#and I have enough post interaction to know that people do see my posts

[fionaapplerocks]

The Long and Winding Road That Leads to Fiona Apple

By Tyler Coates 2012-05-31

“The past is never dead. It’s not even past.” So goes the oft-quoted line from William Faulkner’s Requiem for a Nun. Time is circular, and our relationship with our own personal histories is ever changing. This is a concept with which the enigmatic Fiona Apple is deeply familiar.

The 34-year-old singer-songwriter is about to release her fourth album—the first in seven years—aptly titled The Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do. The spinning wheel of time cranks back and forth for Apple, who continues to re-examine her past while trying to keep up with the present. Like most artists, however, Apple finds that her fans cherish the past more than she does.

In 2000, a 16-year-old fan named Bill Magee approached Apple after a show in Upper Darby, Pennsylvania with a request: he told her he was a member of his high school’s gay-straight alliance and hoped that Apple could write a few words of support. “[I] was much more interested in interacting with a celebrity than building an alliance between gays and straights,” he admitted on his blog 12 years later where he posted a scanned image of the letter he received less than a week after requesting her response.

Apple wrote: “All I know is I want my friends to be good people, and when my friends fall in love, I want them to fall in love with other good people. How can you go wrong with two people in love? If a good boy loves a good girl, good. If a good boy loves another good boy, good. And if a good girl loves the goodness in good boys and good girls, then all you have is more goodness, and goodness has nothing to do with sexual orientation.”

“My brother was the one who told me about it,” Apple tells me just weeks after Magee posted the letter on his Tumblr, which was then picked up by various sites like Jezebel and Pitchfork. “I was like, ‘A letter I wrote to someone when I was 22 has made its way online?’ That’s the scariest thing I could possibly hear in my life. And the subject matter was so important—I know how I’ve always felt so I knew it wasn’t going to be a bad letter, but I was like, ‘What did I say?!’”

The letter’s sudden popularity online is indicative of how much has changed since Apple released her debut album, Tidal, in 1996.

For starters, she was then a 19-year-old singer-songwriter signed to a major record label and churning out emotional and dark odes at a time when her contemporaries were singing bubblegum-pop love songs.

She made headlines after appearing in the video for “Criminal.” Shot in a seedy apartment, the video featured a scantily clad and emaciated Apple, sparking criticisms of the exploitive quality of the images (and suggesting that she had an eating disorder). In 1997, when accepting her award for Best New Artist at the MTV Video Music Awards, Apple infamously shouted into the microphone, “This world is bullshit, and you shouldn’t model your life on what we think is cool, and what we’re wearing and what we’re saying.”

While the speech was replayed and parodied on TV for years following, Apple was lucky enough to have said those words before the days of blogging and YouTube; had she given the speech 15 years later, it may have turned into a career-damaging viral video and sparked a few thousand snarky tweets.

She also has the luxury of being a successful artist who doesn’t need to promote herself online. “They want me to tweet now, but I don’t,” Apple tells me of her label reps. “It doesn’t feel natural to me. But I do find it actually more interesting to see people posting ridiculously mundane shit. I like to hear about what people had for breakfast or what they did all day. It’s interesting because I don’t know how other people live.”

While Apple is hardly a recluse, she’s made few public appearances in the seven years since the release of her third album, Extraordinary Machine. The excitement following the announcement by Epic Records of the late-June release of The Idler Wheel speaks to the loyalty of her fan base. (And as for that long-winded title, it’s a callback to the much-maligned 90-word title of her acclaimed sophomore effort, universally shortened to When the Pawn…)

The Idler Wheel does not deviate from the familiar sounds of Apple’s earlier records; the songs are still layered with complex instrumentation, and her reverberant voice still takes center stage in each tune.

The album was produced nearly in secret over the last few years—a surprising move from an established artist with the resources of a major label at her disposal. But Apple explains that her experience with the label system is what allowed her to feel free to work on her own. “It was very casual, and I wasn’t fully admitting that I was making an album,” she says. “I got to use the time in the studio to inspire me to finish other things rather than feel like I was finishing homework to hand in. It wasn’t a lot of pressure. And the record company didn’t know I was doing it, so nobody was looking over my shoulder.”

Most might take that mentality as a reaction to the restrictions of her record label, especially after the drama surrounding the release of Extraordinary Machine. After collaborating with Jon Brion (who produced When the Pawn) to create an early version of the third album in 2002, Apple then decided to rework all but two of the songs with producer Mike Elizondo.

The original version of the album leaked online, and Brion suggested in interviews that Apple’s label had rejected the demo and forced her to rerecord the songs (a claim that Apple later denied). Still, it incited an uproar among her fans. An online-based movement called Free Fiona organized demonstrations outside of the Sony headquarters in New York, and protestors sent apples to the label’s executives.

The final version of the album was released in 2005 and received positive reviews and earned Apple a Grammy nomination. “I ran into the guy who started Free Fiona after a show in Chicago,” she tells me. “He apologized to me! They didn’t get the story quite right, but they did help me get my album out. I felt so bad that he had spent all this time thinking I was pissed at him—I had a physical urge to get down on the floor and kiss his shoes!”

It’s an intense reaction (she admits she didn’t bow to her fan because “it would be weird if I did that”), but Apple is still a very intense person. Dressed in a flowing skirt paired with several layers of spaghetti-strapped tank tops that reveal her slender frame (which seems healthier than in her early days, giving the impression that she must spend most of her downtime on a yoga mat), Apple fidgets in her seat during our conversation, often giving off an infectious giggle.

But she is surprisingly comfortable to talk to, not much like the somber young woman who sang of heartbreak and disappointment. “I don’t think I’ll ever have an idea of what I look like to the rest of the world,” she replies when I ask if she ever worries that her lyrics, which are sometimes in stark contrast to the up-tempo, progressive sounds of her songs’ instrumentations, give off the wrong impression of her personality. “It’s all your own perception. I could easily be concerned with how I’m taken and then have all the good stuff filtered through to me and choose to believe that. For the rest of my life it’d be the truth for me, but not the whole truth.”

Born Fiona Apple McAfee Maggart in New York City to Brandon Maggart and Diane McAfee, Apple’s musical destiny was settled at birth. The McAfee-Maggarts are, while not reaching Barrymore-level name recognition, an entertainment family; Apple’s father was nominated for a Tony for his performance in the Broadway musical Applause, both her mother and sister are singers, and her half-brothers work in the film industry—one an actor and the other a director.

She’s a third-generation performer, as her grandmother was a dancer in musical revues and her grandfather a Big Band-era musician. While Apple’s auspicious introduction to the pop world had critics calling her a prodigy, she crafted her early songs as a cathartic necessity. (“Sullen Girl” from Tidal, in particular, is about her rape at the age of 12.) “Over the years it’s transferred more into a craft,” she says. “I use myself as material because that’s what I’ve got. But these days I write less than half of my songs to get myself through things. I have to find other things to be meaningful— otherwise I’d just be miserable all the time.”

Her songs are still extremely autobiographical, which is perhaps their charm. Following in the footsteps of other singer-songwriters, especially women who emerged in the early ’90s and expressed their emotions in particularly vulnerable ways, Apple’s openness has always had an empowering appeal. Her songs seem to suggest that feeling a variety of emotions—sadness, glee, despair, insanity—is not only normal, but, like those self-reflective musicians before her, she also gives permission to her listeners to feel the same way.

Even for Apple, her older songs are relics of another time, and she now makes them applicable to her life in the present. “They all kind of become poems after a while,” she says. “You can take your own meaning out of them. It’s been a very long time [since my first albums], and I can apply those songs to other situations that are more current in my life.” She admits she has changed greatly since she started writing songs in her late teenage years, especially when it comes to how she portrays herself. “I don’t feel comfortable singing the songs that I wrote. I used to blame other people and not take responsibility. I thought I was a total victim trying to look strong.”

And she is much harder on herself in the songs on The Idler Wheel than she ever was before. Sure, she admitted to being “careless with a delicate man” in “Criminal,” arguably her most famous song, and in When the Pawn’s “Mistake” she sang, “Do I wanna do right, of course but / Do I really wanna feel I’m forced to / Answer you, hell no.”

On The Idler Wheel, Apple examines her own solitude and neuroses as well as their effect on her relationships with others. “I can love the same man, in the same bed, in the same city,” she sings on “Left Alone,” “But not in the same room, it’s a pity.” On “Jonathan,” a somber love song layered with robotic, mechanical sounds that’s presumably about her ex-boyfriend, author and Bored to Death creator Jonathan Ames, she urges, “Don’t make me explain / Just tolerate my little fist / Tugging at your forest-chest / I don’t want to talk about anything.”

But performing, as a central requirement of her career, still takes precedence. “Some nights I’m very, very nervous, and some nights I’m not at all,” she tells me. “I think, ‘This is ridiculous. I’m not a person who does a show, I’m a person who should be on a couch watching TV.’ But then it’s like I get knocked into another state of consciousness, and then I’m left behind, and the person that’s doing the show is there and there’s nothing else in the world existing other than the note she’s singing. It’s such a joy to do, but I forget about it until I’m on the stage.”

Apple has lived in los Angeles since Tidal’s release in 1996, although she admits that she’s “not an L.A. girl.” “I was supposed to stay in New York,” she tells me. “I remember being 17 and asking if I could record in New York. How did I end up here? It’s 15 years later… How did that happen?” Apple doesn’t seem to process time like other people. When I ask when she began recording The Idler Wheel and when she knew it was ready, she has a complicated answer. “It must have started in 2008. Or 2009. I don’t know! I have no idea. It’s weird to think that there was 2008, 2009, 2010, 2011.” Her big blue eyes suddenly look to her right as she furrows her brow. “Where’ve I been? What was I doing? What was that year about?”

Maybe the solitary nature of living in L.A. contributes to her aloof tendencies. “I’m not a social creature,” she says, “I don’t go to parties all the time because I’d probably just wonder why I’m there in the first place.” Her preference for being alone may also stem from the kind of personal criticisms that people tend to throw at female musicians. “I’ve gotten so used to being misunderstood. Nobody’s ever really said anything bad about my music, but when I’ve had albums come out there are always people making fun of me. ‘Oh, she’s back?’” She didn’t even expect the comments (mostly online) when the full title of The Idler Wheel was announced. “I didn’t stop to think that anyone would call it ridiculous, but people did. I thought, ‘Ahhh. My old friends.’ I’m not sure what’s ridiculous about it, but that’s what they’ve got to say.”

I cautiously mention the infamous acceptance speech from the VMAs, a moment early in her career that defined the public persona of Fiona Apple as an angry, ungracious woman. “I’ve never been ashamed of that,” she replies immediately. It was the first moment, she says, in which she felt like she could speak up—to break free from the shyness that defined her childhood and early teenage years. “I genuinely, naïvely thought that I was going to put out a record and that was going to make me have friends. I expected to give it to people and they would understand me; no one would say to me, ‘We don’t want to be your friend because you’re too intense or too sad all the time.’” It wasn’t necessarily the case.

“Do you still think the world is bullshit?” I ask when we talk about the VMAs. She laughs. “It’s not the world!” she exclaims. “Of course people think that ‘the world’ is the whole world. I felt that I had finally gotten into the popular crowd, and I thought, ‘Is this what I’ve been doing this for?’ I felt like I was back in the cafeteria in high school and still couldn’t speak up for myself.”

These days, Apple spends more time focusing on her own art rather than the reactions to it. With age has come calm and decreasing desire to pay attention to her detractors. “I’ve decided it takes too much energy to try to avoid it,” she tells me, brushing aside her freshly dyed crimson hair. “I’m not going to hide from the world.”

Source Archive.org:

https://web.archive.org/web/20120603033544/http://www.blackbookmag.com/music/the-long-and-winding-road-that-leads-to-fiona-apple-1.49114

[snailsagere]

Please read my dni in my bio before interacting

Hi so it's been a while! I just wanna answer some stuff and update you on what I've been up to etc!

So I've been away for a while and I want to say why, I basically just got super duper burnt out, this account started with me posting for fun about the happy sides of my age regression and then turned into me just doing requests for people and I stopped having fun so will I ever post on here again? I don't know, maybe but I doubt it to be completely honest

I know most of you were just here for my agere content which is fair enough, but if anyone is interested on what I'm up to now, I do post on a few different accounts and socials-

@PrincessSnail on YouTube- I do gaming videos three times a week unless I'm ill or too busy! I mainly post warrior cats content but I post loads of other games too like calico and the games I play are mainly cozy games to do with animals

@snail1504 on tiktok- I post day in the life videos and post about my mental health + anything else I feel like posting like tiktok trends etc

@princess-cloudy on tumblr- this is my second account, on here I post about my warrior cats fanclans

Thanks to everyone who supported me on this account I may come back I may not, we'll just have to see, thank you for enjoying my content! :3

[lady-murderess]

I gotta be honest, the past week or so really has me questioning whether I'm actually excited for season two of Wednesday or not. I haven't really been involved with the fandom for the past six months or so, but ever since I received my Monster High Wednesday doll, found my Poe Cup cosplay, and all these teasers started coming out, I've been wanting to get involved again, but at this point I'm failing to see the benefits of doing such a thing.

I'm usually never one to allow people to put me off things but this fandom is just even more of a cesspool than it was almost two years ago, I swear.

Tell me why I'm seeing people apologising for liking Tyler? STILL? Yes, I may be a Tyler fan myself but who honestly cares? Like whatever character you like and have done with it. One thing that's also bugging me is how childish the whole censoring characters names and ship names thing is. Where's the need? You're just being dramatic for literally no reason at all. Just put the name, no one is really that bothered.

And also as much as I encourage people to interact and reblog my posts, the obvious does NOT need stating. We know Wednesday and Enid are besties, it does not need repeating, it's literally canon. You're just adding to these shipping wars and frankly, I don't want to see that in my notifications especially from some Wylers... Over the past two years, I've been very fortunate to be in with some great people and not be in a position where I've been involved in or witnessed any ship drama, so why am I honestly hearing all this shit about Wyler people being toxic and doxxing people, etc.? Like where has that come from? Can we just stick to being chill, please? It's bad enough there's so much pandering, politics and really bad parasocial behaviour going on already.

I've quite honestly been sitting on this post for a couple of days now but this is honestly annoying as hell. It's just a goofy lil show, just allow people to enjoy it. Most importantly, ALLOW YOURSELF to enjoy it.

Thanks for coming to my TED Talk, appreciate it. ✌️

[j0kers-light]

WIP TUESDAY 

Wow I’ve never done this before. My bestie @megamindsecretlair tagged me so I feel compelled to try. 🖤✨

Where do I begin?

j0kers-light will always be a side hobby. A much needed escape from my hectic work schedule, and a place where I could share my mind with others. I never imagined I would have so many wonderful people reading my silly little stories.

The wave of support on here, A03, Wattpad, and IG is just jaw dropping. 

Chaos is truly honored. Not to sound conceited, I know I’m a good writer, but to see my impact on others is what makes me fangirl squeal!!! 

I am only human though and I’m limited to how fast I can post stories. If you been with me since the beginning, you know I finally broke down and got surgery on my left hand in October 2023. I still suffer muscle spasms, so typing isn’t always easy. 

Like I mentioned in the Wip game post, I have seven fics in the cart…. and countless asks pending in my inbox. It keeps glitching but I'm certain I don't have 50+ at least I hope I don't. 🙃

I also have two series, His Lighthouse and His Angel, of which both are incomplete. 

What can I say, I like to stay busy. All I ask is for patience and your support. I crave interaction. Not just likes. I’m from the old school tumblr. 😎 I wanna to talk to others.

I want comments and reblogs. I want to interact with you. Tell me how much you enjoy a fic, tell me your thoughts and opinions! I don’t feel motivated by likes. I don’t feel like my work is being appreciated by a mere double tap.

We as writers give too much for so little in return. I don’t wanna preach about it, I do enough of that on my main blog.. 👀

Chaos is here to stay, just more human interaction would be nice.

[wish-i-were-heather]

This is a long post but not a vent its the opposite of a vent ykwim like a long happy rant

I love you all so much.

Maybe I’m just all dramatic and emotional because I’m on my period, maybe because I’m writing this late at night and I’m gonna think it’s really cringe in the morning, but I love you guys so much. Tumblr has brought me so much joy. I’ve been here for maybe three or four months now? And I can’t really think of a time in my life where I was happier. 

I first made an account after scrolling aimlessly. I would go onto the tumblr website and it would let me search a bit until it was like “you need to make an account to keep going!!” And then I’d just close it and move on. But then one day I decided  hey what the heck just do it. So I made an account, and I didn’t really know what I was doing. I came up with this username because I liked conan gray, I gave myself  a daphne blake profile picture because she has red hair, and just kinda explored. 

I looked through tags of fandoms I love like the inheritance games and pjo and shatter me and even scythe (which was when i was then brought to the realization that the aoas fandom really is dead everywhere even here😔). But I just kinda explored.

Then I found all you guys, the cute aesthetic tumblrinas! And omg I thought everyone was so cool. Pretty much everyone I’m mutuals with now is someone who i found their blog and was like OMG I WANNA BE ONE OF THEM!! I loved the friendships and the connection and just seeing everyone interact made me so happy. I think one of the first people to follow me back was Belle and I remember I legit freaked out because omg!! Shes so cool!! 

Now that I’m telling the story it’s a little embarrassing, but it’s fine. I just know I was slowly growing my blog and meeting new people but I still didn’t feel like I had real friends, it hadn’t been that long. But I think it all kinda happened after I accidentally deleted my account, and I sent panic asks to everyone. And you guys were so nice and so sweet and for a lot of people it was some of the first interactions we had. 

I have the world’s worst memory, but it just kinda took off from there. 

And now I am friends with all you guys!! I’m so incredibly glad I decided to make this blog that day because omg. I’d seen people talk about online friends but I’d never had any. But now?? OMGG I UNDERSTAND!!! I finally have people who are just as obsessed with the books/tv/movies/music/everything that I am!! 

My friends IRL are nice, they’ve read the books I read, but I cant talk to them the way I do you guys, yknow? Tumblr is literally just such a safe space for me. I have a bad day, come online, and my mood is lifted. It makes me so happy and it also makes me feel so validated for whatever weird interests or feelings I have! I have a weird thought? Post it to tumblr! It’s just so amazing, how there’s people all over the world who care about me even a little, even just enough to like my shitposts. 

I’ve even infiltrated both the shatter me and tig roleplays, and I’ve really just done everything I could’ve hoped for when I joined tumblr. I used to be the one watching everyone interact, and now I am the one interacting! I don't think you guys understand how much you all mean to me. Especially as someone with bad social anxiety, who struggles with making friends irl. I also don’t believe in popularity in schools, thats stupid, but technically i’m not a “popular kid.” So I have friends, but not a billion. But here? Everyone is friends on tumblr!! It’s so amazing. I love you all so much. 

That’s long and honestly pretty sappy, also yall probably don't care about my whole tumblr history and how i got here (plus no one asked), but I felt like i wanted to share. There’s so much more I wanna say, but surprisingly enough as a writer, I’m not always the best at expressing my feelings over writing. My love language is physical touch, not words of affirmation. Which suckss cause i cant give you guys that. But this is as good as i can get. 

So thank you to everyone, my mutuals and followers and whatever. Thank you for being so loving. Thank you for being stupid with me. Thank you for listening to me rant about nonsense. Thank you for liking my posts. thank you for being here. Thank you for making me feel safe.

Cause every time I get a notification, I smile. It’s hard not to, when I know everyone is so amazing. I hope you think of me when you listen to heather, because I always think of you when i listen to online love. Anyway, I love you all. I hope we meet one day. Actually, scratch that. We will  meet one day. That is a threat :)

LOVE YOU ALL MUAH MUAH MUAH IM BREAKING INTO YOUR HOUSE RIGHT NOW BTW WERE GONNA WATCH HALLOWEEN MOVIES AND HAVE HOT CHOCOLATE AND GO TO THE PUMPKIN PATCH AND DO A BIG GROUP COSTUME AND GO TRICK OR TREATING TOGETHER GET READY 😋😋

[woundedheartwithin]

Just for reference, since the naming convention for the series has changed, I tag all games in the Yakuza/Like a Dragon universe (including je/lj) #yakuza

Mainline games are tagged #yakuza [number]. Like A Dragon: Infinite Wealth will be tagged #yakuza 8 for just general posts about the game, and spoilers will be tagged both #yakuza 8 spoilers #spoilers. Spoiler tags are generally only used to denote major plot and/or substory spoilers, so if you want scorched earth blockage of information about the game, I suggest filtering both the spoiler tag and the game tag.

Spin-offs are tagged #yakuza #[subtitle/title] (ie #yakuza #judgment, #yakuza #ishin, etc), with the exception of Gaiden, since there are many games with the subtitle Gaiden and I don’t want to blur tags. For that reason, that particular game is tagged #yakuza #yakuza gaiden

This convention goes for all posts, past and future, and believe me, if I could go back and redo my tagging system to just rgg I would, but that’s thousands of posts at this point. One day I’ll make a full guide to my tagging system, but for now, for spoiler purposes given all the new information about y8 and gaiden (praise be), here’s the current fandom specific version

As a general rule, my tagging convention for all my posts is: fandom, game, character, ship, spoiler tags, archival tags, my dumbass thoughts

Character names for rgg follow East Asian convention (surname first, given name last), with the exception of canonically western characters and/or characters using western naming convention, such as Ryan Acosta and Nick Ogata

[whimsyprinx]

I feel like now is a good time to announce that I’m in the process of moving blogs! Im doing so for a few reasons, the main one being paranoia, so for that reason I won’t be saying my new urls publicly so like please dm me if you’d like my new url so you can follow me there! I’ll be reblogging this post a lot so ppl can see it (so sorry if you get annoyed by that)!

I’m also remaking my discord account as well so if we’re friends on there then feel free to message me for my new username!

friends and mutuals please do reblog so shared friends/mutuals have a higher chance seeing it!

[todayisafridaynight]

i’m pretty surprised that you can be in a fandom without really checking the tags regularly for new content or discussions that’s pretty impressive

ive got twitter for that and twitter has shown me enough as is

[fridayyy-13th]

wow. not even a week into college and i'm already behind on work. fucking lovely.

[an-theduckin]

Wait shit people might actually care about me

[dawntheduckrb]

I'll stop posting wips eventually but it's been five days since I've said anything and I don't want anyone to think I'm dead/dying/stuck in a ditch and withering away, so here's 10% of the reason I disappeared (the duck is stuck in rendering hell) (and my little baby laptop is screaming at me every time I open up this file)

I might still be mostly lurking for a little bit so please be patient with me in the meantime 🙏🙏

[teaandinanity]

Constantly torn between 'tumblr if I blocked the tag I don't even want to know the post EXISTS' and 'okay I guess it's reasonable to show me what posts contain so I can know when I have a fundamental incompatibility with someone I'm following and hie myself off home.'

[l48yr1nth]

Hi. Just wanted to say I really like your art. The way you use shapes is truly amazing and I love every art piece that comes up on my dash. :).

I AM. GOING. TO CRY.!

thank you and i love you and ur awesome and . i love you. :) :) :3

[deityofhearts]

I just want attention but I want for people to actually want to give me attention without me having to all but beg for it (and even then I end up begging for attention, that’s what this post is)

[d0d0-b0i]

always get so pleasantly surprised when people really like my stuff i post :) love you all. whether you celebrate something or not around this time i wish you all the best <3

[pizzabookbuying]

there are so many ‘best’ AUs and the ones I label as they best definitely change according to my mood but right now the BEST kind is the kind where the AU reveals that in different circumstances the two characters end up in completely opposite roles in their dynamic because the SOULMATISM of it all—the realization that these people respond EXACTLY the same way to things—THATS EVERYTHING TO ME RIGHT NOW