath and Grinface with little more than a look and a speech, could control entire hordes of slashers in the averted apocalyptic timeline, and could even “feel their deaths, new and final” when Nef magic annihilated his army at the end of ‘Final.’

As Cassie says in “Hack/Slash vs. Chaos!” #1, “Vlad and I put an end to the slasher bloodline. They don’t come back anymore.” In arcs ranging from ‘Crossroads’ to ‘Final’ (especially those two), the black flame seemed able to resurrect many slashers without any direct input, something that ceased entirely after Akakios was finally executed with extreme prejudice, indicating that the slasher repeated reanimations relied upon his continued life as a mystical tether. This idea is further proven by the fact that Dick Weiner of the final issue of “Hack/Slash: Resurrection” was reanimated in the 1980s, but unlived long into the 2010s until his death by woodchipper being his last demise, as well as the reanimation fluid of Dr. Chase only allowing for one extra life.

Putting together these clues, Akakios seems to, as the “father” of the slashers as a whole, link the slashers’ reanimations to himself through his mystical alchemy to enhance his control over them and render himself indispensible (not to mention heighten his apparent messiah complex as the “murder messiah”). The problem with this is that Akakios renders the entire group vulnerable once he is killed off, but what can you do?

Witches

Some characters can use magic, but only a rare few are so integrated with magic that they can easily learn it. Only directly identified as “witches” in ‘Murder Messiah,’ this kind of magic user is distinct from other ones due to the fact that she (the examples given are both female) is intrinsically tied to magic through her bloodline, rather than being just any random person who can use a spell book.

In the world of “Hack/Slash,” the two primary examples are Laura Lochs and her black sheep sister, Liberty “Libby” Lochs. Magic comes exceptionally easily to these, and likely other, witches, regardless of its form. However, the type of magic used differs depending on the witch’s preferences (in terms of the style of how they use it) and what they come across (in terms of the magical systems themselves) more than anything else. Both of the Lochs sisters were able to learn myriad types of magic about as easily as basic study of a book, rather than needing any real training in many cases.

For Laura, it came in the form of the spell book with which she originally learned magic in her first story, ‘Girls Gone Dead,’ which seemed to consist of verbal magic and blood rituals, but very little, if anything, in the way of direct offensive use of her power. On finding Papa Sugar, she learned the use of certain voodoo magics (in the style of Child’s Play, on account of it being during the ‘Vs. Chucky’ story) such as the creation of certain potions and use of specific incantations, with little apparent effort needed to learn any of the intricate elements. She also appears to have known necromancy, which she taught to her sister Libby. Her own style focused on controlling others and the environment through murder, including creation of voodoo zombies, controlling a slasher’s actions through verbal commands said backwards, and leading her sister to control Julian Gallo the Mosaic Man by linking him intrinsically to the powers of death.

Libby, on the other hand, stuck to a different style. Aside from controlling the Mosaic Man in the name of revenge against Cassie’s hand in Laura’s death, she used necromancy’s control of souls to attempt to help people by manipulation of luck. After abandoning necromancy itself, she took to a more “modern” sorcery, to the point of openly calling herself a witch, focusing in on the use of verbal commands to control those who can hear them, to the general effect of far more offensive use of magic in the name of helping others instead of her sister’s malevolent, more low-key use of spells in general. She also seems to have a very good grasp on Neffish black magick (to be discussed lower down), such that she is capable of using the Neffish guitar for time travel relatively easily (physical illness notwithstanding).

According to Libby, every witch gets a “broom” (hers being a motorcycle) and a “familiar” (hers being flesh-eating bacteria), leaving the possibility that the reason why Laura did not develop either of these things is that she never took the time to do so or did not live long enough to accomplish it, unlike Libby’s several months on her own learning new magic.

Just because witches can have easy access to magic does not mean that they are completely aware of all of the intricacies of the magic that they use, as can be seen from attempts to use necromancy for benevolent purposes without understanding its basic manipulation of souls.

“She ruins everything she touches. She wanted to do ‘good’ with a necromancy book. She tried to make lucky items for the dregs, the luckless losers like her. But necromancy isn't meant to bless items. To do so drags a spirit out of the afterlife and binds it to the object. A slave spirit that doesn't want to be there.”

On account of their mystical nature, some of these beings (in particular Laura) can subvert their own death by latching on to another witch’s consciousness to teach how to use some magic, becoming a kind of ghost in the process, albeit one with very limited connection to the physical world.

Mystic Empowerment

Certain entities were empowered by magical sources, whether through spells they cast or those cast upon them or others connected to them. As these entities are not intrinsically magical in the same way as witches, they seem appropriate to discuss separately.

Insofar as famous examples in fiction go, we have Charles Lee Ray and his transformation into Chucky through voodoo magic of the Heart of Damballa in the Child’s Play franchise (though he might, possibly, be a witch), and the cursed, corporeal ghost of Victor Crowley in the Hatchet films, both of which coincidentally appear in the “Hack/Slash” series themselves.

While slashers can be additionally mystically empowered, such as the case with the Mosaic Man in ‘Sons of Man’ and ‘Foes and Fortunes,’ that power is distinct from that of external spells, and so cannot truly be considered the same type of foe. However, empowering certain beings with additional magic may leave them as servants of said forces instead of their own will, as is the case with the aforementioned slasher.

“When we raised Julian, we bonded him to the powers of death and black magic so that he would be at our beck and call. Julian serves death. He'll free any spirits imprisoned on this plane.”

In general, mystic empowerment is a subset to the doings of witches more than it is a distinct power on its own.

Nef

The creatures of Nef (adjective form “Neffish”) are, by and large, some kind of amalgamation between aliens and demons. They are called demons, and treated as such, but in fact are not in any form of Hell that can be accessed by humans after death. Instead, Nef seems to be some kind of alternate dimension.

The only real method of reproduction for the beings of Nef is impregnating virgin females from the main dimension, regardless of species. The resultant Nef being emerges from the host’s body through their torso akin to an Alien franchise chestburster, killing the mother very violently. Understandably, finding a willing mother is pretty much impossible, hence the use of avatars (see Avatars below).

What type of Nef being emerges depends upon the individual being impregnated. In the case of a dog, the emergent Nef demon will be a “lowbeast,” a kind of hellhound type creature that is what appears to be the lowest form of Nef life, and of which the character Pooch is a member. Others exist, such as the apparent greatest warrior Kuma, a tusked humanoid misidentified as “Bigfoot,” but barring one appearance of hers and some others like minor villain Kumok, there isn’t a lot of emphasis on them as a whole.

One thing that is known is that, again much like the Xenomorphs of the Alien franchise, Nef creatures appear to have some form of DNA reflex, an ability to take on certain aspects of the host creature while still being definitely of Nef. This difference accounts for not only the bizarre look of lowbeasts being vaguely similar to a dog or a horse, but also certain abilities of more advanced Nef beings. Mid-level Nef creatures like Kumok have the ability to utilize weapons such as Nef wands to control “black magick,” but instead of being sorcerers on their own, these wands seem accessible to and easily usable by anyone, including Cassie Hack or Vlad, meaning that there isn’t an intrinsic ability more than there is general sapience.

The most prominent example of this reflex giving powers has to be the Stillborn, a creature that was born from the body of the psychic Martha "Muffy" Jaworski possessed by the dream-based killer Ashley Guthrie, the latter of whom had a psychic connection to Cassie Hack that had only been exacerbated by increased powers through the former. As a result, he had an exceptionally strong psychic connection to Cassie, able to have her see through his eyes during his serial killings even aside from his fame-based cannibalistic empowerment, paralysis-inducing “starstruck” abilities, and eventual electrical manipulation, both of which fit in with the “worship through a rock star” attitude of Nef itself.

Avatar

In some cases, individuals play host to an otherworldly, superhuman power. The means of acquiring these powers differ, but the overall effect is that of a need to keep the connection to that power to retain magical (or presumably other) abilities.

On the one hand, we have the classic Faustian bargain, offering something up in exchange for power from demonic entities, ones that entirely relinquish their hold on said abilities until they decide to take them back through one manner or another. Our most prominent example of this kind of power would have to be Jeffrey Brevvard, a.k.a. Six Sixx of the short-lived band Acid Washed. Given access to the Neflords (see Nef above) by their latest recruiter and former avatar (heavily implied but never outright stated to be a certain music King who is presumed to have died in August of 1977), he sacrifices young women to the Neflords in exchange for various powers that his Psychofiles profile identifies as “black magick,” a skill set that includes raising his soulless bandmates from their crates, transforming into a demonic entity with wings, the ability to be seen as very famous and popular in spite of his lackluster music through probability alteration, and access to his black magick Neffish guitar. The latter is not as much a part of his type of creature as it is a consequence of said power, which can be used by others if they can get their hands on it to do things including opening a portal to different dimensions such as Nef and the Dream World or between different areas on Earth, time travel, projection of blasts of energy, hypnosis of virgins, and potentially much more. In all, the power relies upon a steady flow of virgin sacrifices, to which point Six Sixx develops a body count of at least fourteen before the end of his run.

Another example of this kind of power is famous from slasher films, and even comes up under a different name in the ‘Mind Killer’ arc after a brief appearance at the ends of ‘Shout at the Devil’: the Dream Demons that empowered Freddy Krueger of the A Nightmare on Elm Street franchise. Although the Dream Demons are only identified as “Dread Drinkers” by Six Sixx on account of him not knowing their names, their appearance and fear-inducing abilities make their true identities readily apparent to those with the right knowledge, placing Krueger (who had been previously identified by Chucky and also was mentioned without directly stating his name in ‘My First Maniac’) in the role of an avatar to their power, rather than a slasher in and of himself. The fact that he could be depowered through skillful use of time travel in Freddy vs. Jason vs. Ash: The Nightmare Warriors adds further credence to him not being a slasher.

The other major type of power is that of a divine influence, as is the case with Fantomah, Mystery Woman of the Jungle, a character in public domain who was involved in events during the ‘Super Sidekick Sleepover Slaughter’ arc and her own one-shot arc ‘Mystery Woman.’ In her case, the powers granted are fantastical to the point of her being seen as a goddess, able to perform ridiculously powerful, often quite over-the-top punishments on those she deems to be worthy of said behavior, including villains associated with her capture and those who would attack her jungle. However, while the powers themselves are quite memorable, their source is less reliable. Fantomah’s power relies upon the continued existence of her jungle, and with her capture for decades in the “Godbox,” she was unable to prevent the quite realistic destruction of said jungle by modern society’s deforestation. As such, while her powers are quite strong shortly after emerging from her captivity, they quickly weaken to nothing more than illusions, and eventually are removed from her altogether in favor of a more suitable host, leaving her to mortality once more.

Monsters

Perhaps the best term to use for the creatures outright called “monsters” in ‘Son of Samhain’ would be “orcs,” in the classic J.R.R. Tolkein scheme. Judging from how the overall tone of ‘Son of Samhain’ is more of a pulpy action story than a horror story, determining their characteristics is a bit more difficult, in no small part due to them only being brought up for a single arc.

What can be determined is that they are an ancient species that dwells deep beneath the Earth in tunnels, and that they have their own hierarchy. They have a variety of subspecies, including the following: insectoid tinier creatures that can possess and enhance bodies of others by crawling into their orifices, forcing their minds into a dream state; humanoid figures in varying degrees of muscle mass that look like prototypical orcs, with green skin and primitive weapons like clubs; and flying beasts described as “gods” of their kind that are, nonetheless, not powerful enough to withstand sufficient human-based explosives. Their numbers are in the thousands at least, but they are weak enough to be taken down with a single swing of Cassie’s bat, to the point that she seems willing to take on an entire wave of their army more or less by herself.

Vampire

Of course, vampires are known throughout fiction as bloodsucking undead, as one of the archetypical creatures of the genre up there with spirits and werebeasts. Given that, an analysis of their nature seems in order, considering some rules may differ depending on the series. In particular, the ones seen are from the ‘Return to Haverhill’ arc of “Hack/Slash: Resurrection.”

Of the typical vampiric traits, several are shown, especially for Chetly, Earl of Chanders. In particular, they have some form of hypnosis through eye contact, cannot cross into a location without being invited, and have superhuman strength and speed. In at least the case of Chet, vampires can be kept from touching particular people by specifying who exactly is allowed to fall under the “invitation,” with others being treated as essentially a restraining order. All vampires under the head of a group will turn back to normal once said vampire is killed. Vulnerabilities include holy water, silver, and staking (with a stake being any long, sharp piece of wood). Furthermore, multiple types of vampire, from the one first shown in ‘Return to Haverhill’ to the recurring crossovers with Vampirella, are afraid of cats.

As said by a head vampire, “The blood contains many magics.” On the one hand, this could mean sharing of abilities across vampiric strains, such as enhancing one vampire’s control over an area of expertise only held by the other. On the other hand, this also allows for transference of command of a group from an ancient vampire to a younger one through a dark ritual that involves “the purest of sacrifices,” which may include, or in fact be, the heart of the older vampire. The fact that the explanation changes slightly between issues of the series makes determining what exactly occurred unclear.

Hybrids

Across the entire series, there are some hybrids between humanity and other creatures, through a variety of means. Some are born as hybridized creatures, others are granted said hybridization through mystical means, and others still artificially hybridize themselves.

“Each generation brings us closer. We move away from humans and toward monsters with every hatching. It won’t be long before Attan-Soolu’s DNA consumes the human’s, giving it the strength to life on its own.”

First, there is the process of using an artificial selection process of breeding (coupled with directly applying nonhuman DNA) to create hybrid creatures. On a lower key level, this technique was seen with the eponymous creatures from the ‘Sons of Man’ arc. The Society of the Black Lamp used inhumane breeding programs to create specialized human breeds, essentially subspecies, including the following: the “Hades,” with innate night vision; the “Poseidon,” able to hold their breath and swim unnaturally well; the “Artemis,” near-animalistic supersoldiers; and the “Venus,” little more than companions and sexual slavery (with the exception of one).

More overt was the process used in the alliance between the degenerated remnants of the Black Lamps and the monsters under Morinto, which merged the DNA of Akakios (still called “Samhain” for whatever reason) and that of the monstrous god Attan-Soolu to create monster-humans. There are some more disturbing examples present, such as an apparently full-grown man with Akakios’ orange hair and a shell on his torso, but the most successful was one of those that they deemed to be the greatest failure known to live, the eight-year-old October “Ocky” Bourne, who had little if any connection to the monsters themselves.

“Her boon was power. The power to take. The power to kill. She made him better. She made him more than a man. Of course, tha’ power came with certain dietary requirements. Tha’ ne’er bothered Sawney. Eventually he decided it’d be selfish to keep all tha’ power to himself, so Sawney took a wife. When he saw his golden daughters, he knew tha’ he had to keep the blood strong. And so the Beanes passed into myth and legend. But the blood did remain strong…”

In the case of the Beane Clan, descended from the infamous Alexander “Sawney” Beane and his 48-member cannibal clan originated in 16th Century Scotland, the influence is more mystical in nature. After Sawney showed no fear in the face of a demoness that had attempted to kill him, she granted him the boon of superhuman strength and durability, powered by his own cannibalism. For his descendants, he decided to “keep it in the family,” resulting in an incestuous clan spanning all the way to the 21stcentury in Chicago. The women who were born of his line were very physically attractive at first, but were liable to transform into a far more hideous, green skinned form once sufficiently agitated. For whatever reason, private military contractors from Moreci Securities seem fit to call those ones vampires, perhaps due to their habit of injecting some kind of poison into victims to make their faces puff up with blood. On the other hand, males of the line were constantly in the monstrous form, with the green skin also working along with a complete inability to grow hair and an overall deformed appearance. The actual dilution of the bloodline as a way of weakening the power is unclear, seeing as Vlad, a member of the clan who had a father outside of it, was able to defeat one of their stronger members.

The downside seems to come with those who refrain from cannibalism. As the power is inherently tied to that food source, those who do not eat human meat, such as Vlad, seem to have a variety of physical ailments, ranging from respiratory problems (such as those that are half of why Vlad wears his signature gas mask) to a progressive bone disease that leaves Vlad bedridden for a several arcs of the latter half of the comic’s original run. While Dr. Vincent Morrow (of Witch Doctor) seemed to create a serum to cure his bone condition from the blood of Vlad’s grandfather, Bronson Beane, it is unclear if this treatment is permanent. However, considering there has been absolutely no mention of his various ailments since, and considering Dr. Morrow’s treatments are pretty comprehensive, it seems fair to say that the negative effects were counteracted until otherwise proven.

“You know as well as I do that this job, hunting like we do, has a way of aging us in some ways, and keeping us young in others.”

What exactly Caraway Cordero, ancestor of Cassie Hack on the side of her mother, actually happens to be is a bit of a mystery to some, but after some discussion with Seeley at New York Comic Con 2018, that question has been answered in regards to Tini Howard’s plans for her. She is still a human being, but mutated through a variety of deliberate, artificial means in a manner not unlike the Witchers of the novel and video game franchise of the same name. How exactly she imbued herself with supernatural properties is not entirely clear, but seems to involve things like drinking the blood of certain beings, injecting other things, and the like to the point of becoming similar to them, but on a lower level in some respects. Caraway is capable of sniffing out Cassie’s relationship to her down to who her mother was on first meeting, limiting or even entirely disrupting her aging process since the 1800s to the point of still appearing to be roughly in her forties in the 2010s, developing enhanced reflexes to the point of being able to take out a vampire coming at her from behind, an ability to scare away other vampires by hissing in a manner not unlike them, and, most impressively, using superhuman speed to a degree that even Vampirella, a vampire herself (albeit an alien one in this continuity), was unable to even see her until she had already struck a fatal blow to the head vampire of Haverhill.

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Review Response, Destiny #043

The count reached past 10, so here it is. Even with one review being for a chapter that does not exist (???), the count is still past 10. So... yeah!

1) You really made a bitch cry during this chapter, like damn I already guessed it but all my Hoenn favs lost in the waves. Just thinking about what happened to Tate and Liza who are even younger than emerald just haunted me. I had said in a previous review that emerald was gonna lose all his loved ones(by that I mean the ones closest to him) and that’s what happened. One can only pray that there’s even a hint of an ethnically Hoenn population left after this entire ordeal As for everyone else Red and Blue lost their bestie’s and brother but have each other, the Johto kids gained nothing and lost everything, Sinnoh kids are traumatized but otherwise fine, Black and White have each other, and X is probably a level of depressed incomprehensible for the human mind. This story was a fun emotional roller coaster and I’m happy I could be apart of the ride.

Ah, the review for a chapter that does not exist. Given the buggy nature of this, I will consider this review to be for chapter 43.

Emerald has indeed, lost everyone. In fact, if the epilogue scene played out like a video game and you could explore around, on the skeleton around “Emerald Gate”, you’d find a secret chamber containing a lot of worn out journals and two Soul Dew. ... Ouch, huh? And yes, there would be Hoenn population left, having evacuated to the other regions. While most of Hoenn cities have catastrophic casualties, the towns and cities near the fringes but away from the calamity (such as Fallarbor and Rustboro) would have most of their dwellers alive, just evacuated.

Red and Blue are happy (in fact, the popular “rivals” for that pairing are all dead) and will have their own happy ending sooner or later, the Johto folks got a doom ending, the Hoenn folks got a doom ending, Sinnoh got a happy ending, Unova got a happy ending, and Kalos got a doom ending. 3:3. BALANCE!

2) The chapter title honestly reminded me of Avengers: Endgame XD

And thank you as well! It's fun writing Ruby and Sapphire so I don't wanna miss the opportunity. Thank you again! TwT

(Still don’t know anything about the Avengers or whatever)

Thanks so much, Cap! I really love what you did for that segment, and I really appreciate it. I hope we can do something similar once again!

3) That was a great way to end,can’t wait for the other stories to unfold!

Thank you very much. Legacy will certainly get interesting later on!

4) Damn, pretty much all of Hoenn is gone. That's death on a far grander scale than anything I was expecting. Still, the ending is oddly satisfying. Hmm, not sure how else to word that.

Anyway, this entire story is awesome! Kinda wish there was a bit in the epilogue as to what happened with the surviving dex holders, but oh well. Amazing writing as always~

Destiny has the highest death count of all the stories I’ve ever written. Even in terms of named character deaths, SA has the most, since everyone notable in Hoenn are gone. ... It’s a good thing Emerald never got confirmation... “... Even the Shoe Store Guy...”

I was originally going to put in some stuff for the survivors, but they were kind of out of place and incorrect in terms of timeline, as Emerald would seal his two friends and a few days later, the survivors would’ve returned home for their happy endings or whatnot. And thank you!

5) Jeez, what an incredible story. I've been following this since 2014 & all I can really say is damn. Looking forward to keep reading your other stories.

Thank you very much!

6) Why have a cliffhanger ending without a sequel? It's not a horror movie.

Because it’s FUN! Hehe. In truth, I always liked the concept of a teaser ending, especially a teaser ending that shows a new threat/event that it not going to be elaborated on. At least not by the original creators, anyways. Besides, I did this once before back in SA. Never created SA2, you know. Same deal here. Hehehe...

7) Wow...

That was...

Let's just say, I was NOT expecting that.

At all.

Hehe... then it was as intended. Huhuhu...

8) Both of the Unova casts survived?! What is this blasphemy! Hooray for finishing Destiny, really good work. Cya at your other stories.

What a shocker! Black and White lived!!

Ahem. Okay, to be REALLY fair, I did intend to kill White in Destiny. In fact, the “fake Destiny” short story I made years ago (Short Story - Mercy) was supposed to happen exactly in the actual story. White gets mind controlled and convinces Black to kill her to spare her from the torture and to stop her from bringing Unova into ruin by pissing off Kyurem. I just decided to not go with it at the last moment to show some mercy, and because the Kyurem issue will be brought up in another story later on and I didn’t want a repeat. So... now you know! Hehehe...

9) As Ethan Kironus said, "Why have a cliffhanger ending without a sequel? It's not a horror movie." I freakin' hate when someone do that. I'm disappointed and will not read this story, and I regret I ever followed it.

I’m so glad you decided to not read the story after you followed and read it all the way to the very last chapter. Well done.

10) Heheh. You and your cliffhanger endings. They almost always end like that which perfectly sets up for a sequel. Then you never make it to leave us in suspense forever.

Okay. I feel really bad for emerald. Everybody he loves is gone. Like Ruby and Sapphire, he has nothing left. He chose the hard thing to do, however, and spend the rest of his life guarding the orbs. It’s pretty noble, and pretty depressing. At least the others got a somewhat of a happy ending...except for X.

Whats this? Black and White actually lived through a full story?! I didnt think it was possible!

I think this is the most people you killed in a story since everyone in an entire region died.

Anyway, great job with this fic! Its been a very enjoyable one, and I’m glad I got to read it! There truly aren’t enough good stories that involve the dex holders!

Hehehe... them teaser endings!! Though to be fair... I only did it once before with SA. But in terms of “plot based, long story”, there are... 3. SA, Destiny, Legacy. So... with 2 of those stories finished, and 2 teaser endings... 100% rate thus far. Ha!

Poor Emerald indeed. Lost Crystal. Lost Gold. Lost Ruby and Sapphire. Lost even the Trick Master. And later on, loses Latias and Latios. Poor boy. Curious that no one thus far had said “poor Sapphire”. And yes, X had a horribly sad ending too. Because he gets to go home and “bury” Y in Vaniville Town, which means he also has to talk with Y’s mother and tell her of Y’s death. Ohh...

Hehe. About Black and White... To be fair (again), the... er... misconception that I tend to kill Black and White a lot started with how I kind of... tossed them away in SA. And I only had them die in SA because they were post-plot-plan additions. Generation V as a whole debuted after SA started and its plans fully set. So the two did not have a place in the finale thus were thrown away. While it’s true that I bullied the crap out of them in DE, I didn’t really kill them much. ... I think. Ahem. Now, similarly, Sun and Moon both debuted after Destiny began. Which means if I decided to include Sun and Moon in Destiny, they both would’ve died in the final battle to increase the death count. And the misconception that I bully and kill the Alola cast will begin. Maybe. So... yeah. ... That said, I do find a bit of amusement in torturing Black & White, but... hehehe...

Not everyone in Hoenn died, but pretty much everyone. I think the population focused cities are Lilycove (doomed), Slateport (doomed), and Mauville (doomed), so... yeah. A LOT of deaths of faceless nameless people.

Thank you so much! I’ll see you at the other stories!

11) Sorry to give another review, but...

Yeah...

Like I said, wasn't expecting the ending.

The destruction of Hoenn was pretty much the death-wish I asked for. Thanks.

Can't be a 135 story without a cliffhanger ending, can it?

Anyways, as many others have said, the Unovan cast surviving was very surprising.

To end this off (for now), all I can say is that I'm glad I read this. Thanks for giving us a story that can make us feel so many different emotions. There aren't as many out there as there used to be, but you pulled through and that's what mattered.

And to the people who say that the cliffhanger ending was unnecessary... What did you honestly expect? It's a 135 story. Whenever you read one of those, you're always going to be left with one of them. And people actually can LIKE cliffhangers. I'm one of them. No hate to those who disagree with me. I'm just stating my opinion.

(To 135): I'll be back eventually.

You aren't getting rid of me just yet.

Thanks for the story.

You made the “death wish” years after I decided to obliterate Hoenn and its population. So... hehehe. Nice. Works out, eh?

Can’t be a 135 story without one? ... Ehh... maybe. I mean, I guess all the post-endings in SE/DE kind of do that too. Hehehe...

Yeah, yeah. Unova cast... the “usual” targets, apparently.

Thanks for the compliments!

And looking at it strictly, the loose ending is technically unnecessary. And do not cause disputes, s’il vous plait.

“I’ll be back”. ... Do not drive a vehicle through a building? (REFERENCE!)

Well then. I will wait. Thank you!

#qna #destiny

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