no bc i keep on thinking how quickly yelan realized what xiao was about to do and tried to stop him but couldn't i just
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It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.
His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.
He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.
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More Murmur Leggy Hit Reacts
Designing animations for characters as strange as the Murmur was one thing, but the challenge of making hit-reacts and status effects for each and every one of them was another feat in itself.
As a gameplay animator, you find yourself asking a lot of questions, like:
"How do i make these guys look on fire and also not stupid?"
"How do i make it react without making it move too much so that players can still hit them?"
"Why are there so many status effects?"
Anyway, yeah, I just thought it would be nice to share some more of these animations we shared at the animation workshop at Tennocon 2024.
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Does anybody else go through periods of obsession with the kink, searching for wavs with your *favorite* snz type, consuming snz fiction like you've never seen a book before, and staying on tumblr for hours...
Interrupted by weeks of not thinking about sex or sneezing at all. Almost feeling normal about it for once.
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Dick: *Found out what Tim did in Robin #52* "YOU KILLED SHIVA?!"
Tim: "Well, I revived her afterwards, so that doesn't count."
Jason: "Oh is THAT how it fucking works?!"
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"What? My body...It's breaking!"
I'm willing to bet you REAL money Bela listened to Alcina's warnings (like a good obedient daughter) and avoided the cold just like her mother said. When she said this line she was genuinely confused and scared at what was happening to her body which tells you that for almost a hundred years she never put herself in any situation where she was exposed to the cold because this is legitimately her first time seeing the cold's effect on her.
Cassandra, on the other hand, did say "I have to get warm" which means that she knows what's happening probably because this is not her first time dealing with the cold and its effect on her (it is probably a mix of rebelling against her mother's rules and finding out the hard way what the cold does to their bodies and also because of some maids' assassination attempts because they always want to start with the most dangerous sister thinking it's actually doable). Anyway, as I was saying, Cassandra wasn't surprised at her body's reaction to the cold because she's been there before and she was kinda used to it but Bela was dealing with it for the first time in her life and she was genuinely scared/surprised at what's happening.
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stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff
and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing
like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)
stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context
while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands
ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is
idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok
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Ted Spankoffski is a character who defines himself through others.
After Jenny leaves, Ted decides to turn himself into a "pushy asshole", as he thinks only pushy assholes what they want (aka love). Rejection pushes him to make a radical change in his life, one so drastic he builds a new version of himself around it, and never lets go of it. He knows he is a pushy asshole, and he enjoys being a pushy asshole. Or at least he did.
During Time Bastard, we see how Ted has grown bitter and sour because of being a pushy asshole. The good things that persona had, aka getting laid, don't work anymore. He's just a shadow of the person he had constructed.
That's why, when Kilgore calls him "time bastard" and he understands how time travel works, he fastly clings to that identity. Not only he has power over others as the time bastard, but he can change the errors of his way and return to Jenny. And even better yet, because he's learned what being a pushy ashole is, and he can show Jenny. Surely this time they'll end up together... Won't they?
I'd lastly want to mention the Hatchetfield Ape-Man. Even though he first wanted Lucy just for her money, he ends up falling in love with her. Ted becomes Cronk to please her, as she loves Cronk, and he can be loved through that persona. He even decides to die as Cronk in the episode, not as Ted. He dismisses his identity just so that he can be loved.
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9-1-1 s8 wishlist:
buck & eddie in danger at the same time but seperated and they both know the other is in danger and it keeps cutting between them being more concerned about the other than their own predicament.
Ravi episode but it's not begins angst it's a breather/comedy episode that's about Ravi having a nice day and being good at his job meanwhile the rest of the 118th are clearly dealing with utter chaos but it's only shown as funny background events.
Eddie begins again. Specifically, cutting between flashbacks of his pre-Christopher relationship with Shannon and various calls involving couples at different stages of their lives, the theme being Eddie facing that even if he could recreate what he had with Shannon and make it work, what they had was young love, he is at a different stage of his life now and holding everything up to teenage romance as his relationship ideal just means missing out on seeing what would actually fit his life now.
Big moment set to music going full cheese w/ Enrique inglesias' Hero playing in the background.
BLIZZARD! If they do autumn/spring airing with a break in between it would be hard to slot in but it could be their big 8a ending? I want LA under multiple feet of freak snowstorm. Bobby is the only one on the team with any real experience of this weather. Let them huddle for warmth!
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Luke is one of those "protagonists with every right to turn villain" who ACTUALLY turned villain.
No wish fulfillment bad guy, no "cool" aesthetic change, no "oh well they aren't really bad".
Just straight up off-the-rail villainy.
He's a kid who's been mistreated for all his life, who lost almost everything and everyone he ever cared about. A kid who broke under the pressure and snapped at everyone around him.
Those who harmed him aswell as those who loved him.
Luke's arc is ugly and broken and realistic. He's the protagonist who broke. The reason you hate him is simply because he didn't break in that cool wish-fulfillment power fantasy way you want your protagonists to break.
But the fandom ain't ready to have that convo yet.
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